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Date 1603 Stock Photos and Images
Coronation of James I Date: 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-coronation-of-james-i-date-1603-105279913.htmlRMG37WGW–Coronation of James I Date: 1603
Two figures, a man on the left looking at a woman on the right whose mouth is open, as putti fly overhead. Pen and brown ink, red chalk, brush and gray wash on laid paper. Date: 1603-47. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-figures-a-man-on-the-left-looking-at-a-woman-on-the-right-whose-mouth-is-open-as-putti-fly-overhead-pen-and-brown-ink-red-chalk-brush-and-gray-wash-on-laid-paper-date-1603-47-museum-cooper-hewitt-smithsonian-design-museum-image554747340.htmlRM2R6EWW0–Two figures, a man on the left looking at a woman on the right whose mouth is open, as putti fly overhead. Pen and brown ink, red chalk, brush and gray wash on laid paper. Date: 1603-47. Museum: Cooper Hewitt, Smithsonian Design Museum.
. English: Series Title: Sangrahani Sutra Suite Name: Sangrahani Sutra Creation Date: 1603 Display Dimensions: 4 3/4 in. x 10 5/16 in. (12.1 cm x 26.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.198 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 16:23:08. English: thesandiegomuseumofartcollection Eight small compartments with people and gods in various activities, and the sun (6124519015) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-series-title-sangrahani-sutra-suite-name-sangrahani-sutra-creation-date-1603-display-dimensions-4-34-in-x-10-516-in-121-cm-x-262-cm-credit-line-edwin-binney-3rd-collection-accession-number-1990198-collection-a-href=httpwwwsdmartorgartour-collectionasian-art-rel=nofollowthe-san-diego-museum-of-arta-1-october-2001-162308-english-thesandiegomuseumofartcollection-eight-small-compartments-with-people-and-gods-in-various-activities-and-the-sun-6124519015-image184772211.htmlRMMMH2RF–. English: Series Title: Sangrahani Sutra Suite Name: Sangrahani Sutra Creation Date: 1603 Display Dimensions: 4 3/4 in. x 10 5/16 in. (12.1 cm x 26.2 cm) Credit Line: Edwin Binney 3rd Collection Accession Number: 1990.198 Collection: <a href='http://www.sdmart.org/art/our-collection/asian-art' rel='nofollow'>The San Diego Museum of Art</a> . 1 October 2001, 16:23:08. English: thesandiegomuseumofartcollection Eight small compartments with people and gods in various activities, and the sun (6124519015)
Jug with coat of arms, Stoneware jug on standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The twisted, C-shaped ear is attached to the neck and shoulder. A wide band with incised lines runs from the neck to the middle of the shoulder. Covered with a brown engobe and cobalt blue. On the belly three times a printed and imposed medallion in relief. The middle medallion, flanked by lions, shows a weapon and the date '1603'. On both sides of this a medallion with the national coat of arms, the inscription 'R.R./K.K' and the date '1599'. Frechen., anonymous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-with-coat-of-arms-stoneware-jug-on-standing-surface-with-a-spherical-body-and-narrow-short-neck-part-of-the-neck-is-missing-the-twisted-c-shaped-ear-is-attached-to-the-neck-and-shoulder-a-wide-band-with-incised-lines-runs-from-the-neck-to-the-middle-of-the-shoulder-covered-with-a-brown-engobe-and-cobalt-blue-on-the-belly-three-times-a-printed-and-imposed-medallion-in-relief-the-middle-medallion-flanked-by-lions-shows-a-weapon-and-the-date-1603-on-both-sides-of-this-a-medallion-with-the-national-coat-of-arms-the-inscription-rrkk-and-the-date-1599-frechen-anonymous-image261357006.htmlRMW55REP–Jug with coat of arms, Stoneware jug on standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The twisted, C-shaped ear is attached to the neck and shoulder. A wide band with incised lines runs from the neck to the middle of the shoulder. Covered with a brown engobe and cobalt blue. On the belly three times a printed and imposed medallion in relief. The middle medallion, flanked by lions, shows a weapon and the date '1603'. On both sides of this a medallion with the national coat of arms, the inscription 'R.R./K.K' and the date '1599'. Frechen., anonymous
Jonge kraanvogel Young crane object type: Drawing Object number: AK-MAK 910 Manufacturer : artist: anonymous place manufacture: Japan Date: 1603 - 1868School / style: Edo period (1600-1868) Physical characteristics: Brush in black material: paper Technique: brush dimensions: h 362 mm × W 271 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jonge-kraanvogel-young-crane-object-type-drawing-object-number-ak-mak-910-manufacturer-artist-anonymous-place-manufacture-japan-date-1603-1868school-style-edo-period-1600-1868-physical-characteristics-brush-in-black-material-paper-technique-brush-dimensions-h-362-mm-w-271-mm-image348465112.htmlRM2B6WXPG–Jonge kraanvogel Young crane object type: Drawing Object number: AK-MAK 910 Manufacturer : artist: anonymous place manufacture: Japan Date: 1603 - 1868School / style: Edo period (1600-1868) Physical characteristics: Brush in black material: paper Technique: brush dimensions: h 362 mm × W 271 mm
HEINRICH LANGENBECK German statesman of Braunschweig-Luneburg Colourised version of : 10162702 Date: 1603 - 1669 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heinrich-langenbeck-german-statesman-of-braunschweig-luneburg-colourised-version-of-10162702-date-1603-1669-image472810094.htmlRM2JD6A2P–HEINRICH LANGENBECK German statesman of Braunschweig-Luneburg Colourised version of : 10162702 Date: 1603 - 1669
Illustration showing The Union Jack, or Union Flag, is the national flag of the United Kingdom. The origins of the earlier flag of Great Britain date back to 1606. James VI of Scotland had inherited the English and Irish thrones in 1603 as James I, thereby uniting the crowns of England, Scotland, and Ireland. The present design of the Union Flag dates from a Royal proclamation following the union of Great Britain and Ireland in 1801. The flag combines aspects of three older national flags: the red cross of St George for the Kingdom of England, the white saltire of St Andrew for Scotland, and t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-the-union-jack-or-union-flag-is-the-national-flag-of-the-united-kingdom-the-origins-of-the-earlier-flag-of-great-britain-date-back-to-1606-james-vi-of-scotland-had-inherited-the-english-and-irish-thrones-in-1603-as-james-i-thereby-uniting-the-crowns-of-england-scotland-and-ireland-the-present-design-of-the-union-flag-dates-from-a-royal-proclamation-following-the-union-of-great-britain-and-ireland-in-1801-the-flag-combines-aspects-of-three-older-national-flags-the-red-cross-of-st-george-for-the-kingdom-of-england-the-white-saltire-of-st-andrew-for-scotland-and-t-image377042539.htmlRM2CWBNGY–Illustration showing The Union Jack, or Union Flag, is the national flag of the United Kingdom. The origins of the earlier flag of Great Britain date back to 1606. James VI of Scotland had inherited the English and Irish thrones in 1603 as James I, thereby uniting the crowns of England, Scotland, and Ireland. The present design of the Union Flag dates from a Royal proclamation following the union of Great Britain and Ireland in 1801. The flag combines aspects of three older national flags: the red cross of St George for the Kingdom of England, the white saltire of St Andrew for Scotland, and t
Jug (Bartmann jug) with the coat of arms of Amsterdam, anonymous, c. 1603 - c. 1625 Jug of stoneware on standing surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown Engobe. On the abdomen in relief three times a printed and imposed medallion with the crowned weapon of Amsterdam and the date '1603'. The neck with a bearded man in relief; The beard continuously on the shoulder. Frechten. Cheek stoneware. glaze. engobe vitrification Jug of stoneware on standing surface with a spherical body and narrow nec Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-the-coat-of-arms-of-amsterdam-anonymous-c-1603-c-1625-jug-of-stoneware-on-standing-surface-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-abdomen-in-relief-three-times-a-printed-and-imposed-medallion-with-the-crowned-weapon-of-amsterdam-and-the-date-1603-the-neck-with-a-bearded-man-in-relief-the-beard-continuously-on-the-shoulder-frechten-cheek-stoneware-glaze-engobe-vitrification-jug-of-stoneware-on-standing-surface-with-a-spherical-body-and-narrow-nec-image576323623.htmlRM2TDHPJF–Jug (Bartmann jug) with the coat of arms of Amsterdam, anonymous, c. 1603 - c. 1625 Jug of stoneware on standing surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown Engobe. On the abdomen in relief three times a printed and imposed medallion with the crowned weapon of Amsterdam and the date '1603'. The neck with a bearded man in relief; The beard continuously on the shoulder. Frechten. Cheek stoneware. glaze. engobe vitrification Jug of stoneware on standing surface with a spherical body and narrow nec
blue 1603 number 3d effect white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blue-1603-number-3d-effect-white-background-image444681317.htmlRF2GRCYFH–blue 1603 number 3d effect white background
. English: Simon Paulli (1603-1680) . Unknown date. Unknown 559 Simon Paulli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-simon-paulli-1603-1680-unknown-date-unknown-559-simon-paulli-image187484426.htmlRMMW0J8A–. English: Simon Paulli (1603-1680) . Unknown date. Unknown 559 Simon Paulli
Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-tombeaux-saadiens-the-saadian-tombs-marrakech-morocco-date-back-image62163553.htmlRMDH3P6W–Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603)
The Sixteen Luohans, spurious date of 1634. Ming (1368-1644) or Qing dynasty (1644-1911); or Japan, Edo period (1603-1868) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sixteen-luohans-spurious-date-of-1634-ming-1368-1644-or-qing-dynasty-1644-1911-or-japan-edo-period-1603-1868-image336840346.htmlRM2AG0B8A–The Sixteen Luohans, spurious date of 1634. Ming (1368-1644) or Qing dynasty (1644-1911); or Japan, Edo period (1603-1868)
Elisabeth I. (1533-1603), Königin von England ab 1558, Tochter von Heinrich VIII. und Anne Boleyn, war die letzte Tudor-Königin, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-ab-1558-tochter-von-heinrich-viii-und-anne-boleyn-war-die-letzte-tudor-knigin-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593313871.htmlRF2WD7NW3–Elisabeth I. (1533-1603), Königin von England ab 1558, Tochter von Heinrich VIII. und Anne Boleyn, war die letzte Tudor-Königin, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Red gable with crane dormer, year 1603 and weather vane from Hotel Eisenhut, roof ridge, detail, half-timbered house, view upwards, red, market Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-gable-with-crane-dormer-year-1603-and-weather-vane-from-hotel-eisenhut-roof-ridge-detail-half-timbered-house-view-upwards-red-market-image599832570.htmlRM2WRTMFP–Red gable with crane dormer, year 1603 and weather vane from Hotel Eisenhut, roof ridge, detail, half-timbered house, view upwards, red, market
Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oak-apple-day-in-great-wishford-29th-may-2019-where-villagers-reassert-there-ancient-rights-to-gather-wood-from-grovely-wood-these-rights-date-back-to-the-middle-ages-and-were-confirmed-by-a-forest-court-charter-in-1603-villagers-also-take-part-in-a-ceremony-in-salisbury-cathedral-where-this-year-gaia-features-a-120dpi-detailed-nasa-imagery-of-the-earths-surface-an-art-instilation-by-by-luke-jerram-image247770254.htmlRMTB2WDJ–Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram.
