Edo winter scenes hi-res stock photography and images

[ 1850s Japan - Practicing Archery ] — Samurai practicing archery at the Takatanobaba Riding Grounds in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 115 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Takata Riding Grounds (高田の馬場, Takada no baba) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGH0J–[ 1850s Japan - Practicing Archery ] — Samurai practicing archery at the Takatanobaba Riding Grounds in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 115 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Takata Riding Grounds (高田の馬場, Takada no baba) 19th century vintage Ukiyoe woodblock print.

Art inspired by 黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, Edo period (1615–1868), late 18th–early 19th century, Japan, Resist-dyed and painted silk crepe, embroidered with silk and metallic thread, Overall: 68 3/4 x 49 in. (174.6 x 124.5 cm), Costumes, In the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3B0F–Art inspired by 黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, Edo period (1615–1868), late 18th–early 19th century, Japan, Resist-dyed and painted silk crepe, embroidered with silk and metallic thread, Overall: 68 3/4 x 49 in. (174.6 x 124.5 cm), Costumes, In the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

[ 1850s Japan - Lumberyards in the Snow ] — Snow covered lumberyards in Fukagawa, Edo (current Tokyo), 1856 (Ansei 3). Two men are working the floating logs. This woodblock print is image 106 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Fukagawa Lumberyards (深川木場, Fukagawa kiba) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGEHD–[ 1850s Japan - Lumberyards in the Snow ] — Snow covered lumberyards in Fukagawa, Edo (current Tokyo), 1856 (Ansei 3). Two men are working the floating logs. This woodblock print is image 106 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Fukagawa Lumberyards (深川木場, Fukagawa kiba) 19th century vintage Ukiyoe woodblock print.

Art inspired by Winter Farming Scene; (verso) Autumn Farming Scene, Edo period (1615–1868), Japan, Folding fan; ink and color on paper, with mounting in ivory, H. 16 1/8 in. (41 cm); W. 29 1/2 in. (75 cm), Paintings, Katsushika Isai (Japanese, 1821–1880), This unusually large fan, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3EBA–Art inspired by Winter Farming Scene; (verso) Autumn Farming Scene, Edo period (1615–1868), Japan, Folding fan; ink and color on paper, with mounting in ivory, H. 16 1/8 in. (41 cm); W. 29 1/2 in. (75 cm), Paintings, Katsushika Isai (Japanese, 1821–1880), This unusually large fan, the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi Stock Photo

RM2B022B5–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

Winter Farming Scene; (verso) Autumn Farming Scene. Artist: Katsushika Isai (Japanese, 1821-1880). Culture: Japan. Dimensions: H. 16 1/8 in. (41 cm); W. 29 1/2 in. (75 cm). This unusually large fan, the function of which is uncertain, is painted on both sides with scenes of farming in winter and autumn. Winter is not shown.) The artist's signature, Isai, and two seals, kai and ka, are found on both sides. Isai was one of a large number of artists trained by Katsushika Hokusai (1760-1849), a nineteenth-century giant of printmaking and painting. It is generally recognized that many of the pai Stock Photo

RMPA94HP–Winter Farming Scene; (verso) Autumn Farming Scene. Artist: Katsushika Isai (Japanese, 1821-1880). Culture: Japan. Dimensions: H. 16 1/8 in. (41 cm); W. 29 1/2 in. (75 cm). This unusually large fan, the function of which is uncertain, is painted on both sides with scenes of farming in winter and autumn. Winter is not shown.) The artist's signature, Isai, and two seals, kai and ka, are found on both sides. Isai was one of a large number of artists trained by Katsushika Hokusai (1760-1849), a nineteenth-century giant of printmaking and painting. It is generally recognized that many of the pai

Winter Farming Scene; (verso) Autumn Farming Scene, Katsushika Isai Stock Photo

RMKC676E–Winter Farming Scene; (verso) Autumn Farming Scene, Katsushika Isai

Winter Day, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world. Stock Photo

RM2A52XWD–Winter Day, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world.

黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, late 18th–early 19th century Stock Photo

RMKCD758–黒縮緬地風景二十四李模様打掛, Outer Robe (Uchikake) with Scenes of Filial Piety, late 18th–early 19th century

Outer Robe (Uchikake) with Scenes of Filial Piety late 18th–early 19th century Japan In the second half of the Edo period, warrior-class women often wore robes with East Asian auspicious, literary, or didactic themes integrated into landscape designs. Embedded in the decoration of this robe—a winter landscape—are visual references to the fundamental Confucian tenet of filial piety, extolled in Japan as firmly as it had been in ancient Chinese society. One of the most famous collections of such stories advocating respect for one’s ancestors and parents is The Twenty-four Paragons of Filial Piet Stock Photo

RM2HH3DFY–Outer Robe (Uchikake) with Scenes of Filial Piety late 18th–early 19th century Japan In the second half of the Edo period, warrior-class women often wore robes with East Asian auspicious, literary, or didactic themes integrated into landscape designs. Embedded in the decoration of this robe—a winter landscape—are visual references to the fundamental Confucian tenet of filial piety, extolled in Japan as firmly as it had been in ancient Chinese society. One of the most famous collections of such stories advocating respect for one’s ancestors and parents is The Twenty-four Paragons of Filial Piet

Mailman on motorcycle delivering mail during a snow storm in old preserved town of Narai Stock Photo

RFRB00KJ–Mailman on motorcycle delivering mail during a snow storm in old preserved town of Narai

RM2BMGETG–[ 1850s Japan - Lumberyards in the Snow ] — Snow covered lumberyards in Fukagawa, Edo (current Tokyo), 1856 (Ansei 3). Two men are working the floating logs. This woodblock print is image 106 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: The Fukagawa Lumberyards (深川木場, Fukagawa kiba) 19th century vintage Ukiyoe woodblock print.

RM2B022B6–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

A modern version of the Tale of Genji in snow scenes (Furyu genji yuki no nagame). Museum: PRIVATE COLLECTION. Author: Utagawa Kunisada (Toyokuni III). Stock Photo

RM2MXDEEF–A modern version of the Tale of Genji in snow scenes (Furyu genji yuki no nagame). Museum: PRIVATE COLLECTION. Author: Utagawa Kunisada (Toyokuni III).

Summer Night; Winter Day, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world. Stock Photo

RM2A52B21–Summer Night; Winter Day, 1784. Okyo painted these panoramas in the summer of 1784. Regarded as Kyoto's most important painting teacher and accomplished artist, he had studied Western painting techniques, "realistic" sketching from nature, and traditional Japanese style painting (yamato-e). The naturalistic quality of these scenes results from a blend of detailed observation of nature and a remote, even detached regard for man's place in the world.

[ 1850s Japan - Arakawa River ] — People crossing the Senju Ohashi Bridge across the Arakawa River in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 103 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Senju Ohashi (千住の大はし, Senju no ohashi) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGEE6–[ 1850s Japan - Arakawa River ] — People crossing the Senju Ohashi Bridge across the Arakawa River in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 103 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Senju Ohashi (千住の大はし, Senju no ohashi) 19th century vintage Ukiyoe woodblock print.

RM2B022A1–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

A modern version of the Tale of Genji in snow scenes (Furyu genji yuki no nagame), 1853. Private Collection. Stock Photo

RM2P2HDDW–A modern version of the Tale of Genji in snow scenes (Furyu genji yuki no nagame), 1853. Private Collection.

RM2BMGE42–[ 1850s Japan - Arakawa River ] — People crossing the Senju Ohashi Bridge across the Arakawa River in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 103 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Senju Ohashi (千住の大はし, Senju no ohashi) 19th century vintage Ukiyoe woodblock print.

RM2B0226C–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

Selected Scenes from One Poem Each by One Hundred Poets: Poem by Emperor Koko, 19th century. Stock Photo

RM2CNM25G–Selected Scenes from One Poem Each by One Hundred Poets: Poem by Emperor Koko, 19th century.

