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Dux venice Stock Photos and Images
Italy/Venice: Pietro Loredano (c. 1481 - 3 May 1570), Doge of Venice. Oil on canvas painting by Jacopo Tintoretto (1519 - 31 May 1594), c. 1570. Pietro Loredan was the 8th Doge of Venice (r. 1567-1570), hailing form the influential Loredan family. The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-pietro-loredano-c-1481-3-may-1570-doge-of-venice-oil-on-canvas-painting-by-jacopo-tintoretto-1519-31-may-1594-c-1570-pietro-loredan-was-the-8th-doge-of-venice-r-1567-1570-hailing-form-the-influential-loredan-family-the-doge-of-venice-derived-from-latin-dux-leader-often-mistranslated-duke-the-italian-word-for-duke-is-duca-was-the-chief-magistrate-and-leader-of-the-most-serene-republic-of-venice-for-over-a-thousand-years-doges-of-venice-were-elected-for-life-by-the-city-states-aristocracy-image344242160.htmlRM2B01GAT–Italy/Venice: Pietro Loredano (c. 1481 - 3 May 1570), Doge of Venice. Oil on canvas painting by Jacopo Tintoretto (1519 - 31 May 1594), c. 1570. Pietro Loredan was the 8th Doge of Venice (r. 1567-1570), hailing form the influential Loredan family. The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy.
History of Italy. 1200. Doge of Venice and Venetian dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1200-doge-of-venice-and-venetian-dames-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147149.htmlRM2WKEB7W–History of Italy. 1200. Doge of Venice and Venetian dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Marino Faliero (1285-1355). Dux of Venice. Faliero before the Council of Ten where he admitted to having participated in the conspiracy for a putsch. He was sentenced to death. Engraving of The Illustration, 1896. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-marino-faliero-1285-1355-dux-of-venice-faliero-before-the-council-132921451.htmlRMHM72JK–Marino Faliero (1285-1355). Dux of Venice. Faliero before the Council of Ten where he admitted to having participated in the conspiracy for a putsch. He was sentenced to death. Engraving of The Illustration, 1896.
Andrea Contarini returns to Venice victorious over the Genoese, anonymous, drawing, pen; gray wash; heightened with white; blue paper, 41.3 x 49.5 cm, r.l. Duke Albert of Saxe-Teschen, above in the cartouche: 'ANDREO CONTARENO DUX QUI CLODI/ ANAE CLASSIS IMPERATOR SERVATA, PATRIA ATROLISSIMOS HOSTES FELI, CISSIMO DERELLAVIT. M.CCCLXVIII., VIX POSTEA ANN: XIIII Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/andrea-contarini-returns-to-venice-victorious-over-the-genoese-anonymous-drawing-pen-gray-wash-heightened-with-white-blue-paper-413-x-495-cm-rl-duke-albert-of-saxe-teschen-above-in-the-cartouche-andreo-contareno-dux-qui-clodi-anae-classis-imperator-servata-patria-atrolissimos-hostes-feli-cissimo-derellavit-mccclxviii-vix-postea-ann-xiiii-image573300408.htmlRM2T8M2EG–Andrea Contarini returns to Venice victorious over the Genoese, anonymous, drawing, pen; gray wash; heightened with white; blue paper, 41.3 x 49.5 cm, r.l. Duke Albert of Saxe-Teschen, above in the cartouche: 'ANDREO CONTARENO DUX QUI CLODI/ ANAE CLASSIS IMPERATOR SERVATA, PATRIA ATROLISSIMOS HOSTES FELI, CISSIMO DERELLAVIT. M.CCCLXVIII., VIX POSTEA ANN: XIIII
Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-1516). Oil on panel (61,6 x 45, 1 cm), 1501. National Gallery, London, England, United Kingdom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-leonardo-loredan-75th-doge-of-the-venetian-republic-from-1501-to-1521-portrait-by-the-italian-renaissance-painter-giovanni-bellini-c-1430-1516-oil-on-panel-616-x-45-1-cm-1501-national-gallery-london-england-united-kingdom-image368332991.htmlRM2CB70DK–Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-1516). Oil on panel (61,6 x 45, 1 cm), 1501. National Gallery, London, England, United Kingdom.
Retorno de la nave del Dux-Habiti d’hvomeni et donne venetiane 1609 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-retorno-de-la-nave-del-dux-habiti-dhvomeni-et-donne-venetiane-1609-169418956.htmlRMKRHKH0–Retorno de la nave del Dux-Habiti d’hvomeni et donne venetiane 1609
Francesco Donato was the Doge of Venice from 1545 to 1553. Portrait by David Teniers II. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-francesco-donato-was-the-doge-of-venice-from-1545-to-1553-portrait-51604806.htmlRMCYXPCP–Francesco Donato was the Doge of Venice from 1545 to 1553. Portrait by David Teniers II. Prado Museum. Madrid. Spain.
