Dutch east india company porcelain hi-res stock photography and images

Plate with an allegory on the Dutch East India Company, Porcelain plate with lobed wall, painted on the glaze in pink (and camaieu) and gold. On the shelf a group of people: a woman with a flag bearing the initials of the Dutch East India Company, surrounded by young women, the god Mercury and Asian servants who offer the woman gifts. At the woman's feet a lion, a crown and jewelry, East Indies, Batavia, Dutch East India Company, Jan Punt (copy after), c. 1740 - c. 1750, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795), porcelain (material), glaze, gold (metal), vitrification, h 2.2 cm d Stock Photo

RMW56JET–Plate with an allegory on the Dutch East India Company, Porcelain plate with lobed wall, painted on the glaze in pink (and camaieu) and gold. On the shelf a group of people: a woman with a flag bearing the initials of the Dutch East India Company, surrounded by young women, the god Mercury and Asian servants who offer the woman gifts. At the woman's feet a lion, a crown and jewelry, East Indies, Batavia, Dutch East India Company, Jan Punt (copy after), c. 1740 - c. 1750, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795), porcelain (material), glaze, gold (metal), vitrification, h 2.2 cm d

Dutch East India Company porcelain - The Witte Leeuw - Rijks Museum, Amsterdam, The Netherlands, Europe Stock Photo

RM2J80K0R–Dutch East India Company porcelain - The Witte Leeuw - Rijks Museum, Amsterdam, The Netherlands, Europe

RMR0GHEB–Japanese Arita blue white porcelain VOC plate 17th C Decorated in Chinese Kraak style with logo of the Dutch East India Company VOC Ready for shipping

Sleeve vase. China, c 1635-1650, hard-paste porcelain. In the mid-17th century the Dutch East India Company took great pains to buy vases painted in clear blue tints with scenes full of trees and rocks alternating with Chinese figures. This ware is known as 'Transitional porcelain', since it was made in the period of transition from the Ming dynasty (1368-1644) to the Qing dynasty (1644-1911). Stock Photo

RMDYEAFM–Sleeve vase. China, c 1635-1650, hard-paste porcelain. In the mid-17th century the Dutch East India Company took great pains to buy vases painted in clear blue tints with scenes full of trees and rocks alternating with Chinese figures. This ware is known as 'Transitional porcelain', since it was made in the period of transition from the Ming dynasty (1368-1644) to the Qing dynasty (1644-1911).

Art inspired by Plate with Monogram of the Dutch East India Company, Edo period (1615–1868), ca. 1660, Japan, Underglaze blue (Arita ware), H. 2 3/8 in. (6 cm); Diam. 12 3/8 in. (31.4 cm); Diam. of foot (6 3/8 in. (16.2 cm), Ceramics, This porcelain dish is emblazoned with the monogram, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3C22–Art inspired by Plate with Monogram of the Dutch East India Company, Edo period (1615–1868), ca. 1660, Japan, Underglaze blue (Arita ware), H. 2 3/8 in. (6 cm); Diam. 12 3/8 in. (31.4 cm); Diam. of foot (6 3/8 in. (16.2 cm), Ceramics, This porcelain dish is emblazoned with the monogram, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

17th century. Modern era. Dutch product. Delftware (glased earthenware). Decorated with a ship. Rijksmuseum. Amsterdam. Netherlands. Stock Photo

RM2JCT717–17th century. Modern era. Dutch product. Delftware (glased earthenware). Decorated with a ship. Rijksmuseum. Amsterdam. Netherlands.