RM2BMGDPC–[ 1850s Japan - Arakawa River ] — People crossing the Senju Ohashi Bridge across the Arakawa River in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 103 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Senju Ohashi (千住の大はし, Senju no ohashi) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Two Cranes ] — Two cranes in the countryside of Edo (current Tokyo), 1857 (Ansei 4). In the background are the villages of Minowa, Kanasugi and Mikawashima. This woodblock print is image 102 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minowa, Kanasugi and Mikawashima (蓑輪金杉三河しま, Minowa Kanasugi Mikawashima) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGDR6–[ 1850s Japan - Two Cranes ] — Two cranes in the countryside of Edo (current Tokyo), 1857 (Ansei 4). In the background are the villages of Minowa, Kanasugi and Mikawashima. This woodblock print is image 102 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minowa, Kanasugi and Mikawashima (蓑輪金杉三河しま, Minowa Kanasugi Mikawashima) 19th century vintage Ukiyoe woodblock print.

RM2B0228C–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGDD4–[ 1850s Japan - Two Cranes ] — Two cranes in the countryside of Edo (current Tokyo), 1857 (Ansei 4). In the background are the villages of Minowa, Kanasugi and Mikawashima. This woodblock print is image 102 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minowa, Kanasugi and Mikawashima (蓑輪金杉三河しま, Minowa Kanasugi Mikawashima) 19th century vintage Ukiyoe woodblock print.

RM2B022B8–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGD3T–[ 1850s Japan - Two Cranes ] — Two cranes in the countryside of Edo (current Tokyo), 1857 (Ansei 4). In the background are the villages of Minowa, Kanasugi and Mikawashima. This woodblock print is image 102 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minowa, Kanasugi and Mikawashima (蓑輪金杉三河しま, Minowa Kanasugi Mikawashima) 19th century vintage Ukiyoe woodblock print.

RM2B0226E–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Sensoji Temple, Asakusa ] — Kaminarimon gate, Hozomon and the pagoda of Sensoji Temple in Asakusa, Edo (current Tokyo) in the snow, 1856 (Ansei 3). This woodblock print is image 99 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Kinryuzan Temple in Asakusa (浅草金龍山, Asakusa Kinryuzan) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGCTF–[ 1850s Japan - Sensoji Temple, Asakusa ] — Kaminarimon gate, Hozomon and the pagoda of Sensoji Temple in Asakusa, Edo (current Tokyo) in the snow, 1856 (Ansei 3). This woodblock print is image 99 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Kinryuzan Temple in Asakusa (浅草金龍山, Asakusa Kinryuzan) 19th century vintage Ukiyoe woodblock print.

RM2B022B1–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGCF7–[ 1850s Japan - Sensoji Temple, Asakusa ] — Kaminarimon gate, Hozomon and the pagoda of Sensoji Temple in Asakusa, Edo (current Tokyo) in the snow, 1856 (Ansei 3). This woodblock print is image 99 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Kinryuzan Temple in Asakusa (浅草金龍山, Asakusa Kinryuzan) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Edo Country View ] — The Koumezutsumi water channel embankment in Edo (current Tokyo), 1857 (Ansei 4). Because people passed through here on their way to the temples and shrines of Mukojima, there were many restaurants and tea stalls. This woodblock print is image 104 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Koumezutsumi (小梅堤, Koumetsutsumi) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGEDM–[ 1850s Japan - Edo Country View ] — The Koumezutsumi water channel embankment in Edo (current Tokyo), 1857 (Ansei 4). Because people passed through here on their way to the temples and shrines of Mukojima, there were many restaurants and tea stalls. This woodblock print is image 104 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Koumezutsumi (小梅堤, Koumetsutsumi) 19th century vintage Ukiyoe woodblock print.

RM2B0226F–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Food Stalls in the Evening ] — An evening crowd passes by food stalls on one of the two Nihonzutsumi dikes in Edo (current Tokyo), 1857 (Ansei 4). In the back is the red light district of Yoshiwara. This woodblock print is image 100 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Nihonzutsumi and Yoshiwara (よし原日本堤, Yoshiwara Nihonzutsumi) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGCT7–[ 1850s Japan - Food Stalls in the Evening ] — An evening crowd passes by food stalls on one of the two Nihonzutsumi dikes in Edo (current Tokyo), 1857 (Ansei 4). In the back is the red light district of Yoshiwara. This woodblock print is image 100 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Nihonzutsumi and Yoshiwara (よし原日本堤, Yoshiwara Nihonzutsumi) 19th century vintage Ukiyoe woodblock print.

