Drawings in pen and brown and black ink Stock Photos and Images
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Drawings in pen and brown and black ink Stock Photos and Images
Artist: Kasper van Eyck, Flemish, 1613–1673, Footbridge with Bastion and Ships in Distance, Pen and gray-black ink and greenish-brown, blue, and red watercolor, Sheet: 10.4 × 18.8 cm (4 1/8 × 7 3/8in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-kasper-van-eyck-flemish-16131673-footbridge-with-bastion-and-ships-indistance-pen-and-gray-black-ink-and-greenish-brown-blue-and-red-watercolor-sheet-104-188-cm-4-18-738in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393355156.htmlRM2DRXTEC–Artist: Kasper van Eyck, Flemish, 1613–1673, Footbridge with Bastion and Ships in Distance, Pen and gray-black ink and greenish-brown, blue, and red watercolor, Sheet: 10.4 × 18.8 cm (4 1/8 × 7 3/8in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Design for a Book Illustration: an Amorous Couple Beside Birds in a Cage, 19th century, Pen and black ink, brush and brown wash., Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-book-illustration-an-amorous-couple-beside-birds-in-a-cage-19th-century-pen-and-black-ink-brush-and-brown-wash-drawings-anonymous-german-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462948003.htmlRF2HW52W7–Art inspired by Design for a Book Illustration: an Amorous Couple Beside Birds in a Cage, 19th century, Pen and black ink, brush and brown wash., Drawings, Anonymous, German, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
View through a Baroque Colonnade into a Garden, 1760-1768. Date/Period: From 1760 until 1768. Pen and brown ink, black-gray wash in two tones, partly visible perspective construction lines in black pencil. Pencil and ink. Author: CANALETTO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-through-a-baroque-colonnade-into-a-garden-1760-1768-dateperiod-from-1760-until-1768-pen-and-brown-ink-black-gray-wash-in-two-tones-partly-visible-perspective-construction-lines-in-black-pencil-pencil-and-ink-author-canaletto-image219739354.htmlRMPNDYP2–View through a Baroque Colonnade into a Garden, 1760-1768. Date/Period: From 1760 until 1768. Pen and brown ink, black-gray wash in two tones, partly visible perspective construction lines in black pencil. Pencil and ink. Author: CANALETTO.
. English: Two Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black Indian ink and black ink oxidised to brown, Kunstmuseum Basel. A Donkey Sings to the Accompaniment of a Harp, by Ambrosius Holbein (no. 55) A Scholar at his Writing Desk, by Hans Holbein the Younger (no. 64) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive intact Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-two-marginal-drawings-in-a-copy-of-the-praise-of-folly-by-erasmus-of-rotterdam-pen-and-black-indian-ink-and-black-ink-oxidised-to-brown-kunstmuseum-basel-a-donkey-sings-to-the-accompaniment-of-a-harp-by-ambrosius-holbein-no55-a-scholar-at-his-writing-desk-by-hans-holbein-the-younger-no64-hans-holbein-and-his-brother-ambrosius-drew-82-marginal-sketches-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-desiderius-erasmus-they-include-the-first-works-by-hans-holbein-to-survive-intact-image185846442.htmlRMMPA10X–. English: Two Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black Indian ink and black ink oxidised to brown, Kunstmuseum Basel. A Donkey Sings to the Accompaniment of a Harp, by Ambrosius Holbein (no. 55) A Scholar at his Writing Desk, by Hans Holbein the Younger (no. 64) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive intact
Speculum Humanae Salvationis. 1382–1406. England. Manuscript with 111 folios and many drawings in pen and brown and red inks, a few with tempera, and some traced in graphite, with other decorations and Latin inscriptions in Anglicana formata in brownish black and red ink, ruled in red, on vellum, bound in oak boards with worn sheepskin covers, missing chain and clasps from upper cover Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/speculum-humanae-salvationis-13821406-england-manuscript-with-111-folios-and-many-drawings-in-pen-and-brown-and-red-inks-a-few-with-tempera-and-some-traced-in-graphite-with-other-decorations-and-latin-inscriptions-in-anglicana-formata-in-brownish-black-and-red-ink-ruled-in-red-on-vellum-bound-in-oak-boards-with-worn-sheepskin-covers-missing-chain-and-clasps-from-upper-cover-image337999881.htmlRM2AHW689–Speculum Humanae Salvationis. 1382–1406. England. Manuscript with 111 folios and many drawings in pen and brown and red inks, a few with tempera, and some traced in graphite, with other decorations and Latin inscriptions in Anglicana formata in brownish black and red ink, ruled in red, on vellum, bound in oak boards with worn sheepskin covers, missing chain and clasps from upper cover
View of the Amselfall in Saxony. Adrian Zingg (Switzerland, St. Gallen, 1734-1816). Switzerland, 1794. Drawings. Pen and black ink with brown wash Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-amselfall-in-saxony-adrian-zingg-switzerland-st-gallen-1734-1816-switzerland-1794-drawings-pen-and-black-ink-with-brown-wash-image464749538.htmlRM2J034NP–View of the Amselfall in Saxony. Adrian Zingg (Switzerland, St. Gallen, 1734-1816). Switzerland, 1794. Drawings. Pen and black ink with brown wash
A colored view of an oil mill, near Twickenham Common; drawn in 1767. A wooden and red brick building by a body of water; mud and grass on either side; a path winding to the left; trees in the distance. Inscribed with title and date in brown ink on verso. Bears inscription in pencil below image on a seperate piece of paper 'capt. Francis Grose See drawings in Print Room BM' below drawing. Oil Mill near Twickenham Common : drawn Sepr 12 1767. London, September 12 1767. 1 drawing : pen and black ink with coloured wash over pencil ; sheet 25.7 x 36.9 cm. Source: Maps K.Top.30.19.ii. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-colored-view-of-an-oil-mill-near-twickenham-common-drawn-in-1767-a-wooden-and-red-brick-building-by-a-body-of-water-mud-and-grass-on-either-side-a-path-winding-to-the-left-trees-in-the-distance-inscribed-with-title-and-date-in-brown-ink-on-verso-bears-inscription-in-pencil-below-image-on-a-seperate-piece-of-paper-capt-francis-grose-see-drawings-in-print-room-bm-below-drawing-oil-mill-near-twickenham-common-drawn-sepr-12-1767-london-september-12-1767-1-drawing-pen-and-black-ink-with-coloured-wash-over-pencil-sheet-257-x-369-cm-source-maps-ktop3019ii-image226866989.htmlRMR52K4D–A colored view of an oil mill, near Twickenham Common; drawn in 1767. A wooden and red brick building by a body of water; mud and grass on either side; a path winding to the left; trees in the distance. Inscribed with title and date in brown ink on verso. Bears inscription in pencil below image on a seperate piece of paper 'capt. Francis Grose See drawings in Print Room BM' below drawing. Oil Mill near Twickenham Common : drawn Sepr 12 1767. London, September 12 1767. 1 drawing : pen and black ink with coloured wash over pencil ; sheet 25.7 x 36.9 cm. Source: Maps K.Top.30.19.ii.
The Disrobing of Christ, c. 1785-1790. Giovanni Domenico Tiepolo, an important Venetian fresco painter of the 18th century, is best known today for his highly finished historical drawings that ingeniously incorporate details from daily life. This drawing, from a suite of more than 260 sheets known as the Large Biblical Series , depicts the Disrobing of Christ (the tenth Station of the Cross). The moment of the Crucifixion is close at hand as a Roman solider waits by the cross, hammer at the ready. By juxtaposing the figure of Christ, bathed in celestial light, with that of the executioner kne Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-disrobing-of-christ-c-1785-1790-giovanni-domenico-tiepolo-an-important-venetian-fresco-painter-of-the-18th-century-is-best-known-today-for-his-highly-finished-historical-drawings-that-ingeniously-incorporate-details-from-daily-life-this-drawing-from-a-suite-of-more-than-260-sheets-known-as-the-large-biblical-series-depicts-the-disrobing-of-christ-the-tenth-station-of-the-cross-the-moment-of-the-crucifixion-is-close-at-hand-as-a-roman-solider-waits-by-the-cross-hammer-at-the-ready-by-juxtaposing-the-figure-of-christ-bathed-in-celestial-light-with-that-of-the-executioner-kne-image330125973.htmlRM2A52F19–The Disrobing of Christ, c. 1785-1790. Giovanni Domenico Tiepolo, an important Venetian fresco painter of the 18th century, is best known today for his highly finished historical drawings that ingeniously incorporate details from daily life. This drawing, from a suite of more than 260 sheets known as the Large Biblical Series , depicts the Disrobing of Christ (the tenth Station of the Cross). The moment of the Crucifixion is close at hand as a Roman solider waits by the cross, hammer at the ready. By juxtaposing the figure of Christ, bathed in celestial light, with that of the executioner kne
Sketchbook Folio, Two drawings of Sybils and Two Putti; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper; 21.8 x 15.2 cm (8 9/16 x 6 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sketchbook-folio-two-drawings-of-sybils-and-two-putti-designed-by-felice-giani-italian-17581823-italy-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-black-chalk-on-white-laid-paper-218-x-152-cm-8-916-x-6-in-image546141725.htmlRM2PMEW9H–Sketchbook Folio, Two drawings of Sybils and Two Putti; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper; 21.8 x 15.2 cm (8 9/16 x 6 in.)