Leaf from a Commission: St. Mark Giving the Keys of Venice to Francesco de Priuli, c. 1523-1524. The miniature shows the enthroned figure of Saint Mark, patron saint of Venice, presenting the symbolic keys of Venice to the kneeling figure of Francesco de Priuli upon his appointment as Procurator of Saint Mark's. Beneath the miniature are twelve lines of text, the opening of a ducale issued by Doge Andrea Gritti (1523-38) announcing de Priuli's appointment, which was made in the early 1520s. The text begins, Nos Andreas Griti, Dei gratia Dux venetiarum (Our Andrea Gritti, By the Grace of God Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-a-commission-st-mark-giving-the-keys-of-venice-to-francesco-de-priuli-c-1523-1524-the-miniature-shows-the-enthroned-figure-of-saint-mark-patron-saint-of-venice-presenting-the-symbolic-keys-of-venice-to-the-kneeling-figure-of-francesco-de-priuli-upon-his-appointment-as-procurator-of-saint-marks-beneath-the-miniature-are-twelve-lines-of-text-the-opening-of-a-ducale-issued-by-doge-andrea-gritti-1523-38-announcing-de-priulis-appointment-which-was-made-in-the-early-1520s-the-text-begins-nos-andreas-griti-dei-gratia-dux-venetiarum-our-andrea-gritti-by-the-grace-of-god-image330136792.htmlRM2A530RM–Leaf from a Commission: St. Mark Giving the Keys of Venice to Francesco de Priuli, c. 1523-1524. The miniature shows the enthroned figure of Saint Mark, patron saint of Venice, presenting the symbolic keys of Venice to the kneeling figure of Francesco de Priuli upon his appointment as Procurator of Saint Mark's. Beneath the miniature are twelve lines of text, the opening of a ducale issued by Doge Andrea Gritti (1523-38) announcing de Priuli's appointment, which was made in the early 1520s. The text begins, Nos Andreas Griti, Dei gratia Dux venetiarum (Our Andrea Gritti, By the Grace of God
Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice - Google Art Project Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-martn-rico-y-ortega-courtyard-of-the-palace-of-the-dux-of-venice-google-171739033.htmlRMKYBATW–Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice - Google Art Project
Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-martn-rico-y-ortega-courtyard-of-the-palace-of-the-dux-of-venice-137885062.htmlRMJ095PE–Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice -
Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martn-rico-y-ortega-courtyard-of-the-palace-of-the-dux-of-venice-image398811909.htmlRM2E4RCJD–Martín Rico y Ortega - Courtyard of the Palace of the Dux of Venice
A portrait of Alexander Farnese with the chain of the Order of the Golden Fleece, framed in an oval surrounded by Mannerist ornamental motifs Numbered lower center: XI/ Folio 529, Portrait of Alexander Farnese, Duke of Parma Alexander Farnesius D G Parma et Placentia Dux Portraits of sovereigns and other illustrious figures Imagines Quorundam Principum et Illustrium Virorum , print maker: Niccolò Nelli, Venice, 1569, paper, engraving, etching, h 207 mm × w 170 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-of-alexander-farnese-with-the-chain-of-the-order-of-the-golden-fleece-framed-in-an-oval-surrounded-by-mannerist-ornamental-motifs-numbered-lower-center-xi-folio-529-portrait-of-alexander-farnese-duke-of-parma-alexander-farnesius-d-g-parma-et-placentia-dux-portraits-of-sovereigns-and-other-illustrious-figures-imagines-quorundam-principum-et-illustrium-virorum-print-maker-niccol-nelli-venice-1569-paper-engraving-etching-h-207-mm-w-170-mm-image472313098.htmlRM2JCBM4X–A portrait of Alexander Farnese with the chain of the Order of the Golden Fleece, framed in an oval surrounded by Mannerist ornamental motifs Numbered lower center: XI/ Folio 529, Portrait of Alexander Farnese, Duke of Parma Alexander Farnesius D G Parma et Placentia Dux Portraits of sovereigns and other illustrious figures Imagines Quorundam Principum et Illustrium Virorum , print maker: Niccolò Nelli, Venice, 1569, paper, engraving, etching, h 207 mm × w 170 mm
Martin Rico y Ortega - Courtyard of the Palace of the Dux of Venice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martin-rico-y-ortega-courtyard-of-the-palace-of-the-dux-of-venice-image457716952.htmlRF2HGJPJ0–Martin Rico y Ortega - Courtyard of the Palace of the Dux of Venice
Tiziano Vecellio, called Titian (1488/1490-1576). Italian painter. Ecce Homo, 1543. Italian Mannerism style. Created for the Flemish merchant Giovanni d'Anna. 3610 x 2420 cm. Kunsthistorisches Museum, Vienna. Austria. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tiziano-vecellio-called-titian-14881490-1576-italian-painter-ecce-homo-1543-italian-mannerism-style-created-for-the-flemish-merchant-giovanni-danna-3610-x-2420-cm-kunsthistorisches-museum-vienna-austria-image224056498.htmlRMR0EJ9P–Tiziano Vecellio, called Titian (1488/1490-1576). Italian painter. Ecce Homo, 1543. Italian Mannerism style. Created for the Flemish merchant Giovanni d'Anna. 3610 x 2420 cm. Kunsthistorisches Museum, Vienna. Austria.
Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-leonardo-loredan-75th-doge-of-the-venetian-republic-from-1501-to-1521-portrait-by-the-italian-renaissance-painter-giovanni-bellini-c-1430-15-image447935446.htmlRM2H0N66E–Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-15
Rome, street indication of a famous city square. Venice plaza Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rome-street-indication-of-a-famous-city-square-venice-plaza-image214273530.htmlRFPCH022–Rome, street indication of a famous city square. Venice plaza
Italy/Venice: Christoforo Moro (1390 - 10 November 1471), 67th Doge of Venice. Oil on canvas painting by the circle of Gentile Bellini (1429-1507), 15th century. Cristoforo Moro was the Doge of Venice (r. 1462-1471), ahiling form the patrician Moro family. Moro's reign was marked by the start of a long war between Venice and the Ottomans. In 1463 Pope Pius II sent Moro a consecrated sword with the intention of convincing Venice to join the anti-Turk alliance. The reaction in Venice was initially hesitant as the Republic's main priority was their economic interests. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-christoforo-moro-1390-10-november-1471-67th-doge-of-venice-oil-on-canvas-painting-by-the-circle-of-gentile-bellini-1429-1507-15th-century-cristoforo-moro-was-the-doge-of-venice-r-1462-1471-ahiling-form-the-patrician-moro-family-moros-reign-was-marked-by-the-start-of-a-long-war-between-venice-and-the-ottomans-in-1463-pope-pius-ii-sent-moro-a-consecrated-sword-with-the-intention-of-convincing-venice-to-join-the-anti-turk-alliance-the-reaction-in-venice-was-initially-hesitant-as-the-republics-main-priority-was-their-economic-interests-image344242157.htmlRM2B01GAN–Italy/Venice: Christoforo Moro (1390 - 10 November 1471), 67th Doge of Venice. Oil on canvas painting by the circle of Gentile Bellini (1429-1507), 15th century. Cristoforo Moro was the Doge of Venice (r. 1462-1471), ahiling form the patrician Moro family. Moro's reign was marked by the start of a long war between Venice and the Ottomans. In 1463 Pope Pius II sent Moro a consecrated sword with the intention of convincing Venice to join the anti-Turk alliance. The reaction in Venice was initially hesitant as the Republic's main priority was their economic interests.