Gouda, Netherlands. Stadhuis (town hall - 1450) Detail of main staircase with date built (1603) and statue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gouda-netherlands-stadhuis-town-hall-1450-detail-of-main-staircase-36188401.htmlRMC2TEJW–Gouda, Netherlands. Stadhuis (town hall - 1450) Detail of main staircase with date built (1603) and statue
A Woman of the Time of Queen Elizabeth (1558 - 1603) from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-of-the-time-of-queen-elizabeth-1558-1603-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508608927.htmlRF2MFD3TF–A Woman of the Time of Queen Elizabeth (1558 - 1603) from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
. Elgin past and present : a historical guide / by Herbert B. Mackintosh. inscription only, in Gothic letters,)it jacrnt itobtlie .......... atlta. ct. robe rt. frat. (eius) ? cantor. orate. p. ata..... (4) A stone with shield bearing impaled arms (Fig. 32):—Three hollyleaves (Irvine), impaling, Three boar heads couped (Gordon). InitialsD. I. and E. G. Some way beneath the shield, a skull and thigh bone,and under that the date 1603, which is really the conclusion of themarginal inscription, viz. :— HEIR. LYIS. ANE. HONORABIL . VOMAN . ELEZABETH . GORDOVNE. SPOVS . TO . DONALD . IRVIN . QVHA . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elgin-past-and-present-a-historical-guide-by-herbert-b-mackintosh-inscription-only-in-gothic-lettersit-jacrnt-itobtlie-atlta-ct-robe-rt-frat-eius-cantor-orate-p-ata-4-a-stone-with-shield-bearing-impaled-arms-fig-32three-hollyleaves-irvine-impaling-three-boar-heads-couped-gordon-initialsd-i-and-e-g-some-way-beneath-the-shield-a-skull-and-thigh-boneand-under-that-the-date-1603-which-is-really-the-conclusion-of-themarginal-inscription-viz-heir-lyis-ane-honorabil-voman-elezabeth-gordovne-spovs-to-donald-irvin-qvha-image336847402.htmlRM2AG0M8A–. Elgin past and present : a historical guide / by Herbert B. Mackintosh. inscription only, in Gothic letters,)it jacrnt itobtlie .......... atlta. ct. robe rt. frat. (eius) ? cantor. orate. p. ata..... (4) A stone with shield bearing impaled arms (Fig. 32):—Three hollyleaves (Irvine), impaling, Three boar heads couped (Gordon). InitialsD. I. and E. G. Some way beneath the shield, a skull and thigh bone,and under that the date 1603, which is really the conclusion of themarginal inscription, viz. :— HEIR. LYIS. ANE. HONORABIL . VOMAN . ELEZABETH . GORDOVNE. SPOVS . TO . DONALD . IRVIN . QVHA .
The Saadian tombs date from 1578 - 1603 The tombs were discovered in 1917 and restored MARRAKESH MOROCCO Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-saadian-tombs-date-from-1578-1603-the-tombs-were-discovered-in-21828227.htmlRMB7EA3F–The Saadian tombs date from 1578 - 1603 The tombs were discovered in 1917 and restored MARRAKESH MOROCCO
WILLIAM GILBERT doctor and scientist, Date: 1540 - 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-william-gilbert-doctor-and-scientist-date-1540-1603-105284057.htmlRMG382TW–WILLIAM GILBERT doctor and scientist, Date: 1540 - 1603
Two Partially Draped Male Figures in a Pendentive. Artist: attributed to Giovanni Battista Carlone (Italian, Genoa 1603-1684 Genoa). Dimensions: 11 7/16 x 9 3/16in. (29 x 23.3cm). Date: 1603-84. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-partially-draped-male-figures-in-a-pendentive-artist-attributed-to-giovanni-battista-carlone-italian-genoa-1603-1684-genoa-dimensions-11-716-x-9-316in-29-x-233cm-date-1603-84-museum-metropolitan-museum-of-art-new-york-usa-image212914731.htmlRMPAB2WF–Two Partially Draped Male Figures in a Pendentive. Artist: attributed to Giovanni Battista Carlone (Italian, Genoa 1603-1684 Genoa). Dimensions: 11 7/16 x 9 3/16in. (29 x 23.3cm). Date: 1603-84. Museum: Metropolitan Museum of Art, New York, USA.
San Giuseppe di Copertino(1603-1663) is levitated to the altar while he celebrates mass, c. 1660. Date: circa 1660 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-san-giuseppe-di-copertino1603-1663-is-levitated-to-the-altar-while-105280770.htmlRMG37XKE–San Giuseppe di Copertino(1603-1663) is levitated to the altar while he celebrates mass, c. 1660. Date: circa 1660
Jug (Bartmann jug) with the coat of arms of Amsterdam, Stoneware jug on stand with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed medallion with the crowned coat of arms of Amsterdam and the date '1603'. The neck with a bearded man in relief, the beard continuously on the shoulder. Frechen., anonymous, Frechen, c. 1603 - c. 1625, stoneware, glaze, engobe, vitrification, h 15.9 cm d 3.3 cm d 12.6 cm d 6.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-the-coat-of-arms-of-amsterdam-stoneware-jug-on-stand-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-belly-in-relief-three-times-a-printed-and-imposed-medallion-with-the-crowned-coat-of-arms-of-amsterdam-and-the-date-1603-the-neck-with-a-bearded-man-in-relief-the-beard-continuously-on-the-shoulder-frechen-anonymous-frechen-c-1603-c-1625-stoneware-glaze-engobe-vitrification-h-159-cm-d-33-cm-d-126-cm-d-66-cm-image261373499.htmlRMW56GFR–Jug (Bartmann jug) with the coat of arms of Amsterdam, Stoneware jug on stand with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed medallion with the crowned coat of arms of Amsterdam and the date '1603'. The neck with a bearded man in relief, the beard continuously on the shoulder. Frechen., anonymous, Frechen, c. 1603 - c. 1625, stoneware, glaze, engobe, vitrification, h 15.9 cm d 3.3 cm d 12.6 cm d 6.6 cm
Haven met hengelaar A port with some fishing boats. In the foreground, an angler on the kade. Manufacturer : printmaker Abraham Casembrootnaar own design: Abraham CasembrootPlaats manufacture: Southern Netherlands Date: 1603 - 1658 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 79mm × W 140 mm Subject: harbor fisherman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/haven-met-hengelaar-a-port-with-some-fishing-boats-in-the-foreground-an-angler-on-the-kade-manufacturer-printmaker-abraham-casembrootnaar-own-design-abraham-casembrootplaats-manufacture-southern-netherlands-date-1603-1658-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-79mm-w-140-mm-subject-harbor-fisherman-image348426545.htmlRM2B6T5H5–Haven met hengelaar A port with some fishing boats. In the foreground, an angler on the kade. Manufacturer : printmaker Abraham Casembrootnaar own design: Abraham CasembrootPlaats manufacture: Southern Netherlands Date: 1603 - 1658 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 79mm × W 140 mm Subject: harbor fisherman
PAULUS DU PONT (also known as Pontius) eminent Flemish engraver Colourised version of : 10172860 Date: 1603 - 1658 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-du-pont-also-known-as-pontius-eminent-flemish-engraver-colourised-version-of-10172860-date-1603-1658-image472812262.htmlRM2JD6CT6–PAULUS DU PONT (also known as Pontius) eminent Flemish engraver Colourised version of : 10172860 Date: 1603 - 1658
Bloom nautical Zilveren penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Material: zilver Techniek: slaan Dimensions: d 3 cm. × g 62 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bloom-nautical-zilveren-penning-voorzijde-driemaster-op-zee-binnen-omschrift-keerzijde-gekroond-wapenschild-in-cartouche-binnen-omschrift-manufacturer-anoniemplaats-manufacture-middelburg-dating-1603-material-zilver-techniek-slaan-dimensions-d-3-cm-g-62-grtoelichtingpenning-geslagen-op-last-van-de-staten-van-zeeland-date-1603-1603-image348204197.htmlRM2B6E205–Bloom nautical Zilveren penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Material: zilver Techniek: slaan Dimensions: d 3 cm. × g 62 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603
Illustration showing The Union Jack, or Union Flag, is the national flag of the United Kingdom 1603 version.. The origins of the earlier flag of Great Britain date back to 1606. James VI of Scotland had inherited the English and Irish thrones in 1603 as James I, thereby uniting the crowns of England, Scotland, and Ireland. The present design of the Union Flag dates from a Royal proclamation following the union of Great Britain and Ireland in 1801. The flag combines aspects of three older national flags: the red cross of St George for the Kingdom of England, the white saltire of St Andrew for S Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-showing-the-union-jack-or-union-flag-is-the-national-flag-of-the-united-kingdom-1603-version-the-origins-of-the-earlier-flag-of-great-britain-date-back-to-1606-james-vi-of-scotland-had-inherited-the-english-and-irish-thrones-in-1603-as-james-i-thereby-uniting-the-crowns-of-england-scotland-and-ireland-the-present-design-of-the-union-flag-dates-from-a-royal-proclamation-following-the-union-of-great-britain-and-ireland-in-1801-the-flag-combines-aspects-of-three-older-national-flags-the-red-cross-of-st-george-for-the-kingdom-of-england-the-white-saltire-of-st-andrew-for-s-image377042558.htmlRM2CWBNHJ–Illustration showing The Union Jack, or Union Flag, is the national flag of the United Kingdom 1603 version.. The origins of the earlier flag of Great Britain date back to 1606. James VI of Scotland had inherited the English and Irish thrones in 1603 as James I, thereby uniting the crowns of England, Scotland, and Ireland. The present design of the Union Flag dates from a Royal proclamation following the union of Great Britain and Ireland in 1801. The flag combines aspects of three older national flags: the red cross of St George for the Kingdom of England, the white saltire of St Andrew for S
