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Disciples in emmaus Stock Photos and Images
Christ and the disciples in Emmaus 1621 by Michelangelo Merisi (or Amerighi) da Caravaggio 1571 – 1610 Italy Italian Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-disciples-in-emmaus-1621-by-michelangelo-merisi-or-amerighi-da-caravaggio-1571-1610-italy-italian-image221664859.htmlRMPTHKP3–Christ and the disciples in Emmaus 1621 by Michelangelo Merisi (or Amerighi) da Caravaggio 1571 – 1610 Italy Italian
Christ with two disciples in Emmaus, painting, oil on canvas, Height, 79 cm (31.1 inches), Width, 127 cm (50 inches) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-with-two-disciples-in-emmaus-painting-oil-on-canvas-height-79-cm-311-inches-width-127-cm-50-inches-image261314196.htmlRMW53TWT–Christ with two disciples in Emmaus, painting, oil on canvas, Height, 79 cm (31.1 inches), Width, 127 cm (50 inches)
SEBECHLEBY, SLOVAKIA - JULY 27, 2015: The supper of Jesus with the two disciples in Emmaus by artist Scheuchl 1907. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sebechleby-slovakia-july-27-2015-the-supper-of-jesus-with-the-two-99272987.htmlRFFNE7KR–SEBECHLEBY, SLOVAKIA - JULY 27, 2015: The supper of Jesus with the two disciples in Emmaus by artist Scheuchl 1907.
Jacob Andries Beschey - Christ and his Disciples in Emmaus. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-andries-beschey-christ-and-his-disciples-in-emmaus-image367336295.htmlRM2C9HH5B–Jacob Andries Beschey - Christ and his Disciples in Emmaus.
English: Christ and his Disciples in Emmaus Mid-18th century. 681 Jacob Andries Beschey - Christ and his Disciples in Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-christ-and-his-disciples-in-emmaus-mid-18th-century-681-jacob-andries-beschey-christ-and-his-disciples-in-emmaus-image185792668.htmlRMMP7GCC–English: Christ and his Disciples in Emmaus Mid-18th century. 681 Jacob Andries Beschey - Christ and his Disciples in Emmaus
religion, Christianity, Jesus Christ, scenes of his life, Jesus and the two disciples in Emmaus, wood engraving by Carl Schoenherr (1824 - 1906), 1867, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religion-christianity-jesus-christ-scenes-of-his-life-jesus-and-the-two-disciples-in-emmaus-wood-engraving-by-carl-schoenherr-1824-1906-1867-additional-rights-clearance-info-not-available-image240879092.htmlRMRYTYMM–religion, Christianity, Jesus Christ, scenes of his life, Jesus and the two disciples in Emmaus, wood engraving by Carl Schoenherr (1824 - 1906), 1867, Additional-Rights-Clearance-Info-Not-Available
Christ and the two disciples in Emmaus, devotional book with Sunday Gospels, Nuremberg: Hieronymus Höltzel, after 1510, Anonymous, after 1510, print, woodcut, sheet: 6.6 × 5.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-two-disciples-in-emmaus-devotional-book-with-sunday-gospels-nuremberg-hieronymus-hltzel-after-1510-anonymous-after-1510-print-woodcut-sheet-66-55-cm-image573288150.htmlRM2T8KETP–Christ and the two disciples in Emmaus, devotional book with Sunday Gospels, Nuremberg: Hieronymus Höltzel, after 1510, Anonymous, after 1510, print, woodcut, sheet: 6.6 × 5.5 cm
Jacob Andries Beschey - Christ and his Disciples in Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-jacob-andries-beschey-christ-and-his-disciples-in-emmaus-132838129.htmlRMHM38AW–Jacob Andries Beschey - Christ and his Disciples in Emmaus
Study of the kneeling figure on the left of the painting 'The Disciples in Emmaus' (School Church of Saint Thomas d'Aquin in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), drawing, pencil, 29.4 x 19.8 cm, r.r. Étienne Raymond Grafe, circled Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-the-kneeling-figure-on-the-left-of-the-painting-the-disciples-in-emmaus-school-church-of-saint-thomas-daquin-in-oullins-paul-borel-lyon-1828-1913-lyon-drawing-pencil-294-x-198-cm-rr-tienne-raymond-grafe-circled-image573314804.htmlRM2T8MMTM–Study of the kneeling figure on the left of the painting 'The Disciples in Emmaus' (School Church of Saint Thomas d'Aquin in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), drawing, pencil, 29.4 x 19.8 cm, r.r. Étienne Raymond Grafe, circled
'Christ and his Disciples in Emmaus'. Flanders, 18th century. Dimensions: 35x45 cm. Museum: State Hermitage, St. Petersburg. Author: Jacob Andries Beschey. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-his-disciples-in-emmaus-flanders-18th-century-dimensions-35x45-cm-museum-state-hermitage-st-petersburg-author-jacob-andries-beschey-image241155584.htmlRMT09GBC–'Christ and his Disciples in Emmaus'. Flanders, 18th century. Dimensions: 35x45 cm. Museum: State Hermitage, St. Petersburg. Author: Jacob Andries Beschey.
The disciples in Emmaus, after the painting of the school church of Saint Thomas d' Aquin in Oullins, Paul Borel, Lyon 1828 - 1913 Lyon, 1906, print, etching, sheet: 32.5 x 48.7 cm, verso: r.o. Collector's stamp 'E. G.', M.u. 'Chapelle du College d' Oullins - Les Disciples d' Emmaus Et il disparut a leurs yeux St. Luc XXIV 31 ' in print Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-in-emmaus-after-the-painting-of-the-school-church-of-saint-thomas-d-aquin-in-oullins-paul-borel-lyon-1828-1913-lyon-1906-print-etching-sheet-325-x-487-cm-verso-ro-collectors-stamp-e-g-mu-chapelle-du-college-d-oullins-les-disciples-d-emmaus-et-il-disparut-a-leurs-yeux-st-luc-xxiv-31-in-print-image573295385.htmlRM2T8KT35–The disciples in Emmaus, after the painting of the school church of Saint Thomas d' Aquin in Oullins, Paul Borel, Lyon 1828 - 1913 Lyon, 1906, print, etching, sheet: 32.5 x 48.7 cm, verso: r.o. Collector's stamp 'E. G.', M.u. 'Chapelle du College d' Oullins - Les Disciples d' Emmaus Et il disparut a leurs yeux St. Luc XXIV 31 ' in print
Philip James de Loutherbourg, Christ Appearing To The Disciples At Emmaus, painting in oil on canvas, 1797 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/philip-james-de-loutherbourg-christ-appearing-to-the-disciples-at-emmaus-painting-in-oil-on-canvas-1797-image607142277.htmlRM2X7NM4N–Philip James de Loutherbourg, Christ Appearing To The Disciples At Emmaus, painting in oil on canvas, 1797
Diego Velázquez's 'Christ and the Pilgrims of Emmaus' (circa 1620): Found in the Metropolitan Museum of Art, New York, this painting, illustrating the biblical story of Christ revealing himself to two disciples in Emmaus, is celebrated for Velázquez's masterful use of realism and light. It highlights his skill in depicting divine and everyday themes with equal reverence, offering a glimpse into the spiritual and artistic depth of the Spanish Baroque period. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/diego-velzquezs-christ-and-the-pilgrims-of-emmaus-circa-1620-found-in-the-metropolitan-museum-of-art-new-york-this-painting-illustrating-the-biblical-story-of-christ-revealing-himself-to-two-disciples-in-emmaus-is-celebrated-for-velzquezs-masterful-use-of-realism-and-light-it-highlights-his-skill-in-depicting-divine-and-everyday-themes-with-equal-reverence-offering-a-glimpse-into-the-spiritual-and-artistic-depth-of-the-spanish-baroque-period-image601211749.htmlRM2WX3FM5–Diego Velázquez's 'Christ and the Pilgrims of Emmaus' (circa 1620): Found in the Metropolitan Museum of Art, New York, this painting, illustrating the biblical story of Christ revealing himself to two disciples in Emmaus, is celebrated for Velázquez's masterful use of realism and light. It highlights his skill in depicting divine and everyday themes with equal reverence, offering a glimpse into the spiritual and artistic depth of the Spanish Baroque period.
