Japan, Honshu, Kanto, Tokyo,Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-honshu-kanto-tokyoasakusa-jidai-matsurai-festival-female-participant-53157135.html
RMD2DED3–Japan, Honshu, Kanto, Tokyo,Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume
Edo lady in her traditional costume, Edo State, Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-lady-in-her-traditional-costume-edo-state-nigeria-image417714727.html
RF2F7GFB3–Edo lady in her traditional costume, Edo State, Nigeria.
Noh Costume, Japan, Edo period (1615–1868), Date second half 18th century, Japan, Silk, Overall: 62 x 52 in. (157.5 x 132.1 cm), Costumes Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noh-costume-japan-edo-period-16151868-date-second-half-18th-century-japan-silk-overall-62-x-52-in-1575-x-1321-cm-costumes-image344644285.html
RM2B0KW8D–Noh Costume, Japan, Edo period (1615–1868), Date second half 18th century, Japan, Silk, Overall: 62 x 52 in. (157.5 x 132.1 cm), Costumes
Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-japan-honshu-tokyo-asakusa-jidai-matsuri-festival-participant-in-traditional-161729840.html
RMKB3C1M–Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time,
Noh Costume: Atsuita, Kitsuki design, Edo period, 18th century, National Museum, Tokyo, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noh-costume-atsuita-kitsuki-design-edo-period-18th-century-national-museum-tokyo-japan-image263611710.html
RMW8TFBX–Noh Costume: Atsuita, Kitsuki design, Edo period, 18th century, National Museum, Tokyo, Japan.
Inspired by No Robe, gold float-weave silk, Japan, 18th century, Edo Period, 60 x 58 in., 152.4 x 147.3 cm, costume and fashion, crafts and design, dress, embroidered, embroidery, formal, gold, japan, kimono, people and society, silk, textiles, traditional costume, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-no-robe-gold-float-weave-silk-japan-18th-century-edo-period-60-x-58-in-1524-x-1473-cm-costume-and-fashion-crafts-and-design-dress-embroidered-embroidery-formal-gold-japan-kimono-people-and-society-silk-textiles-traditional-costume-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459263170.html
RF2HK56T2–Inspired by No Robe, gold float-weave silk, Japan, 18th century, Edo Period, 60 x 58 in., 152.4 x 147.3 cm, costume and fashion, crafts and design, dress, embroidered, embroidery, formal, gold, japan, kimono, people and society, silk, textiles, traditional costume, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
shopkeeper shop yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japanese orient Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shopkeeper-shop-yedo-edo-tokyo-costume-native-traditional-ethnic-dress-15266003.html
RMAMH95T–shopkeeper shop yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japanese orient
Tokyo. Japan. Exhibit depicting tobacco production during the Edo period in the Tobacco and Salt Museum Shibuya ku. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-tokyo-japan-exhibit-depicting-tobacco-production-during-the-edo-period-11579201.html
RMA6HCGJ–Tokyo. Japan. Exhibit depicting tobacco production during the Edo period in the Tobacco and Salt Museum Shibuya ku.
An Actor, Edo Period. Creator: Utagawa Kunisada (1786-1864). Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-actor-edo-period-creator-utagawa-kunisada-1786-1864-image228930922.html
RMR8CKMA–An Actor, Edo Period. Creator: Utagawa Kunisada (1786-1864).
Dejima Nagasaki Japan Dutch Trading Post, Japanese national historic site used by the Dutch East India Company VOC from 1641 until 1853 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/dejima-nagasaki-japan-dutch-trading-post-japanese-national-historic-site-used-by-the-dutch-east-india-company-voc-from-1641-until-1853-image224099748.html
RMR0GHEC–Dejima Nagasaki Japan Dutch Trading Post, Japanese national historic site used by the Dutch East India Company VOC from 1641 until 1853
Japanese Soldier in Ceremonial Dress or Costume from the Edo Period or Tokugawa Period (1603-1868) Japan. Vintage Illustration or Engraving 1860. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-soldier-in-ceremonial-dress-or-costume-from-the-edo-period-or-tokugawa-period-1603-1868-japan-vintage-illustration-or-engraving-1860-image464594765.html
RM2HYT3A5–Japanese Soldier in Ceremonial Dress or Costume from the Edo Period or Tokugawa Period (1603-1868) Japan. Vintage Illustration or Engraving 1860.
The Actor, Ichikawa Danjuro, in a, Plaid Costume, Japanese woodcut print by Utagawa Kunisada, circa 1850 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-actor-ichikawa-danjuro-in-a-plaid-costume-japanese-woodcut-print-by-utagawa-kunisada-circa-1850-image474506167.html
RM2JFYHCR–The Actor, Ichikawa Danjuro, in a, Plaid Costume, Japanese woodcut print by Utagawa Kunisada, circa 1850
'A policeman of Yeddo' (Edo), Japan, c1880. Artist: Trichon Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-policeman-of-yeddo-edo-japan-c1880-artist-trichon-image262767827.html
RMW7E317–'A policeman of Yeddo' (Edo), Japan, c1880. Artist: Trichon
Costume of a Japanese soldier. In conical helmet, haori, belt, sandals, armed with flintlock musket and two katana (swords). After an illustration in Arnoldus Montanus's Atlas Japannensis, 1670. Handcoloured copperplate engraving from Frederic Shoberl’s The World in Miniature, Japan, Rudolph Ackermann, London, 1823. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-of-a-japanese-soldier-in-conical-helmet-haori-belt-sandals-armed-with-flintlock-musket-and-two-katana-swords-after-an-illustration-in-arnoldus-montanuss-atlas-japannensis-1670-handcoloured-copperplate-engraving-from-frederic-shoberls-the-world-in-miniature-japan-rudolph-ackermann-london-1823-image599952387.html
RM2WT25AY–Costume of a Japanese soldier. In conical helmet, haori, belt, sandals, armed with flintlock musket and two katana (swords). After an illustration in Arnoldus Montanus's Atlas Japannensis, 1670. Handcoloured copperplate engraving from Frederic Shoberl’s The World in Miniature, Japan, Rudolph Ackermann, London, 1823.
