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De 1717 Stock Photos and Images
181 Naxiotes - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/181-naxiotes-tournefort-joseph-pitton-de-1717-image212910208.htmlRMPAAW40–181 Naxiotes - Tournefort Joseph Pitton De - 1717
Metelin Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-metelin-tournefort-joseph-pitton-de-1717-132511539.htmlRMHKGBPY–Metelin Tournefort Joseph Pitton De 1717
Guerre de succession d'autriche : l'imperatrice Marie-Therese (Marie Therese) d'Autriche (1717-1780) recevant lors de sa visite du parlement de Bratis Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guerre-de-succession-dautriche-limperatrice-marie-therese-marie-therese-dautriche-1717-1780-recevant-lors-de-sa-visite-du-parlement-de-bratis-image353598884.htmlRM2BF7PYG–Guerre de succession d'autriche : l'imperatrice Marie-Therese (Marie Therese) d'Autriche (1717-1780) recevant lors de sa visite du parlement de Bratis
Louis said gold 'Noailles' of Louis XV, in 1717 Louis d'or dit 'de Noailles' de Louis XV. Or, 1717. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-said-gold-noailles-of-louis-xv-in-1717-louis-dor-dit-de-noailles-de-louis-xv-or-1717-paris-muse-carnavalet-image349996220.htmlRM2B9BKN0–Louis said gold 'Noailles' of Louis XV, in 1717 Louis d'or dit 'de Noailles' de Louis XV. Or, 1717. Paris, musée Carnavalet.
Portrait of Nicolas Colombel, French painter 1644-1717. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-nicolas-colombel-french-painter-1644-1717-copperplate-engraving-by-m-aubert-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241624704.htmlRMT12XNM–Portrait of Nicolas Colombel, French painter 1644-1717. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
François Couperin 's 'L'Art de toucher le clavecin' - title page from the second edition, 1717. French composer, 10 November 1668 - 11 September 1733. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-franois-couperin-s-lart-de-toucher-le-clavecin-title-page-from-the-165541377.htmlRMKH91M1–François Couperin 's 'L'Art de toucher le clavecin' - title page from the second edition, 1717. French composer, 10 November 1668 - 11 September 1733.
Art inspired by Relation de l' Inauguration Solemnelle de Sa Sacrée Majesté Imperiale et Catholique Charles VI .. comme Comte de Flandres. Illuminations at the Hôtel de Ville and Fireworks behind the Belfry, Ghent, October 19, 1717, 1719, Engraving, etching, 17 13/16 x 10 13/16 x 3/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-relation-de-l-inauguration-solemnelle-de-sa-sacre-majest-imperiale-et-catholique-charles-vi-comme-comte-de-flandres-illuminations-at-the-htel-de-ville-and-fireworks-behind-the-belfry-ghent-october-19-1717-1719-engraving-etching-17-1316-x-10-1316-x-38-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462954851.htmlRF2HW5BHR–Art inspired by Relation de l' Inauguration Solemnelle de Sa Sacrée Majesté Imperiale et Catholique Charles VI .. comme Comte de Flandres. Illuminations at the Hôtel de Ville and Fireworks behind the Belfry, Ghent, October 19, 1717, 1719, Engraving, etching, 17 13/16 x 10 13/16 x 3/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
LOUISE ADELAIDE D'ORLEANS mlle. de Chartres, who in 1717 laid aside her earthly crown - there it is on the table, see - for a heavenly one, as the Abbess of Chelles. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louise-adelaide-dorleans-mlle-de-chartres-who-in-1717-laid-aside-her-earthly-crown-there-it-is-on-the-table-see-for-a-heavenly-one-as-the-abbess-of-chelles-image504890871.htmlRM2M9BNCR–LOUISE ADELAIDE D'ORLEANS mlle. de Chartres, who in 1717 laid aside her earthly crown - there it is on the table, see - for a heavenly one, as the Abbess of Chelles.
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563491.htmlRM2X3G6W7–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascribed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-plaza-mayor-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-history-museum-madrid-spain-image561317270.htmlRM2RH65WA–Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum, Madrid, Spain.
Madame la Marquise de Coëtlogon. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: 12 3/16 x 8 7/16 in. (31 x 21.5 cm). Date: ca. 1777. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madame-la-marquise-de-cotlogon-artist-louis-de-carmontelle-french-paris-1717-1806-paris-dimensions-12-316-x-8-716-in-31-x-215-cm-date-ca-1777-museum-metropolitan-museum-of-art-new-york-usa-image213111661.htmlRMPAM22N–Madame la Marquise de Coëtlogon. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: 12 3/16 x 8 7/16 in. (31 x 21.5 cm). Date: ca. 1777. Museum: Metropolitan Museum of Art, New York, USA.
Map of Petersburg, 1717. Artist: De Fer, Nicolas (1646-1720) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-petersburg-1717-artist-de-fer-nicolas-1646-1720-image60384831.htmlRMDE6ND3–Map of Petersburg, 1717. Artist: De Fer, Nicolas (1646-1720)
The Halt During the Chase' ('Rendez-vous de chasse'), 1717-1720 by Jean-Antoine Watteau. From the Wallace Collection, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-halt-during-the-chase-rendez-vous-de-chasse-1717-1720-by-jean-antoine-watteau-from-the-wallace-collection-london-image377037733.htmlRM2CWBFD9–The Halt During the Chase' ('Rendez-vous de chasse'), 1717-1720 by Jean-Antoine Watteau. From the Wallace Collection, London.
Page 9 and 10 of the introduction 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00); Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-9-and-10-of-the-introduction-jardin-de-monceau-pres-de-paris-carmontelle-louis-de-1717-1806-jorry-l-fils-paris-printing-house-fl-ca-1773-1789-1779-1779-00-00-1779-00-00-image598940833.htmlRM2WPC341–Page 9 and 10 of the introduction 'Jardin de Monceau Pres de Paris'; Carmontelle, Louis de (1717-1806), Jorry, L. Fils (Paris; Printing house; Fl. Ca 1773-1789); 1779 (1779-00-00-1779-00-00);
Ephèse - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ephse-tournefort-joseph-pitton-de-1717-image328869701.htmlRM2A318JD–Ephèse - Tournefort Joseph Pitton De - 1717.
Giovanni Battista Nini, (artist), Italian, 1717 - 1786, Albertine de Nivenheim, 1768, bronze/With ring, overall (height with suspension loop): 14.8 cm (5 13/16 in.), overall (diameter without loop): 14.93 cm (5 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-battista-nini-artist-italian-1717-1786-albertine-de-nivenheim-1768-bronzewith-ring-overall-height-with-suspension-loop-148-cm-5-1316-in-overall-diameter-without-loop-1493-cm-5-78-in-image386355290.htmlRM2DCG036–Giovanni Battista Nini, (artist), Italian, 1717 - 1786, Albertine de Nivenheim, 1768, bronze/With ring, overall (height with suspension loop): 14.8 cm (5 13/16 in.), overall (diameter without loop): 14.93 cm (5 7/8 in
Sciotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sciotes-tournefort-joseph-pitton-de-1717-140516066.htmlRMJ4H1JX–Sciotes Tournefort Joseph Pitton De 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-platerias-street-main-street-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-detail-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333333749.htmlRM2AA8JGN–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Platerias Street (Main Street) on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).
