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Nine iron bullets, kartets, all about the same size, bullet projectile soil found iron metal, cast Nine iron bullets of about the same dimensions archeology war shooting guns militaria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nine-iron-bullets-kartets-all-about-the-same-size-bullet-projectile-soil-found-iron-metal-cast-nine-iron-bullets-of-about-the-same-dimensions-archeology-war-shooting-guns-militaria-image228083390.htmlRMR722KA–Nine iron bullets, kartets, all about the same size, bullet projectile soil found iron metal, cast Nine iron bullets of about the same dimensions archeology war shooting guns militaria
Nine iron bullets, kartets, all about the same size, bullet projectile soil found iron metal, cast Nine iron bullets of about the same dimensions archeology war shooting guns militaria Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nine-iron-bullets-kartets-all-about-the-same-size-bullet-projectile-soil-found-iron-metal-cast-nine-iron-bullets-of-about-the-same-dimensions-archeology-war-shooting-guns-militaria-image350097940.htmlRF2B9G9DT–Nine iron bullets, kartets, all about the same size, bullet projectile soil found iron metal, cast Nine iron bullets of about the same dimensions archeology war shooting guns militaria
Glass cameo: Satyr holding a bunch of grapes to Bacchus child, Glassmaker, 1st half of 1st century, Petit Palais Ground floor Room 33 showcase 12, Archeology, Antiquity, Roman, Glassmaking, Bas-relief, Glass, Italy, Dimensions - Work: Height: 21 cm, Width: 19.5 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/glass-cameo-satyr-holding-a-bunch-of-grapes-to-bacchus-child-glassmaker-1st-half-of-1st-century-petit-palais-ground-floor-room-33-showcase-12-archeology-antiquity-roman-glassmaking-bas-relief-glass-italy-dimensions-work-height-21-cm-width-195-cm-image573225917.htmlRM2T8GKE5–Glass cameo: Satyr holding a bunch of grapes to Bacchus child, Glassmaker, 1st half of 1st century, Petit Palais Ground floor Room 33 showcase 12, Archeology, Antiquity, Roman, Glassmaking, Bas-relief, Glass, Italy, Dimensions - Work: Height: 21 cm, Width: 19.5 cm
Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fantasy-landscape-explorer-and-archaeologist-ancient-civilizations-secrets-and-mysteries-discoveries-of-buildings-archeology-adventure-image507156805.htmlRF2MD2YK1–Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure
Outside view and architectonical detail of the Coa Museum in Vila Nova de Foz Coa, Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-outside-view-and-architectonical-detail-of-the-coa-museum-in-vila-144367523.htmlRMJATE6Y–Outside view and architectonical detail of the Coa Museum in Vila Nova de Foz Coa, Portugal
Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fantasy-landscape-explorer-and-archaeologist-ancient-civilizations-secrets-and-mysteries-discoveries-of-buildings-archeology-adventure-image506568401.htmlRF2MC454H–Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure
Part of Travel Album with pictures of seen that: conditions in Italy and Frankrijk. Manufacturer : photographer Giorgio Sommer Place manufacture : Pompeï Dating: ca. 1870 - ca. 1900 Physical features: albumen print material: paper photo paper Technique: albumen print dimensions: h 200 mm × W 252 mm Subject: excavation archeology temple, shrine non-Christian religions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-travel-album-with-pictures-of-seen-that-conditions-in-italy-and-frankrijk-manufacturer-photographer-giorgio-sommer-place-manufacture-pompe-dating-ca-1870-ca-1900-physical-features-albumen-print-material-paper-photo-paper-technique-albumen-print-dimensions-h-200-mm-w-252-mm-subject-excavation-archeology-temple-shrine-non-christian-religions-image348395941.htmlRM2B6PPG5–Part of Travel Album with pictures of seen that: conditions in Italy and Frankrijk. Manufacturer : photographer Giorgio Sommer Place manufacture : Pompeï Dating: ca. 1870 - ca. 1900 Physical features: albumen print material: paper photo paper Technique: albumen print dimensions: h 200 mm × W 252 mm Subject: excavation archeology temple, shrine non-Christian religions
playing double flute skyphos deep drinking cup Terracotta plate Paseas Archaic 510 B.C. Greek Attic Dimensions: 19 cm Vase Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-playing-double-flute-skyphos-deep-drinking-cup-terracotta-plate-paseas-51369860.htmlRMCYG2NT–playing double flute skyphos deep drinking cup Terracotta plate Paseas Archaic 510 B.C. Greek Attic Dimensions: 19 cm Vase
Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-dokathismata-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-creator-ashmolean-master-dimensions-h-391-cm-museum-of-cycladic-art-athens-greece-image220180038.htmlRMPP61TP–Cycladic Culture. Female figurine of the Dokathismata variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Creator: Ashmolean Master. Dimensions: h: 39,1 cm. Museum of Cycladic Art. Athens, Greece.