Landscape with ruin object type: drawing Object number: RP-T-1919-60 Manufacturer : draftsman: Jan van de Velde (II) Date: 1603 - 1641 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 150 mm × W 303 mm Subject: landscape with gelding ruin of a building architecture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-ruin-object-type-drawing-object-number-rp-t-1919-60-manufacturer-draftsman-jan-van-de-velde-ii-date-1603-1641-physical-characteristics-pen-in-brown-material-paper-ink-technique-pen-dimensions-h-150-mm-w-303-mm-subject-landscape-with-gelding-ruin-of-a-building-architecture-image348546620.htmlRM2B71JNG–Landscape with ruin object type: drawing Object number: RP-T-1919-60 Manufacturer : draftsman: Jan van de Velde (II) Date: 1603 - 1641 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 150 mm × W 303 mm Subject: landscape with gelding ruin of a building architecture
Jug with coat of arms, anonymous, c. 1599 - c. 1610 Jug of stoneware on the standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The getting c-shaped ear is attached to the neck and shoulder. A broad bond with lines of the neck runs from the neck to halfway through the shoulder. Covered with a brown engobe and cobalt blue. On the abdomen three times printed and imposed medallion in relief. The middle medallion, flanked by Leeuwen, shows a weapon and the date '1603'. On either side of this a medallion with the national weapon, the inscription 'R.R./K.K' an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-with-coat-of-arms-anonymous-c-1599-c-1610-jug-of-stoneware-on-the-standing-surface-with-a-spherical-body-and-narrow-short-neck-part-of-the-neck-is-missing-the-getting-c-shaped-ear-is-attached-to-the-neck-and-shoulder-a-broad-bond-with-lines-of-the-neck-runs-from-the-neck-to-halfway-through-the-shoulder-covered-with-a-brown-engobe-and-cobalt-blue-on-the-abdomen-three-times-printed-and-imposed-medallion-in-relief-the-middle-medallion-flanked-by-leeuwen-shows-a-weapon-and-the-date-1603-on-either-side-of-this-a-medallion-with-the-national-weapon-the-inscription-rrkk-an-image576522469.htmlRM2TDXT85–Jug with coat of arms, anonymous, c. 1599 - c. 1610 Jug of stoneware on the standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The getting c-shaped ear is attached to the neck and shoulder. A broad bond with lines of the neck runs from the neck to halfway through the shoulder. Covered with a brown engobe and cobalt blue. On the abdomen three times printed and imposed medallion in relief. The middle medallion, flanked by Leeuwen, shows a weapon and the date '1603'. On either side of this a medallion with the national weapon, the inscription 'R.R./K.K' an
. English: Simon Paulli (1603-1680) . Unknown date. Unknown 489 Simon Paulli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-simon-paulli-1603-1680-unknown-date-unknown-489-simon-paulli-image188746072.htmlRMMY23F4–. English: Simon Paulli (1603-1680) . Unknown date. Unknown 489 Simon Paulli
James VI of Scotland enters London, to the plaudits of the populace who soon see him crowned as James I of England despite his disapproval of tobacco and witchcraft Date: May 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-vi-of-scotland-enters-london-to-the-plaudits-of-the-populace-105349750.htmlRMG3B2K2–James VI of Scotland enters London, to the plaudits of the populace who soon see him crowned as James I of England despite his disapproval of tobacco and witchcraft Date: May 1603
Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-tombeaux-saadiens-the-saadian-tombs-marrakech-morocco-date-back-image62163593.htmlRMDH3P89–Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603)
Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414-1492), 1603-1607. This page illustrates two episodes from the story of Joseph and Zulaykha. In the first, Zulaykha awaits Joseph in the house she has built for them. She has painted the walls with romantic scenes and dressed herself alluringly with the intention of seducing him. The artist has discreetly inserted his name and the painting’s date in a brick of the house at the upper left. The virtuous Joseph, with flaming halo and eternally youthful features, re Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zulaykha-in-her-palace-and-as-an-old-woman-with-joseph-from-a-panj-ganj-five-treasures-of-abd-al-rahman-jami-persian-1414-1492-1603-1607-this-page-illustrates-two-episodes-from-the-story-of-joseph-and-zulaykha-in-the-first-zulaykha-awaits-joseph-in-the-house-she-has-built-for-them-she-has-painted-the-walls-with-romantic-scenes-and-dressed-herself-alluringly-with-the-intention-of-seducing-him-the-artist-has-discreetly-inserted-his-name-and-the-paintingx2019s-date-in-a-brick-of-the-house-at-the-upper-left-the-virtuous-joseph-with-flaming-halo-and-eternally-youthful-features-re-image330136267.htmlRM2A5304Y–Zulaykha in her palace and as an old woman with Joseph, from a Panj Ganj (Five Treasures) of Abd al- Rahman Jami (Persian, 1414-1492), 1603-1607. This page illustrates two episodes from the story of Joseph and Zulaykha. In the first, Zulaykha awaits Joseph in the house she has built for them. She has painted the walls with romantic scenes and dressed herself alluringly with the intention of seducing him. The artist has discreetly inserted his name and the painting’s date in a brick of the house at the upper left. The virtuous Joseph, with flaming halo and eternally youthful features, re
Jakob VI. von Schottland ab 1567 und Jakob I. von England und Irland ab 1603 (1566-1625), Sohn von Maria, Königin der Schotten, war der erste Stuart-Monarch des Vereinigten Königreichs, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jakob-vi-von-schottland-ab-1567-und-jakob-i-von-england-und-irland-ab-1603-1566-1625-sohn-von-maria-knigin-der-schotten-war-der-erste-stuart-monarch-des-vereinigten-knigreichs-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593313879.htmlRF2WD7NWB–Jakob VI. von Schottland ab 1567 und Jakob I. von England und Irland ab 1603 (1566-1625), Sohn von Maria, Königin der Schotten, war der erste Stuart-Monarch des Vereinigten Königreichs, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oak-apple-day-in-great-wishford-29th-may-2019-where-villagers-reassert-there-ancient-rights-to-gather-wood-from-grovely-wood-these-rights-date-back-to-the-middle-ages-and-were-confirmed-by-a-forest-court-charter-in-1603-villagers-also-take-part-in-a-ceremony-in-salisbury-cathedral-where-this-year-gaia-features-a-120dpi-detailed-nasa-imagery-of-the-earths-surface-an-art-instilation-by-by-luke-jerram-image247768564.htmlRMTB2R98–Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram.
Paulus Pontius 1603-1658 flämischer Künstler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paulus-pontius-1603-1658-flmischer-knstler-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593867352.htmlRF2WE4YT8–Paulus Pontius 1603-1658 flämischer Künstler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
A Woman of the Time of Queen Elizabeth (1558 - 1603) from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-of-the-time-of-queen-elizabeth-1558-1603-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508609069.htmlRF2MFD41H–A Woman of the Time of Queen Elizabeth (1558 - 1603) from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Elisabeth I., 1533-1603. Königin von England 1558-1603, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-1558-1603-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596642451.htmlRF2WJKBEY–Elisabeth I., 1533-1603. Königin von England 1558-1603, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Gouda, Netherlands. Stadhuis (town hall - 1450) Detail of main staircase with date built (1603) and statue Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gouda-netherlands-stadhuis-town-hall-1450-detail-of-main-staircase-36188377.htmlRMC2TEJ1–Gouda, Netherlands. Stadhuis (town hall - 1450) Detail of main staircase with date built (1603) and statue
Two Partially Draped Male Figures in a Pendentive. Artist: attributed to Giovanni Battista Carlone (Italian, Genoa 1603-1684 Genoa). Dimensions: 11 5/16 x 8 7/8in. (28.7 x 22.5cm). Date: 1603-84. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-partially-draped-male-figures-in-a-pendentive-artist-attributed-to-giovanni-battista-carlone-italian-genoa-1603-1684-genoa-dimensions-11-516-x-8-78in-287-x-225cm-date-1603-84-museum-metropolitan-museum-of-art-new-york-usa-image213107992.htmlRMPAKWBM–Two Partially Draped Male Figures in a Pendentive. Artist: attributed to Giovanni Battista Carlone (Italian, Genoa 1603-1684 Genoa). Dimensions: 11 5/16 x 8 7/8in. (28.7 x 22.5cm). Date: 1603-84. Museum: Metropolitan Museum of Art, New York, USA.
