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Early tang dynasty Stock Photos and Images
Brown marble ware offering tray from the Early Tang Dynasty. Dated 7th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-brown-marble-ware-offering-tray-from-the-early-tang-dynasty-dated-166079295.htmlRMKJ5FRB–Brown marble ware offering tray from the Early Tang Dynasty. Dated 7th Century
Ewer, 800s. China, Hunan province, Tongguan, early Tang dynasty (618-907). Glazed stoneware with molded and applied decoration, Changsha ware; overall: 22.5 cm (8 7/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-800s-china-hunan-province-tongguan-early-tang-dynasty-618-907-glazed-stoneware-with-molded-and-applied-decoration-changsha-ware-overall-225-cm-8-78-in-image240456253.htmlRMRY5MB9–Ewer, 800s. China, Hunan province, Tongguan, early Tang dynasty (618-907). Glazed stoneware with molded and applied decoration, Changsha ware; overall: 22.5 cm (8 7/8 in
Chinese Art. 7th century. Court Lady. Ceramics. Early Tang Dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-art-7th-century-court-lady-ceramics-early-tang-dynasty-43263492.htmlRMCEAR0M–Chinese Art. 7th century. Court Lady. Ceramics. Early Tang Dynasty.
Pilgrim Flask (Bian Hu), Sui (581–618) or early Tang dynasty (618–907), c. late 6th/7th century, China, Stoneware with mold-impressed decoration under yellowish-brown lead glaze, 24.1 × 20.4 × 12.2 cm (9 1/2 × 8 × 4 13/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pilgrim-flask-bian-hu-sui-581618-or-early-tang-dynasty-618907-c-late-6th7th-century-china-stoneware-with-mold-impressed-decoration-under-yellowish-brown-lead-glaze-241-204-122-cm-9-12-8-4-1316-in-image328626079.htmlRM2A2J5WK–Pilgrim Flask (Bian Hu), Sui (581–618) or early Tang dynasty (618–907), c. late 6th/7th century, China, Stoneware with mold-impressed decoration under yellowish-brown lead glaze, 24.1 × 20.4 × 12.2 cm (9 1/2 × 8 × 4 13/16 in
Tang Dynasty white figurine, officer whose body has red, white and black only painted traces, standing upright on the platform, the platform is disabled. The figurine wears a round helmet and armor, his head is turned to the left, his hands are clenched into fists, and his facial expressions are serious. The patterns on his armor are obvious, and there are animal headgears on his shoulders and chest. His imposing manner is extremely majestic. It is a realistic work in the early Tang Dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tang-dynasty-white-figurine-officer-whose-body-has-red-white-and-black-only-painted-traces-standing-upright-on-the-platform-the-platform-is-disabled-the-figurine-wears-a-round-helmet-and-armor-his-head-is-turned-to-the-left-his-hands-are-clenched-into-fists-and-his-facial-expressions-are-serious-the-patterns-on-his-armor-are-obvious-and-there-are-animal-headgears-on-his-shoulders-and-chest-his-imposing-manner-is-extremely-majestic-it-is-a-realistic-work-in-the-early-tang-dynasty-image481969662.htmlRM2K03H66–Tang Dynasty white figurine, officer whose body has red, white and black only painted traces, standing upright on the platform, the platform is disabled. The figurine wears a round helmet and armor, his head is turned to the left, his hands are clenched into fists, and his facial expressions are serious. The patterns on his armor are obvious, and there are animal headgears on his shoulders and chest. His imposing manner is extremely majestic. It is a realistic work in the early Tang Dynasty.
China: Chinese script. Tang Dynasty. Attributed to Sun Guo-Ting (7th-8th century). Sun Guoting (646–691) or Sun Qianli, was a Chinese calligrapher of the early Tang Dynasty, remembered for his cursive calligraphy and his Treatise on Calligraphy (書譜) (ca. 687). The work was the first important theoretical work on Chinese calligraphy, and has remained important ever since, though only its preface survived. The preface is the only surviving calligraphic work of Sun, therefore it is responsible for both Sun's reputation as an artist and as a theorist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-chinese-script-tang-dynasty-attributed-to-sun-guo-ting-7th-8th-century-sun-guoting-646691-or-sun-qianli-was-a-chinese-calligrapher-of-the-early-tang-dynasty-remembered-for-his-cursive-calligraphy-and-his-treatise-on-calligraphy-ca-687-the-work-was-the-first-important-theoretical-work-on-chinese-calligraphy-and-has-remained-important-ever-since-though-only-its-preface-survived-the-preface-is-the-only-surviving-calligraphic-work-of-sun-therefore-it-is-responsible-for-both-suns-reputation-as-an-artist-and-as-a-theorist-image344224147.htmlRM2B00NBF–China: Chinese script. Tang Dynasty. Attributed to Sun Guo-Ting (7th-8th century). Sun Guoting (646–691) or Sun Qianli, was a Chinese calligrapher of the early Tang Dynasty, remembered for his cursive calligraphy and his Treatise on Calligraphy (書譜) (ca. 687). The work was the first important theoretical work on Chinese calligraphy, and has remained important ever since, though only its preface survived. The preface is the only surviving calligraphic work of Sun, therefore it is responsible for both Sun's reputation as an artist and as a theorist.
Candle Stand, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). White stoneware with modeled and applied decoration; overall: 29.8 cm (11 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candle-stand-600s-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-white-stoneware-with-modeled-and-applied-decoration-overall-298-cm-11-34-in-image240393931.htmlRMRY2TWF–Candle Stand, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). White stoneware with modeled and applied decoration; overall: 29.8 cm (11 3/4 in
China / Japan: Xuanzang (Hsuan-tsang, c. 602 – 664) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Hanging scroll painting, Kamakura Period (14th century). Born in Henan province of China in 602 or 603, from boyhood Xuanzang took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, he entered Buddhist monkhood at the age of thirteen. He travelled throughout China in search of sacred books of Buddhism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-japan-xuanzang-hsuan-tsang-c-602-664-was-a-famous-chinese-buddhist-monk-scholar-traveler-and-translator-who-travelled-to-india-seeking-buddhist-knowledge-during-the-early-tang-dynasty-hanging-scroll-painting-kamakura-period-14th-century-born-in-henan-province-of-china-in-602-or-603-from-boyhood-xuanzang-took-to-reading-sacred-books-including-the-chinese-classics-and-the-writings-of-the-ancient-sages-while-residing-in-the-city-of-luoyang-he-entered-buddhist-monkhood-at-the-age-of-thirteen-he-travelled-throughout-china-in-search-of-sacred-books-of-buddhism-image440024799.htmlRM2GFTT3B–China / Japan: Xuanzang (Hsuan-tsang, c. 602 – 664) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Hanging scroll painting, Kamakura Period (14th century). Born in Henan province of China in 602 or 603, from boyhood Xuanzang took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, he entered Buddhist monkhood at the age of thirteen. He travelled throughout China in search of sacred books of Buddhism.
Pilgrim Flask (Bian Hu), Sui (581-618) or early Tang dynasty (618-907), c. late 6th/7th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pilgrim-flask-bian-hu-sui-581-618-or-early-tang-dynasty-618-907-c-late-6th7th-century-image457029209.htmlRM2HFFDBN–Pilgrim Flask (Bian Hu), Sui (581-618) or early Tang dynasty (618-907), c. late 6th/7th century.
China: Mural of Xuanzang (c. 602-664), Chinese Buddhist monk, scholar, traveler and translator, from the Bezeklik Thousand Buddha Caves, Turpan/Turfan, Xinjiang, c. 8th-9th century. Xuanzang (Hsuan-tsang) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Born in Henan province of China in 602 or 603, from boyhood he took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, Xuanzang entered Buddhist monkhood. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-mural-of-xuanzang-c-602-664-chinese-buddhist-monk-scholar-traveler-and-translator-from-the-bezeklik-thousand-buddha-caves-turpanturfan-xinjiang-c-8th-9th-century-xuanzang-hsuan-tsang-was-a-famous-chinese-buddhist-monk-scholar-traveler-and-translator-who-travelled-to-india-seeking-buddhist-knowledge-during-the-early-tang-dynasty-born-in-henan-province-of-china-in-602-or-603-from-boyhood-he-took-to-reading-sacred-books-including-the-chinese-classics-and-the-writings-of-the-ancient-sages-while-residing-in-the-city-of-luoyang-xuanzang-entered-buddhist-monkhood-image344239990.htmlRM2B01DHA–China: Mural of Xuanzang (c. 602-664), Chinese Buddhist monk, scholar, traveler and translator, from the Bezeklik Thousand Buddha Caves, Turpan/Turfan, Xinjiang, c. 8th-9th century. Xuanzang (Hsuan-tsang) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Born in Henan province of China in 602 or 603, from boyhood he took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, Xuanzang entered Buddhist monkhood.