RM2B02296–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Edo Snowscape ] — People with paper parasols walk through a snow covered Atagoshita (the area below Atago-yama, the hill visible on the right) in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 112 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Atagoshita and Yabu Lane (愛宕下薮小路, Atagoshita Yabukoji) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGG3C–[ 1850s Japan - Edo Snowscape ] — People with paper parasols walk through a snow covered Atagoshita (the area below Atago-yama, the hill visible on the right) in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 112 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Atagoshita and Yabu Lane (愛宕下薮小路, Atagoshita Yabukoji) 19th century vintage Ukiyoe woodblock print.

RM2B022B4–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGG91–[ 1850s Japan - Edo Snowscape ] — People with paper parasols walk through a snow covered Atagoshita (the area below Atago-yama, the hill visible on the right) in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 112 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Atagoshita and Yabu Lane (愛宕下薮小路, Atagoshita Yabukoji) 19th century vintage Ukiyoe woodblock print.

RM2B0228A–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Arched Bridge in the Snow ] — People crossing a snow covered arched stone bridge across the Megurogawa River in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 111 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Meguro Drum Bridge and Sunset Hill (目黒太鼓橋夕日の岡, Meguro taikobashi Yūhi no oka) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGG37–[ 1850s Japan - Arched Bridge in the Snow ] — People crossing a snow covered arched stone bridge across the Megurogawa River in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 111 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Meguro Drum Bridge and Sunset Hill (目黒太鼓橋夕日の岡, Meguro taikobashi Yūhi no oka) 19th century vintage Ukiyoe woodblock print.

RM2B02267–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGFW8–[ 1850s Japan - Arched Bridge in the Snow ] — People crossing a snow covered arched stone bridge across the Megurogawa River in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 111 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Meguro Drum Bridge and Sunset Hill (目黒太鼓橋夕日の岡, Meguro taikobashi Yūhi no oka) 19th century vintage Ukiyoe woodblock print.

RM2B0226D–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Gold Colored Ricefields ] — The Omokage Bridge over the Kandagawa River and the gold colored Hikawa ricefields in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 116 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Sugatami Bridge, Omokage Bridge and Jariba at Takata (高田姿見のはし俤の橋砂利場, Takata Sugatami no hashi Omokage no hashi Jariba) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGH4F–[ 1850s Japan - Gold Colored Ricefields ] — The Omokage Bridge over the Kandagawa River and the gold colored Hikawa ricefields in Edo (current Tokyo), 1857 (Ansei 4). This woodblock print is image 116 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Sugatami Bridge, Omokage Bridge and Jariba at Takata (高田姿見のはし俤の橋砂利場, Takata Sugatami no hashi Omokage no hashi Jariba) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Edo Bay ] — Birds fly over A-frame channel markers and boats plying the waters of Edo Bay at Shibaura in Edo (current Tokyo), 1856 (Ansei 3). On the right, Hamarikyu Gardens can be seen. This woodblock print is image 108 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: View of Shiba Coast (芝うらの風景, Shibaura no fukei) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGF7B–[ 1850s Japan - Edo Bay ] — Birds fly over A-frame channel markers and boats plying the waters of Edo Bay at Shibaura in Edo (current Tokyo), 1856 (Ansei 3). On the right, Hamarikyu Gardens can be seen. This woodblock print is image 108 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: View of Shiba Coast (芝うらの風景, Shibaura no fukei) 19th century vintage Ukiyoe woodblock print.