Italian Mountain Landscape with Christ and Two Disciples on the Road to Emmaus, painting in art by Cornelis van Poelenburgh, 1594-1667 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italian-mountain-landscape-with-christ-and-two-disciples-on-the-road-to-emmaus-painting-in-art-by-cornelis-van-poelenburgh-1594-1667-image543084162.htmlRM2PFFHAX–Italian Mountain Landscape with Christ and Two Disciples on the Road to Emmaus, painting in art by Cornelis van Poelenburgh, 1594-1667
Dinner at Emmaus 1550 - 1620 Vecellio Tiziano, 1488-1490/ 1576 by Scarsella Ippolito known as Scarsellino (painter), 1550 - 1620, Italy, Italian, ( Emmaus, Emmaous, town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples, while they were walking on the, road to Emmaus,) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dinner-at-emmaus-1550-1620-vecellio-tiziano-1488-1490-1576-by-scarsella-ippolito-known-as-scarsellino-painter-1550-1620-italy-italian-emmaus-emmaous-town-mentioned-in-the-gospel-of-luke-of-the-new-testament-luke-reports-that-jesus-appeared-after-his-death-and-resurrection-before-two-of-his-disciples-while-they-were-walking-on-the-road-to-emmaus-image451646130.htmlRM2H6P76X–Dinner at Emmaus 1550 - 1620 Vecellio Tiziano, 1488-1490/ 1576 by Scarsella Ippolito known as Scarsellino (painter), 1550 - 1620, Italy, Italian, ( Emmaus, Emmaous, town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples, while they were walking on the, road to Emmaus,)
Brass engraving, of the risen Jesus Christ having a meal with two disciples in Emmaus, on the altar in the chapel at Balliol College, Oxford. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brass-engraving-of-the-risen-jesus-christ-having-a-meal-with-two-disciples-in-emmaus-on-the-altar-in-the-chapel-at-balliol-college-oxford-image620203410.htmlRM2Y10KNP–Brass engraving, of the risen Jesus Christ having a meal with two disciples in Emmaus, on the altar in the chapel at Balliol College, Oxford.
The Resurrection of Christ XVI Century Picardie France French •Emmaus, Emmaous, town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples, while they were walking on the, road to Emmaus, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-resurrection-of-christ-xvi-century-picardie-france-french-emmaus-100332667.htmlRMFR6F9F–The Resurrection of Christ XVI Century Picardie France French •Emmaus, Emmaous, town mentioned in the Gospel of Luke of the New Testament. Luke reports that Jesus appeared, after his death and resurrection, before two of his disciples, while they were walking on the, road to Emmaus,
Cristofor de Predis (1440-1486). Italian miniaturist. Jesus in Emmaus with the disciples. Codex De Predis. (1476). Royal Library. Turin. Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-cristofor-de-predis-1440-1486-italian-miniaturist-jesus-in-emmaus-166848223.htmlRMKKCGH3–Cristofor de Predis (1440-1486). Italian miniaturist. Jesus in Emmaus with the disciples. Codex De Predis. (1476). Royal Library. Turin. Italy.
Christ and his Disciples in Emmaus Mid-18th century by Jacob Andries Beschey Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-his-disciples-in-emmaus-mid-18th-century-by-jacob-andries-beschey-image563563425.htmlRM2RMTEW5–Christ and his Disciples in Emmaus Mid-18th century by Jacob Andries Beschey
Unknown, After Albrecht Dürer, (German, 1471–1528), The Small Passion: Christ and the Disciples at Emmaus, late 16th century, Engraving on paper mounted on laid paper, image: 4 15/16 x 3 3/4 in. (12.5 x 9.5 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/unknown-after-albrecht-drer-german-14711528-the-small-passion-christ-and-the-disciples-at-emmaus-late-16th-century-engraving-on-paper-mounted-on-laid-paper-image-4-1516-x-3-34-in-125-x-95-cm-image344579125.htmlRM2B0GX59–Unknown, After Albrecht Dürer, (German, 1471–1528), The Small Passion: Christ and the Disciples at Emmaus, late 16th century, Engraving on paper mounted on laid paper, image: 4 15/16 x 3 3/4 in. (12.5 x 9.5 cm
Wood Engraving of of 'Abide by Us' from painting by Schnoor - Jesus appears to 2 disciples on the Road to Emmaus in Antique 19th Century Illustrated f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wood-engraving-of-of-abide-by-us-from-painting-by-schnoor-jesus-appears-to-2-disciples-on-the-road-to-emmaus-in-antique-19th-century-illustrated-f-image608755385.htmlRM2XAB5KN–Wood Engraving of of 'Abide by Us' from painting by Schnoor - Jesus appears to 2 disciples on the Road to Emmaus in Antique 19th Century Illustrated f
Artist, attributed to: Godfried Maes, Flemish, 1649–1700, Christ and His Disciples at Emmaus, 17th century, Brush and gray-brown ink over graphite, traced for transfer, sheet: 13.8 × 25.9 cm (5 7/16 × 10 3/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-attributed-to-godfried-maes-flemish-16491700-christ-and-his-disciples-atemmaus-17thcentury-brush-and-gray-brown-ink-over-graphite-traced-for-transfer-sheet-138-259-cm-5-716-10-316in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393095268.htmlRM2DRF10M–Artist, attributed to: Godfried Maes, Flemish, 1649–1700, Christ and His Disciples at Emmaus, 17th century, Brush and gray-brown ink over graphite, traced for transfer, sheet: 13.8 × 25.9 cm (5 7/16 × 10 3/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
Adam Elsheimer - Christ and the Disciples in Emmaus - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-elsheimer-christ-and-the-disciples-in-emmaus-image213812439.htmlRMPBRYXF–Adam Elsheimer - Christ and the Disciples in Emmaus -
Meal in Emmaus, The two disciples from the story of the people of Emmaus in an interior, lit by candlelight, at a table on which a piece of bread. They look frightened at a third empty chair, from which Christ suddenly just disappeared after he had broken the bread for them. After this act the disciples had recognized the traveling companion they had not yet known as Christ, and He suddenly disappeared before their eyes. Above right: P. 238, Christ vanishes, supper at Emmaus, Arnold Houbraken, Northern Netherlands, 1718, paper, engraving, h 161 mm × w 133 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meal-in-emmaus-the-two-disciples-from-the-story-of-the-people-of-emmaus-in-an-interior-lit-by-candlelight-at-a-table-on-which-a-piece-of-bread-they-look-frightened-at-a-third-empty-chair-from-which-christ-suddenly-just-disappeared-after-he-had-broken-the-bread-for-them-after-this-act-the-disciples-had-recognized-the-traveling-companion-they-had-not-yet-known-as-christ-and-he-suddenly-disappeared-before-their-eyes-above-right-p-238-christ-vanishes-supper-at-emmaus-arnold-houbraken-northern-netherlands-1718-paper-engraving-h-161-mm-w-133-mm-image261397793.htmlRMW57KFD–Meal in Emmaus, The two disciples from the story of the people of Emmaus in an interior, lit by candlelight, at a table on which a piece of bread. They look frightened at a third empty chair, from which Christ suddenly just disappeared after he had broken the bread for them. After this act the disciples had recognized the traveling companion they had not yet known as Christ, and He suddenly disappeared before their eyes. Above right: P. 238, Christ vanishes, supper at Emmaus, Arnold Houbraken, Northern Netherlands, 1718, paper, engraving, h 161 mm × w 133 mm
Anonym Christ and the two disciples in Emmaus. Woodcut after 1510 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anonym-christ-and-the-two-disciples-in-emmaus-woodcut-after-1510-image572818037.htmlRM2T7X371–Anonym Christ and the two disciples in Emmaus. Woodcut after 1510
Christ and the two disciples in Emmaus Rørbye, Martinus 1803 - 1848 Drawing Kristus og de to disciple i Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-two-disciples-in-emmaus-rrbye-martinus-1803-1848-drawing-kristus-og-de-to-disciple-i-emmaus-image613406835.htmlRM2XHY2JY–Christ and the two disciples in Emmaus Rørbye, Martinus 1803 - 1848 Drawing Kristus og de to disciple i Emmaus
Overbeck Friedrich - Christ And The Disciples In Emmaus - German School - 19th And Early 20th Century - Overbeck Friedrich - Christus Und Die Jünger in Emmaus - German School - 19th and Early 20th Century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/overbeck-friedrich-christ-and-the-disciples-in-emmaus-german-school-19th-and-early-20th-century-overbeck-friedrich-christus-und-die-jnger-in-emmaus-german-school-19th-and-early-20th-century-image543833151.htmlRF2PGNMMF–Overbeck Friedrich - Christ And The Disciples In Emmaus - German School - 19th And Early 20th Century - Overbeck Friedrich - Christus Und Die Jünger in Emmaus - German School - 19th and Early 20th Century
Illustration from the 'Grand Catechism for Families'. 1907. depicting Supper at Emmaus. the moment when the resurrected but incognito Jesus, reveals himself to two of his disciples (presumed to be Luke and Cleopas); in the town of Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-from-the-grand-catechism-for-families-1907-depicting-supper-at-emmaus-the-moment-when-the-resurrected-but-incognito-jesus-reveals-himself-to-two-of-his-disciples-presumed-to-be-luke-and-cleopas-in-the-town-of-emmaus-image186362505.htmlRMMR5F7N–Illustration from the 'Grand Catechism for Families'. 1907. depicting Supper at Emmaus. the moment when the resurrected but incognito Jesus, reveals himself to two of his disciples (presumed to be Luke and Cleopas); in the town of Emmaus
Lauren Porter, a curator from Royal Collection Trust positions a c.1650-80 pen and ink on gold leaf picture by Pier Francesco Cittadini called Christ and the disciples on the road to Emmaus on display at The Queen's Gallery in London from November 7th to February 22nd as part of their Gold exhibition. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lauren-porter-a-curator-from-royal-collection-trust-positions-a-c1650-107908185.htmlRMG7FHYN–Lauren Porter, a curator from Royal Collection Trust positions a c.1650-80 pen and ink on gold leaf picture by Pier Francesco Cittadini called Christ and the disciples on the road to Emmaus on display at The Queen's Gallery in London from November 7th to February 22nd as part of their Gold exhibition.
