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Edge york art gallery Stock Photos and Images
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858752.htmlRM2AB4G6T–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
The main entrance to the Metropolitan Museum of Art, which sits on the edge of Central Park in Manhattan, New York, and is one of the biggest galleries in the world. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-main-entrance-to-the-metropolitan-museum-of-art-which-sits-on-the-edge-of-central-park-in-manhattan-new-york-and-is-one-of-the-biggest-galleries-in-the-world-image222979411.htmlRMPXNGEB–The main entrance to the Metropolitan Museum of Art, which sits on the edge of Central Park in Manhattan, New York, and is one of the biggest galleries in the world.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149669.htmlRM2WG7BD9–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
A 1980 view looking south down Fifth Avenue at The Metropolitan Museum of Art, New York City, USA. The Metropolitan Museum of Art of New York City (‘The Met’) is the largest art museum in the Western Hemisphere. The main building at 1000 Fifth Avenue on the eastern edge of Central Park on Manhattan's Upper East Side. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The Fifth Avenue building opened in 1872. This image is from an old Kodak colour transparency taken by an amateur photographer – a vintage 1980s photograph. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-1980-view-looking-south-down-fifth-avenue-at-the-metropolitan-museum-of-art-new-york-city-usa-the-metropolitan-museum-of-art-of-new-york-city-the-met-is-the-largest-art-museum-in-the-western-hemisphere-the-main-building-at-1000-fifth-avenue-on-the-eastern-edge-of-central-park-on-manhattans-upper-east-side-the-metropolitan-museum-of-art-was-founded-in-1870-with-its-mission-to-bring-art-and-art-education-to-the-american-people-the-fifth-avenue-building-opened-in-1872-this-image-is-from-an-old-kodak-colour-transparency-taken-by-an-amateur-photographer-a-vintage-1980s-photograph-image462229365.htmlRM2HT0A7H–A 1980 view looking south down Fifth Avenue at The Metropolitan Museum of Art, New York City, USA. The Metropolitan Museum of Art of New York City (‘The Met’) is the largest art museum in the Western Hemisphere. The main building at 1000 Fifth Avenue on the eastern edge of Central Park on Manhattan's Upper East Side. The Metropolitan Museum of Art was founded in 1870 with its mission to bring art and art education to the American people. The Fifth Avenue building opened in 1872. This image is from an old Kodak colour transparency taken by an amateur photographer – a vintage 1980s photograph.
Edge of a Wood with Travelers in a Carriage. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Morin. After Jacques Fouquieres. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edge-of-a-wood-with-travelers-in-a-carriage-medium-etching-museum-national-gallery-of-art-washington-dc-author-jean-morin-after-jacques-fouquieres-image225460098.htmlRMR2PGJA–Edge of a Wood with Travelers in a Carriage. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Morin. After Jacques Fouquieres.
Usa New York City Manhattan Museum Art The Metropolitan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/usa-new-york-city-manhattan-museum-art-the-metropolitan-image6858832.htmlRMA86DW1–Usa New York City Manhattan Museum Art The Metropolitan
The Edge of the Woods at Monts-Girard, Fountainbleau Forest, Theodore Rousseau, 1852-1854, Metropolitan Museum of Art, Manhattan, New York City, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-the-edge-of-the-woods-at-monts-girard-fountainbleau-forest-theodore-166201102.htmlRMKJB35J–The Edge of the Woods at Monts-Girard, Fountainbleau Forest, Theodore Rousseau, 1852-1854, Metropolitan Museum of Art, Manhattan, New York City, USA
Bust of General Ulysses S. Grant at the Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-general-ulysses-s-grant-at-the-metropolitan-museum-of-art-nyc-usa-image244041317.htmlRMT51159–Bust of General Ulysses S. Grant at the Metropolitan Museum of Art, NYC, USA
Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. RP31 2012, a 35mm film installation, colour (3D glasses supplied). Credit: artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-serpentine-galleries-london-uk-7th-december-2016-the-first-uk-exhibition-127937868.htmlRMHC421G–Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. RP31 2012, a 35mm film installation, colour (3D glasses supplied). Credit: artsimages/Alamy Live News.
