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De 1717 Stock Photos and Images
Baye de Smyrne - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/baye-de-smyrne-tournefort-joseph-pitton-de-1717-image218137517.htmlRMPJW0HH–Baye de Smyrne - Tournefort Joseph Pitton De - 1717.
Evangelical Jubilee print of the second centenary of the Reformation, 1717, print maker: Adolf van der Laan, Abraham Lairesse I de, 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evangelical-jubilee-print-of-the-second-centenary-of-the-reformation-1717-print-maker-adolf-van-der-laan-abraham-lairesse-i-de-1717-image240589547.htmlRMRYBPBR–Evangelical Jubilee print of the second centenary of the Reformation, 1717, print maker: Adolf van der Laan, Abraham Lairesse I de, 1717
Metelin Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-metelin-tournefort-joseph-pitton-de-1717-140297837.htmlRMJ47391–Metelin Tournefort Joseph Pitton De 1717
Jubileo Plenissimo de la Santa Apostolica Metropolitana Iglesia del Señor Santiago de Galicia, Unico y Singular Patron, Tutelar y Protector de España, por todo el año presente de 1717. Papal bull from Pope Alexander III. Printer: Antonio Aldemunde. Paper. Santiago de Compostela (Galicia, Spain), 1717. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jubileo-plenissimo-de-la-santa-apostolica-metropolitana-iglesia-del-seor-santiago-de-galicia-unico-y-singular-patron-tutelar-y-protector-de-espaa-por-todo-el-ao-presente-de-1717-papal-bull-from-pope-alexander-iii-printer-antonio-aldemunde-paper-santiago-de-compostela-galicia-spain-1717-museum-of-pilgrimage-and-santiago-santiago-de-compostela-galicia-spain-image360709965.htmlRM2BXRN6N–Jubileo Plenissimo de la Santa Apostolica Metropolitana Iglesia del Señor Santiago de Galicia, Unico y Singular Patron, Tutelar y Protector de España, por todo el año presente de 1717. Papal bull from Pope Alexander III. Printer: Antonio Aldemunde. Paper. Santiago de Compostela (Galicia, Spain), 1717. Museum of Pilgrimage and Santiago. Santiago de Compostela, Galicia, Spain.
Jubileo Plenissimo de la Santa Apostolica Metropolitana Iglesia del Señor Santiago de Galicia Único y Singular Patrón, Tutelar y Protector de España, por todo el año presente de 1717. Impresor: Antonio Aldemunde. Papel. Santiago de Compostela (Galicia), 1717. Museo de las Peregrinaciones y de Santiago. Santiago de Compostela. Provincia de La Coruña. Galicia. España. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jubileo-plenissimo-de-la-santa-apostolica-metropolitana-iglesia-del-seor-santiago-de-galicia-nico-y-singular-patrn-tutelar-y-protector-de-espaa-por-todo-el-ao-presente-de-1717-impresor-antonio-aldemunde-papel-santiago-de-compostela-galicia-1717-museo-de-las-peregrinaciones-y-de-santiago-santiago-de-compostela-provincia-de-la-corua-galicia-espaa-image340419337.htmlRM2ANRC9D–Jubileo Plenissimo de la Santa Apostolica Metropolitana Iglesia del Señor Santiago de Galicia Único y Singular Patrón, Tutelar y Protector de España, por todo el año presente de 1717. Impresor: Antonio Aldemunde. Papel. Santiago de Compostela (Galicia), 1717. Museo de las Peregrinaciones y de Santiago. Santiago de Compostela. Provincia de La Coruña. Galicia. España.
172 Metelin - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/172-metelin-tournefort-joseph-pitton-de-1717-image212898050.htmlRMPAA9HP–172 Metelin - Tournefort Joseph Pitton De - 1717
ANDROS Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andros-tournefort-joseph-pitton-de-1717-132511557.htmlRMHKGBRH–ANDROS Tournefort Joseph Pitton De 1717
Jeanne-Marie Bouvier de la Mothe, Mme Guyon (1648-1717) - engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-marie-bouvier-de-la-mothe-mme-guyon-1648-1717-engraving-image268800788.htmlRMWH8X44–Jeanne-Marie Bouvier de la Mothe, Mme Guyon (1648-1717) - engraving
Antoine Watteau Pélerinage à l'île de Cythère - Pilgrimage to Cythera 1717 Fête galante Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-antoine-watteau-plerinage-lle-de-cythre-pilgrimage-to-cythera-1717-57229789.htmlRMD93151–Antoine Watteau Pélerinage à l'île de Cythère - Pilgrimage to Cythera 1717 Fête galante
The Education of Bacchus 1717 Jean Francois de Troy France French 1674-1742 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-education-of-bacchus-1717-jean-francois-de-troy-france-french-125358735.htmlRMH7XG9K–The Education of Bacchus 1717 Jean Francois de Troy France French 1674-1742
Attributed to Louis Elle the Younger (1648-1717) French School Portrait of Françoise Athénaïs de Rochechouart de Mortemart, marquise de Montespan (1640-1707), represented as Iris 17th century Oil on copper (0,36 x 0,27) Versailles, châteaux de Versailles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-attributed-to-louis-elle-the-younger-1648-1717-french-school-portrait-113147746.htmlRMGG292X–Attributed to Louis Elle the Younger (1648-1717) French School Portrait of Françoise Athénaïs de Rochechouart de Mortemart, marquise de Montespan (1640-1707), represented as Iris 17th century Oil on copper (0,36 x 0,27) Versailles, châteaux de Versailles