Boddhisattva figurine, early Tang dynasty, 700 750 AD, gilt bronze Freer Gallery of Art DSC05752 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-boddhisattva-figurine-early-tang-dynasty-700-750-ad-gilt-bronze-freer-170375652.htmlRMKW57TM–Boddhisattva figurine, early Tang dynasty, 700 750 AD, gilt bronze Freer Gallery of Art DSC05752
China/Japan: Xuanzang (Hsuan-tsang, c. 602 – 664) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Hanging scroll painting, Kamakura Period (14th century). Born in Henan province of China in 602 or 603, from boyhood Xuanzang took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, he entered Buddhist monkhood at the age of thirteen. He travelled throughout China in search of sacred books of Buddhism. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinajapan-xuanzang-hsuan-tsang-c-602-664-was-a-famous-chinese-buddhist-monk-scholar-traveler-and-translator-who-travelled-to-india-seeking-buddhist-knowledge-during-the-early-tang-dynasty-hanging-scroll-painting-kamakura-period-14th-century-born-in-henan-province-of-china-in-602-or-603-from-boyhood-xuanzang-took-to-reading-sacred-books-including-the-chinese-classics-and-the-writings-of-the-ancient-sages-while-residing-in-the-city-of-luoyang-he-entered-buddhist-monkhood-at-the-age-of-thirteen-he-travelled-throughout-china-in-search-of-sacred-books-of-buddhism-image344231325.htmlRM2B012FW–China/Japan: Xuanzang (Hsuan-tsang, c. 602 – 664) was a famous Chinese Buddhist monk, scholar, traveler and translator who travelled to India seeking Buddhist knowledge during the early Tang Dynasty. Hanging scroll painting, Kamakura Period (14th century). Born in Henan province of China in 602 or 603, from boyhood Xuanzang took to reading sacred books, including the Chinese Classics and the writings of the ancient sages. While residing in the city of Luoyang, he entered Buddhist monkhood at the age of thirteen. He travelled throughout China in search of sacred books of Buddhism.
. English: Fresco of a young girl holding a package from the early T'ang dynasty tomb of An Yüen-shou (607-683). 中文（繁體）: 安元壽墓壁畫《捧包裹女侍圖》。安元壽（607683年），字茂齡，西域安國胡人後裔。東漢末年，其先祖入中原，後輾轉居姑臧（今甘肅武成）。其父安興貴、叔父安脩仁均開國有功。武德四年（621年）十六歲即以勇武追隨李世民，入秦王府為右庫眞。至高宗朝，居官右威衛將軍。水淳二年（683年）病亡，年七十七歲，「特令陪葬昭陵」。其墓起塚像祁連山，在禮泉縣趙鎭新砦村東，北距昭陵約11公里，1973年發掘。 . T'ang dynasty. Anonymous Fresco of a Young Girl, early T'ang dynasty Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fresco-of-a-young-girl-holding-a-package-from-the-early-tang-dynasty-tomb-of-an-yen-shou-607-683-607683621683111973-tang-dynasty-anonymous-fresco-of-a-young-girl-early-tang-dynasty-image184773581.htmlRMMMH4GD–. English: Fresco of a young girl holding a package from the early T'ang dynasty tomb of An Yüen-shou (607-683). 中文（繁體）: 安元壽墓壁畫《捧包裹女侍圖》。安元壽（607683年），字茂齡，西域安國胡人後裔。東漢末年，其先祖入中原，後輾轉居姑臧（今甘肅武成）。其父安興貴、叔父安脩仁均開國有功。武德四年（621年）十六歲即以勇武追隨李世民，入秦王府為右庫眞。至高宗朝，居官右威衛將軍。水淳二年（683年）病亡，年七十七歲，「特令陪葬昭陵」。其墓起塚像祁連山，在禮泉縣趙鎭新砦村東，北距昭陵約11公里，1973年發掘。 . T'ang dynasty. Anonymous Fresco of a Young Girl, early T'ang dynasty
China: Pagoda in the grounds of Qingyang Gong Temple, Chengdu. Photo by Ernest Henry Wilson (1876-1930), 1908. Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during The Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu/Laozi, and is where he gave his fir Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-pagoda-in-the-grounds-of-qingyang-gong-temple-chengdu-photo-by-ernest-henry-wilson-1876-1930-1908-qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsulaozi-and-is-where-he-gave-his-fir-image344228064.htmlRM2B00XBC–China: Pagoda in the grounds of Qingyang Gong Temple, Chengdu. Photo by Ernest Henry Wilson (1876-1930), 1908. Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during The Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu/Laozi, and is where he gave his fir
Fresco of a Young Girl, early T'ang dynasty. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fresco-of-a-young-girl-early-tang-dynasty-image345049540.htmlRM2B1AA5T–Fresco of a Young Girl, early T'ang dynasty.
Fresco of a Young Girl, early T'ang dynasty Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fresco-of-a-young-girl-early-tang-dynasty-132706198.htmlRMHKW832–Fresco of a Young Girl, early T'ang dynasty
Caparisoned horse, Shaanxi or Henan province, China, Sui to early Tang dynasty, late 500s-600s AD, earthenware, gesso, traces of black and red pigment - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caparisoned-horse-shaanxi-or-henan-province-china-sui-to-early-tang-dynasty-late-500s-600s-ad-earthenware-gesso-traces-of-black-and-red-pigment-image228819542.htmlRMR87HJE–Caparisoned horse, Shaanxi or Henan province, China, Sui to early Tang dynasty, late 500s-600s AD, earthenware, gesso, traces of black and red pigment -
China: The entrance to the Qingyang Gong (Green Goat Temple), Chengdu, Sichuan Province. Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/china-the-entrance-to-the-qingyang-gong-green-goat-temple-chengdu-sichuan-province-qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-image344232932.htmlRM2B014H8–China: The entrance to the Qingyang Gong (Green Goat Temple), Chengdu, Sichuan Province. Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon.
(220421) -- TAIYUAN, April 21, 2022 (Xinhua) -- Undated file photo shows the site of a porcelain kiln in Jinyuan District of Taiyuan City, capital of north China's Shanxi Province. A porcelain kiln site dating to the Sui Dynasty (581-618) and the early Tang Dynasty (618-907) has been found in north China's Shanxi Province, according to the provincial institute of archaeology.TO GO WITH 'Ancient porcelain kiln site discovered in China's Shanxi' (Shanxi Provincial institute of archaeology/Handout via Xinhua) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/220421-taiyuan-april-21-2022-xinhua-undated-file-photo-shows-the-site-of-a-porcelain-kiln-in-jinyuan-district-of-taiyuan-city-capital-of-north-chinas-shanxi-province-a-porcelain-kiln-site-dating-to-the-sui-dynasty-581-618-and-the-early-tang-dynasty-618-907-has-been-found-in-north-chinas-shanxi-province-according-to-the-provincial-institute-of-archaeologyto-go-with-ancient-porcelain-kiln-site-discovered-in-chinas-shanxi-shanxi-provincial-institute-of-archaeologyhandout-via-xinhua-image467950807.htmlRM2J5900R–(220421) -- TAIYUAN, April 21, 2022 (Xinhua) -- Undated file photo shows the site of a porcelain kiln in Jinyuan District of Taiyuan City, capital of north China's Shanxi Province. A porcelain kiln site dating to the Sui Dynasty (581-618) and the early Tang Dynasty (618-907) has been found in north China's Shanxi Province, according to the provincial institute of archaeology.TO GO WITH 'Ancient porcelain kiln site discovered in China's Shanxi' (Shanxi Provincial institute of archaeology/Handout via Xinhua)
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263856.htmlRM2B02G1M–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
(220421) -- TAIYUAN, April 21, 2022 (Xinhua) -- Undated file photo shows a kiln tool fragment unearthed at a porcelain kiln site in Jinyuan District of Taiyuan City, capital of north China's Shanxi Province. A porcelain kiln site dating to the Sui Dynasty (581-618) and the early Tang Dynasty (618-907) has been found in north China's Shanxi Province, according to the provincial institute of archaeology.TO GO WITH 'Ancient porcelain kiln site discovered in China's Shanxi' (Shanxi Provincial institute of archaeology/Handout via Xinhua) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/220421-taiyuan-april-21-2022-xinhua-undated-file-photo-shows-a-kiln-tool-fragment-unearthed-at-a-porcelain-kiln-site-in-jinyuan-district-of-taiyuan-city-capital-of-north-chinas-shanxi-province-a-porcelain-kiln-site-dating-to-the-sui-dynasty-581-618-and-the-early-tang-dynasty-618-907-has-been-found-in-north-chinas-shanxi-province-according-to-the-provincial-institute-of-archaeologyto-go-with-ancient-porcelain-kiln-site-discovered-in-chinas-shanxi-shanxi-provincial-institute-of-archaeologyhandout-via-xinhua-image467950730.htmlRM2J58YX2–(220421) -- TAIYUAN, April 21, 2022 (Xinhua) -- Undated file photo shows a kiln tool fragment unearthed at a porcelain kiln site in Jinyuan District of Taiyuan City, capital of north China's Shanxi Province. A porcelain kiln site dating to the Sui Dynasty (581-618) and the early Tang Dynasty (618-907) has been found in north China's Shanxi Province, according to the provincial institute of archaeology.TO GO WITH 'Ancient porcelain kiln site discovered in China's Shanxi' (Shanxi Provincial institute of archaeology/Handout via Xinhua)
Buddha Probably Amitabha Tang dynasty early 7th century China Hollow dry lacquer piment 57 cm Chinese Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-probably-amitabha-tang-dynasty-early-7th-century-china-hollow-50939861.htmlRMCXTE8N–Buddha Probably Amitabha Tang dynasty early 7th century China Hollow dry lacquer piment 57 cm Chinese
Art inspired by Horse, Tang dynasty (618–907), late 7th–early 8th century, China, Earthenware with pigment and gilding, H. 29 3/4 in. (75.6 cm), Tomb Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-horse-tang-dynasty-618907-late-7thearly-8th-century-china-earthenware-with-pigment-and-gilding-h-29-34-in-756-cm-tomb-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462765843.htmlRF2HTTPFF–Art inspired by Horse, Tang dynasty (618–907), late 7th–early 8th century, China, Earthenware with pigment and gilding, H. 29 3/4 in. (75.6 cm), Tomb Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tang Dynasty white figurine, officer. there are traces of painted colours, standing upright on the low platform with beasts. The figurine wears a dome helmet, a high-necked and narrow-sleeved shirt, a coat of armor, and narrow-mouthed trousers. The figurine has bulging eyes, a big nose, a wide mouth closed, sideburns divided to the left and right, with a ferocious face, an angry look, and resembles a mighty warrior. This form is similar to early Tang Dynasty works. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tang-dynasty-white-figurine-officer-there-are-traces-of-painted-colours-standing-upright-on-the-low-platform-with-beasts-the-figurine-wears-a-dome-helmet-a-high-necked-and-narrow-sleeved-shirt-a-coat-of-armor-and-narrow-mouthed-trousers-the-figurine-has-bulging-eyes-a-big-nose-a-wide-mouth-closed-sideburns-divided-to-the-left-and-right-with-a-ferocious-face-an-angry-look-and-resembles-a-mighty-warrior-this-form-is-similar-to-early-tang-dynasty-works-image481969667.htmlRM2K03H6B–Tang Dynasty white figurine, officer. there are traces of painted colours, standing upright on the low platform with beasts. The figurine wears a dome helmet, a high-necked and narrow-sleeved shirt, a coat of armor, and narrow-mouthed trousers. The figurine has bulging eyes, a big nose, a wide mouth closed, sideburns divided to the left and right, with a ferocious face, an angry look, and resembles a mighty warrior. This form is similar to early Tang Dynasty works.