The Trojan Horse, 17th century, Pen and dark brown-black ink, brown wash, 25.7 × 35.4 cm (10 1/8 × 13 15/16 in.), Italian, 17th century(?), Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-trojanhorse-17thcentury-pen-and-dark-brown-black-ink-brown-wash-257-354-cm-10-18-13-1516in-italian-17thcentury-works-on-paper-drawings-andwatercolors-image393652893.htmlRM2DTCC7W–The Trojan Horse, 17th century, Pen and dark brown-black ink, brown wash, 25.7 × 35.4 cm (10 1/8 × 13 15/16 in.), Italian, 17th century(?), Works on Paper - Drawings and Watercolors
Art inspired by River Landscape, 1800–1900, Pen and black and brown ink, gray wash, 7-3/8 x 10-1/8 in, Drawings, Anonymous, Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-river-landscape-18001900-pen-and-black-and-brown-ink-gray-wash-7-38-x-10-18-in-drawings-anonymous-italian-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462988450.htmlRF2HW6XDP–Art inspired by River Landscape, 1800–1900, Pen and black and brown ink, gray wash, 7-3/8 x 10-1/8 in, Drawings, Anonymous, Italian, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Speculum Humanae Salvationis. English; from the Abbey of Great Missenden. Date: 1382-1406. Dimensions: 260 × 185 mm. Manuscript with 111 folios and many drawings in pen and brown and red inks, a few with tempera, and some traced in graphite, with other decorations and Latin inscriptions in Anglicana formata in brownish black and red ink, ruled in red, on vellum, bound in oak boards with worn sheepskin covers, missing chain and clasps from upper cover. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/speculum-humanae-salvationis-english-from-the-abbey-of-great-missenden-date-1382-1406-dimensions-260-185-mm-manuscript-with-111-folios-and-many-drawings-in-pen-and-brown-and-red-inks-a-few-with-tempera-and-some-traced-in-graphite-with-other-decorations-and-latin-inscriptions-in-anglicana-formata-in-brownish-black-and-red-ink-ruled-in-red-on-vellum-bound-in-oak-boards-with-worn-sheepskin-covers-missing-chain-and-clasps-from-upper-cover-origin-england-museum-the-chicago-art-institute-image239879551.htmlRMRX7CPR–Speculum Humanae Salvationis. English; from the Abbey of Great Missenden. Date: 1382-1406. Dimensions: 260 × 185 mm. Manuscript with 111 folios and many drawings in pen and brown and red inks, a few with tempera, and some traced in graphite, with other decorations and Latin inscriptions in Anglicana formata in brownish black and red ink, ruled in red, on vellum, bound in oak boards with worn sheepskin covers, missing chain and clasps from upper cover. Origin: England. Museum: The Chicago Art Institute.
. English: Three Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black ink oxidised to brown, Kunstmuseum Basel. Stag Hunt (no. 24) A Fool Prays to St Christopher (no. 26) Apelles Paints Aphrodite, revised in black by another hand (no. 32) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive intact. Most of the sketches are by Hans Ho Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-three-marginal-drawings-in-a-copy-of-the-praise-of-folly-by-erasmus-of-rotterdam-pen-and-black-ink-oxidised-to-brown-kunstmuseum-basel-stag-hunt-no-24-a-fool-prays-to-st-christopher-no-26-apelles-paints-aphrodite-revised-in-black-by-another-hand-no-32-hans-holbein-and-his-brother-ambrosius-drew-82-marginal-sketches-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-desiderius-erasmus-they-include-the-first-works-by-hans-holbein-to-survive-intact-most-of-the-sketches-are-by-hans-ho-image185846449.htmlRMMPA115–. English: Three Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black ink oxidised to brown, Kunstmuseum Basel. Stag Hunt (no. 24) A Fool Prays to St Christopher (no. 26) Apelles Paints Aphrodite, revised in black by another hand (no. 32) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive intact. Most of the sketches are by Hans Ho
Clement Auguste Andrieux. Allegory of War. 1860. France. Pen and brown ink, with red and black fabricated chalks and opaque and transparent watercolors, with touches of lead white and white chalks, on cream wove paper Primarily an illustrator, Andrieux had a penchant for war imagery, a marketable subject in the late 19th century. Spurred by Napoleon III’s attempt to evict Austria from the Piedmont and convert Italy into a confederation of states headed by the pope, he created these drawings in which the personification of War lies across a heap of dead warriors as Death hovers above. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/clement-auguste-andrieux-allegory-of-war-1860-france-pen-and-brown-ink-with-red-and-black-fabricated-chalks-and-opaque-and-transparent-watercolors-with-touches-of-lead-white-and-white-chalks-on-cream-wove-paper-primarily-an-illustrator-andrieux-had-a-penchant-for-war-imagery-a-marketable-subject-in-the-late-19th-century-spurred-by-napoleon-iiis-attempt-to-evict-austria-from-the-piedmont-and-convert-italy-into-a-confederation-of-states-headed-by-the-pope-he-created-these-drawings-in-which-the-personification-of-war-lies-across-a-heap-of-dead-warriors-as-death-hovers-above-image337943072.htmlRM2AHPHRC–Clement Auguste Andrieux. Allegory of War. 1860. France. Pen and brown ink, with red and black fabricated chalks and opaque and transparent watercolors, with touches of lead white and white chalks, on cream wove paper Primarily an illustrator, Andrieux had a penchant for war imagery, a marketable subject in the late 19th century. Spurred by Napoleon III’s attempt to evict Austria from the Piedmont and convert Italy into a confederation of states headed by the pope, he created these drawings in which the personification of War lies across a heap of dead warriors as Death hovers above.
Women in a Carriage 19th century Constantin Guys French. Women in a Carriage. Constantin Guys (French, Flushing 1802–1892 Paris). 19th century. Pen and brown ink, brown, gray and black wash. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-in-a-carriage-19th-century-constantin-guys-french-women-in-a-carriage-constantin-guys-french-flushing-18021892-paris-19th-century-pen-and-brown-ink-brown-gray-and-black-wash-drawings-image458124172.htmlRM2HH9A1G–Women in a Carriage 19th century Constantin Guys French. Women in a Carriage. Constantin Guys (French, Flushing 1802–1892 Paris). 19th century. Pen and brown ink, brown, gray and black wash. Drawings
Peasant's Cottage (recto); Bridge and Gate (verso) , c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher. Bloemaert was an important precursor of the new wave of realism in Dutch art in the 1620s. Artist and author Karel van Mander (1548-1606) wrote the following description of Bloemaert=s drawings in 1604 which seems to correspond very closely to this work: With art lovers there are also by him very attractive landscapes with some attractive and funny farmhouses, farm tools, trees, and backgrounds, things to be seen around Ut Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peasants-cottage-recto-bridge-and-gate-verso-c-1600-abraham-bloemaert-active-in-utrecht-was-a-painter-prolific-draftsman-print-designer-and-important-teacher-bloemaert-was-an-important-precursor-of-the-new-wave-of-realism-in-dutch-art-in-the-1620s-artist-and-author-karel-van-mander-1548-1606-wrote-the-following-description-of-bloemaert=s-drawings-in-1604-which-seems-to-correspond-very-closely-to-this-work-with-art-lovers-there-are-also-by-him-very-attractive-landscapes-with-some-attractive-and-funny-farmhouses-farm-tools-trees-and-backgrounds-things-to-be-seen-around-ut-image330111678.htmlRM2A51TPP–Peasant's Cottage (recto); Bridge and Gate (verso) , c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher. Bloemaert was an important precursor of the new wave of realism in Dutch art in the 1620s. Artist and author Karel van Mander (1548-1606) wrote the following description of Bloemaert=s drawings in 1604 which seems to correspond very closely to this work: With art lovers there are also by him very attractive landscapes with some attractive and funny farmhouses, farm tools, trees, and backgrounds, things to be seen around Ut
Drawing, Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper; 30.7 x 22.6 cm (12 1/16 x 8 7/8 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-two-drawings-of-the-madonna-and-child-in-ovals-studies-after-giambologna-and-alfonzo-da-ferrero-herm-and-chimera-after-antique-designed-by-felice-giani-italian-17581823-italy-pen-and-brown-ink-brush-and-brown-wash-over-black-chalk-on-white-heavy-wove-paper-307-x-226-cm-12-116-x-8-78-in-image546251963.htmlRM2PMKWXK–Drawing, Two Drawings of the Madonna and Child in Ovals, Studies after Giambologna and Alfonzo da Ferrero; Herm and Chimera, after Antique; Designed by Felice Giani (Italian, 1758–1823); Italy; pen and brown ink, brush and brown wash, over black chalk on white heavy wove paper; 30.7 x 22.6 cm (12 1/16 x 8 7/8 in.)
Portrait of a Man, Pen and black and brown ink, black wash and pencil on parchment, Sheet: 38.1 × 30.8 cm (15 × 12 1/8 in.), Made in France, French, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-aman-pen-and-black-and-brown-ink-black-wash-and-pencil-on-parchment-sheet-381-308-cm-15-12-18in-made-in-france-french-17thcentury-works-on-paper-drawings-andwatercolors-image393029684.htmlRM2DRC1AC–Portrait of a Man, Pen and black and brown ink, black wash and pencil on parchment, Sheet: 38.1 × 30.8 cm (15 × 12 1/8 in.), Made in France, French, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Roman Forum, Pen and black ink with brown wash, sheet: 5 1/2 x 7 5/16 in. (14 x 18.5 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-roman-forum-pen-and-black-ink-with-brown-wash-sheet-5-12-x-7-516-in-14-x-185-cm-drawings-anonymous-italian-17th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462811090.htmlRF2HTXT7E–Art inspired by Roman Forum, Pen and black ink with brown wash, sheet: 5 1/2 x 7 5/16 in. (14 x 18.5 cm), Drawings, Anonymous, Italian, 17th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Porta Portello with the Brenta Canal in Padua, 1740-1743. Date/Period: From 1740 until 1743. Pen and brown ink, brown and black-gray wash in two tones, over preliminary drawing with black pencil; red chalk lines and lines incised with metal stylus, presumably part of squaring. Pencil, ink, black chalk, sanguine, quill. Author: CANALETTO. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-porta-portello-with-the-brenta-canal-in-padua-1740-1743-dateperiod-from-1740-until-1743-pen-and-brown-ink-brown-and-black-gray-wash-in-two-tones-over-preliminary-drawing-with-black-pencil-red-chalk-lines-and-lines-incised-with-metal-stylus-presumably-part-of-squaring-pencil-ink-black-chalk-sanguine-quill-author-canaletto-image219685451.htmlRMPNBF0Y–The Porta Portello with the Brenta Canal in Padua, 1740-1743. Date/Period: From 1740 until 1743. Pen and brown ink, brown and black-gray wash in two tones, over preliminary drawing with black pencil; red chalk lines and lines incised with metal stylus, presumably part of squaring. Pencil, ink, black chalk, sanguine, quill. Author: CANALETTO.