Elisabeth I., 1533-1603 Königin von England 1558-1603, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-1558-1603-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593335922.htmlRF2WD8P0J–Elisabeth I., 1533-1603 Königin von England 1558-1603, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Jug (Bartmann jug) with a coat of arms, Jug (beard-man jug) of stoneware on a stand surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by lions and the date '1603'. On the neck, continuous on the shoulder, a beard man. Frechen, beard, armorial bearing, heraldry, anonymous, Frechen, c. 1603 - c. 1610, stoneware, glaze, engobe, cobalt (mineral), vitrification, h 38 cm × d 27 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-a-coat-of-arms-jug-beard-man-jug-of-stoneware-on-a-stand-surface-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-belly-in-relief-three-times-a-printed-and-imposed-and-imposed-medallion-with-a-crowned-weapon-flanked-by-lions-and-the-date-1603-on-the-neck-continuous-on-the-shoulder-a-beard-man-frechen-beard-armorial-bearing-heraldry-anonymous-frechen-c-1603-c-1610-stoneware-glaze-engobe-cobalt-mineral-vitrification-h-38-cm-d-27-cm-image261357582.htmlRMW55T7A–Jug (Bartmann jug) with a coat of arms, Jug (beard-man jug) of stoneware on a stand surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by lions and the date '1603'. On the neck, continuous on the shoulder, a beard man. Frechen, beard, armorial bearing, heraldry, anonymous, Frechen, c. 1603 - c. 1610, stoneware, glaze, engobe, cobalt (mineral), vitrification, h 38 cm × d 27 cm
Jug with coat of arms, Stoneware jug on standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The twisted, C-shaped ear is attached to the neck and shoulder. A wide band with incised lines runs from the neck to the middle of the shoulder. Covered with a brown engobe and cobalt blue. On the belly three times a printed and imposed medallion in relief. The middle medallion, flanked by lions, shows a weapon and the date '1603'. On both sides of this a medallion with the national coat of arms, the inscription 'R.R./K.K' and the date '1599'. Frechen., anonymous, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-with-coat-of-arms-stoneware-jug-on-standing-surface-with-a-spherical-body-and-narrow-short-neck-part-of-the-neck-is-missing-the-twisted-c-shaped-ear-is-attached-to-the-neck-and-shoulder-a-wide-band-with-incised-lines-runs-from-the-neck-to-the-middle-of-the-shoulder-covered-with-a-brown-engobe-and-cobalt-blue-on-the-belly-three-times-a-printed-and-imposed-medallion-in-relief-the-middle-medallion-flanked-by-lions-shows-a-weapon-and-the-date-1603-on-both-sides-of-this-a-medallion-with-the-national-coat-of-arms-the-inscription-rrkk-and-the-date-1599-frechen-anonymous-image349966509.htmlRF2B9A9RW–Jug with coat of arms, Stoneware jug on standing surface with a spherical body and narrow, short neck. Part of the neck is missing. The twisted, C-shaped ear is attached to the neck and shoulder. A wide band with incised lines runs from the neck to the middle of the shoulder. Covered with a brown engobe and cobalt blue. On the belly three times a printed and imposed medallion in relief. The middle medallion, flanked by lions, shows a weapon and the date '1603'. On both sides of this a medallion with the national coat of arms, the inscription 'R.R./K.K' and the date '1599'. Frechen., anonymous,
SIR HARBOTTLE GRIMSTON Judge, Master of the Rolls and speaker of the House of Commons. Colourised version of : 10160025 Date: 1603 - 1685 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-harbottle-grimston-judge-master-of-the-rolls-and-speaker-of-the-house-of-commons-colourised-version-of-10160025-date-1603-1685-image472809081.htmlRM2JD68PH–SIR HARBOTTLE GRIMSTON Judge, Master of the Rolls and speaker of the House of Commons. Colourised version of : 10160025 Date: 1603 - 1685
Kitchen Still Life Date: c. 1640 Artist: Paolo Antonio Barbieri, attributed to Italian, 1603–1649 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kitchen-still-life-date-c-1640-artist-paolo-antonio-barbieri-attributed-to-italian-16031649-image551193112.htmlRF2R0N0C8–Kitchen Still Life Date: c. 1640 Artist: Paolo Antonio Barbieri, attributed to Italian, 1603–1649
Marrakesh, Morocco - January 2004; The Saadian tombs in Marrakech date back to the time of the sultan Ahmad al-Mansur (1578-1603). This serene mortuar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marrakesh-morocco-january-2004-the-saadian-tombs-in-marrakech-date-back-to-the-time-of-the-sultan-ahmad-al-mansur-1578-1603-this-serene-mortuar-image443118181.htmlRM2GMWNN9–Marrakesh, Morocco - January 2004; The Saadian tombs in Marrakech date back to the time of the sultan Ahmad al-Mansur (1578-1603). This serene mortuar
The text in the middle of a frame of calligraphic ornamentation. From series of 34 bladen. Manufacturer : to a design by: Cornelis Dircksz. Bois Sens (listed building) printmaker: anonymous editor: anonymous place manufacture: Amsterdam (possible) Date: 1603 Material: paper Technique: engra (printing process) Dimensions: plate edge: H 192 mm × W 178 mm Subject: calligraphy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-text-in-the-middle-of-a-frame-of-calligraphic-ornamentation-from-series-of-34-bladen-manufacturer-to-a-design-by-cornelis-dircksz-bois-sens-listed-building-printmaker-anonymous-editor-anonymous-place-manufacture-amsterdam-possible-date-1603-material-paper-technique-engra-printing-process-dimensions-plate-edge-h-192-mm-w-178-mm-subject-calligraphy-image348490151.htmlRM2B6Y2MR–The text in the middle of a frame of calligraphic ornamentation. From series of 34 bladen. Manufacturer : to a design by: Cornelis Dircksz. Bois Sens (listed building) printmaker: anonymous editor: anonymous place manufacture: Amsterdam (possible) Date: 1603 Material: paper Technique: engra (printing process) Dimensions: plate edge: H 192 mm × W 178 mm Subject: calligraphy
Jug (Bartmann jug) with a coat of arms, anonymous, c. 1603 - c. 1610 Jug (beard fancier bush) of stoneware on the standing surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown Engobe. On the abdomen in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by Leeuwen and the date '1603'. On the neck, continuously on the shoulder, a bearded man. Frechten. Cheek stoneware. glaze. engobe. cobalt (mineral) vitrification Jug (beard fancier bush) of stoneware on the stand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-a-coat-of-arms-anonymous-c-1603-c-1610-jug-beard-fancier-bush-of-stoneware-on-the-standing-surface-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-abdomen-in-relief-three-times-a-printed-and-imposed-and-imposed-medallion-with-a-crowned-weapon-flanked-by-leeuwen-and-the-date-1603-on-the-neck-continuously-on-the-shoulder-a-bearded-man-frechten-cheek-stoneware-glaze-engobe-cobalt-mineral-vitrification-jug-beard-fancier-bush-of-stoneware-on-the-stand-image579825727.htmlRM2TK99HK–Jug (Bartmann jug) with a coat of arms, anonymous, c. 1603 - c. 1610 Jug (beard fancier bush) of stoneware on the standing surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown Engobe. On the abdomen in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by Leeuwen and the date '1603'. On the neck, continuously on the shoulder, a bearded man. Frechten. Cheek stoneware. glaze. engobe. cobalt (mineral) vitrification Jug (beard fancier bush) of stoneware on the stand
Flowering of the nautical Koperen penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 3,1 cm. × g 5,96 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flowering-of-the-nautical-koperen-penning-voorzijde-driemaster-op-zee-binnen-omschrift-keerzijde-gekroond-wapenschild-in-cartouche-binnen-omschrift-manufacturer-anoniemplaats-manufacture-middelburg-dating-1603-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-31-cm-g-596-grtoelichtingpenning-geslagen-op-last-van-de-staten-van-zeeland-date-1603-1603-image348204225.htmlRM2B6E215–Flowering of the nautical Koperen penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 3,1 cm. × g 5,96 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603
. English: Simon Paulli (1603-1680) . Unknown date. Unknown 560 Simon Paulli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-simon-paulli-1603-1680-unknown-date-unknown-560-simon-paulli-image187984910.htmlRMMWRCJP–. English: Simon Paulli (1603-1680) . Unknown date. Unknown 560 Simon Paulli
Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-tombeaux-saadiens-the-saadian-tombs-marrakech-morocco-date-back-image62163466.htmlRMDH3P3P–Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603)
. Svenska: Lennart Torstenson, 1603-1651 . Unknown date 367 Lennart Torstenson, 1603-1651 - Nationalmuseum - 15626 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/svenska-lennart-torstenson-1603-1651-unknown-date-367-lennart-torstenson-1603-1651-nationalmuseum-15626-image188127307.htmlRMMX1X8B–. Svenska: Lennart Torstenson, 1603-1651 . Unknown date 367 Lennart Torstenson, 1603-1651 - Nationalmuseum - 15626
Ulrik III, 1527-1603, Duke of Mecklenburg-Schwerin Elisabeth, 1524-1586, Princess of Denmark, unknown date. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ulrik-iii-1527-1603-duke-of-mecklenburg-schwerin-elisabeth-1524-1586-princess-of-denmark-unknown-date-image565255784.htmlRM2RRHHEG–Ulrik III, 1527-1603, Duke of Mecklenburg-Schwerin Elisabeth, 1524-1586, Princess of Denmark, unknown date.
Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oak-apple-day-in-great-wishford-29th-may-2019-where-villagers-reassert-there-ancient-rights-to-gather-wood-from-grovely-wood-these-rights-date-back-to-the-middle-ages-and-were-confirmed-by-a-forest-court-charter-in-1603-villagers-also-take-part-in-a-ceremony-in-salisbury-cathedral-where-this-year-gaia-features-a-120dpi-detailed-nasa-imagery-of-the-earths-surface-an-art-instilation-by-by-luke-jerram-image247768724.htmlRMTB2RF0–Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram.
