Decorated paper 18th century hi-res stock photography and images - Page 2

lottery game, Anonymous, second half 18th century, printed, Lottery game with 25 large cards with colored images and small cards with text. The cards are in a box with division. The box is lined with decorated red-white paper, General: 7.5 x 6.4 x 5cm 75 x 64 x 50mm Stock Photo

RM2DCHARE–lottery game, Anonymous, second half 18th century, printed, Lottery game with 25 large cards with colored images and small cards with text. The cards are in a box with division. The box is lined with decorated red-white paper, General: 7.5 x 6.4 x 5cm 75 x 64 x 50mm

Project for a Holy Water Font, Graphite, pen and ink, brush and watercolor on paper, Bowl decorated with a frieze in which heads support drapery festoons. Below is a volute connected with the frieze by festoons. Above is a pediment with the dove of the Holy Spirit in clouds and with a glory of rays., Italy and Germany, late 18th century, religion, Drawing Stock Photo

RM2DMPA7F–Project for a Holy Water Font, Graphite, pen and ink, brush and watercolor on paper, Bowl decorated with a frieze in which heads support drapery festoons. Below is a volute connected with the frieze by festoons. Above is a pediment with the dove of the Holy Spirit in clouds and with a glory of rays., Italy and Germany, late 18th century, religion, Drawing

The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia Stock Photo

RMBN3CT5–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Campo San Zanipolo Decorated for the Visit of Pius VI. Dated: 1782. Dimensions: overall: 34.1 × 46.7 cm (13 7/16 × 18 3/8 in.). Medium: pen and dark brown inks with gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Domenico Fossati. Stock Photo

RMR37YWN–Campo San Zanipolo Decorated for the Visit of Pius VI. Dated: 1782. Dimensions: overall: 34.1 × 46.7 cm (13 7/16 × 18 3/8 in.). Medium: pen and dark brown inks with gray wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Domenico Fossati.

Dessein d'une Fontaine orné avec les quatre Elements (Design for a Fountain Decorated with the Four Elements), c. 1755/1760. Stock Photo

RM2MBF1FA–Dessein d'une Fontaine orné avec les quatre Elements (Design for a Fountain Decorated with the Four Elements), c. 1755/1760.

Bat Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Amongst the vertical stripes lay three bats decorated in various nature motifs. Waves, bamboo, maple leaves, and multiple blossoms give life to the lucky silhouettes. In Japan, bats symbolize luck., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMW38H–Bat Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Amongst the vertical stripes lay three bats decorated in various nature motifs. Waves, bamboo, maple leaves, and multiple blossoms give life to the lucky silhouettes. In Japan, bats symbolize luck., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Decorated Squares Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Two rows of squares, decorated with different designs, alternate between positive and negative motifs, creating a checkered pattern within the design. The positive spaces squares are all the same abstract tall grass motif. While other squares resemble a similar soot ball characteristics but differentiate amongst one another., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMF7AX–Decorated Squares Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Two rows of squares, decorated with different designs, alternate between positive and negative motifs, creating a checkered pattern within the design. The positive spaces squares are all the same abstract tall grass motif. While other squares resemble a similar soot ball characteristics but differentiate amongst one another., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Brisé fan, Carved ivory sticks, paper ribbon, Brisé fan of carved ivory decorated on obverse with all-over relief carving of Chinese figures, trees, flowers, birds and animals, against a ground pierced with fine vertical lines. Guards carved in relief on obverse with man, dragon and cloud motif, and on reverse with flowers forms in flat carving. Sticks and guards rounded at ends and connected with a white paper ribbon., China, late 18th century, costume & accessories, Brisé fan Stock Photo

RM2DMBP2E–Brisé fan, Carved ivory sticks, paper ribbon, Brisé fan of carved ivory decorated on obverse with all-over relief carving of Chinese figures, trees, flowers, birds and animals, against a ground pierced with fine vertical lines. Guards carved in relief on obverse with man, dragon and cloud motif, and on reverse with flowers forms in flat carving. Sticks and guards rounded at ends and connected with a white paper ribbon., China, late 18th century, costume & accessories, Brisé fan

Vis à vis, Plate 1, Modèles de Voitures Louis XV, Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on laid paper, Plate 1, Folio 1 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. Passengers seated inside the carriage would be facing each other., Paris, France, ca. 1750, albums (bound) & books, Bound print Stock Photo

RM2DN21KW–Vis à vis, Plate 1, Modèles de Voitures Louis XV, Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on laid paper, Plate 1, Folio 1 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. Passengers seated inside the carriage would be facing each other., Paris, France, ca. 1750, albums (bound) & books, Bound print

RMBN2TT8–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Lot flanked by his two daughters, one of them holding a decorated jug, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Domenico Cunego (Italian, Verona 1727-1803 Rome). Dimensions: Sheet (Trimmed): 19 3/16 × 12 5/16 in. (48.8 × 31.2 cm). Series/Portfolio: Schola Italica Picturae. Date: 1771. After a painting by Reni. Part of the Schola Italica Picturae, a series of plates reproducing Italian paintings, published in England. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAARNJ–Lot flanked by his two daughters, one of them holding a decorated jug, after Reni. Artist: After Guido Reni (Italian, Bologna 1575-1642 Bologna); Engraved by Domenico Cunego (Italian, Verona 1727-1803 Rome). Dimensions: Sheet (Trimmed): 19 3/16 × 12 5/16 in. (48.8 × 31.2 cm). Series/Portfolio: Schola Italica Picturae. Date: 1771. After a painting by Reni. Part of the Schola Italica Picturae, a series of plates reproducing Italian paintings, published in England. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

Paper mourning fan with white floral motif and frame of unadorned black lacquered wood, c.1850-c.1899. Stock Photo

RM2RRJ7B4–Paper mourning fan with white floral motif and frame of unadorned black lacquered wood, c.1850-c.1899.