47 Ronin Year : 2013 USA Director : Carl Rinsch Tadanobu Asano Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/47-ronin-year-2013-usa-director-carl-rinsch-tadanobu-asano-image225310370.html
RMR2FNJX–47 Ronin Year : 2013 USA Director : Carl Rinsch Tadanobu Asano
Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kabuki-costume-kabuki-is-a-traditional-japanese-form-of-theater-developed-172062950.html
RMKYX41A–Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora
An actor in Edo period costume and wig at the Oedo Onsen Monogatari a 24 hour onsen, Tokyo, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-actor-in-edo-period-costume-and-wig-at-the-oedo-onsen-monogatari-image3386006.html
RMA20X97–An actor in Edo period costume and wig at the Oedo Onsen Monogatari a 24 hour onsen, Tokyo, Japan.
Japan, Honshu island, Kanto, Tokyo, the Edo-Tokyo museum, a reconstitution of Kabuki theater. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japan-honshu-island-kanto-tokyo-the-edo-tokyo-museum-a-reconstitution-of-kabuki-theater-image463965727.html
RM2HXRD0F–Japan, Honshu island, Kanto, Tokyo, the Edo-Tokyo museum, a reconstitution of Kabuki theater.
Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/throne-of-the-emperor-of-japan-in-edo-castle-tokyo-handcoloured-copperplate-engraving-by-andrea-bernieri-from-giulio-ferrrarios-costumes-antique-and-modern-of-all-peoples-il-costume-antico-e-moderno-di-tutti-i-popoli-florence-1842-image211130418.html
RMP7DR02–Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-honshu-kanto-tokyo-asakusa-jidai-matsurai-festival-female-participant-53157158.html
RMD2DEDX–Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume
Edo lady in her traditional costume, Edo State, Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-lady-in-her-traditional-costume-edo-state-nigeria-image417714706.html
RF2F7GFAA–Edo lady in her traditional costume, Edo State, Nigeria.
Priest’s Robe (Kesa), 18th century, Compound twill; silk, , 47 1/4 × 81 1/2 in. (120 × 207 cm), Japan, Japanese, Edo period (1615–1868), Apparel/Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priests-robekesa-18thcentury-compound-twill-silk-47-14-81-12-in-120-207cm-japan-japanese-edo-period16151868-apparelcostume-image393521582.html
RM2DT6CP6–Priest’s Robe (Kesa), 18th century, Compound twill; silk, , 47 1/4 × 81 1/2 in. (120 × 207 cm), Japan, Japanese, Edo period (1615–1868), Apparel/Costume
Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-japan-honshu-tokyo-asakusa-jidai-matsuri-festival-participant-in-traditional-161729843.html
RMKB3C1R–Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time,
Noh Costume: Karaori, Seigaiha design, Edo period, 18th century, National Museum, Tokyo, Japan. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noh-costume-karaori-seigaiha-design-edo-period-18th-century-national-museum-tokyo-japan-image263611703.html
RMW8TFBK–Noh Costume: Karaori, Seigaiha design, Edo period, 18th century, National Museum, Tokyo, Japan.
Art inspired by Man and Woman in Court Costume, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), Prints, Unidentified Artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-man-and-woman-in-court-costume-edo-period-16151868-19th-century-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-7-34-x-5-14-in-197-x-133-cm-prints-unidentified-artist-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462914208.html
RF2HW3FP8–Art inspired by Man and Woman in Court Costume, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 3/4 x 5 1/4 in. (19.7 x 13.3 cm), Prints, Unidentified Artist, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
shop yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japanese orient oriental e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-shop-yedo-edo-tokyo-costume-native-traditional-ethnic-dress-outfit-15266001.html
RFAMH95P–shop yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japanese orient oriental e
A samourai on a horse at the Jidai Matsuri in Kyoto, october 2022 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-samourai-on-a-horse-at-the-jidai-matsuri-in-kyoto-october-2022-image556591271.html
RF2R9EWRK–A samourai on a horse at the Jidai Matsuri in Kyoto, october 2022
A closeup shot of a male character in a national costume at the Edo Tokyo Museum in Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-closeup-shot-of-a-male-character-in-a-national-costume-at-the-edo-tokyo-museum-in-japan-image501328005.html
RF2M3HCYH–A closeup shot of a male character in a national costume at the Edo Tokyo Museum in Japan
Eugene Collache in prison in Edo, Japan. An adventure in Japan by Eugene Collache, 1868-1869 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugene-collache-in-prison-in-edo-japan-an-adventure-in-japan-by-eugene-collache-1868-1869-image495599437.html
RM2KP8E3W–Eugene Collache in prison in Edo, Japan. An adventure in Japan by Eugene Collache, 1868-1869
Smash EDO protestors face up to police along Lewes Road Brighton today as they tried to get through to the EDO arms factory Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-smash-edo-protestors-face-up-to-police-along-lewes-road-brighton-today-37916928.html
RMC5K7C0–Smash EDO protestors face up to police along Lewes Road Brighton today as they tried to get through to the EDO arms factory
. 江戸時代の流鏑馬装束。穴八幡所蔵「流鏑馬絵巻」(1738年頃)部分。 Yabusame costume in Edo era. From 'Yabusame-Emaki' (1738-). Ana Hachimangu collection. 1738. Unknown 1277 Yabusame00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1738-yabusame-costume-in-edo-era-from-yabusame-emaki-1738-ana-hachimangu-collection-1738-unknown-1277-yabusame00-image185615546.html
RMMNYEEJ–. 江戸時代の流鏑馬装束。穴八幡所蔵「流鏑馬絵巻」(1738年頃)部分。 Yabusame costume in Edo era. From 'Yabusame-Emaki' (1738-). Ana Hachimangu collection. 1738. Unknown 1277 Yabusame00
Shogun Tokugawa Ieyasu, the greatest ruler of Japan in peace and war, 1907. Artist: Unknown. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/shogun-tokugawa-ieyasu-the-greatest-ruler-of-japan-in-peace-and-war-1907-artist-unknown-image262784407.html
RMW7ET5B–Shogun Tokugawa Ieyasu, the greatest ruler of Japan in peace and war, 1907. Artist: Unknown.