Ichikawa Monnosuke Ii as Date No Yosaku in the Kabuki Play 'koi-nyōbō Somewake Tazuna' 1794 by Tōshūsai Sharaku Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ichikawa-monnosuke-ii-as-date-no-yosaku-in-the-kabuki-play-koi-nyb-somewake-tazuna-1794-by-tshsai-sharaku-image557929690.htmlRM2RBKW0A–Ichikawa Monnosuke Ii as Date No Yosaku in the Kabuki Play 'koi-nyōbō Somewake Tazuna' 1794 by Tōshūsai Sharaku
A Woman of the Time of James I. (1603—1625) Here is seen the wide fardingale, or farthingale, the elaborate underskirt, and the long hanging sleeves of the gown. Also, the very tall upstanding ruff or collar of lace. from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-of-the-time-of-james-i-16031625-here-is-seen-the-wide-fardingale-or-farthingale-the-elaborate-underskirt-and-the-long-hanging-sleeves-of-the-gown-also-the-very-tall-upstanding-ruff-or-collar-of-lace-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508609163.htmlRF2MFD44Y–A Woman of the Time of James I. (1603—1625) Here is seen the wide fardingale, or farthingale, the elaborate underskirt, and the long hanging sleeves of the gown. Also, the very tall upstanding ruff or collar of lace. from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Africa, from the Four Continents, print, Adriaen Collaert (1560-1618), after Maerten de Vos (1532-1603), unknown date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-africa-from-the-four-continents-print-adriaen-collaert-1560-1618-after-168222355.htmlRMKNK597–Africa, from the Four Continents, print, Adriaen Collaert (1560-1618), after Maerten de Vos (1532-1603), unknown date
red 1603 number 3d effect white background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-1603-number-3d-effect-white-background-image465929645.htmlRF2J20X0D–red 1603 number 3d effect white background
Triumph of a Roman Emperor (left side). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 19 1/16 × 14 9/16 in. (48.4 × 37 cm). Publisher: Gasparo Alberti (Rome. Active ca 1575-1600). Date: 1603. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-a-roman-emperor-left-side-artist-antonio-tempesta-italian-florence-1555-1630-rome-dimensions-sheet-19-116-14-916-in-484-37-cm-publisher-gasparo-alberti-rome-active-ca-1575-1600-date-1603-museum-metropolitan-museum-of-art-new-york-usa-image233247436.htmlRMRFD9DG–Triumph of a Roman Emperor (left side). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 19 1/16 × 14 9/16 in. (48.4 × 37 cm). Publisher: Gasparo Alberti (Rome. Active ca 1575-1600). Date: 1603. Museum: Metropolitan Museum of Art, New York, USA.
Jan Gerritsz van Bronchorst circa 1603-1661 holländischer Künstler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jan-gerritsz-van-bronchorst-circa-1603-1661-hollndischer-knstler-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593866818.htmlRF2WE4Y56–Jan Gerritsz van Bronchorst circa 1603-1661 holländischer Künstler, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Cancer, Constellation Cancer, Date Appreciated, S. 85, Mair, Alexander (inc.), 1603, Ioannis Bayeri Uranometria omnium asterismorum (...). Augustae Vindelicorum: excudit Christopherus Mangus, 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cancer-constellation-cancer-date-appreciated-s-85-mair-alexander-inc-1603-ioannis-bayeri-uranometria-omnium-asterismorum-augustae-vindelicorum-excudit-christopherus-mangus-1603-image328759863.htmlRM2A2T8FK–Cancer, Constellation Cancer, Date Appreciated, S. 85, Mair, Alexander (inc.), 1603, Ioannis Bayeri Uranometria omnium asterismorum (...). Augustae Vindelicorum: excudit Christopherus Mangus, 1603
ELizabeth I., 1533-1603. Königin von England. Aus dem Buch Gallery of Portraits, veröffentlicht 1833., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-i-1533-1603-knigin-von-england-aus-dem-buch-gallery-of-portraits-verffentlicht-1833-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593953177.htmlRF2WE8W9D–ELizabeth I., 1533-1603. Königin von England. Aus dem Buch Gallery of Portraits, veröffentlicht 1833., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Hearthstone, from Antwerp Belgium, without frame, with two knights on horseback, fireplace stone part ceramic brick, fired Hearth of the Antwerp type without display of two knights on horseback placed in two panes with laurel leaf motif and accompanied by the year 1603 half and quarter diamonds at the top and bottom are filled with lily pattern. date 1603 building history heating knight Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hearthstone-from-antwerp-belgium-without-frame-with-two-knights-on-horseback-fireplace-stone-part-ceramic-brick-fired-hearth-of-the-antwerp-type-without-display-of-two-knights-on-horseback-placed-in-two-panes-with-laurel-leaf-motif-and-accompanied-by-the-year-1603-half-and-quarter-diamonds-at-the-top-and-bottom-are-filled-with-lily-pattern-date-1603-building-history-heating-knight-image228107425.htmlRMR7359N–Hearthstone, from Antwerp Belgium, without frame, with two knights on horseback, fireplace stone part ceramic brick, fired Hearth of the Antwerp type without display of two knights on horseback placed in two panes with laurel leaf motif and accompanied by the year 1603 half and quarter diamonds at the top and bottom are filled with lily pattern. date 1603 building history heating knight
SIR PHILIP STAPLETON Parliamentary soldier who opposed Cromwell : he died at Calais of fever while fleeing from England. Date: 1603 - 1647 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-philip-stapleton-parliamentary-soldier-who-opposed-cromwell-he-died-at-calais-of-fever-while-fleeing-from-england-date-1603-1647-image557101417.htmlRM2RAA4F5–SIR PHILIP STAPLETON Parliamentary soldier who opposed Cromwell : he died at Calais of fever while fleeing from England. Date: 1603 - 1647
Elisabeth I. 1533-1603 Königin von England aus dem Buch Crabbs Historical Dictionary aus 1825, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-aus-dem-buch-crabbs-historical-dictionary-aus-1825-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593334160.htmlRF2WD8KNM–Elisabeth I. 1533-1603 Königin von England aus dem Buch Crabbs Historical Dictionary aus 1825, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Jug (Bartmann jug) with the coat of arms of Amsterdam, Stoneware jug on stand with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed medallion with the crowned coat of arms of Amsterdam and the date '1603'. The neck with a bearded man in relief, the beard continuously on the shoulder. Frechen., anonymous, Frechen, c. 1603 - c. 1625, stoneware, glaze, engobe, vitrification, h 15.9 cm d 3.3 cm d 12.6 cm d 6.6 cm, Reimagined by Gibon, design of warm ch Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-the-coat-of-arms-of-amsterdam-stoneware-jug-on-stand-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-belly-in-relief-three-times-a-printed-and-imposed-medallion-with-the-crowned-coat-of-arms-of-amsterdam-and-the-date-1603-the-neck-with-a-bearded-man-in-relief-the-beard-continuously-on-the-shoulder-frechen-anonymous-frechen-c-1603-c-1625-stoneware-glaze-engobe-vitrification-h-159-cm-d-33-cm-d-126-cm-d-66-cm-reimagined-by-gibon-design-of-warm-ch-image349978392.htmlRF2B9AW08–Jug (Bartmann jug) with the coat of arms of Amsterdam, Stoneware jug on stand with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed medallion with the crowned coat of arms of Amsterdam and the date '1603'. The neck with a bearded man in relief, the beard continuously on the shoulder. Frechen., anonymous, Frechen, c. 1603 - c. 1625, stoneware, glaze, engobe, vitrification, h 15.9 cm d 3.3 cm d 12.6 cm d 6.6 cm, Reimagined by Gibon, design of warm ch
![ALCMAER. Author Keere, Pieter van den 106.52. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1603. Item type: 1 map Medium: copperplate engraving Dimensions: 24 x 32.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F93C/alcmaer-author-keere-pieter-van-den-10652-place-of-publication-amsterdam-publisher-publisher-not-identified-date-of-publication-1603-item-type-1-map-medium-copperplate-engraving-dimensions-24-x-327-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F93C.jpg "ALCMAER. Author Keere, Pieter van den 106.52. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1603. Item type: 1 map Medium: copperplate engraving Dimensions: 24 x 32.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ALCMAER. Author Keere, Pieter van den 106.52. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1603. Item type: 1 map Medium: copperplate engraving Dimensions: 24 x 32.7 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alcmaer-author-keere-pieter-van-den-10652-place-of-publication-amsterdam-publisher-publisher-not-identified-date-of-publication-1603-item-type-1-map-medium-copperplate-engraving-dimensions-24-x-327-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401706800.htmlRM2E9F93C–ALCMAER. Author Keere, Pieter van den 106.52. Place of publication: [Amsterdam?] Publisher: [publisher not identified] Date of publication: 1603. Item type: 1 map Medium: copperplate engraving Dimensions: 24 x 32.7 cm Former owner: George III, King of Great Britain, 1738-1820
Bloom nautical Koperen penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 3,1 cm. × g 5,95 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bloom-nautical-koperen-penning-voorzijde-driemaster-op-zee-binnen-omschrift-keerzijde-gekroond-wapenschild-in-cartouche-binnen-omschrift-manufacturer-anoniemplaats-manufacture-middelburg-dating-1603-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-31-cm-g-595-grtoelichtingpenning-geslagen-op-last-van-de-staten-van-zeeland-date-1603-1603-image348204211.htmlRM2B6E20K–Bloom nautical Koperen penning. Voorzijde: driemaster op zee binnen omschrift. Keerzijde: gekroond wapenschild in cartouche binnen omschrift Manufacturer : anoniemPlaats manufacture: Middelburg Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 3,1 cm. × g 5,95 grToelichtingPenning geslagen op last van de Staten van Zeeland. Date: 1603 - 1603