. English: Three Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black ink oxidised to brown, subsequent additions in red, Kunstmuseum Basel. Folly in the Pulpit (no. 1) A Scholar Treads on a Market Woman's Basket of Eggs (no. 3) Sertorius and the Example of the Horses (no. 15) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive inta Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-three-marginal-drawings-in-a-copy-of-the-praise-of-folly-by-erasmus-of-rotterdam-pen-and-black-ink-oxidised-to-brown-subsequent-additions-in-red-kunstmuseum-basel-folly-in-the-pulpit-no-1-a-scholar-treads-on-a-market-womans-basket-of-eggs-no-3-sertorius-and-the-example-of-the-horses-no-15-hans-holbein-and-his-brother-ambrosius-drew-82-marginal-sketches-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-desiderius-erasmus-they-include-the-first-works-by-hans-holbein-to-survive-inta-image185846440.htmlRMMPA10T–. English: Three Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black ink oxidised to brown, subsequent additions in red, Kunstmuseum Basel. Folly in the Pulpit (no. 1) A Scholar Treads on a Market Woman's Basket of Eggs (no. 3) Sertorius and the Example of the Horses (no. 15) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works by Hans Holbein to survive inta
Baron François-Xavier Fabre. Cléombrote and Léonidas. 1795–1799. France. Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper In the wake of the French Revolution, painting commissions were few, but polished drawings had a market. This work illustrates a scene from Plutarch’s series of biographies of famous men in which the Spartan king Léonidas spares the life of his traitorous son-in-law Cléombrote, exiling him from Sparta. After pleading for her husband’s life, the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baron-franois-xavier-fabre-clombrote-and-lonidas-17951799-france-pen-and-black-and-brown-ink-with-brush-and-brown-wash-and-touches-of-blue-gouache-over-red-chalk-heightened-with-white-gouache-on-blue-laid-paper-laid-down-on-gray-laid-paper-in-the-wake-of-the-french-revolution-painting-commissions-were-few-but-polished-drawings-had-a-market-this-work-illustrates-a-scene-from-plutarchs-series-of-biographies-of-famous-men-in-which-the-spartan-king-lonidas-spares-the-life-of-his-traitorous-son-in-law-clombrote-exiling-him-from-sparta-after-pleading-for-her-husbands-life-the-image337944648.htmlRM2AHPKRM–Baron François-Xavier Fabre. Cléombrote and Léonidas. 1795–1799. France. Pen and black and brown ink, with brush and brown wash and touches of blue gouache, over red chalk, heightened with white gouache, on blue laid paper, laid down on gray laid paper In the wake of the French Revolution, painting commissions were few, but polished drawings had a market. This work illustrates a scene from Plutarch’s series of biographies of famous men in which the Spartan king Léonidas spares the life of his traitorous son-in-law Cléombrote, exiling him from Sparta. After pleading for her husband’s life, the
Walking in the Park 19th century Constantin Guys French. Walking in the Park. Constantin Guys (French, Flushing 1802–1892 Paris). 19th century. Pen and brown ink, brush and gray and black wash, and touches of yellow wash. Laid down.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/walking-in-the-park-19th-century-constantin-guys-french-walking-in-the-park-constantin-guys-french-flushing-18021892-paris-19th-century-pen-and-brown-ink-brush-and-gray-and-black-wash-and-touches-of-yellow-wash-laid-down-drawings-image458086225.htmlRM2HH7HJ9–Walking in the Park 19th century Constantin Guys French. Walking in the Park. Constantin Guys (French, Flushing 1802–1892 Paris). 19th century. Pen and brown ink, brush and gray and black wash, and touches of yellow wash. Laid down.. Drawings
Peasant's Cottage (recto), c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher. Bloemaert was an important precursor of the new wave of realism in Dutch art in the 1620s. Artist and author Karel van Mander (1548-1606) wrote the following description of Bloemaert=s drawings in 1604 which seems to correspond very closely to this work: With art lovers there are also by him very attractive landscapes with some attractive and funny farmhouses, farm tools, trees, and backgrounds, things to be seen around Utrecht in great numbers and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/peasants-cottage-recto-c-1600-abraham-bloemaert-active-in-utrecht-was-a-painter-prolific-draftsman-print-designer-and-important-teacher-bloemaert-was-an-important-precursor-of-the-new-wave-of-realism-in-dutch-art-in-the-1620s-artist-and-author-karel-van-mander-1548-1606-wrote-the-following-description-of-bloemaert=s-drawings-in-1604-which-seems-to-correspond-very-closely-to-this-work-with-art-lovers-there-are-also-by-him-very-attractive-landscapes-with-some-attractive-and-funny-farmhouses-farm-tools-trees-and-backgrounds-things-to-be-seen-around-utrecht-in-great-numbers-and-image330111679.htmlRM2A51TPR–Peasant's Cottage (recto), c. 1600. Abraham Bloemaert, active in Utrecht, was a painter, prolific draftsman, print designer, and important teacher. Bloemaert was an important precursor of the new wave of realism in Dutch art in the 1620s. Artist and author Karel van Mander (1548-1606) wrote the following description of Bloemaert=s drawings in 1604 which seems to correspond very closely to this work: With art lovers there are also by him very attractive landscapes with some attractive and funny farmhouses, farm tools, trees, and backgrounds, things to be seen around Utrecht in great numbers and
Artist: Thomas Gosden, In Paddington Church Yard, Pen and black ink and brown & black washes, 30.5 × 24.1 cm (12 × 9 1/2 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-thomas-gosden-in-paddington-churchyard-pen-and-black-ink-and-brown-amp-black-washes-305-241-cm-12-9-12in-made-in-united-states-american-19thcentury-works-on-paper-drawings-andwatercolors-image393446223.htmlRM2DT30JR–Artist: Thomas Gosden, In Paddington Church Yard, Pen and black ink and brown & black washes, 30.5 × 24.1 cm (12 × 9 1/2 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors
Art inspired by Letter to Theo Hanon, from Rops, signed Fély, pen and brown and black ink, top half: 8-5/8 x 10-3/4 in., Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-letter-to-theo-hanon-from-rops-signed-fly-pen-and-brown-and-black-ink-top-half-8-58-x-10-34-in-drawings-flicien-rops-belgian-namur-18331898-essonnes-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462949394.htmlRF2HW54JX–Art inspired by Letter to Theo Hanon, from Rops, signed Fély, pen and brown and black ink, top half: 8-5/8 x 10-3/4 in., Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Monk in the Ruins of a Monastery. Domenico Quaglio II; German, 1787-1837. Date: 1820-1830. Dimensions: 313 x 406 mm. Pen and black ink with brush and brown wash, squared in graphite, on paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monk-in-the-ruins-of-a-monastery-domenico-quaglio-ii-german-1787-1837-date-1820-1830-dimensions-313-x-406-mm-pen-and-black-ink-with-brush-and-brown-wash-squared-in-graphite-on-paper-origin-germany-museum-the-chicago-art-institute-image240137998.htmlRMRXK6D2–Monk in the Ruins of a Monastery. Domenico Quaglio II; German, 1787-1837. Date: 1820-1830. Dimensions: 313 x 406 mm. Pen and black ink with brush and brown wash, squared in graphite, on paper. Origin: Germany. Museum: The Chicago Art Institute.
. English: Four Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black Indian ink (no. 54) or black ink oxidised to brown, Kunstmuseum Basel. Two Women Dedicating Candles Before an Image of the Virgin (no. 54) A Mathematical Scholar (no. 41) A Theologian (no. 42) Mars and Venus Caught in Bed by Vulcan (no. 43) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-four-marginal-drawings-in-a-copy-of-the-praise-of-folly-by-erasmus-of-rotterdam-pen-and-black-indian-ink-no-54-or-black-ink-oxidised-to-brown-kunstmuseum-basel-two-women-dedicating-candles-before-an-image-of-the-virgin-no54-a-mathematical-scholar-no-41-a-theologian-no-42-mars-and-venus-caught-in-bed-by-vulcan-no-43-hans-holbein-and-his-brother-ambrosius-drew-82-marginal-sketches-in-the-copy-of-the-praise-of-folly-owned-by-classical-scholar-oswald-myconius-who-planned-to-show-the-result-to-the-author-his-friend-desiderius-erasmus-they-include-the-first-works-image185846450.htmlRMMPA116–. English: Four Marginal Drawings in a copy of 'The Praise of Folly' by Erasmus of Rotterdam. Pen and black Indian ink (no. 54) or black ink oxidised to brown, Kunstmuseum Basel. Two Women Dedicating Candles Before an Image of the Virgin (no. 54) A Mathematical Scholar (no. 41) A Theologian (no. 42) Mars and Venus Caught in Bed by Vulcan (no. 43) Hans Holbein and his brother, Ambrosius, drew 82 marginal sketches in the copy of The Praise of Folly owned by classical scholar Oswald Myconius, who planned to show the result to the author, his friend Desiderius Erasmus. They include the first works
Vittore Carpaccio. Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso). 1507–1508. Italy. Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper The Venetian master of narrative painting in the early 16th century, Carpaccio relied on drawings such as this one to study and refine individual figures, which would later be incorporated into his complicated painting cycles. This sheet is related to a painting in the Sala del Gran Consiglio i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vittore-carpaccio-study-of-two-kneeling-clerics-recto-study-of-standing-youth-verso-15071508-italy-pen-and-black-ink-with-black-chalk-heightened-with-white-gouache-recto-and-pen-and-black-and-brown-ink-with-touches-of-black-chalk-heightened-with-white-gouache-verso-on-blue-laid-paper-the-venetian-master-of-narrative-painting-in-the-early-16th-century-carpaccio-relied-on-drawings-such-as-this-one-to-study-and-refine-individual-figures-which-would-later-be-incorporated-into-his-complicated-painting-cycles-this-sheet-is-related-to-a-painting-in-the-sala-del-gran-consiglio-i-image337927643.htmlRM2AHNX4B–Vittore Carpaccio. Study of Two Kneeling Clerics (recto); Study of Standing Youth (verso). 1507–1508. Italy. Pen and black ink, with black chalk, heightened with white gouache (recto), and pen and black and brown ink, with touches of black chalk, heightened with white gouache (verso), on blue laid paper The Venetian master of narrative painting in the early 16th century, Carpaccio relied on drawings such as this one to study and refine individual figures, which would later be incorporated into his complicated painting cycles. This sheet is related to a painting in the Sala del Gran Consiglio i
Landscape 17th century Roelant Roghman Dutch. Landscape. Roelant Roghman (Dutch, Amsterdam 1627–1692 Amsterdam). 17th century. Pen, brown ink, brush and gray wash on beige paper. Framing line in pen & black ink.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-17th-century-roelant-roghman-dutch-landscape-roelant-roghman-dutch-amsterdam-16271692-amsterdam-17th-century-pen-brown-ink-brush-and-gray-wash-on-beige-paper-framing-line-in-pen-black-ink-drawings-image458107358.htmlRM2HH8GH2–Landscape 17th century Roelant Roghman Dutch. Landscape. Roelant Roghman (Dutch, Amsterdam 1627–1692 Amsterdam). 17th century. Pen, brown ink, brush and gray wash on beige paper. Framing line in pen & black ink.. Drawings
Monk in the Ruins of a Monastery, 1820/1830. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monk-in-the-ruins-of-a-monastery-18201830-image462412336.htmlRM2HT8KJ8–Monk in the Ruins of a Monastery, 1820/1830.