Plate 9, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 9, Folio 9 of a series of 13 prints of designs for carriages or coaches. The open, horse-drawn carriage has Rococo silhouette, shown in elevation, with details at upper right. The body is decorated with marquetry inlay., Paris, France, ca. 1750, albums (bound) & books, Bound print Stock Photo

RM2DN6DEF–Plate 9, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 9, Folio 9 of a series of 13 prints of designs for carriages or coaches. The open, horse-drawn carriage has Rococo silhouette, shown in elevation, with details at upper right. The body is decorated with marquetry inlay., Paris, France, ca. 1750, albums (bound) & books, Bound print

RMBN36HF–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Dressed in the fashion of a nobleman at the court of Shah Jahan, the divine sage Dhanvantari wears a white jama and a gold-bordered patka (sash) adorned with a large flower motif. His beard is white, his face wrinkled with age, and he wears a Vaishnava tilak mark on his forehead. He sits on a yellow carpet decorated with gray-green leaves and maroon flowers. A narrow strip of cloud-streaked sky borders the brilliant orange ground. He holds two objects that may be associated with medicine. Opaque watercolor and gold on paper. Origin: Guler, Himachal Pradesh state, India. Date: ca. 1735-1740. Mu Stock Photo

RM2R6ENWR–Dressed in the fashion of a nobleman at the court of Shah Jahan, the divine sage Dhanvantari wears a white jama and a gold-bordered patka (sash) adorned with a large flower motif. His beard is white, his face wrinkled with age, and he wears a Vaishnava tilak mark on his forehead. He sits on a yellow carpet decorated with gray-green leaves and maroon flowers. A narrow strip of cloud-streaked sky borders the brilliant orange ground. He holds two objects that may be associated with medicine. Opaque watercolor and gold on paper. Origin: Guler, Himachal Pradesh state, India. Date: ca. 1735-1740. Mu

Folding paper fan with pastoral scene, c.1780-c.1795. Cartouche with shepherds, beehive and fruit, branch with flowers. Pierced ivory with silver. Stock Photo

RM2RRJ70C–Folding paper fan with pastoral scene, c.1780-c.1795. Cartouche with shepherds, beehive and fruit, branch with flowers. Pierced ivory with silver.

Plate 7, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 7, Folio 7 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach is open and decorated with painted panels and mounts likely to be executed in bronze. Stock Photo

RM2DMX42T–Plate 7, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 7, Folio 7 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach is open and decorated with painted panels and mounts likely to be executed in bronze.

RMBN2XDR–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Decorated 'Shark' Skin (Kazari-zame). Culture: Japanese. Dimensions: 20 1/2 x 3 3/4 x 2 7/8 in. (52 x 9.5 x 7.5 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB21E3–Decorated 'Shark' Skin (Kazari-zame). Culture: Japanese. Dimensions: 20 1/2 x 3 3/4 x 2 7/8 in. (52 x 9.5 x 7.5 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Folding paper fan with Rebecca and Eliezer at the well, c.1745-c.1755. Watercolour decoration on pierced ivory frame with mother-of-pearl. Stock Photo

RM2RRJ7A3–Folding paper fan with Rebecca and Eliezer at the well, c.1745-c.1755. Watercolour decoration on pierced ivory frame with mother-of-pearl.

Plate 6, Calèche à Bancs (Horse-drawn Carriage with Benches), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 6, Folio 6 of a series of 13 prints of designs for carriages or coaches. Horse-drawn carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the carriage is open with various panels Stock Photo

RM2DMY7BE–Plate 6, Calèche à Bancs (Horse-drawn Carriage with Benches), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 6, Folio 6 of a series of 13 prints of designs for carriages or coaches. Horse-drawn carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the carriage is open with various panels

RMBN2XE8–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Embroidered Picture. Artist: Samuel Folwell (American, 1764-1813 Philadelphia, Pennsylvania). Culture: American. Dimensions: 22 x 27 1/2 in. (55.9 x 69.9 cm). Maker: Embroidered by Elizabeth Folwell's School (ca. 1800). Date: ca. 1800. During the first two decades of the nineteenth century, Elizabeth Folwell ran an embroidery school in Philadelphia that was unrivaled in popularity. This popularity may have been due to the talent of her husband, Samuel, who designed large dramatic memorials and other Neoclassical scenes for the girls to embroider. In addition to providing the basic designs, Sa Stock Photo

RMPAPPKF–Embroidered Picture. Artist: Samuel Folwell (American, 1764-1813 Philadelphia, Pennsylvania). Culture: American. Dimensions: 22 x 27 1/2 in. (55.9 x 69.9 cm). Maker: Embroidered by Elizabeth Folwell's School (ca. 1800). Date: ca. 1800. During the first two decades of the nineteenth century, Elizabeth Folwell ran an embroidery school in Philadelphia that was unrivaled in popularity. This popularity may have been due to the talent of her husband, Samuel, who designed large dramatic memorials and other Neoclassical scenes for the girls to embroider. In addition to providing the basic designs, Sa

Folding paper fan on ivory frame, c.1780-c.1790. Decoration showing the question and answer game "L'Oracle", wheel of fortune and two putti, which hold the inscription. Stock Photo

RM2RRJ7JY–Folding paper fan on ivory frame, c.1780-c.1790. Decoration showing the question and answer game "L'Oracle", wheel of fortune and two putti, which hold the inscription.