Inspired by Portrait of Maria Theresa 1717-1780, Martin Meytens de Jonge, workshop of, after 1745, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-portrait-of-maria-theresa-1717-1780-martin-meytens-de-jonge-workshop-of-after-1745-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459267483.htmlRF2HK5CA3–Inspired by Portrait of Maria Theresa 1717-1780, Martin Meytens de Jonge, workshop of, after 1745, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Marie Anne de Mailly-Nesle, Duchesse de Châteauroux (1717-1744), a mistress of King Louis XV of France, portrait painting in oil by Jean-Marc Nattier, 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marie-anne-de-mailly-nesle-duchesse-de-chteauroux-1717-1744-a-mistress-of-king-louis-xv-of-france-portrait-painting-in-oil-by-jean-marc-nattier-1740-image564912960.htmlRM2RR206T–Marie Anne de Mailly-Nesle, Duchesse de Châteauroux (1717-1744), a mistress of King Louis XV of France, portrait painting in oil by Jean-Marc Nattier, 1740
CHARLES GRAVIER, Comte de Vergennes (1717-1787) French statesman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charles-gravier-comte-de-vergennes-1717-1787-french-statesman-131799116.htmlRMHJBY38–CHARLES GRAVIER, Comte de Vergennes (1717-1787) French statesman
Frouck, Baroness Aylva - by H. de Valck, 1693-1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frouck-baroness-aylva-by-h-de-valck-1693-1717-73231981.htmlRME7403W–Frouck, Baroness Aylva - by H. de Valck, 1693-1717
Evangelical jubilee print at the second centenary of the Reformation, 1717, Adolf van der Laan, after Abraham Lairesse (I) de, 1717 Evangelical jubile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evangelical-jubilee-print-at-the-second-centenary-of-the-reformation-1717-adolf-van-der-laan-after-abraham-lairesse-i-de-1717-evangelical-jubile-image488049699.htmlRF2KA0GAB–Evangelical jubilee print at the second centenary of the Reformation, 1717, Adolf van der Laan, after Abraham Lairesse (I) de, 1717 Evangelical jubile
Title Page of 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-title-page-of-1775-edition-of-oeconomie-gnrale-de-la-campagne-ou-nouvelle-131280498.htmlRMHHG9H6–Title Page of 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers
Jean-Baptiste le Rond d'Alembert, 1717 – 1783. French mathematician, mechanician, physicist, philosopher, and music theorist. After a work by French Rococo portraitist, Maurice Quentin de La Tour, (1704 – 1788). From La Tour, published 1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-le-rond-dalembert-1717-1783-french-mathematician-mechanician-physicist-philosopher-and-music-theorist-after-a-work-by-french-rococo-portraitist-maurice-quentin-de-la-tour-1704-1788-from-la-tour-published-1920-image216165183.htmlRMPFK4W3–Jean-Baptiste le Rond d'Alembert, 1717 – 1783. French mathematician, mechanician, physicist, philosopher, and music theorist. After a work by French Rococo portraitist, Maurice Quentin de La Tour, (1704 – 1788). From La Tour, published 1920.
The title page 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-title-page-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598932697.htmlRM2WPBMND–The title page 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
Bas reliefes qui se voyent sur la Porte d'Ephèse - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bas-reliefes-qui-se-voyent-sur-la-porte-dephse-tournefort-joseph-pitton-de-1717-image218116270.htmlRMPJT1EP–Bas reliefes qui se voyent sur la Porte d'Ephèse - Tournefort Joseph Pitton De - 1717.
Castle Sluis The Netherlands, Abraham de Haen (II), 1717 - 1748 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-castle-sluis-the-netherlands-abraham-de-haen-ii-1717-1748-77348133.htmlRMEDRE99–Castle Sluis The Netherlands, Abraham de Haen (II), 1717 - 1748
Lepas Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lepas-tournefort-joseph-pitton-de-1717-140206075.htmlRMJ42X7R–Lepas Tournefort Joseph Pitton De 1717
Spain, Catalonia, Barcelona. Virreina Palace (Palau de la Virreina). The building was constructed from 1772 to 1778 by the architect Carles Grau (1717-1798) with the aid of the sculptor Francesc Serra. Baroque civil style. Architectural detail. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spain-catalonia-barcelona-virreina-palace-palau-de-la-virreina-the-building-was-constructed-from-1772-to-1778-by-the-architect-carles-grau-1717-1798-with-the-aid-of-the-sculptor-francesc-serra-baroque-civil-style-architectural-detail-image340668701.htmlRM2AP6PB9–Spain, Catalonia, Barcelona. Virreina Palace (Palau de la Virreina). The building was constructed from 1772 to 1778 by the architect Carles Grau (1717-1798) with the aid of the sculptor Francesc Serra. Baroque civil style. Architectural detail.