Artist: Domenico Piola, Italian, 1628–1703, Fall of the Rebel Angels, 17th century, Pen and black ink, brown wash, 39.7 × 28.3 cm (15 5/8 × 11 1/8 in.), Italian, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-domenico-piola-italian-16281703-fall-of-the-rebelangels-17thcentury-pen-and-black-ink-brown-wash-397-283-cm-15-58-11-18in-italian-17thcentury-works-on-paper-drawings-andwatercolors-image393510084.htmlRM2DT5X3G–Artist: Domenico Piola, Italian, 1628–1703, Fall of the Rebel Angels, 17th century, Pen and black ink, brown wash, 39.7 × 28.3 cm (15 5/8 × 11 1/8 in.), Italian, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Ammon and Jonadab, 1539, Pen and brown and black ink., Overall: 4 5/8 x 3 1/16 in. (11.7 x 7.8 cm), Drawings, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-ammon-and-jonadab-1539-pen-and-brown-and-black-ink-overall-4-58-x-3-116-in-117-x-78-cm-drawings-heinrich-aldegrever-german-paderborn-ca-150215551561-soest-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800491.htmlRF2HTXAMY–Art inspired by Ammon and Jonadab, 1539, Pen and brown and black ink., Overall: 4 5/8 x 3 1/16 in. (11.7 x 7.8 cm), Drawings, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Flowers in an Urn Decorated with Putti, on a Plinth. Jan van Huysum; Dutch, 1682-1749. Date: 1700-1749. Dimensions: 385 x 299 mm. Pen and black ink and brush and black and brown ink washes over red chalk on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-an-urn-decorated-with-putti-on-a-plinth-jan-van-huysum-dutch-1682-1749-date-1700-1749-dimensions-385-x-299-mm-pen-and-black-ink-and-brush-and-black-and-brown-ink-washes-over-red-chalk-on-cream-laid-paper-origin-holland-museum-the-chicago-art-institute-image239841344.htmlRMRX5M28–Flowers in an Urn Decorated with Putti, on a Plinth. Jan van Huysum; Dutch, 1682-1749. Date: 1700-1749. Dimensions: 385 x 299 mm. Pen and black ink and brush and black and brown ink washes over red chalk on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute.
Anne-Louis Girodet de Roussy-Trioson. Hermione Rejecting Orestes. 1787–1800. France. Pen and black ink and black chalk, with stumping, and brush and brown and gray wash, heightened with white gouache, on ivory laid paper Girodet was one of the star pupils of Jacques Louis David. As a young man, he supported himself by making drawings as book illustrations. For the deluxe three-volume edition of the works of Jean Racine, published in 1801, Girodet provided drawings for Phaedra and Andromaque. This sheet is a preparatory work for the latter; it is the scene in which Hermione spurns Orestes after Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/anne-louis-girodet-de-roussy-trioson-hermione-rejecting-orestes-17871800-france-pen-and-black-ink-and-black-chalk-with-stumping-and-brush-and-brown-and-gray-wash-heightened-with-white-gouache-on-ivory-laid-paper-girodet-was-one-of-the-star-pupils-of-jacques-louis-david-as-a-young-man-he-supported-himself-by-making-drawings-as-book-illustrations-for-the-deluxe-three-volume-edition-of-the-works-of-jean-racine-published-in-1801-girodet-provided-drawings-for-phaedra-and-andromaque-this-sheet-is-a-preparatory-work-for-the-latter-it-is-the-scene-in-which-hermione-spurns-orestes-after-image337920926.htmlRM2AHNHGE–Anne-Louis Girodet de Roussy-Trioson. Hermione Rejecting Orestes. 1787–1800. France. Pen and black ink and black chalk, with stumping, and brush and brown and gray wash, heightened with white gouache, on ivory laid paper Girodet was one of the star pupils of Jacques Louis David. As a young man, he supported himself by making drawings as book illustrations. For the deluxe three-volume edition of the works of Jean Racine, published in 1801, Girodet provided drawings for Phaedra and Andromaque. This sheet is a preparatory work for the latter; it is the scene in which Hermione spurns Orestes after
The Resurrection early 16th century Bernard van Orley Netherlandish. The Resurrection. Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42 Brussels). early 16th century. Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist). Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-resurrection-early-16th-century-bernard-van-orley-netherlandish-the-resurrection-bernard-van-orley-netherlandish-brussels-ca-1492154142-brussels-early-16th-century-pen-and-black-ink-gray-wash-framing-line-in-pen-and-brown-ink-by-the-artist-drawings-image458013549.htmlRM2HH48XN–The Resurrection early 16th century Bernard van Orley Netherlandish. The Resurrection. Bernard van Orley (Netherlandish, Brussels ca. 1492–1541/42 Brussels). early 16th century. Pen and black ink, gray wash. Framing line in pen and brown ink (by the artist). Drawings
Christ in the Garden of Gethsemane, 1460-65. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-the-garden-of-gethsemane-1460-65-image462412153.htmlRM2HT8KBN–Christ in the Garden of Gethsemane, 1460-65.
Young Woman Taking Care of a Doll, Pen and brown ink and black and red chalk and gray wash, sheet: 18.7 × 30.8 cm (7 3/8 × 12 1/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-taking-care-of-adoll-pen-and-brown-ink-and-black-and-red-chalk-and-gray-wash-sheet-187-308-cm-7-38-12-18in-made-in-the-netherlands-dutch-17thcentury-works-on-paper-drawings-andwatercolors-image393307231.htmlRM2DRTKAR–Young Woman Taking Care of a Doll, Pen and brown ink and black and red chalk and gray wash, sheet: 18.7 × 30.8 cm (7 3/8 × 12 1/8 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Theater Design, 18th century, Pen and brown ink heightened with green wash and black ink, sheet: 6 5/8 x 9 3/4 in. (16.8 x 24.8 cm), Drawings, Attributed to Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-theater-design-18th-century-pen-and-brown-ink-heightened-with-green-wash-and-black-ink-sheet-6-58-x-9-34-in-168-x-248-cm-drawings-attributed-to-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462985721.htmlRF2HW6R09–Art inspired by Theater Design, 18th century, Pen and brown ink heightened with green wash and black ink, sheet: 6 5/8 x 9 3/4 in. (16.8 x 24.8 cm), Drawings, Attributed to Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-and-eve-under-a-tree-recto-two-men-in-dispute-verso-hermann-weyer-german-c-1596-1621-date-1605-1621-dimensions-184-x-156-mm-pen-and-black-ink-with-brush-and-gray-and-brown-wash-heightened-with-white-gouache-on-cream-laid-paper-origin-germany-museum-the-chicago-art-institute-image239935361.htmlRMRXA001–Adam and Eve Under a Tree (recto); Two Men in Dispute (verso). Hermann Weyer; German, c. 1596-1621. Date: 1605-1621. Dimensions: 184 x 156 mm. Pen and black ink, with brush and gray and brown wash, heightened with white gouache, on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. The Dream of Telemachus, from The Adventures of Telemachus, Book 4. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented further adventures f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-the-dream-of-telemachus-from-the-adventures-of-telemachus-book-4-1808-italy-pen-and-black-ink-with-brush-and-gray-and-brown-wash-over-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-fnelon-invented-further-adventures-f-image337948890.htmlRM2AHPW76–Bartolomeo Pinelli. The Dream of Telemachus, from The Adventures of Telemachus, Book 4. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented further adventures f
View of the Laurenskerk, Rotterdam 1651–84 Attributed to Gerrit van Battem Dutch. View of the Laurenskerk, Rotterdam. Attributed to Gerrit van Battem (Dutch, 1636–1684). 1651–84. Pen and black and gray ink, with brush and black and gray ink; framing line in brown ink. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-laurenskerk-rotterdam-165184-attributed-to-gerrit-van-battem-dutch-view-of-the-laurenskerk-rotterdam-attributed-to-gerrit-van-battem-dutch-16361684-165184-pen-and-black-and-gray-ink-with-brush-and-black-and-gray-ink-framing-line-in-brown-ink-drawings-image457785176.htmlRM2HGNWJG–View of the Laurenskerk, Rotterdam 1651–84 Attributed to Gerrit van Battem Dutch. View of the Laurenskerk, Rotterdam. Attributed to Gerrit van Battem (Dutch, 1636–1684). 1651–84. Pen and black and gray ink, with brush and black and gray ink; framing line in brown ink. Drawings
Christ in Limbo, 1460-65. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-in-limbo-1460-65-image462412297.htmlRM2HT8KGW–Christ in Limbo, 1460-65.