Louis-Guillaume Le Monnier aka Lemonnier, 1717 – 1799. French natural scientist. From Les Merveilles de la Science, published 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-guillaume-le-monnier-aka-lemonnier-1717-1799-french-natural-image156254780.htmlRMK260FT–Louis-Guillaume Le Monnier aka Lemonnier, 1717 – 1799. French natural scientist. From Les Merveilles de la Science, published 1870.
216 Retimo - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/216-retimo-tournefort-joseph-pitton-de-1717-image212906246.htmlRMPAAM2E–216 Retimo - Tournefort Joseph Pitton De - 1717
Cerasonte Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cerasonte-tournefort-joseph-pitton-de-1717-132511569.htmlRMHKGBT1–Cerasonte Tournefort Joseph Pitton De 1717
Jeanne-Marie Bouvier de La Motte Guyon (geb. 13. April 1648 in Montargis; gest. 9. Juni 1717 in Blois) war eine bedeutende römisch-katholische Mystikerin, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-marie-bouvier-de-la-motte-guyon-geb-13-april-1648-in-montargis-gest-9-juni-1717-in-blois-war-eine-bedeutende-rmisch-katholische-mystikerin-historisch-digital-restaurierte-reproduktion-von-einer-vorlage-aus-dem-19-jahrhundert-record-date-not-stated-image596641686.htmlRF2WJKAFJ–Jeanne-Marie Bouvier de La Motte Guyon (geb. 13. April 1648 in Montargis; gest. 9. Juni 1717 in Blois) war eine bedeutende römisch-katholische Mystikerin, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated
STATUE OF THE PHILOSOPHER JEAN ROUND OF ALEMBERT (1717-1783), BY GEORGES DIEBOLT (1816-1861), FOR THE FRONT OF THE TOWN HALL Statue du philosophe Jean le Rond d'Alembert (1717-1783), par Georges Diébolt (1816-1861), destinée à la façade de l'Hôtel de Ville. 1839-1870. Photographie attribuée à Edouard-Denis Baldus. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-the-philosopher-jean-round-of-alembert-1717-1783-by-georges-diebolt-1816-1861-for-the-front-of-the-town-hall-statue-du-philosophe-jean-le-rond-dalembert-1717-1783-par-georges-dibolt-1816-1861-destine-la-faade-de-lhtel-de-ville-1839-1870-photographie-attribue-edouard-denis-baldus-paris-muse-carnavalet-image349910357.htmlRM2B97P6D–STATUE OF THE PHILOSOPHER JEAN ROUND OF ALEMBERT (1717-1783), BY GEORGES DIEBOLT (1816-1861), FOR THE FRONT OF THE TOWN HALL Statue du philosophe Jean le Rond d'Alembert (1717-1783), par Georges Diébolt (1816-1861), destinée à la façade de l'Hôtel de Ville. 1839-1870. Photographie attribuée à Edouard-Denis Baldus. Paris, musée Carnavalet.
Men playing the royal game of croquet or pall mall, le jeu royal de la passe, designed for Louis XV in 1717. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/men-playing-the-royal-game-of-croquet-or-pall-mall-le-jeu-royal-de-la-passe-designed-for-louis-xv-in-1717-lithograph-from-henry-rene-allemagnes-sports-and-games-of-skill-sports-et-jeux-dadresse-librairie-hachette-paris-1903-image331805484.htmlRM2A7R17T–Men playing the royal game of croquet or pall mall, le jeu royal de la passe, designed for Louis XV in 1717. Lithograph from Henry Rene Allemagne's Sports and Games of Skill (Sports et Jeux d'Adresse), Librairie Hachette, Paris, 1903.
1760 ca , FRANCE : The celebrated French mathematician , mechanician , physicist , philosopher and music theorist JEAN LE ROND D'ALEMBERT ( 1717 – 1783 ) . Portrait mezzotint by P.M. Alix Stipple after the original portrait by Quentin de la Tour . Until 1759 he was also co-editor with Denis Diderot of the ' Encyclopédie '. - ALEMBERT - ILLUMINISTA - ENCICLOPEDIA - ENCICLOPEDISTA - ILLUMNINISMO - ILLUMINISM - FILOSOFO - FILOSOFIA - PHILOSOPHY - wig - parrucca - collar - colletto - incisione - engraving - portrait - ritratto --- Archivio GBB Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1760-ca-france-the-celebrated-french-mathematician-mechanician-physicist-philosopher-and-music-theorist-jean-le-rond-dalembert-1717-1783-portrait-mezzotint-by-pm-alix-stipple-after-the-original-portrait-by-quentin-de-la-tour-until-1759-he-was-also-co-editor-with-denis-diderot-of-the-encyclopdie-alembert-illuminista-enciclopedia-enciclopedista-illumninismo-illuminism-filosofo-filosofia-philosophy-wig-parrucca-collar-colletto-incisione-engraving-portrait-ritratto-archivio-gbb-image343491433.htmlRM2AXRAR5–1760 ca , FRANCE : The celebrated French mathematician , mechanician , physicist , philosopher and music theorist JEAN LE ROND D'ALEMBERT ( 1717 – 1783 ) . Portrait mezzotint by P.M. Alix Stipple after the original portrait by Quentin de la Tour . Until 1759 he was also co-editor with Denis Diderot of the ' Encyclopédie '. - ALEMBERT - ILLUMINISTA - ENCICLOPEDIA - ENCICLOPEDISTA - ILLUMNINISMO - ILLUMINISM - FILOSOFO - FILOSOFIA - PHILOSOPHY - wig - parrucca - collar - colletto - incisione - engraving - portrait - ritratto --- Archivio GBB
Art inspired by Inauguration of Emperor Charles VI as Count of Flanders at Ghent, 1717, Representation de la ceremonie solennelle de l'Inauguration de sa Majesté Imperiale et Catholique Charles VI. Empereur des Romains et IIIe du nom Roi des Espagnes, comme Comte de Flandres, celebrée, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-inauguration-of-emperor-charles-vi-as-count-of-flanders-at-ghent-1717-representation-de-la-ceremonie-solennelle-de-linauguration-de-sa-majest-imperiale-et-catholique-charles-vi-empereur-des-romains-et-iiie-du-nom-roi-des-espagnes-comme-comte-de-flandres-celebre-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459722133.htmlRF2HKX47H–Art inspired by Inauguration of Emperor Charles VI as Count of Flanders at Ghent, 1717, Representation de la ceremonie solennelle de l'Inauguration de sa Majesté Imperiale et Catholique Charles VI. Empereur des Romains et IIIe du nom Roi des Espagnes, comme Comte de Flandres, celebrée, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Vue perspective de la place de Louis le Grand avec la représentation de la marche des chars et cortège des gardes de la ville le 13 février 1747 - perspective view of Place de Louis le Grand (now Place Vendôme) in Paris showing the parade of carriages and city guards on 13 February 1747 to celebrate the marriage of Louis, Dauphin of France to Maria Josepha of Saxony. Engraving by Antoine Benoist, French artist and personal painter to King Louis XIV. 1632–1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vue-perspective-de-la-place-de-louis-le-grand-avec-la-reprsentation-83346776.htmlRMERGNJG–Vue perspective de la place de Louis le Grand avec la représentation de la marche des chars et cortège des gardes de la ville le 13 février 1747 - perspective view of Place de Louis le Grand (now Place Vendôme) in Paris showing the parade of carriages and city guards on 13 February 1747 to celebrate the marriage of Louis, Dauphin of France to Maria Josepha of Saxony. Engraving by Antoine Benoist, French artist and personal painter to King Louis XIV. 1632–1717
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563495.htmlRM2X3G6WB–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum, Madrid, Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascribed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-plaza-mayor-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-detail-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-history-museum-madrid-spain-image561317238.htmlRM2RH65T6–Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum, Madrid, Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum, Madrid, Spain.