Edo street scene, 18th century. A dance teacher and pupil on the left, a nori (glue) seller is beckoned by workers in a small family business. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-street-scene-18th-century-a-dance-teacher-and-pupil-on-the-left-a-nori-glue-seller-is-beckoned-by-workers-in-a-small-family-business-handcoloured-ukiyo-e-woodblock-print-by-toyokuni-utagawa-from-shikitei-sanbas-ehon-imayo-sugata-picture-book-of-the-modern-forms-and-figures-tokyo-1916-reprint-of-the-original-from-1802-image273789477.html
RMWWC57H–Edo street scene, 18th century. A dance teacher and pupil on the left, a nori (glue) seller is beckoned by workers in a small family business. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.
Man wearing kabuki costume in a traditional festival, Jidai Matsuri Festival, Asakusa, Tokyo Prefecture, Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-man-wearing-kabuki-costume-in-a-traditional-festival-jidai-matsuri-18204050.html
RMB1H7CJ–Man wearing kabuki costume in a traditional festival, Jidai Matsuri Festival, Asakusa, Tokyo Prefecture, Japan
Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kabuki-costume-kabuki-is-a-traditional-japanese-form-of-theater-developed-172062941.html
RMKYX411–Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora
Rickshaws 'driver' waits for passengers besides an old wooden house at an Edo era Japanese old town Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-rickshaws-driver-waits-for-passengers-besides-an-old-wooden-house-38334244.html
RMC6A7M4–Rickshaws 'driver' waits for passengers besides an old wooden house at an Edo era Japanese old town
Happi (Noh costume), passed down by the Konparu troupe, Nara, Edo period, 1700s AD, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happi-noh-costume-passed-down-by-the-konparu-troupe-nara-edo-period-1700s-ad-image352668323.html
RM2BDNC17–Happi (Noh costume), passed down by the Konparu troupe, Nara, Edo period, 1700s AD,
Mask. Armorer: Inscribed by Myochin Muneakira (Japanese, Edo period, 1673-1745). Culture: Japanese. Dimensions: H. 7 3/4 in. (19.7 cm); W. 6 3/4 in. (17.2 cm). Date: dated 1715. Masks have long played an important role in Japanese culture: in religious ceremonies, dance, Noh theater, and military costume. For samurai, masks served as a principal face defense and helped secure the helmet to the head more firmly. The majority of masks were half-length (<i>mempo</i>), covering the nose and the face below the eyes. Their iron surfaces are either lacquered or a dark russet finish; the interiors a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mask-armorer-inscribed-by-myochin-muneakira-japanese-edo-period-1673-1745-culture-japanese-dimensions-h-7-34-in-197-cm-w-6-34-in-172-cm-date-dated-1715-masks-have-long-played-an-important-role-in-japanese-culture-in-religious-ceremonies-dance-noh-theater-and-military-costume-for-samurai-masks-served-as-a-principal-face-defense-and-helped-secure-the-helmet-to-the-head-more-firmly-the-majority-of-masks-were-half-length-imempoi-covering-the-nose-and-the-face-below-the-eyes-their-iron-surfaces-are-either-lacquered-or-a-dark-russet-finish-the-interiors-a-image213084318.html
RMPAJR66–Mask. Armorer: Inscribed by Myochin Muneakira (Japanese, Edo period, 1673-1745). Culture: Japanese. Dimensions: H. 7 3/4 in. (19.7 cm); W. 6 3/4 in. (17.2 cm). Date: dated 1715. Masks have long played an important role in Japanese culture: in religious ceremonies, dance, Noh theater, and military costume. For samurai, masks served as a principal face defense and helped secure the helmet to the head more firmly. The majority of masks were half-length (<i>mempo</i>), covering the nose and the face below the eyes. Their iron surfaces are either lacquered or a dark russet finish; the interiors a
Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-honshu-kanto-tokyo-asakusa-jidai-matsurai-festival-female-participant-53157137.html
RMD2DED5–Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant dressed in Edo Period Costume
Edo lady in her traditional costume, Edo State, Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-lady-in-her-traditional-costume-edo-state-nigeria-image417714677.html
RF2F7GF99–Edo lady in her traditional costume, Edo State, Nigeria.
Costume, Japan, Edo (1615–1868) or Meiji period (1868–1912), Date 19th century, Japan, Silk, metallic thread, 34 x 24 in. (86.36 x 60.96 cm), Textiles-Embroidered Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/costume-japan-edo-16151868-or-meiji-period-18681912-date-19th-century-japan-silk-metallic-thread-34-x-24-in-8636-x-6096-cm-textiles-embroidered-image344613593.html
RM2B0JE49–Costume, Japan, Edo (1615–1868) or Meiji period (1868–1912), Date 19th century, Japan, Silk, metallic thread, 34 x 24 in. (86.36 x 60.96 cm), Textiles-Embroidered
Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-japan-honshu-tokyo-asakusa-jidai-matsuri-festival-participant-in-traditional-161730367.html
RMKB3CMF–Japan, Honshu, Tokyo, Asakusa, Jidai Matsuri festival, participant in traditional costume of the Edo time,
The son of a physician in Nagoya, Oishi Matora studied with Chô Gesshô and Watanabe Shûkei; he worked also in Edo and Osaka; practiced his own brand of Tosa-style drawing and painting. He died fairly young, possibly the result of alcoholism, and was said to have had episodes of insanity; he is considered masterful at depicting historical and contemporary history and costume of both the upper and lower classes. His 'Soga kokufu’ is judged to be among his more impressive book productions, with its large size, excellent paper, and exquisite 2-color overprinting known in very fine impressions. It Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-son-of-a-physician-in-nagoya-oishi-matora-studied-with-ch-gessh-and-watanabe-shkei-he-worked-also-in-edo-and-osaka-practiced-his-own-brand-of-tosa-style-drawing-and-painting-he-died-fairly-young-possibly-the-result-of-alcoholism-and-was-said-to-have-had-episodes-of-insanity-he-is-considered-masterful-at-depicting-historical-and-contemporary-history-and-costume-of-both-the-upper-and-lower-classes-his-soga-kokufu-is-judged-to-be-among-his-more-impressive-book-productions-with-its-large-size-excellent-paper-and-exquisite-2-color-overprinting-known-in-very-fine-impressions-it-image344260399.html