Art inspired by Tomb Guardian, Tang dynasty (618–907), late 7th–early 8th century, China, Polychrome painted pottery, H. 15 1/2 in. (39.4 cm), Tomb Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tomb-guardian-tang-dynasty-618907-late-7thearly-8th-century-china-polychrome-painted-pottery-h-15-12-in-394-cm-tomb-pottery-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462767501.htmlRF2HTTTJN–Art inspired by Tomb Guardian, Tang dynasty (618–907), late 7th–early 8th century, China, Polychrome painted pottery, H. 15 1/2 in. (39.4 cm), Tomb Pottery, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lamp Stand with Coiling Dragons and Lotus Design, 581-907. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed earthenware, sancai (three-color ware); height: 22.8 cm (9 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamp-stand-with-coiling-dragons-and-lotus-design-581-907-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-glazed-earthenware-sancai-three-color-ware-height-228-cm-9-in-image240480322.htmlRMRY6R2X–Lamp Stand with Coiling Dragons and Lotus Design, 581-907. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed earthenware, sancai (three-color ware); height: 22.8 cm (9 in
The pagoda, where the remnants of Xuang Zhang - who had travelled to India in search of the Buddhist holy scriptures in the early Tang Dynasty - are k Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-pagoda-where-the-remnants-of-xuang-zhang-who-had-travelled-to-india-in-search-of-the-buddhist-holy-scriptures-in-the-early-tang-dynasty-are-k-image263784894.htmlRMW94C92–The pagoda, where the remnants of Xuang Zhang - who had travelled to India in search of the Buddhist holy scriptures in the early Tang Dynasty - are k
Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - A Group of one dancer and five players - Shaanxi - Henan, Tang Dynasty , mid 7th early 8th century A.D. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-piedmont-turin-mazzonis-palace-mao-museum-museo-darte-orientale-museum-of-oriental-art-a-group-of-one-dancer-and-five-players-shaanxi-henan-tang-dynasty-mid-7th-early-8th-century-ad-image332577922.htmlRM2A926EX–Italy Piedmont Turin - Mazzonis Palace - Mao Museum ( Museo d'Arte Orientale ) - Museum of Oriental art - A Group of one dancer and five players - Shaanxi - Henan, Tang Dynasty , mid 7th early 8th century A.D.
Stupa-shaped incense burner, Early Tang dynasty, China, 618-684 AD. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stupa-shaped-incense-burner-early-tang-dynasty-china-618-684-ad-artist-image60051455.htmlRMDDKG6R–Stupa-shaped incense burner, Early Tang dynasty, China, 618-684 AD. Artist: Unknown
Head of a Buddha (Fotuo). China, Early Tang dynasty, about 618-700. Sculpture. Carved granite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-a-buddha-fotuo-china-early-tang-dynasty-about-618-700-sculpture-carved-granite-image464775337.htmlRM2J049K5–Head of a Buddha (Fotuo). China, Early Tang dynasty, about 618-700. Sculpture. Carved granite
220421 -- TAIYUAN, April 21, 2022 -- Undated file photo shows the site of a porcelain kiln in Jinyuan District of Taiyuan City, capital of north China s Shanxi Province. A porcelain kiln site dating to the Sui Dynasty 581-618 and the early Tang Dynasty 618-907 has been found in north China s Shanxi Province, according to the provincial institute of archaeology. TO GO WITH Ancient porcelain kiln site discovered in China s Shanxi Shanxi Provincial institute of archaeology/Handout via Xinhua CHINA-SHANXI-TAIYUAN-PORCELAIN KILN-UNEARTHED CN WangxXuetao PUBLICATIONxNOTxINxCHN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/220421-taiyuan-april-21-2022-undated-file-photo-shows-the-site-of-a-porcelain-kiln-in-jinyuan-district-of-taiyuan-city-capital-of-north-china-s-shanxi-province-a-porcelain-kiln-site-dating-to-the-sui-dynasty-581-618-and-the-early-tang-dynasty-618-907-has-been-found-in-north-china-s-shanxi-province-according-to-the-provincial-institute-of-archaeology-to-go-with-ancient-porcelain-kiln-site-discovered-in-china-s-shanxi-shanxi-provincial-institute-of-archaeologyhandout-via-xinhua-china-shanxi-taiyuan-porcelain-kiln-unearthed-cn-wangxxuetao-publicationxnotxinxchn-image565214704.htmlRM2RRFN3C–220421 -- TAIYUAN, April 21, 2022 -- Undated file photo shows the site of a porcelain kiln in Jinyuan District of Taiyuan City, capital of north China s Shanxi Province. A porcelain kiln site dating to the Sui Dynasty 581-618 and the early Tang Dynasty 618-907 has been found in north China s Shanxi Province, according to the provincial institute of archaeology. TO GO WITH Ancient porcelain kiln site discovered in China s Shanxi Shanxi Provincial institute of archaeology/Handout via Xinhua CHINA-SHANXI-TAIYUAN-PORCELAIN KILN-UNEARTHED CN WangxXuetao PUBLICATIONxNOTxINxCHN
Buddha, probably Amitabha, Tang Dynasty, (618-907) , early 7th century. Hollow dry lacquer with traces of gilding and polychrome pigment. Metropolitan Museum of Art, New York City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buddha-probably-amitabha-tang-dynasty-618-907-early-7th-century-hollow-dry-lacquer-with-traces-of-gilding-and-polychrome-pigment-metropolitan-museum-of-art-new-york-city-image514830872.htmlRM2MWGG0T–Buddha, probably Amitabha, Tang Dynasty, (618-907) , early 7th century. Hollow dry lacquer with traces of gilding and polychrome pigment. Metropolitan Museum of Art, New York City.