RF2B9AXM3–Plate with an allegory on the Dutch East India Company, Porcelain plate with lobed wall, painted on the glaze in pink (and camaieu) and gold. On the shelf a group of people: a woman with a flag bearing the initials of the Dutch East India Company, surrounded by young women, the god Mercury and Asian servants who offer the woman gifts. At the woman's feet a lion, a crown and jewelry, East Indies, Batavia, Dutch East India Company, Jan Punt (copy after), c. 1740 - c. 1750, Qing-dynasty (1644-1912) / Qianlong-period (1736-1795), porcelain (material), glaze, gold (metal), vitrification, h 2.2 cm d

Edo period Dutch ship maritime 1658 1683 east India company Japan export porcelain family kiln enameled under glazed blue over g Stock Photo

RMAP105Y–Edo period Dutch ship maritime 1658 1683 east India company Japan export porcelain family kiln enameled under glazed blue over g

Plate depicting a lady with parasol. Artist: After a design by Cornelis Pronk (Dutch, Amsterdam 1691-1759 Amsterdam). Culture: Chinese, for Dutch market. Dimensions: Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm). Date: ca. 1734-37. The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691-1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk's most popular compositions, and was employe Stock Photo

RMPAA8G9–Plate depicting a lady with parasol. Artist: After a design by Cornelis Pronk (Dutch, Amsterdam 1691-1759 Amsterdam). Culture: Chinese, for Dutch market. Dimensions: Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm). Date: ca. 1734-37. The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691-1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk's most popular compositions, and was employe

The Dutch East India Company (VOC) was set up in 1602 to gain a foothold in the East Indies (Indonesia) for the Dutch in the lucrative spice trade, which until that point was dominated by the Portuguese. It was a chartered company granted a monopoly by the Dutch government to carry out colonial activities in Asia, including establishing colonies in Ceylon (Sri Lanka) and India. Stock Photo

RM2B02WM6–The Dutch East India Company (VOC) was set up in 1602 to gain a foothold in the East Indies (Indonesia) for the Dutch in the lucrative spice trade, which until that point was dominated by the Portuguese. It was a chartered company granted a monopoly by the Dutch government to carry out colonial activities in Asia, including establishing colonies in Ceylon (Sri Lanka) and India.

Art inspired by Plate with figures in arbor, ca. 1740, Chinese, for Dutch market, Hard-paste porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), Diameter: 11 in. (27.9 cm), Ceramics-Porcelain-Export, It is probable that the composition decorating this plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7WG–Art inspired by Plate with figures in arbor, ca. 1740, Chinese, for Dutch market, Hard-paste porcelain painted with colored enamels over transparent glaze (Jingdezhen ware), Diameter: 11 in. (27.9 cm), Ceramics-Porcelain-Export, It is probable that the composition decorating this plate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Plate with an Allegory on the Dutch East India Company. Porcelain plate with lobed wall, painted on the glaze in pink (and camaïeu) and gold. On the flat a group of people: a woman with a flag on which the initials of the Dutch East Indian Compagnie are affixed, surrounded by young women, the God Mercury and Asian servers offering the woman gifts. To the feet of the woman a lion, a crown and jewelry. Batavia reading on the background. A bond with flower drinks on the wall; The edge with four flower branches in the German style. The show is based on a picture of Jan Punt (1711-1779). European p Stock Photo

RM2G11MHG–Plate with an Allegory on the Dutch East India Company. Porcelain plate with lobed wall, painted on the glaze in pink (and camaïeu) and gold. On the flat a group of people: a woman with a flag on which the initials of the Dutch East Indian Compagnie are affixed, surrounded by young women, the God Mercury and Asian servers offering the woman gifts. To the feet of the woman a lion, a crown and jewelry. Batavia reading on the background. A bond with flower drinks on the wall; The edge with four flower branches in the German style. The show is based on a picture of Jan Punt (1711-1779). European p

Grieksche A Factory (Maker). Bottle. 1674. Delft. Tin-glazed earthenware (Delftware) This bottle’s Chinese-inspired form and decoration reflect the influence of blue-and-white porcelain imported from China in large quantities by the Dutch East India Company. Stock Photo

RM2AHTEB6–Grieksche A Factory (Maker). Bottle. 1674. Delft. Tin-glazed earthenware (Delftware) This bottle’s Chinese-inspired form and decoration reflect the influence of blue-and-white porcelain imported from China in large quantities by the Dutch East India Company.