RM2B02BJ7–The son of a physician in Nagoya, Oishi Matora studied with Chô Gesshô and Watanabe Shûkei; he worked also in Edo and Osaka; practiced his own brand of Tosa-style drawing and painting. He died fairly young, possibly the result of alcoholism, and was said to have had episodes of insanity; he is considered masterful at depicting historical and contemporary history and costume of both the upper and lower classes. His 'Soga kokufu’ is judged to be among his more impressive book productions, with its large size, excellent paper, and exquisite 2-color overprinting known in very fine impressions. It
Art inspired by 紅茶段松皮菱繋花菱亀甲蜘蛛模様厚板, Noh Costume (Atsuita) with Clouds and Hexagons, Edo period (1615–1868), 19th century, Japan, Silk twill damask with silk brocading wefts and supplementary weft patterning in metallic thread, Overall: 65 x 55in. (165.1 x 139.7cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-noh-costume-atsuita-with-clouds-and-hexagons-edo-period-16151868-19th-century-japan-silk-twill-damask-with-silk-brocading-wefts-and-supplementary-weft-patterning-in-metallic-thread-overall-65-x-55in-1651-x-1397cm-costumes-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462911646.html
RF2HW3CEP–Art inspired by 紅茶段松皮菱繋花菱亀甲蜘蛛模様厚板, Noh Costume (Atsuita) with Clouds and Hexagons, Edo period (1615–1868), 19th century, Japan, Silk twill damask with silk brocading wefts and supplementary weft patterning in metallic thread, Overall: 65 x 55in. (165.1 x 139.7cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
straw shoe shop shopkeeper yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-straw-shoe-shop-shopkeeper-yedo-edo-tokyo-costume-native-traditional-15266006.html
RMAMH95Y–straw shoe shop shopkeeper yedo edo tokyo costume native traditional ethnic dress outfit style male adult man woman kimono japa
Illustration of Utsurobune from Hirokata Zuihitsu, published in 1825 (Edo Period) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/illustration-of-utsurobune-from-hirokata-zuihitsu-published-in-1825-edo-period-image238611385.html
RMRT5K75–Illustration of Utsurobune from Hirokata Zuihitsu, published in 1825 (Edo Period)
Two Geishas, Tokyo street, 1961 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-geishas-tokyo-street-1961-image67118657.html
RMDW5EEW–Two Geishas, Tokyo street, 1961
Eugene Collache in prison in Edo, Japan. An adventure in Japan by Eugene Collache, 1868-1869 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/eugene-collache-in-prison-in-edo-japan-an-adventure-in-japan-by-eugene-collache-1868-1869-image486727205.html
RM2K7T9ED–Eugene Collache in prison in Edo, Japan. An adventure in Japan by Eugene Collache, 1868-1869
women in traditional japanese costume walking through temple gate Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-women-in-traditional-japanese-costume-walking-through-temple-gate-31425903.html
RMBR3G1K–women in traditional japanese costume walking through temple gate
. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 448 No robe (karaori) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fragment-of-no-robe-karaori-medium-silk-with-gilded-paper-dimensions-h-x-w-250-x-385-cm-98-716-x-15-316-in-type-costume-and-textile-origin-nishijin-district-kyoto-kyoto-prefecture-japan-topic-flower-edo-period-1615-1868-no-japan-gold-japanese-art-resist-dyeing-weft-patterning-credit-line-gift-of-charles-lang-freer-date-second-half-of-18th-century-period-edo-period-unknown-date-freer-gallery-no-date-448-no-robe-karaori-image188400692.html
RMMXEB04–. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 448 No robe (karaori)
Kyoto, Japan - October 22, 2007: The woman wearing the tradition historic costume at Jidai Festival. Kyoto. Japan Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kyoto-japan-october-22-2007-the-woman-wearing-the-tradition-historic-costume-at-jidai-festival-kyoto-japan-image468560314.html
RF2J68NCX–Kyoto, Japan - October 22, 2007: The woman wearing the tradition historic costume at Jidai Festival. Kyoto. Japan
Women of the working class in Tokyo, Edo Era, 18th century. A laundress washing clothes in a tub, a menial maid carrying water pales with yoke, servant with brush, and nursemaid with baby. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/women-of-the-working-class-in-tokyo-edo-era-18th-century-a-laundress-washing-clothes-in-a-tub-a-menial-maid-carrying-water-pales-with-yoke-servant-with-brush-and-nursemaid-with-baby-handcoloured-ukiyo-e-woodblock-print-by-toyokuni-utagawa-from-shikitei-sanbas-ehon-imayo-sugata-picture-book-of-the-modern-forms-and-figures-tokyo-1916-reprint-of-the-original-from-1802-image273789479.html
RMWWC57K–Women of the working class in Tokyo, Edo Era, 18th century. A laundress washing clothes in a tub, a menial maid carrying water pales with yoke, servant with brush, and nursemaid with baby. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.
Traditional Woodblock print of a standing female actor in lavish designed robes and traditional costume on a white background with cutting paths Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/traditional-woodblock-print-of-a-standing-female-actor-in-lavish-designed-robes-and-traditional-costume-on-a-white-background-with-cutting-paths-image607431278.html
RF2X86TP6–Traditional Woodblock print of a standing female actor in lavish designed robes and traditional costume on a white background with cutting paths
Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kabuki-costume-kabuki-is-a-traditional-japanese-form-of-theater-developed-172062947.html
RMKYX417–Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora
A Samurai in the The Edo Wonder Village, a historical theme park that recreates a Japanese town life during the Edo period which lasted 400 years. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-samurai-in-the-the-edo-wonder-village-a-historical-theme-park-that-recreates-a-japanese-town-life-during-the-edo-period-which-lasted-400-years-image342529982.html
RF2AW7GDJ–A Samurai in the The Edo Wonder Village, a historical theme park that recreates a Japanese town life during the Edo period which lasted 400 years.
