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The Minuet Quadrille composed for the Court Balls and respectfully dedicated to the Countess of Jersey by Julien. Illustrated by Brandard. Court dance eighteenth century. Published by Julien, London. Man wearing wig, Shows steps. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-minuet-quadrille-composed-for-the-court-balls-and-respectfully-163032946.htmlRMKD6P56–The Minuet Quadrille composed for the Court Balls and respectfully dedicated to the Countess of Jersey by Julien. Illustrated by Brandard. Court dance eighteenth century. Published by Julien, London. Man wearing wig, Shows steps.
![A Domestic Drama - Act II. - The Victory (of Worth over Wealth) drawn By F. Barnard, 1880. 'Sophia sits and waits, amidst the dancing, That partner of her choice; But sees his odious rival first advancing, And hears a hateful voice: "Miss Winston, really! I shall be delighted"- Thrust forth his awkward arm - "To tread this dance, my steps with yours united In Music's mazy charm?" But, on the other side, her welcome lover, Arriving just in time, To Jaggers speaks - her diffidence to cover - With firmness quite sublime; "Miss Winston, Sir, engaged herself to Me." Sh Stock Photo](https://c8.alamy.com/comp/2SCY55B/a-domestic-drama-act-ii-the-victory-of-worth-over-wealth-drawn-by-f-barnard-1880-sophia-sits-and-waits-amidst-the-dancing-that-partner-of-her-choice-but-sees-his-odious-rival-first-advancing-and-hears-a-hateful-voice-quotmiss-winston-really!-i-shall-be-delightedquot-thrust-forth-his-awkward-arm-quotto-tread-this-dance-my-steps-with-yours-united-in-musics-mazy-charmquot-but-on-the-other-side-her-welcome-lover-arriving-just-in-time-to-jaggers-speaks-her-diffidence-to-cover-with-firmness-quite-sublime-quotmiss-winston-sir-engaged-herself-to-mequot-sh-2SCY55B.jpg "A Domestic Drama - Act II. - The Victory (of Worth over Wealth) drawn By F. Barnard, 1880. 'Sophia sits and waits, amidst the dancing, That partner of her choice; But sees his odious rival first advancing, And hears a hateful voice: "Miss Winston, really! I shall be delighted"- Thrust forth his awkward arm - "To tread this dance, my steps with yours united In Music's mazy charm?" But, on the other side, her welcome lover, Arriving just in time, To Jaggers speaks - her diffidence to cover - With firmness quite sublime; "Miss Winston, Sir, engaged herself to Me." Sh Stock Photo")
A Domestic Drama - Act II. - The Victory (of Worth over Wealth) drawn By F. Barnard, 1880. 'Sophia sits and waits, amidst the dancing, That partner of her choice; But sees his odious rival first advancing, And hears a hateful voice: "Miss Winston, really! I shall be delighted"- Thrust forth his awkward arm - "To tread this dance, my steps with yours united In Music's mazy charm?" But, on the other side, her welcome lover, Arriving just in time, To Jaggers speaks - her diffidence to cover - With firmness quite sublime; "Miss Winston, Sir, engaged herself to Me." Sh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-domestic-drama-act-ii-the-victory-of-worth-over-wealth-drawn-by-f-barnard-1880-sophia-sits-and-waits-amidst-the-dancing-that-partner-of-her-choice-but-sees-his-odious-rival-first-advancing-and-hears-a-hateful-voice-quotmiss-winston-really!-i-shall-be-delightedquot-thrust-forth-his-awkward-arm-quotto-tread-this-dance-my-steps-with-yours-united-in-musics-mazy-charmquot-but-on-the-other-side-her-welcome-lover-arriving-just-in-time-to-jaggers-speaks-her-diffidence-to-cover-with-firmness-quite-sublime-quotmiss-winston-sir-engaged-herself-to-mequot-sh-image644756263.htmlRM2SCY55B–A Domestic Drama - Act II. - The Victory (of Worth over Wealth) drawn By F. Barnard, 1880. 'Sophia sits and waits, amidst the dancing, That partner of her choice; But sees his odious rival first advancing, And hears a hateful voice: "Miss Winston, really! I shall be delighted"- Thrust forth his awkward arm - "To tread this dance, my steps with yours united In Music's mazy charm?" But, on the other side, her welcome lover, Arriving just in time, To Jaggers speaks - her diffidence to cover - With firmness quite sublime; "Miss Winston, Sir, engaged herself to Me." Sh
The Minuet Quadrille composed for the Court Balls and respectfully dedicated to the Countess of Jersey by Julien. Illustrated by Brandard. Court dance eighteenth century. Published by Julien, London. Man wearing wig . Shows steps. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-minuet-quadrille-composed-for-the-court-balls-and-respectfully-163032943.htmlRMKD6P53–The Minuet Quadrille composed for the Court Balls and respectfully dedicated to the Countess of Jersey by Julien. Illustrated by Brandard. Court dance eighteenth century. Published by Julien, London. Man wearing wig . Shows steps.