Plate 3, Berline à deux Fonds (Sedan with Two Bottoms), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 3, Folio 3 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of painted panels with decorative mounts, likely executed in gilt Stock Photo

RM2DMYPKR–Plate 3, Berline à deux Fonds (Sedan with Two Bottoms), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 3, Folio 3 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of painted panels with decorative mounts, likely executed in gilt

RMBN2Y3T–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Pictures of Ten Styles (Jittaiga Fuzoku): A Young Woman with a Dog. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: Image: 14 3/4 × 9 15/16 in. (37.5 × 25.2 cm). Date: ca. 1790-91. Torii Kiyonaga, also renowned for his portraits of actors, has wrapped this beautiful woman in bright silk robes. Her red outer robe is decorated with chrysanthemum roundels in delicate colors, her furisode (a kimono with long, swinging sleeves) of peach silk has orchid designs, and the cream underrobe and red undergarment add to the contrast with her black obi. Tall, stately, and slight Stock Photo

RMPA9DN1–Pictures of Ten Styles (Jittaiga Fuzoku): A Young Woman with a Dog. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: Image: 14 3/4 × 9 15/16 in. (37.5 × 25.2 cm). Date: ca. 1790-91. Torii Kiyonaga, also renowned for his portraits of actors, has wrapped this beautiful woman in bright silk robes. Her red outer robe is decorated with chrysanthemum roundels in delicate colors, her furisode (a kimono with long, swinging sleeves) of peach silk has orchid designs, and the cream underrobe and red undergarment add to the contrast with her black obi. Tall, stately, and slight

Folding paper fan depicting Hermes holding a woman's portrait, c.1750. Winged figures, quiver and flaming torch. Mother-of-pearl frame, rocaille ornaments in silver and gold. Stock Photo

RM2RRJ88J–Folding paper fan depicting Hermes holding a woman's portrait, c.1750. Winged figures, quiver and flaming torch. Mother-of-pearl frame, rocaille ornaments in silver and gold.

Plate 8, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 8, Folio 8 of a series of 13 prints of designs for carriages or coaches. Horse-drawn carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach is open with a frame above to allow for a cover; decorated in marquetry inlay pattern Stock Photo

RM2DMWYM7–Plate 8, Cabriolet (Open Top), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 8, Folio 8 of a series of 13 prints of designs for carriages or coaches. Horse-drawn carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach is open with a frame above to allow for a cover; decorated in marquetry inlay pattern

RMBN394C–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

A marble pulpit dramatically suspended between two flights of stairs, designed by de Waily, forms a bridge-like structure across the nave of the Church of Saint Sulpice. A priest, with upraised arms, preaches to the congregation seated in the foreground. A sculpture of Charity adorns the top of the pulpit. A sculpture of Faith (holding a chalice) adorns the left landing; the pedestal shows a bas-relief of the symbol of St. Luke (ox). On the right landing, a sculpture of Hope (holding an anchor) rests on a pedestal decorated with a bas relief of St. Mark's symbol (the lion). Pen and black ink, Stock Photo

RM2R6EYBG–A marble pulpit dramatically suspended between two flights of stairs, designed by de Waily, forms a bridge-like structure across the nave of the Church of Saint Sulpice. A priest, with upraised arms, preaches to the congregation seated in the foreground. A sculpture of Charity adorns the top of the pulpit. A sculpture of Faith (holding a chalice) adorns the left landing; the pedestal shows a bas-relief of the symbol of St. Luke (ox). On the right landing, a sculpture of Hope (holding an anchor) rests on a pedestal decorated with a bas relief of St. Mark's symbol (the lion). Pen and black ink,

Folding fan with paper leaf on which a wedding scene has been painted with watercolour, on a frame of cut ivory with Métal and Quatre Couleurs and painted medallions, c.1775-c.1799. Stock Photo

RM2RRJ7HE–Folding fan with paper leaf on which a wedding scene has been painted with watercolour, on a frame of cut ivory with Métal and Quatre Couleurs and painted medallions, c.1775-c.1799.

Plate 2, Berline à Panneaux arazée (Sedan with Flush Panels), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 2, Folio 2 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of a single painted panel featuring a chinoiserie scene Stock Photo

RM2DMY96J–Plate 2, Berline à Panneaux arazée (Sedan with Flush Panels), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 2, Folio 2 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of a single painted panel featuring a chinoiserie scene

RMBN36J1–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Poem by the Monk Sosei (act. 850-97). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 7/8 x 8 in. (27.6 x 20.3 cm) medium-size print (chu-ban). Date: ca. 1767-68. On a misty spring day, two beauties stand under a parasol on a terrace near a torii gate in the old capital, Kyoto, viewing the cherry blossoms at their peak. Like fashion models, the two women show off their beautiful and elegant clothing. The woman on the left wears a kimono decorated with a design of pines on a sandy beach against a red ground and an obi with a bold pattern of checks. The other woma Stock Photo