Inspired by The Disciples at Emmaus, or The Pilgrims at Emmaus, Les disciples d'Emmaüs, ou Les pèlerins d'Emmaüs, Eugène Delacroix, French, 1798-1863, Oil on canvas, Europe, 1853, 21 3/4 x 18 1/2 in., 55.2 x 47 cm, bread, christ, delacroix, dog, emmaus, figures, food, goblet, halo, Jesus, light, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-disciples-at-emmaus-or-the-pilgrims-at-emmaus-les-disciples-demmas-ou-les-plerins-demmas-eugne-delacroix-french-1798-1863-oil-on-canvas-europe-1853-21-34-x-18-12-in-552-x-47-cm-bread-christ-delacroix-dog-emmaus-figures-food-goblet-halo-jesus-light-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459255258.htmlRF2HK4TNE–Inspired by The Disciples at Emmaus, or The Pilgrims at Emmaus, Les disciples d'Emmaüs, ou Les pèlerins d'Emmaüs, Eugène Delacroix, French, 1798-1863, Oil on canvas, Europe, 1853, 21 3/4 x 18 1/2 in., 55.2 x 47 cm, bread, christ, delacroix, dog, emmaus, figures, food, goblet, halo, Jesus, light, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
CATANIA, ITALY - APRIL 7, 2018: The detail of painting of Jesu supper with the disciples of Emmaus in church Chiesa di San Placido by Michele Rapisard Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catania-italy-april-7-2018-the-detail-of-painting-of-jesu-supper-with-the-disciples-of-emmaus-in-church-chiesa-di-san-placido-by-michele-rapisard-image249455286.htmlRFTDRJNA–CATANIA, ITALY - APRIL 7, 2018: The detail of painting of Jesu supper with the disciples of Emmaus in church Chiesa di San Placido by Michele Rapisard
Supper at Emmaus Jacopo Carucci, known as Pontormo (Pontorme, Empoli, 1494 – Florence, 1552) , Florence, Italy. ( The painting is inspired by the engraving of the same subject in Dürer’s Small Passion series. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/supper-at-emmaus-jacopo-carucci-known-as-pontormo-pontorme-empoli-1494-florence-1552-florence-italy-the-painting-is-inspired-by-the-engraving-of-the-same-subject-in-drers-small-passion-series-image487431885.htmlRM2K90C9H–Supper at Emmaus Jacopo Carucci, known as Pontormo (Pontorme, Empoli, 1494 – Florence, 1552) , Florence, Italy. ( The painting is inspired by the engraving of the same subject in Dürer’s Small Passion series. )
A depiction of the risen Christ revealing himself to two disciples on the road to Emmaus. The scene shows a table set for a meal, with the disciples sharing bread and wine. Christ, emitting a divine light, sits at the table and holds a piece of bread, possibly blessing it. The disciples look on in awe and recognition. The engraving captures the essence of this encounter, showing the transformative power of faith and unexpected divine encounters. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-depiction-of-the-risen-christ-revealing-himself-to-two-disciples-on-the-road-to-emmaus-the-scene-shows-a-table-set-for-a-meal-with-the-disciples-sharing-bread-and-wine-christ-emitting-a-divine-light-sits-at-the-table-and-holds-a-piece-of-bread-possibly-blessing-it-the-disciples-look-on-in-awe-and-recognition-the-engraving-captures-the-essence-of-this-encounter-showing-the-transformative-power-of-faith-and-unexpected-divine-encounters-image609922757.htmlRM2XC8AKH–A depiction of the risen Christ revealing himself to two disciples on the road to Emmaus. The scene shows a table set for a meal, with the disciples sharing bread and wine. Christ, emitting a divine light, sits at the table and holds a piece of bread, possibly blessing it. The disciples look on in awe and recognition. The engraving captures the essence of this encounter, showing the transformative power of faith and unexpected divine encounters.
![Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photo](https://c8.alamy.com/comp/2C61MMM/jesus-and-the-two-disciples-going-to-emmaus-luke-2426-27-from-the-book-bible-gallery-illustrated-by-gustave-dore-with-memoir-of-dore-and-descriptive-letter-press-by-talbot-w-chambers-dd-published-by-cassell-company-limited-in-london-and-simultaneously-by-mame-in-tours-france-in-1866-2C61MMM.jpg "Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photo")
Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-and-the-two-disciples-going-to-emmaus-luke-2426-27-from-the-book-bible-gallery-illustrated-by-gustave-dore-with-memoir-of-dore-and-descriptive-letter-press-by-talbot-w-chambers-dd-published-by-cassell-company-limited-in-london-and-simultaneously-by-mame-in-tours-france-in-1866-image365143876.htmlRM2C61MMM–Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866
Plaque with the Journey to Emmaus and Noli Me Tangere. Culture: Spanish. Dimensions: Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm) Weight: 30.5oz. (866g). Date: ca. 1115-20. According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-the-journey-to-emmaus-and-noli-me-tangere-culture-spanish-dimensions-overall-10-58-x-5-14-x-34-in-27-x-134-x-19-cm-weight-305oz-866g-date-ca-1115-20-according-to-the-gospels-jesus-appeared-to-his-disciples-several-times-after-the-resurrection-including-on-the-road-from-jerusalem-to-emmaus-in-the-encounter-represented-at-the-top-of-this-plaque-the-disciples-lament-the-crucifixion-while-jesus-explains-the-redemptive-nature-of-his-sacrifice-below-jesus-appears-to-mary-magdalene-who-at-first-thinks-he-is-a-gardener-when-she-recognizes-him-he-tells-her-image212910640.htmlRMPAAWKC–Plaque with the Journey to Emmaus and Noli Me Tangere. Culture: Spanish. Dimensions: Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm) Weight: 30.5oz. (866g). Date: ca. 1115-20. According to the Gospels, Jesus appeared to his disciples several times after the Resurrection, including on the road from Jerusalem to Emmaus. In the encounter, represented at the top of this plaque, the disciples lament the Crucifixion, while Jesus explains the redemptive nature of his sacrifice. Below, Jesus appears to Mary Magdalene, who at first thinks he is a gardener. When she recognizes him, he tells her
Sacred image depicting Easter, Christ with the two disciples at Emmaus near Jerusalem, 1900, Austria / Heiligenbildchen mit einer Osterdarstellung, Christus mit den beiden Jüngern in Emmaus in der Nähe von Jerusalem, 1900, Österreich, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sacred-image-depicting-easter-christ-with-the-two-disciples-at-emmaus-near-jerusalem-1900-austria-heiligenbildchen-mit-einer-osterdarstellung-christus-mit-den-beiden-jngern-in-emmaus-in-der-nhe-von-jerusalem-1900-sterreich-historisch-historical-digital-improved-reproduction-of-an-original-from-the-19th-century-digitale-reproduktion-einer-originalvorlage-aus-dem-19-jahrhundert-image414114770.htmlRF2F1MFH6–Sacred image depicting Easter, Christ with the two disciples at Emmaus near Jerusalem, 1900, Austria / Heiligenbildchen mit einer Osterdarstellung, Christus mit den beiden Jüngern in Emmaus in der Nähe von Jerusalem, 1900, Österreich, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert,
![Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photo](https://c8.alamy.com/comp/2HM3FEP/jesus-and-the-two-disciples-going-to-emmaus-luke-2426-27-from-the-book-bible-gallery-illustrated-by-gustave-dore-with-memoir-of-dore-and-descriptive-letter-press-by-talbot-w-chambers-dd-published-by-cassell-company-limited-in-london-and-simultaneously-by-mame-in-tours-france-in-1866-2HM3FEP.jpg "Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photo")
Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jesus-and-the-two-disciples-going-to-emmaus-luke-2426-27-from-the-book-bible-gallery-illustrated-by-gustave-dore-with-memoir-of-dore-and-descriptive-letter-press-by-talbot-w-chambers-dd-published-by-cassell-company-limited-in-london-and-simultaneously-by-mame-in-tours-france-in-1866-image459840718.htmlRM2HM3FEP–Jesus and the two Disciples Going to Emmaus [Luke 24:26-27] From the book 'Bible Gallery' Illustrated by Gustave Dore with Memoir of Dore and Descriptive Letter-press by Talbot W. Chambers D.D. Published by Cassell & Company Limited in London and simultaneously by Mame in Tours, France in 1866