Doge of Venice. Pre-16th century costume, whose cloak was open from top to bottom, fastened at the right shoulder with a button, and dangling from the left. The collar is surrounded by ermine. Engraving after Cesare Vecellio (1530-1601) in 'De gli habiti antichi et moderni di diversi parti del mondoi'. Venice, 1590. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-of-venice-pre-16th-century-costume-whose-cloak-was-open-from-top-to-bottom-fastened-at-the-right-shoulder-with-a-button-and-dangling-from-the-left-the-collar-is-surrounded-by-ermine-engraving-after-cesare-vecellio-1530-1601-in-de-gli-habiti-antichi-et-moderni-di-diversi-parti-del-mondoi-venice-1590-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image594990222.htmlRM2WG042P–Doge of Venice. Pre-16th century costume, whose cloak was open from top to bottom, fastened at the right shoulder with a button, and dangling from the left. The collar is surrounded by ermine. Engraving after Cesare Vecellio (1530-1601) in 'De gli habiti antichi et moderni di diversi parti del mondoi'. Venice, 1590. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
Cortejo del Dux & notables de Venecia el dia de la Ascension-Habiti d’hvomeni et donne venetiane 1609 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-cortejo-del-dux-notables-de-venecia-el-dia-de-la-ascension-habiti-169418966.htmlRMKRHKHA–Cortejo del Dux & notables de Venecia el dia de la Ascension-Habiti d’hvomeni et donne venetiane 1609
![Pasquale Malipiero, 1385-1462, Doge of Venice 1457 [obverse], c. 1452/1464. Stock Photo](https://c8.alamy.com/comp/2F9A259/pasquale-malipiero-1385-1462-doge-of-venice-1457-obverse-c-14521464-2F9A259.jpg "Pasquale Malipiero, 1385-1462, Doge of Venice 1457 [obverse], c. 1452/1464. Stock Photo")
Pasquale Malipiero, 1385-1462, Doge of Venice 1457 [obverse], c. 1452/1464. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pasquale-malipiero-1385-1462-doge-of-venice-1457-obverse-c-14521464-image418801973.htmlRM2F9A259–Pasquale Malipiero, 1385-1462, Doge of Venice 1457 [obverse], c. 1452/1464.
A portrait of Fernando Ãlvarez de Toledo, in armor with the chain of the Order of the Golden Fleece, framed in an oval surrounded by Mannerist decorative motifs with animals and satyrs, Portrait of Fernando Ãlvarez de Toledo, Duke of Alva Don Ferdinande D. Toledo D.G. Dux Albæ. &c. Portraits of sovereigns and other illustrious figures (series title) Imagines Quorundam Principum et Illustrium Virorum (series title), print maker: Niccolò Nelli, Venice, 1569, paper, engraving, etching, h 205 mm - w 172 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-portrait-of-fernando-lvarez-de-toledo-in-armor-with-the-chain-of-the-order-of-the-golden-fleece-framed-in-an-oval-surrounded-by-mannerist-decorative-motifs-with-animals-and-satyrs-portrait-of-fernando-lvarez-de-toledo-duke-of-alva-don-ferdinande-d-toledo-dg-dux-alb-c-portraits-of-sovereigns-and-other-illustrious-figures-series-title-imagines-quorundam-principum-et-illustrium-virorum-series-title-print-maker-niccol-nelli-venice-1569-paper-engraving-etching-h-205-mm-w-172-mm-image472153692.htmlRM2JC4CRT–A portrait of Fernando Ãlvarez de Toledo, in armor with the chain of the Order of the Golden Fleece, framed in an oval surrounded by Mannerist decorative motifs with animals and satyrs, Portrait of Fernando Ãlvarez de Toledo, Duke of Alva Don Ferdinande D. Toledo D.G. Dux Albæ. &c. Portraits of sovereigns and other illustrious figures (series title) Imagines Quorundam Principum et Illustrium Virorum (series title), print maker: Niccolò Nelli, Venice, 1569, paper, engraving, etching, h 205 mm - w 172 mm
Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-leonardo-loredan-75th-doge-of-the-venetian-republic-from-1501-to-1521-portrait-by-the-italian-renaissance-painter-giovanni-bellini-c-1430-15-image439551399.htmlRF2GF3887–Doge Leonardo Loredan, 75th doge of the Venetian Republic from 1501 to 1521. Portrait by the Italian Renaissance painter Giovanni Bellini (c. 1430-15
Italy/Venice: Leonardo Loredano (16 November 1436 - 22 June 1521), 75th Doge of the Venetian Republic. Oil on poplar panel painting by Giovanni Bellini (1430-1516), c. 1501-1502. Leonardo Loredan/Loredano was the Doge of the Most Serene Republic of Venice (r. 1501-1521) and a member of the powerful Loredan family. He was a wartime ruler, and his dogeship was considered one of the most important in Venice's history. His Machiavellian plots and political manoeuvres during the War of the Holy League, as well as against the Ottomans, the Mamluks, the French and more, Venice saved from downfall. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-leonardo-loredano-16-november-1436-22-june-1521-75th-doge-of-the-venetian-republic-oil-on-poplar-panel-painting-by-giovanni-bellini-1430-1516-c-1501-1502-leonardo-loredanloredano-was-the-doge-of-the-most-serene-republic-of-venice-r-1501-1521-and-a-member-of-the-powerful-loredan-family-he-was-a-wartime-ruler-and-his-dogeship-was-considered-one-of-the-most-important-in-venices-history-his-machiavellian-plots-and-political-manoeuvres-during-the-war-of-the-holy-league-as-well-as-against-the-ottomans-the-mamluks-the-french-and-more-venice-saved-from-downfall-image344242153.htmlRM2B01GAH–Italy/Venice: Leonardo Loredano (16 November 1436 - 22 June 1521), 75th Doge of the Venetian Republic. Oil on poplar panel painting by Giovanni Bellini (1430-1516), c. 1501-1502. Leonardo Loredan/Loredano was the Doge of the Most Serene Republic of Venice (r. 1501-1521) and a member of the powerful Loredan family. He was a wartime ruler, and his dogeship was considered one of the most important in Venice's history. His Machiavellian plots and political manoeuvres during the War of the Holy League, as well as against the Ottomans, the Mamluks, the French and more, Venice saved from downfall.
Marino Faliero (1285-1355). Dux of Venice. Faliero before the Council of Ten where he admitted to having participated in the conspiracy for a putsch. He was sentenced to death. Engraving of The Illustration, 1896. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marino-faliero-1285-1355-dux-of-venice-faliero-before-the-council-of-ten-where-he-admitted-to-having-participated-in-the-conspiracy-for-a-putsch-he-was-sentenced-to-death-engraving-of-the-illustration-1896-image211308494.htmlRMP7NX3X–Marino Faliero (1285-1355). Dux of Venice. Faliero before the Council of Ten where he admitted to having participated in the conspiracy for a putsch. He was sentenced to death. Engraving of The Illustration, 1896.