RMRFD96J–Poem by the Monk Sosei (act. 850-97). Artist: Suzuki Harunobu (Japanese, 1725-1770). Culture: Japan. Dimensions: 10 7/8 x 8 in. (27.6 x 20.3 cm) medium-size print (chu-ban). Date: ca. 1767-68. On a misty spring day, two beauties stand under a parasol on a terrace near a torii gate in the old capital, Kyoto, viewing the cherry blossoms at their peak. Like fashion models, the two women show off their beautiful and elegant clothing. The woman on the left wears a kimono decorated with a design of pines on a sandy beach against a red ground and an obi with a bold pattern of checks. The other woma

Folding paper fan with wedding scene, c.1765-c.1780. In the medallion on the right two putti with burning torches and in the left medallion a woman with love or wedding wreaths. Love symbolism: altar with two burning hearts. Stock Photo

RM2RRJ7DJ–Folding paper fan with wedding scene, c.1765-c.1780. In the medallion on the right two putti with burning torches and in the left medallion a woman with love or wedding wreaths. Love symbolism: altar with two burning hearts.

Plate 11, Broüette vue par le Côté (Wheelbarrow Viewed from the Side), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 2, Folio 2 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of a single painted panel featuring a chinoiserie scene Stock Photo

RM2DMYWE3–Plate 11, Broüette vue par le Côté (Wheelbarrow Viewed from the Side), Modèles de Voitures Louis XV (Models of Louis XV Carriages), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712–after 1758, Engraving on paper, Plate 2, Folio 2 of a series of 13 prints of designs for carriages or coaches. Carriage decorated in Rococo motif, shown in elevation, with details of the various parts at upper left and upper right. The body of the coach consists of a single painted panel featuring a chinoiserie scene

RMBN36H8–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Design for the Decorated Panel of a Carriage, Anonymous, Italian, first half of the 18th century Stock Photo

RMKC8E4H–Design for the Decorated Panel of a Carriage, Anonymous, Italian, first half of the 18th century

The Well. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert. Stock Photo

RMRF5Y23–The Well. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

RMKC8E4N–Design for the Decorated Panel of a Carriage, Anonymous, Italian, first half of the 18th century

Folding paper fan with pastoral scene, c.1780. In the large central cartouche, a man gives a bird to a woman with an open bird cage. Watercolour and gold paint, oval medallions with musical instruments and ribbons. Stock Photo

RM2RRJ77H–Folding paper fan with pastoral scene, c.1780. In the large central cartouche, a man gives a bird to a woman with an open bird cage. Watercolour and gold paint, oval medallions with musical instruments and ribbons.

RMBN3936–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

The Sarcophagus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert. Stock Photo

RMRF5P85–The Sarcophagus. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Design for a Decorated Panel of a Carriage, Anonymous, Italian, first half of the 18th century Stock Photo

RMKC8E4Y–Design for a Decorated Panel of a Carriage, Anonymous, Italian, first half of the 18th century

Stage Design, View into Apse, Pen and sepia ink, brush and wash on laid paper, Vertical rectangle. View into apse with chapels, in one of which is a tomb, richly decorated., Italy, early 18th century, theater, Drawing Stock Photo

RM2DMGBRB–Stage Design, View into Apse, Pen and sepia ink, brush and wash on laid paper, Vertical rectangle. View into apse with chapels, in one of which is a tomb, richly decorated., Italy, early 18th century, theater, Drawing

Decorated Cartel with Poetry Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688–1776, Engraving on paper, Decorated Cartel with Poetry Motifs., France, mid- 18th century, Print Stock Photo

RM2DM8TK1–Decorated Cartel with Poetry Motifs, Pierre Gabriel Berthault, French, ca. 1748 - ca. 1819, Jacques Chéreau, French, 1688–1776, Engraving on paper, Decorated Cartel with Poetry Motifs., France, mid- 18th century, Print

Stage Design, Interior of Gothic Church, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church richly decorated. Stairs at right lead to a palace hall., Italy, late 18th century, theater, Drawing Stock Photo

RM2DMCH4A–Stage Design, Interior of Gothic Church, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church richly decorated. Stairs at right lead to a palace hall., Italy, late 18th century, theater, Drawing

Hand screen depicting Dorval visiting his beloved, c.1769-c.1781. Cardboard hand screen covered with paper, showing an oval cut engraving of a scene from the French comedy 'Lucile' by Jean François Marmontel (1723-1799). Limewood handle. The play 'Lucile' was translated into Dutch in 1781 and published in Amsterdam. The story is set in France 'in the house of Timantes, on his estate'. Stock Photo

RM2RRJ759–Hand screen depicting Dorval visiting his beloved, c.1769-c.1781. Cardboard hand screen covered with paper, showing an oval cut engraving of a scene from the French comedy 'Lucile' by Jean François Marmontel (1723-1799). Limewood handle. The play 'Lucile' was translated into Dutch in 1781 and published in Amsterdam. The story is set in France 'in the house of Timantes, on his estate'.

