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Snow Clearing: Landscape after Li Cheng dated 1669 Wang Hui Chinese Defying the dictum of the authoritative theorist Dong Qichang (1555–1636) that 'in painting it is better to be descriptively obscure rather than to be obvious,' Wang Hui regarded calligraphic abstraction and mimetic representation as 'the two wings of a bird.' Inspired by Li Cheng's (919–967) descriptive idiom of jagged rock formations and spiky 'crab-claw' wintry trees, which demand representational skill as well as calligraphic discipline, Wang's perfectly controlled lyrical composition—a snowscape of enchanted stillness-cel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/snow-clearing-landscape-after-li-cheng-dated-1669-wang-hui-chinese-defying-the-dictum-of-the-authoritative-theorist-dong-qichang-15551636-that-in-painting-it-is-better-to-be-descriptively-obscure-rather-than-to-be-obvious-wang-hui-regarded-calligraphic-abstraction-and-mimetic-representation-as-the-two-wings-of-a-bird-inspired-by-li-chengs-919967-descriptive-idiom-of-jagged-rock-formations-and-spiky-crab-claw-wintry-trees-which-demand-representational-skill-as-well-as-calligraphic-discipline-wangs-perfectly-controlled-lyrical-compositiona-snowscape-of-enchanted-stillness-cel-image458595498.htmlRM2HJ2R6J–Snow Clearing: Landscape after Li Cheng dated 1669 Wang Hui Chinese Defying the dictum of the authoritative theorist Dong Qichang (1555–1636) that 'in painting it is better to be descriptively obscure rather than to be obvious,' Wang Hui regarded calligraphic abstraction and mimetic representation as 'the two wings of a bird.' Inspired by Li Cheng's (919–967) descriptive idiom of jagged rock formations and spiky 'crab-claw' wintry trees, which demand representational skill as well as calligraphic discipline, Wang's perfectly controlled lyrical composition—a snowscape of enchanted stillness-cel
清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Wang Hui, dated 1669 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-snow-clearing-landscape-after-li-cheng-wang-hui-dated-1669-162408052.htmlRMKC693G–清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Wang Hui, dated 1669
Art inspired by 清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui (Chinese, 1632–1717), Defying the dictum of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-snow-clearing-landscape-after-li-cheng-qing-dynasty-16441911-dated-1669-china-hanging-scroll-ink-and-color-on-paper-image-44-38-x-14-18-in-1127-x-359-cm-paintings-wang-hui-chinese-16321717-defying-the-dictum-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462908603.htmlRF2HW38J3–Art inspired by 清 王翬 倣李成雪霽圖 軸 紙本, Snow Clearing: Landscape after Li Cheng, Qing dynasty (1644–1911), dated 1669, China, Hanging scroll; ink and color on paper, Image: 44 3/8 x 14 1/8 in. (112.7 x 35.9 cm), Paintings, Wang Hui (Chinese, 1632–1717), Defying the dictum of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