Artist: Thomas Gosden, In the Wesleyan Chapel, City Road, Pen and black ink and brown wash over graphite, 18.1 × 15.9 cm (7 1/8 × 6 1/4 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-thomas-gosden-in-the-wesleyan-chapel-cityroad-pen-and-black-ink-and-brown-wash-over-graphite-181-159-cm-7-18-6-14in-made-in-united-states-american-19thcentury-works-on-paper-drawings-andwatercolors-image393446376.htmlRM2DT30T8–Artist: Thomas Gosden, In the Wesleyan Chapel, City Road, Pen and black ink and brown wash over graphite, 18.1 × 15.9 cm (7 1/8 × 6 1/4 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors
Art inspired by Equestrian Portrait of Napoleon as First Consul, n.d., Pen and black ink and gray washes, with brown ink framing lines., 37.9 x 28.5 cm, Drawings, Auvrest (French, active late 18th–early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-equestrian-portrait-of-napoleon-as-first-consul-nd-pen-and-black-ink-and-gray-washes-with-brown-ink-framing-lines-379-x-285-cm-drawings-auvrest-french-active-late-18thearly-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462946657.htmlRF2HW5155–Art inspired by Equestrian Portrait of Napoleon as First Consul, n.d., Pen and black ink and gray washes, with brown ink framing lines., 37.9 x 28.5 cm, Drawings, Auvrest (French, active late 18th–early 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rocky Landscape with Pan Playing His Flute (In the Park of the Villa Chigi, Ariccia). Johann Christian Reinhart; German, 1761-1847. Date: 1808. Dimensions: 443 x 587 mm (sheet); 577 x 725 mm (max. mount). Pen and black ink, and brush and brown wash, on cream laid paper, laid down on cream laid card. Origin: Germany. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rocky-landscape-with-pan-playing-his-flute-in-the-park-of-the-villa-chigi-ariccia-johann-christian-reinhart-german-1761-1847-date-1808-dimensions-443-x-587-mm-sheet-577-x-725-mm-max-mount-pen-and-black-ink-and-brush-and-brown-wash-on-cream-laid-paper-laid-down-on-cream-laid-card-origin-germany-museum-the-chicago-art-institute-image240138026.htmlRMRXK6E2–Rocky Landscape with Pan Playing His Flute (In the Park of the Villa Chigi, Ariccia). Johann Christian Reinhart; German, 1761-1847. Date: 1808. Dimensions: 443 x 587 mm (sheet); 577 x 725 mm (max. mount). Pen and black ink, and brush and brown wash, on cream laid paper, laid down on cream laid card. Origin: Germany. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Telemachus is Consoled by Termosiris, Priest of Apollo, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-telemachus-is-consoled-by-termosiris-priest-of-apollo-from-the-adventures-of-telemachus-book-2-1808-italy-pen-and-black-ink-with-brush-and-gray-and-brown-wash-over-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-fnelo-image337948891.htmlRM2AHPW77–Bartolomeo Pinelli. Telemachus is Consoled by Termosiris, Priest of Apollo, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelo
Market Scene late 16th–17th century Matthäus Gundelach German. Market Scene. Matthäus Gundelach (German, Hessen ca. 1566–1653/4 Augsburg). late 16th–17th century. Pen and brown ink, gray wash, over a sketch in black and red chalk. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/market-scene-late-16th17th-century-matthus-gundelach-german-market-scene-matthus-gundelach-german-hessen-ca-156616534-augsburg-late-16th17th-century-pen-and-brown-ink-gray-wash-over-a-sketch-in-black-and-red-chalk-drawings-image458172999.htmlRM2HHBG9B–Market Scene late 16th–17th century Matthäus Gundelach German. Market Scene. Matthäus Gundelach (German, Hessen ca. 1566–1653/4 Augsburg). late 16th–17th century. Pen and brown ink, gray wash, over a sketch in black and red chalk. Drawings
Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/flowers-in-an-urn-decorated-with-putti-on-a-plinth-early-18th-century-image462413531.htmlRM2HT8N4Y–Flowers in an Urn Decorated with Putti, on a Plinth, early 18th century.
Artist: Matthaus Terwesten, Dutch, 1670–1757, The Banquet of Aeneas and Dido, late 17th–mid 18th century, Pen and black ink and brown wash, image: 18.3 × 30.5 cm (7 3/16 × 12 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-matthaus-terwesten-dutch-16701757-the-banquet-of-aeneas-anddido-late-17thmid-18thcentury-pen-and-black-ink-and-brown-wash-image-183-305-cm-7-316-12in-made-in-the-netherlands-dutch-17thcentury-works-on-paper-drawings-andwatercolors-image393451758.htmlRM2DT37ME–Artist: Matthaus Terwesten, Dutch, 1670–1757, The Banquet of Aeneas and Dido, late 17th–mid 18th century, Pen and black ink and brown wash, image: 18.3 × 30.5 cm (7 3/16 × 12 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Farmers Dancing, 1599, Pen and black ink, brush and reddish brown wash, sheet: 2 x 5 7/16 in. (5.1 x 13.8 cm), Drawings, Dietrich Theodor Meyer the Elder (Swiss, Eglisau 1572–1658 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-farmers-dancing-1599-pen-and-black-ink-brush-and-reddish-brown-wash-sheet-2-x-5-716-in-51-x-138-cm-drawings-dietrich-theodor-meyer-the-elder-swiss-eglisau-15721658-zurich-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462975333.htmlRF2HW69N9–Art inspired by Farmers Dancing, 1599, Pen and black ink, brush and reddish brown wash, sheet: 2 x 5 7/16 in. (5.1 x 13.8 cm), Drawings, Dietrich Theodor Meyer the Elder (Swiss, Eglisau 1572–1658 Zurich, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Titans Storming Mount Olympus. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1765-1777. Dimensions: 560 x 700 mm. Pen and black ink and brush and black, gray, and pale brown wash, heightened with touches of white chalk, on cream laid paper, perimeter mounted on tan laid paper. Origin: Switzerland. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/titans-storming-mount-olympus-henry-fuseli-swiss-active-in-england-1741-1825-date-1765-1777-dimensions-560-x-700-mm-pen-and-black-ink-and-brush-and-black-gray-and-pale-brown-wash-heightened-with-touches-of-white-chalk-on-cream-laid-paper-perimeter-mounted-on-tan-laid-paper-origin-switzerland-museum-the-chicago-art-institute-image240099781.htmlRMRXHDM5–Titans Storming Mount Olympus. Henry Fuseli; Swiss, active in England, 1741-1825. Date: 1765-1777. Dimensions: 560 x 700 mm. Pen and black ink and brush and black, gray, and pale brown wash, heightened with touches of white chalk, on cream laid paper, perimeter mounted on tan laid paper. Origin: Switzerland. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Telemachus Relates His Adventures to the Goddess Calypso, from The Adventures of Telemachus, Book 1. 1808. Italy. Pen and black ink with brush and gray and brown wash, with traces of black chalk, on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his fa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-telemachus-relates-his-adventures-to-the-goddess-calypso-from-the-adventures-of-telemachus-book-1-1808-italy-pen-and-black-ink-with-brush-and-gray-and-brown-wash-with-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-fa-image337948859.htmlRM2AHPW63–Bartolomeo Pinelli. Telemachus Relates His Adventures to the Goddess Calypso, from The Adventures of Telemachus, Book 1. 1808. Italy. Pen and black ink with brush and gray and brown wash, with traces of black chalk, on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his fa
View of Naples: Place Royale 19th century Anonymous, French, 19th century French. View of Naples: Place Royale. Anonymous, French, 19th century. 19th century. Pen and black ink, brush and gray wash. Framing lines in pen and brown ink, brush and brown wash.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-naples-place-royale-19th-century-anonymous-french-19th-century-french-view-of-naples-place-royale-anonymous-french-19th-century-19th-century-pen-and-black-ink-brush-and-gray-wash-framing-lines-in-pen-and-brown-ink-brush-and-brown-wash-drawings-image458299759.htmlRM2HHHA0F–View of Naples: Place Royale 19th century Anonymous, French, 19th century French. View of Naples: Place Royale. Anonymous, French, 19th century. 19th century. Pen and black ink, brush and gray wash. Framing lines in pen and brown ink, brush and brown wash.. Drawings
Landscape with Fisherman in Lake, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-fisherman-in-lake-nd-image462396901.htmlRM2HT7YY1–Landscape with Fisherman in Lake, n.d.
Artist: Domenico Feti, Italian, ca. 1589–1624, Emperor Domitian, 17th century, Black and a little red chalk and pen and brown ink with brown wash heightened with white, 32.9 × 24.8 cm (12 15/16 × 9 3/4 in.), Italian, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-domenico-feti-italian-ca-15891624-emperordomitian-17thcentury-black-and-a-little-red-chalk-and-pen-and-brown-ink-with-brown-wash-heightened-with-white-329-248-cm-12-1516-9-34in-italian-17thcentury-works-on-paper-drawings-andwatercolors-image393454827.htmlRM2DT3BJ3–Artist: Domenico Feti, Italian, ca. 1589–1624, Emperor Domitian, 17th century, Black and a little red chalk and pen and brown ink with brown wash heightened with white, 32.9 × 24.8 cm (12 15/16 × 9 3/4 in.), Italian, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Landscape, 1730–58, Graphite; framing lines in pen and black and brown ink, 8 7/16 x 12 5/16in. (21.5 x 31.2cm), Drawings, Jean-Baptiste-Claude Chatelain (British, London (?) ca. 1710–1758 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-landscape-173058-graphite-framing-lines-in-pen-and-black-and-brown-ink-8-716-x-12-516in-215-x-312cm-drawings-jean-baptiste-claude-chatelain-british-london-ca-17101758-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462800282.htmlRF2HTXADE–Art inspired by Landscape, 1730–58, Graphite; framing lines in pen and black and brown ink, 8 7/16 x 12 5/16in. (21.5 x 31.2cm), Drawings, Jean-Baptiste-Claude Chatelain (British, London (?) ca. 1710–1758 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Old Woman with Cane in Door, with Black Maid Holding Child, and Other Figures. Follower of Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1578-1582. Dimensions: 175 x 143 mm (max.). Pen and brown ink, heightened with lead white (partly oxidized), on cream laid paper prepared with salmon wash, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/old-woman-with-cane-in-door-with-black-maid-holding-child-and-other-figures-follower-of-francesco-mazzola-called-parmigianino-italian-1503-1540-date-1578-1582-dimensions-175-x-143-mm-max-pen-and-brown-ink-heightened-with-lead-white-partly-oxidized-on-cream-laid-paper-prepared-with-salmon-wash-laid-down-on-ivory-laid-card-origin-italy-museum-the-chicago-art-institute-image239823853.htmlRMRX4WNH–Old Woman with Cane in Door, with Black Maid Holding Child, and Other Figures. Follower of Francesco Mazzola, called Parmigianino; Italian, 1503-1540. Date: 1578-1582. Dimensions: 175 x 143 mm (max.). Pen and brown ink, heightened with lead white (partly oxidized), on cream laid paper prepared with salmon wash, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5. 1808. Italy. Pen and black ink, with brush and dark gray and brown wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-telemachus-describes-how-he-was-admitted-into-the-assembly-in-crete-from-the-adventures-of-telemachus-book-5-1808-italy-pen-and-black-ink-with-brush-and-dark-gray-and-brown-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-s-image337948939.htmlRM2AHPW8Y–Bartolomeo Pinelli. Telemachus Describes How He Was Admitted into the Assembly in Crete, from The Adventures of Telemachus, Book 5. 1808. Italy. Pen and black ink, with brush and dark gray and brown wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s s
Grape Harvest at the Gulf of Naples 1770–1825 Christoph Heinrich Kniep German. Grape Harvest at the Gulf of Naples. Christoph Heinrich Kniep (German, Hildesheim 1755–1825 Naples). 1770–1825. Brush and brown ink, over a graphite sketch. Framing line in pen and black ink. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grape-harvest-at-the-gulf-of-naples-17701825-christoph-heinrich-kniep-german-grape-harvest-at-the-gulf-of-naples-christoph-heinrich-kniep-german-hildesheim-17551825-naples-17701825-brush-and-brown-ink-over-a-graphite-sketch-framing-line-in-pen-and-black-ink-drawings-image458129074.htmlRM2HH9G8J–Grape Harvest at the Gulf of Naples 1770–1825 Christoph Heinrich Kniep German. Grape Harvest at the Gulf of Naples. Christoph Heinrich Kniep (German, Hildesheim 1755–1825 Naples). 1770–1825. Brush and brown ink, over a graphite sketch. Framing line in pen and black ink. Drawings
Pond in a Wooded Landscape, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pond-in-a-wooded-landscape-nd-image462413749.htmlRM2HT8NCN–Pond in a Wooded Landscape, n.d.