The Duc d'Orléans, and His Son. Louis de Carmontelle; French, 1717-1806. Date: 1759. Dimensions: 267 × 177 mm (image); 293 × 192 mm (plate); 304 × 204 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Author: Louis Carrogis de Carmontelle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-duc-dorlans-and-his-son-louis-de-carmontelle-french-1717-1806-date-1759-dimensions-267-177-mm-image-293-192-mm-plate-304-204-mm-sheet-etching-in-black-on-ivory-laid-paper-origin-france-museum-the-chicago-art-institute-author-louis-carrogis-de-carmontelle-image240098381.htmlRMRXHBX5–The Duc d'Orléans, and His Son. Louis de Carmontelle; French, 1717-1806. Date: 1759. Dimensions: 267 × 177 mm (image); 293 × 192 mm (plate); 304 × 204 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute. Author: Louis Carrogis de Carmontelle.
Portrait of Louis François de Bourbon, Prince of Conti (1717-1776), 1738. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-franois-de-bourbon-prince-of-conti-1717-1776-1738-image186209134.htmlRMMPXFJ6–Portrait of Louis François de Bourbon, Prince of Conti (1717-1776), 1738.
Harvesting scene, from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-harvesting-scene-from-the-1775-edition-of-oeconomie-gnrale-de-la-campagne-131280506.htmlRMHHG9HE–Harvesting scene, from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers
![L'Asie Author Fer, Nicolas de 114.6. Place of publication: [London] Publisher: [Sr. Danet] Date of publication: [1717]. Item type: 1 map Medium: copperplate engraving with hand-colouring Dimensions: 22.0 x 31.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9G8H1/lasie-author-fer-nicolas-de-1146-place-of-publication-london-publisher-sr-danet-date-of-publication-1717-item-type-1-map-medium-copperplate-engraving-with-hand-colouring-dimensions-220-x-311-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9G8H1.jpg "L'Asie Author Fer, Nicolas de 114.6. Place of publication: [London] Publisher: [Sr. Danet] Date of publication: [1717]. Item type: 1 map Medium: copperplate engraving with hand-colouring Dimensions: 22.0 x 31.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
L'Asie Author Fer, Nicolas de 114.6. Place of publication: [London] Publisher: [Sr. Danet] Date of publication: [1717]. Item type: 1 map Medium: copperplate engraving with hand-colouring Dimensions: 22.0 x 31.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lasie-author-fer-nicolas-de-1146-place-of-publication-london-publisher-sr-danet-date-of-publication-1717-item-type-1-map-medium-copperplate-engraving-with-hand-colouring-dimensions-220-x-311-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401728349.htmlRM2E9G8H1–L'Asie Author Fer, Nicolas de 114.6. Place of publication: [London] Publisher: [Sr. Danet] Date of publication: [1717]. Item type: 1 map Medium: copperplate engraving with hand-colouring Dimensions: 22.0 x 31.1 cm Former owner: George III, King of Great Britain, 1738-1820
ELEGRI - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elegri-tournefort-joseph-pitton-de-1717-image328554144.htmlRM2A2EX4G–ELEGRI - Tournefort Joseph Pitton De - 1717.
Anna de Hooghe (1645-1717). The Painter's fourth Wife, Portrait of Anna de Hooghe, the fourth wife of the painter Ludolf Bakhuysen. Anna de Hooghe, Ludolf Bakhuysen, 1690 - 1708, panel, oil paint (paint), h 18.4 cm × w 14.4 cm d 4.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anna-de-hooghe-1645-1717-the-painters-fourth-wife-portrait-of-anna-de-hooghe-the-fourth-wife-of-the-painter-ludolf-bakhuysen-anna-de-hooghe-ludolf-bakhuysen-1690-1708-panel-oil-paint-paint-h-184-cm-w-144-cm-d-43-cm-image261409184.htmlRMW58628–Anna de Hooghe (1645-1717). The Painter's fourth Wife, Portrait of Anna de Hooghe, the fourth wife of the painter Ludolf Bakhuysen. Anna de Hooghe, Ludolf Bakhuysen, 1690 - 1708, panel, oil paint (paint), h 18.4 cm × w 14.4 cm d 4.3 cm
Tiniotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tiniotes-tournefort-joseph-pitton-de-1717-140714466.htmlRMJ4X2MJ–Tiniotes Tournefort Joseph Pitton De 1717
Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascribed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-plaza-mayor-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-history-museum-madrid-spain-image333333681.htmlRM2AA8JE9–Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.
Lemonnier researching electrical speed, seen here conducting an experiment by sending a current from a Leyden jar through a wire approx 1,850 m long, he concluded that electricity propagated 'instantaneously' in the wire. Louis-Guillaume Le Monnier aka Lemonnier, 1717 – 1799. French natural scientist. From Les Merveilles de la Science, published 1870. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lemonnier-researching-electrical-speed-seen-here-conducting-an-experiment-image156254735.htmlRMK260E7–Lemonnier researching electrical speed, seen here conducting an experiment by sending a current from a Leyden jar through a wire approx 1,850 m long, he concluded that electricity propagated 'instantaneously' in the wire. Louis-Guillaume Le Monnier aka Lemonnier, 1717 – 1799. French natural scientist. From Les Merveilles de la Science, published 1870.