The Prince of Wales' Visit to Egypt: the Sphinx at Djizeh and the recent excavations around it - from a drawing by Frank Dillon, 1862. The future King Edward VII in Africa. 'The Egyptian sphinxes are lions without wings...The largest of the existing sphinxes is that of Djizeh...which is hewn cut of the rock, and is of the enormous dimensions of 143ft. in length and 62ft. in height in front. The greater part of it is covered with sand, above which little more than the head and shoulders are visible. Some excavations of an extensive character are, however, in operation, as shown in our Engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prince-of-wales-visit-to-egypt-the-sphinx-at-djizeh-and-the-recent-excavations-around-it-from-a-drawing-by-frank-dillon-1862-the-future-king-edward-vii-in-africa-the-egyptian-sphinxes-are-lions-without-wingsthe-largest-of-the-existing-sphinxes-is-that-of-djizehwhich-is-hewn-cut-of-the-rock-and-is-of-the-enormous-dimensions-of-143ft-in-length-and-62ft-in-height-in-front-the-greater-part-of-it-is-covered-with-sand-above-which-little-more-than-the-head-and-shoulders-are-visible-some-excavations-of-an-extensive-character-are-however-in-operation-as-shown-in-our-engraving-image595001090.htmlRM2WG0HXX–The Prince of Wales' Visit to Egypt: the Sphinx at Djizeh and the recent excavations around it - from a drawing by Frank Dillon, 1862. The future King Edward VII in Africa. 'The Egyptian sphinxes are lions without wings...The largest of the existing sphinxes is that of Djizeh...which is hewn cut of the rock, and is of the enormous dimensions of 143ft. in length and 62ft. in height in front. The greater part of it is covered with sand, above which little more than the head and shoulders are visible. Some excavations of an extensive character are, however, in operation, as shown in our Engraving
Wooden sculpture Chimu imperial period 1300 - 1532 AD Museo de Arte Precolombino, Cusco - Peru The unique nature and character of this object carved in wood is undeniable. In it, the passage of time represents a conquest and overcoming of natural elements and; whatever deterioration this may have undergoneonly contributes to further impart in them a perpetual everlasting feeling. This example consisting of an idol of considerable dimensions and appreciable majesty, lies well embodied within the traditional sculptural woodwork characteristic of the coastal peoples and cultures of pre-Columbia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wooden-sculpture-chimu-imperial-period-1300-1532-ad-museo-de-arte-70301577.htmlRME2AEAH–Wooden sculpture Chimu imperial period 1300 - 1532 AD Museo de Arte Precolombino, Cusco - Peru The unique nature and character of this object carved in wood is undeniable. In it, the passage of time represents a conquest and overcoming of natural elements and; whatever deterioration this may have undergoneonly contributes to further impart in them a perpetual everlasting feeling. This example consisting of an idol of considerable dimensions and appreciable majesty, lies well embodied within the traditional sculptural woodwork characteristic of the coastal peoples and cultures of pre-Columbia
View of remains of ruins of Titus Basilica with front cornerstones of portal and recumbent columns marked dimensions area of historic early Christian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-remains-of-ruins-of-titus-basilica-with-front-cornerstones-of-portal-and-recumbent-columns-marked-dimensions-area-of-historic-early-christian-image607264664.htmlRM2X7Y87M–View of remains of ruins of Titus Basilica with front cornerstones of portal and recumbent columns marked dimensions area of historic early Christian
Ball Player 7th–10th century Mexico Mesoamerica Veracruz Nopiloa Ceramic 26 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ball-player-7th10th-century-mexico-mesoamerica-veracruz-nopiloa-ceramic-50787535.htmlRMCXHG0F–Ball Player 7th–10th century Mexico Mesoamerica Veracruz Nopiloa Ceramic 26 cm
inside historical story big large enormous extreme powerful imposing immense Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-inside-historical-story-big-large-enormous-extreme-powerful-imposing-141015105.htmlRFJ5BP5N–inside historical story big large enormous extreme powerful imposing immense
Buddha Gupta 6th – 7th century India Bihar Bronze 47 cm Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-gupta-6th-7th-century-india-bihar-bronze-47-cm-sculpture-51370806.htmlRMCYG3YJ–Buddha Gupta 6th – 7th century India Bihar Bronze 47 cm Sculpture
arena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-arena-114680476.htmlRFGJG438–arena
Ball Player 7th–10th century Mexico Mesoamerica Veracruz Nopiloa Ceramic 26 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ball-player-7th10th-century-mexico-mesoamerica-veracruz-nopiloa-ceramic-50787527.htmlRMCXHG07–Ball Player 7th–10th century Mexico Mesoamerica Veracruz Nopiloa Ceramic 26 cm
Tiny tourists (bottom left) under majestic huge old growth jungle trees at Mayan ruins in Honduras. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiny-tourists-bottom-left-under-majestic-huge-old-growth-jungle-trees-at-mayan-ruins-in-honduras-image229960440.htmlRFRA3GTT–Tiny tourists (bottom left) under majestic huge old growth jungle trees at Mayan ruins in Honduras.