Stage Design, Interior of Palace Hall, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Interior of polygonal hall richly decorated with columns in all corners, sculptures and paintings between them; brightly colored., Italy, late 18th century, theater, Drawing Stock Photo

RM2DMHBF4–Stage Design, Interior of Palace Hall, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Interior of polygonal hall richly decorated with columns in all corners, sculptures and paintings between them; brightly colored., Italy, late 18th century, theater, Drawing

Reed Brushes and Bamboo Leaves, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Bound reed brushes are decorated with scattered bamboo leaves., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMCYDM–Reed Brushes and Bamboo Leaves, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Bound reed brushes are decorated with scattered bamboo leaves., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Bedroom alcove with a figure, Pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, lined, Bed decorated with drapery and plumes; a figure at center smoking from a long opium pipe., Italy, 18th century, interiors, Drawing Stock Photo

RM2DN2X86–Bedroom alcove with a figure, Pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, lined, Bed decorated with drapery and plumes; a figure at center smoking from a long opium pipe., Italy, 18th century, interiors, Drawing

Stage Design, Colonnade and fountains, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Colonnade from right front corner to left back, richly decorated. Richly decorated fountains at either end. View into park at background., Italy, mid-18th century, theater, Drawing Stock Photo

RM2DMEE6J–Stage Design, Colonnade and fountains, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Colonnade from right front corner to left back, richly decorated. Richly decorated fountains at either end. View into park at background., Italy, mid-18th century, theater, Drawing

Artist: Anton Joseph von Prenner, Austrian, 1683–1761, Interior Arched Niche Decorated with Portraits and Genre Scenes, Etching, platemark: 34.8 × 25.4 cm (13 11/16 × 10 in.), Made in Austria, Austrian, 18th century, Works on Paper - Prints Stock Photo

RM2DRAMCA–Artist: Anton Joseph von Prenner, Austrian, 1683–1761, Interior Arched Niche Decorated with Portraits and Genre Scenes, Etching, platemark: 34.8 × 25.4 cm (13 11/16 × 10 in.), Made in Austria, Austrian, 18th century, Works on Paper - Prints

RMBN369F–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Abstract Arabesque Vines, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Abstract Arabesque vines are depicted using a push carving technique. Thin strips are carved to suggest the curling pattern decorated with symbolic leaves all around., Japan, late 18th - mid 19th century, textile designs, Stencil, Stencil Stock Photo

RM2DMPNA3–Abstract Arabesque Vines, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Abstract Arabesque vines are depicted using a push carving technique. Thin strips are carved to suggest the curling pattern decorated with symbolic leaves all around., Japan, late 18th - mid 19th century, textile designs, Stencil, Stencil

Folding paper fan with romantic couple, c.1775-c.1800. Watercolour: a central cartouche with a man playing a stringed instrument, and woman singing from a book. On the left a cartouche with a shepherd at a classic ruin and on the right a cartouche with a shepherdess, both in sepia. Stock Photo

RM2RRJ7CT–Folding paper fan with romantic couple, c.1775-c.1800. Watercolour: a central cartouche with a man playing a stringed instrument, and woman singing from a book. On the left a cartouche with a shepherd at a classic ruin and on the right a cartouche with a shepherdess, both in sepia.

RMBN39R2–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Cranes, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A stencil of cranes flying in all different directions. The birds are lightly decorated with curves and suggestion of feathers. Silk thread is added to support the stencil structure, Japan, late 18th - early 19th century, animals, Katagami, Katagami Stock Photo

RM2DMTD2C–Cranes, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A stencil of cranes flying in all different directions. The birds are lightly decorated with curves and suggestion of feathers. Silk thread is added to support the stencil structure, Japan, late 18th - early 19th century, animals, Katagami, Katagami

Hand screen depicting Dorval and Lucile, c.1769-c.1781. Cardboard hand screen covered with paper, showing an oval cut engraving of a scene from the French comedy 'Lucile' by Jean François Marmontel (1723-1799). Lucile, her father Timantes, her beloved Dorval and his father have lunch. Limewood handle. The play 'Lucile' was translated into Dutch in 1781 and published in Amsterdam. The story is set in France 'in the house of Timantes, on his estate'. Stock Photo

RM2RRJ73M–Hand screen depicting Dorval and Lucile, c.1769-c.1781. Cardboard hand screen covered with paper, showing an oval cut engraving of a scene from the French comedy 'Lucile' by Jean François Marmontel (1723-1799). Lucile, her father Timantes, her beloved Dorval and his father have lunch. Limewood handle. The play 'Lucile' was translated into Dutch in 1781 and published in Amsterdam. The story is set in France 'in the house of Timantes, on his estate'.

RMBN3AG2–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Komon and Kimekomi Balls, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Komon dotted stripes are accompanied by kimekomi balls, which are Japanese traditional wooden balls decorated with various fabrics to produce ornate designs., Japan, mid 18th - early 19th century, textile designs, katagami, katagami Stock Photo

RM2DMYR8P–Komon and Kimekomi Balls, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Komon dotted stripes are accompanied by kimekomi balls, which are Japanese traditional wooden balls decorated with various fabrics to produce ornate designs., Japan, mid 18th - early 19th century, textile designs, katagami, katagami

Pa. German Coffee Pot, c. 1939. Stock Photo

RM2HFGCET–Pa. German Coffee Pot, c. 1939.