Plate with Monogram of the Dutch East India Company ca. 1660 Japan This porcelain dish is emblazoned with the monogram VOC, which stands for the Vereenigde Oost-Indische Compagnie, the Dutch East India Company. During most of the Edo period (1615–1868), the Dutch were the only Europeans allowed to trade with Japan. They were confined to the small man-made island of Deshima, off the coast of Nagasaki, from which point they acquired Japanese porcelain. Although the Dutch brought many wares back to Europe, the dishes inscribed VOC were intended only for officers of the company.This dish has a whi Stock Photo

RM2HH8FH4–Plate with Monogram of the Dutch East India Company ca. 1660 Japan This porcelain dish is emblazoned with the monogram VOC, which stands for the Vereenigde Oost-Indische Compagnie, the Dutch East India Company. During most of the Edo period (1615–1868), the Dutch were the only Europeans allowed to trade with Japan. They were confined to the small man-made island of Deshima, off the coast of Nagasaki, from which point they acquired Japanese porcelain. Although the Dutch brought many wares back to Europe, the dishes inscribed VOC were intended only for officers of the company.This dish has a whi

Large Jar with Peonies and Chrysanthemums, late 17th century. Japan took China’s place as Europe’s main source for export porcelain around the middle of the 17th century because the transition from the Ming to the Qing dynasty in China disrupted trade. The Dutch East India Company began to buy Japanese porcelain in 1650 and exported approximately 50,000 Japanese porcelains in 1659. Such large jars demonstrate how artists took the birds and flowers motifs found in paintings and applied them to the blue and white porcelain called sometsuke . The Japanese transformed typical Chines Stock Photo

RM2A51D11–Large Jar with Peonies and Chrysanthemums, late 17th century. Japan took China’s place as Europe’s main source for export porcelain around the middle of the 17th century because the transition from the Ming to the Qing dynasty in China disrupted trade. The Dutch East India Company began to buy Japanese porcelain in 1650 and exported approximately 50,000 Japanese porcelains in 1659. Such large jars demonstrate how artists took the birds and flowers motifs found in paintings and applied them to the blue and white porcelain called sometsuke . The Japanese transformed typical Chines

During the 17th century European enterprises were refused entry into Canton. It was only in the 18th century that Europeans were permitted to establish themselves along the Pearl River. Chinese middlemen sold tea, porcelain and silk to the Westerners, who lived in isolation in their warehouses or 'factiories' on the quay and rarely set foot in Canton itself. Stock Photo

RM2B02W3B–During the 17th century European enterprises were refused entry into Canton. It was only in the 18th century that Europeans were permitted to establish themselves along the Pearl River. Chinese middlemen sold tea, porcelain and silk to the Westerners, who lived in isolation in their warehouses or 'factiories' on the quay and rarely set foot in Canton itself.

Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 3, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.4 cm × w 2.7 cm × d 0.4 cm Stock Photo

RMW56KD5–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 3, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.4 cm × w 2.7 cm × d 0.4 cm

Seven Sleeve vases rolwagens from China at Rijksmuseum, Amsterdam, The Netherlands, Europe Stock Photo

RM2J80K0P–Seven Sleeve vases rolwagens from China at Rijksmuseum, Amsterdam, The Netherlands, Europe

RM2JCT712–17th century. Modern era. Dutch product. Delftware (glased earthenware). Decorated with a ship. Rijksmuseum. Amsterdam. Netherlands.

RMAP105W–Edo period Dutch ship maritime 1658 1683 east India company Japan export porcelain family kiln enameled under glazed blue over g

Anonymous / 'Sugar Bowl. Dutch East India Company'. XVIII century. Hard-paste porcelain. Museum: Museo del Prado, Madrid, España. Stock Photo

RM2Y6XDGB–Anonymous / 'Sugar Bowl. Dutch East India Company'. XVIII century. Hard-paste porcelain. Museum: Museo del Prado, Madrid, España.

