Desdemona in shakespeare’s othello hi-res stock photography and images

Mrs W West as Desdemona in Shakespeare's Othello, Theatre Royal, London. Stock Photo

RM2M98MNY–Mrs W West as Desdemona in Shakespeare's Othello, Theatre Royal, London.

. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] . [mid-19th century]. Published by A. Park, 47 Leonard St., Finsbury 428 Mrs w west Stock Photo

RMMXCTBH–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] . [mid-19th century]. Published by A. Park, 47 Leonard St., Finsbury 428 Mrs w west

Othello. The American actor and singer Paul Robeson (1898-1976) as Othello and Uta Hagen as Desdemona in a 1943/4 Broadway production of Shakespeare's Othello. Stock Photo

RMM84C8N–Othello. The American actor and singer Paul Robeson (1898-1976) as Othello and Uta Hagen as Desdemona in a 1943/4 Broadway production of Shakespeare's Othello.

A scene from Shakespeare's tragedy, Othello, in which Othello approaches the sleeping Desdemona, whom he wrongly suspects of infidelity. 'Put out the light, and then put out the light.' Stock Photo

RMG36NEJ–A scene from Shakespeare's tragedy, Othello, in which Othello approaches the sleeping Desdemona, whom he wrongly suspects of infidelity. 'Put out the light, and then put out the light.'

Othello (1951) directed by Orson Welles and starring Orson Welles, Micheál MacLiammóir, Robert Coote and Fay Compton. Welles overcomes production difficulties and a low budget in his adaptation of Shakespeare’s Othello which includes his own star performance as the moor of Venice. Stock Photo

RMFAME5F–Othello (1951) directed by Orson Welles and starring Orson Welles, Micheál MacLiammóir, Robert Coote and Fay Compton. Welles overcomes production difficulties and a low budget in his adaptation of Shakespeare’s Othello which includes his own star performance as the moor of Venice.

A scene from Shakespeare's tragedy, Othello, in which Othello impresses Desdemona and her father with his eventful life story. She is so impressed, she marries him, but it all ends in tears. Stock Photo

RMG36NDW–A scene from Shakespeare's tragedy, Othello, in which Othello impresses Desdemona and her father with his eventful life story. She is so impressed, she marries him, but it all ends in tears.

Desdemona. After Cabanal. Desdemona is a Character in William Shakespeare's Play Othello (C.1601 – 1604). Shakespeare's Desdemona is a Venetian Beauty Who Enrages and Disappoints Her Father, a Venetian Senator, When She Elopes with Othello, a Man Several Years Her Senior Stock Photo

RMRYDRC4–Desdemona. After Cabanal. Desdemona is a Character in William Shakespeare's Play Othello (C.1601 – 1604). Shakespeare's Desdemona is a Venetian Beauty Who Enrages and Disappoints Her Father, a Venetian Senator, When She Elopes with Othello, a Man Several Years Her Senior

Scene from Shakespeare's tragedy, Othello Stock Photo

RMG36NXE–Scene from Shakespeare's tragedy, Othello

Rosalind Plowright (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 14/04/1987 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Edward Downes set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky Stock Photo

RM2RMMW38–Rosalind Plowright (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 14/04/1987 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Edward Downes set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

DESDEMONA. AFTER CABANAL. Desdemona is a character in William Shakespeare's play Othello (c.1601 – 1604) Stock Photo

RMDDM955–DESDEMONA. AFTER CABANAL. Desdemona is a character in William Shakespeare's play Othello (c.1601 – 1604)

Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky Stock Photo

RM2G500KW–Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: plate: 14 3/8 x 10 1/2 in. (36.5 x 26.6 cm) image: 11 3/16 x 8 3/8 in. (28.4 x 21.2 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. In 1844 Eugène Piot commissioned the young Ch Stock Photo

RMPB1CAA–'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: plate: 14 3/8 x 10 1/2 in. (36.5 x 26.6 cm) image: 11 3/16 x 8 3/8 in. (28.4 x 21.2 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. In 1844 Eugène Piot commissioned the young Ch

RMDR25AD–SIDDONS AS DESDEMONA

John Osborne (British playwright of 'Look back in anger' is fed a tasty snack by his beautiful wife Mary Ure. Here they are backstage at the Stratford Memorial Theatre. Mr Osborne earlier watched Miss Ure play 'Desdemona' to Paul Robeson's 'Othello' in Shakespeare's tragedy. Sam Wanamaker played 'Iago' and an enthusiastic audience clapped for 15 curtain calls. April 8th 1959. Stock Photo

RM2Y6864E–John Osborne (British playwright of 'Look back in anger' is fed a tasty snack by his beautiful wife Mary Ure. Here they are backstage at the Stratford Memorial Theatre. Mr Osborne earlier watched Miss Ure play 'Desdemona' to Paul Robeson's 'Othello' in Shakespeare's tragedy. Sam Wanamaker played 'Iago' and an enthusiastic audience clapped for 15 curtain calls. April 8th 1959.