RMBN34K8–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Elevation of a Processional Lantern, Graphite, pen and ink, brush and watercolor on paper, Design for a lantern. The burning candle is visible at front. The short oblique sides are decorated with garlands hanging from volutes. The upper part has the shape of a dome with a sphere and a cross on top., Italy, late 18th century, metalwork, Drawing Stock Photo

RM2DN6E86–Elevation of a Processional Lantern, Graphite, pen and ink, brush and watercolor on paper, Design for a lantern. The burning candle is visible at front. The short oblique sides are decorated with garlands hanging from volutes. The upper part has the shape of a dome with a sphere and a cross on top., Italy, late 18th century, metalwork, Drawing

Stage Design, View into Palace, Pen and brown ink, brush and gray, pink, and blue wash on laid paper, Vertical rectangle. View into high vaulted halls of a palace, richly decorated with columns. Two lanterns hanging from ceiling, coffered ceiling with floral decoration in foreground., Italy, early 18th century, theater, Drawing Stock Photo

RM2DM79A3–Stage Design, View into Palace, Pen and brown ink, brush and gray, pink, and blue wash on laid paper, Vertical rectangle. View into high vaulted halls of a palace, richly decorated with columns. Two lanterns hanging from ceiling, coffered ceiling with floral decoration in foreground., Italy, early 18th century, theater, Drawing

Striped lines and hexigons, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Alternating rows of stripes and plain strips overlap with hexagons, decorated with different floral motifs. Silk threads are added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMYYPH–Striped lines and hexigons, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Alternating rows of stripes and plain strips overlap with hexagons, decorated with different floral motifs. Silk threads are added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Pedestal with Female Figures Supporting a Vase, Pen and brown ink, brush and brown wash, graphite on laid paper, Three women in classical dress support a vase decorated with florals and one handle showing. Below is a large plinth, at front a tablet with a festoon., Italy, late 18th century, architecture, Drawing Stock Photo

RM2DMDJBB–Pedestal with Female Figures Supporting a Vase, Pen and brown ink, brush and brown wash, graphite on laid paper, Three women in classical dress support a vase decorated with florals and one handle showing. Below is a large plinth, at front a tablet with a festoon., Italy, late 18th century, architecture, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-833, the ribbon being decorated with vertically disposed disks, separated by bands. Disk above, three drops below., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing Stock Photo

RM2DN7RP6–Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-833, the ribbon being decorated with vertically disposed disks, separated by bands. Disk above, three drops below., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing

Pa. German Pitcher, c. 1939. Stock Photo

RM2HFGCF1–Pa. German Pitcher, c. 1939.

Moldings and Three Triangular Lunettes, Felice Giani, Italian, 1758–1823, Pen and ink over charcoal on heavy paper, Framing of field with spherical triangles below; those with bases below decorated with scenes of playing children; others with candelabra. Verso: same motif sketched upon roughly squared ground., Italy, late 18th century, architecture, interiors, Drawing Stock Photo

RM2DMD3NN–Moldings and Three Triangular Lunettes, Felice Giani, Italian, 1758–1823, Pen and ink over charcoal on heavy paper, Framing of field with spherical triangles below; those with bases below decorated with scenes of playing children; others with candelabra. Verso: same motif sketched upon roughly squared ground., Italy, late 18th century, architecture, interiors, Drawing

Gate and Ceiling Piece, Pen and ink on paper, Top half shows an ornamented gate with three entry ways. The center entry is an arch. The gate is decorated with vines and leafs as well as busts and a sculpture of a female figure. The bottom half is depicts the right half of a ceiling panel inside of the building., Italy, 18th century, architecture, Drawing Stock Photo

RM2DMDTRT–Gate and Ceiling Piece, Pen and ink on paper, Top half shows an ornamented gate with three entry ways. The center entry is an arch. The gate is decorated with vines and leafs as well as busts and a sculpture of a female figure. The bottom half is depicts the right half of a ceiling panel inside of the building., Italy, 18th century, architecture, Drawing

Abstract checkered pattern, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), The abstracted checkered pattern is symmetrical down the middle. Each end, which contains longer rectangles, is decorated with jagged edges. Silk threads are added to support the stencil structure., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DN0AF5–Abstract checkered pattern, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), The abstracted checkered pattern is symmetrical down the middle. Each end, which contains longer rectangles, is decorated with jagged edges. Silk threads are added to support the stencil structure., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami

RMBN39D9–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Pa. German Chest, 1939. (Note: Name, Elisabeth Wind..., itinerary ...den to Mertz, dated 1798). Stock Photo

RM2HFGCGK–Pa. German Chest, 1939. (Note: Name, Elisabeth Wind..., itinerary ...den to Mertz, dated 1798).

Stage Design, Street and Palaces, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. View from street through arcades to richly decorated palace with obelisk and sculptures in niches uphill. At right, figures of a man and woman in fine dress look toward the palace. At left, figures of adult and child seated on stairs., Italy, late 18th century, theater, Drawing Stock Photo

RM2DMTAGE–Stage Design, Street and Palaces, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. View from street through arcades to richly decorated palace with obelisk and sculptures in niches uphill. At right, figures of a man and woman in fine dress look toward the palace. At left, figures of adult and child seated on stairs., Italy, late 18th century, theater, Drawing

Abstract autumn grass motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Tall autumn blades of grass form a natural motif. Amongst the linear design show half of the stalk decorated with the grass fruit. This stencil may resemble a feather motif as well., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMNR20–Abstract autumn grass motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Tall autumn blades of grass form a natural motif. Amongst the linear design show half of the stalk decorated with the grass fruit. This stencil may resemble a feather motif as well., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Design for Brooch or Hair Ornament in Shape of Feather, Pen and black ink, brush and gray wash on light green laid paper, Jewelry design for a hair ornament or brooch in the shape of a feather. Feather-shaped ornament curved to the left, with knotted bow and disk decorated with stones, at stem. Bevelled corners., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing Stock Photo