![Gossip in the first decade of Victoria's reign . Madlle. Carlotta Grissi and M. Perrot, in The Polka at Her MajestysTheatre.—No. i. [///. Lon. News, 27 April, 1844, p. 280.. The Polka.—No. 2. The Polka.—No. 3. 1844] THE POLKA. 239 But it soon became a Drawing-room dance, and it is edify-ing to know exactly how it was danced then. It was foundtoo elaborate, and the number of steps had to be reduced inquantity, and curtailed in quality. But this is the dance asgiven in the Illustrated London News of 11 May: THE DRAWING-ROOM POLKA. We are much gratified in being enabled to lay before ourreaders a Stock Photo](https://c8.alamy.com/comp/2AXCGAC/gossip-in-the-first-decade-of-victorias-reign-madlle-carlotta-grissi-and-m-perrot-in-the-polka-at-her-majestystheatreno-i-lon-news-27-april-1844-p-280-the-polkano-2-the-polkano-3-1844-the-polka-239-but-it-soon-became-a-drawing-room-dance-and-it-is-edify-ing-to-know-exactly-how-it-was-danced-then-it-was-foundtoo-elaborate-and-the-number-of-steps-had-to-be-reduced-inquantity-and-curtailed-in-quality-but-this-is-the-dance-asgiven-in-the-illustrated-london-news-of-11-may-the-drawing-room-polka-we-are-much-gratified-in-being-enabled-to-lay-before-ourreaders-a-2AXCGAC.jpg "Gossip in the first decade of Victoria's reign . Madlle. Carlotta Grissi and M. Perrot, in The Polka at Her MajestysTheatre.—No. i. [///. Lon. News, 27 April, 1844, p. 280.. The Polka.—No. 2. The Polka.—No. 3. 1844] THE POLKA. 239 But it soon became a Drawing-room dance, and it is edify-ing to know exactly how it was danced then. It was foundtoo elaborate, and the number of steps had to be reduced inquantity, and curtailed in quality. But this is the dance asgiven in the Illustrated London News of 11 May: THE DRAWING-ROOM POLKA. We are much gratified in being enabled to lay before ourreaders a Stock Photo")
Gossip in the first decade of Victoria's reign . Madlle. Carlotta Grissi and M. Perrot, in The Polka at Her MajestysTheatre.—No. i. [///. Lon. News, 27 April, 1844, p. 280.. The Polka.—No. 2. The Polka.—No. 3. 1844] THE POLKA. 239 But it soon became a Drawing-room dance, and it is edify-ing to know exactly how it was danced then. It was foundtoo elaborate, and the number of steps had to be reduced inquantity, and curtailed in quality. But this is the dance asgiven in the Illustrated London News of 11 May: THE DRAWING-ROOM POLKA. We are much gratified in being enabled to lay before ourreaders a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gossip-in-the-first-decade-of-victorias-reign-madlle-carlotta-grissi-and-m-perrot-in-the-polka-at-her-majestystheatreno-i-lon-news-27-april-1844-p-280-the-polkano-2-the-polkano-3-1844-the-polka-239-but-it-soon-became-a-drawing-room-dance-and-it-is-edify-ing-to-know-exactly-how-it-was-danced-then-it-was-foundtoo-elaborate-and-the-number-of-steps-had-to-be-reduced-inquantity-and-curtailed-in-quality-but-this-is-the-dance-asgiven-in-the-illustrated-london-news-of-11-may-the-drawing-room-polka-we-are-much-gratified-in-being-enabled-to-lay-before-ourreaders-a-image343254308.htmlRM2AXCGAC–Gossip in the first decade of Victoria's reign . Madlle. Carlotta Grissi and M. Perrot, in The Polka at Her MajestysTheatre.—No. i. [///. Lon. News, 27 April, 1844, p. 280.. The Polka.—No. 2. The Polka.—No. 3. 1844] THE POLKA. 239 But it soon became a Drawing-room dance, and it is edify-ing to know exactly how it was danced then. It was foundtoo elaborate, and the number of steps had to be reduced inquantity, and curtailed in quality. But this is the dance asgiven in the Illustrated London News of 11 May: THE DRAWING-ROOM POLKA. We are much gratified in being enabled to lay before ourreaders a