Palazzo Contarini Fasan, also known as the House of Desdemona, is a striking example of Venetian Gothic architecture located on the Grand Canal in Venice. Built in the 15th century, this elegant palace features a distinctive façade adorned with intricately carved white Istrian stone and pointed arched windows. The building's romantic charm and historical significance have made it a subject of fascination and legend, particularly due to its association with the tragic character Desdemona from Shakespeare's 'Othello.' The palazzo is a testament to the opulence and artistic grandeur of Venice's g Stock Photo

RM2XB43GJ–Palazzo Contarini Fasan, also known as the House of Desdemona, is a striking example of Venetian Gothic architecture located on the Grand Canal in Venice. Built in the 15th century, this elegant palace features a distinctive façade adorned with intricately carved white Istrian stone and pointed arched windows. The building's romantic charm and historical significance have made it a subject of fascination and legend, particularly due to its association with the tragic character Desdemona from Shakespeare's 'Othello.' The palazzo is a testament to the opulence and artistic grandeur of Venice's g

Théodore Chassériau. The Willow Song, plate nine from Othello. 1844. France. Etching, engraving, roulette, drypoint on off-white China paper, laid down on white wove paper Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates, Stock Photo

RM2AHW42Y–Théodore Chassériau. The Willow Song, plate nine from Othello. 1844. France. Etching, engraving, roulette, drypoint on off-white China paper, laid down on white wove paper Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates,

Florentin Groll as 'Cassio' and Julia Stemberger as 'Desdemona' in William Shakespeare's play 'Othello', captured during a photo rehearsal in Vienna's Academy Theater on January 10th 1990. - 19900110 PD0007 - Rechteinfo: Rights Managed (RM) Stock Photo

RM2X1355G–Florentin Groll as 'Cassio' and Julia Stemberger as 'Desdemona' in William Shakespeare's play 'Othello', captured during a photo rehearsal in Vienna's Academy Theater on January 10th 1990. - 19900110 PD0007 - Rechteinfo: Rights Managed (RM)

Desdemona (The Song of the Willow) 1849 Théodore Chassériau This painting is based on a print, part of a suite of etchings by Chassériau illustrating Shakespeare’s Othello, which was published in Paris in 1844. It depicts act 4, scene 3 of the play, a final moment of calm preceding Desdemona’s murder by her husband, Othello. Desdemona’s maid, Emilia, who was complicit in orchestrating the crime, shrinks away, cringing at the knowledge of what is about to occur. The lyre Desdemona holds was not described by Shakespeare; Chassériau observed it in an 1836 production in which the role was performe Stock Photo

RM2HGNGTM–Desdemona (The Song of the Willow) 1849 Théodore Chassériau This painting is based on a print, part of a suite of etchings by Chassériau illustrating Shakespeare’s Othello, which was published in Paris in 1844. It depicts act 4, scene 3 of the play, a final moment of calm preceding Desdemona’s murder by her husband, Othello. Desdemona’s maid, Emilia, who was complicit in orchestrating the crime, shrinks away, cringing at the knowledge of what is about to occur. The lyre Desdemona holds was not described by Shakespeare; Chassériau observed it in an 1836 production in which the role was performe

Othello cast photocall - London Stock Photo

RMGC4GDP–Othello cast photocall - London

. The girlhood of Shakespeare's heroines in a series of tales. TALE rV. DESDEMONA; THE MAGNIFICOS CHILD. A maidThat Daragons description, and wild fame;One that excels the quirks of blazoning pens,And in the essential vesture of creation,Does bear all excellency. Othello. The gondola glided on. Beneath its black awning,—extended at fulllength upon its black leather cushions,—lay a young man, clothed in asuit of deep mourning. But in his face there was nothing that assortedwith these swart environments. No shadow, save the one from the sad-colored curtains, darkened the countenance, which was r Stock Photo

RM2AFKPA5–. The girlhood of Shakespeare's heroines in a series of tales. TALE rV. DESDEMONA; THE MAGNIFICOS CHILD. A maidThat Daragons description, and wild fame;One that excels the quirks of blazoning pens,And in the essential vesture of creation,Does bear all excellency. Othello. The gondola glided on. Beneath its black awning,—extended at fulllength upon its black leather cushions,—lay a young man, clothed in asuit of deep mourning. But in his face there was nothing that assortedwith these swart environments. No shadow, save the one from the sad-colored curtains, darkened the countenance, which was r

. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic]. [mid-19th century]. Published by A. Park, 47 Leonard St., Finsbury 373 Mrs w west Stock Photo