Italy/Venice: 'The Doge on the Bucintoro near the Riva di Sant'Elena'. Oil on canvas painting by Francesco Guardi (5 October 1712 - 1 January 1793), 1775-1780. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-1577, but remained a major manufacturing centre and port well into the 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-the-doge-on-the-bucintoro-near-the-riva-di-santelena-oil-on-canvas-painting-by-francesco-guardi-5-october-1712-1-january-1793-1775-1780-for-centuries-venice-was-europes-prime-trading-partner-with-the-middle-east-and-the-byzantine-empire-in-particular-venetian-naval-and-commercial-power-was-unrivalled-in-europe-until-it-lost-a-series-of-wars-to-the-ottoman-armies-in-the-15th-century-the-city-lost-some-50000-people-to-the-black-death-in-1575-1577-but-remained-a-major-manufacturing-centre-and-port-well-into-the-18th-century-image344242303.htmlRM2B01GFY–Italy/Venice: 'The Doge on the Bucintoro near the Riva di Sant'Elena'. Oil on canvas painting by Francesco Guardi (5 October 1712 - 1 January 1793), 1775-1780. For centuries Venice was Europe’s prime trading partner with the Middle East and the Byzantine Empire in particular. Venetian naval and commercial power was unrivalled in Europe until it lost a series of wars to the Ottoman armies in the 15th century. The city lost some 50,000 people to the Black Death in 1575-1577, but remained a major manufacturing centre and port well into the 18th century.
EXTERIOR - BALCON CON SIMBOLO DEL DUX. Location: DUCAL PALACE. Venedig. ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-balcon-con-simbolo-del-dux-location-ducal-palace-venedig-italia-image385509471.htmlRM2DB5D7B–EXTERIOR - BALCON CON SIMBOLO DEL DUX. Location: DUCAL PALACE. Venedig. ITALIA.
Italy/Venice: Francesco Foscari (19 June 1373 - 1 November 1457), 65th Doge of Venice. Oil on canvas painting by Lazzaro Bastiani (1429-1512), c. 1457-1460. Francesco Foscari, of an ancient noble family, served the Republic of Venice in numerous official capacities - as ambassador, president of the Forty, member of the Council of Ten, inquisitor and more, before he was elected in 1423. His task as Doge was to lead Venice in a protracted series of wars against Milan, who were attempting to dominate all of northern Italy. He was the longest reigning Doge in Venetian history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-francesco-foscari-19-june-1373-1-november-1457-65th-doge-of-venice-oil-on-canvas-painting-by-lazzaro-bastiani-1429-1512-c-1457-1460-francesco-foscari-of-an-ancient-noble-family-served-the-republic-of-venice-in-numerous-official-capacities-as-ambassador-president-of-the-forty-member-of-the-council-of-ten-inquisitor-and-more-before-he-was-elected-in-1423-his-task-as-doge-was-to-lead-venice-in-a-protracted-series-of-wars-against-milan-who-were-attempting-to-dominate-all-of-northern-italy-he-was-the-longest-reigning-doge-in-venetian-history-image344242154.htmlRM2B01GAJ–Italy/Venice: Francesco Foscari (19 June 1373 - 1 November 1457), 65th Doge of Venice. Oil on canvas painting by Lazzaro Bastiani (1429-1512), c. 1457-1460. Francesco Foscari, of an ancient noble family, served the Republic of Venice in numerous official capacities - as ambassador, president of the Forty, member of the Council of Ten, inquisitor and more, before he was elected in 1423. His task as Doge was to lead Venice in a protracted series of wars against Milan, who were attempting to dominate all of northern Italy. He was the longest reigning Doge in Venetian history.
Edad media. Venecia. El Dux, primera autoridad de la república. Grabado de 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/edad-media-venecia-el-dux-primera-autoridad-de-la-repblica-grabado-de-1860-image460469170.htmlRM2HN453E–Edad media. Venecia. El Dux, primera autoridad de la república. Grabado de 1860.
Italy/Venice: Andrea Gritti (1455 - December 1538), 77th Doge of Venice. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1546-1550. Andrea Gritti was the Doge of the Most Serene Republic of Venice, elected to the role after a distinguished diplomatic and military career. Born in Bardolino, near Verona, he spent much of his early life in Constantinople as a successful grain merchant, looking after Venetian interests. In 1499, he was imprisoned on charges of espionage, but escaped execution due to his friendship with the Ottoman vizier, and was released several years later. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-andrea-gritti-1455-december-1538-77th-doge-of-venice-oil-on-canvas-painting-by-titian-1490-27-august-1576-c-1546-1550-andrea-gritti-was-the-doge-of-the-most-serene-republic-of-venice-elected-to-the-role-after-a-distinguished-diplomatic-and-military-career-born-in-bardolino-near-verona-he-spent-much-of-his-early-life-in-constantinople-as-a-successful-grain-merchant-looking-after-venetian-interests-in-1499-he-was-imprisoned-on-charges-of-espionage-but-escaped-execution-due-to-his-friendship-with-the-ottoman-vizier-and-was-released-several-years-later-image344242163.htmlRM2B01GAY–Italy/Venice: Andrea Gritti (1455 - December 1538), 77th Doge of Venice. Oil on canvas painting by Titian (1490 - 27 August 1576), c. 1546-1550. Andrea Gritti was the Doge of the Most Serene Republic of Venice, elected to the role after a distinguished diplomatic and military career. Born in Bardolino, near Verona, he spent much of his early life in Constantinople as a successful grain merchant, looking after Venetian interests. In 1499, he was imprisoned on charges of espionage, but escaped execution due to his friendship with the Ottoman vizier, and was released several years later.
SEMANARIO PINTORESCO-CASAMIENTO DEL DUX CON EL MAR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/semanario-pintoresco-casamiento-del-dux-con-el-mar-location-biblioteca-nacional-coleccion-madrid-spain-image219876421.htmlRMPNM6H9–SEMANARIO PINTORESCO-CASAMIENTO DEL DUX CON EL MAR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
Italy / Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-venice-giovanni-mocenigo-1408-4-november-1485-doge-of-venice-1478-1485-tempera-on-panel-painting-by-gentile-bellini-1429-1507-c-1478-1479-giovanni-mocenigo-was-doge-of-venice-r-1478-1485-hailing-from-a-very-distinguished-family-his-brother-pietro-mocenigo-had-served-as-doge-before-him-he-fought-at-sea-against-the-ottoman-sultan-mehmed-ii-and-on-land-against-ercole-i-deste-duke-of-ferrara-from-whom-he-recaptured-rovigo-and-the-polesine-his-dogaressa-was-taddea-michiel-d-1479-who-was-the-last-dogaressa-to-be-crowned-in-venice-until-zilia-dandolo-in-1557-image547407367.htmlRM2PPGFK3–Italy / Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557.