View from the Iris and B. Gerald Cantor Roof Garden at The Metropolitan Museum of Art, NYC, USA Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-from-the-iris-and-b-gerald-cantor-roof-garden-at-the-metropolitan-museum-of-art-nyc-usa-image615611424.htmlRM2XNFEJ8–View from the Iris and B. Gerald Cantor Roof Garden at The Metropolitan Museum of Art, NYC, USA
Albright Knox Gallery Buffalo New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albright-knox-gallery-buffalo-new-york-image9560817.htmlRMAX52R2–Albright Knox Gallery Buffalo New York
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486454.htmlRMDEBB2E–Museum of the City of New York
International studio . ort. Lind-says work ranges from realistic impres-sions of street scenes, to his fancifulcomposition. The Edge of the World. Hehas five prints in the Sydney Gallery. Anumber of plates have been done bySydney Ure Smith, and a good example ofhis work is his etching of the Sydney Sun Office, which hangs in the officeof the United Cable Service, in the London Times building. W. M. REVIEWS. A Short History of Art. By Julia B.De Forest. Edited, revised and largely re-written by Charles H.Caffin. (New York:Dodd, Mead and Co.; London : Batsford.)2IS. net.—At the hands of Mr. Caff Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/international-studio-ort-lind-says-work-ranges-from-realistic-impres-sions-of-street-scenes-to-his-fancifulcomposition-the-edge-of-the-world-hehas-five-prints-in-the-sydney-gallery-anumber-of-plates-have-been-done-bysydney-ure-smith-and-a-good-example-ofhis-work-is-his-etching-of-the-sydney-sun-office-which-hangs-in-the-officeof-the-united-cable-service-in-the-london-times-building-w-m-reviews-a-short-history-of-art-by-julia-bde-forest-edited-revised-and-largely-re-written-by-charles-hcaffin-new-yorkdodd-mead-and-co-london-batsford2is-netat-the-hands-of-mr-caff-image338378635.htmlRM2AJEDB7–International studio . ort. Lind-says work ranges from realistic impres-sions of street scenes, to his fancifulcomposition. The Edge of the World. Hehas five prints in the Sydney Gallery. Anumber of plates have been done bySydney Ure Smith, and a good example ofhis work is his etching of the Sydney Sun Office, which hangs in the officeof the United Cable Service, in the London Times building. W. M. REVIEWS. A Short History of Art. By Julia B.De Forest. Edited, revised and largely re-written by Charles H.Caffin. (New York:Dodd, Mead and Co.; London : Batsford.)2IS. net.—At the hands of Mr. Caff
Hedge and Grasses - Lake George, 1933. A work made of gelatin silver print. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hedge-and-grasses-lake-george-1933-a-work-made-of-gelatin-silver-print-image440350653.htmlRM2GGBKN1–Hedge and Grasses - Lake George, 1933. A work made of gelatin silver print.
Elephant statue in The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions of both t Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-elephant-statue-in-the-museum-of-asia-society-new-york-usa-asia-society-76295134.htmlRMEC3F66–Elephant statue in The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions of both t
London UK 21 June 2021 Bonhams London , Prints, Decorative Arts and Fine Clocks Sale Andy Warhol , Mick Jagger Screen print in color 1975, on Arches Aquarelle paper, signed in pencil by the artist and by Mick Jagger in red felt-tip pen (attenuated), numbered 196/250 in pencil, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their ink stamp verso, the full sheet, with time staining to extreme sheet edges, with backboard staining, a 10mm. tear to the right lower sheet edge, generally in good condition. Est £ 25.000- 30.000.PaulQuezada-Neiman/Alamy live news Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/london-uk-21-june-2021-bonhams-london-prints-decorative-arts-and-fine-clocks-sale-andy-warhol-mick-jagger-screen-print-in-color-1975-on-arches-aquarelle-paper-signed-in-pencil-by-the-artist-and-by-mick-jagger-in-red-felt-tip-pen-attenuated-numbered-196250-in-pencil-printed-by-alexander-heinrici-new-york-published-by-seabird-editions-london-with-their-ink-stamp-verso-the-full-sheet-with-time-staining-to-extreme-sheet-edges-with-backboard-staining-a-10mm-tear-to-the-right-lower-sheet-edge-generally-in-good-condition-est-25000-30000paulquezada-neimanalamy-live-news-image433027084.htmlRM2G4E2D0–London UK 21 June 2021 Bonhams London , Prints, Decorative Arts and Fine Clocks Sale Andy Warhol , Mick Jagger Screen print in color 1975, on Arches Aquarelle paper, signed in pencil by the artist and by Mick Jagger in red felt-tip pen (attenuated), numbered 196/250 in pencil, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their ink stamp verso, the full sheet, with time staining to extreme sheet edges, with backboard staining, a 10mm. tear to the right lower sheet edge, generally in good condition. Est £ 25.000- 30.000.PaulQuezada-Neiman/Alamy live news
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509299.htmlRFR7NDXB–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Abby King is reflected in a display cabinet during Gillian Lowndes: At the Edge, a new exhibition at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-abby-king-is-reflected-in-a-display-cabinet-during-gillian-lowndes-at-the-edge-a-new-exhibition-at-york-art-gallery-image333858760.htmlRM2AB4G74–Gallery employee Abby King is reflected in a display cabinet during Gillian Lowndes: At the Edge, a new exhibition at York Art Gallery.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'Hood Series,' Inkjet prints, by John Edmonds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-hood-series-inkjet-prints-by-john-edmonds-image595149664.htmlRM2WG7BD4–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'Hood Series,' Inkjet prints, by John Edmonds.