192 Ephèse - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/192-ephse-tournefort-joseph-pitton-de-1717-image188274640.htmlRMMX8J68–192 Ephèse - Tournefort Joseph Pitton De - 1717
Naxiotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-naxiotes-tournefort-joseph-pitton-de-1717-132511588.htmlRMHKGBTM–Naxiotes Tournefort Joseph Pitton De 1717
'The Halt During the Chase' ('Rendez-vous de chasse'), 1717-1720. Artist: Jean-Antoine Watteau Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-halt-during-the-chase-rendez-vous-de-chasse-1717-1720-artist-jean-antoine-watteau-image262740473.htmlRMW7CT49–'The Halt During the Chase' ('Rendez-vous de chasse'), 1717-1720. Artist: Jean-Antoine Watteau
Saint-Lambert, Jean-Francois de, 16.2.1717 - 9.2.1803, French officer and philosopher, portrait, after painting, 18th century, Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saint-lambert-jean-francois-de-1621717-921803-french-officer-and-philosopher-48741691.htmlRMCR8AEK–Saint-Lambert, Jean-Francois de, 16.2.1717 - 9.2.1803, French officer and philosopher, portrait, after painting, 18th century, Artist's Copyright has not to be cleared
Portrait of Luigi Quaini, Italian painter of the Baroque period 1643-1717. Louis Quaini. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-luigi-quaini-italian-painter-of-the-baroque-period-1643-1717-louis-quaini-copperplate-engraving-by-m-aubert-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241679639.htmlRMT15CRK–Portrait of Luigi Quaini, Italian painter of the Baroque period 1643-1717. Louis Quaini. Copperplate engraving by M. Aubert from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1792-roma-italy-the-pope-pius-vi-papa-pio-1717-1799-bor-count-giovanni-angelo-or-giannangelo-braschi-was-the-250-th-pope-of-catholic-church-elected-the-day-15-february-1775-son-of-count-marco-aurelio-tommaso-braschi-e-countess-anna-teresa-bandi-pius-vi-condemned-the-french-revolution-french-troops-commanded-by-napoleon-bonaparte-defeated-the-papal-army-and-occupied-the-papal-states-in-1796-in-1798-upon-his-refusal-to-renounce-his-temporal-power-pius-was-taken-prisoner-and-transported-to-france-he-died-eighteen-months-later-in-valence-portrait-by-noach-van-de-image567111419.htmlRM2RXJ4B7–1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de
Inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales, The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807 - 1808, paper, etching, height 250, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-preaching-christ-the-hundred-guilder-print-le-seigneur-gurissant-les-malades-recueil-de-quatre-vingt-cinq-estampes-originales-the-print-is-part-of-an-album-print-maker-jacques-philippe-le-bas-rembrandt-van-rijn-paris-1717-1783-andor-1807-1808-paper-etching-height-250-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459370953.htmlRF2HKA49D–Inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales, The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807 - 1808, paper, etching, height 250, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Feb. 29, 2012 - Preserved from the past: in the clubhouse are these Jeu de Mail (1717), and La Chole (1300 - 1830) clubs and an Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-29-2012-preserved-from-the-past-in-the-clubhouse-are-these-jeu-image69529439.htmlRME139E7–Feb. 29, 2012 - Preserved from the past: in the clubhouse are these Jeu de Mail (1717), and La Chole (1300 - 1830) clubs and an
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563494.htmlRM2X3G6WA–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-monastery-and-church-la-recolleccion-colegio-de-cristo-crucificado-30149234.htmlRMBN1BJA–Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala
Jean-Pierre de Bougainville. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: sheet: 11 13/16 x 7 1/2 in. (30 x 19 cm). Date: 1760. Born Louis Carrogis, the son of a cobbler, Carmontelle used his wit and talent to elevate his social position, eventually becoming employed in the d'Orléans court, where his duties included tutoring the duke's son, designing gardens, and staging plays. As a draftsman, he left a legacy of 750 watercolor portraits, representing a broad swath of enlightenment society. The sitter, the scholar Jean-Pierre de Bougainville, was named to the Acad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-pierre-de-bougainville-artist-louis-de-carmontelle-french-paris-1717-1806-paris-dimensions-sheet-11-1316-x-7-12-in-30-x-19-cm-date-1760-born-louis-carrogis-the-son-of-a-cobbler-carmontelle-used-his-wit-and-talent-to-elevate-his-social-position-eventually-becoming-employed-in-the-dorlans-court-where-his-duties-included-tutoring-the-dukes-son-designing-gardens-and-staging-plays-as-a-draftsman-he-left-a-legacy-of-750-watercolor-portraits-representing-a-broad-swath-of-enlightenment-society-the-sitter-the-scholar-jean-pierre-de-bougainville-was-named-to-the-acad-image212914758.htmlRMPAB2XE–Jean-Pierre de Bougainville. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: sheet: 11 13/16 x 7 1/2 in. (30 x 19 cm). Date: 1760. Born Louis Carrogis, the son of a cobbler, Carmontelle used his wit and talent to elevate his social position, eventually becoming employed in the d'Orléans court, where his duties included tutoring the duke's son, designing gardens, and staging plays. As a draftsman, he left a legacy of 750 watercolor portraits, representing a broad swath of enlightenment society. The sitter, the scholar Jean-Pierre de Bougainville, was named to the Acad
Portrait of Sophie de La Font (1717-1797), Second Half of the 18th cen.. Artist: Anonymous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-sophie-de-la-font-1717-1797-second-half-of-the-18th-cen-image60251054.htmlRMDE0JRA–Portrait of Sophie de La Font (1717-1797), Second Half of the 18th cen.. Artist: Anonymous
Farming and ciltivation scene, from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-farming-and-ciltivation-scene-from-the-1775-edition-of-oeconomie-gnrale-131280505.htmlRMHHG9HD–Farming and ciltivation scene, from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers
![EVESCHEÃÅ DE MEAUX Author Chevallier, FrancÃßois 60.64.b. Place of publication: [Paris] Publisher: [Alexis Hubert Jaillot] Date of publication: [1717] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 41 x 69 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F9P6/evesche-de-meaux-author-chevallier-francois-6064b-place-of-publication-paris-publisher-alexis-hubert-jaillot-date-of-publication-1717-item-type-1-map-medium-hand-coloured-copperplate-engraving-dimensions-41-x-69-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F9P6.jpg "EVESCHEÃÅ DE MEAUX Author Chevallier, FrancÃßois 60.64.b. Place of publication: [Paris] Publisher: [Alexis Hubert Jaillot] Date of publication: [1717] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 41 x 69 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
EVESCHEÃÅ DE MEAUX Author Chevallier, FrancÃßois 60.64.b. Place of publication: [Paris] Publisher: [Alexis Hubert Jaillot] Date of publication: [1717] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 41 x 69 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evesche-de-meaux-author-chevallier-francois-6064b-place-of-publication-paris-publisher-alexis-hubert-jaillot-date-of-publication-1717-item-type-1-map-medium-hand-coloured-copperplate-engraving-dimensions-41-x-69-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401707326.htmlRM2E9F9P6–EVESCHEÃÅ DE MEAUX Author Chevallier, FrancÃßois 60.64.b. Place of publication: [Paris] Publisher: [Alexis Hubert Jaillot] Date of publication: [1717] Item type: 1 map Medium: hand-coloured copperplate engraving Dimensions: 41 x 69 cm Former owner: George III, King of Great Britain, 1738-1820
Femmes D'AMORGOS - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/femmes-damorgos-tournefort-joseph-pitton-de-1717-image329629216.htmlRM2A47WC0–Femmes D'AMORGOS - Tournefort Joseph Pitton De - 1717.