. Annual report of the Board of Regents of the Smithsonian Institution. Smithsonian Institution; Smithsonian Institution. Archives; Discoveries in science. STUDIES ON MUSEUMS AND KINDRED INSTITUTIONS. 541 tologT. botany, zoology, anthropology', archeology, ethnograph}^ (also numismatics), and is well administered. The large ground floor hall, 100 by 50 feet in dimensions, with side lights on the right and left and with cases at right angles with the walls, is well lighted by large windows (tig. 86). One is here again convinced that this is the only proper method of museum lighting, since the h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annual-report-of-the-board-of-regents-of-the-smithsonian-institution-smithsonian-institution-smithsonian-institution-archives-discoveries-in-science-studies-on-museums-and-kindred-institutions-541-tologt-botany-zoology-anthropology-archeology-ethnograph-also-numismatics-and-is-well-administered-the-large-ground-floor-hall-100-by-50-feet-in-dimensions-with-side-lights-on-the-right-and-left-and-with-cases-at-right-angles-with-the-walls-is-well-lighted-by-large-windows-tig-86-one-is-here-again-convinced-that-this-is-the-only-proper-method-of-museum-lighting-since-the-h-image236103258.htmlRMRM3C36–. Annual report of the Board of Regents of the Smithsonian Institution. Smithsonian Institution; Smithsonian Institution. Archives; Discoveries in science. STUDIES ON MUSEUMS AND KINDRED INSTITUTIONS. 541 tologT. botany, zoology, anthropology', archeology, ethnograph}^ (also numismatics), and is well administered. The large ground floor hall, 100 by 50 feet in dimensions, with side lights on the right and left and with cases at right angles with the walls, is well lighted by large windows (tig. 86). One is here again convinced that this is the only proper method of museum lighting, since the h
Jakarta, Indonesia - July 14, 2019: Ancient deposit or stone vase of enormous dimensions and inscriptions, National Museum of Indonesia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jakarta-indonesia-july-14-2019-ancient-deposit-or-stone-vase-of-enormous-dimensions-and-inscriptions-national-museum-of-indonesia-image355741018.htmlRF2BJNB8A–Jakarta, Indonesia - July 14, 2019: Ancient deposit or stone vase of enormous dimensions and inscriptions, National Museum of Indonesia.
At the time of the 55th Venice's Biennale, a display of Mac Quinn's bronze sculptures on San Giorgio Maggiore island (Italy). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-at-the-time-of-the-55th-venices-biennale-a-display-of-mac-quinns-bronze-58806837.htmlRMDBJTM5–At the time of the 55th Venice's Biennale, a display of Mac Quinn's bronze sculptures on San Giorgio Maggiore island (Italy).
Outside view and architectonical detail of the Coa Museum in Vila Nova de Foz Coa, Portugal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-outside-view-and-architectonical-detail-of-the-coa-museum-in-vila-144367526.htmlRMJATE72–Outside view and architectonical detail of the Coa Museum in Vila Nova de Foz Coa, Portugal
Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fantasy-landscape-explorer-and-archaeologist-ancient-civilizations-secrets-and-mysteries-discoveries-of-buildings-archeology-adventure-image506586444.htmlRF2MC5050–Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure
Part of Travel Album with pictures of seen where: conditions in Italy and the French Riviera (part II) . Manufacturer : photographer Giorgio Sommer Place manufacture: Pompeï Dating: ca. 1860 - ca. 1890 Physical features: albumen print material: paper photo paper Technique: albumen print dimensions: photo: h 193 mm × W 248 mm Subject: archeology excavation square, place, circus, etc. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-travel-album-with-pictures-of-seen-where-conditions-in-italy-and-the-french-riviera-part-ii-manufacturer-photographer-giorgio-sommer-place-manufacture-pompe-dating-ca-1860-ca-1890-physical-features-albumen-print-material-paper-photo-paper-technique-albumen-print-dimensions-photo-h-193-mm-w-248-mm-subject-archeology-excavation-square-place-circus-etc-image348411564.htmlRM2B6REE4–Part of Travel Album with pictures of seen where: conditions in Italy and the French Riviera (part II) . Manufacturer : photographer Giorgio Sommer Place manufacture: Pompeï Dating: ca. 1860 - ca. 1890 Physical features: albumen print material: paper photo paper Technique: albumen print dimensions: photo: h 193 mm × W 248 mm Subject: archeology excavation square, place, circus, etc.
Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fantasy-landscape-explorer-and-archaeologist-ancient-civilizations-secrets-and-mysteries-discoveries-of-buildings-archeology-adventure-image471034172.htmlRF2JA9CW0–Fantasy landscape, explorer and archaeologist. Ancient civilizations, secrets and mysteries. Discoveries of buildings. Archeology. Adventure
Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cycladic-culture-female-figurine-of-the-spedos-variety-early-cycladic-ii-syros-phase-2800-bc-2300-bc-marble-early-bronze-age-dimensions-h-355-cm-object-provenance-from-naxos-the-eyes-eyebrows-mouth-and-hair-appear-to-have-been-modelled-in-low-relief-museum-of-cycladic-art-athens-greece-image220180039.htmlRMPP61TR–Cycladic Culture. Female figurine of the Spedos variety. Early Cycladic II. Syros Phase. 2800 BC-2300 BC. Marble. Early Bronze Age. Dimensions: H: 35.5 cm. Object provenance from Naxos (?). The eyes, eyebrows, mouth and hair appear to have been modelled in low relief. Museum of Cycladic Art. Athens, Greece.