Real Resolución comunicada por el Ministro de la Guerra en 20 de febrero de 1717 al Capitán General de Cataluña. Reinado de Felipe V. Colección General de las Ordenanzas Mlitares, sus innovaciones, y aditamentos, dispuesta en diez tomos, con separación de Clases. Por Don Joseph Antonio Portugués (1708-1781), Caballero de la Orden de Santiago, Comendador de Villarrubia de los Ojos en la de La Calatrava. Tomo II. Comprehende las de Infantería, Caballería y Dragones, Consejo Supremo de Guerra, Capitanías Generales de Provincia, Gobiernos de Plazas, Directores, Inspectores, y Auditorías de Guerra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/real-resolucin-comunicada-por-el-ministro-de-la-guerra-en-20-de-febrero-de-1717-al-capitn-general-de-catalua-reinado-de-felipe-v-coleccin-general-de-las-ordenanzas-mlitares-sus-innovaciones-y-aditamentos-dispuesta-en-diez-tomos-con-separacin-de-clases-por-don-joseph-antonio-portugus-1708-1781-caballero-de-la-orden-de-santiago-comendador-de-villarrubia-de-los-ojos-en-la-de-la-calatrava-tomo-ii-comprehende-las-de-infantera-caballera-y-dragones-consejo-supremo-de-guerra-capitanas-generales-de-provincia-gobiernos-de-plazas-directores-inspectores-y-auditoras-de-guerra-image215456823.htmlRMPEEWAF–Real Resolución comunicada por el Ministro de la Guerra en 20 de febrero de 1717 al Capitán General de Cataluña. Reinado de Felipe V. Colección General de las Ordenanzas Mlitares, sus innovaciones, y aditamentos, dispuesta en diez tomos, con separación de Clases. Por Don Joseph Antonio Portugués (1708-1781), Caballero de la Orden de Santiago, Comendador de Villarrubia de los Ojos en la de La Calatrava. Tomo II. Comprehende las de Infantería, Caballería y Dragones, Consejo Supremo de Guerra, Capitanías Generales de Provincia, Gobiernos de Plazas, Directores, Inspectores, y Auditorías de Guerra.
368 Lepas - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/368-lepas-tournefort-joseph-pitton-de-1717-image213923276.htmlRMPC1190–368 Lepas - Tournefort Joseph Pitton De - 1717
Candiotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-candiotes-tournefort-joseph-pitton-de-1717-132511613.htmlRMHKGBWH–Candiotes Tournefort Joseph Pitton De 1717
The Duchesse de Bourgogne (Duchess of Bourgogne) by Jean Baptiste Santerre 1709, French Baroque Era painter (1651-1717). From The Sun King by Nancy Mitford, page 210.. . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duchesse-de-bourgogne-duchess-of-bourgogne-by-jean-baptiste-santerre-1709-french-baroque-era-painter-1651-1717-from-the-sun-king-by-nancy-mitford-page-210-image268792070.htmlRMWH8F0P–The Duchesse de Bourgogne (Duchess of Bourgogne) by Jean Baptiste Santerre 1709, French Baroque Era painter (1651-1717). From The Sun King by Nancy Mitford, page 210.. .
Claude Gillot Le tombeau de Maître André - The tomb of Master André 1716-1717 Louvre Museum - Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-claude-gillot-le-tombeau-de-matre-andr-the-tomb-of-master-andr-1716-57232559.htmlRMD934KY–Claude Gillot Le tombeau de Maître André - The tomb of Master André 1716-1717 Louvre Museum - Paris
Bacchus and Ariadne 1717 Jean Francois de Troy 1674-1742 France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bacchus-and-ariadne-1717-jean-francois-de-troy-1674-1742-france-french-125358743.htmlRMH7XG9Y–Bacchus and Ariadne 1717 Jean Francois de Troy 1674-1742 France French
New Orleans, Louisiana. Monument to de Bienville, French Founder of New Orleans, 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/new-orleans-louisiana-monument-to-de-bienville-french-founder-of-new-orleans-1717-image369113706.htmlRM2CCEG8A–New Orleans, Louisiana. Monument to de Bienville, French Founder of New Orleans, 1717.