220421 -- TAIYUAN, April 21, 2022 -- Undated file photo shows a kiln tool fragment unearthed at a porcelain kiln site in Jinyuan District of Taiyuan City, capital of north China s Shanxi Province. A porcelain kiln site dating to the Sui Dynasty 581-618 and the early Tang Dynasty 618-907 has been found in north China s Shanxi Province, according to the provincial institute of archaeology. TO GO WITH Ancient porcelain kiln site discovered in China s Shanxi Shanxi Provincial institute of archaeology/Handout via Xinhua CHINA-SHANXI-TAIYUAN-PORCELAIN KILN-UNEARTHED CN WangxXuetao PUBLICATIONxNOTxIN Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/220421-taiyuan-april-21-2022-undated-file-photo-shows-a-kiln-tool-fragment-unearthed-at-a-porcelain-kiln-site-in-jinyuan-district-of-taiyuan-city-capital-of-north-china-s-shanxi-province-a-porcelain-kiln-site-dating-to-the-sui-dynasty-581-618-and-the-early-tang-dynasty-618-907-has-been-found-in-north-china-s-shanxi-province-according-to-the-provincial-institute-of-archaeology-to-go-with-ancient-porcelain-kiln-site-discovered-in-china-s-shanxi-shanxi-provincial-institute-of-archaeologyhandout-via-xinhua-china-shanxi-taiyuan-porcelain-kiln-unearthed-cn-wangxxuetao-publicationxnotxin-image565214733.htmlRM2RRFN4D–220421 -- TAIYUAN, April 21, 2022 -- Undated file photo shows a kiln tool fragment unearthed at a porcelain kiln site in Jinyuan District of Taiyuan City, capital of north China s Shanxi Province. A porcelain kiln site dating to the Sui Dynasty 581-618 and the early Tang Dynasty 618-907 has been found in north China s Shanxi Province, according to the provincial institute of archaeology. TO GO WITH Ancient porcelain kiln site discovered in China s Shanxi Shanxi Provincial institute of archaeology/Handout via Xinhua CHINA-SHANXI-TAIYUAN-PORCELAIN KILN-UNEARTHED CN WangxXuetao PUBLICATIONxNOTxIN
Qianling Mausoleum, Shaanxi, China. The Wordless Tablet in front of tomb of Tang Dynasty emperor Li Zhi and empress Wu Zetian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-qianling-mausoleum-shaanxi-china-the-wordless-tablet-in-front-of-tomb-112752080.htmlRMGFC8C0–Qianling Mausoleum, Shaanxi, China. The Wordless Tablet in front of tomb of Tang Dynasty emperor Li Zhi and empress Wu Zetian
Bildnummer: 58219556 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows part of the cultural relics of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (61 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-58219556-datum-10072012-copyright-imagoxinhua-120710-huai-an-july-10-2012-xinhua-photo-taken-on-july-10-2012-shows-part-of-the-cultural-relics-of-the-ancient-sizhou-city-excavated-in-chenggen-village-huaihe-town-of-xuyi-county-east-china-s-jiangsu-province-the-southwestern-part-of-the-ancient-sizhou-city-reappeared-to-light-recently-after-over-one-year-of-excavation-by-archaeologists-of-nanjing-museum-a-large-number-of-cultural-relics-were-unearthed-sizhou-city-was-built-up-in-northern-zhou-dynasty-557-to-581-ad-and-was-rebuilt-in-early-tang-dynasty-61-image562926592.htmlRM2RKREH4–Bildnummer: 58219556 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows part of the cultural relics of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (61
Camel, China, Sui or early Tang dynasty, 581-906 AD, ceramic - Fitchburg Art Museum - DSC08716 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-camel-china-sui-or-early-tang-dynasty-581-906-ad-ceramic-fitchburg-172244853.htmlRMM06C1W–Camel, China, Sui or early Tang dynasty, 581-906 AD, ceramic - Fitchburg Art Museum - DSC08716
Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Poster (Hongkong) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detective-dee-the-four-heavenly-kings-di-renjie-zhi-sidatianwang-year-2018-hongkong-china-director-tsui-hark-poster-hongkong-image366460045.htmlRM2C85KEN–Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Poster (Hongkong)
Buddha, Sui or early Tang dynasty, late 6th or early 7th century AD, hemp cloth, lacquer, wood, metal wire, and glass with traces of pigment and gilding - Freer Gallery of Art - DSC05727 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-sui-or-early-tang-dynasty-late-6th-or-early-7th-century-ad-172244171.htmlRMM06B5F–Buddha, Sui or early Tang dynasty, late 6th or early 7th century AD, hemp cloth, lacquer, wood, metal wire, and glass with traces of pigment and gilding - Freer Gallery of Art - DSC05727
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263863.htmlRM2B02G1Y–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
Horse and rider. Culture: China. Dimensions: H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm). Date: early 8th century. In style and subject matter, this horse and rider with sancai or 'three-color' glaze is emblematic of funerary sculpture from the early eighth century, the apex of the Tang dynasty. Free-form splatters and drips of colored glaze were first experimented with in the sixth century and the sancai glazes, made by mixing copper, iron, and cobalt to create a lively spectrum of blues, greens, ambers, and yellows over a milky white background, became fashionable i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-and-rider-culture-china-dimensions-h-15-in-381-cm-w-4-14-in-108-cm-l-13-14-in-337-cm-date-early-8th-century-in-style-and-subject-matter-this-horse-and-rider-with-sancai-or-three-color-glaze-is-emblematic-of-funerary-sculpture-from-the-early-eighth-century-the-apex-of-the-tang-dynasty-free-form-splatters-and-drips-of-colored-glaze-were-first-experimented-with-in-the-sixth-century-and-the-sancai-glazes-made-by-mixing-copper-iron-and-cobalt-to-create-a-lively-spectrum-of-blues-greens-ambers-and-yellows-over-a-milky-white-background-became-fashionable-i-image213390209.htmlRMPB4NAW–Horse and rider. Culture: China. Dimensions: H. 15 in. (38.1 cm); W. 4 1/4 in. (10.8 cm); L. 13 1/4 in. (33.7 cm). Date: early 8th century. In style and subject matter, this horse and rider with sancai or 'three-color' glaze is emblematic of funerary sculpture from the early eighth century, the apex of the Tang dynasty. Free-form splatters and drips of colored glaze were first experimented with in the sixth century and the sancai glazes, made by mixing copper, iron, and cobalt to create a lively spectrum of blues, greens, ambers, and yellows over a milky white background, became fashionable i
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263827.htmlRM2B02G0K–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
Stone confirming early Christian missionaries in China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stone-confirming-early-christian-missionaries-in-china-105255870.htmlRMG36PX6–Stone confirming early Christian missionaries in China
Sui or Tang Dynasty figurines of six musicians is selected from dozens of similar collections in the History Museum, with vivid expressions, and the style and glaze are similar to those of the early Tang Dynasty or earlier. The figurines are white, with a pale yellow glaze with a slight greenish tinge. The musicians all sit cross-legged on the mat with their figurines upright, or their hair is tied into a bun, or a high bun is tied on the top of the head; There are traces of brushwork on the hair, eyebrows, and eyes, and the face is dignified and rigorous. The musical instruments held by the f Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sui-or-tang-dynasty-figurines-of-six-musicians-is-selected-from-dozens-of-similar-collections-in-the-history-museum-with-vivid-expressions-and-the-style-and-glaze-are-similar-to-those-of-the-early-tang-dynasty-or-earlier-the-figurines-are-white-with-a-pale-yellow-glaze-with-a-slight-greenish-tinge-the-musicians-all-sit-cross-legged-on-the-mat-with-their-figurines-upright-or-their-hair-is-tied-into-a-bun-or-a-high-bun-is-tied-on-the-top-of-the-head-there-are-traces-of-brushwork-on-the-hair-eyebrows-and-eyes-and-the-face-is-dignified-and-rigorous-the-musical-instruments-held-by-the-f-image481969568.htmlRM2K03H2T–Sui or Tang Dynasty figurines of six musicians is selected from dozens of similar collections in the History Museum, with vivid expressions, and the style and glaze are similar to those of the early Tang Dynasty or earlier. The figurines are white, with a pale yellow glaze with a slight greenish tinge. The musicians all sit cross-legged on the mat with their figurines upright, or their hair is tied into a bun, or a high bun is tied on the top of the head; There are traces of brushwork on the hair, eyebrows, and eyes, and the face is dignified and rigorous. The musical instruments held by the f
Art inspired by 唐 綠釉陶罐, Jar with Cover and Base, Tang dynasty (618–907), early 8th century, China, Earthenware with green glaze, H. 3 1/8 in. (7.9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jar-with-cover-and-base-tang-dynasty-618907-early-8th-century-china-earthenware-with-green-glaze-h-3-18-in-79-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462766833.htmlRF2HTTRPW–Art inspired by 唐 綠釉陶罐, Jar with Cover and Base, Tang dynasty (618–907), early 8th century, China, Earthenware with green glaze, H. 3 1/8 in. (7.9 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Jar (Amphora) with Dragon Handles, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed stoneware with modeled and applied decoration; diameter: 20.3 cm (8 in.); overall: 41.6 cm (16 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-amphora-with-dragon-handles-600s-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-glazed-stoneware-with-modeled-and-applied-decoration-diameter-203-cm-8-in-overall-416-cm-16-38-in-image240422978.htmlRMRY45XX–Jar (Amphora) with Dragon Handles, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed stoneware with modeled and applied decoration; diameter: 20.3 cm (8 in.); overall: 41.6 cm (16 3/8 in
Inspired by Dish with Marbled Decoration, Chinese, Tang dynasty, 618–907, 8th–early 9th century, Gongxian ware; marbled earthenware with transparent straw-colored glaze, Made in Gongxian, Henan Province, China, Asia, Ceramics, diameter: 4 7/8 in. (12.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-dish-with-marbled-decoration-chinese-tang-dynasty-618907-8thearly-9th-century-gongxian-ware-marbled-earthenware-with-transparent-straw-colored-glaze-made-in-gongxian-henan-province-china-asia-ceramics-diameter-4-78-in-124-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459273889.htmlRF2HK5MEW–Inspired by Dish with Marbled Decoration, Chinese, Tang dynasty, 618–907, 8th–early 9th century, Gongxian ware; marbled earthenware with transparent straw-colored glaze, Made in Gongxian, Henan Province, China, Asia, Ceramics, diameter: 4 7/8 in. (12.4 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Figure of a Guardian, 唐 彩繪描金天王俑, Tang dynasty (618–907), early 8th century, China, Earthenware with painted decoration and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-figure-of-a-guardian-tang-dynasty-618907-early-8th-century-china-earthenware-162560711.htmlRMKCD7RK–Figure of a Guardian, 唐 彩繪描金天王俑, Tang dynasty (618–907), early 8th century, China, Earthenware with painted decoration and
A monk prays in front of the columbarium tower of Xuan Zang, who had traveled to India in search of Buddhist holy scriptures in the early Tang Dynasty Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-monk-prays-in-front-of-the-columbarium-tower-of-xuan-zang-who-had-traveled-to-india-in-search-of-buddhist-holy-scriptures-in-the-early-tang-dynasty-image263784968.htmlRMW94CBM–A monk prays in front of the columbarium tower of Xuan Zang, who had traveled to India in search of Buddhist holy scriptures in the early Tang Dynasty
Lead Bactrian camel, Sui-early Tang dynasty, China, late 6th-7th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lead-bactrian-camel-sui-early-tang-dynasty-china-late-6th-7th-century-image60085036.htmlRMDDN324–Lead Bactrian camel, Sui-early Tang dynasty, China, late 6th-7th century. Artist: Unknown
Funerary Sculpture of a Soldier. China, Early Tang dynasty, about 618-700. Sculpture. Molded earthenware with incised decoration and traces of slip and paint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/funerary-sculpture-of-a-soldier-china-early-tang-dynasty-about-618-700-sculpture-molded-earthenware-with-incised-decoration-and-traces-of-slip-and-paint-image464665657.htmlRM2HYY9P1–Funerary Sculpture of a Soldier. China, Early Tang dynasty, about 618-700. Sculpture. Molded earthenware with incised decoration and traces of slip and paint
Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother of pearl Linden Museum Stuttgart, Germany DSC03515 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-container-decorated-with-the-18-scholars-of-the-tang-dynasty-china-142558432.htmlRMJ7X2MG–Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother of pearl Linden Museum Stuttgart, Germany DSC03515
The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bell-tower-in-kaiyuan-temple-in-zhengding-hebei-province-china-image600742704.htmlRM2WWA5CG–The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China.