Intricately carved and painted frieze inside Notre Dame Cathedral depicting Appearance to the disciples at Emmaus, UNESCO World Heritage Site in Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/intricately-carved-and-painted-frieze-inside-notre-dame-cathedral-depicting-appearance-to-the-disciples-at-emmaus-unesco-world-heritage-site-in-paris-image213940275.htmlRFPC1R03–Intricately carved and painted frieze inside Notre Dame Cathedral depicting Appearance to the disciples at Emmaus, UNESCO World Heritage Site in Paris
The Disciples of Emmaus. The disciples upon arriving in Emmaus pray to Our Lord Jesus the son of God stay with us. Luke book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-of-emmaus-the-disciples-upon-arriving-in-emmaus-pray-to-our-lord-jesus-the-son-of-god-stay-with-us-luke-book-new-testament-sacred-biblical-history-old-engraving-from-the-book-historia-sagrada-1920-juan-lagui-lliteras-image436239737.htmlRM2G9MC6H–The Disciples of Emmaus. The disciples upon arriving in Emmaus pray to Our Lord Jesus the son of God stay with us. Luke book, New Testament Sacred biblical history. Old engraving from the book Historia Sagrada 1920 Juan Lagui Lliteras
The Supper at Emmaus, c. 1720. In the Gospel of Luke (24:30-31), two disciples walked to the town of Emmaus after the Crucifixion, and the resurrected Christ followed them unrecognized. At dinner that evening he revealed himself, took bread from the table, blessed it, broke it, and gave it to the two men. When the disciples realized who was before them, Jesus vanished. Here Christ appears just before tearing the bread. Piazzetta emphasizes the dramatic tension by placing only three monumental and isolated foreground figures before an indeterminate background. This painting's intimacy, limited Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-supper-at-emmaus-c-1720-in-the-gospel-of-luke-2430-31-two-disciples-walked-to-the-town-of-emmaus-after-the-crucifixion-and-the-resurrected-christ-followed-them-unrecognized-at-dinner-that-evening-he-revealed-himself-took-bread-from-the-table-blessed-it-broke-it-and-gave-it-to-the-two-men-when-the-disciples-realized-who-was-before-them-jesus-vanished-here-christ-appears-just-before-tearing-the-bread-piazzetta-emphasizes-the-dramatic-tension-by-placing-only-three-monumental-and-isolated-foreground-figures-before-an-indeterminate-background-this-paintings-intimacy-limited-image330130602.htmlRM2A52MXJ–The Supper at Emmaus, c. 1720. In the Gospel of Luke (24:30-31), two disciples walked to the town of Emmaus after the Crucifixion, and the resurrected Christ followed them unrecognized. At dinner that evening he revealed himself, took bread from the table, blessed it, broke it, and gave it to the two men. When the disciples realized who was before them, Jesus vanished. Here Christ appears just before tearing the bread. Piazzetta emphasizes the dramatic tension by placing only three monumental and isolated foreground figures before an indeterminate background. This painting's intimacy, limited
on the road to emmaus Emmaus Emmaus, Hammat, meaning 'warm spring', Imwas was an ancient town located approximately 7 miles nort Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-on-the-road-to-emmaus-emmaus-emmaus-hammat-meaning-warm-spring-imwas-22016485.htmlRMB7PX71–on the road to emmaus Emmaus Emmaus, Hammat, meaning 'warm spring', Imwas was an ancient town located approximately 7 miles nort
. Pen and brush in brown ink, washed, heightened with white, on paper . Christ with two disciples on the road to Emmaus. circa 1655 17 Rembrandt Christ with two disciples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pen-and-brush-in-brown-ink-washed-heightened-with-white-on-paper-christ-with-two-disciples-on-the-road-to-emmaus-circa-1655-17-rembrandt-christ-with-two-disciples-image206578041.htmlRMP02CB5–. Pen and brush in brown ink, washed, heightened with white, on paper . Christ with two disciples on the road to Emmaus. circa 1655 17 Rembrandt Christ with two disciples
Christ and the two disciples of Emmaus in a mountainous landscape, Landscape with disciples of Emmaus, print maker: Lorié, (mentioned on object), 1834, paper, etching, h 101 mm × w 129 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-two-disciples-of-emmaus-in-a-mountainous-landscape-landscape-with-disciples-of-emmaus-print-maker-lori-mentioned-on-object-1834-paper-etching-h-101-mm-w-129-mm-image472025296.htmlRM2JBXH28–Christ and the two disciples of Emmaus in a mountainous landscape, Landscape with disciples of Emmaus, print maker: Lorié, (mentioned on object), 1834, paper, etching, h 101 mm × w 129 mm
Robert Dunkarton (Engraver) Christ and the disciples in Emmaus. Skiing 1779 , 1779 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/robert-dunkarton-engraver-christ-and-the-disciples-in-emmaus-skiing-1779-1779-image573035841.htmlRM2T8811N–Robert Dunkarton (Engraver) Christ and the disciples in Emmaus. Skiing 1779 , 1779
Christ and the two disciples in Emmaus Rørbye, Martinus 1803 - 1848 Watercolour, Drawing Kristus og de to disciple i Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-two-disciples-in-emmaus-rrbye-martinus-1803-1848-watercolour-drawing-kristus-og-de-to-disciple-i-emmaus-image613410773.htmlRM2XHY7KH–Christ and the two disciples in Emmaus Rørbye, Martinus 1803 - 1848 Watercolour, Drawing Kristus og de to disciple i Emmaus
Religious token: Christ walking between the disciples of Emmaus, 1588, In 1588, Numismatic, Token (numismatic), Copper, Gilding = gilding, Sizes - Work: Diameter: 2.8 cm, Weight (type size): 3.76 g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-token-christ-walking-between-the-disciples-of-emmaus-1588-in-1588-numismatic-token-numismatic-copper-gilding-=-gilding-sizes-work-diameter-28-cm-weight-type-size-376-g-image573357509.htmlRM2T8PK9W–Religious token: Christ walking between the disciples of Emmaus, 1588, In 1588, Numismatic, Token (numismatic), Copper, Gilding = gilding, Sizes - Work: Diameter: 2.8 cm, Weight (type size): 3.76 g
The Disciples of Emmaus. The disciples upon arriving in Emmaus pray to Our Lord Jesus the son of God stay with us. Luke book, New Testament Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-of-emmaus-the-disciples-upon-arriving-in-emmaus-pray-to-our-lord-jesus-the-son-of-god-stay-with-us-luke-book-new-testament-image342953970.htmlRM2AWXW82–The Disciples of Emmaus. The disciples upon arriving in Emmaus pray to Our Lord Jesus the son of God stay with us. Luke book, New Testament
The disciples of Emmaus in Abbey of Santo Domingo de Silos, Benedictine monastery masterpiece of Romanesque art, Burgos Province, Spain Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-disciples-of-emmaus-in-abbey-of-santo-domingo-de-silos-benedictine-167618786.htmlRMKMKKD6–The disciples of Emmaus in Abbey of Santo Domingo de Silos, Benedictine monastery masterpiece of Romanesque art, Burgos Province, Spain
Art inspired by Emmaus Pilgrims, The Little Passion (series title), Stupid Passion (series title), The risen Christ meets two disciples and walks with them to the village of Emmaus. They do not recognize Christ. One of the men points out the village of Emmaus. Print is part of a book, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-emmaus-pilgrims-the-little-passion-series-title-stupid-passion-series-title-the-risen-christ-meets-two-disciples-and-walks-with-them-to-the-village-of-emmaus-they-do-not-recognize-christ-one-of-the-men-points-out-the-village-of-emmaus-print-is-part-of-a-book-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459714807.htmlRF2HKWPWY–Art inspired by Emmaus Pilgrims, The Little Passion (series title), Stupid Passion (series title), The risen Christ meets two disciples and walks with them to the village of Emmaus. They do not recognize Christ. One of the men points out the village of Emmaus. Print is part of a book, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
CATANIA, ITALY - APRIL 7, 2018: The painting of Jesu supper with the disciples of Emmaus in church Chiesa di San Placido by Michele Rapisardi (1858). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/catania-italy-april-7-2018-the-painting-of-jesu-supper-with-the-disciples-of-emmaus-in-church-chiesa-di-san-placido-by-michele-rapisardi-1858-image249455521.htmlRFTDRK1N–CATANIA, ITALY - APRIL 7, 2018: The painting of Jesu supper with the disciples of Emmaus in church Chiesa di San Placido by Michele Rapisardi (1858).