Inspired by View of the monastery at Slingeland, draughtsman: Abraham de Haen (II), 1717 - 1748, paper, ink, pen, brush, height 153 mm × width 219 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-of-the-monastery-at-slingeland-draughtsman-abraham-de-haen-ii-1717-1748-paper-ink-pen-brush-height-153-mm-width-219-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459546694.htmlRF2HKJ4DX–Inspired by View of the monastery at Slingeland, draughtsman: Abraham de Haen (II), 1717 - 1748, paper, ink, pen, brush, height 153 mm × width 219 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
JEAN DE LA NOE MENARD Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-de-la-noe-menard-image65630008.htmlRMDPNKMT–JEAN DE LA NOE MENARD
HENRI de la TOUR d'AUVERGNE, Vicomte de Turenne (1611-1675) Marshal of France. Engraving based on 1717 portrait Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henri-de-la-tour-dauvergne-vicomte-de-turenne-1611-1675-marshal-of-111375260.htmlRMGD5G7T–HENRI de la TOUR d'AUVERGNE, Vicomte de Turenne (1611-1675) Marshal of France. Engraving based on 1717 portrait
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embellishment-of-the-puerta-del-sol-on-the-occasion-of-the-entry-into-madrid-of-charles-iii-ca1760-attributed-to-lorenzo-de-quiros-1717-1789-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image561317242.htmlRM2RH65TA–Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
JEAN DE LA NOE MENARD French churchman of Nantes. Colourised version of : 10164879 Date: 1650 - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-de-la-noe-menard-french-churchman-of-nantes-colourised-version-of-10164879-date-1650-1717-image472811013.htmlRM2JD6B7H–JEAN DE LA NOE MENARD French churchman of Nantes. Colourised version of : 10164879 Date: 1650 - 1717
Françoise d'Aubigné, Marquise de Maintenon (1635-1719) with her niece. Artist: Elle, Louis Ferdinand, the Younger (1648-1717) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franoise-daubign-marquise-de-maintenon-1635-1719-with-her-niece-artist-74094509.htmlRME8F88D–Françoise d'Aubigné, Marquise de Maintenon (1635-1719) with her niece. Artist: Elle, Louis Ferdinand, the Younger (1648-1717)
Jeanne-Marie Bouvier de la Motte-Guyon, aka Madame Guyon, 1648 to 1717. French catholic mystic. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-marie-bouvier-de-la-motte-guyon-aka-madame-guyon-1648-to-1717-image1244510.htmlRMAJFD5F–Jeanne-Marie Bouvier de la Motte-Guyon, aka Madame Guyon, 1648 to 1717. French catholic mystic.
Pages 3 and 4 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pages-3-and-4-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598940585.htmlRM2WPC2R5–Pages 3 and 4 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
Bas-relief de Marbre qui est dans l'Isle de Syra Bas-relief Antique qui se voit au coin de l'Eglise de Metelinous dans l - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bas-relief-de-marbre-qui-est-dans-lisle-de-syra-bas-relief-antique-qui-se-voit-au-coin-de-leglise-de-metelinous-dans-l-tournefort-joseph-pitton-de-1717-image218116295.htmlRMPJT1FK–Bas-relief de Marbre qui est dans l'Isle de Syra Bas-relief Antique qui se voit au coin de l'Eglise de Metelinous dans l - Tournefort Joseph Pitton De - 1717.
Acte II de l'opéra de Silvie, still image, Prints, 1767, Tilliard, Jean-Baptiste, 1740-1813, Carmontelle, 1717-1806 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/acte-ii-de-lopra-de-silvie-still-image-prints-1767-tilliard-jean-baptiste-1740-1813-carmontelle-1717-1806-image376510242.htmlRM2CTFEJA–Acte II de l'opéra de Silvie, still image, Prints, 1767, Tilliard, Jean-Baptiste, 1740-1813, Carmontelle, 1717-1806
Delos Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-delos-tournefort-joseph-pitton-de-1717-139723455.htmlRMJ38XKB–Delos Tournefort Joseph Pitton De 1717
Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embellishment-of-the-puerta-del-sol-on-the-occasion-of-the-entry-into-madrid-of-charles-iii-ca1760-attributed-to-lorenzo-de-quiros-1717-1789-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333253244.htmlRM2AA4YWG–Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Brussels, Belgium. Bust of Tsar Peter the Great in Parc de Bruxelles. Said to commemorate the place where he vomited on April 16, 1717, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-brussels-belgium-bust-of-tsar-peter-the-great-in-parc-de-bruxelles-163696610.htmlRMKE90KE–Brussels, Belgium. Bust of Tsar Peter the Great in Parc de Bruxelles. Said to commemorate the place where he vomited on April 16, 1717,
317 Trebizonde - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/317-trebizonde-tournefort-joseph-pitton-de-1717-image212524581.htmlRMP9N97H–317 Trebizonde - Tournefort Joseph Pitton De - 1717
Tocat Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tocat-tournefort-joseph-pitton-de-1717-132511639.htmlRMHKGBXF–Tocat Tournefort Joseph Pitton De 1717
Jean Le Rond d' Alembert (1717-1783), French Mathematician, encyclopedist and theoretical physicist. Pastel by Maurice Quentin de la Tour, (1704-1788), French Rococo Era painter. . . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-le-rond-d-alembert-1717-1783-french-mathematician-encyclopedist-and-theoretical-physicist-pastel-by-maurice-quentin-de-la-tour-1704-1788-french-rococo-era-painter-image268791908.htmlRMWH8ER0–Jean Le Rond d' Alembert (1717-1783), French Mathematician, encyclopedist and theoretical physicist. Pastel by Maurice Quentin de la Tour, (1704-1788), French Rococo Era painter. . .