Plate One from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino, 1646, Johanna Sibylla Kusell (Kuslin Kraus) (German, active 1650-1717), after Stefano della Bella (Italian, 1610-1664), Germany, Etching on paper, 105 x 215 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-one-from-raccolta-di-vasi-diversi-di-stef-de-la-bella-fiorentino-1646-johanna-sibylla-kusell-kuslin-kraus-german-active-1650-1717-after-stefano-della-bella-italian-1610-1664-germany-etching-on-paper-105-x-215-mm-sheet-image328620256.htmlRM2A2HXDM–Plate One from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino, 1646, Johanna Sibylla Kusell (Kuslin Kraus) (German, active 1650-1717), after Stefano della Bella (Italian, 1610-1664), Germany, Etching on paper, 105 x 215 mm (sheet
Gallipoli Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gallipoli-tournefort-joseph-pitton-de-1717-139870754.htmlRMJ3FJG2–Gallipoli Tournefort Joseph Pitton De 1717
Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascribed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-plaza-mayor-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-detail-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-history-museum-madrid-spain-image333333658.htmlRM2AA8JDE–Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.
Gustave III de Suede (1746-1792) avec le pape Pie VI (Gianangel, comte Braschi, 1717-1799, elu pape en 1775). Detail. Peinture de Benigne Gagneraux (1756-1795), huile sur toile, 1786. Art francais, 18e siecle. Galerie nationale, palais Sternberg, Prague (Republique Tcheque). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-iii-de-suede-1746-1792-avec-le-pape-pie-vi-gianangel-comte-braschi-1717-1799-elu-pape-en-1775-detail-peinture-de-benigne-gagneraux-1756-1795-huile-sur-toile-1786-art-francais-18e-siecle-galerie-nationale-palais-sternberg-prague-republique-tcheque-image559620423.htmlRM2RECWFK–Gustave III de Suede (1746-1792) avec le pape Pie VI (Gianangel, comte Braschi, 1717-1799, elu pape en 1775). Detail. Peinture de Benigne Gagneraux (1756-1795), huile sur toile, 1786. Art francais, 18e siecle. Galerie nationale, palais Sternberg, Prague (Republique Tcheque).
75 Ephèse - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/75-ephse-tournefort-joseph-pitton-de-1717-image212852648.htmlRMPA87M8–75 Ephèse - Tournefort Joseph Pitton De - 1717
Lepas Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lepas-tournefort-joseph-pitton-de-1717-132511581.htmlRMHKGBTD–Lepas Tournefort Joseph Pitton De 1717
Michel-Ange Houasse French school Prince of The Asturias, King of Spain (Luis I de España) c.1717 Oil on canvas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michel-ange-houasse-french-school-prince-of-the-asturias-king-of-spain-luis-i-de-espaa-c1717-oil-on-canvas-image483534870.htmlRM2K2JWJE–Michel-Ange Houasse French school Prince of The Asturias, King of Spain (Luis I de España) c.1717 Oil on canvas
Maria Theresia, 13.5.1717 - 29.11.1780, Holy Roman Empress 13.9.1745 - 18.8.1765, full length, writing letter to Madame de Pompadour, with Kaunitz, wood engraving, 19th century, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maria-theresia-1351717-29111780-holy-roman-empress-1391745-1881765-24443587.htmlRMBBNE17–Maria Theresia, 13.5.1717 - 29.11.1780, Holy Roman Empress 13.9.1745 - 18.8.1765, full length, writing letter to Madame de Pompadour, with Kaunitz, wood engraving, 19th century,
Portrait of Jean-Baptiste Santerre, French painter 1651-1717. Copperplate engraving after a self portrait by Jean-Baptiste Santerre from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-baptiste-santerre-french-painter-1651-1717-copperplate-engraving-after-a-self-portrait-by-jean-baptiste-santerre-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241674429.htmlRMT1565H–Portrait of Jean-Baptiste Santerre, French painter 1651-1717. Copperplate engraving after a self portrait by Jean-Baptiste Santerre from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1792-roma-italy-the-pope-pius-vi-papa-pio-1717-1799-bor-count-giovanni-angelo-or-giannangelo-braschi-was-the-250-th-pope-of-catholic-church-elected-the-day-15-february-1775-son-of-count-marco-aurelio-tommaso-braschi-e-countess-anna-teresa-bandi-pius-vi-condemned-the-french-revolution-french-troops-commanded-by-napoleon-bonaparte-defeated-the-papal-army-and-occupied-the-papal-states-in-1796-in-1798-upon-his-refusal-to-renounce-his-temporal-power-pius-was-taken-prisoner-and-transported-to-france-he-died-eighteen-months-later-in-valence-portrait-by-noach-van-de-image567111423.htmlRM2RXJ4BB–1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de
Art inspired by Madame la Comtesse de Boufflers and Thérèse, mid-1760s, Pencil, black and red chalk, watercolor with white chalk highlights, 12 x 8 in. (30.5 x 20.3 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-madame-la-comtesse-de-boufflers-and-thrse-mid-1760s-pencil-black-and-red-chalk-watercolor-with-white-chalk-highlights-12-x-8-in-305-x-203-cm-drawings-louis-de-carmontelle-french-paris-17171806-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463030300.htmlRF2HW8RTC–Art inspired by Madame la Comtesse de Boufflers and Thérèse, mid-1760s, Pencil, black and red chalk, watercolor with white chalk highlights, 12 x 8 in. (30.5 x 20.3 cm), Drawings, Louis de Carmontelle (French, Paris 1717–1806 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Mar. 27, 2012 - Famous Club: in the St. Andrews clubhouse are these fine specimens of clubs by the famous. on the right are a Jeu De Mal (1717) and la Chole. (1300-1830) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mar-27-2012-famous-club-in-the-st-andrews-clubhouse-are-these-fine-image69543628.htmlRME13YH0–Mar. 27, 2012 - Famous Club: in the St. Andrews clubhouse are these fine specimens of clubs by the famous. on the right are a Jeu De Mal (1717) and la Chole. (1300-1830)