Wooden sculpture Chimu imperial period 1300 - 1532 AD Museo de Arte Precolombino, Cusco - Peru The unique nature and character of this object carved in wood is undeniable. In it, the passage of time represents a conquest and overcoming of natural elements and; whatever deterioration this may have undergoneonly contributes to further impart in them a perpetual everlasting feeling. This example consisting of an idol of considerable dimensions and appreciable majesty, lies well embodied within the traditional sculptural woodwork characteristic of the coastal peoples and cultures of pre-Columbia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-wooden-sculpture-chimu-imperial-period-1300-1532-ad-museo-de-arte-70301692.htmlRME2AEEM–Wooden sculpture Chimu imperial period 1300 - 1532 AD Museo de Arte Precolombino, Cusco - Peru The unique nature and character of this object carved in wood is undeniable. In it, the passage of time represents a conquest and overcoming of natural elements and; whatever deterioration this may have undergoneonly contributes to further impart in them a perpetual everlasting feeling. This example consisting of an idol of considerable dimensions and appreciable majesty, lies well embodied within the traditional sculptural woodwork characteristic of the coastal peoples and cultures of pre-Columbia
Italic warrior characteristic plumed helmet woman horse Terracotta hydria water jar 350–320 BC Greek Italian Campanian 60cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-italic-warrior-characteristic-plumed-helmet-woman-horse-terracotta-51370122.htmlRMCYG336–Italic warrior characteristic plumed helmet woman horse Terracotta hydria water jar 350–320 BC Greek Italian Campanian 60cm
Nike driving a chariot preceded by Eros with a situla terracotta oinochoe jug Hellenistic 325–300 BC Greek South Italian Apulian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nike-driving-a-chariot-preceded-by-eros-with-a-situla-terracotta-oinochoe-51369731.htmlRMCYG2H7–Nike driving a chariot preceded by Eros with a situla terracotta oinochoe jug Hellenistic 325–300 BC Greek South Italian Apulian
![. Bulletin. Ethnology. Evans and Meggers] ARCHEOLOGY IN BRITISH GUIANA 217. Figure 89.—Rim profiles and reconstructed vessel shapes of Kanashen Incised, Taruma Phase (Appendix, table 32). hachure, but the dimensions are consistent on a single vessel. In- cisions producing this motif tend to be slightly broader than the average for the pottery type as a whole. The design area is occa- sionally bounded by single, horizontal incised lines. 3. Zigzag (pi. 42, a-f). Short diagonal strokes are drawn alternately right and left to produce a vertically oriented pattern. The vari- ation in care of execu Stock Photo](https://c8.alamy.com/comp/RGX07H/bulletin-ethnology-evans-and-meggers-archeology-in-british-guiana-217-figure-89rim-profiles-and-reconstructed-vessel-shapes-of-kanashen-incised-taruma-phase-appendix-table-32-hachure-but-the-dimensions-are-consistent-on-a-single-vessel-in-cisions-producing-this-motif-tend-to-be-slightly-broader-than-the-average-for-the-pottery-type-as-a-whole-the-design-area-is-occa-sionally-bounded-by-single-horizontal-incised-lines-3-zigzag-pi-42-a-f-short-diagonal-strokes-are-drawn-alternately-right-and-left-to-produce-a-vertically-oriented-pattern-the-vari-ation-in-care-of-execu-RGX07H.jpg ". Bulletin. Ethnology. Evans and Meggers] ARCHEOLOGY IN BRITISH GUIANA 217. Figure 89.—Rim profiles and reconstructed vessel shapes of Kanashen Incised, Taruma Phase (Appendix, table 32). hachure, but the dimensions are consistent on a single vessel. In- cisions producing this motif tend to be slightly broader than the average for the pottery type as a whole. The design area is occa- sionally bounded by single, horizontal incised lines. 3. Zigzag (pi. 42, a-f). Short diagonal strokes are drawn alternately right and left to produce a vertically oriented pattern. The vari- ation in care of execu Stock Photo")
. Bulletin. Ethnology. Evans and Meggers] ARCHEOLOGY IN BRITISH GUIANA 217. Figure 89.—Rim profiles and reconstructed vessel shapes of Kanashen Incised, Taruma Phase (Appendix, table 32). hachure, but the dimensions are consistent on a single vessel. In- cisions producing this motif tend to be slightly broader than the average for the pottery type as a whole. The design area is occa- sionally bounded by single, horizontal incised lines. 3. Zigzag (pi. 42, a-f). Short diagonal strokes are drawn alternately right and left to produce a vertically oriented pattern. The vari- ation in care of execu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-ethnology-evans-and-meggers-archeology-in-british-guiana-217-figure-89rim-profiles-and-reconstructed-vessel-shapes-of-kanashen-incised-taruma-phase-appendix-table-32-hachure-but-the-dimensions-are-consistent-on-a-single-vessel-in-cisions-producing-this-motif-tend-to-be-slightly-broader-than-the-average-for-the-pottery-type-as-a-whole-the-design-area-is-occa-sionally-bounded-by-single-horizontal-incised-lines-3-zigzag-pi-42-a-f-short-diagonal-strokes-are-drawn-alternately-right-and-left-to-produce-a-vertically-oriented-pattern-the-vari-ation-in-care-of-execu-image234140245.htmlRMRGX07H–. Bulletin. Ethnology. Evans and Meggers] ARCHEOLOGY IN BRITISH GUIANA 217. Figure 89.—Rim profiles and reconstructed vessel shapes of Kanashen Incised, Taruma Phase (Appendix, table 32). hachure, but the dimensions are consistent on a single vessel. In- cisions producing this motif tend to be slightly broader than the average for the pottery type as a whole. The design area is occa- sionally bounded by single, horizontal incised lines. 3. Zigzag (pi. 42, a-f). Short diagonal strokes are drawn alternately right and left to produce a vertically oriented pattern. The vari- ation in care of execu
Statue of Roy Chanting the Solar Hymn Written on His Stela Amenhotep II g Dynasty 18 1427–1400 BC Amenhotep I Limestone Egypt Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-statue-of-roy-chanting-the-solar-hymn-written-on-his-stela-amenhotep-51072504.htmlRMCY2FE0–Statue of Roy Chanting the Solar Hymn Written on His Stela Amenhotep II g Dynasty 18 1427–1400 BC Amenhotep I Limestone Egypt
A M. Quinn's much-enlarged bronze sculpture -55th Venice Biennial event. Sculpture de bronze très agrandie de M.Quinn (Venise). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-m-quinns-much-enlarged-bronze-sculpture-55th-venice-biennial-event-58806788.htmlRMDBJTJC–A M. Quinn's much-enlarged bronze sculpture -55th Venice Biennial event. Sculpture de bronze très agrandie de M.Quinn (Venise).