Art inspired by Plate depicting a lady with parasol, ca. 1734–37, Chinese, for Dutch market, Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm), Ceramics-Porcelain-Export, After a design by Cornelis, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3WDK–Art inspired by Plate depicting a lady with parasol, ca. 1734–37, Chinese, for Dutch market, Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm), Ceramics-Porcelain-Export, After a design by Cornelis, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Grieksche A Factory (Maker). Vase with Cover. 1678–1680. Delft. Tin-glazed earthenware (Delftware) Starting in 1604 the Dutch East India Company (founded 1602) imported Chinese porcelain into the northern Netherlands in ever-increasing quantities. The popularity of these predominantly blue- and white objects led potters in the Dutch city of Delft to refine their clay and glaze formulas to better compete with the Chinese imports. Delftware proved an important source of wealth for the Dutch Republic, which had only recently achieved independence from Spain.In the 1640s porcelain imports into Eur Stock Photo

RM2AHPKHH–Grieksche A Factory (Maker). Vase with Cover. 1678–1680. Delft. Tin-glazed earthenware (Delftware) Starting in 1604 the Dutch East India Company (founded 1602) imported Chinese porcelain into the northern Netherlands in ever-increasing quantities. The popularity of these predominantly blue- and white objects led potters in the Dutch city of Delft to refine their clay and glaze formulas to better compete with the Chinese imports. Delftware proved an important source of wealth for the Dutch Republic, which had only recently achieved independence from Spain.In the 1640s porcelain imports into Eur

RF2B9AYAY–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 3, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.4 cm × w 2.7 cm × d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Plate depicting a lady with parasol ca. 1734–37 After a design by Cornelis Pronk Dutch The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691–1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk’s most popular compositions, and was employed by Japanese porcelain painters as well.. Plate depicting a lady with parasol. After a design by Cornelis Pronk (Dutch, Amsterdam 1691–1759 Amst Stock Photo

RM2HH95KR–Plate depicting a lady with parasol ca. 1734–37 After a design by Cornelis Pronk Dutch The Dutch East India Company, which dominated the export of Chinese porcelains to Europe in the seventeenth and early eighteenth centuries, commissioned the Dutch artist Cornelis Pronk (1691–1759) to supply designs that could be copied on porcelain intended for export. This design of a lady with a parasol was one of Pronk’s most popular compositions, and was employed by Japanese porcelain painters as well.. Plate depicting a lady with parasol. After a design by Cornelis Pronk (Dutch, Amsterdam 1691–1759 Amst

Jug with Silver Mounts, c. 1662-1676. The coat of arms on this jug are those of the Valckenier family, active in the Dutch East India Company. Stock Photo

RM2A519WX–Jug with Silver Mounts, c. 1662-1676. The coat of arms on this jug are those of the Valckenier family, active in the Dutch East India Company.

Plate with figures in arbor ca. 1740 Design attributed to Cornelis Pronk Dutch It is probable that the composition decorating this plate derives from a drawing by the Dutch artist Cornelis Pronk (1691–1759), who is known to have furnished designs to the Dutch East India Company. Pronk’s drawings were widely employed by Chinese porcelain painters as sources of decoration for porcelain intended for export to Europe.. Plate with figures in arbor. Chinese, for Dutch market. ca. 1740. Hard-paste porcelain painted with colored enamels over transparent glaze (Jingdezhen ware). Ceramics-Porcelain-Expo Stock Photo

RM2HGYHAD–Plate with figures in arbor ca. 1740 Design attributed to Cornelis Pronk Dutch It is probable that the composition decorating this plate derives from a drawing by the Dutch artist Cornelis Pronk (1691–1759), who is known to have furnished designs to the Dutch East India Company. Pronk’s drawings were widely employed by Chinese porcelain painters as sources of decoration for porcelain intended for export to Europe.. Plate with figures in arbor. Chinese, for Dutch market. ca. 1740. Hard-paste porcelain painted with colored enamels over transparent glaze (Jingdezhen ware). Ceramics-Porcelain-Expo

'The Archer' cistern Attributed to Cornelis Pronk Dutch ca. 1740 This water cistern is a rare example of Chinese porcelain with a design attributed to Cornelis Pronk (1691–1759), a Dutch draftsman working for the Dutch East-India Company (VOC). In 1734, the artist was commissioned to make sets of drawings for the decoration of Chinese porcelain, which were sent to China in 1736. Various porcelain dinner services and tea sets in underglaze blue and polychrome enamel were thereafter produced in China and sent back to the Netherlands. Known as “The Archer,” the design on the current piece is amon Stock Photo