Art inspired by Christ and the Disciples on the Way to Emmaus, 1571, Etching and engraving; second state of two, sheet: 9 11/16 x 7 11/16 in. (24.6 x 19.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle (Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-christ-and-the-disciples-on-the-way-to-emmaus-1571-etching-and-engraving-second-state-of-two-sheet-9-1116-x-7-1116-in-246-x-195-cm-prints-after-pieter-bruegel-the-elder-netherlandish-breda-ca-15251569-brussels-philips-galle-netherlandish-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462978161.htmlRF2HW6DA9–Art inspired by Christ and the Disciples on the Way to Emmaus, 1571, Etching and engraving; second state of two, sheet: 9 11/16 x 7 11/16 in. (24.6 x 19.5 cm), Prints, After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525–1569 Brussels), Philips Galle (Netherlandish, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Supper at Emmaus Jacopo Carucci, known as Pontormo (Pontorme, Empoli, 1494 – Florence, 1552) , Florence, Italy. ( The painting is inspired by the engraving of the same subject in Dürer’s Small Passion series. ) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/supper-at-emmaus-jacopo-carucci-known-as-pontormo-pontorme-empoli-1494-florence-1552-florence-italy-the-painting-is-inspired-by-the-engraving-of-the-same-subject-in-drers-small-passion-series-image487431877.htmlRM2K90C99–Supper at Emmaus Jacopo Carucci, known as Pontormo (Pontorme, Empoli, 1494 – Florence, 1552) , Florence, Italy. ( The painting is inspired by the engraving of the same subject in Dürer’s Small Passion series. )
Art inspired by The Disciples at Emmaus, or The Pilgrims at Emmaus, Les disciples d'Emmaüs, ou Les pèlerins d'Emmaüs, Eugène Delacroix, French, 1798-1863, Oil on canvas, Europe, 1853, 21 3/4 x 18 1/2 in., 55.2 x 47 cm, bread, christ, delacroix, dog, emmaus, figures, food, goblet, halo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-disciples-at-emmaus-or-the-pilgrims-at-emmaus-les-disciples-demmas-ou-les-plerins-demmas-eugne-delacroix-french-1798-1863-oil-on-canvas-europe-1853-21-34-x-18-12-in-552-x-47-cm-bread-christ-delacroix-dog-emmaus-figures-food-goblet-halo-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569126.htmlRF2HKK532–Art inspired by The Disciples at Emmaus, or The Pilgrims at Emmaus, Les disciples d'Emmaüs, ou Les pèlerins d'Emmaüs, Eugène Delacroix, French, 1798-1863, Oil on canvas, Europe, 1853, 21 3/4 x 18 1/2 in., 55.2 x 47 cm, bread, christ, delacroix, dog, emmaus, figures, food, goblet, halo, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Plaque with Scenes at Emmaus. Culture: Carolingian. Dimensions: Overall: 4 9/16 x 9 1/4 x 1/4 in. (11.5 x 23.5 x 0.6 cm). Date: ca. 850-900. Among the finest ivory carvings in the Cloisters collection, this plaque depicts Christ's appearance to two of his disciples after his Resurrection. Christ, who is distinguished by his halo, meets the disciples along the road to the town of Emmaus, near Jerusalem. As described in the Gospel of Luke (24:13-35), although not recognizing Christ, they urge him to stay in town with them. Once within Emmaus, they finally recognize him as he breaks bread for th Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plaque-with-scenes-at-emmaus-culture-carolingian-dimensions-overall-4-916-x-9-14-x-14-in-115-x-235-x-06-cm-date-ca-850-900-among-the-finest-ivory-carvings-in-the-cloisters-collection-this-plaque-depicts-christs-appearance-to-two-of-his-disciples-after-his-resurrection-christ-who-is-distinguished-by-his-halo-meets-the-disciples-along-the-road-to-the-town-of-emmaus-near-jerusalem-as-described-in-the-gospel-of-luke-2413-35-although-not-recognizing-christ-they-urge-him-to-stay-in-town-with-them-once-within-emmaus-they-finally-recognize-him-as-he-breaks-bread-for-th-image213259331.htmlRMPAXPCK–Plaque with Scenes at Emmaus. Culture: Carolingian. Dimensions: Overall: 4 9/16 x 9 1/4 x 1/4 in. (11.5 x 23.5 x 0.6 cm). Date: ca. 850-900. Among the finest ivory carvings in the Cloisters collection, this plaque depicts Christ's appearance to two of his disciples after his Resurrection. Christ, who is distinguished by his halo, meets the disciples along the road to the town of Emmaus, near Jerusalem. As described in the Gospel of Luke (24:13-35), although not recognizing Christ, they urge him to stay in town with them. Once within Emmaus, they finally recognize him as he breaks bread for th
Art inspired by Plaque with Scenes at Emmaus, ca. 850–900, Made in northern France, Carolingian, Elephant ivory, Overall: 4 9/16 x 9 1/4 x 1/4 in. (11.5 x 23.5 x 0.6 cm), Ivories, This plaque depicts Christ’s appearance to two of his disciples after his Resurrection. Christ, who is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-with-scenes-at-emmaus-ca-850900-made-in-northern-france-carolingian-elephant-ivory-overall-4-916-x-9-14-x-14-in-115-x-235-x-06-cm-ivories-this-plaque-depicts-christs-appearance-to-two-of-his-disciples-after-his-resurrection-christ-who-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462840699.htmlRF2HW060Y–Art inspired by Plaque with Scenes at Emmaus, ca. 850–900, Made in northern France, Carolingian, Elephant ivory, Overall: 4 9/16 x 9 1/4 x 1/4 in. (11.5 x 23.5 x 0.6 cm), Ivories, This plaque depicts Christ’s appearance to two of his disciples after his Resurrection. Christ, who is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
MILAN, ITALY - MARCH 8, 2024: The painting of the scene Jesus and the Disciples of Emausy in the church Chiesa di Santi Quattro Evangelisti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/milan-italy-march-8-2024-the-painting-of-the-scene-jesus-and-the-disciples-of-emausy-in-the-church-chiesa-di-santi-quattro-evangelisti-image600346504.htmlRF2WTM42G–MILAN, ITALY - MARCH 8, 2024: The painting of the scene Jesus and the Disciples of Emausy in the church Chiesa di Santi Quattro Evangelisti
Intricately carved and painted frieze inside Notre Dame Cathedral depicting Appearance to the disciples at Emmaus, UNESCO World Heritage Site in Paris Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/intricately-carved-and-painted-frieze-inside-notre-dame-cathedral-depicting-appearance-to-the-disciples-at-emmaus-unesco-world-heritage-site-in-paris-image213940270.htmlRFPC1PYX–Intricately carved and painted frieze inside Notre Dame Cathedral depicting Appearance to the disciples at Emmaus, UNESCO World Heritage Site in Paris
GENOVA, ITALY - MARCH 8, 2023: The painting of Apparition of Jesus by supper at Emmaus in church Chiesa di Nostra Signora del Carmine e Sant'Agnese Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genova-italy-march-8-2023-the-painting-of-apparition-of-jesus-by-supper-at-emmaus-in-church-chiesa-di-nostra-signora-del-carmine-e-santagnese-image545382226.htmlRF2PK88GJ–GENOVA, ITALY - MARCH 8, 2023: The painting of Apparition of Jesus by supper at Emmaus in church Chiesa di Nostra Signora del Carmine e Sant'Agnese
The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-encounter-jesus-on-the-road-to-emmaus-relief-on-the-baptismal-font-in-the-church-of-saint-matthew-in-stitar-croatia-image332290915.htmlRF2A8H4CK–The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia
Plate. Circular plate with wide rim, resting on short foot ridge; painted in underglaze blue on white with a scrolled floral border on rim and in center withscene of 3 men with staffs in landscape (Christ and disciples on road to Emmaus). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plate-circular-plate-with-wide-rim-resting-on-short-foot-ridge-painted-in-underglaze-blue-on-white-with-a-scrolled-floral-border-on-rim-and-in-center-withscene-of-3-men-with-staffs-in-landscape-christ-and-disciples-on-road-to-emmaus-image353529519.htmlRM2BF4JE7–Plate. Circular plate with wide rim, resting on short foot ridge; painted in underglaze blue on white with a scrolled floral border on rim and in center withscene of 3 men with staffs in landscape (Christ and disciples on road to Emmaus).
The Pilgrims at Emmaus' by Louis Le Nain, dated 1635, housed at the Louvre Museum, Paris, France. This painting captures the biblical scene where Jesus, unrecognized, joins two of his disciples at the table in Emmaus following his resurrection. Louis Le Nain, known for his genre paintings depicting peasant life, brings a humble and intimate approach to this religious subject. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-pilgrims-at-emmaus-by-louis-le-nain-dated-1635-housed-at-the-louvre-museum-paris-france-this-painting-captures-the-biblical-scene-where-jesus-unrecognized-joins-two-of-his-disciples-at-the-table-in-emmaus-following-his-resurrection-louis-le-nain-known-for-his-genre-paintings-depicting-peasant-life-brings-a-humble-and-intimate-approach-to-this-religious-subject-image605553663.htmlRM2X559TF–The Pilgrims at Emmaus' by Louis Le Nain, dated 1635, housed at the Louvre Museum, Paris, France. This painting captures the biblical scene where Jesus, unrecognized, joins two of his disciples at the table in Emmaus following his resurrection. Louis Le Nain, known for his genre paintings depicting peasant life, brings a humble and intimate approach to this religious subject.
Episodes from the New Testament about the resurrection of Jesus Christ: stained glass window in the nave of Lincoln cathedral, England. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/episodes-from-the-new-testament-about-the-resurrection-of-jesus-christ-stained-glass-window-in-the-nave-of-lincoln-cathedral-england-image574780692.htmlRM2TB3EHT–Episodes from the New Testament about the resurrection of Jesus Christ: stained glass window in the nave of Lincoln cathedral, England.