Qianling Mausoleum, Shaanxi, China. The Wordless Tablet in front of tomb of Tang Dynasty emperor Li Zhi and empress Wu Zetian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-qianling-mausoleum-shaanxi-china-the-wordless-tablet-in-front-of-tomb-112752217.htmlRMGFC8GW–Qianling Mausoleum, Shaanxi, China. The Wordless Tablet in front of tomb of Tang Dynasty emperor Li Zhi and empress Wu Zetian
Bildnummer: 58219559 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows an object of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) aft Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-58219559-datum-10072012-copyright-imagoxinhua-120710-huai-an-july-10-2012-xinhua-photo-taken-on-july-10-2012-shows-an-object-of-the-ancient-sizhou-city-excavated-in-chenggen-village-huaihe-town-of-xuyi-county-east-china-s-jiangsu-province-the-southwestern-part-of-the-ancient-sizhou-city-reappeared-to-light-recently-after-over-one-year-of-excavation-by-archaeologists-of-nanjing-museum-a-large-number-of-cultural-relics-were-unearthed-sizhou-city-was-built-up-in-northern-zhou-dynasty-557-to-581-ad-and-was-rebuilt-in-early-tang-dynasty-618-to-907-ad-aft-image562926581.htmlRM2RKREGN–Bildnummer: 58219559 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows an object of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) aft
Bodhisattva head, China, Tang dynasty, c. early to mid 8th century AD, clay or stucco with black pigment Fitchburg Art Museum DSC08731 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bodhisattva-head-china-tang-dynasty-c-early-to-mid-8th-century-ad-170376331.htmlRMKW58MY–Bodhisattva head, China, Tang dynasty, c. early to mid 8th century AD, clay or stucco with black pigment Fitchburg Art Museum DSC08731
Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Sichun Ma Poster (Hongkong) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detective-dee-the-four-heavenly-kings-di-renjie-zhi-sidatianwang-year-2018-hongkong-china-director-tsui-hark-sichun-ma-poster-hongkong-image366460055.htmlRM2C85KF3–Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Sichun Ma Poster (Hongkong)
Bodhisattva, Shaanxi province, probably Chang'an, Tang dynasty, early 8th century AD, limestone with traces of pigment and gesso Freer Gallery of Art DSC05662 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bodhisattva-shaanxi-province-probably-changan-tang-dynasty-early-8th-170375645.htmlRMKW57TD–Bodhisattva, Shaanxi province, probably Chang'an, Tang dynasty, early 8th century AD, limestone with traces of pigment and gesso Freer Gallery of Art DSC05662
Bonhams, New Bond Street, London, UK. 5 November, 2018. The preview of Bonhams Fine Japanese, Fine Chinese and The Ollivier Collection of Early Chinese Art: A Journey Through Time sale is held before Asian Art Week. Image: A rare and large iron bust of the Buddha, Tang Dynasty, estimate £10,000-15,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonhams-new-bond-street-london-uk-5-november-2018-the-preview-of-bonhams-fine-japanese-fine-chinese-and-the-ollivier-collection-of-early-chinese-art-a-journey-through-time-sale-is-held-before-asian-art-week-image-a-rare-and-large-iron-bust-of-the-buddha-tang-dynasty-estimate-10000-15000-credit-malcolm-parkalamy-live-news-image224123570.htmlRMR0HKW6–Bonhams, New Bond Street, London, UK. 5 November, 2018. The preview of Bonhams Fine Japanese, Fine Chinese and The Ollivier Collection of Early Chinese Art: A Journey Through Time sale is held before Asian Art Week. Image: A rare and large iron bust of the Buddha, Tang Dynasty, estimate £10,000-15,000. Credit: Malcolm Park/Alamy Live News.
Set of Ten Belt Plaques. Culture: China. Dimensions: Each square piece: 2 1/4 x 2 1/4 in. (5.7 x 5.7 cm); end piece: 4 3/8 x 2 1/4 in. (11.1 x 5.7 cm). Date: 7th-early 8th century. Jade from Khotan in the Tarim basin was plentiful during the Tang dynasty. It was fashioned into ornaments such as women's comb tops and decorative plaques for belts worn by senior officials. The jade plaques in this set are carved in relief with images of a dancer and musicians from central Asia, most likely Kizil. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-ten-belt-plaques-culture-china-dimensions-each-square-piece-2-14-x-2-14-in-57-x-57-cm-end-piece-4-38-x-2-14-in-111-x-57-cm-date-7th-early-8th-century-jade-from-khotan-in-the-tarim-basin-was-plentiful-during-the-tang-dynasty-it-was-fashioned-into-ornaments-such-as-womens-comb-tops-and-decorative-plaques-for-belts-worn-by-senior-officials-the-jade-plaques-in-this-set-are-carved-in-relief-with-images-of-a-dancer-and-musicians-from-central-asia-most-likely-kizil-museum-metropolitan-museum-of-art-new-york-usa-image213180960.htmlRMPAR6DM–Set of Ten Belt Plaques. Culture: China. Dimensions: Each square piece: 2 1/4 x 2 1/4 in. (5.7 x 5.7 cm); end piece: 4 3/8 x 2 1/4 in. (11.1 x 5.7 cm). Date: 7th-early 8th century. Jade from Khotan in the Tarim basin was plentiful during the Tang dynasty. It was fashioned into ornaments such as women's comb tops and decorative plaques for belts worn by senior officials. The jade plaques in this set are carved in relief with images of a dancer and musicians from central Asia, most likely Kizil. Museum: Metropolitan Museum of Art, New York, USA.
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263829.htmlRM2B02G0N–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother-of-pearl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/container-decorated-with-the-18-scholars-of-the-tang-dynasty-china-yuan-or-early-ming-dynasty-wood-with-lacquer-and-mother-of-pearl-image260743533.htmlRMW45W11–Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother-of-pearl
Stoneware figure from a judgement group with aubergine, green, ochre and straw glazes. Ming Dynasty, 16th century AD. The belief in Hell entered China with Buddhism during the early 1st millennium AD. From the late Tang Dynasty judgement scenes in the underworld were common. This figure of a judge's assistant is holding records of evil deeds under his left arm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stoneware-figure-from-a-judgement-group-with-aubergine-green-ochre-57346769.htmlRMD98AAW–Stoneware figure from a judgement group with aubergine, green, ochre and straw glazes. Ming Dynasty, 16th century AD. The belief in Hell entered China with Buddhism during the early 1st millennium AD. From the late Tang Dynasty judgement scenes in the underworld were common. This figure of a judge's assistant is holding records of evil deeds under his left arm.