RM2T2ETAD–'The Archer' cistern Attributed to Cornelis Pronk Dutch ca. 1740 This water cistern is a rare example of Chinese porcelain with a design attributed to Cornelis Pronk (1691–1759), a Dutch draftsman working for the Dutch East-India Company (VOC). In 1734, the artist was commissioned to make sets of drawings for the decoration of Chinese porcelain, which were sent to China in 1736. Various porcelain dinner services and tea sets in underglaze blue and polychrome enamel were thereafter produced in China and sent back to the Netherlands. Known as “The Archer,” the design on the current piece is amon

Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm of base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.2 cm × w 7.8 cm × d 1.8 cm Stock Photo

RMW56K0H–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm of base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.2 cm × w 7.8 cm × d 1.8 cm

RM2JCT716–17th century. Modern era. Dutch product. Delftware (glased earthenware). Decorated with a ship. Rijksmuseum. Amsterdam. Netherlands.

Plate with an allegorical representation of the VOC Plate Porcelain lobed wall, painted on the glaze in pink (and camaieu) and gold. At the center a group of people: a woman with a flag Where: affixed to the initials of the Dutch East India Company, surrounded by young women, the god Mercury and Asian employees who offer gifts to the woman. At the feet of the woman a lion, a crown and jewelry. In the background the speech of Batavia. a band of flower sprays to the wall; the edge with four flower sprays in the German style. The performance is based on a print by Jan Punt (1711-1779). European r Stock Photo

RM2B6ERAP–Plate with an allegorical representation of the VOC Plate Porcelain lobed wall, painted on the glaze in pink (and camaieu) and gold. At the center a group of people: a woman with a flag Where: affixed to the initials of the Dutch East India Company, surrounded by young women, the god Mercury and Asian employees who offer gifts to the woman. At the feet of the woman a lion, a crown and jewelry. In the background the speech of Batavia. a band of flower sprays to the wall; the edge with four flower sprays in the German style. The performance is based on a print by Jan Punt (1711-1779). European r

RF2B9AY5E–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm of base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.2 cm × w 7.8 cm × d 1.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Ewer with European mounts, 1680-1700. Artist: Unknown. Stock Photo

RMMPWBD2–Ewer with European mounts, 1680-1700. Artist: Unknown.

Plate with an allegory on the Dutch East India Company, Jan Punt (copy after), c. 1740 - c. 1750 plate (dishes) Plate of porcelain with lobed wall, painted on the glaze in pink (and camaïeu) and gold. On the flat a group of people: a woman with a flag on which the initials of the United East India Company are applied, surrounded by young women, the God Mercury and Asian servants who offer the woman gifts. At the feet of the woman a lion, a crown and jewelry. In the background the speech of Batavia. On the wall a band with flower vines; The edge with four flower branches in the German style. Th Stock Photo

RM2W932YG–Plate with an allegory on the Dutch East India Company, Jan Punt (copy after), c. 1740 - c. 1750 plate (dishes) Plate of porcelain with lobed wall, painted on the glaze in pink (and camaïeu) and gold. On the flat a group of people: a woman with a flag on which the initials of the United East India Company are applied, surrounded by young women, the God Mercury and Asian servants who offer the woman gifts. At the feet of the woman a lion, a crown and jewelry. In the background the speech of Batavia. On the wall a band with flower vines; The edge with four flower branches in the German style. Th

Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.1 cm × w 3.9 cm × d 0.4 cm × h 2.8 cm × w 3.3 cm × d 0.3 cm Stock Photo

RMW56JK9–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.1 cm × w 3.9 cm × d 0.4 cm × h 2.8 cm × w 3.3 cm × d 0.3 cm

. In the mid-17th century the Dutch East India Company took great pains to buy vases painted in clear blue tints with scenes full of trees and rocks alternating with Chinese figures. This ware is known as ‘Transitional porcelain’, since it was made in the period of transition from the Ming dynasty (1368–1644) to the Qing dynasty (1644–1911). Stock Photo

RM2G4DXEF–. In the mid-17th century the Dutch East India Company took great pains to buy vases painted in clear blue tints with scenes full of trees and rocks alternating with Chinese figures. This ware is known as ‘Transitional porcelain’, since it was made in the period of transition from the Ming dynasty (1368–1644) to the Qing dynasty (1644–1911).

