LOUIS IX king of France, crusader and saint, depicted reading a book Date: 1215-1270 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-ix-king-of-france-crusader-and-saint-depicted-reading-a-book-105317811.html
RMG39HXB–LOUIS IX king of France, crusader and saint, depicted reading a book Date: 1215-1270
Icon Fragment. Culture: Byzantine or Crusader. Dimensions: L. 1 5/16 in. (3.3 cm); W. 10 3/16 (25.8 cm); D. 7/8 in. (2.2 cm). Date: 1200-1272. This fragment from the lower edge of an icon is all that survives of the only known Byzantine-style icon found at a crusader site and suggests that Crusaders used icons. To the right is a red (purple) shoe decorated with pearls, typical of Byzantine imperial dress. Similar shoes are worn by the Virgin and by archangels, one of whose feet may be pictured here. The barely sandaled feet to the left might be those of Saint John the Forerunner (the Baptist) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/icon-fragment-culture-byzantine-or-crusader-dimensions-l-1-516-in-33-cm-w-10-316-258-cm-d-78-in-22-cm-date-1200-1272-this-fragment-from-the-lower-edge-of-an-icon-is-all-that-survives-of-the-only-known-byzantine-style-icon-found-at-a-crusader-site-and-suggests-that-crusaders-used-icons-to-the-right-is-a-red-purple-shoe-decorated-with-pearls-typical-of-byzantine-imperial-dress-similar-shoes-are-worn-by-the-virgin-and-by-archangels-one-of-whose-feet-may-be-pictured-here-the-barely-sandaled-feet-to-the-left-might-be-those-of-saint-john-the-forerunner-the-baptist-image213260092.html
RMPAXRBT–Icon Fragment. Culture: Byzantine or Crusader. Dimensions: L. 1 5/16 in. (3.3 cm); W. 10 3/16 (25.8 cm); D. 7/8 in. (2.2 cm). Date: 1200-1272. This fragment from the lower edge of an icon is all that survives of the only known Byzantine-style icon found at a crusader site and suggests that Crusaders used icons. To the right is a red (purple) shoe decorated with pearls, typical of Byzantine imperial dress. Similar shoes are worn by the Virgin and by archangels, one of whose feet may be pictured here. The barely sandaled feet to the left might be those of Saint John the Forerunner (the Baptist)
Raymond IV of Toulouse (1041 or 1042 -1105), also known as Raymond of Saint-Gilles, Count of Toulouse, Duke of Narbonne, Margrave of Provence and one of the leaders of the First Crusade. Date: 11th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raymond-iv-of-toulouse-1041-or-1042-1105-also-known-as-raymond-of-image155016761.html
RMK05HCW–Raymond IV of Toulouse (1041 or 1042 -1105), also known as Raymond of Saint-Gilles, Count of Toulouse, Duke of Narbonne, Margrave of Provence and one of the leaders of the First Crusade. Date: 11th century
. English: Philip Fruytiers, Saint Louis as a crusader, oil on panel, 48.1 by 31.5 cm., sold by Sothebys Amsterdam on 14 November 2006 . 17th century. Philip Fruytiers (1610–1666) Alternative names Philip Fruijtiers, P.H. Francken, Philip Fruitiers, Monogrammist PHF Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 10 January 1610 19 June 1666 Location of birth/death Antwerp Antwerp Work period from 1627 until 1666 Work location Antwerp Authority control : Q7183576 VIAF: 10121666 ISNI: 0000 0001 0869 5300 ULAN: 500015252 LCCN: nr2004026315 BN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-philip-fruytiers-saint-louis-as-a-crusader-oil-on-panel-481-by-315-cm-sold-by-sothebys-amsterdam-on-14-november-2006-17th-century-philip-fruytiers-16101666-alternative-names-philip-fruijtiers-ph-francken-philip-fruitiers-monogrammist-phf-description-flemish-painter-draughtsman-printmaker-and-miniaturist-date-of-birthdeath-10-january-1610-19-june-1666-location-of-birthdeath-antwerp-antwerp-work-period-from-1627-until-1666-work-location-antwerp-authority-control-q7183576-viaf10121666-isni0000-0001-0869-5300-ulan500015252-lccnnr2004026315-bn-image185543333.html