Mgr. de Cheylus, éveque de Bayeux. 1717-1797 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mgr-de-cheylus-veque-de-bayeux-1717-1797-image273824386.htmlRFWWDNPA–Mgr. de Cheylus, éveque de Bayeux. 1717-1797
Rendez-vous de Chasse, by Antoine Watteau, 1717-1718, Wallace Collection, London, England, UK, GB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-rendez-vous-de-chasse-by-antoine-watteau-1717-1718-wallace-collection-54479816.htmlRMD4HNFM–Rendez-vous de Chasse, by Antoine Watteau, 1717-1718, Wallace Collection, London, England, UK, GB
Tureen and stand with a ladle. Engelbert Joosten (1717-1789), The Hague, 1772, silver. This tureen and stand bear the alliance coat of arms of Baron Assueer Jan Torck and Eusebia Jacoba de Rode van Heeckeren, who were married in 1758. This couple was closely acquainted with the Stadtholder and his consort. The imposing tureen, an early example of Neoclassical Hague silver, affords a good impression of the art at and around the stadtholder's court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tureen-and-stand-with-a-ladle-engelbert-joosten-1717-1789-the-hague-image68542666.htmlRMDYEATA–Tureen and stand with a ladle. Engelbert Joosten (1717-1789), The Hague, 1772, silver. This tureen and stand bear the alliance coat of arms of Baron Assueer Jan Torck and Eusebia Jacoba de Rode van Heeckeren, who were married in 1758. This couple was closely acquainted with the Stadtholder and his consort. The imposing tureen, an early example of Neoclassical Hague silver, affords a good impression of the art at and around the stadtholder's court.
Art inspired by Portrait of Maria Theresa 1717-1780, Martin Meytens de Jonge, workshop of, after 1745, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-maria-theresa-1717-1780-martin-meytens-de-jonge-workshop-of-after-1745-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459575947.htmlRF2HKKDPK–Art inspired by Portrait of Maria Theresa 1717-1780, Martin Meytens de Jonge, workshop of, after 1745, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
LOUIS DUC DE CRILLON Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-duc-de-crillon-56763291.htmlRMD89P4B–LOUIS DUC DE CRILLON
HENRI de la TOUR d'AUVERGNE, Vicomte de Turenne (1611-1675) French army commander and Marshal of France. Engraving dated 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-henri-de-la-tour-dauvergne-vicomte-de-turenne-1611-1675-french-army-111466211.htmlRMGD9M83–HENRI de la TOUR d'AUVERGNE, Vicomte de Turenne (1611-1675) French army commander and Marshal of France. Engraving dated 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-triumphal-arch-erected-on-calle-de-carretas-ca1760-madrid-spain-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image561317220.htmlRM2RH65RG–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Chile. Santiago de Chile. Map in 1713 with Mount Santa Lucia, in the background. According to a 1717 engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chile-santiago-de-chile-map-in-1713-with-mount-santa-lucia-in-the-background-according-to-a-1717-engraving-image209612022.htmlRMP50J7J–Chile. Santiago de Chile. Map in 1713 with Mount Santa Lucia, in the background. According to a 1717 engraving.
Françoise-Athénaïs de Rochechouart, marquise de Montespan (1640-1707), as Iris. Artist: Elle, Louis Ferdinand, the Younger (1648-1717) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franoise-athnas-de-rochechouart-marquise-de-montespan-1640-1707-as-135249330.htmlRMHT13W6–Françoise-Athénaïs de Rochechouart, marquise de Montespan (1640-1707), as Iris. Artist: Elle, Louis Ferdinand, the Younger (1648-1717)
Bacchus Venus and Ceres 1717 Louis de Silvestre 1675 – 1760 France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bacchus-venus-and-ceres-1717-louis-de-silvestre-1675-1760-france-french-73017591.htmlRME6P6K3–Bacchus Venus and Ceres 1717 Louis de Silvestre 1675 – 1760 France French
Page 5 and 6 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-5-and-6-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598946068.htmlRM2WPC9R0–Page 5 and 6 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
ANDROS - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andros-tournefort-joseph-pitton-de-1717-image214687069.htmlRMPD7RF9–ANDROS - Tournefort Joseph Pitton De - 1717.