Chest with nine porcelain bottles. The Dutch East India Company maintained good relations with Asian rulers. To promote their commercial interests, they greased palms with presents: globes, paintings, animals, and chests with bottles, like this one. The expensive aromatic oils in the bottles were the actual gift. Thebottles were ordered in Japan and the chest was custommade by joiners in Batavia. Stock Photo

RM2G3F0PN–Chest with nine porcelain bottles. The Dutch East India Company maintained good relations with Asian rulers. To promote their commercial interests, they greased palms with presents: globes, paintings, animals, and chests with bottles, like this one. The expensive aromatic oils in the bottles were the actual gift. Thebottles were ordered in Japan and the chest was custommade by joiners in Batavia.

Plaque. The inscription on this plaque shows that it was commissioned by Cornelis Schippers, a Dutch East India Company (VOC) merchant from Zeeland who was in Canton in 1733. The plaque is engraved in the style of a porcelain dinner plate. In the centre it features the arms of Cornelis Schippers and his wife Judick Bartholomeussen. Schippers is known to have commissioned similar porcelain plates. Stock Photo

RM2G22W9F–Plaque. The inscription on this plaque shows that it was commissioned by Cornelis Schippers, a Dutch East India Company (VOC) merchant from Zeeland who was in Canton in 1733. The plaque is engraved in the style of a porcelain dinner plate. In the centre it features the arms of Cornelis Schippers and his wife Judick Bartholomeussen. Schippers is known to have commissioned similar porcelain plates.

Plate. When China was ravaged by war in the mid-17th century it became harder to obtain export porcelain. So the Dutch East India Company (VOC) decided to order the same style of porcelain in Japan. The VOC’s directors described their specifications in a letter from 1661: ‘the dishware should be made flat, and of the same kind of flower work as the old Chinese porcelain.’ Stock Photo

RM2G44J3G–Plate. When China was ravaged by war in the mid-17th century it became harder to obtain export porcelain. So the Dutch East India Company (VOC) decided to order the same style of porcelain in Japan. The VOC’s directors described their specifications in a letter from 1661: ‘the dishware should be made flat, and of the same kind of flower work as the old Chinese porcelain.’

Dish. The Dutch East India Company (VOC) began trading in Chinese porcelain in the 17th century. The borders of dishes and bowls from this period are often divided into panels. This kind of porcelain is known as Kraak porcelain, after the caracca, or carrack, a type of Portuguese ship in which it was transported. The decorations on this dish are executed with great spontaneity, evident in the large flowers and the cloud behind the bird in flight. Stock Photo

RM2G249K3–Dish. The Dutch East India Company (VOC) began trading in Chinese porcelain in the 17th century. The borders of dishes and bowls from this period are often divided into panels. This kind of porcelain is known as Kraak porcelain, after the caracca, or carrack, a type of Portuguese ship in which it was transported. The decorations on this dish are executed with great spontaneity, evident in the large flowers and the cloud behind the bird in flight.

RF2B9AXRM–Shard of a plate from the wreck of the East India dealer Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.1 cm × w 3.9 cm × d 0.4 cm × h 2.8 cm × w 3.3 cm × d 0.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shards of porcelain bowls and lids from the 'Witte Leeuw' VOC ship, St. Helena, United Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material Stock Photo

RMW56J7D–Shards of porcelain bowls and lids from the 'Witte Leeuw' VOC ship, St. Helena, United Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material

RF2B9AXBR–Shards of porcelain bowls and lids from the 'Witte Leeuw' VOC ship, St. Helena, United Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Tea bowl from V.O.C. ship the 'Witte Leeuw', complete, Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.9 cm × d 7.1 cm Stock Photo