RMMYKED8–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic]. [mid-19th century]. Published by A. Park, 47 Leonard St., Finsbury 373 Mrs w west

RM2G500M0–Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm) Plate: 14 7/16 x 10 7/16 in. (36.7 x 26.5 cm) Sheet: 21 3/4 × 15 3/16 in. (55.3 × 38.5 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. After Delacroix's successful Ham Stock Photo

RMRFFRD9–'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2). Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: Image: 12 3/8 x 9 3/4 in. (31.4 x 24.8 cm) Plate: 14 7/16 x 10 7/16 in. (36.7 x 26.5 cm) Sheet: 21 3/4 × 15 3/16 in. (55.3 × 38.5 cm). Series/Portfolio: Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: etched 1844, reprinted 1900. After Delacroix's successful Ham

Théodore Chassériau. Oh! Oh! Oh!, plate fourteen from Othello. 1844. France. Etching, engraving and roulette on off-white China paper, laid down on white wove paper Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates, illustr Stock Photo

RM2AHW3AN–Théodore Chassériau. Oh! Oh! Oh!, plate fourteen from Othello. 1844. France. Etching, engraving and roulette on off-white China paper, laid down on white wove paper Shakespeare’s tragic tale of the Moorish general Othello, his bride, Desdemona, and the scheming Iago explores the timeless themes of racism, love, jealously, and betrayal. The play had gained considerable popularity in France by 1844. Though little is known of the specifics of this particular commission, it was a project that captivated Théodore Chassériau for years. These two prints, from Chassériau’s series of 15 plates, illustr

'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3) etched 1844, reprinted 1900 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the Stock Photo

RM2HGPBBJ–'Honest Iago, my Desdemona must I leave to thee': plate 4 from Othello (Act 1, Scene 3) etched 1844, reprinted 1900 Théodore Chassériau French In 1844 Eugène Piot commissioned the young Chassériau to prepare fifteen illustrations to Shakespeare's Othello. Inspired by a series of ground-breaking Hamlet lithographs that Delacroix had created one year earlier, the younger artist opted for the more linear technique of etching. His expressive conception of form had been learned in Ingres's studio then developed under Delacroix. In the series, key exchanges offer a compressed summary of much of the

RMGC4GDN–Othello cast photocall - London

'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2) etched 1844, reprinted 1900 Théodore Chassériau French After Delacroix’s successful Hamlet lithographs appeared in 1843, Chassériau responded with a series of etchings devoted to Shakespeare’s Othello. This example encapsulates the play’s climax in act 5, in which the title character is undone by his tragic error concerning his wife, Desdemona. Having smothered her, he now kneels despairingly by the bed as her attendant Emilia reveals that 'honest Iago,' who told Othello she had been unfaithful, is a jealous manipulator:'Now lay thee down a Stock Photo

RM2HHWWKF–'Oh! Oh! Oh!': plate 14 from Othello (Act 5, Scene 2) etched 1844, reprinted 1900 Théodore Chassériau French After Delacroix’s successful Hamlet lithographs appeared in 1843, Chassériau responded with a series of etchings devoted to Shakespeare’s Othello. This example encapsulates the play’s climax in act 5, in which the title character is undone by his tragic error concerning his wife, Desdemona. Having smothered her, he now kneels despairingly by the bed as her attendant Emilia reveals that 'honest Iago,' who told Othello she had been unfaithful, is a jealous manipulator:'Now lay thee down a

RMMTWRYN–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] . [mid-19th century]. Published by A. Park, 47 Leonard St., Finsbury 428 Mrs w west

. Dog and dogs. Dogs. Chapter XXII Shakespeare's Dogs Mastiff, greyhound, mungril grim. Hound or spaniel, brache or lym. Or bobtail tike, or trundle-taiL King Lear III, 6. N Shakespeare's day there were no dog shows. Dogs were kept for sport and for utiHty, except that there were some pets among the nobility. In Othello we are told that Desdemona kept a lap dog: "He'll be as full of quarrel and offence as my young mistress' dog." All our present day favorites were lacking: Chow, Pom, Japanese and Chinese varieties, foxhound, harrier, otter hound, pointer. In Macbeth (3.1) we find add Stock Photo

RMRCCM74–. Dog and dogs. Dogs. Chapter XXII Shakespeare's Dogs Mastiff, greyhound, mungril grim. Hound or spaniel, brache or lym. Or bobtail tike, or trundle-taiL King Lear III, 6. N Shakespeare's day there were no dog shows. Dogs were kept for sport and for utiHty, except that there were some pets among the nobility. In Othello we are told that Desdemona kept a lap dog: "He'll be as full of quarrel and offence as my young mistress' dog." All our present day favorites were lacking: Chow, Pom, Japanese and Chinese varieties, foxhound, harrier, otter hound, pointer. In Macbeth (3.1) we find add

RM2G500KM–Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

Procession of Characters from Shakespeare's Plays. Date/Period: Ca. 1840. Painting. Oil on board. Height: 311 mm (12.24 in); Width: 1,378 mm (54.25 in). Author: Unknown artist (manner of Thomas Stothard). Stock Photo

RMPMBJ2K–Procession of Characters from Shakespeare's Plays. Date/Period: Ca. 1840. Painting. Oil on board. Height: 311 mm (12.24 in); Width: 1,378 mm (54.25 in). Author: Unknown artist (manner of Thomas Stothard).