RM2DMJ38M–Design for Brooch or Hair Ornament in Shape of Feather, Pen and black ink, brush and gray wash on light green laid paper, Jewelry design for a hair ornament or brooch in the shape of a feather. Feather-shaped ornament curved to the left, with knotted bow and disk decorated with stones, at stem. Bevelled corners., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing

RMBN39B2–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Pa. German Chest, c. 1940. (Note: Initials L.W. and date 1798) Stock Photo

RM2HFGCEP–Pa. German Chest, c. 1940. (Note: Initials L.W. and date 1798)

Design for a Brooch, Pen and black ink, brush and gray wash on paper, Jewelry design for a brooch. Two bows—one larger and one smaller, stacked upon one another. Both decorated with patterned bands of stones, S-curves, rhomboids, X’s, and flowers. At center is a disk composed of concentric bands of scalloped stone petals with a central stone., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing Stock Photo

RM2DMJ39W–Design for a Brooch, Pen and black ink, brush and gray wash on paper, Jewelry design for a brooch. Two bows—one larger and one smaller, stacked upon one another. Both decorated with patterned bands of stones, S-curves, rhomboids, X’s, and flowers. At center is a disk composed of concentric bands of scalloped stone petals with a central stone., probably Naples, South Italy, Italy, late 18th century, jewelry, Drawing

RMBN35RY–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Abstract Landscape and Lanterns, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), This asymmetrical landscape is created with two sets of circles created by the hole punching technique. One side is jagged and unrefined while the other side creates a smooth geometric shape. Between the landscapes is a negative space that is lit up with lanterns, big and small, and two crests decorated with flowers and a third crest with a little chicken., Japan, late 18th - mid 19th century, textile designs, Katagami, Katagami Stock Photo

RM2DMRPR1–Abstract Landscape and Lanterns, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), This asymmetrical landscape is created with two sets of circles created by the hole punching technique. One side is jagged and unrefined while the other side creates a smooth geometric shape. Between the landscapes is a negative space that is lit up with lanterns, big and small, and two crests decorated with flowers and a third crest with a little chicken., Japan, late 18th - mid 19th century, textile designs, Katagami, Katagami

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals.The bowl is decorated with a frieze with festoons, and is connected with the supporting console by a female head with a drapery. Above is a pediment with the dove of the Holy Spirit in clouds, with a glory of rays and four cherubim., Italy and Germany, late 18th century, metalwork, Drawing Stock Photo

RM2DMEAEW–Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals.The bowl is decorated with a frieze with festoons, and is connected with the supporting console by a female head with a drapery. Above is a pediment with the dove of the Holy Spirit in clouds, with a glory of rays and four cherubim., Italy and Germany, late 18th century, metalwork, Drawing

Elevations of a Door, Door Frame, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of a door, door frame, overdoor, and adjoining wall panel. Somewhat more than the right half of the door and the left half of the wall panel are shown. Three panels are suggested for the door decorated with crossed boughs, a circular medallion displayed between them, in the central panel. A displayed eagle upon a base formed as a capital, shown upside down, forms the overdoor., Italy, late 18th century, architecture, interiors, Drawing Stock Photo

RM2DMCGBM–Elevations of a Door, Door Frame, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of a door, door frame, overdoor, and adjoining wall panel. Somewhat more than the right half of the door and the left half of the wall panel are shown. Three panels are suggested for the door decorated with crossed boughs, a circular medallion displayed between them, in the central panel. A displayed eagle upon a base formed as a capital, shown upside down, forms the overdoor., Italy, late 18th century, architecture, interiors, Drawing

feoff document with tughra, property of the Stiftung Hamburger Kunstsammlungen, gold, covering watercolor, ink, paper, handwritten, hand-colored, gold, gouache and ink on paper, height: 180 cm; width: 68 cm, dated: 1150 H, 1737 A.D, 2nd quarter 18th century, Calligraphy, Ornaments, Arabic script, The most expressive secular form of Islamic calligraphy is the Ottoman sultanic document. It is crowned by the richly decorated, triangular hand sign of the sultan - the tughra. Here it is the name of Sultan Mahmud I (1730-1754). Stock Photo

RM2DNT2DD–feoff document with tughra, property of the Stiftung Hamburger Kunstsammlungen, gold, covering watercolor, ink, paper, handwritten, hand-colored, gold, gouache and ink on paper, height: 180 cm; width: 68 cm, dated: 1150 H, 1737 A.D, 2nd quarter 18th century, Calligraphy, Ornaments, Arabic script, The most expressive secular form of Islamic calligraphy is the Ottoman sultanic document. It is crowned by the richly decorated, triangular hand sign of the sultan - the tughra. Here it is the name of Sultan Mahmud I (1730-1754).

Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways Stock Photo

RMKC8F6F–Two Variant Designs for the Interior of a Room, Decorated with Porcelains, Fireplace in Center, and With the Doorways

Pa. German Chest, c. 1940. (Note: dated 1769). Stock Photo

RM2HFGCG0–Pa. German Chest, c. 1940. (Note: dated 1769).

Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, Anonymous Stock Photo

RMKC8F6K–Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, Anonymous

Stage design: Stage, Persons Acting, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and sepia wash and watercolor on paper, Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by architectural construction decorated with caryatids. Two actors vaguely sketched., Italy, 18th century, theater, Drawing Stock Photo

RM2DMC357–Stage design: Stage, Persons Acting, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and sepia wash and watercolor on paper, Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by architectural construction decorated with caryatids. Two actors vaguely sketched., Italy, 18th century, theater, Drawing

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. At left is a window. At the opposite side is a cupboard, whose lower part is for vestments. The long vault is decorated in the center with an alter retable. Laterally are panels with pictures hung over them in the vault., Italy, late 18th century, architecture, Drawing Stock Photo

RM2DMDNK0–Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. At left is a window. At the opposite side is a cupboard, whose lower part is for vestments. The long vault is decorated in the center with an alter retable. Laterally are panels with pictures hung over them in the vault., Italy, late 18th century, architecture, Drawing

Altar to Apollo from the Villa di Cicerone, after a print by Piranesi, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and ink, brush and watercolor on paper, Vertical rectangle. Perspective view of the Apollo altar, decorated with the heads and feet of lions, figures, a crab, fruit, and ornamental patterns. Rendering shows effects of light and of the floor. Two framing lines., Rome, Italy, late 18th century, furniture, Drawing Stock Photo

RM2DN2NWN–Altar to Apollo from the Villa di Cicerone, after a print by Piranesi, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and ink, brush and watercolor on paper, Vertical rectangle. Perspective view of the Apollo altar, decorated with the heads and feet of lions, figures, a crab, fruit, and ornamental patterns. Rendering shows effects of light and of the floor. Two framing lines., Rome, Italy, late 18th century, furniture, Drawing

Garden Wall and Terrace, Pen and black ink, brush and green, red, pink, brown and yellow watercolor, slight traces of black chalk on paper, Design for a garden wall and terrace. A parallel colonnades supporting an open roof of cross rafters. The terrace is decorated with four statues and plants growing on the rafters. On the colonnade level, a statue is placed in the wall niche., Italy, 18th century, architecture, Drawing Stock Photo

RM2DME24N–Garden Wall and Terrace, Pen and black ink, brush and green, red, pink, brown and yellow watercolor, slight traces of black chalk on paper, Design for a garden wall and terrace. A parallel colonnades supporting an open roof of cross rafters. The terrace is decorated with four statues and plants growing on the rafters. On the colonnade level, a statue is placed in the wall niche., Italy, 18th century, architecture, Drawing

RMBN36HP–The Umbrella Factory, Borsang village, Chiang Mai, Thailand, Asia

Wall with Fountain and Buffet, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. At left, a niche with a fountain and a statue of Venus surrounded by putti figures. At right, a buffet. The pilaster panels are decorated with trophies. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print Stock Photo

RM2DN176C–Wall with Fountain and Buffet, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. At left, a niche with a fountain and a statue of Venus surrounded by putti figures. At right, a buffet. The pilaster panels are decorated with trophies. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print

RM2HFGCGM–Pa. German Coffee Pot.

Wall with Mirror and Console Tables, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. At center, a wall panel with large mirror flanked by two trumeaux with console tables; the pilaster panels decorated with armorial trophies. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print Stock Photo

RM2DN16CN–Wall with Mirror and Console Tables, Livre de Lambris (Book of Wainscoting), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for an interior wall decoration with applied ornamental stuccowork. At center, a wall panel with large mirror flanked by two trumeaux with console tables; the pilaster panels decorated with armorial trophies. Scale at lower right., Munich, Germany, 18th century, albums (bound) & books, Bound print

Pleated fan, Gilded parchment leaf painted with watercolor; carved and pierced mother-of-pearl sticks with gold foil, pin set with a faceted stone, Pleated fan with a gilded parchment leaf painted with watercolor. Obverse: figured in 18th-century costume in landscape. At left, a mother and child with hoop. Reverse: paper painted with scenes of youth and maiden seated in landscape. Carved and pierced mother-of-pearl sticks with gold foil, obverse decorated with medallions and cartouche. Pin is set with a faceted light blue stones., France, late 18th century, costume & accessories, Pleated fan Stock Photo

RM2DMBP28–Pleated fan, Gilded parchment leaf painted with watercolor; carved and pierced mother-of-pearl sticks with gold foil, pin set with a faceted stone, Pleated fan with a gilded parchment leaf painted with watercolor. Obverse: figured in 18th-century costume in landscape. At left, a mother and child with hoop. Reverse: paper painted with scenes of youth and maiden seated in landscape. Carved and pierced mother-of-pearl sticks with gold foil, obverse decorated with medallions and cartouche. Pin is set with a faceted light blue stones., France, late 18th century, costume & accessories, Pleated fan

Design for a crib, c.1790. Decorated with busts of Mercury. Stock Photo

RM2RRJDH0–Design for a crib, c.1790. Decorated with busts of Mercury.

Projet de la chapelle de St. Sulpice de Paris (Design for the St. Sulpice Chapel of Paris), plate 101, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Herisset, French, 18th century, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A chapel flanked by Corinthian columns, then fluted pilasters and then panels decorated with shells and illustrations. Stairs lead up to a tomb at center which two putti cover with a cloth; Virgin appears in robes with sun rays behind her Stock Photo

RM2DMBM7A–Projet de la chapelle de St. Sulpice de Paris (Design for the St. Sulpice Chapel of Paris), plate 101, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Herisset, French, 18th century, Gabriel Huquier, French, 1695–1772, Engraving on white laid paper, A chapel flanked by Corinthian columns, then fluted pilasters and then panels decorated with shells and illustrations. Stairs lead up to a tomb at center which two putti cover with a cloth; Virgin appears in robes with sun rays behind her

Decorated paper 18th century Stock Photos and Images

Decorated paper 18th century Stock Photos and Images

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