RMW56HRW–Tea bowl from V.O.C. ship the 'Witte Leeuw', complete, Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.9 cm × d 7.1 cm

RF2B9AWYY–Tea bowl from V.O.C. ship the 'Witte Leeuw', complete, Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.9 cm × d 7.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Fragment comes from V.O.C. ship the 'Witte Leeuw', St. Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 6.4 cm × w 8.2 cm × d 11.4 cm Stock Photo

RMW56J6K–Fragment comes from V.O.C. ship the 'Witte Leeuw', St. Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 6.4 cm × w 8.2 cm × d 11.4 cm

RF2B9AXB5–Fragment comes from V.O.C. ship the 'Witte Leeuw', St. Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 6.4 cm × w 8.2 cm × d 11.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.4 cm × w 3.1 cm × d 0.4 cm Stock Photo

RMW56JP5–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.4 cm × w 3.1 cm × d 0.4 cm

RF2B9AXX9–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.4 cm × w 3.1 cm × d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.4 cm × w 2.9 cm × d 0.5 cm Stock Photo

RMW56KGY–Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.4 cm × w 2.9 cm × d 0.5 cm

Shard of a plate from the wreck of the East India Company Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.5 cm × w 4.3 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9AY1N–Shard of a plate from the wreck of the East India Company Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.5 cm × w 4.3 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.3 cm × w 4.9 cm × d 0.4 cm Stock Photo

RMW56KXX–Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.3 cm × w 4.9 cm × d 0.4 cm

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.7 cm Ã— w 4.7 cm Ã— d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9AYH2–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.7 cm Ã— w 4.7 cm Ã— d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5 cm × w 4 cm × d 0.4 cm Stock Photo

RMW56KHW–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5 cm × w 4 cm × d 0.4 cm

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.5 cm × w 4.4 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9AYBX–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.5 cm × w 4.4 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56K3X–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.3 cm × w 7 cm × d 0.4 cm

RF2B9AY8Y–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.3 cm × w 7 cm × d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 8 cm × w 13.3 cm × d 2.1 cm Stock Photo

RMW56KTG–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 8 cm × w 13.3 cm × d 2.1 cm

RF2B9AYFW–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.9 cm Ã— w 3.9 cm Ã— d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4 cm × w 4.8 cm × d 0.6 cm Stock Photo

RMW56KFE–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4 cm × w 4.8 cm × d 0.6 cm

RF2B9AYTE–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.5 cm Ã— w 5.5 cm Ã— d 1.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KE2–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 6 cm × w 6 cm × d 1.8 cm

RF2B9AXYB–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.3 cm × w 3.5 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KDW–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.4 cm × w 4 cm × d 0.4 cm

RF2B9AYYE–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.1 cm × w 7.8 cm × d 1.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KGJ–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.8 cm × w 2 cm × d 0.5 cm

RF2B9AXPM–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.6 cm × w 6.1 cm × d 0.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KHC–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2 cm × w 1.8 cm × d 0.4 cm

RF2B9AYBT–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.4 cm × w 4 cm × d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KJ7–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.7 cm × w 4.7 cm × d 0.5 cm

Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 4, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.7 cm Ã— w 2.3 cm Ã— d 0.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photo

RF2B9AYHD–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 4, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.7 cm Ã— w 2.3 cm Ã— d 0.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KGW–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.9 cm × w 3.9 cm × d 0.5 cm

RF2B9AXY2–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.9 cm × w 9.4 cm × d 1.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KJG–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 4, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.7 cm × w 2.3 cm × d 0.6 cm

RF2B9AYFY–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.5 cm Ã— w 2.9 cm Ã— d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KH0–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.5 cm × w 2.9 cm × d 0.4 cm

RF2B9AYFD–Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2.4 cm Ã— w 2.9 cm Ã— d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KDY–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.5 cm × w 4.4 cm × d 0.5 cm

RF2B9AYBY–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 6 cm × w 6 cm × d 1.8 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56M34–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.1 cm × w 7.8 cm × d 1.4 cm

RF2B9AYGC–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 2 cm Ã— w 1.8 cm Ã— d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56JR8–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.3 cm × w 3.5 cm × d 0.5 cm