Italy/Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italyvenice-giovanni-mocenigo-1408-4-november-1485-doge-of-venice-1478-1485-tempera-on-panel-painting-by-gentile-bellini-1429-1507-c-1478-1479-giovanni-mocenigo-was-doge-of-venice-r-1478-1485-hailing-from-a-very-distinguished-family-his-brother-pietro-mocenigo-had-served-as-doge-before-him-he-fought-at-sea-against-the-ottoman-sultan-mehmed-ii-and-on-land-against-ercole-i-deste-duke-of-ferrara-from-whom-he-recaptured-rovigo-and-the-polesine-his-dogaressa-was-taddea-michiel-d-1479-who-was-the-last-dogaressa-to-be-crowned-in-venice-until-zilia-dandolo-in-1557-image344242156.htmlRM2B01GAM–Italy/Venice: Giovanni Mocenigo (1408 - 4 November 1485), Doge of Venice (1478-1485). Tempera on panel painting by Gentile Bellini (1429-1507), c. 1478-1479. Giovanni Mocenigo was Doge of Venice (r. 1478-1485), hailing from a very distinguished family. His brother, Pietro Mocenigo, had served as Doge before him. He fought at sea against the Ottoman Sultan Mehmed II and on land against Ercole I d'Este, Duke of Ferrara, from whom he recaptured Rovigo and the Polesine. His dogaressa was Taddea Michiel (d. 1479), who was the last dogaressa to be crowned in Venice until Zilia Dandolo in 1557.
Ceremonial robes of the Doge of Venice and Procurator of Saint Mark. Doge e Procuratore. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1845. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ceremonial-robes-of-the-doge-of-venice-and-procurator-of-saint-mark-doge-e-procuratore-handcoloured-copperplate-engraving-by-luigi-giarre-from-giulio-ferrarios-costumes-ancient-and-modern-of-the-peoples-of-the-world-il-costume-antico-e-moderno-florence-1845-image571817260.htmlRM2T68EN0–Ceremonial robes of the Doge of Venice and Procurator of Saint Mark. Doge e Procuratore. Handcoloured copperplate engraving by Luigi Giarre from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1845.
The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy. Commonly the person selected as Doge was the shrewdest elder in the city. Contrary to popular belief the doge was not a duke in the modern sense, nor was a doge the equivalent of a hereditary duke. The doge was the senior-most elected official of Venice and Genoa; both cities were republics and elected doges Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-doge-of-venice-derived-from-latin-dux-leader-often-mistranslated-duke-the-italian-word-for-duke-is-duca-was-the-chief-magistrate-and-leader-of-the-most-serene-republic-of-venice-for-over-a-thousand-years-doges-of-venice-were-elected-for-life-by-the-city-states-aristocracy-commonly-the-person-selected-as-doge-was-the-shrewdest-elder-in-the-city-contrary-to-popular-belief-the-doge-was-not-a-duke-in-the-modern-sense-nor-was-a-doge-the-equivalent-of-a-hereditary-duke-the-doge-was-the-senior-most-elected-official-of-venice-and-genoa-both-cities-were-republics-and-elected-doges-image344242155.htmlRM2B01GAK–The Doge of Venice (derived from Latin dux, 'leader'), often mistranslated Duke (the Italian word for duke is 'Duca') was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy. Commonly the person selected as Doge was the shrewdest elder in the city. Contrary to popular belief the doge was not a duke in the modern sense, nor was a doge the equivalent of a hereditary duke. The doge was the senior-most elected official of Venice and Genoa; both cities were republics and elected doges
History of Italy. 1300. From left to right, 17: Roman senator, 18: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-17-roman-senator-18-doge-of-venice-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147190.htmlRM2WKEB9A–History of Italy. 1300. From left to right, 17: Roman senator, 18: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Brides of Venice. Date: 1871. Oil on wood panel. Museum: Smithsonian American Art Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brides-of-venice-date-1871-oil-on-wood-panel-museum-smithsonian-american-art-museum-image554797277.htmlRM2R6H5GD–Brides of Venice. Date: 1871. Oil on wood panel. Museum: Smithsonian American Art Museum.
Italy. Venice. Doge's Palace. Gothic building. 14th - 15th centuries. Facade. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-venice-doges-palace-gothic-building-14th-15th-centuries-facade-image209569006.htmlRMP4XKBA–Italy. Venice. Doge's Palace. Gothic building. 14th - 15th centuries. Facade.
'Embarco del Dux de Venecia' (detail), After 1595, Oil on canvas, P00044. Author: BASSANO, LEANDRO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/embarco-del-dux-de-venecia-detail-after-1595-oil-on-canvas-p00044-author-bassano-leandro-location-museo-del-prado-pintura-madrid-spain-image221422334.htmlRMPT6JCE–'Embarco del Dux de Venecia' (detail), After 1595, Oil on canvas, P00044. Author: BASSANO, LEANDRO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.
Giovanni Bellini (c. 1430 Ð 1516). Italian Renaissance painter. The Portrait of Doge Leonardo Loredan, Doge of Venice from 1501 to 1521. 1501. National Gallery. London. England. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giovanni-bellini-c-1430-1516-italian-renaissance-painter-the-portrait-of-doge-leonardo-loredan-doge-of-venice-from-1501-to-1521-1501-national-gallery-london-england-image219993750.htmlRMPNWG7J–Giovanni Bellini (c. 1430 Ð 1516). Italian Renaissance painter. The Portrait of Doge Leonardo Loredan, Doge of Venice from 1501 to 1521. 1501. National Gallery. London. England.
Francesco Donato was the Doge of Venice from 1545 to 1553. Portrait by David Teniers II or David Teniers the younger(1610-1690), Flemish artist. Prado Museum. Madrid. Spain. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francesco-donato-was-the-doge-of-venice-from-1545-to-1553-portrait-by-david-teniers-ii-or-david-teniers-the-younger1610-1690-flemish-artist-prado-museum-madrid-spain-image220006551.htmlRMPNX4GR–Francesco Donato was the Doge of Venice from 1545 to 1553. Portrait by David Teniers II or David Teniers the younger(1610-1690), Flemish artist. Prado Museum. Madrid. Spain.
Grand procession of the Doge of Venice. Reproduction of a 16th-century engraving by Jost Amman. 'Moeurs, Usages Et Costumes Au Moyen Age et a L'Epoque de la Renaissance.' Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/grand-procession-of-the-doge-of-venice-reproduction-of-a-16th-century-engraving-by-jost-amman-moeurs-usages-et-costumes-au-moyen-age-et-a-lepoque-de-la-renaissance-paris-1878-image597149133.htmlRM2WKEDPN–Grand procession of the Doge of Venice. Reproduction of a 16th-century engraving by Jost Amman. 'Moeurs, Usages Et Costumes Au Moyen Age et a L'Epoque de la Renaissance.' Paris, 1878.