Karaori (Noh costume) with fence and autumn grasses design, Japan, Edo period, 1700s AD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/karaori-noh-costume-with-fence-and-autumn-grasses-design-japan-edo-period-1700s-ad-image384203651.html
RM2D91YJY–Karaori (Noh costume) with fence and autumn grasses design, Japan, Edo period, 1700s AD
Mask with Neck Guard. Armorer: Inscribed by Myochin Munemitsu (Japanese, Edo period, 18th century). Culture: Japanese. Dimensions: H. 13 1/4 in. (33.7 cm); W. 9 in. (22.9 cm); D. 5 in. (12.7 cm). Date: 18th century. Masks have long played an important role in Japanese culture: in religious ceremonies, dance, Noh theater, and military costume. For samurai, masks served as a principal face defense and helped secure the helmet to the head more firmly. The majority of masks were half-length (<i>mempo</i>), covering the nose and the face below the eyes. Their iron surfaces are either lacquered or Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mask-with-neck-guard-armorer-inscribed-by-myochin-munemitsu-japanese-edo-period-18th-century-culture-japanese-dimensions-h-13-14-in-337-cm-w-9-in-229-cm-d-5-in-127-cm-date-18th-century-masks-have-long-played-an-important-role-in-japanese-culture-in-religious-ceremonies-dance-noh-theater-and-military-costume-for-samurai-masks-served-as-a-principal-face-defense-and-helped-secure-the-helmet-to-the-head-more-firmly-the-majority-of-masks-were-half-length-imempoi-covering-the-nose-and-the-face-below-the-eyes-their-iron-surfaces-are-either-lacquered-or-image213178868.html
RMPAR3R0–Mask with Neck Guard. Armorer: Inscribed by Myochin Munemitsu (Japanese, Edo period, 18th century). Culture: Japanese. Dimensions: H. 13 1/4 in. (33.7 cm); W. 9 in. (22.9 cm); D. 5 in. (12.7 cm). Date: 18th century. Masks have long played an important role in Japanese culture: in religious ceremonies, dance, Noh theater, and military costume. For samurai, masks served as a principal face defense and helped secure the helmet to the head more firmly. The majority of masks were half-length (<i>mempo</i>), covering the nose and the face below the eyes. Their iron surfaces are either lacquered or
Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Participants dressed in Edo Period Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-honshu-kanto-tokyo-asakusa-jidai-matsurai-festival-participants-53157194.html
RMD2DEF6–Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Participants dressed in Edo Period Costume
Edo lady in her traditional costume, Edo State, Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-lady-in-her-traditional-costume-edo-state-nigeria-image417714662.html
RF2F7GF8P–Edo lady in her traditional costume, Edo State, Nigeria.
Priest’s Robe (Kesa), 19th century, Compound satin; silk, , 44 11/16 × 78 9/16 in. (113.5 × 199.5 cm), Japan, Japanese, Edo period (1615–1868), Apparel/Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/priests-robekesa-19thcentury-compound-satin-silk-44-1116-78-916-in-1135-1995cm-japan-japanese-edo-period16151868-apparelcostume-image393146306.html
RM2DRHA3E–Priest’s Robe (Kesa), 19th century, Compound satin; silk, , 44 11/16 × 78 9/16 in. (113.5 × 199.5 cm), Japan, Japanese, Edo period (1615–1868), Apparel/Costume
CHURYO MORISHIMA (1754-1810). 'KOMO ZATSUWA, TOME 5- L'Habillement Occidential'. Japon, 1787. PARIS, Musée Cernuschi. 37376-12 Calligraphy, costume, western clothing, inscription, illustrious book, masculine, edo period, outfit, volume 5, jacket, clothing, cane, hat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/churyo-morishima-1754-1810-komo-zatsuwa-tome-5-lhabillement-occidential-japon-1787-paris-muse-cernuschi-37376-12-calligraphy-costume-western-clothing-inscription-illustrious-book-masculine-edo-period-outfit-volume-5-jacket-clothing-cane-hat-image596753639.html
RM2WJTD9Y–CHURYO MORISHIMA (1754-1810). 'KOMO ZATSUWA, TOME 5- L'Habillement Occidential'. Japon, 1787. PARIS, Musée Cernuschi. 37376-12 Calligraphy, costume, western clothing, inscription, illustrious book, masculine, edo period, outfit, volume 5, jacket, clothing, cane, hat
KYOTO, JAPAN - NOVEMBER 28, 2015: A woman in traditional Maiko dress looks out from a temple doorway. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kyoto-japan-november-28-2015-a-woman-in-traditional-maiko-dress-looks-out-from-a-temple-doorway-image221121952.html
RFPRMY8G–KYOTO, JAPAN - NOVEMBER 28, 2015: A woman in traditional Maiko dress looks out from a temple doorway.
Art inspired by 紺地蜀江模様狩衣, Noh Costume (Kariginu) with Geometric Pattern, Edo period (1615–1868), 19th century, Japan, Twill-weave silk with supplementary weft patterning, Overall: 61 x 83 in. (154.9 x 210.8 cm), Costumes, This robe's distinctive shokkō pattern of linked hexagons and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-noh-costume-kariginu-with-geometric-pattern-edo-period-16151868-19th-century-japan-twill-weave-silk-with-supplementary-weft-patterning-overall-61-x-83-in-1549-x-2108-cm-costumes-this-robes-distinctive-shokk-pattern-of-linked-hexagons-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910475.html
RF2HW3B0Y–Art inspired by 紺地蜀江模様狩衣, Noh Costume (Kariginu) with Geometric Pattern, Edo period (1615–1868), 19th century, Japan, Twill-weave silk with supplementary weft patterning, Overall: 61 x 83 in. (154.9 x 210.8 cm), Costumes, This robe's distinctive shokkō pattern of linked hexagons and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Magome, Japan. Nakasendo Highway, Japanese woman posing while wearing a traditional travelers hat and robe around shoulders. Eye-contact. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-magome-japan-nakasendo-highway-japanese-woman-posing-while-wearing-86728628.html
RMF12R70–Magome, Japan. Nakasendo Highway, Japanese woman posing while wearing a traditional travelers hat and robe around shoulders. Eye-contact.