RM2B022BB–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2B02265–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Shinobazu Pond in Winter ] — A wintry Shinobazu Pond with Bentenjima Island (弁天島) as seen from Yushima Tenjin Shrine in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 117 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: View from the Hilltop of Yushima Tenjin Shrine (湯しま天神坂上眺望, Yushima Tenjin sakaue chobo) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGH4G–[ 1850s Japan - Shinobazu Pond in Winter ] — A wintry Shinobazu Pond with Bentenjima Island (弁天島) as seen from Yushima Tenjin Shrine in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 117 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: View from the Hilltop of Yushima Tenjin Shrine (湯しま天神坂上眺望, Yushima Tenjin sakaue chobo) 19th century vintage Ukiyoe woodblock print.

RM2B02268–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2B0226A–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

RM2BMGHEF–[ 1850s Japan - Shinobazu Pond in Winter ] — A wintry Shinobazu Pond with Bentenjima Island (弁天島) as seen from Yushima Tenjin Shrine in Edo (current Tokyo), 1856 (Ansei 3). This woodblock print is image 117 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: View from the Hilltop of Yushima Tenjin Shrine (湯しま天神坂上眺望, Yushima Tenjin sakaue chobo) 19th century vintage Ukiyoe woodblock print.

RM2B022BC–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Two Japanese Prostitutes on a Ferry ] — Two women standing on a ferry crossing the Sumidagawa River in Edo (current Tokyo), 1857 (Ansei 4). The women are so called yotaka, the lowest class of prostitutes. Many of them used thick make-up to cover up the scars of disease. This woodblock print is image 105 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Oumayagashi (御厩河岸) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGEDP–[ 1850s Japan - Two Japanese Prostitutes on a Ferry ] — Two women standing on a ferry crossing the Sumidagawa River in Edo (current Tokyo), 1857 (Ansei 4). The women are so called yotaka, the lowest class of prostitutes. Many of them used thick make-up to cover up the scars of disease. This woodblock print is image 105 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Oumayagashi (御厩河岸) 19th century vintage Ukiyoe woodblock print.

RM2B022B3–Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-white color scheme that is reserved for propitious occasions. Snow immediately signals the season and is depi

[ 1850s Japan - Fisherwomen near Shinagawa ] — Women in boats gather nori seaweed from long rows of submerged tree branches south of Shinagawa in Edo Bay, Edo (current Tokyo), 1857 (Ansei 4). Mount Tsukuba can be seen in the background. This woodblock print is image 109 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minami Shinagawa and Samezu Coast (南品川鮫洲海岸, Minamishinagawa Samezu kaigan) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGFGW–[ 1850s Japan - Fisherwomen near Shinagawa ] — Women in boats gather nori seaweed from long rows of submerged tree branches south of Shinagawa in Edo Bay, Edo (current Tokyo), 1857 (Ansei 4). Mount Tsukuba can be seen in the background. This woodblock print is image 109 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minami Shinagawa and Samezu Coast (南品川鮫洲海岸, Minamishinagawa Samezu kaigan) 19th century vintage Ukiyoe woodblock print.

This image is attributed to Hiroshige II after Utagawa's death and is not always included in the series. Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-whi Stock Photo

RM2B02CRR–This image is attributed to Hiroshige II after Utagawa's death and is not always included in the series. Hiroshige's One Hundred Famous Views of Edo (名所江戸百景), actually composed of 118 woodblock landscape and genre scenes of mid-19th century Tokyo, is one of the greatest achievements of Japanese art. The series includes many of Hiroshige's most famous prints. It represents a celebration of the style and world of Japan's finest cultural flowering at the end of the Tokugawa Shogunate. The winter group, numbers 99 through 118, begins with a scene of Kinryūzan Temple at Akasaka, with a red-on-whi