Artist: Abraham Bloemaert, Dutch, 1566–1651, The Annunciation, Pen and black ink and brown and a little bit of red wash heightened with white (partly oxidized), traced for transfer, sheet: 19.3 × 15.1 cm (7 5/8 × 5 15/16 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-abraham-bloemaert-dutch-15661651-theannunciation-pen-and-black-ink-and-brown-and-a-little-bit-of-red-wash-heightened-with-white-partly-oxidized-traced-for-transfer-sheet-193-151-cm-7-58-5-1516in-made-in-the-netherlands-dutch-17thcentury-works-on-paper-drawings-andwatercolors-image393265058.htmlRM2DRPNGJ–Artist: Abraham Bloemaert, Dutch, 1566–1651, The Annunciation, Pen and black ink and brown and a little bit of red wash heightened with white (partly oxidized), traced for transfer, sheet: 19.3 × 15.1 cm (7 5/8 × 5 15/16 in.), Made in The Netherlands, Dutch, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Visitors Inspecting Classical Ruins, n.d., Pen and black ink, brush and brown wash, 18 5/8 x 26 in. (47.3 x 66.1 cm), Drawings, attributed to Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-visitors-inspecting-classical-ruins-nd-pen-and-black-ink-brush-and-brown-wash-18-58-x-26-in-473-x-661-cm-drawings-attributed-to-louis-jean-desprez-french-auxerre-17431804-stockholm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462964131.htmlRF2HW5RD7–Art inspired by Visitors Inspecting Classical Ruins, n.d., Pen and black ink, brush and brown wash, 18 5/8 x 26 in. (47.3 x 66.1 cm), Drawings, attributed to Louis Jean Desprez (French, Auxerre 1743–1804 Stockholm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps. Girolamo Macchietti, after; Italian, c. 1535-1592. Date: 1575-1600. Dimensions: 263 x 394 mm (max.). Pen and black ink with brush and brown and gray wash, heightened with lead white, with traces of graphite, on laid paper prepared with ocher wash, squared in graphite, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-reclining-beggars-and-seated-mother-and-child-at-foot-of-steps-girolamo-macchietti-after-italian-c-1535-1592-date-1575-1600-dimensions-263-x-394-mm-max-pen-and-black-ink-with-brush-and-brown-and-gray-wash-heightened-with-lead-white-with-traces-of-graphite-on-laid-paper-prepared-with-ocher-wash-squared-in-graphite-laid-down-on-cream-laid-paper-origin-italy-museum-the-chicago-art-institute-image239826206.htmlRMRX50NJ–Two Reclining Beggars, and Seated Mother and Child, at Foot of Steps. Girolamo Macchietti, after; Italian, c. 1535-1592. Date: 1575-1600. Dimensions: 263 x 394 mm (max.). Pen and black ink with brush and brown and gray wash, heightened with lead white, with traces of graphite, on laid paper prepared with ocher wash, squared in graphite, laid down on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Telemachus Plays and Sings to the Shepherds in Egypt, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-telemachus-plays-and-sings-to-the-shepherds-in-egypt-from-the-adventures-of-telemachus-book-2-1808-italy-pen-and-black-ink-with-brush-and-brown-and-gray-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-image337948900.htmlRM2AHPW7G–Bartolomeo Pinelli. Telemachus Plays and Sings to the Shepherds in Egypt, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father
A Reconstruction of the Colosseum in Cross-Section before 1704 Jan Goeree Dutch. A Reconstruction of the Colosseum in Cross-Section. Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam). before 1704. Pen and black and brown ink, brush and brown wash, over traces of red chalk. Incised.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-reconstruction-of-the-colosseum-in-cross-section-before-1704-jan-goeree-dutch-a-reconstruction-of-the-colosseum-in-cross-section-jan-goeree-dutch-middelburg-16701731-amsterdam-before-1704-pen-and-black-and-brown-ink-brush-and-brown-wash-over-traces-of-red-chalk-incised-drawings-image458141128.htmlRM2HHA3K4–A Reconstruction of the Colosseum in Cross-Section before 1704 Jan Goeree Dutch. A Reconstruction of the Colosseum in Cross-Section. Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam). before 1704. Pen and black and brown ink, brush and brown wash, over traces of red chalk. Incised.. Drawings
Lovers in a Room, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lovers-in-a-room-nd-image457043665.htmlRM2HFG3T1–Lovers in a Room, n.d.
Hunters in Landscape, Pen and brush and brown ink and brown wash and traces of black chalk, Sheet: 17.6 × 23.8 cm (6 15/16 × 9 3/8 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hunters-inlandscape-pen-and-brush-and-brown-ink-and-brown-wash-and-traces-of-black-chalk-sheet-176-238-cm-6-1516-9-38in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393035696.htmlRM2DRC914–Hunters in Landscape, Pen and brush and brown ink and brown wash and traces of black chalk, Sheet: 17.6 × 23.8 cm (6 15/16 × 9 3/8 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Designs for Two Urns, Pen and black ink with brush and brown wash over graphite underdrawing, 7 15/16 x 13 3/8 in. (20.1 x 34 cm.), Drawings, Attributed to Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-designs-for-two-urns-pen-and-black-ink-with-brush-and-brown-wash-over-graphite-underdrawing-7-1516-x-13-38-in-201-x-34-cm-drawings-attributed-to-tienne-de-lavalle-poussin-french-rouen-17331793-paris-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462948161.htmlRF2HW532W–Art inspired by Designs for Two Urns, Pen and black ink with brush and brown wash over graphite underdrawing, 7 15/16 x 13 3/8 in. (20.1 x 34 cm.), Drawings, Attributed to Étienne de Lavallée-Poussin (French, Rouen 1733–1793 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Marriage of the Virgin. Jacques Stella; French, 1596-1657. Date: 1635-1645. Dimensions: 367 × 267 mm. Pen and black ink, with brush and gray and pale brown wash and graphite, on pieced cream laid paper (two figures before column are cut from a similar paper and inserted over a slightly smaller hole in the primary support). Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/marriage-of-the-virgin-jacques-stella-french-1596-1657-date-1635-1645-dimensions-367-267-mm-pen-and-black-ink-with-brush-and-gray-and-pale-brown-wash-and-graphite-on-pieced-cream-laid-paper-two-figures-before-column-are-cut-from-a-similar-paper-and-inserted-over-a-slightly-smaller-hole-in-the-primary-support-origin-france-museum-the-chicago-art-institute-image240055018.htmlRMRXFCHE–Marriage of the Virgin. Jacques Stella; French, 1596-1657. Date: 1635-1645. Dimensions: 367 × 267 mm. Pen and black ink, with brush and gray and pale brown wash and graphite, on pieced cream laid paper (two figures before column are cut from a similar paper and inserted over a slightly smaller hole in the primary support). Origin: France. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented furthe Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-telemachus-battles-the-lion-from-the-adventures-of-telemachus-book-2-1808-italy-pen-and-black-ink-with-brush-and-brown-and-gray-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-fnelon-invented-furthe-image337948863.htmlRM2AHPW67–Bartolomeo Pinelli. Telemachus Battles the Lion, from The Adventures of Telemachus, Book 2. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented furthe
Plan of the Tempio della Speranza 1710–27 Pietro Paolo Coccetti (Cocchetti) Italian. Plan of the Tempio della Speranza. Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727). 1710–27. Pen and black-brown ink, brush and gray wash, over traces of ruling in graphite. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/plan-of-the-tempio-della-speranza-171027-pietro-paolo-coccetti-cocchetti-italian-plan-of-the-tempio-della-speranza-pietro-paolo-coccetti-cocchetti-italian-documented-rome-17101727-171027-pen-and-black-brown-ink-brush-and-gray-wash-over-traces-of-ruling-in-graphite-drawings-image458131271.htmlRM2HH9K33–Plan of the Tempio della Speranza 1710–27 Pietro Paolo Coccetti (Cocchetti) Italian. Plan of the Tempio della Speranza. Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727). 1710–27. Pen and black-brown ink, brush and gray wash, over traces of ruling in graphite. Drawings
Bridge North in Shropshire, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridge-north-in-shropshire-nd-image462415727.htmlRM2HT8RYB–Bridge North in Shropshire, n.d.