Jan Witdoeck (Engraver) Christ with his disciples in Emmaus. Copper engraving print 1638 , 1638 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-witdoeck-engraver-christ-with-his-disciples-in-emmaus-copper-engraving-print-1638-1638-image572998270.htmlRM2T8693X–Jan Witdoeck (Engraver) Christ with his disciples in Emmaus. Copper engraving print 1638 , 1638
Christ and the Disciples in Emmaus Elsheimer, Adam 1578 - 1610 Painting Adam Elsheimer, der Maler von Frankfurt, Heinrich Weizsäcker, p. 93-94 (fort. nr. 104) i afsnittet: 'Zweite Gruppe: Angefochtene oder dem Meister zu Unrecht zugeschreibene Gemälde': 'eine... Photographie lässt keine Beziehung zu Elsheimer erkennen, sondern weist die typischen Züge der klassichen holländischen Schule vom Anfang des 17. Jahrhunderts auf'., 13460, 1936-52. Raisonneret Catalog over Consul West's Samling af Malerier med Indledning samt Liste over Haandtegninger, Figurer, Kobberstik og trykte Værker Samlingen ti Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-disciples-in-emmaus-elsheimer-adam-1578-1610-painting-adam-elsheimer-der-maler-von-frankfurt-heinrich-weizscker-p-93-94-fort-nr-104-i-afsnittet-zweite-gruppe-angefochtene-oder-dem-meister-zu-unrecht-zugeschreibene-gemlde-eine-photographie-lsst-keine-beziehung-zu-elsheimer-erkennen-sondern-weist-die-typischen-zge-der-klassichen-hollndischen-schule-vom-anfang-des-17-jahrhunderts-auf-13460-1936-52-raisonneret-catalog-over-consul-wests-samling-af-malerier-med-indledning-samt-liste-over-haandtegninger-figurer-kobberstik-og-trykte-vrker-samlingen-ti-image613391471.htmlRM2XHXB27–Christ and the Disciples in Emmaus Elsheimer, Adam 1578 - 1610 Painting Adam Elsheimer, der Maler von Frankfurt, Heinrich Weizsäcker, p. 93-94 (fort. nr. 104) i afsnittet: 'Zweite Gruppe: Angefochtene oder dem Meister zu Unrecht zugeschreibene Gemälde': 'eine... Photographie lässt keine Beziehung zu Elsheimer erkennen, sondern weist die typischen Züge der klassichen holländischen Schule vom Anfang des 17. Jahrhunderts auf'., 13460, 1936-52. Raisonneret Catalog over Consul West's Samling af Malerier med Indledning samt Liste over Haandtegninger, Figurer, Kobberstik og trykte Værker Samlingen ti
Religious token: Christ walking among the disciples of Emmaus, 1588, In 1588, Numismatic, Token (numismatic), Copper, Gilding = gilding, Dimensions - Work: Diameter: 2.8 cm, Weight (type dimension): 3.76 g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/religious-token-christ-walking-among-the-disciples-of-emmaus-1588-in-1588-numismatic-token-numismatic-copper-gilding-=-gilding-dimensions-work-diameter-28-cm-weight-type-dimension-376-g-image573357516.htmlRM2T8PKA4–Religious token: Christ walking among the disciples of Emmaus, 1588, In 1588, Numismatic, Token (numismatic), Copper, Gilding = gilding, Dimensions - Work: Diameter: 2.8 cm, Weight (type dimension): 3.76 g
France, Herault, the Causses and the Cevennes, Mediterranean agro pastoral cultural landscape, listed as World Heritage by UNESCO, Saint Guilhem le Desert, labelled Les Plus Beaux Villages de France (The Most Beautiful Villages of France), the 9th century Gellone abbey, museum in the lapidary deposit housed in the old refectory, capitals and wavy columns, corner pillar of the cloister representing the meeting of Emmaus, Christ the Pilgrim and disciples Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/france-herault-the-causses-and-the-cevennes-mediterranean-agro-pastoral-cultural-landscape-listed-as-world-heritage-by-unesco-saint-guilhem-le-desert-labelled-les-plus-beaux-villages-de-france-the-most-beautiful-villages-of-france-the-9th-century-gellone-abbey-museum-in-the-lapidary-deposit-housed-in-the-old-refectory-capitals-and-wavy-columns-corner-pillar-of-the-cloister-representing-the-meeting-of-emmaus-christ-the-pilgrim-and-disciples-image563710595.htmlRM2RN36H7–France, Herault, the Causses and the Cevennes, Mediterranean agro pastoral cultural landscape, listed as World Heritage by UNESCO, Saint Guilhem le Desert, labelled Les Plus Beaux Villages de France (The Most Beautiful Villages of France), the 9th century Gellone abbey, museum in the lapidary deposit housed in the old refectory, capitals and wavy columns, corner pillar of the cloister representing the meeting of Emmaus, Christ the Pilgrim and disciples
Arm study for the central figure of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquinas in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 34.5 x 21.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arm-study-for-the-central-figure-of-the-painting-the-disciples-at-emmaus-school-church-of-saint-thomas-daquinas-in-oullins-paul-borel-lyon-1828-1913-lyon-drawing-pencil-345-x-217-cm-image573314685.htmlRM2T8MMMD–Arm study for the central figure of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquinas in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 34.5 x 21.7 cm
Christ between two disciples on the way to Emmaus. The inn on the left. In the background a village. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-between-two-disciples-on-the-way-to-emmaus-the-inn-on-the-left-in-the-background-a-village-image488044991.htmlRF2KA0AA7–Christ between two disciples on the way to Emmaus. The inn on the left. In the background a village.
Stained Glass window in the 15th Century Elzenveld Chapel in Antwerp, Belgium, depicting Jesus and two disciples at Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-stained-glass-window-in-the-15th-century-elzenveld-chapel-in-antwerp-139031817.htmlRFJ25CE1–Stained Glass window in the 15th Century Elzenveld Chapel in Antwerp, Belgium, depicting Jesus and two disciples at Emmaus
Disciples from the story of the Emmaus at a table with a piece of bread. They look in terror at a third empty chair, from which Christ has just sudden Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/disciples-from-the-story-of-the-emmaus-at-a-table-with-a-piece-of-bread-they-look-in-terror-at-a-third-empty-chair-from-which-christ-has-just-sudden-image418879199.htmlRF2F9DGKB–Disciples from the story of the Emmaus at a table with a piece of bread. They look in terror at a third empty chair, from which Christ has just sudden
Appearance to the disciples at Emmaus, Notre Dame Cathedral, UNESCO World Heritage Site in Paris, France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/appearance-to-the-disciples-at-emmaus-notre-dame-cathedral-unesco-world-heritage-site-in-paris-france-image448588943.htmlRM2H1PYNK–Appearance to the disciples at Emmaus, Notre Dame Cathedral, UNESCO World Heritage Site in Paris, France
Rembrandt's 'The Supper at Emmaus' (circa 1648): Housed in the Louvre Museum, Paris, this painting captures the moment Christ reveals himself to his disciples after his resurrection. This work exemplifies Rembrandt's deep interest in biblical narratives and his ability to convey profound human experiences, marking a pivotal moment in the exploration of religious themes during the Dutch Golden Age. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rembrandts-the-supper-at-emmaus-circa-1648-housed-in-the-louvre-museum-paris-this-painting-captures-the-moment-christ-reveals-himself-to-his-disciples-after-his-resurrection-this-work-exemplifies-rembrandts-deep-interest-in-biblical-narratives-and-his-ability-to-convey-profound-human-experiences-marking-a-pivotal-moment-in-the-exploration-of-religious-themes-during-the-dutch-golden-age-image600862207.htmlRM2WWFHTF–Rembrandt's 'The Supper at Emmaus' (circa 1648): Housed in the Louvre Museum, Paris, this painting captures the moment Christ reveals himself to his disciples after his resurrection. This work exemplifies Rembrandt's deep interest in biblical narratives and his ability to convey profound human experiences, marking a pivotal moment in the exploration of religious themes during the Dutch Golden Age.