RF2B9AYFF–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.8 cm Ã— w 2 cm Ã— d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56KTT–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.5 cm × w 5.5 cm × d 1.3 cm

RF2B9AYGN–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5 cm Ã— w 4 cm Ã— d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56JWH–Shard of a plate from the wreck of the East India Company Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.5 cm × w 4.3 cm × d 0.5 cm

RF2B9AYX7–Shard of a plate from the wreck of the East Indiamen Hollandia, Porcelain, plate, type 2, fragm or center, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4.3 cm Ã— w 4.9 cm Ã— d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56K2H–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.9 cm × w 2.5 cm × d 0.4 cm

RF2B9AYEB–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 4 cm Ã— w 4.8 cm Ã— d 0.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56JPY–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 5.9 cm × w 9.4 cm × d 1.3 cm

RF2B9AYR2–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 2, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 8 cm × w 13.3 cm × d 2.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RMW56JGG–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or base, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 3.6 cm × w 6.1 cm × d 0.6 cm

RF2B9AY7H–Shard of a plate from the wreck of the East Indies ship Hollandia, Porcelain, plate, type 3, fragm or rim, Annet, Dutch East India Company, Hollandia (ship), anonymous, Netherlands, 1700 - in or before 13-Aug-1743, porcelain (material), h 1.9 cm × w 2.5 cm × d 0.4 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shard of a plate or dish from the wreck of the East Indies boatman 't Vliegend Hart, Shard of a Delft blue dish. Porcelain, Dutch East India Company, 't Vliegend Hart (ship), Netherlands, 1700 - 2-Mar-1735, porcelain (material), h 0.7 cm × w 5.8 cm × d 3 cm Stock Photo

RMW56MJN–Shard of a plate or dish from the wreck of the East Indies boatman 't Vliegend Hart, Shard of a Delft blue dish. Porcelain, Dutch East India Company, 't Vliegend Hart (ship), Netherlands, 1700 - 2-Mar-1735, porcelain (material), h 0.7 cm × w 5.8 cm × d 3 cm

RF2B9B0BT–Shard of a plate or dish from the wreck of the East Indies boatman 't Vliegend Hart, Shard of a Delft blue dish. Porcelain, Dutch East India Company, 't Vliegend Hart (ship), Netherlands, 1700 - 2-Mar-1735, porcelain (material), h 0.7 cm × w 5.8 cm × d 3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Fragments come from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.6 cm × w 11 cm × d 10.5 cm × h 3.8 cm × w 4.3 cm × d 0.6 cm Stock Photo

RMW56J72–Fragments come from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.6 cm × w 11 cm × d 10.5 cm × h 3.8 cm × w 4.3 cm × d 0.6 cm

RF2B9AXB9–Fragments come from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.6 cm × w 11 cm × d 10.5 cm × h 3.8 cm × w 4.3 cm × d 0.6 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shards of porcelain from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 3.4 cm × w 9.9 cm × d 2.4 cm × h 2.5 cm × w 3 cm × d 0.5 cm Stock Photo

RMW56J76–Shards of porcelain from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 3.4 cm × w 9.9 cm × d 2.4 cm × h 2.5 cm × w 3 cm × d 0.5 cm

RF2B9AXBC–Shards of porcelain from V.O.C. ship the 'Witte Leeuw', Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 3.4 cm × w 9.9 cm × d 2.4 cm × h 2.5 cm × w 3 cm × d 0.5 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Shards of porcelain bowls and lids from the 'Witte Leeuw' VOC ship, Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.8 cm × w 8 cm × d 2 cm × h 3.3 cm × w 1.8 cm × d 0.2 cm Stock Photo

RMW56J7A–Shards of porcelain bowls and lids from the 'Witte Leeuw' VOC ship, Saint Helena, Dutch East India Company, anonymous, Jingdezhen, before 1613, porcelain (material), h 4.8 cm × w 8 cm × d 2 cm × h 3.3 cm × w 1.8 cm × d 0.2 cm

Dutch east india company porcelain Stock Photos and Images

Dutch east india company porcelain Stock Photos and Images

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