Louis Bernard, (artist), French, active 1680/1717, François de Troy, (artist after), French, 1645 - 1730, Portrait of M. Sebastien Le Prestre de Vauban, mezzotint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-bernard-artist-french-active-16801717-franois-de-troy-artist-after-french-1645-1730-portrait-of-m-sebastien-le-prestre-de-vauban-mezzotint-image386251920.htmlRM2DCB87C–Louis Bernard, (artist), French, active 1680/1717, François de Troy, (artist after), French, 1645 - 1730, Portrait of M. Sebastien Le Prestre de Vauban, mezzotint
Cerasonte - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cerasonte-tournefort-joseph-pitton-de-1717-139558792.htmlRMJ31CJG–Cerasonte - Tournefort Joseph Pitton De - 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-triumphal-arch-erected-on-calle-de-carretas-ca1760-madrid-spain-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333253306.htmlRM2AA4YYP–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid)
Jean le Rond d'Alembert, French Polymath Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-le-rond-dalembert-french-polymath-image352806921.htmlRM2BDYMR5–Jean le Rond d'Alembert, French Polymath
548 Sciotes - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/548-sciotes-tournefort-joseph-pitton-de-1717-image213983408.htmlRMPC3P0G–548 Sciotes - Tournefort Joseph Pitton De - 1717
Delos Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-delos-tournefort-joseph-pitton-de-1717-132511570.htmlRMHKGBT2–Delos Tournefort Joseph Pitton De 1717
Jean le Rond D'Alembert, Jean-Baptiste le Rond d'Alembert (1717 – 1783) French mathematician and physicist, Portrait of Jean le Rond D'Alembert by Maurice Quentin de La Tour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-le-rond-dalembert-jean-baptiste-le-rond-dalembert-1717-1783-french-mathematician-and-physicist-portrait-of-jean-le-rond-dalembert-by-maurice-quentin-de-la-tour-image218500099.htmlRMPKDF2Y–Jean le Rond D'Alembert, Jean-Baptiste le Rond d'Alembert (1717 – 1783) French mathematician and physicist, Portrait of Jean le Rond D'Alembert by Maurice Quentin de La Tour
Charles Gravier, comte de Vergennes, 1717 – 1787. French statesman and diplomat. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-gravier-comte-de-vergennes-1717-1787-french-statesman-and-image66392313.htmlRMDT0C21–Charles Gravier, comte de Vergennes, 1717 – 1787. French statesman and diplomat.
Henri François d'Aguesseau. Engraving of 1792 Henri François d'Aguesseau, seigneur de Fresnes (1668–1751) was Chancellor of France three times between 1717 and 1750 and pronounced by Voltaire to be 'the most learned magistrate France ever possessed'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henri-franois-daguesseau-engraving-of-1792-henri-franois-daguesseau-seigneur-de-fresnes-16681751-was-chancellor-of-france-three-times-between-1717-and-1750-and-pronounced-by-voltaire-to-be-the-most-learned-magistrate-france-ever-possessed-image631757107.htmlRF2YKR0HR–Henri François d'Aguesseau. Engraving of 1792 Henri François d'Aguesseau, seigneur de Fresnes (1668–1751) was Chancellor of France three times between 1717 and 1750 and pronounced by Voltaire to be 'the most learned magistrate France ever possessed'.
Nocturnal Encounter during the Battle of Kijkduin by Willem van de Velde II (1633-1717). Oil on canvas, c 1675 This painting is traditionally called the Nocturnal Battle however the naval battle at Kijkduin, between Cornelius Tromp on the Gouden Leeuw and Sir Edward Spragg on the Royal Prince, actually took place in daylight hours on 21 August 1673. It looks like night only because the encounter is shown partially hidden behind clouds of smoke and gunpowder fumes. While the Dutch flagship is sinking at the right, Tromp battles on from a captured ship. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nocturnal-encounter-during-the-battle-of-kijkduin-by-willem-van-de-image68542880.htmlRMDYEB40–Nocturnal Encounter during the Battle of Kijkduin by Willem van de Velde II (1633-1717). Oil on canvas, c 1675 This painting is traditionally called the Nocturnal Battle however the naval battle at Kijkduin, between Cornelius Tromp on the Gouden Leeuw and Sir Edward Spragg on the Royal Prince, actually took place in daylight hours on 21 August 1673. It looks like night only because the encounter is shown partially hidden behind clouds of smoke and gunpowder fumes. While the Dutch flagship is sinking at the right, Tromp battles on from a captured ship.
Art inspired by View of the monastery at Slingeland, draughtsman: Abraham de Haen (II), 1717 - 1748, paper, ink, pen, brush, height 153 mm × width 219 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-of-the-monastery-at-slingeland-draughtsman-abraham-de-haen-ii-1717-1748-paper-ink-pen-brush-height-153-mm-width-219-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459793656.htmlRF2HM1BE0–Art inspired by View of the monastery at Slingeland, draughtsman: Abraham de Haen (II), 1717 - 1748, paper, ink, pen, brush, height 153 mm × width 219 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
J M DE LA MOTTE GUYON Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-j-m-de-la-motte-guyon-105347258.htmlRMG3AYE2–J M DE LA MOTTE GUYON
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563488.htmlRM2X3G6W4–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-triumphal-arch-of-santa-maria-saint-mary-in-calle-mayor-main-street-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image561317230.htmlRM2RH65RX–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
DET DEL REMATE DE LA FACHADA CON NIDO Y CIGUEÑAS - RECONSTRUIDO EN 1778 - ARQUITECTURA CLASICISTA - FOTO AÑOS 90 -. Author: VENTURA RODRIGUEZ (1717-1785). Location: AYUNTAMIENTO. TORO. Zamora. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/det-del-remate-de-la-fachada-con-nido-y-cigueas-reconstruido-en-1778-arquitectura-clasicista-foto-aos-90-author-ventura-rodriguez-1717-1785-location-ayuntamiento-toro-zamora-spain-image546312809.htmlRM2PMPKFN–DET DEL REMATE DE LA FACHADA CON NIDO Y CIGUEÑAS - RECONSTRUIDO EN 1778 - ARQUITECTURA CLASICISTA - FOTO AÑOS 90 -. Author: VENTURA RODRIGUEZ (1717-1785). Location: AYUNTAMIENTO. TORO. Zamora. SPAIN.