Gezicht op opgravingen van Delphi Part of Travel Album with pictures of seen that: conditions in Greece and Egypte. Manufacturer : Photographer: anonymous place manufacture: Delphi Date: 1905 Physical features : daylight gelatin silver print material: paper photo paper Technique: daylight gelatin silver print dimensions: photo: h 79 mm × W 113 mm Subject: archeology excavation where delphi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gezicht-op-opgravingen-van-delphi-part-of-travel-album-with-pictures-of-seen-that-conditions-in-greece-and-egypte-manufacturer-photographer-anonymous-place-manufacture-delphi-date-1905-physical-features-daylight-gelatin-silver-print-material-paper-photo-paper-technique-daylight-gelatin-silver-print-dimensions-photo-h-79-mm-w-113-mm-subject-archeology-excavation-where-delphi-image348413178.htmlRM2B6RGFP–Gezicht op opgravingen van Delphi Part of Travel Album with pictures of seen that: conditions in Greece and Egypte. Manufacturer : Photographer: anonymous place manufacture: Delphi Date: 1905 Physical features : daylight gelatin silver print material: paper photo paper Technique: daylight gelatin silver print dimensions: photo: h 79 mm × W 113 mm Subject: archeology excavation where delphi
![. Bulletin. Ethnology. Webb AND DeJaenktte] ARCHEOLOGY OF PICKWICK BASIN 29 a ridge about the pit mouth. Figure 4 is a drawing of this pit, showing dimensions. Feature 26.—In square 50L3 at a depth of 9.1 feet a rectangular pit was found 6.6 feet in maximum length and 3.4 feet in maximum breadth, with its long axis NW.-SE. It was a subhumus pit 2 feet deep. On the bottom there was some gray puddled clay and about the periphery at the top were scattered charcoal fragments. At the Site Hn*4 Feature 24-Log Tomb. .2 eCLOW >TAKf -Data- Slope OF OUTER POSITION OF RIDGE I*-I7' Slope of inner posit Stock Photo](https://c8.alamy.com/comp/RGX807/bulletin-ethnology-webb-and-dejaenktte-archeology-of-pickwick-basin-29-a-ridge-about-the-pit-mouth-figure-4-is-a-drawing-of-this-pit-showing-dimensions-feature-26in-square-50l3-at-a-depth-of-91-feet-a-rectangular-pit-was-found-66-feet-in-maximum-length-and-34-feet-in-maximum-breadth-with-its-long-axis-nw-se-it-was-a-subhumus-pit-2-feet-deep-on-the-bottom-there-was-some-gray-puddled-clay-and-about-the-periphery-at-the-top-were-scattered-charcoal-fragments-at-the-site-hn4-feature-24-log-tomb-2-eclow-gttakf-data-slope-of-outer-position-of-ridge-i-i7-slope-of-inner-posit-RGX807.jpg ". Bulletin. Ethnology. Webb AND DeJaenktte] ARCHEOLOGY OF PICKWICK BASIN 29 a ridge about the pit mouth. Figure 4 is a drawing of this pit, showing dimensions. Feature 26.—In square 50L3 at a depth of 9.1 feet a rectangular pit was found 6.6 feet in maximum length and 3.4 feet in maximum breadth, with its long axis NW.-SE. It was a subhumus pit 2 feet deep. On the bottom there was some gray puddled clay and about the periphery at the top were scattered charcoal fragments. At the Site Hn*4 Feature 24-Log Tomb. .2 eCLOW >TAKf -Data- Slope OF OUTER POSITION OF RIDGE I*-I7' Slope of inner posit Stock Photo")
. Bulletin. Ethnology. Webb AND DeJaenktte] ARCHEOLOGY OF PICKWICK BASIN 29 a ridge about the pit mouth. Figure 4 is a drawing of this pit, showing dimensions. Feature 26.—In square 50L3 at a depth of 9.1 feet a rectangular pit was found 6.6 feet in maximum length and 3.4 feet in maximum breadth, with its long axis NW.-SE. It was a subhumus pit 2 feet deep. On the bottom there was some gray puddled clay and about the periphery at the top were scattered charcoal fragments. At the Site Hn*4 Feature 24-Log Tomb. .2 eCLOW >TAKf -Data- Slope OF OUTER POSITION OF RIDGE I*-I7' Slope of inner posit Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-ethnology-webb-and-dejaenktte-archeology-of-pickwick-basin-29-a-ridge-about-the-pit-mouth-figure-4-is-a-drawing-of-this-pit-showing-dimensions-feature-26in-square-50l3-at-a-depth-of-91-feet-a-rectangular-pit-was-found-66-feet-in-maximum-length-and-34-feet-in-maximum-breadth-with-its-long-axis-nw-se-it-was-a-subhumus-pit-2-feet-deep-on-the-bottom-there-was-some-gray-puddled-clay-and-about-the-periphery-at-the-top-were-scattered-charcoal-fragments-at-the-site-hn4-feature-24-log-tomb-2-eclow-gttakf-data-slope-of-outer-position-of-ridge-i-i7-slope-of-inner-posit-image234146311.htmlRMRGX807–. Bulletin. Ethnology. Webb AND DeJaenktte] ARCHEOLOGY OF PICKWICK BASIN 29 a ridge about the pit mouth. Figure 4 is a drawing of this pit, showing dimensions. Feature 26.—In square 50L3 at a depth of 9.1 feet a rectangular pit was found 6.6 feet in maximum length and 3.4 feet in maximum breadth, with its long axis NW.-SE. It was a subhumus pit 2 feet deep. On the bottom there was some gray puddled clay and about the periphery at the top were scattered charcoal fragments. At the Site Hn*4 Feature 24-Log Tomb. .2 eCLOW >TAKf -Data- Slope OF OUTER POSITION OF RIDGE I*-I7' Slope of inner posit