376 Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother-of-pearl - Linden-Museum - Stuttgart, Germany - DSC03515 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/376-container-decorated-with-the-18-scholars-of-the-tang-dynasty-china-yuan-or-early-ming-dynasty-wood-with-lacquer-and-mother-of-pearl-linden-museum-stuttgart-germany-dsc03515-image209931911.htmlRMP5F687–376 Container decorated with the 18 scholars of the Tang Dynasty, China, Yuan or early Ming dynasty, wood with lacquer and mother-of-pearl - Linden-Museum - Stuttgart, Germany - DSC03515
Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone Arthur M Sackler Museum, Harvard University DSC00835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-buddha-probably-shakyamuni-china-north-wall-of-tianlongshan-image153770515.htmlRMJX4RT3–Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone Arthur M Sackler Museum, Harvard University DSC00835
Inspired by Dish with Design of Eight-Petaled Flower, Chinese, Tang dynasty, 618–907, early 8th century, Gongxian ware; earthenware with three-color (sancai) glaze, China, Asia, Ceramics, 1 13/16 x 8 1/2 in. (4.6 x 21.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-dish-with-design-of-eight-petaled-flower-chinese-tang-dynasty-618907-early-8th-century-gongxian-ware-earthenware-with-three-color-sancai-glaze-china-asia-ceramics-1-1316-x-8-12-in-46-x-216-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459280766.htmlRF2HK618E–Inspired by Dish with Design of Eight-Petaled Flower, Chinese, Tang dynasty, 618–907, early 8th century, Gongxian ware; earthenware with three-color (sancai) glaze, China, Asia, Ceramics, 1 13/16 x 8 1/2 in. (4.6 x 21.6 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Stem Cup, Tang dynasty (618–907), late 7th–early 8th century, China, Cast bronze with gilding and traced and punched designs, H Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-stem-cup-tang-dynasty-618907-late-7thearly-8th-century-china-cast-162555829.htmlRMKCD1H9–Stem Cup, Tang dynasty (618–907), late 7th–early 8th century, China, Cast bronze with gilding and traced and punched designs, H
Art inspired by Panel in the Shape of a Sarcophagus Door, Tang dynasty (618–907), early 8th century, China, Limestone, H. 60 in. (152.4 cm); W. 38 in. (96.5 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-panel-in-the-shape-of-a-sarcophagus-door-tang-dynasty-618907-early-8th-century-china-limestone-h-60-in-1524-cm-w-38-in-965-cm-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911354.htmlRF2HW3C4A–Art inspired by Panel in the Shape of a Sarcophagus Door, Tang dynasty (618–907), early 8th century, China, Limestone, H. 60 in. (152.4 cm); W. 38 in. (96.5 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Polo Player, late 7th-early 8th Century. China, Tang dynasty (618-907). Painted earthenware; overall: 31.2 cm (12 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/polo-player-late-7th-early-8th-century-china-tang-dynasty-618-907-painted-earthenware-overall-312-cm-12-516-in-image240438179.htmlRMRY4W9R–Polo Player, late 7th-early 8th Century. China, Tang dynasty (618-907). Painted earthenware; overall: 31.2 cm (12 5/16 in
Art inspired by Figure of a Guardian, 唐 彩繪描金天王俑, Tang dynasty (618–907), early 8th century, China, Earthenware with painted decoration and gilding, H. 48 5/8 in. (123.5 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-figure-of-a-guardian-tang-dynasty-618907-early-8th-century-china-earthenware-with-painted-decoration-and-gilding-h-48-58-in-1235-cm-sculpture-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761352.htmlRF2HTTGR4–Art inspired by Figure of a Guardian, 唐 彩繪描金天王俑, Tang dynasty (618–907), early 8th century, China, Earthenware with painted decoration and gilding, H. 48 5/8 in. (123.5 cm), Sculpture, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Hall of Xuan Zang, who had traveled to India in search of Buddhist holy scriptures in the early Tang Dynasty, is seen at Xingjiao Temple in XiAn c Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hall-of-xuan-zang-who-had-traveled-to-india-in-search-of-buddhist-holy-scriptures-in-the-early-tang-dynasty-is-seen-at-xingjiao-temple-in-xian-c-image263734639.htmlRMW92467–The Hall of Xuan Zang, who had traveled to India in search of Buddhist holy scriptures in the early Tang Dynasty, is seen at Xingjiao Temple in XiAn c
Pottery zhenmushou (a tomb guardian beast), early Tang dynasty, China, 7th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-pottery-zhenmushou-a-tomb-guardian-beast-early-tang-dynasty-china-28255153.htmlRMBHY3MH–Pottery zhenmushou (a tomb guardian beast), early Tang dynasty, China, 7th century. Artist: Unknown
Amphora (Ping) with Dragon Handles. China, early Tang dynasty, about 618-700. Furnishings; Serviceware. Wheel-thrown stoneware with molded, modeled, and applied decoration and cream glaze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amphora-ping-with-dragon-handles-china-early-tang-dynasty-about-618-700-furnishings-serviceware-wheel-thrown-stoneware-with-molded-modeled-and-applied-decoration-and-cream-glaze-image464734490.htmlRM2J02DGA–Amphora (Ping) with Dragon Handles. China, early Tang dynasty, about 618-700. Furnishings; Serviceware. Wheel-thrown stoneware with molded, modeled, and applied decoration and cream glaze
Bildnummer: 58219558 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows a part of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) after Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-58219558-datum-10072012-copyright-imagoxinhua-120710-huai-an-july-10-2012-xinhua-photo-taken-on-july-10-2012-shows-a-part-of-the-ancient-sizhou-city-excavated-in-chenggen-village-huaihe-town-of-xuyi-county-east-china-s-jiangsu-province-the-southwestern-part-of-the-ancient-sizhou-city-reappeared-to-light-recently-after-over-one-year-of-excavation-by-archaeologists-of-nanjing-museum-a-large-number-of-cultural-relics-were-unearthed-sizhou-city-was-built-up-in-northern-zhou-dynasty-557-to-581-ad-and-was-rebuilt-in-early-tang-dynasty-618-to-907-ad-after-image562926568.htmlRM2RKREG8–Bildnummer: 58219558 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows a part of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) after
Candle Stand, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). White stoneware with modeled and applied decoration; overall: 29.8 cm (11 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/candle-stand-600s-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-white-stoneware-with-modeled-and-applied-decoration-overall-298-cm-11-34-in-image448100000.htmlRM2H10M3C–Candle Stand, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). White stoneware with modeled and applied decoration; overall: 29.8 cm (11 3/4 in.).
Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Mark Chao Poster (Hongkong) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detective-dee-the-four-heavenly-kings-di-renjie-zhi-sidatianwang-year-2018-hongkong-china-director-tsui-hark-mark-chao-poster-hongkong-image366460042.htmlRM2C85KEJ–Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Mark Chao Poster (Hongkong)
The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bell-tower-in-kaiyuan-temple-in-zhengding-hebei-province-china-image600742687.htmlRM2WWA5BY–The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China.
Bonhams, New Bond Street, London, UK. 5 November, 2018. The preview of Bonhams Fine Japanese, Fine Chinese and The Ollivier Collection of Early Chinese Art: A Journey Through Time sale is held before Asian Art Week. Image: A magnificent and massive Sancai-Glazed model of a Bactrian Camel, Tang Dynasty, estimate £300,000-400,000. Credit: Malcolm Park/Alamy Live News. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bonhams-new-bond-street-london-uk-5-november-2018-the-preview-of-bonhams-fine-japanese-fine-chinese-and-the-ollivier-collection-of-early-chinese-art-a-journey-through-time-sale-is-held-before-asian-art-week-image-a-magnificent-and-massive-sancai-glazed-model-of-a-bactrian-camel-tang-dynasty-estimate-300000-400000-credit-malcolm-parkalamy-live-news-image224123575.htmlRMR0HKWB–Bonhams, New Bond Street, London, UK. 5 November, 2018. The preview of Bonhams Fine Japanese, Fine Chinese and The Ollivier Collection of Early Chinese Art: A Journey Through Time sale is held before Asian Art Week. Image: A magnificent and massive Sancai-Glazed model of a Bactrian Camel, Tang Dynasty, estimate £300,000-400,000. Credit: Malcolm Park/Alamy Live News.
Box with Abstract Design. Culture: China. Dimensions: H. 1 9/16 in. (4 cm); Diam. 3 5/8 in. (9.2 cm) H. (Lid) 11/16 in. (1.8 cm) H. (Body) 1 in. (2.5 cm). Date: early 8th century. Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/box-with-abstract-design-culture-china-dimensions-h-1-916-in-4-cm-diam-3-58-in-92-cm-h-lid-1116-in-18-cm-h-body-1-in-25-cm-date-early-8th-century-cobalt-a-mineral-that-produces-a-brilliant-blue-color-was-first-introduced-to-china-from-west-asia-in-the-early-eighth-century-it-was-quickly-used-in-ceramics-both-in-single-color-glazes-and-as-an-addition-to-the-three-color-glazes-of-the-tang-dynasty-museum-metropolitan-museum-of-art-new-york-usa-image213104697.htmlRMPAKN61–Box with Abstract Design. Culture: China. Dimensions: H. 1 9/16 in. (4 cm); Diam. 3 5/8 in. (9.2 cm) H. (Lid) 11/16 in. (1.8 cm) H. (Body) 1 in. (2.5 cm). Date: early 8th century. Cobalt, a mineral that produces a brilliant blue color, was first introduced to China from West Asia in the early eighth century. It was quickly used in ceramics both in single color glazes and as an addition to the three-color glazes of the Tang dynasty. Museum: Metropolitan Museum of Art, New York, USA.