Daniel Voysin de La Noiraye (1654-1717), . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniel-voysin-de-la-noiraye-1654-1717-image186186691.htmlRMMPWF0K–Daniel Voysin de La Noiraye (1654-1717), .
LA PRÉSENTATION DE JÉSUS AU TEMPLE - THE PRESENTATION OF JESUS IN THE TEMPLE 1692 JEAN JOUVENET (1644 - 1717) France French Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-prsentation-de-jsus-au-temple-the-presentation-of-jesus-in-the-95842771.htmlRMFFX0C3–LA PRÉSENTATION DE JÉSUS AU TEMPLE - THE PRESENTATION OF JESUS IN THE TEMPLE 1692 JEAN JOUVENET (1644 - 1717) France French
Page 11 and 12 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-11-and-12-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598913472.htmlRM2WPAT6T–Page 11 and 12 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
Anciennes Colonnes employées dans l'Asie Mineure - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anciennes-colonnes-employes-dans-lasie-mineure-tournefort-joseph-pitton-de-1717-image214672666.htmlRMPD754X–Anciennes Colonnes employées dans l'Asie Mineure - Tournefort Joseph Pitton De - 1717.
The Duc d’Orléans, and His Son, 1759, Louis de Carmontelle, French, 1717-1806, France, Etching in black on ivory laid paper, 267 × 177 mm (image), 293 × 192 mm (plate), 304 × 204 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duc-dorlans-and-his-son-1759-louis-de-carmontelle-french-1717-1806-france-etching-in-black-on-ivory-laid-paper-267-177-mm-image-293-192-mm-plate-304-204-mm-sheet-image328662250.htmlRM2A2KT1E–The Duc d’Orléans, and His Son, 1759, Louis de Carmontelle, French, 1717-1806, France, Etching in black on ivory laid paper, 267 × 177 mm (image), 293 × 192 mm (plate), 304 × 204 mm (sheet
ANDROS - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-andros-tournefort-joseph-pitton-de-1717-139558782.htmlRMJ31CJ6–ANDROS - Tournefort Joseph Pitton De - 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-triumphal-arch-erected-on-calle-de-carretas-ca1760-madrid-spain-detail-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333253309.htmlRM2AA4YYW–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch erected on Calle de Carretas, ca.1760. (Madrid, Spain). Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid)
Victoire contre les Turcs 1716-1717, évoquée par un almanach de 1718. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victoire-contre-les-turcs-1716-1717-voque-par-un-almanach-de-1718-image613751423.htmlRF2XJEP5K–Victoire contre les Turcs 1716-1717, évoquée par un almanach de 1718.
439 Naxiotes - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/439-naxiotes-tournefort-joseph-pitton-de-1717-image213954266.htmlRMPC2CRP–439 Naxiotes - Tournefort Joseph Pitton De - 1717
Retimo Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-retimo-tournefort-joseph-pitton-de-1717-132511595.htmlRMHKGBTY–Retimo Tournefort Joseph Pitton De 1717
Ludolf Bakhuysen II (1717-82). Schilder en militair, kleinzoon van de zeeschilder Ludolf Bakhuysen I by Cornelis Troost Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ludolf-bakhuysen-ii-1717-82-schilder-en-militair-kleinzoon-van-de-zeeschilder-ludolf-bakhuysen-i-by-cornelis-troost-image559678544.htmlRM2REFFKC–Ludolf Bakhuysen II (1717-82). Schilder en militair, kleinzoon van de zeeschilder Ludolf Bakhuysen I by Cornelis Troost
Ecu said 'vertugadin' Louis XV, in 1717 Ecu dit 'vertugadin' de Louis XV, 1717. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ecu-said-vertugadin-louis-xv-in-1717-ecu-dit-vertugadin-de-louis-xv-1717-paris-muse-carnavalet-image349996632.htmlRM2B9BM7M–Ecu said 'vertugadin' Louis XV, in 1717 Ecu dit 'vertugadin' de Louis XV, 1717. Paris, musée Carnavalet.
Portrait of Bon Boullogne, French painter, 1649-1717. Copperplate engraving from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-bon-boullogne-french-painter-1649-1717-copperplate-engraving-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241674364.htmlRMT15638–Portrait of Bon Boullogne, French painter, 1649-1717. Copperplate engraving from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
François Couperin 's 'L'Art de toucher le clavecin' page from the second edition, 1717. French composer, 10 November 1668 - 11 September 1733. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franois-couperin-s-lart-de-toucher-le-clavecin-page-from-the-second-163609269.htmlRMKE5185–François Couperin 's 'L'Art de toucher le clavecin' page from the second edition, 1717. French composer, 10 November 1668 - 11 September 1733.