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563486.htmlRM2X3G6W2–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-monastery-and-church-la-recolleccion-colegio-de-cristo-crucificado-30149232.htmlRMBN1BJ8–Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala
Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: Sheet: 11 11/16 × 7 7/8 in. (29.7 × 20 cm) Plate: 11 5/8 x 7 3/4in. (29.5 x 19.7cm). Date: 1759. Born into the lower classes, Carmontelle served as aide-de-camp and topographer to the Orléans regiment during the Seven Years War, when his caricatures gained him considerable popularity. After the war he was employed by the Orléans household in various capacities, including reader to the young duc de Chartres. Carmontelle is be Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-louis-philippe-duc-dorleans-and-his-son-louis-phillipe-joseph-duc-de-chartres-artist-louis-de-carmontelle-french-paris-1717-1806-paris-dimensions-sheet-11-1116-7-78-in-297-20-cm-plate-11-58-x-7-34in-295-x-197cm-date-1759-born-into-the-lower-classes-carmontelle-served-as-aide-de-camp-and-topographer-to-the-orlans-regiment-during-the-seven-years-war-when-his-caricatures-gained-him-considerable-popularity-after-the-war-he-was-employed-by-the-orlans-household-in-various-capacities-including-reader-to-the-young-duc-de-chartres-carmontelle-is-be-image213181995.htmlRMPAR7PK–Portrait of Louis-Philippe, Duc d'Orleans and His Son Louis-Phillipe Joseph, Duc de Chartres. Artist: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: Sheet: 11 11/16 × 7 7/8 in. (29.7 × 20 cm) Plate: 11 5/8 x 7 3/4in. (29.5 x 19.7cm). Date: 1759. Born into the lower classes, Carmontelle served as aide-de-camp and topographer to the Orléans regiment during the Seven Years War, when his caricatures gained him considerable popularity. After the war he was employed by the Orléans household in various capacities, including reader to the young duc de Chartres. Carmontelle is be
Portrait of Empress Catherine I. (1684-1727), 1717. Artist: Moor, Carel de (1656-1738) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-empress-catherine-i-1684-1727-1717-artist-moor-carel-de-image60394113.htmlRMDE758H–Portrait of Empress Catherine I. (1684-1727), 1717. Artist: Moor, Carel de (1656-1738)
Apiculture (bee keeping) from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apiculture-bee-keeping-from-the-1775-edition-of-oeconomie-gnrale-de-131280502.htmlRMHHG9HA–Apiculture (bee keeping) from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers
![LE PORT ET LA VILLE DE MAHON le Bourg et le Fort de St. Philippe Author Fer, Nicolas de 74.18. Place of publication: [Paris] Publisher: [Nicolas de Fer] Date of publication: [1716-1717.] Item type: 1 map Dimensions: 22 x 33 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FG8N/le-port-et-la-ville-de-mahon-le-bourg-et-le-fort-de-st-philippe-author-fer-nicolas-de-7418-place-of-publication-paris-publisher-nicolas-de-fer-date-of-publication-1716-1717-item-type-1-map-dimensions-22-x-33-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FG8N.jpg "LE PORT ET LA VILLE DE MAHON le Bourg et le Fort de St. Philippe Author Fer, Nicolas de 74.18. Place of publication: [Paris] Publisher: [Nicolas de Fer] Date of publication: [1716-1717.] Item type: 1 map Dimensions: 22 x 33 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
LE PORT ET LA VILLE DE MAHON le Bourg et le Fort de St. Philippe Author Fer, Nicolas de 74.18. Place of publication: [Paris] Publisher: [Nicolas de Fer] Date of publication: [1716-1717.] Item type: 1 map Dimensions: 22 x 33 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-port-et-la-ville-de-mahon-le-bourg-et-le-fort-de-st-philippe-author-fer-nicolas-de-7418-place-of-publication-paris-publisher-nicolas-de-fer-date-of-publication-1716-1717-item-type-1-map-dimensions-22-x-33-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401712437.htmlRM2E9FG8N–LE PORT ET LA VILLE DE MAHON le Bourg et le Fort de St. Philippe Author Fer, Nicolas de 74.18. Place of publication: [Paris] Publisher: [Nicolas de Fer] Date of publication: [1716-1717.] Item type: 1 map Dimensions: 22 x 33 cm Former owner: George III, King of Great Britain, 1738-1820
Colonne d'Angora - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colonne-dangora-tournefort-joseph-pitton-de-1717-image260719929.htmlRMW44PX1–Colonne d'Angora - Tournefort Joseph Pitton De - 1717.
Louis de Carrogis, called Carmontelle, (artist), French, 1717 - 1806, Madame La Duchesse de Mortemart, watercolor with gray wash and touches of gouache over red and black chalks on wove paper, overall: 31.5 x 20.9 cm (12 3/8 x 8 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-de-carrogis-called-carmontelle-artist-french-1717-1806-madame-la-duchesse-de-mortemart-watercolor-with-gray-wash-and-touches-of-gouache-over-red-and-black-chalks-on-wove-paper-overall-315-x-209-cm-12-38-x-8-14-in-image386228849.htmlRM2DCA6RD–Louis de Carrogis, called Carmontelle, (artist), French, 1717 - 1806, Madame La Duchesse de Mortemart, watercolor with gray wash and touches of gouache over red and black chalks on wove paper, overall: 31.5 x 20.9 cm (12 3/8 x 8 1/4 in
Francolin Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francolin-tournefort-joseph-pitton-de-1717-139870753.htmlRMJ3FJG1–Francolin Tournefort Joseph Pitton De 1717
Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ascribed-to-lorenzo-de-quiros-1717-1789-spanish-painter-embellishment-of-the-plaza-mayor-on-the-occasion-of-the-entry-of-charles-iii-in-madrid-ca1760-detail-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-history-museum-madrid-spain-image333333646.htmlRM2AA8JD2–Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.