History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-1-cimabue-1240-1302-2-3-distinguished-men-4-doge-of-venice-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147174.htmlRM2WKEB8P–History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Doge of Venice in official robes. Handcolored copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Vienna, 1811. Illustration from Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, etc., London, 1757:. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-of-venice-in-official-robes-handcolored-copperplate-engraving-from-robert-von-spalarts-historical-picture-of-the-costumes-of-the-principal-people-of-antiquity-and-of-the-middle-ages-vienna-1811-illustration-from-thomas-jefferys-collection-of-dresses-of-different-nations-antient-and-modern-after-the-designs-of-holbein-van-dyke-hollar-etc-london-1757-image209711048.htmlRMP554G8–Doge of Venice in official robes. Handcolored copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Vienna, 1811. Illustration from Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, etc., London, 1757:.
EL DUX LLEGA A SANTA MARIA DE LA SALUD EN VENECIA PARA CONMEMORAR EL FIN DE LA PESTE DE 1630 - 1775 - OLEO/LIENZO - 67 X 101 cm. Author: Francesco Guardi (1712-1793). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/el-dux-llega-a-santa-maria-de-la-salud-en-venecia-para-conmemorar-el-fin-de-la-peste-de-1630-1775-oleolienzo-67-x-101-cm-author-francesco-guardi-1712-1793-location-louvre-museum-paintings-france-image209310889.htmlRMP4EX4W–EL DUX LLEGA A SANTA MARIA DE LA SALUD EN VENECIA PARA CONMEMORAR EL FIN DE LA PESTE DE 1630 - 1775 - OLEO/LIENZO - 67 X 101 cm. Author: Francesco Guardi (1712-1793). Location: LOUVRE MUSEUM-PAINTINGS, FRANCE.
Doge and Dogaressa of Venice, and the state barge or bucentaur, 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-and-dogaressa-of-venice-and-the-state-barge-or-bucentaur-16th-century-chromolithograph-from-hefner-altenecks-costumes-artworks-and-appliances-from-the-middle-ages-to-the-17th-century-frankfurt-1889-illustration-by-dr-jakob-heinrich-von-hefner-alteneck-lithographed-by-c-regnier-dr-hefner-alteneck-1811-1903-was-a-german-museum-curator-archaeologist-art-historian-illustrator-and-etcher-image220220606.htmlRMPP7WHJ–Doge and Dogaressa of Venice, and the state barge or bucentaur, 16th century. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.
Canaletto (Venice 1697 - 1768). The Bucintoro (ca. 1745 - 1750). Oil on canvas. 57 x 93 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canaletto-venice-1697-1768-the-bucintoro-ca-1745-1750-oil-on-canvas-57-x-93-cm-museum-museu-nacional-dart-de-catalunya-mnac-image236898395.htmlRMRNBJ8Y–Canaletto (Venice 1697 - 1768). The Bucintoro (ca. 1745 - 1750). Oil on canvas. 57 x 93 cm. Museum: Museu Nacional d'Art de Catalunya (MNAC).
Wife of a Doge of Venice, 1581. Fur-lined cloak with large hood, bodice decorated with pearls, necklace and gloves. Handcolored copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wife-of-a-doge-of-venice-1581-fur-lined-cloak-with-large-hood-bodice-decorated-with-pearls-necklace-and-gloves-handcolored-copperplate-engraving-from-robert-von-spalarts-historical-picture-of-the-costumes-of-the-principal-people-of-antiquity-and-of-the-middle-ages-vienna-1811-illustration-based-on-thomas-jefferys-collection-of-dresses-of-different-nations-antient-and-modern-after-the-designs-of-holbein-van-dyke-hollar-and-others-london-1757-image209727524.htmlRMP55WGM–Wife of a Doge of Venice, 1581. Fur-lined cloak with large hood, bodice decorated with pearls, necklace and gloves. Handcolored copperplate engraving from Robert von Spalart's 'Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages,' Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.
Doge of Venice in ceremonial costume. 16th century. Engraving after Cesare Vecellio (1521-1601) in 'De gli habiti antichi et moderni di diversi parti del mondo', published in Venice, 1590. 2Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-of-venice-in-ceremonial-costume-16th-century-engraving-after-cesare-vecellio-1521-1601-in-de-gli-habiti-antichi-et-moderni-di-diversi-parti-del-mondo-published-in-venice-1590-2moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-image593942610.htmlRM2WE8BT2–Doge of Venice in ceremonial costume. 16th century. Engraving after Cesare Vecellio (1521-1601) in 'De gli habiti antichi et moderni di diversi parti del mondo', published in Venice, 1590. 2Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878.
History of Italy. 1300. From left to right, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate, 9 -10: dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-4-doge-of-venice-5-petrarch-1304-1374-6-laura-woman-idealised-by-petrarch-in-his-poems-7-distinguished-man-8-magistrate-9-10-dames-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147168.htmlRM2WKEB8G–History of Italy. 1300. From left to right, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate, 9 -10: dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Doge of Venice, after Abraham de Bruyn, 1580. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' 'Modes et Costumes Etrangers Anciens et Modernes' (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-of-venice-after-abraham-de-bruyn-1580-handcoloured-steel-engraving-by-polydor-pauquet-from-the-pauquet-brothers-modes-et-costumes-etrangers-anciens-et-modernes-foreign-fashions-and-costumes-ancient-and-modern-paris-1865-hippolyte-b-1797-and-polydor-pauquet-b-1799-ran-a-successful-publishing-house-in-paris-in-the-19th-century-specializing-in-illustrated-books-on-costume-birds-butterflies-anatomy-and-natural-history-image220155840.htmlRMPP4Y0G–Doge of Venice, after Abraham de Bruyn, 1580. Handcoloured steel engraving by Polydor Pauquet from the Pauquet Brothers' 'Modes et Costumes Etrangers Anciens et Modernes' (Foreign Fashions and Costumes Ancient and Modern), Paris, 1865. Hippolyte (b. 1797) and Polydor Pauquet (b. 1799) ran a successful publishing house in Paris in the 19th century, specializing in illustrated books on costume, birds, butterflies, anatomy and natural history.