The Supper at Emmaus. Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: 48 1/2 x 52 1/4 in. (123.2 x 132.7 cm). Date: 1622-23. The picture may have been painted in Seville, where Velázquez was trained, or in Madrid, where he moved in 1623. The realism of the figures, the strong dramatic light, and the attention to still-life details recall the work of Caravaggio, which Velázquez would have known in Seville through copies. Christ is shown at the moment when he is recognized by two disciples following his resurrection, as 'he took bread, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-supper-at-emmaus-artist-velzquez-diego-rodrguez-de-silva-y-velzquez-spanish-seville-1599-1660-madrid-dimensions-48-12-x-52-14-in-1232-x-1327-cm-date-1622-23-the-picture-may-have-been-painted-in-seville-where-velzquez-was-trained-or-in-madrid-where-he-moved-in-1623-the-realism-of-the-figures-the-strong-dramatic-light-and-the-attention-to-still-life-details-recall-the-work-of-caravaggio-which-velzquez-would-have-known-in-seville-through-copies-christ-is-shown-at-the-moment-when-he-is-recognized-by-two-disciples-following-his-resurrection-as-he-took-bread-image213503416.htmlRMPB9WP0–The Supper at Emmaus. Artist: Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599-1660 Madrid). Dimensions: 48 1/2 x 52 1/4 in. (123.2 x 132.7 cm). Date: 1622-23. The picture may have been painted in Seville, where Velázquez was trained, or in Madrid, where he moved in 1623. The realism of the figures, the strong dramatic light, and the attention to still-life details recall the work of Caravaggio, which Velázquez would have known in Seville through copies. Christ is shown at the moment when he is recognized by two disciples following his resurrection, as 'he took bread,
Art inspired by Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20, Made in León, Spain, Spanish, Ivory, traces of gilding, Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm), Ivories, According to the Gospels, Jesus appeared to his disciples several times after the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-plaque-with-the-journey-to-emmaus-and-noli-me-tangere-ca-111520-made-in-len-spain-spanish-ivory-traces-of-gilding-overall-10-58-x-5-14-x-34-in-27-x-134-x-19-cm-ivories-according-to-the-gospels-jesus-appeared-to-his-disciples-several-times-after-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463033367.htmlRF2HW8YNY–Art inspired by Plaque with the Journey to Emmaus and Noli Me Tangere, ca. 1115–20, Made in León, Spain, Spanish, Ivory, traces of gilding, Overall: 10 5/8 x 5 1/4 x 3/4 in. (27 x 13.4 x 1.9 cm), Ivories, According to the Gospels, Jesus appeared to his disciples several times after the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Appearance to the two disciples on their way to Emmaus, stained glass windows in the Saint Gervais and Saint Protais Church, Paris, France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/appearance-to-the-two-disciples-on-their-way-to-emmaus-stained-glass-windows-in-the-saint-gervais-and-saint-protais-church-paris-france-image448589795.htmlRM2H1R0T3–Appearance to the two disciples on their way to Emmaus, stained glass windows in the Saint Gervais and Saint Protais Church, Paris, France
Inspired by The Pilgrims of Emmaus on the Road, Les pèlerins d'Emmaüs en chemin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 7/16 x 10 5/8 in., 18.9 x 27 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-pilgrims-of-emmaus-on-the-road-les-plerins-demmas-en-chemin-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-7-716-x-10-58-in-189-x-27-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459241489.htmlRF2HK475N–Inspired by The Pilgrims of Emmaus on the Road, Les pèlerins d'Emmaüs en chemin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 7/16 x 10 5/8 in., 18.9 x 27 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
GENOVA, ITALY - MARCH 8, 2023: The painting of Apparition of Jesus by supper at Emmaus in the church Chiesa di Nostra Signora del Carmine e Sant'Agnes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/genova-italy-march-8-2023-the-painting-of-apparition-of-jesus-by-supper-at-emmaus-in-the-church-chiesa-di-nostra-signora-del-carmine-e-santagnes-image544032178.htmlRF2PH2PGJ–GENOVA, ITALY - MARCH 8, 2023: The painting of Apparition of Jesus by supper at Emmaus in the church Chiesa di Nostra Signora del Carmine e Sant'Agnes
The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-encounter-jesus-on-the-road-to-emmaus-relief-on-the-baptismal-font-in-the-church-of-saint-matthew-in-stitar-croatia-image332290947.htmlRF2A8H4DR–The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia
MODENA, ITALY - APRIL 14, 2018: The painting of Supper with two Disciples of Emmaus in church Chiesa di San Pietro by unknown artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/modena-italy-april-14-2018-the-painting-of-supper-with-two-disciples-of-emmaus-in-church-chiesa-di-san-pietro-by-unknown-artist-image209489590.htmlRFP4R232–MODENA, ITALY - APRIL 14, 2018: The painting of Supper with two Disciples of Emmaus in church Chiesa di San Pietro by unknown artist.
Christ and his disciples Emmaus. Manufacturer : artist: Samuel van Hoogstraten Date: 1658 - 1663 Physical features: pen and brush in brown material : paper ink technology: pen / brush dimensions: h 151 mm × W 169 mm Subject: the supper at Emmaus: Christ is recognized while blessing or breaking the bread and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-his-disciples-emmaus-manufacturer-artist-samuel-van-hoogstraten-date-1658-1663-physical-features-pen-and-brush-in-brown-material-paper-ink-technology-pen-brush-dimensions-h-151-mm-w-169-mm-subject-the-supper-at-emmaus-christ-is-recognized-while-blessing-or-breaking-the-bread-and-image348292850.htmlRM2B6J32A–Christ and his disciples Emmaus. Manufacturer : artist: Samuel van Hoogstraten Date: 1658 - 1663 Physical features: pen and brush in brown material : paper ink technology: pen / brush dimensions: h 151 mm × W 169 mm Subject: the supper at Emmaus: Christ is recognized while blessing or breaking the bread and
ROME, ITALY - AUGUST 28, 2021: The painting of Supper in Emaus in the church Chiesa san Giacomo in Augusta by Ettore Ballerini (1910). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-august-28-2021-the-painting-of-supper-in-emaus-in-the-church-chiesa-san-giacomo-in-augusta-by-ettore-ballerini-1910-image447929344.htmlRF2H0MXCG–ROME, ITALY - AUGUST 28, 2021: The painting of Supper in Emaus in the church Chiesa san Giacomo in Augusta by Ettore Ballerini (1910).
Jan Witdoeck (Engraver) Christ with his disciples in Emmaus. Copper engraving print 1638 , 1638 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jan-witdoeck-engraver-christ-with-his-disciples-in-emmaus-copper-engraving-print-1638-1638-image572998263.htmlRM2T8693K–Jan Witdoeck (Engraver) Christ with his disciples in Emmaus. Copper engraving print 1638 , 1638
The Transfiguration window, by Thomas Denny (2010), in memory of Archbishop Michael Ramsay, Durham Cathedral, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-transfiguration-window-by-thomas-denny-2010-in-memory-of-archbishop-michael-ramsay-durham-cathedral-uk-image329588589.htmlRM2A461H1–The Transfiguration window, by Thomas Denny (2010), in memory of Archbishop Michael Ramsay, Durham Cathedral, UK
The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang. A disguised Christ interacts with them and they convince him to travel with them, all the while discussing with sadness the recent event of his death. The road is minimally described, and there is nothing in the distance apart from a few houses on the left. The message of Christ's humanity, surely consistent with Strang's socialist sympathies, is what ultimately counts. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-way-to-emmaus-no2-1914-in-this-scene-the-resurrected-christ-has-found-two-disciples-on-the-road-to-emmaus-who-are-dressed-like-working-class-contemporaries-of-strang-a-disguised-christ-interacts-with-them-and-they-convince-him-to-travel-with-them-all-the-while-discussing-with-sadness-the-recent-event-of-his-death-the-road-is-minimally-described-and-there-is-nothing-in-the-distance-apart-from-a-few-houses-on-the-left-the-message-of-christs-humanity-surely-consistent-with-strangs-socialist-sympathies-is-what-ultimately-counts-image603651469.htmlRM2X22KH1–The way to Emmaus, no.2, 1914. In this scene, the resurrected Christ has found two disciples on the road to Emmaus who are dressed like working-class contemporaries of Strang. A disguised Christ interacts with them and they convince him to travel with them, all the while discussing with sadness the recent event of his death. The road is minimally described, and there is nothing in the distance apart from a few houses on the left. The message of Christ's humanity, surely consistent with Strang's socialist sympathies, is what ultimately counts.