Mountainous landscape with trees and city in distance, Pen and brown ink and brush and gray-brown ink and black chalk, Sheet: 18.5 × 28.7 cm (7 5/16 × 11 5/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mountainous-landscape-with-trees-and-city-indistance-pen-and-brown-ink-and-brush-and-gray-brown-ink-and-black-chalk-sheet-185-287-cm-7-516-11-516in-made-in-flanders-flemish-17thcentury-works-on-paper-drawings-andwatercolors-image393540525.htmlRM2DT78XN–Mountainous landscape with trees and city in distance, Pen and brown ink and brush and gray-brown ink and black chalk, Sheet: 18.5 × 28.7 cm (7 5/16 × 11 5/16 in.), Made in Flanders, Flemish, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Two Lansquenets, 1513, Pen and black ink highlighted with brush and opaque white on reddish brown prepared paper., 5 1/2 x 3 11/16 in. (14 x 9.3 cm), Drawings, Circle of Erhard Altdorfer (German, 1480/85–1561/62 Schwerin), Pictures of splendidly dressed soldiers in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-two-lansquenets-1513-pen-and-black-ink-highlighted-with-brush-and-opaque-white-on-reddish-brown-prepared-paper-5-12-x-3-1116-in-14-x-93-cm-drawings-circle-of-erhard-altdorfer-german-148085156162-schwerin-pictures-of-splendidly-dressed-soldiers-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462824164.htmlRF2HTYCXC–Art inspired by Two Lansquenets, 1513, Pen and black ink highlighted with brush and opaque white on reddish brown prepared paper., 5 1/2 x 3 11/16 in. (14 x 9.3 cm), Drawings, Circle of Erhard Altdorfer (German, 1480/85–1561/62 Schwerin), Pictures of splendidly dressed soldiers in, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kneeling Saint Stephen with Upraised Right Arm. Attributed to Sabatini, called Lorenzino da Bologna; Italian, c. 1530-1576. Date: 1550-1576. Dimensions: 195 x 114 mm (max.). Pen and brown ink over black and red chalk, on tan laid paper, squared in red chalk, pieced and laid down on cream laid paper, tipped onto ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute. Author: Lorenzo Sabbatini. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kneeling-saint-stephen-with-upraised-right-arm-attributed-to-sabatini-called-lorenzino-da-bologna-italian-c-1530-1576-date-1550-1576-dimensions-195-x-114-mm-max-pen-and-brown-ink-over-black-and-red-chalk-on-tan-laid-paper-squared-in-red-chalk-pieced-and-laid-down-on-cream-laid-paper-tipped-onto-ivory-wove-paper-origin-italy-museum-the-chicago-art-institute-author-lorenzo-sabbatini-image239874875.htmlRMRX76RR–Kneeling Saint Stephen with Upraised Right Arm. Attributed to Sabatini, called Lorenzino da Bologna; Italian, c. 1530-1576. Date: 1550-1576. Dimensions: 195 x 114 mm (max.). Pen and brown ink over black and red chalk, on tan laid paper, squared in red chalk, pieced and laid down on cream laid paper, tipped onto ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute. Author: Lorenzo Sabbatini.
Bartolomeo Pinelli. Cupid Advises Calypso to Set Fire to Mentor’s Ship, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-cupid-advises-calypso-to-set-fire-to-mentors-ship-from-the-adventures-of-telemachus-book-7-1808-italy-pen-and-black-ink-with-brush-and-brown-and-gray-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-image337948888.htmlRM2AHPW74–Bartolomeo Pinelli. Cupid Advises Calypso to Set Fire to Mentor’s Ship, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father.
Copies after Jusepe de Ribera 18th century Nicolas Bernard Lépicié French. Copies after Jusepe de Ribera. Nicolas Bernard Lépicié (French, Paris 1735–1784 Paris). 18th century. Pen and black ink, gray wash, over graphite; framing lines in pen and brown ink. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/copies-after-jusepe-de-ribera-18th-century-nicolas-bernard-lpici-french-copies-after-jusepe-de-ribera-nicolas-bernard-lpici-french-paris-17351784-paris-18th-century-pen-and-black-ink-gray-wash-over-graphite-framing-lines-in-pen-and-brown-ink-drawings-image458071387.htmlRM2HH6XMB–Copies after Jusepe de Ribera 18th century Nicolas Bernard Lépicié French. Copies after Jusepe de Ribera. Nicolas Bernard Lépicié (French, Paris 1735–1784 Paris). 18th century. Pen and black ink, gray wash, over graphite; framing lines in pen and brown ink. Drawings
Woman Seated in Roman Chair, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/woman-seated-in-roman-chair-nd-image457043617.htmlRM2HFG3P9–Woman Seated in Roman Chair, n.d.
Artist: Jacques Stella, French, 1596–1657, St. Philip in prison, Pen and brush, brown ink and brown wash over black chalk, 22 × 16.3 cm (8 11/16 × 6 7/16 in.), French, 17th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-jacques-stella-french-15961657-st-philip-inprison-pen-and-brush-brown-ink-and-brown-wash-over-black-chalk-22-163-cm-8-1116-6-716in-french-17thcentury-works-on-paper-drawings-andwatercolors-image393460898.htmlRM2DT3KAX–Artist: Jacques Stella, French, 1596–1657, St. Philip in prison, Pen and brush, brown ink and brown wash over black chalk, 22 × 16.3 cm (8 11/16 × 6 7/16 in.), French, 17th century, Works on Paper - Drawings and Watercolors
Art inspired by Monastery of Mega Spileon, Greece, 1896, Pen and brown and black ink, brush and brown and gray ink, graphite, heightened with white gouache, 8 x 4 9/16 in. (20.3 x 11.6 cm), Drawings, Peter Toft (Swedish, active in America and England, Kolding (Jutland)1825–1901 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-monastery-of-mega-spileon-greece-1896-pen-and-brown-and-black-ink-brush-and-brown-and-gray-ink-graphite-heightened-with-white-gouache-8-x-4-916-in-203-x-116-cm-drawings-peter-toft-swedish-active-in-america-and-england-kolding-jutland18251901-london-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462948143.htmlRF2HW5327–Art inspired by Monastery of Mega Spileon, Greece, 1896, Pen and brown and black ink, brush and brown and gray ink, graphite, heightened with white gouache, 8 x 4 9/16 in. (20.3 x 11.6 cm), Drawings, Peter Toft (Swedish, active in America and England, Kolding (Jutland)1825–1901 London, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Footpath in the Barbizonnières. Théodore Rousseau; French, 1812-1867. Date: 1864. Dimensions: 123 × 204 mm. Pen and brown and black ink, with watercolor, over graphite, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/footpath-in-the-barbizonnires-thodore-rousseau-french-1812-1867-date-1864-dimensions-123-204-mm-pen-and-brown-and-black-ink-with-watercolor-over-graphite-on-ivory-wove-paper-origin-france-museum-the-chicago-art-institute-image240171875.htmlRMRXMNJY–Footpath in the Barbizonnières. Théodore Rousseau; French, 1812-1867. Date: 1864. Dimensions: 123 × 204 mm. Pen and brown and black ink, with watercolor, over graphite, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Mentor and Telemachus, Having Survived the Storm, Are Spirited to the Island of Calypso on a Mast, from The Adventures of Telemachus, Book 6. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of wh Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-mentor-and-telemachus-having-survived-the-storm-are-spirited-to-the-island-of-calypso-on-a-mast-from-the-adventures-of-telemachus-book-6-1808-italy-pen-and-black-ink-with-brush-and-gray-and-brown-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-wh-image337948942.htmlRM2AHPW92–Bartolomeo Pinelli. Mentor and Telemachus, Having Survived the Storm, Are Spirited to the Island of Calypso on a Mast, from The Adventures of Telemachus, Book 6. 1808. Italy. Pen and black ink, with brush and gray and brown wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of wh
Young Woman in a Blue and Black Dress ca. 1863 (?) Constantin Guys French. Young Woman in a Blue and Black Dress. Constantin Guys (French, Flushing 1802–1892 Paris). ca. 1863 (?). Pen and brown ink with watercolor wash on off-white wove paper. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/young-woman-in-a-blue-and-black-dress-ca-1863-constantin-guys-french-young-woman-in-a-blue-and-black-dress-constantin-guys-french-flushing-18021892-paris-ca-1863-pen-and-brown-ink-with-watercolor-wash-on-off-white-wove-paper-drawings-image458423277.htmlRM2HHPYFW–Young Woman in a Blue and Black Dress ca. 1863 (?) Constantin Guys French. Young Woman in a Blue and Black Dress. Constantin Guys (French, Flushing 1802–1892 Paris). ca. 1863 (?). Pen and brown ink with watercolor wash on off-white wove paper. Drawings
Teetertotter in Church Building, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/teetertotter-in-church-building-nd-image462415714.htmlRM2HT8RXX–Teetertotter in Church Building, n.d.
After: Prospero Fontana, Italian, 1512–1597, Standing figure draped in cloak, After 1552, Pen and brown ink and brown wash over black chalk heightened with white on blue paper, Sheet; 16.7 × 9.4 cm (6 9/16 × 3 11/16 in.), Made in Italy, Italian, 16th century, Works on Paper - Drawings and Watercolors Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/after-prospero-fontana-italian-15121597-standing-figure-draped-incloak-after1552-pen-and-brown-ink-and-brown-wash-over-black-chalk-heightened-with-white-on-blue-paper-sheet-167-94-cm-6-916-3-1116in-made-in-italy-italian-16thcentury-works-on-paper-drawings-andwatercolors-image393439051.htmlRM2DT2KEK–After: Prospero Fontana, Italian, 1512–1597, Standing figure draped in cloak, After 1552, Pen and brown ink and brown wash over black chalk heightened with white on blue paper, Sheet; 16.7 × 9.4 cm (6 9/16 × 3 11/16 in.), Made in Italy, Italian, 16th century, Works on Paper - Drawings and Watercolors
Art inspired by Design for a Table, 19th century, Graphite, pen and black ink, brush and brown ink, 6 7/16 x 9 5/16 in. (16.4 x 23.7 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-table-19th-century-graphite-pen-and-black-ink-brush-and-brown-ink-6-716-x-9-516-in-164-x-237-cm-drawings-anonymous-french-19th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961913.htmlRF2HW5MJ1–Art inspired by Design for a Table, 19th century, Graphite, pen and black ink, brush and brown ink, 6 7/16 x 9 5/16 in. (16.4 x 23.7 cm), Drawings, Anonymous, French, 19th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Study for 'Arrangement in Black: Lady Meux'. James McNeill Whistler; American, 1834-1903. Date: 1881. Dimensions: 132 x 95 mm. Pen and brown ink on cream wove paper laid down on ivory board. Origin: United States. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-for-arrangement-in-black-lady-meux-james-mcneill-whistler-american-1834-1903-date-1881-dimensions-132-x-95-mm-pen-and-brown-ink-on-cream-wove-paper-laid-down-on-ivory-board-origin-united-states-museum-the-chicago-art-institute-image239890011.htmlRMRX7X4B–Study for 'Arrangement in Black: Lady Meux'. James McNeill Whistler; American, 1834-1903. Date: 1881. Dimensions: 132 x 95 mm. Pen and brown ink on cream wove paper laid down on ivory board. Origin: United States. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Venus Presents Cupid to Calypso, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk, on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented f Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-venus-presents-cupid-to-calypso-from-the-adventures-of-telemachus-book-7-1808-italy-pen-and-black-ink-with-brush-and-brown-and-gray-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-heros-search-for-his-father-fnelon-invented-f-image337948857.htmlRM2AHPW61–Bartolomeo Pinelli. Venus Presents Cupid to Calypso, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk, on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the hero’s search for his father. Fénelon invented f
Ceiling Design early 18th century Jacob de Wit Dutch. Ceiling Design. Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam). early 18th century. Pen and brown ink, brush and brown wash, over traces of red chalk. Quadruple framing line in pen and black ink.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceiling-design-early-18th-century-jacob-de-wit-dutch-ceiling-design-jacob-de-wit-dutch-amsterdam-16951754-amsterdam-early-18th-century-pen-and-brown-ink-brush-and-brown-wash-over-traces-of-red-chalk-quadruple-framing-line-in-pen-and-black-ink-drawings-image458404300.htmlRM2HHP3A4–Ceiling Design early 18th century Jacob de Wit Dutch. Ceiling Design. Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam). early 18th century. Pen and brown ink, brush and brown wash, over traces of red chalk. Quadruple framing line in pen and black ink.. Drawings
A Path in the Woods, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-path-in-the-woods-nd-image462413603.htmlRM2HT8N7F–A Path in the Woods, n.d.