Doge of Venice, 14th century. He wears a ducal hat or corno in crimson velvet with a gold crown, ermine almuce, gold-brocade simar, crimson robe and gold shoes. From a sepulchral monument to Michele Steno (1331-1413) in Basilica Giovani e Paelo, Venice. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-of-venice-14th-century-he-wears-a-ducal-hat-or-corno-in-crimson-velvet-with-a-gold-crown-ermine-almuce-gold-brocade-simar-crimson-robe-and-gold-shoes-from-a-sepulchral-monument-to-michele-steno-1331-1413-in-basilica-giovani-e-paelo-venice-handcoloured-illustration-drawn-and-lithographed-by-paul-mercuri-with-text-by-camille-bonnard-from-historical-costumes-from-the-12th-to-15th-centuries-levy-fils-paris-1860-image210552758.htmlRMP6FE5A–Doge of Venice, 14th century. He wears a ducal hat or corno in crimson velvet with a gold crown, ermine almuce, gold-brocade simar, crimson robe and gold shoes. From a sepulchral monument to Michele Steno (1331-1413) in Basilica Giovani e Paelo, Venice. Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from 'Historical Costumes from the 12th to 15th Centuries,' Levy Fils, Paris, 1860.
Instructions of Marino Grimani to Zuanne Lippomano. Binding on vellum in Oriental style, covered with mother-of-pearl. On the front cover, the central medallion is decorated with the winged lion of St. Mark holding a book, symbol of the city of Venice. Venice, 16th century. 1st volume. Calouste Gulbenkian Museum. Lisbon, Portugal. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/instructions-of-marino-grimani-to-zuanne-lippomano-binding-on-vellum-in-oriental-style-covered-with-mother-of-pearl-on-the-front-cover-the-central-medallion-is-decorated-with-the-winged-lion-of-st-mark-holding-a-book-symbol-of-the-city-of-venice-venice-16th-century-1st-volume-calouste-gulbenkian-museum-lisbon-portugal-image472129219.htmlRM2JC39HR–Instructions of Marino Grimani to Zuanne Lippomano. Binding on vellum in Oriental style, covered with mother-of-pearl. On the front cover, the central medallion is decorated with the winged lion of St. Mark holding a book, symbol of the city of Venice. Venice, 16th century. 1st volume. Calouste Gulbenkian Museum. Lisbon, Portugal.
History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-1-cimabue-1240-1302-2-3-distinguished-men-4-doge-of-venice-5-petrarch-1304-1374-6-laura-woman-idealised-by-petrarch-in-his-poems-7-distinguished-man-8-magistrate-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147186.htmlRM2WKEB96–History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
History of Italy. 1500. From left to right, 8: Venetian knight, 9-10: Doge of Venice, 11: cardinal, 12-13: high-class ladies, 14: Pope Julius II, 15: high-class lady, 16: cardinal. Chromolithography. 'Historia Universal', by César Cantú. Volume VIII, 1881. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1500-from-left-to-right-8-venetian-knight-9-10-doge-of-venice-11-cardinal-12-13-high-class-ladies-14-pope-julius-ii-15-high-class-lady-16-cardinal-chromolithography-historia-universal-by-csar-cant-volume-viii-1881-image593315935.htmlRM2WD7TER–History of Italy. 1500. From left to right, 8: Venetian knight, 9-10: Doge of Venice, 11: cardinal, 12-13: high-class ladies, 14: Pope Julius II, 15: high-class lady, 16: cardinal. Chromolithography. 'Historia Universal', by César Cantú. Volume VIII, 1881.
History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate, 9 -10: dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/history-of-italy-1300-from-left-to-right-1-cimabue-1240-1302-2-3-distinguished-men-4-doge-of-venice-5-petrarch-1304-1374-6-laura-woman-idealised-by-petrarch-in-his-poems-7-distinguished-man-8-magistrate-9-10-dames-chromolithography-historia-universal-by-csar-cant-volume-vi-1885-image597147179.htmlRM2WKEB8Y–History of Italy. 1300. From left to right, 1: Cimabue (1240-1302), 2-3: distinguished men, 4: Doge of Venice, 5: Petrarch (1304-1374), 6: Laura (woman idealised by Petrarch in his poems), 7: distinguished man, 8: magistrate, 9 -10: dames. Chromolithography. 'Historia Universal', by César Cantú. Volume VI, 1885.
Courtyard of the Doge's Palace in Venice. Buildings where the wells and drains were located. Engraving by A. Racinet after Cesare Vecellio (1530-1601) in 'De gli habiti antichi et moderni di diversi parti del mondoi'. Venice, 1590. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Author: Albert Racinet (1825-1893). French artist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/courtyard-of-the-doges-palace-in-venice-buildings-where-the-wells-and-drains-were-located-engraving-by-a-racinet-after-cesare-vecellio-1530-1601-in-de-gli-habiti-antichi-et-moderni-di-diversi-parti-del-mondoi-venice-1590-moeurs-usages-et-costumes-au-moyen-ge-et-lpoque-de-la-renaissance-by-paul-lacroix-paris-1878-author-albert-racinet-1825-1893-french-artist-image597148960.htmlRM2WKEDGG–Courtyard of the Doge's Palace in Venice. Buildings where the wells and drains were located. Engraving by A. Racinet after Cesare Vecellio (1530-1601) in 'De gli habiti antichi et moderni di diversi parti del mondoi'. Venice, 1590. 'Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance', by Paul Lacroix. Paris, 1878. Author: Albert Racinet (1825-1893). French artist.
Visita del Dux a Iglesia San Rocco/1735. Museum: NATIONAL GALLERY LONDRES G. BRETAÑA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/visita-del-dux-a-iglesia-san-rocco1735-museum-national-gallery-londres-g-bretaa-image211091579.htmlRMP7C1CY–Visita del Dux a Iglesia San Rocco/1735. Museum: NATIONAL GALLERY LONDRES G. BRETAÑA.