Edge of a Wood with Peasants Going to Market. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Morin. After Jacques Fouquieres. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edge-of-a-wood-with-peasants-going-to-market-medium-etching-museum-national-gallery-of-art-washington-dc-author-jean-morin-after-jacques-fouquieres-image225558183.htmlRMR2Y1NB–Edge of a Wood with Peasants Going to Market. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Morin. After Jacques Fouquieres.
Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches Casters 2016, Mixed media. Credit: artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-serpentine-galleries-london-uk-7th-december-2016-the-first-uk-exhibition-127937466.htmlRMHC41F6–Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches Casters 2016, Mixed media. Credit: artsimages/Alamy Live News.
Albright Knox Gallery Buffalo New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/albright-knox-gallery-buffalo-new-york-image9560818.htmlRMAX52R3–Albright Knox Gallery Buffalo New York
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486453.htmlRMDEBB2D–Museum of the City of New York
Printing a pattern on a strip of wallpaper one color at at a time at Adelphi Paper Hangings Sharon Springs New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/printing-a-pattern-on-a-strip-of-wallpaper-one-color-at-at-a-time-image9566185.htmlRMAX62PA–Printing a pattern on a strip of wallpaper one color at at a time at Adelphi Paper Hangings Sharon Springs New York
Saco Bay, 1896. Sunset - two women, carrying fishing nets and lobster traps, seem as solid and enduring as the rocks beneath their feet. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/saco-bay-1896-sunset-two-women-carrying-fishing-nets-and-lobster-traps-seem-as-solid-and-enduring-as-the-rocks-beneath-their-feet-image603650426.htmlRM2X22J7P–Saco Bay, 1896. Sunset - two women, carrying fishing nets and lobster traps, seem as solid and enduring as the rocks beneath their feet.
Roycroft Logo at their influential Roycroft Campus East Aurora New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roycroft-logo-at-their-influential-roycroft-campus-east-aurora-new-image9566932.htmlRMAX66N5–Roycroft Logo at their influential Roycroft Campus East Aurora New York
Restaurant inside The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions of both tr Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-restaurant-inside-the-museum-of-asia-society-new-york-usa-asia-society-76295133.htmlRMEC3F65–Restaurant inside The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions of both tr
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509298.htmlRFR7NDXA–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858767.htmlRM2AB4G7B–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'Hood Series,' Inkjet prints, by John Edmonds. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-hood-series-inkjet-prints-by-john-edmonds-image595149663.htmlRM2WG7BD3–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'Hood Series,' Inkjet prints, by John Edmonds.
Venus wringing the water from her hair, standing at the water's edge. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After (?) Giacomo Francia (Italian, Bologna ca. 1486-1557 Bologna). Dimensions: 8 7/16 x 6 in. (21.4 x 15.2 cm). Date: 1506. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/venus-wringing-the-water-from-her-hair-standing-at-the-waters-edge-artist-marcantonio-raimondi-italian-argini-ca-1480-before-1534-bologna-after-giacomo-francia-italian-bologna-ca-1486-1557-bologna-dimensions-8-716-x-6-in-214-x-152-cm-date-1506-museum-metropolitan-museum-of-art-new-york-usa-image225407367.htmlRMR2M5B3–Venus wringing the water from her hair, standing at the water's edge. Artist: Marcantonio Raimondi (Italian, Argini (?) ca. 1480-before 1534 Bologna (?)); After (?) Giacomo Francia (Italian, Bologna ca. 1486-1557 Bologna). Dimensions: 8 7/16 x 6 in. (21.4 x 15.2 cm). Date: 1506. Museum: Metropolitan Museum of Art, New York, USA.
Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-serpentine-galleries-london-uk-7th-december-2016-the-first-uk-exhibition-127937425.htmlRMHC41DN–Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486462.htmlRMDEBB2P–Museum of the City of New York
New York Harbor, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-harbor-1884-image491514263.htmlRM2KFJBCR–New York Harbor, 1884.
Town of Aurora Town Hall 1899 East Aurora New York Erie County one of the original buildings comprising the Roycroft Campus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/town-of-aurora-town-hall-1899-east-aurora-new-york-erie-county-one-image9566921.htmlRMAX66MA–Town of Aurora Town Hall 1899 East Aurora New York Erie County one of the original buildings comprising the Roycroft Campus
Fashion asian store inside The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fashion-asian-store-inside-the-museum-of-asia-society-new-york-usa-76295137.htmlRMEC3F69–Fashion asian store inside The Museum of Asia Society, New York, USA. Asia Society Museum organizes groundbreaking exhibitions o
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509233.htmlRFR7NDT1–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858705.htmlRM2AB4G55–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Sandra Mujinga’s “Spectral Keepers,” 2020, at the Guggenheim Museum. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sandra-mujingas-spectral-keepers-2020-at-the-guggenheim-museum-going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149641.htmlRM2WG7BC9–Sandra Mujinga’s “Spectral Keepers,” 2020, at the Guggenheim Museum. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
Title plate of 'Vedute altre prese da i luoghi altre ideate', with title and publication information inscribed into a wall plaque at the edge of a canal. Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dimensions: Sheet: 11 7/8 x 17 in. (30.1 x 43.2 cm). Series/Portfolio: Views. Date: 1735-46. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-plate-of-vedute-altre-prese-da-i-luoghi-altre-ideate-with-title-and-publication-information-inscribed-into-a-wall-plaque-at-the-edge-of-a-canal-artist-canaletto-giovanni-antonio-canal-italian-venice-1697-1768-venice-dimensions-sheet-11-78-x-17-in-301-x-432-cm-seriesportfolio-views-date-1735-46-museum-metropolitan-museum-of-art-new-york-usa-image233077999.htmlRMRF5HA7–Title plate of 'Vedute altre prese da i luoghi altre ideate', with title and publication information inscribed into a wall plaque at the edge of a canal. Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dimensions: Sheet: 11 7/8 x 17 in. (30.1 x 43.2 cm). Series/Portfolio: Views. Date: 1735-46. Museum: Metropolitan Museum of Art, New York, USA.
Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-serpentine-galleries-london-uk-7th-december-2016-the-first-uk-exhibition-127937443.htmlRMHC41EB–Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486480.htmlRMDEBB3C–Museum of the City of New York
New York Harbor, 1884. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/new-york-harbor-1884-image491461131.htmlRM2KFFYK7–New York Harbor, 1884.
Aphorisms abound at Roycroft Inn East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aphorisms-abound-at-roycroft-inn-east-aurora-new-york-erie-county-image9566900.htmlRMAX66K5–Aphorisms abound at Roycroft Inn East Aurora New York Erie County
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509306.htmlRFR7NDXJ–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858758.htmlRM2AB4G72–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Sandra Mujinga’s “Spectral Keepers,” 2020, at the Guggenheim Museum. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sandra-mujingas-spectral-keepers-2020-at-the-guggenheim-museum-going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149691.htmlRM2WG7BE3–Sandra Mujinga’s “Spectral Keepers,” 2020, at the Guggenheim Museum. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
The Road at the Edge of the Forest, from Verscheyden Landtschapjes (Various Landscapes), Plate 4. Artist: Willem Pietersz. Buytewech (Dutch, 1591-1624). Dimensions: Sheet: 4 1/16 × 5 5/8 in. (10.3 × 14.3 cm) Plate: 3 7/16 × 5 1/16 in. (8.8 × 12.8 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1616-17. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-road-at-the-edge-of-the-forest-from-verscheyden-landtschapjes-various-landscapes-plate-4-artist-willem-pietersz-buytewech-dutch-1591-1624-dimensions-sheet-4-116-5-58-in-103-143-cm-plate-3-716-5-116-in-88-128-cm-publisher-claes-jansz-visscher-dutch-amsterdam-1586-1652-amsterdam-date-ca-1616-17-museum-metropolitan-museum-of-art-new-york-usa-image225388490.htmlRMR2K98X–The Road at the Edge of the Forest, from Verscheyden Landtschapjes (Various Landscapes), Plate 4. Artist: Willem Pietersz. Buytewech (Dutch, 1591-1624). Dimensions: Sheet: 4 1/16 × 5 5/8 in. (10.3 × 14.3 cm) Plate: 3 7/16 × 5 1/16 in. (8.8 × 12.8 cm). Publisher: Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Date: ca. 1616-17. Museum: Metropolitan Museum of Art, New York, USA.
Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-serpentine-galleries-london-uk-7th-december-2016-the-first-uk-exhibition-127937411.htmlRMHC41D7–Serpentine Galleries, London, UK. 7th December 2016. The first UK exhibition of the New York-based artist Lucy Raven (born 1977) at the Serpentine Gallery. A member of gallery staff watches The Deccan Trap 2015, Photographic animation, colour, sound. Credit: artsimages/Alamy Live News.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486557.htmlRMDEBB65–Museum of the City of New York
View of Manhattan. c.1660. Inscription - Nieuw Amsterdam ofte nue nieuw Iorx opt 't Eylant Man. View from the sea of the coast, the island of Manhattan and the city of New Amsterdam (New York). Three sailing ships with Dutch flag. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-manhattan-c1660-inscription-nieuw-amsterdam-ofte-nue-nieuw-iorx-opt-t-eylant-man-view-from-the-sea-of-the-coast-the-island-of-manhattan-and-the-city-of-new-amsterdam-new-york-three-sailing-ships-with-dutch-flag-image565270845.htmlRM2RRJ8MD–View of Manhattan. c.1660. Inscription - Nieuw Amsterdam ofte nue nieuw Iorx opt 't Eylant Man. View from the sea of the coast, the island of Manhattan and the city of New Amsterdam (New York). Three sailing ships with Dutch flag.
Arts and Crafts style at Roycroft Inn East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arts-and-crafts-style-at-roycroft-inn-east-aurora-new-york-erie-county-image9566888.htmlRMAX66J9–Arts and Crafts style at Roycroft Inn East Aurora New York Erie County
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509283.htmlRFR7NDWR–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858772.htmlRM2AB4G7G–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Faith Ringgold’s “Black Light” canvases of the late 1960s: from left, “Black Light Series #3: Soul Sister,” 1967; “Black Light Series #11: US America Black,” 1957; and “Black Light Series #4: Mommy and Daddy,” 1969. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/faith-ringgolds-black-light-canvases-of-the-late-1960s-from-left-black-light-series-3-soul-sister-1967-black-light-series-11-us-america-black-1957-and-black-light-series-4-mommy-and-daddy-1969-going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149644.htmlRM2WG7BCC–Faith Ringgold’s “Black Light” canvases of the late 1960s: from left, “Black Light Series #3: Soul Sister,” 1967; “Black Light Series #11: US America Black,” 1957; and “Black Light Series #4: Mommy and Daddy,” 1969. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
The Good Shepherd, from Grotisch fur alle Kunstler. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 2 5/8 × 5 3/4 in. (6.7 × 14.6 cm). Date: 1580-1600. A scene with the Good Shepherd framed in an oval at center, surrounded by symmetrical ornamental design with masks, grotesques, and cornucopias. At the left and right edge, segmented ovals with artist's signature. Associated with the series, Grotisch fur alle Kunstler, consisting of four plates. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-good-shepherd-from-grotisch-fur-alle-kunstler-artist-theodor-de-bry-netherlandish-lige-1528-1598-frankfurt-dimensions-sheet-2-58-5-34-in-67-146-cm-date-1580-1600-a-scene-with-the-good-shepherd-framed-in-an-oval-at-center-surrounded-by-symmetrical-ornamental-design-with-masks-grotesques-and-cornucopias-at-the-left-and-right-edge-segmented-ovals-with-artists-signature-associated-with-the-series-grotisch-fur-alle-kunstler-consisting-of-four-plates-museum-metropolitan-museum-of-art-new-york-usa-image225389535.htmlRMR2KAJ7–The Good Shepherd, from Grotisch fur alle Kunstler. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 2 5/8 × 5 3/4 in. (6.7 × 14.6 cm). Date: 1580-1600. A scene with the Good Shepherd framed in an oval at center, surrounded by symmetrical ornamental design with masks, grotesques, and cornucopias. At the left and right edge, segmented ovals with artist's signature. Associated with the series, Grotisch fur alle Kunstler, consisting of four plates. Museum: Metropolitan Museum of Art, New York, USA.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60507236.htmlRMDEC9GM–Museum of the City of New York
The Villa Torlonia, from the original painting by Joseph Castiglione in the collection of Mrs. A. T. Stewart, New York, 19th century. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-villa-torlonia-from-the-original-painting-by-joseph-castiglione-in-the-collection-of-mrs-a-t-stewart-new-york-19th-century-image482096051.htmlRM2K09AC3–The Villa Torlonia, from the original painting by Joseph Castiglione in the collection of Mrs. A. T. Stewart, New York, 19th century.