Workers on an archaeological dig site Part of Family Album Dutch-Indië. Manufacturer : Photographer: anonymous Date: 1920 - 1930 Physical features: gelatin silver print material: paper Technique: gelatin silver print dimensions : h 65 mm × W 112 mm Subject: statues, paintings, etc. objects of worship (Hinduism, Buddhism, Jainism) - HH - in the open airexcavation archeology where: Dutch East Indies Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/workers-on-an-archaeological-dig-site-part-of-family-album-dutch-indi-manufacturer-photographer-anonymous-date-1920-1930-physical-features-gelatin-silver-print-material-paper-technique-gelatin-silver-print-dimensions-h-65-mm-w-112-mm-subject-statues-paintings-etc-objects-of-worship-hinduism-buddhism-jainism-hh-in-the-open-airexcavation-archeology-where-dutch-east-indies-image348142608.htmlRM2B6B7CG–Workers on an archaeological dig site Part of Family Album Dutch-Indië. Manufacturer : Photographer: anonymous Date: 1920 - 1930 Physical features: gelatin silver print material: paper Technique: gelatin silver print dimensions : h 65 mm × W 112 mm Subject: statues, paintings, etc. objects of worship (Hinduism, Buddhism, Jainism) - HH - in the open airexcavation archeology where: Dutch East Indies
![. Bulletin. Ethnology. MEOOERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 447 Forms: Common vessel shapes reconstructed from sherds: 1. Carinated bowl with everted, thickened rim (fig. 162-1). Rim: Externally thickened, everted, usually with a flattened top and rounded lip. Flat top 1.3-2.0 cm. wide; rim 1.0-1.5 cm. thick. Mouth diameter 24—28 cm. Body ivall thickness: 5-8 mm.; majority 6 mm. Base: Flat, with sides forming a strong angle with bottom and us- ually forming a short pedestal 5-8 mm. high; base diameter 14-16 cm. Body dimensions: Reconstructed height 8-12 cm.; body diameter 22-26 cm. Stock Photo](https://c8.alamy.com/comp/RGWWP6/bulletin-ethnology-meooers-and-evans-archeology-at-mouth-of-amazon-447-forms-common-vessel-shapes-reconstructed-from-sherds-1-carinated-bowl-with-everted-thickened-rim-fig-162-1-rim-externally-thickened-everted-usually-with-a-flattened-top-and-rounded-lip-flat-top-13-20-cm-wide-rim-10-15-cm-thick-mouth-diameter-2428-cm-body-ivall-thickness-5-8-mm-majority-6-mm-base-flat-with-sides-forming-a-strong-angle-with-bottom-and-us-ually-forming-a-short-pedestal-5-8-mm-high-base-diameter-14-16-cm-body-dimensions-reconstructed-height-8-12-cm-body-diameter-22-26-cm-RGWWP6.jpg ". Bulletin. Ethnology. MEOOERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 447 Forms: Common vessel shapes reconstructed from sherds: 1. Carinated bowl with everted, thickened rim (fig. 162-1). Rim: Externally thickened, everted, usually with a flattened top and rounded lip. Flat top 1.3-2.0 cm. wide; rim 1.0-1.5 cm. thick. Mouth diameter 24—28 cm. Body ivall thickness: 5-8 mm.; majority 6 mm. Base: Flat, with sides forming a strong angle with bottom and us- ually forming a short pedestal 5-8 mm. high; base diameter 14-16 cm. Body dimensions: Reconstructed height 8-12 cm.; body diameter 22-26 cm. Stock Photo")
. Bulletin. Ethnology. MEOOERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 447 Forms: Common vessel shapes reconstructed from sherds: 1. Carinated bowl with everted, thickened rim (fig. 162-1). Rim: Externally thickened, everted, usually with a flattened top and rounded lip. Flat top 1.3-2.0 cm. wide; rim 1.0-1.5 cm. thick. Mouth diameter 24—28 cm. Body ivall thickness: 5-8 mm.; majority 6 mm. Base: Flat, with sides forming a strong angle with bottom and us- ually forming a short pedestal 5-8 mm. high; base diameter 14-16 cm. Body dimensions: Reconstructed height 8-12 cm.; body diameter 22-26 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-ethnology-meooers-and-evans-archeology-at-mouth-of-amazon-447-forms-common-vessel-shapes-reconstructed-from-sherds-1-carinated-bowl-with-everted-thickened-rim-fig-162-1-rim-externally-thickened-everted-usually-with-a-flattened-top-and-rounded-lip-flat-top-13-20-cm-wide-rim-10-15-cm-thick-mouth-diameter-2428-cm-body-ivall-thickness-5-8-mm-majority-6-mm-base-flat-with-sides-forming-a-strong-angle-with-bottom-and-us-ually-forming-a-short-pedestal-5-8-mm-high-base-diameter-14-16-cm-body-dimensions-reconstructed-height-8-12-cm-body-diameter-22-26-cm-image234138302.htmlRMRGWWP6–. Bulletin. Ethnology. MEOOERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 447 Forms: Common vessel shapes reconstructed from sherds: 1. Carinated bowl with everted, thickened rim (fig. 162-1). Rim: Externally thickened, everted, usually with a flattened top and rounded lip. Flat top 1.3-2.0 cm. wide; rim 1.0-1.5 cm. thick. Mouth diameter 24—28 cm. Body ivall thickness: 5-8 mm.; majority 6 mm. Base: Flat, with sides forming a strong angle with bottom and us- ually forming a short pedestal 5-8 mm. high; base diameter 14-16 cm. Body dimensions: Reconstructed height 8-12 cm.; body diameter 22-26 cm.