Elisabeth I., 1533-1603. Königin von England. Aus dem Buch Lodge's British Portraits erschienen in London 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-aus-dem-buch-lodges-british-portraits-erschienen-in-london-1823-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593320712.htmlRF2WD82HC–Elisabeth I., 1533-1603. Königin von England. Aus dem Buch Lodge's British Portraits erschienen in London 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Village on a river Village on a river object type: drawing Object number: RP-T-1912-24 Manufacturer : draftsman: Jan van de Velde (II) Date: 1603 - 1620 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 108 mm × W 363 mm Subject: riverbank prospect or village, silhouette or village Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/village-on-a-river-village-on-a-river-object-type-drawing-object-number-rp-t-1912-24-manufacturer-draftsman-jan-van-de-velde-ii-date-1603-1620-physical-characteristics-pen-in-brown-material-paper-ink-technique-pen-dimensions-h-108-mm-w-363-mm-subject-riverbank-prospect-or-village-silhouette-or-village-image348314427.htmlRM2B6K2GY–Village on a river Village on a river object type: drawing Object number: RP-T-1912-24 Manufacturer : draftsman: Jan van de Velde (II) Date: 1603 - 1620 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 108 mm × W 363 mm Subject: riverbank prospect or village, silhouette or village
. Svenska: Lennart Torstenson, 1603-1651 . Unknown date 366 Lennart Torstenson, 1603-1651 - Nationalmuseum - 15626 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/svenska-lennart-torstenson-1603-1651-unknown-date-366-lennart-torstenson-1603-1651-nationalmuseum-15626-image187588716.htmlRMMW5B90–. Svenska: Lennart Torstenson, 1603-1651 . Unknown date 366 Lennart Torstenson, 1603-1651 - Nationalmuseum - 15626
Albrecht and Isabella of Austria, accounting medal of the city of Maastricht Koperen penning. Voorzijde: gekroond wapenschild in cartouche, omhangen met de orde van het Gulden Vlies binnen omschrift. Keerzijde: engel met wapenschild aan lint in rechterhand binnen omschrift Manufacturer : anoniem Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,9 cm. × g 4,67 gr Date: 1603 - 1603 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-and-isabella-of-austria-accounting-medal-of-the-city-of-maastricht-koperen-penning-voorzijde-gekroond-wapenschild-in-cartouche-omhangen-met-de-orde-van-het-gulden-vlies-binnen-omschrift-keerzijde-engel-met-wapenschild-aan-lint-in-rechterhand-binnen-omschrift-manufacturer-anoniem-dating-1603-physical-kenmerken-koper-material-koper-techniek-slaan-dimensions-d-29-cm-g-467-gr-date-1603-1603-image348118964.htmlRM2B6A584–Albrecht and Isabella of Austria, accounting medal of the city of Maastricht Koperen penning. Voorzijde: gekroond wapenschild in cartouche, omhangen met de orde van het Gulden Vlies binnen omschrift. Keerzijde: engel met wapenschild aan lint in rechterhand binnen omschrift Manufacturer : anoniem Dating: 1603 Physical kenmerken: koper Material: koper Techniek: slaan Dimensions: d 2,9 cm. × g 4,67 gr Date: 1603 - 1603
Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-tombeaux-saadiens-the-saadian-tombs-marrakech-morocco-date-back-image62163498.htmlRMDH3P4X–Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603)
Figuren bij de Tempel van Sybille te Tivoli Figs on a path along the Temple of Sybille to Tivoli. Manufacturer : print maker: Jan van de Velde (II) to drawing of: Jan Brueghel (I) Place manufacture: Northern Netherlands Date: 1603 - 1641 Physical characteristics : etching; proofing material: paper Technique: etching dimensions: plate edge: H 202 mm × W 220 mm Subject: landscape with gelding where: Temple of Sibille Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figuren-bij-de-tempel-van-sybille-te-tivoli-figs-on-a-path-along-the-temple-of-sybille-to-tivoli-manufacturer-print-maker-jan-van-de-velde-ii-to-drawing-of-jan-brueghel-i-place-manufacture-northern-netherlands-date-1603-1641-physical-characteristics-etching-proofing-material-paper-technique-etching-dimensions-plate-edge-h-202-mm-w-220-mm-subject-landscape-with-gelding-where-temple-of-sibille-image348345015.htmlRM2B6MDHB–Figuren bij de Tempel van Sybille te Tivoli Figs on a path along the Temple of Sybille to Tivoli. Manufacturer : print maker: Jan van de Velde (II) to drawing of: Jan Brueghel (I) Place manufacture: Northern Netherlands Date: 1603 - 1641 Physical characteristics : etching; proofing material: paper Technique: etching dimensions: plate edge: H 202 mm × W 220 mm Subject: landscape with gelding where: Temple of Sibille
Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oak-apple-day-in-great-wishford-29th-may-2019-where-villagers-reassert-there-ancient-rights-to-gather-wood-from-grovely-wood-these-rights-date-back-to-the-middle-ages-and-were-confirmed-by-a-forest-court-charter-in-1603-villagers-also-take-part-in-a-ceremony-in-salisbury-cathedral-where-this-year-gaia-features-a-120dpi-detailed-nasa-imagery-of-the-earths-surface-an-art-instilation-by-by-luke-jerram-image247769554.htmlRMTB2TGJ–Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram.
Elisabeth I., 1533-1603, Königin von England 1558-1603, Illustration aus Old England's Worthies, erschienen um 1880, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-1558-1603-illustration-aus-old-englands-worthies-erschienen-um-1880-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image592462994.htmlRF2WBW0GJ–Elisabeth I., 1533-1603, Königin von England 1558-1603, Illustration aus Old England's Worthies, erschienen um 1880, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
A Man of the Time of James I. (1603—1625) He shows the merging of the Elizabethan fashion into the fashion of Charles I. The stiff doublet and the loose breeches, the plain collar, and the ribbons at the knees. On his hawking glove is a hawk, hooded and jessed from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-of-the-time-of-james-i-16031625-he-shows-the-merging-of-the-elizabethan-fashion-into-the-fashion-of-charles-i-the-stiff-doublet-and-the-loose-breeches-the-plain-collar-and-the-ribbons-at-the-knees-on-his-hawking-glove-is-a-hawk-hooded-and-jessed-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508609085.htmlRF2MFD425–A Man of the Time of James I. (1603—1625) He shows the merging of the Elizabethan fashion into the fashion of Charles I. The stiff doublet and the loose breeches, the plain collar, and the ribbons at the knees. On his hawking glove is a hawk, hooded and jessed from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
The Lamentation. Artist: Domenichino (Domenico Zampieri) (Italian, Bologna 1581-1641 Naples). Dimensions: 20 7/8 x 14 3/4 in. (53 x 37.5 cm). Date: 1603. This beautifully preserved picture was painted by Domenichino a year after he moved from his native Bologna to Rome. The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Paris) and this explains why, in the past, the picture was ascribed to Annibale rather than to Domenichino. Annibale greatly admired the talent of his young assistant, who in this pi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lamentation-artist-domenichino-domenico-zampieri-italian-bologna-1581-1641-naples-dimensions-20-78-x-14-34-in-53-x-375-cm-date-1603-this-beautifully-preserved-picture-was-painted-by-domenichino-a-year-after-he-moved-from-his-native-bologna-to-rome-the-composition-repeats-that-of-a-large-altarpiece-designed-by-annibale-carracci-for-the-church-of-san-francesco-a-ripa-rome-now-in-the-louvre-paris-and-this-explains-why-in-the-past-the-picture-was-ascribed-to-annibale-rather-than-to-domenichino-annibale-greatly-admired-the-talent-of-his-young-assistant-who-in-this-pi-image213167964.htmlRMPAPHWG–The Lamentation. Artist: Domenichino (Domenico Zampieri) (Italian, Bologna 1581-1641 Naples). Dimensions: 20 7/8 x 14 3/4 in. (53 x 37.5 cm). Date: 1603. This beautifully preserved picture was painted by Domenichino a year after he moved from his native Bologna to Rome. The composition repeats that of a large altarpiece designed by Annibale Carracci for the church of San Francesco a Ripa, Rome (now in the Louvre, Paris) and this explains why, in the past, the picture was ascribed to Annibale rather than to Domenichino. Annibale greatly admired the talent of his young assistant, who in this pi
Sir Kenelm Digby 1603-1665. Militärischer Befehlshaber, Diplomat, Wissenschaftler und Gelehrter. Aus dem Buch Lodges British Portraits, erschienen 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-kenelm-digby-1603-1665-militrischer-befehlshaber-diplomat-wissenschaftler-und-gelehrter-aus-dem-buch-lodges-british-portraits-erschienen-1823-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593952829.htmlRF2WE8TW1–Sir Kenelm Digby 1603-1665. Militärischer Befehlshaber, Diplomat, Wissenschaftler und Gelehrter. Aus dem Buch Lodges British Portraits, erschienen 1823., Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Great Seal of Elizabeth I Description: Obverse (front) of the Great Seal of Elizabeth I. The Great Seal was used by the Chancery, the Tudor Civil service, to show that the document attached was ordered in the Queen’s name. The pattern (or matrix) for this seal was produced by the artist Nicholas Hilliard in 1586. Date: Between 1586 and 1603 horse, power, tudor, queen, seals, elizabethi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-seal-of-elizabeth-i-description-obverse-front-of-the-great-seal-of-elizabeth-i-the-great-seal-was-used-by-the-chancery-the-tudor-civil-service-to-show-that-the-document-attached-was-ordered-in-the-queens-name-the-pattern-or-matrix-for-this-seal-was-produced-by-the-artist-nicholas-hilliard-in-1586-date-between-1586-and-1603-horse-power-tudor-queen-seals-elizabethi-image600842455.htmlRM2WWEMK3–Great Seal of Elizabeth I Description: Obverse (front) of the Great Seal of Elizabeth I. The Great Seal was used by the Chancery, the Tudor Civil service, to show that the document attached was ordered in the Queen’s name. The pattern (or matrix) for this seal was produced by the artist Nicholas Hilliard in 1586. Date: Between 1586 and 1603 horse, power, tudor, queen, seals, elizabethi