RMMNT6BH–. English: Philip Fruytiers, Saint Louis as a crusader, oil on panel, 48.1 by 31.5 cm., sold by Sothebys Amsterdam on 14 November 2006 . 17th century. Philip Fruytiers (1610–1666) Alternative names Philip Fruijtiers, P.H. Francken, Philip Fruitiers, Monogrammist PHF Description Flemish painter, draughtsman, printmaker and miniaturist Date of birth/death 10 January 1610 19 June 1666 Location of birth/death Antwerp Antwerp Work period from 1627 until 1666 Work location Antwerp Authority control : Q7183576 VIAF: 10121666 ISNI: 0000 0001 0869 5300 ULAN: 500015252 LCCN: nr2004026315 BN
Louis IX, King of France (reigned 1226-1270), also known as Saint Louis, crusader in the Holy Land. Depicted here dispensing charity and justice. Date: 1215-1270 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-ix-king-of-france-reigned-1226-1270-also-known-as-saint-louis-105255898.html
RMG36PY6–Louis IX, King of France (reigned 1226-1270), also known as Saint Louis, crusader in the Holy Land. Depicted here dispensing charity and justice. Date: 1215-1270
Unicorn Doorway. Culture: French. Dimensions: Overall: 126 x 65 in. (320 x 165.1 cm). Date: early 16th century. The dark fine-grained volcanic stone typical of the Auvergne region is well suited to the images of a pair of sleek unicorns that support an unidentified coat of arms. In the late fifteenth century, the house belonged to the Knights Hospitaller, a Crusader order with both a military and a charitable mission. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unicorn-doorway-culture-french-dimensions-overall-126-x-65-in-320-x-1651-cm-date-early-16th-century-the-dark-fine-grained-volcanic-stone-typical-of-the-auvergne-region-is-well-suited-to-the-images-of-a-pair-of-sleek-unicorns-that-support-an-unidentified-coat-of-arms-in-the-late-fifteenth-century-the-house-belonged-to-the-knights-hospitaller-a-crusader-order-with-both-a-military-and-a-charitable-mission-museum-metropolitan-museum-of-art-new-york-usa-image213118971.html
RMPAMBBR–Unicorn Doorway. Culture: French. Dimensions: Overall: 126 x 65 in. (320 x 165.1 cm). Date: early 16th century. The dark fine-grained volcanic stone typical of the Auvergne region is well suited to the images of a pair of sleek unicorns that support an unidentified coat of arms. In the late fifteenth century, the house belonged to the Knights Hospitaller, a Crusader order with both a military and a charitable mission. Museum: Metropolitan Museum of Art, New York, USA.
Hagia Sophia basilica. Istanbul. Panoramic view from Galata Tower. Bosphorus Strait in the back. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hagia-sophia-basilica-istanbul-panoramic-view-from-galata-tower-bosphorus-40236388.html
RFC9CWWT–Hagia Sophia basilica. Istanbul. Panoramic view from Galata Tower. Bosphorus Strait in the back.
Creation of Knights of St. John. Induction ceremony of the Knights Hospitaller in a chapel. A Grand Master seated on a throne holds up a pallium sash with cross. Three young men in long gowns with swords kneel before him. Other knights in ruff collars, doublets and hose date the scene to the 15th century before the Dissolution of the Monasteries. Copperplate engraving by Malcolm from an unknown book, London, 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/creation-of-knights-of-st-john-induction-ceremony-of-the-knights-hospitaller-in-a-chapel-a-grand-master-seated-on-a-throne-holds-up-a-pallium-sash-with-cross-three-young-men-in-long-gowns-with-swords-kneel-before-him-other-knights-in-ruff-collars-doublets-and-hose-date-the-scene-to-the-15th-century-before-the-dissolution-of-the-monasteries-copperplate-engraving-by-malcolm-from-an-unknown-book-london-18th-century-image571825735.html
RM2T68WFK–Creation of Knights of St. John. Induction ceremony of the Knights Hospitaller in a chapel. A Grand Master seated on a throne holds up a pallium sash with cross. Three young men in long gowns with swords kneel before him. Other knights in ruff collars, doublets and hose date the scene to the 15th century before the Dissolution of the Monasteries. Copperplate engraving by Malcolm from an unknown book, London, 18th century.
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