Print shop Roycroft Campus East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/print-shop-roycroft-campus-east-aurora-new-york-erie-county-image9566840.htmlRMAX65Y9–Print shop Roycroft Campus East Aurora New York Erie County
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509265.htmlRFR7NDW5–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Abby King is reflected in a display cabinet during Gillian Lowndes: At the Edge, a new exhibition at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-abby-king-is-reflected-in-a-display-cabinet-during-gillian-lowndes-at-the-edge-a-new-exhibition-at-york-art-gallery-image333858753.htmlRM2AB4G6W–Gallery employee Abby King is reflected in a display cabinet during Gillian Lowndes: At the Edge, a new exhibition at York Art Gallery.
Faith Ringgold’s “Black Light” canvases of the late 1960s: from left, “Black Light Series #3: Soul Sister,” 1967; “Black Light Series #11: US America Black,” 1957; and “Black Light Series #4: Mommy and Daddy,” 1969. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/faith-ringgolds-black-light-canvases-of-the-late-1960s-from-left-black-light-series-3-soul-sister-1967-black-light-series-11-us-america-black-1957-and-black-light-series-4-mommy-and-daddy-1969-going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149648.htmlRM2WG7BCG–Faith Ringgold’s “Black Light” canvases of the late 1960s: from left, “Black Light Series #3: Soul Sister,” 1967; “Black Light Series #11: US America Black,” 1957; and “Black Light Series #4: Mommy and Daddy,” 1969. Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
Eagle Wharf. Dated: 1859. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eagle-wharf-dated-1859-medium-etching-museum-national-gallery-of-art-washington-dc-author-whistler-james-abbott-mcneill-image233751480.htmlRMRG88B4–Eagle Wharf. Dated: 1859. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: WHISTLER, JAMES ABBOTT MCNEILL.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486559.htmlRMDEBB67–Museum of the City of New York
Soho (recto), 1919. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soho-recto-1919-image482104549.htmlRM2K09N7H–Soho (recto), 1919.
Roycroft Campus print shop East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roycroft-campus-print-shop-east-aurora-new-york-erie-county-image9566979.htmlRMAX66T4–Roycroft Campus print shop East Aurora New York Erie County
Salon Saatchi Gallery Marshmallow lase feast Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salon-saatchi-gallery-marshmallow-lase-feast-image228509249.htmlRFR7NDTH–Salon Saatchi Gallery Marshmallow lase feast
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858757.htmlRM2AB4G71–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'The Canadian artist Rebecca Belmore, a member of the Lac Seul First Nation (Anishinaabe), takes up the image of the hoodie in her sculpture, in which hair fans out like bird’s feathers around a figure who bends over in supplication or prayer.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-the-canadian-artist-rebecca-belmore-a-member-of-the-lac-seul-first-nation-anishinaabe-takes-up-the-image-of-the-hoodie-in-her-sculpture-in-which-hair-fans-out-like-birds-feathers-around-a-figure-who-bends-over-in-supplication-or-prayer-image595149662.htmlRM2WG7BD2–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'The Canadian artist Rebecca Belmore, a member of the Lac Seul First Nation (Anishinaabe), takes up the image of the hoodie in her sculpture, in which hair fans out like bird’s feathers around a figure who bends over in supplication or prayer.'
Burning the Rumps at Temple Bar, plate eleven from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 245 × 495 mm (image); 272 × 505 mm (plate); 274 × 509 mm (primary support); 360 × 568 mm (secondary support). Engraving in black on cream laid paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/burning-the-rumps-at-temple-bar-plate-eleven-from-hudibras-william-hogarth-english-1697-1764-date-1725-1726-dimensions-245-495-mm-image-272-505-mm-plate-274-509-mm-primary-support-360-568-mm-secondary-support-engraving-in-black-on-cream-laid-paper-edge-mounted-on-cream-wove-paper-origin-england-museum-the-chicago-art-institute-image239921756.htmlRMRX9AJ4–Burning the Rumps at Temple Bar, plate eleven from Hudibras. William Hogarth; English, 1697-1764. Date: 1725-1726. Dimensions: 245 × 495 mm (image); 272 × 505 mm (plate); 274 × 509 mm (primary support); 360 × 568 mm (secondary support). Engraving in black on cream laid paper edge mounted on cream wove paper. Origin: England. Museum: The Chicago Art Institute.