Edo no hana kodomo asobi, Rokubangumi U gumi, 1858 Artist Utagawa Yoshitora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-no-hana-kodomo-asobi-rokubangumi-u-gumi-1858artist-utagawa-yoshitora-image210005145.html
RMP5JFKN–Edo no hana kodomo asobi, Rokubangumi U gumi, 1858 Artist Utagawa Yoshitora
Noh theatre masks (Ko-omote and Rojo) Japan. 16th-18th centuries. Carved and painted wood. Museum of World Cultures. Barcelona. Spain. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/noh-theatre-masks-ko-omote-and-rojo-japan-16th-18th-centuries-carved-and-painted-wood-museum-of-world-cultures-barcelona-spain-image384116671.html
RM2D8X0MF–Noh theatre masks (Ko-omote and Rojo) Japan. 16th-18th centuries. Carved and painted wood. Museum of World Cultures. Barcelona. Spain.
Entrance to the Gulf of Yedo, Edo (Tokyo), Japan, Asia. Travels in China and Japan by the Marquis Alfred de Moges 1857 - 1858. Old 19th century illustration by Jules Noël (1815 - 1881) from Le Tour du Monde 1860 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/entrance-to-the-gulf-of-yedo-edo-tokyo-japan-asia-travels-in-china-and-japan-by-the-marquis-alfred-de-moges-1857-1858-old-19th-century-illustration-by-jules-nol-1815-1881-from-le-tour-du-monde-1860-image571029320.html
RM2T50HM8–Entrance to the Gulf of Yedo, Edo (Tokyo), Japan, Asia. Travels in China and Japan by the Marquis Alfred de Moges 1857 - 1858. Old 19th century illustration by Jules Noël (1815 - 1881) from Le Tour du Monde 1860
Beauty Replacing Her Hairpin, Edo period, 1798. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beauty-replacing-her-hairpin-edo-period-1798-image457031857.html
RM2HFFGP9–Beauty Replacing Her Hairpin, Edo period, 1798.
. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 390 No robe (karaori) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fragment-of-no-robe-karaori-medium-silk-with-gilded-paper-dimensions-h-x-w-250-x-385-cm-98-716-x-15-316-in-type-costume-and-textile-origin-nishijin-district-kyoto-kyoto-prefecture-japan-topic-flower-edo-period-1615-1868-no-japan-gold-japanese-art-resist-dyeing-weft-patterning-credit-line-gift-of-charles-lang-freer-date-second-half-of-18th-century-period-edo-period-unknown-date-freer-gallery-no-date-390-no-robe-karaori-image189161930.html
RMMYN1Y6–. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 390 No robe (karaori)
Kyoto, Japan - October 22, 2007: An actress representing Yoshino Tayo, the famous geisha of Edo period followed by the servant with bamboo umbrella. J Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kyoto-japan-october-22-2007-an-actress-representing-yoshino-tayo-the-famous-geisha-of-edo-period-followed-by-the-servant-with-bamboo-umbrella-j-image468560318.html
RF2J68ND2–Kyoto, Japan - October 22, 2007: An actress representing Yoshino Tayo, the famous geisha of Edo period followed by the servant with bamboo umbrella. J
Edo street scene, 18th century. A shop girl sits in front of an archery range holding a bow. A tea shop girl stands on a bench with a candle. A woman and edemame seller with baby pass by. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-street-scene-18th-century-a-shop-girl-sits-in-front-of-an-archery-range-holding-a-bow-a-tea-shop-girl-stands-on-a-bench-with-a-candle-a-woman-and-edemame-seller-with-baby-pass-by-handcoloured-ukiyo-e-woodblock-print-by-toyokuni-utagawa-from-shikitei-sanbas-ehon-imayo-sugata-picture-book-of-the-modern-forms-and-figures-tokyo-1916-reprint-of-the-original-from-1802-image273789481.html
RMWWC57N–Edo street scene, 18th century. A shop girl sits in front of an archery range holding a bow. A tea shop girl stands on a bench with a candle. A woman and edemame seller with baby pass by. Handcoloured ukiyo-e woodblock print by Toyokuni Utagawa from Shikitei Sanba’s Ehon Imayo Sugata (Picture Book of the Modern Forms and Figures, Tokyo, 1916. Reprint of the original from 1802.
Traditional Japanese woodblock print of a standing female in traditional costume walking on Geta sandals traditional hairstyle on a white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/traditional-japanese-woodblock-print-of-a-standing-female-in-traditional-costume-walking-on-geta-sandals-traditional-hairstyle-on-a-white-background-image607431284.html
RF2X86TPC–Traditional Japanese woodblock print of a standing female in traditional costume walking on Geta sandals traditional hairstyle on a white background
Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kabuki-costume-kabuki-is-a-traditional-japanese-form-of-theater-developed-172062931.html
RMKYX40K–Kabuki Costume - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elabora
Samurai warrior wearing armor and a helmet with clan symbol Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samurai-warrior-wearing-armor-and-a-helmet-with-clan-symbol-18513859.html
RMB23AH7–Samurai warrior wearing armor and a helmet with clan symbol
Mizugoromo (Noh costume), Japan, Edo period, 1700s AD Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mizugoromo-noh-costume-japan-edo-period-1700s-ad-image401251975.html
RM2E8PGYK–Mizugoromo (Noh costume), Japan, Edo period, 1700s AD
Ichikawa Yaozo III in the Role of Sukeroku from the Play 'Yukari no Edo-sakura', also known as 'Sukeroku'. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: 15 1/4 x 10 1/4 in. (38.7 x 26 cm). Date: 1784. This print portrays Ichikawa Yaozo III in the popular role of the young dandy Sukeroku. Yaozo's family crest of three nested squares (mimasu) filled with the character for 'eight' (ya or hachi) is on the edge of the umbrella. Sukeroku's costume--a dark kimono that reveals a vivid lining, wooden clogs, a purple headband, and an umbrella--is dashing and manly. Yaozo's s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ichikawa-yaozo-iii-in-the-role-of-sukeroku-from-the-play-yukari-no-edo-sakura-also-known-as-sukeroku-artist-torii-kiyonaga-japanese-1752-1815-culture-japan-dimensions-15-14-x-10-14-in-387-x-26-cm-date-1784-this-print-portrays-ichikawa-yaozo-iii-in-the-popular-role-of-the-young-dandy-sukeroku-yaozos-family-crest-of-three-nested-squares-mimasu-filled-with-the-character-for-eight-ya-or-hachi-is-on-the-edge-of-the-umbrella-sukerokus-costume-a-dark-kimono-that-reveals-a-vivid-lining-wooden-clogs-a-purple-headband-and-an-umbrella-is-dashing-and-manly-yaozos-s-image213106399.html
RMPAKRAR–Ichikawa Yaozo III in the Role of Sukeroku from the Play 'Yukari no Edo-sakura', also known as 'Sukeroku'. Artist: Torii Kiyonaga (Japanese, 1752-1815). Culture: Japan. Dimensions: 15 1/4 x 10 1/4 in. (38.7 x 26 cm). Date: 1784. This print portrays Ichikawa Yaozo III in the popular role of the young dandy Sukeroku. Yaozo's family crest of three nested squares (mimasu) filled with the character for 'eight' (ya or hachi) is on the edge of the umbrella. Sukeroku's costume--a dark kimono that reveals a vivid lining, wooden clogs, a purple headband, and an umbrella--is dashing and manly. Yaozo's s
Mexico, Estado de Mexico-01-29-2023: Traditional dance of Los Chinelos in a carnival that takes place in Ecatzingo Edo. Mex. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-estado-de-mexico-01-29-2023-traditional-dance-of-los-chinelos-in-a-carnival-that-takes-place-in-ecatzingo-edo-mex-image538515926.html
RF2P83EFJ–Mexico, Estado de Mexico-01-29-2023: Traditional dance of Los Chinelos in a carnival that takes place in Ecatzingo Edo. Mex.