Inspired by Inauguration of Emperor Charles VI as Count of Flanders at Ghent, 1717, Representation de la ceremonie solennelle de l'Inauguration de sa Majesté Imperiale et Catholique Charles VI. Empereur des Romains et IIIe du nom Roi des Espagnes, comme Comte de Flandres, celebrée dans l'Eglise, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-inauguration-of-emperor-charles-vi-as-count-of-flanders-at-ghent-1717-representation-de-la-ceremonie-solennelle-de-linauguration-de-sa-majest-imperiale-et-catholique-charles-vi-empereur-des-romains-et-iiie-du-nom-roi-des-espagnes-comme-comte-de-flandres-celebre-dans-leglise-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459373637.htmlRF2HKA7N9–Inspired by Inauguration of Emperor Charles VI as Count of Flanders at Ghent, 1717, Representation de la ceremonie solennelle de l'Inauguration de sa Majesté Imperiale et Catholique Charles VI. Empereur des Romains et IIIe du nom Roi des Espagnes, comme Comte de Flandres, celebrée dans l'Eglise, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
JEAN DE LA NOE MENARD French churchman of Nantes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-de-la-noe-menard-french-churchman-of-nantes-image504889924.htmlRM2M9BM70–JEAN DE LA NOE MENARD French churchman of Nantes.
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563487.htmlRM2X3G6W3–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-platerias-street-main-street-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image561317218.htmlRM2RH65RE–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Madame la Comtesse de Boufflers and Thérèse. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: 12 x 8 in. (30.5 x 20.3 cm). Date: mid-1760s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madame-la-comtesse-de-boufflers-and-thrse-artist-louis-de-carmontelle-french-paris-1717-1806-paris-dimensions-12-x-8-in-305-x-203-cm-date-mid-1760s-museum-metropolitan-museum-of-art-new-york-usa-image213324844.htmlRMPB1P0C–Madame la Comtesse de Boufflers and Thérèse. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: 12 x 8 in. (30.5 x 20.3 cm). Date: mid-1760s. Museum: Metropolitan Museum of Art, New York, USA.
Daniel Voysin de La Noiraye (1654-1717), . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/daniel-voysin-de-la-noiraye-1654-1717-image186186692.htmlRMMPWF0M–Daniel Voysin de La Noiraye (1654-1717), .
De verheerlijking van Mars - The glorification of Mars 1717 goblin Leyniers, Urbaan (weaver) Reydams, Henry II (weaver)Van Orley, Jan (carpet designer) Coppens, Aurèle Augustin (carpet designer) Material: sheep wool, silk Flemish Belgian Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-de-verheerlijking-van-mars-the-glorification-of-mars-1717-goblin-leyniers-93087117.htmlRMFBCDFW–De verheerlijking van Mars - The glorification of Mars 1717 goblin Leyniers, Urbaan (weaver) Reydams, Henry II (weaver)Van Orley, Jan (carpet designer) Coppens, Aurèle Augustin (carpet designer) Material: sheep wool, silk Flemish Belgian Belgium
Page 7 and 8 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-7-and-8-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598943147.htmlRM2WPC62K–Page 7 and 8 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
Ancien Tombeau, qui se voit dans la grande Delos Autel de Bacchus qui se voit dans la petite Delos - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancien-tombeau-qui-se-voit-dans-la-grande-delos-autel-de-bacchus-qui-se-voit-dans-la-petite-delos-tournefort-joseph-pitton-de-1717-image214672463.htmlRMPD74WK–Ancien Tombeau, qui se voit dans la grande Delos Autel de Bacchus qui se voit dans la petite Delos - Tournefort Joseph Pitton De - 1717.
Artist: Louis de Carmontelle, French, 1717–1806, Baron de Bezenval, Etching, platemark: 28.26 × 19.05 cm (11 1/8 × 7 1/2 in.), Made in France, French, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-louis-de-carmontelle-french-17171806-baron-debezenval-etching-platemark-2826-1905-cm-11-18-7-12in-made-in-france-french-18thcentury-works-on-paper-prints-image393466214.htmlRM2DT3X4P–Artist: Louis de Carmontelle, French, 1717–1806, Baron de Bezenval, Etching, platemark: 28.26 × 19.05 cm (11 1/8 × 7 1/2 in.), Made in France, French, 18th century, Works on Paper - Prints
Naxiotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naxiotes-tournefort-joseph-pitton-de-1717-140297844.htmlRMJ47398–Naxiotes Tournefort Joseph Pitton De 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-platerias-street-main-street-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333333757.htmlRM2AA8JH1–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Juan Rodriguez Juarez, Portrait of the Viceroy, the Duke of Linares, Circa 1717 Oil on canvas, Museo Nacional de Arte, Mexico City, Mexico. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juan-rodriguez-juarez-portrait-of-the-viceroy-the-duke-of-linares-circa-1717-oil-on-canvas-museo-nacional-de-arte-mexico-city-mexico-image221341700.htmlRMPT2YGM–Juan Rodriguez Juarez, Portrait of the Viceroy, the Duke of Linares, Circa 1717 Oil on canvas, Museo Nacional de Arte, Mexico City, Mexico.