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263825.htmlRM2B02G0H–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
. English: Wenguan cilin (文館詞林, Bunkan shirin, lit. 'Forest of officials' poems and prose') fragments. Tang Dynasty imperial poetry collection; other manuscripts of work had been lost in China as early as 9th century. Part of Twelve scrolls. Located at Shōchi-in (正智院?) Kōya, Wakayama. 677–823. Unknown 559 Wenguan cilin Shochiin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-wenguan-cilin-bunkan-shirin-lit-forest-of-officials-poems-and-prose-fragments-tang-dynasty-imperial-poetry-collection-other-manuscripts-of-work-had-been-lost-in-china-as-early-as-9th-century-part-of-twelve-scrolls-located-at-shchi-in-kya-wakayama-677823-unknown-559-wenguan-cilin-shochiin-image188773401.htmlRMMY3AB5–. English: Wenguan cilin (文館詞林, Bunkan shirin, lit. 'Forest of officials' poems and prose') fragments. Tang Dynasty imperial poetry collection; other manuscripts of work had been lost in China as early as 9th century. Part of Twelve scrolls. Located at Shōchi-in (正智院?) Kōya, Wakayama. 677–823. Unknown 559 Wenguan cilin Shochiin
Stoneware figure from a judgement group with aubergine, green, ochre and straw glazes. Ming Dynasty, 16th century AD. The belief in Hell entered China with Buddhism during the early 1st millennium AD. From the late Tang Dynasty judgement scenes in the underworld were common. This figure of a judge's assistant is holding records of evil deeds under his left arm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stoneware-figure-from-a-judgement-group-with-aubergine-green-ochre-57346770.htmlRMD98AAX–Stoneware figure from a judgement group with aubergine, green, ochre and straw glazes. Ming Dynasty, 16th century AD. The belief in Hell entered China with Buddhism during the early 1st millennium AD. From the late Tang Dynasty judgement scenes in the underworld were common. This figure of a judge's assistant is holding records of evil deeds under his left arm.
(220113) -- ANYUE, Jan. 13, 2022 (Xinhua) -- Photo taken on Dec. 22, 2021 shows the stone statue of the Song Dynasty (960-1279) in Anyue County, southwest China's Sichuan Province. Anyue County in southwest China's Sichuan Province is famous for its stone carvings. Anyue stone carving dates back to as early as the Eastern Han Dynasty (25-220). Through the Tang (618-907) and Song Dynasty (960-1279), Anyue carving developed to its peak with the features of abundant, exquisite and magnificent. Now there are more than 100,000 stone statues preserved at about 230 sites in Anyue. Scattering in t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/220113-anyue-jan-13-2022-xinhua-photo-taken-on-dec-22-2021-shows-the-stone-statue-of-the-song-dynasty-960-1279-in-anyue-county-southwest-chinas-sichuan-province-anyue-county-in-southwest-chinas-sichuan-province-is-famous-for-its-stone-carvings-anyue-stone-carving-dates-back-to-as-early-as-the-eastern-han-dynasty-25-220-through-the-tang-618-907-and-song-dynasty-960-1279-anyue-carving-developed-to-its-peak-with-the-features-of-abundant-exquisite-and-magnificent-now-there-are-more-than-100000-stone-statues-preserved-at-about-230-sites-in-anyue-scattering-in-t-image456652951.htmlRM2HEX9DY–(220113) -- ANYUE, Jan. 13, 2022 (Xinhua) -- Photo taken on Dec. 22, 2021 shows the stone statue of the Song Dynasty (960-1279) in Anyue County, southwest China's Sichuan Province. Anyue County in southwest China's Sichuan Province is famous for its stone carvings. Anyue stone carving dates back to as early as the Eastern Han Dynasty (25-220). Through the Tang (618-907) and Song Dynasty (960-1279), Anyue carving developed to its peak with the features of abundant, exquisite and magnificent. Now there are more than 100,000 stone statues preserved at about 230 sites in Anyue. Scattering in t
Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone Arthur M Sackler Museum, Harvard University DSC00835 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-buddha-probably-shakyamuni-china-north-wall-of-tianlongshan-image153147049.htmlRMJW4CHD–Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone Arthur M Sackler Museum, Harvard University DSC00835
Buddha, probably Amitabha, (Amituo), early 7th century; Tang dynasty (618–907), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-probably-amitabha-amituo-early-7th-century-tang-dynasty-618907-35535782.htmlRMC1PP72–Buddha, probably Amitabha, (Amituo), early 7th century; Tang dynasty (618–907),
Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-buddha-probably-shakyamuni-china-north-wall-of-tianlongshan-cave-21-tang-dynasty-early-8th-century-ad-sandstone-image456840835.htmlRM2HF6W43–Seated Buddha, probably Shakyamuni, China, north wall of Tianlongshan Cave 21, Tang dynasty, early 8th century AD, sandstone
Xian, China, the 28 June, 2011. A view of the Bell Tower, built in 1384 during the early Ming Dynasty, is a symbol of the city and one of the grandest of its kind in China. The Bell Tower also contains several large bronze-cast bells from the Tang Dynasty. (Photo by Emeric Fohlen/NurPhoto) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/xian-china-the-28-june-2011-a-view-of-the-bell-tower-built-in-1384-during-the-early-ming-dynasty-is-a-symbol-of-the-city-and-one-of-the-grandest-of-its-kind-in-china-the-bell-tower-also-contains-several-large-bronze-cast-bells-from-the-tang-dynasty-photo-by-emeric-fohlennurphoto-image489202064.htmlRM2KBW268–Xian, China, the 28 June, 2011. A view of the Bell Tower, built in 1384 during the early Ming Dynasty, is a symbol of the city and one of the grandest of its kind in China. The Bell Tower also contains several large bronze-cast bells from the Tang Dynasty. (Photo by Emeric Fohlen/NurPhoto)
Stem Cup, early 700s. China, Tang dynasty (618-907). Silver with gilt interior and incised and chased decoration; overall: 9 cm (3 9/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stem-cup-early-700s-china-tang-dynasty-618-907-silver-with-gilt-interior-and-incised-and-chased-decoration-overall-9-cm-3-916-in-image240400319.htmlRMRY351K–Stem Cup, early 700s. China, Tang dynasty (618-907). Silver with gilt interior and incised and chased decoration; overall: 9 cm (3 9/16 in
Art inspired by Stem Cup, Tang dynasty (618–907), late 7th–early 8th century, China, Cast bronze with gilding and traced and punched designs, H. 2 3/8 in. (6 cm), Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-stem-cup-tang-dynasty-618907-late-7thearly-8th-century-china-cast-bronze-with-gilding-and-traced-and-punched-designs-h-2-38-in-6-cm-metalwork-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462759729.htmlRF2HTTEN5–Art inspired by Stem Cup, Tang dynasty (618–907), late 7th–early 8th century, China, Cast bronze with gilding and traced and punched designs, H. 2 3/8 in. (6 cm), Metalwork, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Standing camel (mingqi), China, Sui or Tang dynasty, late 6th to early 10th century AD, buff clay, straw glaze, traces of painted decoration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/standing-camel-mingqi-china-sui-or-tang-dynasty-late-6th-to-early-10th-century-ad-buff-clay-straw-glaze-traces-of-painted-decoration-image458247374.htmlRM2HHEY5J–Standing camel (mingqi), China, Sui or Tang dynasty, late 6th to early 10th century AD, buff clay, straw glaze, traces of painted decoration
Pottery zhenmushou (a tomb guardian beast), early Tang dynasty, China, 7th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pottery-zhenmushou-a-tomb-guardian-beast-early-tang-dynasty-china-image60049840.htmlRMDDKE54–Pottery zhenmushou (a tomb guardian beast), early Tang dynasty, China, 7th century. Artist: Unknown
Taihe, Anhui, CHN. 18th Mar, 2015. Taihe, CHINA - MAR 18 2015: (Only For Editorial Use. No Sale In China) Sang Chuanqi's favourite books are all about collecting and pots. Sang Chuanqi is famous for his obsession with pot, and has collected over 10,000 pots since early 1970s. His collections include various pots from Tang Dynasty to now, from the pots of the five most famous historical kilns in Song Dynasty to many folk kilns' products. In 2000, former head of State Administration of Cultural Heritage Lv Jimin came to Anhui Provience and saw his collections, then he inscribed ''Wan Hu Zhai' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-taihe-anhui-chn-18th-mar-2015-taihe-china-mar-18-2015-only-for-editorial-79945248.htmlRMEJ1PYC–Taihe, Anhui, CHN. 18th Mar, 2015. Taihe, CHINA - MAR 18 2015: (Only For Editorial Use. No Sale In China) Sang Chuanqi's favourite books are all about collecting and pots. Sang Chuanqi is famous for his obsession with pot, and has collected over 10,000 pots since early 1970s. His collections include various pots from Tang Dynasty to now, from the pots of the five most famous historical kilns in Song Dynasty to many folk kilns' products. In 2000, former head of State Administration of Cultural Heritage Lv Jimin came to Anhui Provience and saw his collections, then he inscribed ''Wan Hu Zhai'
Bildnummer: 58219554 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows a street of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) afte Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnummer-58219554-datum-10072012-copyright-imagoxinhua-120710-huai-an-july-10-2012-xinhua-photo-taken-on-july-10-2012-shows-a-street-of-the-ancient-sizhou-city-excavated-in-chenggen-village-huaihe-town-of-xuyi-county-east-china-s-jiangsu-province-the-southwestern-part-of-the-ancient-sizhou-city-reappeared-to-light-recently-after-over-one-year-of-excavation-by-archaeologists-of-nanjing-museum-a-large-number-of-cultural-relics-were-unearthed-sizhou-city-was-built-up-in-northern-zhou-dynasty-557-to-581-ad-and-was-rebuilt-in-early-tang-dynasty-618-to-907-ad-afte-image562926605.htmlRM2RKREHH–Bildnummer: 58219554 Datum: 10.07.2012 Copyright: imago/Xinhua (120710) -- HUAI AN, July 10, 2012 (Xinhua) -- Photo taken on July 10, 2012 shows a street of the ancient Sizhou City excavated in Chenggen Village, Huaihe Town of Xuyi County, east China s Jiangsu Province. The southwestern part of the ancient Sizhou City reappeared to light recently after over-one-year of excavation by archaeologists of Nanjing Museum. A large number of cultural relics were unearthed. Sizhou City was built up in Northern Zhou Dynasty (557 to 581 A.D.) and was rebuilt in early Tang dynasty (618 to 907 A.D.) afte
Ewer, 800s. China, Hunan province, Tongguan, early Tang dynasty (618-907). Glazed stoneware with molded and applied decoration, Changsha ware; overall: 22.5 cm (8 7/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ewer-800s-china-hunan-province-tongguan-early-tang-dynasty-618-907-glazed-stoneware-with-molded-and-applied-decoration-changsha-ware-overall-225-cm-8-78-in-image448110086.htmlRM2H114YJ–Ewer, 800s. China, Hunan province, Tongguan, early Tang dynasty (618-907). Glazed stoneware with molded and applied decoration, Changsha ware; overall: 22.5 cm (8 7/8 in.).
Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Mark Chao Poster (Hongkong) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/detective-dee-the-four-heavenly-kings-di-renjie-zhi-sidatianwang-year-2018-hongkong-china-director-tsui-hark-mark-chao-poster-hongkong-image366460060.htmlRM2C85KF8–Detective Dee: The Four Heavenly Kings Di Renjie zhi Sidatianwang Year : 2018 Hongkong / China Director : Tsui Hark Mark Chao Poster (Hongkong)
Lamp Stand with Coiling Dragons and Lotus Design, 581-907. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed earthenware, sancai (three-color ware); height: 22.8 cm (9 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lamp-stand-with-coiling-dragons-and-lotus-design-581-907-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-glazed-earthenware-sancai-three-color-ware-height-228-cm-9-in-image448074668.htmlRM2H0YFPM–Lamp Stand with Coiling Dragons and Lotus Design, 581-907. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed earthenware, sancai (three-color ware); height: 22.8 cm (9 in.).
The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bell-tower-in-kaiyuan-temple-in-zhengding-hebei-province-china-image600742700.htmlRM2WWA5CC–The bell tower in Kaiyuan Temple in Zhengding, Hebei province, China.
Jar (Amphora) with Dragon Handles, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed stoneware with modeled and applied decoration; diameter: 20.3 cm (8 in.); overall: 41.6 cm (16 3/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jar-amphora-with-dragon-handles-600s-china-sui-dynasty-581-618-to-early-tang-dynasty-618-907-glazed-stoneware-with-modeled-and-applied-decoration-diameter-203-cm-8-in-overall-416-cm-16-38-in-image448111167.htmlRM2H116A7–Jar (Amphora) with Dragon Handles, 600s. China, Sui dynasty (581-618) to early Tang dynasty (618-907). Glazed stoneware with modeled and applied decoration; diameter: 20.3 cm (8 in.); overall: 41.6 cm (16 3/8 in.).
Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qingyang-gong-shi-green-goat-palace-temple-is-the-oldest-and-largest-daoist-temple-in-the-southwest-of-china-it-is-situated-in-the-western-part-of-chengdu-city-originally-built-in-the-early-tang-dynasty-618-907-this-temple-has-been-rebuilt-and-repaired-many-times-the-existing-buildings-were-mostly-built-during-the-qing-dynasty-1644-1911-according-to-legend-qing-yang-gong-is-said-to-be-the-birth-place-of-the-founder-of-taoism-lao-tsu-laozi-and-is-where-he-gave-his-first-sermon-chengdu-known-formerly-as-chengtu-is-the-capital-of-sichuan-province-in-southwest-china-in-the-ear-image344263808.htmlRM2B02G00–Qingyang Gong Shi (Green Goat Palace Temple) is the oldest and largest Daoist temple in the Southwest of China. It is situated in the western part of Chengdu City. Originally built in the early Tang Dynasty (618-907), this temple has been rebuilt and repaired many times. The existing buildings were mostly built during the Qing Dynasty (1644-1911). According to legend, Qing Yang Gong is said to be the birth place of the founder of Taoism, Lao Tsu / Laozi, and is where he gave his first sermon. Chengdu, known formerly as Chengtu, is the capital of Sichuan province in Southwest China. In the ear
Hanshan and Shide Yosa Buson ???? Japanese early 1770s The celebrated painter-poet Yosa Buson has portrayed a pair of legendary early Tang-dynasty Chan (Zen) monks: the happy-go-lucky Hanshan, on the right, carries on his back a scroll of paper for writing poetry; his ever-present companion Shide is shown turning away from the viewer, with his head hidden by a large bamboo hat. As here, Shide is often depicted carrying a broom, reminding us that he served as a temple janitor. Both were based at Guoqingsi, a monastery on Mount Tiantai in present-day Zhejiang province. They are often depicted in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hanshan-and-shide-yosa-buson-japanese-early-1770s-the-celebrated-painter-poet-yosa-buson-has-portrayed-a-pair-of-legendary-early-tang-dynasty-chan-zen-monks-the-happy-go-lucky-hanshan-on-the-right-carries-on-his-back-a-scroll-of-paper-for-writing-poetry-his-ever-present-companion-shide-is-shown-turning-away-from-the-viewer-with-his-head-hidden-by-a-large-bamboo-hat-as-here-shide-is-often-depicted-carrying-a-broom-reminding-us-that-he-served-as-a-temple-janitor-both-were-based-at-guoqingsi-a-monastery-on-mount-tiantai-in-present-day-zhejiang-province-they-are-often-depicted-in-image569498349.htmlRM2T2ETXN–Hanshan and Shide Yosa Buson ???? Japanese early 1770s The celebrated painter-poet Yosa Buson has portrayed a pair of legendary early Tang-dynasty Chan (Zen) monks: the happy-go-lucky Hanshan, on the right, carries on his back a scroll of paper for writing poetry; his ever-present companion Shide is shown turning away from the viewer, with his head hidden by a large bamboo hat. As here, Shide is often depicted carrying a broom, reminding us that he served as a temple janitor. Both were based at Guoqingsi, a monastery on Mount Tiantai in present-day Zhejiang province. They are often depicted in
Apis figure inscribed for Padishernefer son of Khonsuirdis. Dimensions: H. 6.2 cm (2 7/16 in.); W. 2.1 cm (13/16 in.); L. 6.7 cm (2 5/8 in.) H. (with tang): 7.2 cm (2 13/16 in.). Date: 664-200 B.C.. The worship of the Apis bull is attested as early as Dynasty I. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apis-figure-inscribed-for-padishernefer-son-of-khonsuirdis-dimensions-h-62-cm-2-716-in-w-21-cm-1316-in-l-67-cm-2-58-in-h-with-tang-72-cm-2-1316-in-date-664-200-bc-the-worship-of-the-apis-bull-is-attested-as-early-as-dynasty-i-a-single-living-representative-was-stabled-near-the-ptah-temple-in-memphis-the-bull-selected-for-this-important-role-had-certain-colorful-markings-such-as-a-white-triangle-on-the-forehead-and-black-patches-resembling-winged-birds-or-scarabs-on-the-body-the-bull-is-often-shown-as-here-wearing-a-large-sun-disc-a-banded-collar-a-image213324093.htmlRMPB1N1H–Apis figure inscribed for Padishernefer son of Khonsuirdis. Dimensions: H. 6.2 cm (2 7/16 in.); W. 2.1 cm (13/16 in.); L. 6.7 cm (2 5/8 in.) H. (with tang): 7.2 cm (2 13/16 in.). Date: 664-200 B.C.. The worship of the Apis bull is attested as early as Dynasty I. A single living representative was stabled near the Ptah temple in Memphis. The bull selected for this important role had certain colorful markings, such as a white triangle on the forehead, and black patches resembling winged birds or scarabs on the body. The bull is often shown, as here, wearing a large sun disc, a banded collar, a