Théodore Chassériau. Yet She Must Die, plate eleven from Othello. 1844. France. Etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper (chine collé) Shakespeare’s Othello tells the story of a Moorish general who is manipulated by his evil advisor, Iago, into murdering his wife, Desdemona. In this scene set in a lavish chamber, Othello gazes upon the slumbering Desdemona with a look of unmistakable sadness. Chassériau elegantly depicted the conflict within Othello’s mind through gesture, as he clutches at his heart. The emphatic way the figure of Othello is rend Stock Photo

RM2AHRPF7–Théodore Chassériau. Yet She Must Die, plate eleven from Othello. 1844. France. Etching, engraving, roulette and drypoint on ivory chine, laid down on white wove paper (chine collé) Shakespeare’s Othello tells the story of a Moorish general who is manipulated by his evil advisor, Iago, into murdering his wife, Desdemona. In this scene set in a lavish chamber, Othello gazes upon the slumbering Desdemona with a look of unmistakable sadness. Chassériau elegantly depicted the conflict within Othello’s mind through gesture, as he clutches at his heart. The emphatic way the figure of Othello is rend

. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] / [Samuel John] Stump, pinxt. ; J. Thomson, sculp . [London, England] : published by Simpkin & Marshall, 1818.. Thomson, James, 1788-1850, printmaker. 544 Sarah west Stock Photo

RMMWR97P–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] / [Samuel John] Stump, pinxt. ; J. Thomson, sculp . [London, England] : published by Simpkin & Marshall, 1818.. Thomson, James, 1788-1850, printmaker. 544 Sarah west

RM2G500KD–Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky Stock Photo

RM2G5KDXH–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RM2G5PC6Y–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RMMTXEEW–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] / [Samuel John] Stump, pinxt. ; J. Thomson, sculp . [London, England] : published by Simpkin & Marshall, 1818.. Thomson, James, 1788-1850, printmaker. 543 Sarah west

RM2G5PC6K–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RM2G5KDXR–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RMMY207F–. Mrs. W. West as Desdemona [in Shakespeare's Othello] [graphic] / [Samuel John] Stump, pinxt. ; J. Thomson, sculp. [London, England] : published by Simpkin & Marshall, 1818.. Thomson, James, 1788-1850, printmaker. 475 Sarah west

RM2G5KDXT–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RM2G5PC7K–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RM2G5PC7F–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

RM2G5KDXJ–Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

Rosalind Plowright (Desdemona), Vladimir Atlantov (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 14/04/1987 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Edward Downes set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky Stock Photo

RM2RMMW21–Rosalind Plowright (Desdemona), Vladimir Atlantov (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 14/04/1987 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Edward Downes set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

Kiri Te Kanawa (Desdemona), Placido Domingo (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky Stock Photo

RM2RMMW3K–Kiri Te Kanawa (Desdemona), Placido Domingo (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

Placido Domingo (Otello), Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky Stock Photo

RM2RMMW3N–Placido Domingo (Otello), Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

RM2G500M2–Placido Domingo (Otello), Kiri Te Kanawa (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

RM2G500KH–Kiri Te Kanawa (Desdemona), Placido Domingo (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 23/10/1992 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Georg Solti set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan director: Elijah Moshinsky

Elena Prokina (Desdemona), Dennis O’Neill (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky Stock Photo

RM2G5PC6J–Elena Prokina (Desdemona), Dennis O’Neill (Otello) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

Dennis O’Neill (Otello), Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky Stock Photo

RM2G5KDXN–Dennis O’Neill (Otello), Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

l-r: Leah-Marian Jones (Emilia), Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky Stock Photo

RM2G5KDXM–l-r: Leah-Marian Jones (Emilia), Elena Prokina (Desdemona) in OTELLO by Verdi at the The Royal Opera, Covent Garden, London WC2 13/01/1995 music: Giuseppe Verdi libretto: Arrigo Boito after Shakespeare's OTHELLO conductor: Carlo Rizzi set design: Timothy O’Brien costumes: Peter J Hall lighting: Robert Bryan choreographer: Eleanor Fagan director: Elijah Moshinsky

Desdemona in shakespeare’s othello Stock Photos and Images

Desdemona in shakespeare’s othello Stock Photos and Images

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