Elizabeth I, 1533-1603. Queen of England 1558-1603. Photo-etching from painting by Zucchero. Aus dem Buch Lady Jackson's Work, 1899, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elizabeth-i-1533-1603-queen-of-england-1558-1603-photo-etching-from-painting-by-zucchero-aus-dem-buch-lady-jacksons-work-1899-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596642693.htmlRF2WJKBRH–Elizabeth I, 1533-1603. Queen of England 1558-1603. Photo-etching from painting by Zucchero. Aus dem Buch Lady Jackson's Work, 1899, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Portret Van Johannes Cocceius, G. Wingendorp, 1654 - 1669 print Portrait of the Leiden professor of theology Johannes Cocceius in Toga. In his right hand he has a writing spring and his right arm leans on an open book. At the bottom right his name, function, place of birth (Bremen) and date of birth: (30 July/9 August 1603) in Latin. Leiden paper engraving pen (+ portrait of scholar, scientist) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portret-van-johannes-cocceius-g-wingendorp-1654-1669-print-portrait-of-the-leiden-professor-of-theology-johannes-cocceius-in-toga-in-his-right-hand-he-has-a-writing-spring-and-his-right-arm-leans-on-an-open-book-at-the-bottom-right-his-name-function-place-of-birth-bremen-and-date-of-birth-30-july9-august-1603-in-latin-leiden-paper-engraving-pen-portrait-of-scholar-scientist-image594919379.htmlRM2WFTWMK–Portret Van Johannes Cocceius, G. Wingendorp, 1654 - 1669 print Portrait of the Leiden professor of theology Johannes Cocceius in Toga. In his right hand he has a writing spring and his right arm leans on an open book. At the bottom right his name, function, place of birth (Bremen) and date of birth: (30 July/9 August 1603) in Latin. Leiden paper engraving pen (+ portrait of scholar, scientist)
NICOLAS KNUPFER German artist from Leipzig who worked for the king of Denmark and other great princes 'et personnes curieuses' ! Colourised version of : 10162378 Date: 1603 - 1660 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nicolas-knupfer-german-artist-from-leipzig-who-worked-for-the-king-of-denmark-and-other-great-princes-et-personnes-curieuses-!-colourised-version-of-10162378-date-1603-1660-image472809912.htmlRM2JD69T8–NICOLAS KNUPFER German artist from Leipzig who worked for the king of Denmark and other great princes 'et personnes curieuses' ! Colourised version of : 10162378 Date: 1603 - 1660
Roger Williams, der von den Narragansetts aufgenommen wurde Roger Williams, ca. 1603 - 1683 Englischer Essayist, Geistlicher, Pamphletschreiber und religiöser Schriftsteller, Gründer der Kolonie Rhode Island, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roger-williams-der-von-den-narragansetts-aufgenommen-wurde-roger-williams-ca-1603-1683-englischer-essayist-geistlicher-pamphletschreiber-und-religiser-schriftsteller-grnder-der-kolonie-rhode-island-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593319301.htmlRF2WD80R1–Roger Williams, der von den Narragansetts aufgenommen wurde Roger Williams, ca. 1603 - 1683 Englischer Essayist, Geistlicher, Pamphletschreiber und religiöser Schriftsteller, Gründer der Kolonie Rhode Island, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Jug (Bartmann jug) with a coat of arms, Jug (beard-man jug) of stoneware on a stand surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by lions and the date '1603'. On the neck, continuous on the shoulder, a beard man. Frechen, beard, armorial bearing, heraldry, anonymous, Frechen, c. 1603 - c. 1610, stoneware, glaze, engobe, cobalt (mineral), vitrification, h 38 cm × d 27 cm, Reimagine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jug-bartmann-jug-with-a-coat-of-arms-jug-beard-man-jug-of-stoneware-on-a-stand-surface-with-a-spherical-body-and-narrow-neck-the-c-shaped-ear-is-attached-to-the-neck-and-shoulder-profiles-on-the-neck-covered-with-a-brown-engobe-on-the-belly-in-relief-three-times-a-printed-and-imposed-and-imposed-medallion-with-a-crowned-weapon-flanked-by-lions-and-the-date-1603-on-the-neck-continuous-on-the-shoulder-a-beard-man-frechen-beard-armorial-bearing-heraldry-anonymous-frechen-c-1603-c-1610-stoneware-glaze-engobe-cobalt-mineral-vitrification-h-38-cm-d-27-cm-reimagine-image349967022.htmlRF2B9AAE6–Jug (Bartmann jug) with a coat of arms, Jug (beard-man jug) of stoneware on a stand surface with a spherical body and narrow neck. The C-shaped ear is attached to the neck and shoulder. Profiles on the neck. Covered with a brown engobe. On the belly in relief three times a printed and imposed and imposed medallion with a crowned weapon flanked by lions and the date '1603'. On the neck, continuous on the shoulder, a beard man. Frechen, beard, armorial bearing, heraldry, anonymous, Frechen, c. 1603 - c. 1610, stoneware, glaze, engobe, cobalt (mineral), vitrification, h 38 cm × d 27 cm, Reimagine
Elisabeth I. 1533-1603 Königin von England 1558-1603 / Elizabeth I 1533-1603 Queen of England 1558-1603 Engraved by Bocquet from the book A Catalogue of the Royal and Noble Authors published 1806, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-1558-1603-elizabeth-i-1533-1603-queen-of-england-1558-1603-engraved-by-bocquet-from-the-book-a-catalogue-of-the-royal-and-noble-authors-published-1806-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image599630470.htmlRF2WRFENX–Elisabeth I. 1533-1603 Königin von England 1558-1603 / Elizabeth I 1533-1603 Queen of England 1558-1603 Engraved by Bocquet from the book A Catalogue of the Royal and Noble Authors published 1806, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,
Landscape at Sunset Artist: Aert van der Neer (Dutch, Gorinchem 1603/4–1677 Amsterdam) Date: 1650s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-at-sunset-artist-aert-van-der-neer-dutch-gorinchem-160341677-amsterdam-date-1650s-image554303829.htmlRF2R5PM59–Landscape at Sunset Artist: Aert van der Neer (Dutch, Gorinchem 1603/4–1677 Amsterdam) Date: 1650s
'Elisabeth I., 1533-1603. Königin von England 1558-1603, gestochen von W. Holl nach E. Corbould. Aus dem Buch ''The Queens of England, Volume II'' von Sydney Wilmot. Veröffentlicht in London um. 1890.', Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elisabeth-i-1533-1603-knigin-von-england-1558-1603-gestochen-von-w-holl-nach-e-corbould-aus-dem-buch-the-queens-of-england-volume-ii-von-sydney-wilmot-verffentlicht-in-london-um-1890-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image593687662.htmlRF2WDTPJP–'Elisabeth I., 1533-1603. Königin von England 1558-1603, gestochen von W. Holl nach E. Corbould. Aus dem Buch ''The Queens of England, Volume II'' von Sydney Wilmot. Veröffentlicht in London um. 1890.', Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
Great Generals of the East and West, c. 1874, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 63 1/2 × 39 1/4 in. (161.29 × 99.7 cm) (image)79 3/16 × 45 5/16 in. (201.14 × 115.09 cm) (without roller), Ink and color on silk, Japan, 19th century, One of the largest paintings by Yoshitoshi, this is also one of the most mysterious. The six people from right to left are the warlord and unifier of Japan Toyotomi Hideyoshi (1537–1598), as a child with dog; the first shogun of the Edo period (1603–1868), Tokugawa Ieyasu (1543–1616); the first president of the United States, George Washington Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-generals-of-the-east-and-west-c-1874-tsukioka-yoshitoshi-japanese-1839-1892-63-12-39-14-in-16129-997-cm-image79-316-45-516-in-20114-11509-cm-without-roller-ink-and-color-on-silk-japan-19th-century-one-of-the-largest-paintings-by-yoshitoshi-this-is-also-one-of-the-most-mysterious-the-six-people-from-right-to-left-are-the-warlord-and-unifier-of-japan-toyotomi-hideyoshi-15371598-as-a-child-with-dog-the-first-shogun-of-the-edo-period-16031868-tokugawa-ieyasu-15431616-the-first-president-of-the-united-states-george-washington-image573487184.htmlRM2T90GN4–Great Generals of the East and West, c. 1874, Tsukioka Yoshitoshi, Japanese, 1839 - 1892, 63 1/2 × 39 1/4 in. (161.29 × 99.7 cm) (image)79 3/16 × 45 5/16 in. (201.14 × 115.09 cm) (without roller), Ink and color on silk, Japan, 19th century, One of the largest paintings by Yoshitoshi, this is also one of the most mysterious. The six people from right to left are the warlord and unifier of Japan Toyotomi Hideyoshi (1537–1598), as a child with dog; the first shogun of the Edo period (1603–1868), Tokugawa Ieyasu (1543–1616); the first president of the United States, George Washington
. Svenska: Jan van Bronckhorst, ca 1603-1661 . Unknown date 308 Jan van Bronckhorst, ca 1603-1661 - Nationalmuseum - 31916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/svenska-jan-van-bronckhorst-ca-1603-1661-unknown-date-308-jan-van-bronckhorst-ca-1603-1661-nationalmuseum-31916-image187587997.htmlRMMW5AB9–. Svenska: Jan van Bronckhorst, ca 1603-1661 . Unknown date 308 Jan van Bronckhorst, ca 1603-1661 - Nationalmuseum - 31916
Portrait of Olivier van den Tempel, lord of Corbeecke. ca. 1609 - ca. 1633 by Jan Antonisz. van Ravesteyn. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-olivier-van-den-tempel-lord-of-corbeecke-ca-1609-ca-1633-image68551036.htmlRMDYENF8–Portrait of Olivier van den Tempel, lord of Corbeecke. ca. 1609 - ca. 1633 by Jan Antonisz. van Ravesteyn.
Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-tombeaux-saadiens-the-saadian-tombs-marrakech-morocco-date-back-image62163509.htmlRMDH3P59–Les tombeaux Saadiens - The Saadian tombs Marrakech Morocco date back from the time of the sultan Ahmad al Mansur (1578-1603)
Kustlandschap met een watermolen Zeegezichten (serietitel) Mountainous landscape with a watermill. Print out a series of eight marines. Manufacturer : printmaker Jan van de Velde (II) Place manufacture: Northern Netherlands Date: 1603 - 1641 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: plate edge: H 128 mm × W 212 mm Subject: watermill in landscape coast Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kustlandschap-met-een-watermolen-zeegezichten-serietitel-mountainous-landscape-with-a-watermill-print-out-a-series-of-eight-marines-manufacturer-printmaker-jan-van-de-velde-ii-place-manufacture-northern-netherlands-date-1603-1641-physical-features-etching-and-engra-material-paper-technique-etching-engra-printing-process-dimensions-plate-edge-h-128-mm-w-212-mm-subject-watermill-in-landscape-coast-image348532673.htmlRM2B710YD–Kustlandschap met een watermolen Zeegezichten (serietitel) Mountainous landscape with a watermill. Print out a series of eight marines. Manufacturer : printmaker Jan van de Velde (II) Place manufacture: Northern Netherlands Date: 1603 - 1641 Physical features: etching and engra material: paper Technique: etching / engra (printing process) Dimensions: plate edge: H 128 mm × W 212 mm Subject: watermill in landscape coast
Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oak-apple-day-in-great-wishford-29th-may-2019-where-villagers-reassert-there-ancient-rights-to-gather-wood-from-grovely-wood-these-rights-date-back-to-the-middle-ages-and-were-confirmed-by-a-forest-court-charter-in-1603-villagers-also-take-part-in-a-ceremony-in-salisbury-cathedral-where-this-year-gaia-features-a-120dpi-detailed-nasa-imagery-of-the-earths-surface-an-art-instilation-by-by-luke-jerram-image247769502.htmlRMTB2TEP–Oak Apple Day in Great Wishford 29th May 2019 where villagers reassert there ancient rights to gather wood from Grovely Wood. These rights date back to the middle ages and were confirmed by a forest court charter in 1603. Villagers also take part in a ceremony in Salisbury Cathedral, where this year Gaia features, a 120dpi detailed NASA imagery of the earth's surface. An art instilation by by Luke Jerram.
The encyclopaedia of ornament . CAPITALS AND) EKTABlLATtJItS- m MARBLE,ih^ Facade of the Certosa di Pavia. Date th.c teginimig of the 16^ Century. From an Engravmss by Israel Van Meeken. Born Died 1603. Date 1570. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-encyclopaedia-of-ornament-capitals-and-ektabllattjits-m-marbleih-facade-of-the-certosa-di-pavia-date-thc-teginimig-of-the-16-century-from-an-engravmss-by-israel-van-meeken-born-died-1603-date-1570-image342678828.htmlRM2AWEA9G–The encyclopaedia of ornament . CAPITALS AND) EKTABlLATtJItS- m MARBLE,ih^ Facade of the Certosa di Pavia. Date th.c teginimig of the 16^ Century. From an Engravmss by Israel Van Meeken. Born Died 1603. Date 1570.
A Man of the Time of Queen Elizabeth (1558 - 1603) He wears a double linen collar, nearly as usual at this time as the ruff. His trunk hose will be seen through the openings of his trunks. His boots are held up by two leather straps. His cloak is an Italian fashion. from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-of-the-time-of-queen-elizabeth-1558-1603-he-wears-a-double-linen-collar-nearly-as-usual-at-this-time-as-the-ruff-his-trunk-hose-will-be-seen-through-the-openings-of-his-trunks-his-boots-are-held-up-by-two-leather-straps-his-cloak-is-an-italian-fashion-from-the-book-english-costume-by-dion-clayton-calthrop-1878-1937-publication-date-1907-publisher-london-a-c-black-image508608718.htmlRF2MFD3H2–A Man of the Time of Queen Elizabeth (1558 - 1603) He wears a double linen collar, nearly as usual at this time as the ruff. His trunk hose will be seen through the openings of his trunks. His boots are held up by two leather straps. His cloak is an Italian fashion. from the book ' English costume ' by Dion Clayton Calthrop, 1878-1937 Publication date 1907 Publisher London, A. & C. Black
Vanitas Still Life. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: 32 1/2 x 21 1/4 in. (82.6 x 54 cm). Date: 1603. De Gheyn was a wealthy amateur who is best known as a brilliant draftsman, but he also painted and engraved. This panel is generally considered to be the earliest known independent still life painting of a <i>vanitas</i> subject. The skull, large bubble, cut flowers, and smoking urn refer to the brevity of life, while images floating in the bubble--such as a wheel of torture and a leper's rattle--Spanish coins, and a Dutch medal refer to hum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vanitas-still-life-artist-jacques-de-gheyn-ii-netherlandish-antwerp-1565-1629-the-hague-dimensions-32-12-x-21-14-in-826-x-54-cm-date-1603-de-gheyn-was-a-wealthy-amateur-who-is-best-known-as-a-brilliant-draftsman-but-he-also-painted-and-engraved-this-panel-is-generally-considered-to-be-the-earliest-known-independent-still-life-painting-of-a-ivanitasi-subject-the-skull-large-bubble-cut-flowers-and-smoking-urn-refer-to-the-brevity-of-life-while-images-floating-in-the-bubble-such-as-a-wheel-of-torture-and-a-lepers-rattle-spanish-coins-and-a-dutch-medal-refer-to-hum-image213318532.htmlRMPB1DY0–Vanitas Still Life. Artist: Jacques de Gheyn II (Netherlandish, Antwerp 1565-1629 The Hague). Dimensions: 32 1/2 x 21 1/4 in. (82.6 x 54 cm). Date: 1603. De Gheyn was a wealthy amateur who is best known as a brilliant draftsman, but he also painted and engraved. This panel is generally considered to be the earliest known independent still life painting of a <i>vanitas</i> subject. The skull, large bubble, cut flowers, and smoking urn refer to the brevity of life, while images floating in the bubble--such as a wheel of torture and a leper's rattle--Spanish coins, and a Dutch medal refer to hum
![Image taken from page 15 of 'Les deux Révolutions d'Angleterre, 1603-1689, et la nationa anglaise au XVIIe siècle. [With illustrations.]' Image taken from page 15 of 'Les deux Révolutions d'Angleterre, Stock Photo](https://c8.alamy.com/comp/HBW9AT/image-taken-from-page-15-of-les-deux-revolutions-dangleterre-1603-HBW9AT.jpg "Image taken from page 15 of 'Les deux Révolutions d'Angleterre, 1603-1689, et la nationa anglaise au XVIIe siècle. [With illustrations.]' Image taken from page 15 of 'Les deux Révolutions d'Angleterre, Stock Photo")
Image taken from page 15 of 'Les deux Révolutions d'Angleterre, 1603-1689, et la nationa anglaise au XVIIe siècle. [With illustrations.]' Image taken from page 15 of 'Les deux Révolutions d'Angleterre, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-15-of-les-deux-revolutions-dangleterre-1603-127789952.htmlRMHBW9AT–Image taken from page 15 of 'Les deux Révolutions d'Angleterre, 1603-1689, et la nationa anglaise au XVIIe siècle. [With illustrations.]' Image taken from page 15 of 'Les deux Révolutions d'Angleterre,
Macbeth is a tragedy by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is beli Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-macbeth-is-a-tragedy-by-william-shakespeare-about-a-regicide-and-its-22799411.htmlRFB92GTK–Macbeth is a tragedy by William Shakespeare about a regicide and its aftermath. It is Shakespeare's shortest tragedy and is beli
Engraved title page. 'Gondomar appearing in the likenes of Matchiavell in a Spanish Parliament'. This picture refers to Don Diego Sarmiento de Acuña, Count of Gondomar, the Spanish ambassador to England. The popular notion in England of him was as a fiendish schemer for Popery for whom 'Machiavellian' was brought into common English usage and the head of a 'Spanish' faction at the English court. . The Second Part of Vox Populi; or Gondomar appearing in the likenes of Matchiavell in a Spanish Parliament, wherein are discouered his treacherous & subtile practises to the ruine as well of England Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraved-title-page-gondomar-appearing-in-the-likenes-of-matchiavell-in-a-spanish-parliament-this-picture-refers-to-don-diego-sarmiento-de-acua-count-of-gondomar-the-spanish-ambassador-to-england-the-popular-notion-in-england-of-him-was-as-a-fiendish-schemer-for-popery-for-whom-machiavellian-was-brought-into-common-english-usage-and-the-head-of-a-spanish-faction-at-the-english-court-the-second-part-of-vox-populi-or-gondomar-appearing-in-the-likenes-of-matchiavell-in-a-spanish-parliament-wherein-are-discouered-his-treacherous-subtile-practises-to-the-ruine-as-well-of-england-image226989197.htmlRMR58711–Engraved title page. 'Gondomar appearing in the likenes of Matchiavell in a Spanish Parliament'. This picture refers to Don Diego Sarmiento de Acuña, Count of Gondomar, the Spanish ambassador to England. The popular notion in England of him was as a fiendish schemer for Popery for whom 'Machiavellian' was brought into common English usage and the head of a 'Spanish' faction at the English court. . The Second Part of Vox Populi; or Gondomar appearing in the likenes of Matchiavell in a Spanish Parliament, wherein are discouered his treacherous & subtile practises to the ruine as well of England