Artist: Leonard Bramer, Dutch, 1596–1674, Dead Abel Mourned by Angels, Pen and black ink and gray wash on brown paper, image: 18.4 × 27.1 cm (7 1/4 × 10 11/16 in.), Leonaert Bramer was a member of the Bentvueghels (Birds of a Feather), a group of Netherlandish artists working in Rome in the early decades of the seventeenth century. Influenced by Caravaggio, Bramer became known as a painter of night scenes; he is thought, in turn, to have influenced Rembrandt. This drawing has a nervous calligraphy and strong contrasts of light and dark that are typical of the artist. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-leonard-bramer-dutch-15961674-dead-abel-mourned-byangels-pen-and-black-ink-and-gray-wash-on-brown-paper-image-184-271-cm-7-14-10-1116in-leonaert-bramer-was-a-member-of-the-bentvueghels-birds-of-a-feather-a-group-of-netherlandish-artists-working-in-rome-in-the-early-decades-of-the-seventeenth-century-influenced-by-caravaggio-bramer-became-known-as-a-painter-of-night-scenes-he-is-thought-in-turn-to-have-influenced-rembrandt-this-drawing-has-a-nervous-calligraphy-and-strong-contrasts-of-light-and-dark-that-are-typical-of-the-artist-image393265500.htmlRM2DRPP4C–Artist: Leonard Bramer, Dutch, 1596–1674, Dead Abel Mourned by Angels, Pen and black ink and gray wash on brown paper, image: 18.4 × 27.1 cm (7 1/4 × 10 11/16 in.), Leonaert Bramer was a member of the Bentvueghels (Birds of a Feather), a group of Netherlandish artists working in Rome in the early decades of the seventeenth century. Influenced by Caravaggio, Bramer became known as a painter of night scenes; he is thought, in turn, to have influenced Rembrandt. This drawing has a nervous calligraphy and strong contrasts of light and dark that are typical of the artist.
Art inspired by Thatched Cottage by a Brook, 18th century, Pen, brush, and black, gray and brown ink on paper., 5 1/4 x 4 in. (13.4 x 10.2 cm), Drawings, Anonymous, Dutch, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-thatched-cottage-by-a-brook-18th-century-pen-brush-and-black-gray-and-brown-ink-on-paper-5-14-x-4-in-134-x-102-cm-drawings-anonymous-dutch-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462947360.htmlRF2HW5228–Art inspired by Thatched Cottage by a Brook, 18th century, Pen, brush, and black, gray and brown ink on paper., 5 1/4 x 4 in. (13.4 x 10.2 cm), Drawings, Anonymous, Dutch, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Letter: Stop Thief. George Cruikshank; English, 1792-1878. Date: 1851. Dimensions: 228 × 144 (each sheet). Signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/letter-stop-thief-george-cruikshank-english-1792-1878-date-1851-dimensions-228-144-each-sheet-signed-letter-in-pen-and-brown-ink-with-several-sketches-in-pen-and-brown-ink-and-one-entire-sheet-of-sketches-in-graphite-and-watercolor-signed-in-pen-and-black-ink-on-two-sheets-of-cream-wove-paper-origin-england-museum-the-chicago-art-institute-image240166983.htmlRMRXMFC7–Letter: Stop Thief. George Cruikshank; English, 1792-1878. Date: 1851. Dimensions: 228 × 144 (each sheet). Signed letter in pen and brown ink, with several sketches in pen and brown ink, and one entire sheet of sketches in graphite and watercolor, signed in pen and black ink, on two sheets of cream wove paper. Origin: England. Museum: The Chicago Art Institute.
Bartolomeo Pinelli. Calypso Watches Telemachus with Cupid on His Knee, While Mentor Watches in Anger, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bartolomeo-pinelli-calypso-watches-telemachus-with-cupid-on-his-knee-while-mentor-watches-in-anger-from-the-adventures-of-telemachus-book-7-1808-italy-pen-and-black-ink-with-brush-and-brown-and-gray-wash-over-traces-of-black-chalk-on-ivory-laid-paper-laid-down-on-board-these-twelve-drawings-depict-scenes-from-the-french-novel-the-adventures-of-telemachus-les-aventures-de-tlmaque-by-franois-fnelon-first-published-in-1699-it-was-one-of-the-most-popular-books-of-the-1700s-and-1800stelemachus-is-the-son-of-ulysses-from-homers-odyssey-the-first-four-books-of-which-describe-the-image337948905.htmlRM2AHPW7N–Bartolomeo Pinelli. Calypso Watches Telemachus with Cupid on His Knee, While Mentor Watches in Anger, from The Adventures of Telemachus, Book 7. 1808. Italy. Pen and black ink, with brush and brown and gray wash, over traces of black chalk on ivory laid paper, laid down on board These twelve drawings depict scenes from the French novel The Adventures of Telemachus (Les aventures de Télémaque) by François Fénelon. First published in 1699, it was one of the most popular books of the 1700s and 1800s.Telemachus is the son of Ulysses from Homer’s Odyssey, the first four books of which describe the
Design for a Book Illustration: Two Women in a Pawn Shop 19th century Anonymous, German, 19th century German. Design for a Book Illustration: Two Women in a Pawn Shop. Anonymous, German, 19th century. 19th century. Pen and black ink, brush and brown wash. Laid paper.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/design-for-a-book-illustration-two-women-in-a-pawn-shop-19th-century-anonymous-german-19th-century-german-design-for-a-book-illustration-two-women-in-a-pawn-shop-anonymous-german-19th-century-19th-century-pen-and-black-ink-brush-and-brown-wash-laid-paper-drawings-image458551113.htmlRM2HJ0PHD–Design for a Book Illustration: Two Women in a Pawn Shop 19th century Anonymous, German, 19th century German. Design for a Book Illustration: Two Women in a Pawn Shop. Anonymous, German, 19th century. 19th century. Pen and black ink, brush and brown wash. Laid paper.. Drawings
Israelites in the Wilderness, n.d. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/israelites-in-the-wilderness-nd-image462414121.htmlRM2HT8NX1–Israelites in the Wilderness, n.d.
Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman, Unknown, Pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined, Vertical format architectural drawing. Two stories, the lower one with pilasters of Doric order, the upper one with pilasters of Ionic order. The door frame shows a broken pediment with an escutcheon in the center, with a winged skull on top. Laterally are niches showing statues of DEATH in front of trophies, the left one referring to worldly power, the right one to ecclesiastical Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-part-9-from-an-album-of-drawings-belonging-to-don-gaspero-mndez-de-haro-y-guzman-unknown-pen-and-brown-ink-brush-and-blue-gray-and-brown-wash-black-chalk-on-heavy-brown-laid-paper-lined-vertical-format-architectural-drawing-two-stories-the-lower-one-with-pilasters-of-doric-order-the-upper-one-with-pilasters-of-ionic-order-the-door-frame-shows-a-broken-pediment-with-an-escutcheon-in-the-center-with-a-winged-skull-on-top-laterally-are-niches-showing-statues-of-death-in-front-of-trophies-the-left-one-referring-to-worldly-power-the-right-one-to-ecclesiastical-image391723672.htmlRM2DN8FF4–Title Page, Part 9, from an Album of Drawings belonging to Don Gaspero Méndez de Haro y Guzman, Unknown, Pen and brown ink, brush and blue-gray and brown wash, black chalk on heavy brown laid paper, lined, Vertical format architectural drawing. Two stories, the lower one with pilasters of Doric order, the upper one with pilasters of Ionic order. The door frame shows a broken pediment with an escutcheon in the center, with a winged skull on top. Laterally are niches showing statues of DEATH in front of trophies, the left one referring to worldly power, the right one to ecclesiastical
Art inspired by Design for a Table, ca. 1770–85, Pen and black ink, brush and brown wash, 14 5/16 x 9 5/8 in. (36.3 x 24.5 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-design-for-a-table-ca-177085-pen-and-black-ink-brush-and-brown-wash-14-516-x-9-58-in-363-x-245-cm-drawings-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462956343.htmlRF2HW5DF3–Art inspired by Design for a Table, ca. 1770–85, Pen and black ink, brush and brown wash, 14 5/16 x 9 5/8 in. (36.3 x 24.5 cm), Drawings, Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Murder of Thomas Becket, page two, from a Book of Hours. Flemish (Bruges); Nicolas Brouwer (Flemish, active c. 1420-c. 1450). Date: 1430-1440. Dimensions: 237 × 156 mm. Manuscript cutting with tempera and gold leaf, and pen and black ink, and with Latin inscriptions in light brown and red inks, ruled in light brown ink, on parchment. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-murder-of-thomas-becket-page-two-from-a-book-of-hours-flemish-bruges-nicolas-brouwer-flemish-active-c-1420-c-1450-date-1430-1440-dimensions-237-156-mm-manuscript-cutting-with-tempera-and-gold-leaf-and-pen-and-black-ink-and-with-latin-inscriptions-in-light-brown-and-red-inks-ruled-in-light-brown-ink-on-parchment-origin-flanders-museum-the-chicago-art-institute-image239839289.htmlRMRX5HCW–The Murder of Thomas Becket, page two, from a Book of Hours. Flemish (Bruges); Nicolas Brouwer (Flemish, active c. 1420-c. 1450). Date: 1430-1440. Dimensions: 237 × 156 mm. Manuscript cutting with tempera and gold leaf, and pen and black ink, and with Latin inscriptions in light brown and red inks, ruled in light brown ink, on parchment. Origin: Flanders. Museum: The Chicago Art Institute.
Search Results for Drawings in pen and brown and black ink Stock Photos and Images (4,129)
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