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60507080.htmlRMDEC9B4–Museum of the City of New York
The Hudson at Nyack, 1858. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-hudson-at-nyack-1858-image506221302.htmlRM2MBGAC6–The Hudson at Nyack, 1858.
Arts and Crafts style at Roycroft Inn East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arts-and-crafts-style-at-roycroft-inn-east-aurora-new-york-erie-county-image9566860.htmlRMAX66GD–Arts and Crafts style at Roycroft Inn East Aurora New York Erie County
Worker at Corning Museum of Glass Corning New York Finger Lakes Steuben County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/worker-at-corning-museum-of-glass-corning-new-york-finger-lakes-steuben-image9560431.htmlRMAX50R0–Worker at Corning Museum of Glass Corning New York Finger Lakes Steuben County
Arts and Crafts style plus aphorisms at Roycroft Inn East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arts-and-crafts-style-plus-aphorisms-at-roycroft-inn-east-aurora-new-image9566872.htmlRMAX66H9–Arts and Crafts style plus aphorisms at Roycroft Inn East Aurora New York Erie County
Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallery-employee-lauren-masterman-views-a-work-titled-collage-with-bathroom-tile-1985-by-ceramicist-gillian-lowndes-on-display-during-the-new-exhibition-gillian-lowndes-at-the-edge-at-york-art-gallery-image333858759.htmlRM2AB4G73–Gallery employee Lauren Masterman views a work titled Collage with Bathroom Tile, 1985, by ceramicist Gillian Lowndes, on display during the new exhibition Gillian Lowndes: At the Edge at York Art Gallery.
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'The Canadian artist Rebecca Belmore, a member of the Lac Seul First Nation (Anishinaabe), takes up the image of the hoodie in her sculpture, in which hair fans out like bird’s feathers around a figure who bends over in supplication or prayer.' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-the-canadian-artist-rebecca-belmore-a-member-of-the-lac-seul-first-nation-anishinaabe-takes-up-the-image-of-the-hoodie-in-her-sculpture-in-which-hair-fans-out-like-birds-feathers-around-a-figure-who-bends-over-in-supplication-or-prayer-image595149671.htmlRM2WG7BDB–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. 'The Canadian artist Rebecca Belmore, a member of the Lac Seul First Nation (Anishinaabe), takes up the image of the hoodie in her sculpture, in which hair fans out like bird’s feathers around a figure who bends over in supplication or prayer.'
Pierrot. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 1/8 × 6 1/4 in. (23.1 × 15.9 cm) Sheet: 9 1/8 × 6 1/4 in. (23.1 × 15.9 cm). Date: 1889. In an old district of Amsterdam, Whistler represents two figures emerging from a shadowed workshop at the edge of a canal. Leaning against a slender post, a young man clad in an apron looks across the water as his female companion dips a cloth into it. The still, dark, reflective surface fills the foreground and doubles the forms, and the title, Pierrot, evokes a tragicomic commedia dell'arte c Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pierrot-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-plate-9-18-6-14-in-231-159-cm-sheet-9-18-6-14-in-231-159-cm-date-1889-in-an-old-district-of-amsterdam-whistler-represents-two-figures-emerging-from-a-shadowed-workshop-at-the-edge-of-a-canal-leaning-against-a-slender-post-a-young-man-clad-in-an-apron-looks-across-the-water-as-his-female-companion-dips-a-cloth-into-it-the-still-dark-reflective-surface-fills-the-foreground-and-doubles-the-forms-and-the-title-pierrot-evokes-a-tragicomic-commedia-dellarte-c-image225393600.htmlRMR2KFRC–Pierrot. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 1/8 × 6 1/4 in. (23.1 × 15.9 cm) Sheet: 9 1/8 × 6 1/4 in. (23.1 × 15.9 cm). Date: 1889. In an old district of Amsterdam, Whistler represents two figures emerging from a shadowed workshop at the edge of a canal. Leaning against a slender post, a young man clad in an apron looks across the water as his female companion dips a cloth into it. The still, dark, reflective surface fills the foreground and doubles the forms, and the title, Pierrot, evokes a tragicomic commedia dell'arte c
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486484.htmlRMDEBB3G–Museum of the City of New York
Untitled (Farmhouse, Long Island), 1887. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-farmhouse-long-island-1887-image491461281.htmlRM2KFFYTH–Untitled (Farmhouse, Long Island), 1887.