View of a quarry to DuchcovPovrchni dul hnedouhelný u Duchcova (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-749B-138 Manufacturer : Photographer: anoniemclichémaker: Carl Bellmann Place manufacture: photographer : Duchcovclichémaker: Prague Date: 1890 - or for 1895 Material: paper Technique: autotypie Dimensions: print: h 243 mm × W 187 mmToelichtingPrent page 293. Subject: excavation archeology factory-building Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-a-quarry-to-duchcovpovrchni-dul-hnedouheln-u-duchcova-title-object-property-type-photomechanical-print-page-item-number-rp-f-2001-7-749b-138-manufacturer-photographer-anoniemclichmaker-carl-bellmann-place-manufacture-photographer-duchcovclichmaker-prague-date-1890-or-for-1895-material-paper-technique-autotypie-dimensions-print-h-243-mm-w-187-mmtoelichtingprent-page-293-subject-excavation-archeology-factory-building-image348401733.htmlRM2B6R1Y1–View of a quarry to DuchcovPovrchni dul hnedouhelný u Duchcova (title object) Property Type: photomechanical print page Item number: RP-F 2001-7-749B-138 Manufacturer : Photographer: anoniemclichémaker: Carl Bellmann Place manufacture: photographer : Duchcovclichémaker: Prague Date: 1890 - or for 1895 Material: paper Technique: autotypie Dimensions: print: h 243 mm × W 187 mmToelichtingPrent page 293. Subject: excavation archeology factory-building
![. Bulletin. Ethnology. MEGGERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 501 Table T.—Base type and dimensions of burial jars from C-6—Croatasal, section A Jar Base type Base diam- eter Body wall thickness Depth in ground 1 BandC Cm. 17 11 16 16 14 Cm. 1.0 1.0 1.0 1.1 0.9-1. 2 23 cm 2 B 3 A - 4 - B 20 cm 5 C 6 (Neck only) 7.. C 18.5 20 18 13 20 15 21 14-16 14 0. 8-1.0 1.0-1.2 0.9-1. 2 1.1 1.3 1.1 1.5 0.9 1.1 8 c 9 c 10 B 11 C A 12 13 C 14. C... 15 A - The only jars with unusual features were jar 1, which retained a few fragments of human bone inside, and jar 14, which had anthropo- morphic feat Stock Photo](https://c8.alamy.com/comp/RGWW77/bulletin-ethnology-meggers-and-evans-archeology-at-mouth-of-amazon-501-table-tbase-type-and-dimensions-of-burial-jars-from-c-6croatasal-section-a-jar-base-type-base-diam-eter-body-wall-thickness-depth-in-ground-1-bandc-cm-17-11-16-16-14-cm-10-10-10-11-09-1-2-23-cm-2-b-3-a-4-b-20-cm-5-c-6-neck-only-7-c-185-20-18-13-20-15-21-14-16-14-0-8-10-10-12-09-1-2-11-13-11-15-09-11-8-c-9-c-10-b-11-c-a-12-13-c-14-c-15-a-the-only-jars-with-unusual-features-were-jar-1-which-retained-a-few-fragments-of-human-bone-inside-and-jar-14-which-had-anthropo-morphic-feat-RGWW77.jpg ". Bulletin. Ethnology. MEGGERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 501 Table T.—Base type and dimensions of burial jars from C-6—Croatasal, section A Jar Base type Base diam- eter Body wall thickness Depth in ground 1 BandC Cm. 17 11 16 16 14 Cm. 1.0 1.0 1.0 1.1 0.9-1. 2 23 cm 2 B 3 A - 4 - B 20 cm 5 C 6 (Neck only) 7.. C 18.5 20 18 13 20 15 21 14-16 14 0. 8-1.0 1.0-1.2 0.9-1. 2 1.1 1.3 1.1 1.5 0.9 1.1 8 c 9 c 10 B 11 C A 12 13 C 14. C... 15 A - The only jars with unusual features were jar 1, which retained a few fragments of human bone inside, and jar 14, which had anthropo- morphic feat Stock Photo")
. Bulletin. Ethnology. MEGGERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 501 Table T.—Base type and dimensions of burial jars from C-6—Croatasal, section A Jar Base type Base diam- eter Body wall thickness Depth in ground 1 BandC Cm. 17 11 16 16 14 Cm. 1.0 1.0 1.0 1.1 0.9-1. 2 23 cm 2 B 3 A - 4 - B 20 cm 5 C 6 (Neck only) 7.. C 18.5 20 18 13 20 15 21 14-16 14 0. 8-1.0 1.0-1.2 0.9-1. 2 1.1 1.3 1.1 1.5 0.9 1.1 8 c 9 c 10 B 11 C A 12 13 C 14. C... 15 A - The only jars with unusual features were jar 1, which retained a few fragments of human bone inside, and jar 14, which had anthropo- morphic feat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulletin-ethnology-meggers-and-evans-archeology-at-mouth-of-amazon-501-table-tbase-type-and-dimensions-of-burial-jars-from-c-6croatasal-section-a-jar-base-type-base-diam-eter-body-wall-thickness-depth-in-ground-1-bandc-cm-17-11-16-16-14-cm-10-10-10-11-09-1-2-23-cm-2-b-3-a-4-b-20-cm-5-c-6-neck-only-7-c-185-20-18-13-20-15-21-14-16-14-0-8-10-10-12-09-1-2-11-13-11-15-09-11-8-c-9-c-10-b-11-c-a-12-13-c-14-c-15-a-the-only-jars-with-unusual-features-were-jar-1-which-retained-a-few-fragments-of-human-bone-inside-and-jar-14-which-had-anthropo-morphic-feat-image234137883.htmlRMRGWW77–. Bulletin. Ethnology. MEGGERS AND EVANS] ARCHEOLOGY AT MOUTH OF AMAZON 501 Table T.—Base type and dimensions of burial jars from C-6—Croatasal, section A Jar Base type Base diam- eter Body wall thickness Depth in ground 1 BandC Cm. 17 11 16 16 14 Cm. 1.0 1.0 1.0 1.1 0.9-1. 2 23 cm 2 B 3 A - 4 - B 20 cm 5 C 6 (Neck only) 7.. C 18.5 20 18 13 20 15 21 14-16 14 0. 8-1.0 1.0-1.2 0.9-1. 2 1.1 1.3 1.1 1.5 0.9 1.1 8 c 9 c 10 B 11 C A 12 13 C 14. C... 15 A - The only jars with unusual features were jar 1, which retained a few fragments of human bone inside, and jar 14, which had anthropo- morphic feat
Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Listed property) Place manufacture: Photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: paper Technique: gelatin silver print Dimensions: primary carrier: h 82 mm × W 112 mm Subject: excavation archeology where: Palestine Tell Jammé Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/series-on-the-excavations-of-the-british-archaeologist-gerald-harding-and-flinders-petrie-at-tell-jamme-in-what-was-then-british-mandate-palestina-manufacturer-photographer-anonymous-publisher-camera-copes-ltd-listed-building-publisher-coronet-camera-co-listed-property-place-manufacture-photographer-palestine-publisher-london-publisher-birmingham-date-1926-1927-material-paper-technique-gelatin-silver-print-dimensions-primary-carrier-h-82-mm-w-112-mm-subject-excavation-archeology-where-palestine-tell-jamm-image348288010.htmlRM2B6HTWE–Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Listed property) Place manufacture: Photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: paper Technique: gelatin silver print Dimensions: primary carrier: h 82 mm × W 112 mm Subject: excavation archeology where: Palestine Tell Jammé
Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Listed property) Place manufacture: Photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: paper Technique: gelatin silver print Dimensions: primary carrier: h 82 mm × W 114 mm Subject: excavation archeology where: Palestine Tell Jammé Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/series-on-the-excavations-of-the-british-archaeologist-gerald-harding-and-flinders-petrie-at-tell-jamme-in-what-was-then-british-mandate-palestina-manufacturer-photographer-anonymous-publisher-camera-copes-ltd-listed-building-publisher-coronet-camera-co-listed-property-place-manufacture-photographer-palestine-publisher-london-publisher-birmingham-date-1926-1927-material-paper-technique-gelatin-silver-print-dimensions-primary-carrier-h-82-mm-w-114-mm-subject-excavation-archeology-where-palestine-tell-jamm-image348349016.htmlRM2B6MJM8–Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Listed property) Place manufacture: Photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: paper Technique: gelatin silver print Dimensions: primary carrier: h 82 mm × W 114 mm Subject: excavation archeology where: Palestine Tell Jammé
Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Shown on object) Place manufacture: photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: photo paper Technique: gelatin silver pressure dimensions: primary carrier: h 83 mm × W 115 mm Subject: plants and herbs: cactusexcavation archeology where: Tell JamméPalestina Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/series-on-the-excavations-of-the-british-archaeologist-gerald-harding-and-flinders-petrie-at-tell-jamme-in-what-was-then-british-mandate-palestina-manufacturer-photographer-anonymous-publisher-camera-copes-ltd-listed-building-publisher-coronet-camera-co-shown-on-object-place-manufacture-photographer-palestine-publisher-london-publisher-birmingham-date-1926-1927-material-photo-paper-technique-gelatin-silver-pressure-dimensions-primary-carrier-h-83-mm-w-115-mm-subject-plants-and-herbs-cactusexcavation-archeology-where-tell-jammpalestina-image348326709.htmlRM2B6KJ7H–Series on the excavations of the British archaeologist Gerald Harding and Flinders Petrie at Tell Jamme in what was then British Mandate Palestina. Manufacturer : photographer: anonymous publisher: Camera Copes Ltd. (Listed building) Publisher: Coronet Camera Co. (Shown on object) Place manufacture: photographer: Palestine Publisher: London Publisher: Birmingham Date: 1926 - 1927 Material: photo paper Technique: gelatin silver pressure dimensions: primary carrier: h 83 mm × W 115 mm Subject: plants and herbs: cactusexcavation archeology where: Tell JamméPalestina