The Palacio Azobispal ( Archbishop's Palace ) in Plaza Virgen de los Reyes in Seville Old Town, Seville, Spain. It was built in 1717 with a fine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-palacio-azobispal-archbishops-palace-in-plaza-virgen-de-los-reyes-137373673.htmlRMHYDWEH–The Palacio Azobispal ( Archbishop's Palace ) in Plaza Virgen de los Reyes in Seville Old Town, Seville, Spain. It was built in 1717 with a fine
191 Ephèse - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/191-ephse-tournefort-joseph-pitton-de-1717-image187746711.htmlRMMWCGRK–191 Ephèse - Tournefort Joseph Pitton De - 1717
Sciotes Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sciotes-tournefort-joseph-pitton-de-1717-132511634.htmlRMHKGBXA–Sciotes Tournefort Joseph Pitton De 1717
Cannes, France. 20th May, 2019. Petra Nemcova poses on the red carpet for La Belle Epoque ( The good times ) on Monday 20 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Petra Nemcova. Picture by Julie Edwards. Credit: Julie Edwards/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cannes-france-20th-may-2019-petra-nemcova-poses-on-the-red-carpet-for-la-belle-epoque-the-good-times-on-monday-20-may-2019-at-the-72nd-festival-de-cannes-palais-des-festivals-cannes-pictured-petra-nemcova-picture-by-julie-edwards-credit-julie-edwardsalamy-live-news-image247033459.htmlRMT9W9KF–Cannes, France. 20th May, 2019. Petra Nemcova poses on the red carpet for La Belle Epoque ( The good times ) on Monday 20 May 2019 at the 72nd Festival de Cannes, Palais des Festivals, Cannes. Pictured: Petra Nemcova. Picture by Julie Edwards. Credit: Julie Edwards/Alamy Live News
Mailly-Nesle, Marie-Anne, Duchess of Chateauroux, 5.10.1717 - 8.12.1744, mistress of King Louis XV of France, engraving by Johann Lindner, 18th century, Marquise de La Tournelle, Marie Anne de Mailly Nesle, 18th century, , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mailly-nesle-marie-anne-duchess-of-chateauroux-5101717-8121744-mistress-19372233.htmlRMB3EDDD–Mailly-Nesle, Marie-Anne, Duchess of Chateauroux, 5.10.1717 - 8.12.1744, mistress of King Louis XV of France, engraving by Johann Lindner, 18th century, Marquise de La Tournelle, Marie Anne de Mailly Nesle, 18th century, , Artist's Copyright has not to be cleared
Portrait of Jean-Baptiste Jouvenet, French painter 1644-1717. Copperplate engraving after a self portrait by Jean-Baptiste Jouvenet from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-jean-baptiste-jouvenet-french-painter-1644-1717-copperplate-engraving-after-a-self-portrait-by-jean-baptiste-jouvenet-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241624695.htmlRMT12XNB–Portrait of Jean-Baptiste Jouvenet, French painter 1644-1717. Copperplate engraving after a self portrait by Jean-Baptiste Jouvenet from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1792-roma-italy-the-pope-pius-vi-papa-pio-1717-1799-bor-count-giovanni-angelo-or-giannangelo-braschi-was-the-250-th-pope-of-catholic-church-elected-the-day-15-february-1775-son-of-count-marco-aurelio-tommaso-braschi-e-countess-anna-teresa-bandi-pius-vi-condemned-the-french-revolution-french-troops-commanded-by-napoleon-bonaparte-defeated-the-papal-army-and-occupied-the-papal-states-in-1796-in-1798-upon-his-refusal-to-renounce-his-temporal-power-pius-was-taken-prisoner-and-transported-to-france-he-died-eighteen-months-later-in-valence-portrait-by-noach-van-de-image566597363.htmlRM2RWPMM3–1792 , ROMA , ITALY : The Pope PIUS VI ( Papa PIO , 1717 - 1799 ), bor count Giovanni Angelo or Giannangelo BRASCHI . Was the 250 th Pope of Catholic Church , elected the day 15 february 1775 . Son of count Marco Aurelio Tommaso Braschi e countess Anna Teresa Bandi . Pius VI condemned the French Revolution . French troops commanded by Napoleon Bonaparte defeated the papal army and occupied the Papal States in 1796 . In 1798, upon his refusal to renounce his temporal power, Pius was taken prisoner and transported to France . He died eighteen months later in Valence . Portrait by Noach van de
Art inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-preaching-christ-the-hundred-guilder-print-le-seigneur-gurissant-les-malades-recueil-de-quatre-vingt-cinq-estampes-originales-series-title-the-print-is-part-of-an-album-print-maker-jacques-philippe-le-bas-rembrandt-van-rijn-paris-1717-1783-andor-1807-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459719546.htmlRF2HKX0Y6–Art inspired by Preaching Christ (The Hundred Guilder Print), Le Seigneur guérissant les Malades, Recueil de quatre-vingt-cinq estampes originales (series title), The print is part of an album., print maker: Jacques-Philippe Le Bas, Rembrandt van Rijn, Paris, 1717 - 1783 and/or 1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
city councilors, 1717 (dummy Title) Médaille de conseillers de ville, 1717. Cuivre doré (dorure). Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/city-councilors-1717-dummy-title-mdaille-de-conseillers-de-ville-1717-cuivre-dor-dorure-paris-muse-carnavalet-image349599818.htmlRM2B8NJ3P–city councilors, 1717 (dummy Title) Médaille de conseillers de ville, 1717. Cuivre doré (dorure). Paris, musée Carnavalet.
The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ruins-of-the-former-15th-antigua-guatemala-cathedral-now-a-museum-on-the-parque-central-in-antigua-guatemala-the-once-magnificent-cathedral-was-destroyed-by-earthquakes-in-1717-1773-1874-1918-and-1976-image604563490.htmlRM2X3G6W6–The ruins of the former 15th Antigua Guatemala Cathedral, now a museum on the Parque Central in Antigua, Guatemala. The once magnificent Cathedral was destroyed by earthquakes in 1717, 1773, 1874, 1918 and 1976.
Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-monastery-and-church-la-recolleccion-colegio-de-cristo-crucificado-30149239.htmlRMBN1BJF–Monastery and church La Recolleccion (Colegio de Cristo Crucificado) (1717), Antigua Guatemala, Guatemala
Study of a Boy in a Blue Jacket. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 16 x 13 in. (40.6 x 33 cm). Date: 1717. Trained partly in Rome, where he settled in 1690, Luti enjoyed the patronage of Cosimo III de' Medici, Grand Duke of Tuscany. He was admitted to the Accademia di San Luca in 1694 and elected its principal in 1720. In addition to being a painter, draftsman, and pastelist, Luti was a connoisseur, collector, and dealer. His pastels fall into three groups: portraits, bearded male heads thought to represent apostles, and studies from the model. This work i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-boy-in-a-blue-jacket-artist-benedetto-luti-italian-florence-1666-1724-rome-dimensions-16-x-13-in-406-x-33-cm-date-1717-trained-partly-in-rome-where-he-settled-in-1690-luti-enjoyed-the-patronage-of-cosimo-iii-de-medici-grand-duke-of-tuscany-he-was-admitted-to-the-accademia-di-san-luca-in-1694-and-elected-its-principal-in-1720-in-addition-to-being-a-painter-draftsman-and-pastelist-luti-was-a-connoisseur-collector-and-dealer-his-pastels-fall-into-three-groups-portraits-bearded-male-heads-thought-to-represent-apostles-and-studies-from-the-model-this-work-i-image213118319.htmlRMPAMAGF–Study of a Boy in a Blue Jacket. Artist: Benedetto Luti (Italian, Florence 1666-1724 Rome). Dimensions: 16 x 13 in. (40.6 x 33 cm). Date: 1717. Trained partly in Rome, where he settled in 1690, Luti enjoyed the patronage of Cosimo III de' Medici, Grand Duke of Tuscany. He was admitted to the Accademia di San Luca in 1694 and elected its principal in 1720. In addition to being a painter, draftsman, and pastelist, Luti was a connoisseur, collector, and dealer. His pastels fall into three groups: portraits, bearded male heads thought to represent apostles, and studies from the model. This work i
Portrait of Empress Maria Theresia of Austria (1717-1780), 1750s. Artist: Visch, Matthias de (1702-1765) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-empress-maria-theresia-of-austria-1717-1780-1750s-artist-image66617654.htmlRMDTAKDX–Portrait of Empress Maria Theresia of Austria (1717-1780), 1750s. Artist: Visch, Matthias de (1702-1765)
Apiculture (bee keeping) from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apiculture-bee-keeping-from-the-1775-edition-of-oeconomie-gnrale-de-131280500.htmlRMHHG9H8–Apiculture (bee keeping) from the 1775 edition of 'Oeconomie générale de la campagne, ou Nouvelle maison rustique', Paris, 1700. By Louis Liger (1658–1717), French agronomist and prolific writer on flora and fauna. This was a guide to horticulture for country dwellers
Carte de l'Isle et Royaume de Sicile Author L'Isle, Guillaume de 84.22. Place of publication: A Paris Publisher: chez l'auteur, Quay de l'Horloge, avec privilege, Date of publication: Aout 1717. Item type: 1 map Medium: hand coloured engraving Dimensions: 49 x 59 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carte-de-lisle-et-royaume-de-sicile-author-lisle-guillaume-de-8422-place-of-publication-a-paris-publisher-chez-lauteur-quay-de-lhorloge-avec-privilege-date-of-publication-aout-1717-item-type-1-map-medium-hand-coloured-engraving-dimensions-49-x-59-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401717241.htmlRM2E9FPC9–Carte de l'Isle et Royaume de Sicile Author L'Isle, Guillaume de 84.22. Place of publication: A Paris Publisher: chez l'auteur, Quay de l'Horloge, avec privilege, Date of publication: Aout 1717. Item type: 1 map Medium: hand coloured engraving Dimensions: 49 x 59 cm Former owner: George III, King of Great Britain, 1738-1820
IOURA ZIA - Tournefort Joseph Pitton De - 1717. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ioura-zia-tournefort-joseph-pitton-de-1717-image364606017.htmlRM2C556KD–IOURA ZIA - Tournefort Joseph Pitton De - 1717.
Plate Three from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino, 1646, Johanna Sibylla Kusell (Kuslin Kraus) (German, active 1650-1717), after Stefano della Bella (Italian, 1610-1664), Germany, Etching on paper, 100 x 215 mm (sheet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-three-from-raccolta-di-vasi-diversi-di-stef-de-la-bella-fiorentino-1646-johanna-sibylla-kusell-kuslin-kraus-german-active-1650-1717-after-stefano-della-bella-italian-1610-1664-germany-etching-on-paper-100-x-215-mm-sheet-image328620260.htmlRM2A2HXDT–Plate Three from Raccolta di Vasi diversi di Stef. de la Bella Fiorentino, 1646, Johanna Sibylla Kusell (Kuslin Kraus) (German, active 1650-1717), after Stefano della Bella (Italian, 1610-1664), Germany, Etching on paper, 100 x 215 mm (sheet
Trebizonde Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-trebizonde-tournefort-joseph-pitton-de-1717-140714467.htmlRMJ4X2MK–Trebizonde Tournefort Joseph Pitton De 1717
Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-lorenzo-de-quiros-1717-1789-spanish-painter-triumphal-arch-of-santa-maria-saint-mary-in-calle-mayor-main-street-ca1760-history-museum-madrid-spain-on-loan-san-fernando-royal-academy-of-fine-arts-madrid-image333253246.htmlRM2AA4YWJ–Attributed to Lorenzo de Quiros (1717-1789). Spanish painter. Triumphal Arch of Santa Maria (Saint Mary) in Calle Mayor (Main Street), ca.1760. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid)
Finding of Moses 1717 by Jean-Francois De Troy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/finding-of-moses-1717-by-jean-francois-de-troy-image574111658.htmlRM2TA117P–Finding of Moses 1717 by Jean-Francois De Troy
217 Francolin - Tournefort Joseph Pitton De - 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/217-francolin-tournefort-joseph-pitton-de-1717-image213871910.htmlRMPBXKPE–217 Francolin - Tournefort Joseph Pitton De - 1717
SKYROS Tournefort Joseph Pitton De 1717 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-skyros-tournefort-joseph-pitton-de-1717-132511602.htmlRMHKGBW6–SKYROS Tournefort Joseph Pitton De 1717
Triumph of the Empress Maria Theresa of Austria (1717-80) (ceiling painting) by Italian School, (18th century); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumph-of-the-empress-maria-theresa-of-austria-1717-80-ceiling-painting-by-italian-school-18th-century-palazzo-ducale-museo-mantua-lombardy-italy-italian-out-of-copyright-image468941582.htmlRM2J6X3NJ–Triumph of the Empress Maria Theresa of Austria (1717-80) (ceiling painting) by Italian School, (18th century); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright.
LOUISE ADELAIDE D'ORLEANS mlle. de Chartres, who in 1717 laid aside her earthly crown - there it is on the table, see - for a heavenly one, as the Abbess of Chelles. Colourised version of : 10171458 Date: 1698 - 1743 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louise-adelaide-dorleans-mlle-de-chartres-who-in-1717-laid-aside-her-earthly-crown-there-it-is-on-the-table-see-for-a-heavenly-one-as-the-abbess-of-chelles-colourised-version-of-10171458-date-1698-1743-image472811795.htmlRM2JD6C7F–LOUISE ADELAIDE D'ORLEANS mlle. de Chartres, who in 1717 laid aside her earthly crown - there it is on the table, see - for a heavenly one, as the Abbess of Chelles. Colourised version of : 10171458 Date: 1698 - 1743
Portrait of Maria Sibylla Merian, German naturalist and scientific artist, 1647-1717. Marie Sibylle Merian. Copperplate engraving by M. Aubert after a portrait by Georg Gsell from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-maria-sibylla-merian-german-naturalist-and-scientific-artist-1647-1717-marie-sibylle-merian-copperplate-engraving-by-m-aubert-after-a-portrait-by-georg-gsell-from-antoine-joseph-dezallier-dargenvilles-abrege-de-la-vie-des-plus-fameux-peintres-lives-of-the-most-famous-artists-de-bure-laine-paris-1762-image241680622.htmlRMT15E2P–Portrait of Maria Sibylla Merian, German naturalist and scientific artist, 1647-1717. Marie Sibylle Merian. Copperplate engraving by M. Aubert after a portrait by Georg Gsell from Antoine-Joseph Dezallier d’Argenville’s Abrege de la vie des plus fameux peintres, Lives of the most Famous Artists, de Bure l’Aine, Paris, 1762.