Town of Aurora Town Hall 1899 East Aurora New York Erie County one of the original buildings comprising the Roycroft Campus Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/town-of-aurora-town-hall-1899-east-aurora-new-york-erie-county-one-image9566908.htmlRMAX66KD–Town of Aurora Town Hall 1899 East Aurora New York Erie County one of the original buildings comprising the Roycroft Campus
Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/going-dark-the-contemporary-figure-at-the-edge-of-visibility-presents-works-of-art-that-feature-partially-obscured-or-hidden-figures-thus-positioning-them-at-the-edge-of-visibility-guggenheim-museum-in-new-york-city-image595149675.htmlRM2WG7BDF–Going Dark: The Contemporary Figure at the Edge of Visibility presents works of art that feature partially obscured or hidden figures, thus positioning them at the “edge of visibility.” Guggenheim Museum in New York City.
A Couple Shaking Hands, from Grotisch fur alle Kunstler. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 2 5/8 × 5 13/16 in. (6.7 × 14.7 cm). Date: 1580-1600. Framed in an oval at center, a man, at left, and woman, at right, shake hands, while a putto pours water over their hands and into a basin decorated with a grotesque mask. The oval is surrounded by symmetrical ornamental design with a pair of birds at the upper left and upper right. At the left and right edge, segmented ovals with the artist's signature. Associated with the series, Grotisch fur alle Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-couple-shaking-hands-from-grotisch-fur-alle-kunstler-artist-theodor-de-bry-netherlandish-lige-1528-1598-frankfurt-dimensions-sheet-2-58-5-1316-in-67-147-cm-date-1580-1600-framed-in-an-oval-at-center-a-man-at-left-and-woman-at-right-shake-hands-while-a-putto-pours-water-over-their-hands-and-into-a-basin-decorated-with-a-grotesque-mask-the-oval-is-surrounded-by-symmetrical-ornamental-design-with-a-pair-of-birds-at-the-upper-left-and-upper-right-at-the-left-and-right-edge-segmented-ovals-with-the-artists-signature-associated-with-the-series-grotisch-fur-alle-image225414067.htmlRMR2MDXB–A Couple Shaking Hands, from Grotisch fur alle Kunstler. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 2 5/8 × 5 13/16 in. (6.7 × 14.7 cm). Date: 1580-1600. Framed in an oval at center, a man, at left, and woman, at right, shake hands, while a putto pours water over their hands and into a basin decorated with a grotesque mask. The oval is surrounded by symmetrical ornamental design with a pair of birds at the upper left and upper right. At the left and right edge, segmented ovals with the artist's signature. Associated with the series, Grotisch fur alle
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60486493.htmlRMDEBB3W–Museum of the City of New York
Untitled (Farmhouse, Long Island), 1887. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/untitled-farmhouse-long-island-1887-image491514241.htmlRM2KFJBC1–Untitled (Farmhouse, Long Island), 1887.
Pottery for sale Roycroft Campus East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pottery-for-sale-roycroft-campus-east-aurora-new-york-erie-county-image9566851.htmlRMAX66G4–Pottery for sale Roycroft Campus East Aurora New York Erie County
Museum of the City of New York Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/museum-of-the-city-of-new-york-image60506961.htmlRMDEC96W–Museum of the City of New York
Shanties on the Harlem, 1881-1882. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shanties-on-the-harlem-1881-1882-image506195033.htmlRM2MBF4X1–Shanties on the Harlem, 1881-1882.
Arts and Crafts style originated at Roycroft Inn East Aurora New York Erie County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arts-and-crafts-style-originated-at-roycroft-inn-east-aurora-new-york-image9566881.htmlRMAX66J2–Arts and Crafts style originated at Roycroft Inn East Aurora New York Erie County
Glass of the Maharajahs display Corning Museum of Glass Corning New York Finger Lakes Steuben County Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glass-of-the-maharajahs-display-corning-museum-of-glass-corning-new-image9560453.htmlRMAX50T6–Glass of the Maharajahs display Corning Museum of Glass Corning New York Finger Lakes Steuben County
Search Results for Edge york art gallery Stock Photos and Images (91)
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