Viaje de los emperadores de Alemania a Tierra Santa, Guillermo II de Alemania y Augusta Victoria de Schleswig-Holstein. Llegada de SS. MM. a Venecia, Italia. La imagen representa el momento de salir de la estación del ferrocarril de los soberanos alemanes e italianos para tomar la góndola de la corte, la cual les condujo por el Gran Canal al Palacio de los Dux, el día 13 de octubre de 1898. En la estación recibieron a los emperadores alemanes, SS. MM. Humberto I de Italia y Margarita Teresa de Saboya. Grabado. La Ilustración Española y Americana,30 de octubre de 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/viaje-de-los-emperadores-de-alemania-a-tierra-santa-guillermo-ii-de-alemania-y-augusta-victoria-de-schleswig-holstein-llegada-de-ss-mm-a-venecia-italia-la-imagen-representa-el-momento-de-salir-de-la-estacin-del-ferrocarril-de-los-soberanos-alemanes-e-italianos-para-tomar-la-gndola-de-la-corte-la-cual-les-condujo-por-el-gran-canal-al-palacio-de-los-dux-el-da-13-de-octubre-de-1898-en-la-estacin-recibieron-a-los-emperadores-alemanes-ss-mm-humberto-i-de-italia-y-margarita-teresa-de-saboya-grabado-la-ilustracin-espaola-y-americana30-de-octubre-de-1898-image357662488.htmlRM2BNTX48–Viaje de los emperadores de Alemania a Tierra Santa, Guillermo II de Alemania y Augusta Victoria de Schleswig-Holstein. Llegada de SS. MM. a Venecia, Italia. La imagen representa el momento de salir de la estación del ferrocarril de los soberanos alemanes e italianos para tomar la góndola de la corte, la cual les condujo por el Gran Canal al Palacio de los Dux, el día 13 de octubre de 1898. En la estación recibieron a los emperadores alemanes, SS. MM. Humberto I de Italia y Margarita Teresa de Saboya. Grabado. La Ilustración Española y Americana,30 de octubre de 1898.
EXTERIOR-FACHADA A LA PIAZZETTA-DEL S IX AL XVI TRANSFORMADO-RESIDENCIA DOGE. Location: DUCAL PALACE. Venedig. ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-fachada-a-la-piazzetta-del-s-ix-al-xvi-transformado-residencia-doge-location-ducal-palace-venedig-italia-image460289632.htmlRM2HMT03C–EXTERIOR-FACHADA A LA PIAZZETTA-DEL S IX AL XVI TRANSFORMADO-RESIDENCIA DOGE. Location: DUCAL PALACE. Venedig. ITALIA.
Portrait of the Doge, Andrea Gritti. Painting. Oil on canvas. Height: 97.2 cm (38.2 in); Width: 79.4 cm (31.2 in). Author: CATENA, VINCENZO. CATENA, VINCENZO DI BIAGIO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-the-doge-andrea-gritti-painting-oil-on-canvas-height-972-cm-382-in-width-794-cm-312-in-author-catena-vincenzo-catena-vincenzo-di-biagio-image219713112.htmlRMPNCP8T–Portrait of the Doge, Andrea Gritti. Painting. Oil on canvas. Height: 97.2 cm (38.2 in); Width: 79.4 cm (31.2 in). Author: CATENA, VINCENZO. CATENA, VINCENZO DI BIAGIO.
CIVITATES ORBIS TERRARUM - VENECIA - GRABADO - SIGLO XVI. Author: BRAUN GEORG 1541-1622 / HOGENBERG FRANS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/civitates-orbis-terrarum-venecia-grabado-siglo-xvi-author-braun-georg-1541-1622-hogenberg-frans-location-biblioteca-nacional-coleccion-madrid-spain-image219880866.htmlRMPNMC82–CIVITATES ORBIS TERRARUM - VENECIA - GRABADO - SIGLO XVI. Author: BRAUN GEORG 1541-1622 / HOGENBERG FRANS. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.
Francesco Lazzaro Guardi (1712-1793). Italian painter. Venetian School. The Doge at the Basilcia of La Salute. The Venetian Doge goes to health on the anniversary of the end of the plague of Nov. 21, 1630'. 1775. Louvre Museum. Paris. France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/francesco-lazzaro-guardi-1712-1793-italian-painter-venetian-school-the-doge-at-the-basilcia-of-la-salute-the-venetian-doge-goes-to-health-on-the-anniversary-of-the-end-of-the-plague-of-nov-21-1630-1775-louvre-museum-paris-france-image231216568.htmlRMRC4R2G–Francesco Lazzaro Guardi (1712-1793). Italian painter. Venetian School. The Doge at the Basilcia of La Salute. The Venetian Doge goes to health on the anniversary of the end of the plague of Nov. 21, 1630'. 1775. Louvre Museum. Paris. France.
The Newly Elected Doge Presented to the People in San Marco. Dated: 1763/1766. Dimensions: plate: 44.7 x 56.6 cm (17 5/8 x 22 5/16 in.) sheet: 47.8 x 68 cm (18 13/16 x 26 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Brustolon after Canaletto. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-newly-elected-doge-presented-to-the-people-in-san-marco-dated-17631766-dimensions-plate-447-x-566-cm-17-58-x-22-516-in-sheet-478-x-68-cm-18-1316-x-26-34-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-giovanni-battista-brustolon-after-canaletto-image225562490.htmlRMR2Y776–The Newly Elected Doge Presented to the People in San Marco. Dated: 1763/1766. Dimensions: plate: 44.7 x 56.6 cm (17 5/8 x 22 5/16 in.) sheet: 47.8 x 68 cm (18 13/16 x 26 3/4 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Brustolon after Canaletto.
Doge Alvise Mocenigo and Family before the Madonna and Child. Dated: probably 1573. Dimensions: overall: 216 × 416 cm (85 1/16 × 163 3/4 in.) framed: 252.8 x 452.2 x 12.7 cm (99 1/2 x 178 x 5 in.) gross weight: 154.223 kg (340 lb.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jacopo Tintoretto. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/doge-alvise-mocenigo-and-family-before-the-madonna-and-child-dated-probably-1573-dimensions-overall-216-416-cm-85-116-163-34-in-framed-2528-x-4522-x-127-cm-99-12-x-178-x-5-in-gross-weight-154223-kg-340-lb-medium-oil-on-canvas-museum-national-gallery-of-art-washington-dc-author-jacopo-tintoretto-image218990342.htmlRMPM7TBJ–Doge Alvise Mocenigo and Family before the Madonna and Child. Dated: probably 1573. Dimensions: overall: 216 × 416 cm (85 1/16 × 163 3/4 in.) framed: 252.8 x 452.2 x 12.7 cm (99 1/2 x 178 x 5 in.) gross weight: 154.223 kg (340 lb.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Jacopo Tintoretto.
Return of 'Il Bucintoro' on Ascension Day. Date/Period: From 1745 until 1750. Painting. Oil on canvas. Height: 59.5 cm (23.4 in); Width: 93.8 cm (36.9 in). Author: CANALETTO. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/return-of-il-bucintoro-on-ascension-day-dateperiod-from-1745-until-1750-painting-oil-on-canvas-height-595-cm-234-in-width-938-cm-369-in-author-canaletto-image221422649.htmlRMPT6JRN–Return of 'Il Bucintoro' on Ascension Day. Date/Period: From 1745 until 1750. Painting. Oil on canvas. Height: 59.5 cm (23.4 in); Width: 93.8 cm (36.9 in). Author: CANALETTO.