![The Masquerade Scene from the New Ballet of "Les Metamorphoses", 1850. 'Carlotta Grisi, in the very appropriate character of an exquisite sprite, assuming at each moment some new transformation, and employing in turn every species of fascination, danced as she never did before. She did her spiriting so quaintly and so curiously, her buoyant steps, so graceful and aerial, were withal so eccentric, that the spectators were lost in astonishment. Thus, as a mime and as a dancer she was equally triumphant...This last tableau alone (which we have represented, and which is full of startling Stock Photo](https://c8.alamy.com/comp/2HT692N/the-masquerade-scene-from-the-new-ballet-of-quotles-metamorphosesquot-1850-carlotta-grisi-in-the-very-appropriate-character-of-an-exquisite-sprite-assuming-at-each-moment-some-new-transformation-and-employing-in-turn-every-species-of-fascination-danced-as-she-never-did-before-she-did-her-spiriting-so-quaintly-and-so-curiously-her-buoyant-steps-so-graceful-and-aerial-were-withal-so-eccentric-that-the-spectators-were-lost-in-astonishment-thus-as-a-mime-and-as-a-dancer-she-was-equally-triumphantthis-last-tableau-alone-which-we-have-represented-and-which-is-full-of-startling-2HT692N.jpg "The Masquerade Scene from the New Ballet of "Les Metamorphoses", 1850. 'Carlotta Grisi, in the very appropriate character of an exquisite sprite, assuming at each moment some new transformation, and employing in turn every species of fascination, danced as she never did before. She did her spiriting so quaintly and so curiously, her buoyant steps, so graceful and aerial, were withal so eccentric, that the spectators were lost in astonishment. Thus, as a mime and as a dancer she was equally triumphant...This last tableau alone (which we have represented, and which is full of startling Stock Photo"){kind=icon}
The Masquerade Scene from the New Ballet of "Les Metamorphoses", 1850. 'Carlotta Grisi, in the very appropriate character of an exquisite sprite, assuming at each moment some new transformation, and employing in turn every species of fascination, danced as she never did before. She did her spiriting so quaintly and so curiously, her buoyant steps, so graceful and aerial, were withal so eccentric, that the spectators were lost in astonishment. Thus, as a mime and as a dancer she was equally triumphant...This last tableau alone (which we have represented, and which is full of startling Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-masquerade-scene-from-the-new-ballet-of-quotles-metamorphosesquot-1850-carlotta-grisi-in-the-very-appropriate-character-of-an-exquisite-sprite-assuming-at-each-moment-some-new-transformation-and-employing-in-turn-every-species-of-fascination-danced-as-she-never-did-before-she-did-her-spiriting-so-quaintly-and-so-curiously-her-buoyant-steps-so-graceful-and-aerial-were-withal-so-eccentric-that-the-spectators-were-lost-in-astonishment-thus-as-a-mime-and-as-a-dancer-she-was-equally-triumphantthis-last-tableau-alone-which-we-have-represented-and-which-is-full-of-startling-image462360157.htmlRM2HT692N–The Masquerade Scene from the New Ballet of "Les Metamorphoses", 1850. 'Carlotta Grisi, in the very appropriate character of an exquisite sprite, assuming at each moment some new transformation, and employing in turn every species of fascination, danced as she never did before. She did her spiriting so quaintly and so curiously, her buoyant steps, so graceful and aerial, were withal so eccentric, that the spectators were lost in astonishment. Thus, as a mime and as a dancer she was equally triumphant...This last tableau alone (which we have represented, and which is full of startling