Nigerian girls showcasing Edo Culture during the Africa Music Awards (AFRIMA), Lagos, Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/nigerian-girls-showcasing-edo-culture-during-the-africa-music-awards-afrima-lagos-nigeria-image416476841.html
RF2F5G4CW–Nigerian girls showcasing Edo Culture during the Africa Music Awards (AFRIMA), Lagos, Nigeria.
Fragment (From a Noh Costume), Edo period (1615–1868), 17th century, Japan, Brocaded plain simple twill, silk and gilt paper wound on white silk core., 45.7 x 28.9 cm (18 x 11 3/8 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-a-noh-costume-edo-period-16151868-17th-century-japan-brocaded-plain-simple-twill-silk-and-gilt-paper-wound-on-white-silk-core-457-x-289-cm-18-x-11-38-in-image328631622.html
RM2A2JCYJ–Fragment (From a Noh Costume), Edo period (1615–1868), 17th century, Japan, Brocaded plain simple twill, silk and gilt paper wound on white silk core., 45.7 x 28.9 cm (18 x 11 3/8 in
Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant Dressed In Edo Period Costume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-japan-honshu-kanto-tokyo-asakusa-jidai-matsurai-festival-female-participant-55848420.html
RMD6T36C–Japan, Honshu, Kanto, Tokyo, Asakusa, Jidai Matsurai Festival, Female Participant Dressed In Edo Period Costume
KYOTO, JAPAN - NOVEMBER 28, 2015: A woman in traditional Maiko dress looks out from a temple doorway. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kyoto-japan-november-28-2015-a-woman-in-traditional-maiko-dress-looks-out-from-a-temple-doorway-image221121938.html
RFPRMY82–KYOTO, JAPAN - NOVEMBER 28, 2015: A woman in traditional Maiko dress looks out from a temple doorway.
Art inspired by Men and Women in Court Costume Dancing, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-men-and-women-in-court-costume-dancing-edo-period-16151868-19th-century-japan-polychrome-woodblock-print-surimono-ink-and-color-on-paper-7-1516-x-7-14-in-202-x-184-cm-prints-kubo-shunman-japanese-17571820-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462914382.html
RF2HW3G0E–Art inspired by Men and Women in Court Costume Dancing, Edo period (1615–1868), 19th century, Japan, Polychrome woodblock print (surimono); ink and color on paper, 7 15/16 x 7 1/4 in. (20.2 x 18.4 cm), Prints, Kubo Shunman (Japanese, 1757–1820, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Two men dressed in period costume making an announcement wearing a yukata in an edo period comedy play in Edomura Wonderland. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-men-dressed-in-period-costume-making-an-announcement-wearing-a-yukata-in-an-edo-period-comedy-play-in-edomura-wonderland-image561658821.html
RF2RHNNFH–Two men dressed in period costume making an announcement wearing a yukata in an edo period comedy play in Edomura Wonderland.
Edo no hana kodomo asobi, Jubangumi Ru gumi, 1858 Artist Utagawa Yoshitora Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edo-no-hana-kodomo-asobi-jubangumi-ru-gumi-1858-artist-utagawa-yoshitora-image210005130.html
RMP5JFK6–Edo no hana kodomo asobi, Jubangumi Ru gumi, 1858 Artist Utagawa Yoshitora
47 Ronin Year : 2013 USA Director : Carl Rinsch Tanroh Ishida, Cary-Hiroyuki Tagawa, Tadanobu Asano, Ko Shibasaki Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-47-ronin-year-2013-usa-director-carl-rinsch-tanroh-ishida-cary-hiroyuki-73649655.html
RME7R0TR–47 Ronin Year : 2013 USA Director : Carl Rinsch Tanroh Ishida, Cary-Hiroyuki Tagawa, Tadanobu Asano, Ko Shibasaki
A Girl of Tokugawa Period 17th Century black and white illustration by Miss Wakana Utagawa illustrating the book ' Japan ' by John Finnemore, published in 1911 by A. and C. Black London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-girl-of-tokugawa-period-17th-century-black-and-white-illustration-by-miss-wakana-utagawa-illustrating-the-book-japan-by-john-finnemore-published-in-1911-by-a-and-c-black-london-image570774041.html
RF2T4H035–A Girl of Tokugawa Period 17th Century black and white illustration by Miss Wakana Utagawa illustrating the book ' Japan ' by John Finnemore, published in 1911 by A. and C. Black London
An Actor on Stage, Edo period, 1720-1730. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-actor-on-stage-edo-period-1720-1730-image457028787.html
RM2HFFCTK–An Actor on Stage, Edo period, 1720-1730.
. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 447 No robe (karaori) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-fragment-of-no-robe-karaori-medium-silk-with-gilded-paper-dimensions-h-x-w-250-x-385-cm-98-716-x-15-316-in-type-costume-and-textile-origin-nishijin-district-kyoto-kyoto-prefecture-japan-topic-flower-edo-period-1615-1868-no-japan-gold-japanese-art-resist-dyeing-weft-patterning-credit-line-gift-of-charles-lang-freer-date-second-half-of-18th-century-period-edo-period-unknown-date-freer-gallery-no-date-447-no-robe-karaori-image187408189.html
RMMTW51H–. English: Fragment of No robe (karaori ??) Medium: Silk with gilded paper Dimensions: H x W: 250 x 38.5 cm (98 7/16 x 15 3/16 in) Type: Costume and Textile Origin: Nishijin district, Kyoto, Kyoto prefecture, Japan Topic: flower, Edo period (1615 - 1868), No, Japan, gold, Japanese Art, resist dyeing, weft patterning Credit Line: Gift of Charles Lang Freer Date: second half of 18th century Period: Edo period . Unknown date. Freer gallery, no date 447 No robe (karaori)
Japanese people playing a game, Tokyo, Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/japanese-people-playing-a-game-tokyo-japan-old-19th-century-engraved-illustration-travel-to-japan-by-aime-humbert-from-el-mundo-en-la-mano-1879-image387550251.html
RM2DEEC8B–Japanese people playing a game, Tokyo, Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879
Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/throne-of-the-emperor-of-japan-in-edo-castle-tokyo-handcoloured-copperplate-engraving-by-andrea-bernieri-from-giulio-ferrrarios-costumes-antique-and-modern-of-all-peoples-il-costume-antico-e-moderno-di-tutti-i-popoli-florence-1842-image331885521.html
RM2A7XKA9–Throne of the Emperor of Japan in Edo Castle (Tokyo). Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1842.
Traditional Woodblock print of a Samurai warrior crouching and firing arrows, dressed in traditional costume, on white background with cutting paths Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/traditional-woodblock-print-of-a-samurai-warrior-crouching-and-firing-arrows-dressed-in-traditional-costume-on-white-background-with-cutting-paths-image607510287.html
RF2X8ADFY–Traditional Woodblock print of a Samurai warrior crouching and firing arrows, dressed in traditional costume, on white background with cutting paths
Kabuki Poster - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elaborat Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-kabuki-poster-kabuki-is-a-traditional-japanese-form-of-theater-developed-172062938.html
RMKYX40X–Kabuki Poster - Kabuki is a traditional Japanese form of theater developed during the Edo Period. Kabuki is rich in showmanship and involves elaborat
Samurai warrior wearing armor and a helmet is holding an archery bow and riding a horse Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samurai-warrior-wearing-armor-and-a-helmet-is-holding-an-archery-bow-18513921.html
RMB23AKD–Samurai warrior wearing armor and a helmet is holding an archery bow and riding a horse
RM2EBNHYG–Nuihaku (Noh costume), Edo period, 1700s AD, textiles -
Bracelet: Three Heads. Culture: Edo peoples. Dimensions: Diameter 4-5/8 in.. Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bracelet-three-heads-culture-edo-peoples-dimensions-diameter-4-58-in-date-18th-19th-century-museum-metropolitan-museum-of-art-new-york-usa-image212911098.html
RMPAAX7P–Bracelet: Three Heads. Culture: Edo peoples. Dimensions: Diameter 4-5/8 in.. Date: 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.
Mexico, Estado de Mexico-01-29-2023: Traditional dance of Los Chinelos in a carnival that takes place in Ecatzingo Edo. Mex. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mexico-estado-de-mexico-01-29-2023-traditional-dance-of-los-chinelos-in-a-carnival-that-takes-place-in-ecatzingo-edo-mex-image538515999.html
RF2P83EJ7–Mexico, Estado de Mexico-01-29-2023: Traditional dance of Los Chinelos in a carnival that takes place in Ecatzingo Edo. Mex.
A lady photographer in Edo Traditional Costume, Lagos Nigeria. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-lady-photographer-in-edo-traditional-costume-lagos-nigeria-image416478290.html
RF2F5G68J–A lady photographer in Edo Traditional Costume, Lagos Nigeria.
Fragment (from Noh Costume), Edo period (1615–1868), 1675/1700, Japan, Brocaded simple compound twill, silk and gilt paper, 1 1/2 strips to m.m., 31.1 x 12.7 cm (12 1/4 x 5 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-from-noh-costume-edo-period-16151868-16751700-japan-brocaded-simple-compound-twill-silk-and-gilt-paper-1-12-strips-to-mm-311-x-127-cm-12-14-x-5-in-image328631625.html
RM2A2JCYN–Fragment (from Noh Costume), Edo period (1615–1868), 1675/1700, Japan, Brocaded simple compound twill, silk and gilt paper, 1 1/2 strips to m.m., 31.1 x 12.7 cm (12 1/4 x 5 in
Kabuki actor. Yakusha Konote Kashiwa [Actors among the Garden Oa. Edo, 1803. The Kabuki actor Ichikawa Danjuro VI in costume. Image taken from Yakusha Konote Kashiwa [Actors among the Garden Oaks]. Originally published/produced in Edo, 1803. . Source: 16104.a.39, plate 1. Language: Japanese. Author: Utagawa, Toyokuni. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kabuki-actor-yakusha-konote-kashiwa-actors-among-the-garden-oa-edo-1803-the-kabuki-actor-ichikawa-danjuro-vi-in-costume-image-taken-from-yakusha-konote-kashiwa-actors-among-the-garden-oaks-originally-publishedproduced-in-edo-1803-source-16104a39-plate-1-language-japanese-author-utagawa-toyokuni-image226995341.html
RMR58ETD–Kabuki actor. Yakusha Konote Kashiwa [Actors among the Garden Oa. Edo, 1803. The Kabuki actor Ichikawa Danjuro VI in costume. Image taken from Yakusha Konote Kashiwa [Actors among the Garden Oaks]. Originally published/produced in Edo, 1803. . Source: 16104.a.39, plate 1. Language: Japanese. Author: Utagawa, Toyokuni.
Samurai Costume Display at Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/samurai-costume-display-at-museum-image363229231.html
RM2C2XEGF–Samurai Costume Display at Museum
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