Abu Gosh, Israel. 14th February, 2019. Nested in the Judean Hills between the Arab Israeli village of Abu Gosh and the Jewish Kibbutz Maale Hahamisha, at a location associated with the biblical site of Kiryat Yaarim in which the Ark of the Covenant was parked before being brought to Jerusalem by King David, on the Emmaus Path that connects Emmaus Nicopolis to Jerusalem, Saxum, a new Christian visitor center opens its doors to visitors. Credit: Nir Alon/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abu-gosh-israel-14th-february-2019-nested-in-the-judean-hills-between-the-arab-israeli-village-of-abu-gosh-and-the-jewish-kibbutz-maale-hahamisha-at-a-location-associated-with-the-biblical-site-of-kiryat-yaarim-in-which-the-ark-of-the-covenant-was-parked-before-being-brought-to-jerusalem-by-king-david-on-the-emmaus-path-that-connects-emmaus-nicopolis-to-jerusalem-saxum-a-new-christian-visitor-center-opens-its-doors-to-visitors-credit-nir-alonalamy-live-news-image236247100.htmlRMRM9YGC–Abu Gosh, Israel. 14th February, 2019. Nested in the Judean Hills between the Arab Israeli village of Abu Gosh and the Jewish Kibbutz Maale Hahamisha, at a location associated with the biblical site of Kiryat Yaarim in which the Ark of the Covenant was parked before being brought to Jerusalem by King David, on the Emmaus Path that connects Emmaus Nicopolis to Jerusalem, Saxum, a new Christian visitor center opens its doors to visitors. Credit: Nir Alon/Alamy Live News
Christ in Emmaus with two disciples, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, body color, gray wash, 24.3 x 18.9 cm, l.l. Étienne Raymond Grafe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-emmaus-with-two-disciples-claudius-lavergne-lyon-1815-1887-paris-drawing-pencil-body-color-gray-wash-243-x-189-cm-ll-tienne-raymond-grafe-image573314446.htmlRM2T8MMBX–Christ in Emmaus with two disciples, Claudius Lavergne (Lyon 1815 - 1887 Paris), drawing, pencil, body color, gray wash, 24.3 x 18.9 cm, l.l. Étienne Raymond Grafe
Meal in Emmaus, anonymous, after Willem Isaacsz. van Swanenburg, after Pieter van Sompel, after Peter Paul Rubens, after Maerten de Vos, 1630 - 1702 C Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/meal-in-emmaus-anonymous-after-willem-isaacsz-van-swanenburg-after-pieter-van-sompel-after-peter-paul-rubens-after-maerten-de-vos-1630-1702-c-image488037261.htmlRF2KA00E5–Meal in Emmaus, anonymous, after Willem Isaacsz. van Swanenburg, after Pieter van Sompel, after Peter Paul Rubens, after Maerten de Vos, 1630 - 1702 C
Christ and two disciples in front of the inn at Emmaus Biblical performances for album by Matthijs Balen (series title), draughtsman: Nicolaes Maes, 1650 - 1660, paper, pen, h 215 mm × w 210 mm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-two-disciples-in-front-of-the-inn-at-emmaus-biblical-performances-for-album-by-matthijs-balen-series-title-draughtsman-nicolaes-maes-1650-1660-paper-pen-h-215-mm-w-210-mm-image472081783.htmlRM2JC153K–Christ and two disciples in front of the inn at Emmaus Biblical performances for album by Matthijs Balen (series title), draughtsman: Nicolaes Maes, 1650 - 1660, paper, pen, h 215 mm × w 210 mm
Appearance to the disciples at Emmaus, Notre Dame Cathedral, UNESCO World Heritage Site in Paris, France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/appearance-to-the-disciples-at-emmaus-notre-dame-cathedral-unesco-world-heritage-site-in-paris-france-image443875589.htmlRF2GP47RH–Appearance to the disciples at Emmaus, Notre Dame Cathedral, UNESCO World Heritage Site in Paris, France
Study of the kneeling figure on the left of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquin in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 29.1 x 26.2 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-the-kneeling-figure-on-the-left-of-the-painting-the-disciples-at-emmaus-school-church-of-saint-thomas-daquin-in-oullins-paul-borel-lyon-1828-1913-lyon-drawing-pencil-291-x-262-cm-image573314664.htmlRM2T8MMKM–Study of the kneeling figure on the left of the painting 'The Disciples at Emmaus' (School Church of Saint Thomas d'Aquin in Oullins), Paul Borel (Lyon 1828 - 1913 Lyon), Drawing, pencil, 29.1 x 26.2 cm
The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-encounter-jesus-on-the-road-to-emmaus-relief-on-the-baptismal-font-in-the-church-of-saint-matthew-in-stitar-croatia-image443758846.htmlRF2GNXXX6–The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia
Homilary, Christ Meeting Two Disciples before the Gate of Emmaus; The Doubting of Thomas, This richly illuminated fourteenth-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic of Cistercensian and Premostratensian nuns in northern Germany as early as circa 1320 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/homilary-christ-meeting-two-disciples-before-the-gate-of-emmaus-the-doubting-of-thomas-this-richly-illuminated-fourteenth-century-german-homilary-is-particularly-interesting-for-its-rare-bifolium-of-drawings-bound-in-at-the-front-of-the-book-the-headgear-worn-by-the-nuns-in-the-drawings-is-characteristic-of-cistercensian-and-premostratensian-nuns-in-northern-germany-as-early-as-circa-1320-image573478753.htmlRM2T90601–Homilary, Christ Meeting Two Disciples before the Gate of Emmaus; The Doubting of Thomas, This richly illuminated fourteenth-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic of Cistercensian and Premostratensian nuns in northern Germany as early as circa 1320
Christ and the Disciples on the Way to Emmaus. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Dimensions: sheet: 9 11/16 x 7 11/16 in. (24.6 x 19.5 cm). Date: 1571. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-and-the-disciples-on-the-way-to-emmaus-artist-after-pieter-bruegel-the-elder-netherlandish-breda-ca-1525-1569-brussels-philips-galle-netherlandish-haarlem-1537-1612-antwerp-dimensions-sheet-9-1116-x-7-1116-in-246-x-195-cm-date-1571-museum-metropolitan-museum-of-art-new-york-usa-image225383922.htmlRMR2K3DP–Christ and the Disciples on the Way to Emmaus. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda (?) ca. 1525-1569 Brussels); Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). Dimensions: sheet: 9 11/16 x 7 11/16 in. (24.6 x 19.5 cm). Date: 1571. Museum: Metropolitan Museum of Art, New York, USA.
Appearance to the two disciples on their way to Emmaus, stained glass windows in the Saint Gervais and Saint Protais Church, Paris, France Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/appearance-to-the-two-disciples-on-their-way-to-emmaus-stained-glass-windows-in-the-saint-gervais-and-saint-protais-church-paris-france-image448561499.htmlRM2H1NMNF–Appearance to the two disciples on their way to Emmaus, stained glass windows in the Saint Gervais and Saint Protais Church, Paris, France
Art inspired by The Pilgrims of Emmaus on the Road, Les pèlerins d'Emmaüs en chemin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 7/16 x 10 5/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-pilgrims-of-emmaus-on-the-road-les-plerins-demmas-en-chemin-the-life-of-our-lord-jesus-christ-la-vie-de-notre-seigneur-jsus-christ-james-tissot-french-1836-1902-opaque-watercolor-over-graphite-on-gray-wove-paper-france-1886-1894-image-7-716-x-10-58-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459560190.htmlRF2HKJNKX–Art inspired by The Pilgrims of Emmaus on the Road, Les pèlerins d'Emmaüs en chemin, The Life of Our Lord Jesus Christ, La Vie de Notre-Seigneur Jésus-Christ, James Tissot, French, 1836-1902, Opaque watercolor over graphite on gray wove paper, France, 1886-1894, Image: 7 7/16 x 10 5/8, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-encounter-jesus-on-the-road-to-emmaus-relief-on-the-baptismal-font-in-the-church-of-saint-matthew-in-stitar-croatia-image448544662.htmlRM2H1MY86–The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia
The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disciples-encounter-jesus-on-the-road-to-emmaus-relief-on-the-baptismal-font-in-the-church-of-saint-matthew-in-stitar-croatia-image332290914.htmlRF2A8H4CJ–The disciples encounter Jesus on the road to Emmaus, relief on the baptismal font in the church of Saint Matthew in Stitar, Croatia
P. Cacchiatelli - G. Gleter, The Science and the Arts under the pontificate of Pius IX, published in Rome in 1860 by the Tipografia delle Belle Arti, via Poli, 91. Internally there are etchings depicting the public works created during the Pontificate of Pius IX Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/p-cacchiatelli-g-gleter-the-science-and-the-arts-under-the-pontificate-of-pius-ix-published-in-rome-in-1860-by-the-tipografia-delle-belle-arti-via-poli-91-internally-there-are-etchings-depicting-the-public-works-created-during-the-pontificate-of-pius-ix-image568245659.htmlRM2T0DR3R–P. Cacchiatelli - G. Gleter, The Science and the Arts under the pontificate of Pius IX, published in Rome in 1860 by the Tipografia delle Belle Arti, via Poli, 91. Internally there are etchings depicting the public works created during the Pontificate of Pius IX
Cleopas and Peter, sitting at a table in a herberg. Manufacturer : printmaker Jean Honoré Fragonard (listed property) to painting: Sebastiano Ricci (listed property) Place manufacture: Italy Date: 1763 - 1764 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 96 mm × W 146 mm Subject: the two disciples and Peter Cleopas without Christ at the table supper at Emmaus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cleopas-and-peter-sitting-at-a-table-in-a-herberg-manufacturer-printmaker-jean-honor-fragonard-listed-property-to-painting-sebastiano-ricci-listed-property-place-manufacture-italy-date-1763-1764-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-96-mm-w-146-mm-subject-the-two-disciples-and-peter-cleopas-without-christ-at-the-table-supper-at-emmaus-image348309687.htmlRM2B6JTFK–Cleopas and Peter, sitting at a table in a herberg. Manufacturer : printmaker Jean Honoré Fragonard (listed property) to painting: Sebastiano Ricci (listed property) Place manufacture: Italy Date: 1763 - 1764 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 96 mm × W 146 mm Subject: the two disciples and Peter Cleopas without Christ at the table supper at Emmaus
ROME, ITALY - AUGUST 28, 2021: The painting of Supper in Emaus in the church Chiesa san Giacomo in Augusta by Ettore Ballerini (1910). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rome-italy-august-28-2021-the-painting-of-supper-in-emaus-in-the-church-chiesa-san-giacomo-in-augusta-by-ettore-ballerini-1910-image447930693.htmlRF2H0N04N–ROME, ITALY - AUGUST 28, 2021: The painting of Supper in Emaus in the church Chiesa san Giacomo in Augusta by Ettore Ballerini (1910).
Search Results for Disciples in emmaus Stock Photos and Images (271)
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