RM2BMGFB0–[ 1850s Japan - Fisherwomen near Shinagawa ] — Women in boats gather nori seaweed from long rows of submerged tree branches south of Shinagawa in Edo Bay, Edo (current Tokyo), 1857 (Ansei 4). Mount Tsukuba can be seen in the background. This woodblock print is image 109 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: Minami Shinagawa and Samezu Coast (南品川鮫洲海岸, Minamishinagawa Samezu kaigan) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Legendary Pine Tree ] — Senzoku no Ike Pond in Edo (current Tokyo), 1856 (Ansei 3). According to legend, the great Buddhist priest Nichiren (日蓮, 1222–1282) rested at the pond and hung his kesa garment on the tree. This woodblock print is image 110 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: 'Robe-Hanging Pine' at Senzoku no ike (千束の池袈裟懸松, Senzoku no ike Kesakakematsu) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGFK5–[ 1850s Japan - Legendary Pine Tree ] — Senzoku no Ike Pond in Edo (current Tokyo), 1856 (Ansei 3). According to legend, the great Buddhist priest Nichiren (日蓮, 1222–1282) rested at the pond and hung his kesa garment on the tree. This woodblock print is image 110 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: 'Robe-Hanging Pine' at Senzoku no ike (千束の池袈裟懸松, Senzoku no ike Kesakakematsu) 19th century vintage Ukiyoe woodblock print.

RM2BMGFWD–[ 1850s Japan - Legendary Pine Tree ] — Senzoku no Ike Pond in Edo (current Tokyo), 1856 (Ansei 3). According to legend, the great Buddhist priest Nichiren (日蓮, 1222–1282) rested at the pond and hung his kesa garment on the tree. This woodblock print is image 110 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). It is one of 20 winter scenes in the series. Title: 'Robe-Hanging Pine' at Senzoku no ike (千束の池袈裟懸松, Senzoku no ike Kesakakematsu) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Eagle Diving for Prey ] — An eagle flies over the snow covered marshes of Jumantsubo, also known as Susaki, in Edo (current Tokyo), 1857. In 1888, the brothels from Nezu were relocated here and the place eventually became known as Susaki Paradise, one of Tokyo’s best known red light districts. This woodblock print is image 107 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Fukagawa Susaki and Jumantsubo (深川州崎十万坪, Fukagawa Susaki Jumantsubo) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGF1H–[ 1850s Japan - Eagle Diving for Prey ] — An eagle flies over the snow covered marshes of Jumantsubo, also known as Susaki, in Edo (current Tokyo), 1857. In 1888, the brothels from Nezu were relocated here and the place eventually became known as Susaki Paradise, one of Tokyo’s best known red light districts. This woodblock print is image 107 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Fukagawa Susaki and Jumantsubo (深川州崎十万坪, Fukagawa Susaki Jumantsubo) 19th century vintage Ukiyoe woodblock print.

RM2BMGF7N–[ 1850s Japan - Eagle Diving for Prey ] — An eagle flies over the snow covered marshes of Jumantsubo, also known as Susaki, in Edo (current Tokyo), 1857. In 1888, the brothels from Nezu were relocated here and the place eventually became known as Susaki Paradise, one of Tokyo’s best known red light districts. This woodblock print is image 107 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Fukagawa Susaki and Jumantsubo (深川州崎十万坪, Fukagawa Susaki Jumantsubo) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Japanese Restaurants in the Snow ] — A snow covered vendor passes by two restaurants in Edo (current Tokyo), 1858. The restaurant on the left advertises yamakujira (mountain whale), a euphemism influenced by buddhism for fare like bear, deer, monkey, badger, otter, fox, wolf, and weasel. This woodblock print is image 114 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Bikuni Bridge in Snow (びくにはし雪中, Bikunihashi setchu) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGH0P–[ 1850s Japan - Japanese Restaurants in the Snow ] — A snow covered vendor passes by two restaurants in Edo (current Tokyo), 1858. The restaurant on the left advertises yamakujira (mountain whale), a euphemism influenced by buddhism for fare like bear, deer, monkey, badger, otter, fox, wolf, and weasel. This woodblock print is image 114 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Bikuni Bridge in Snow (びくにはし雪中, Bikunihashi setchu) 19th century vintage Ukiyoe woodblock print.

RM2BMGGNY–[ 1850s Japan - Japanese Restaurants in the Snow ] — A snow covered vendor passes by two restaurants in Edo (current Tokyo), 1858. The restaurant on the left advertises yamakujira (mountain whale), a euphemism influenced by buddhism for fare like bear, deer, monkey, badger, otter, fox, wolf, and weasel. This woodblock print is image 114 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Bikuni Bridge in Snow (びくにはし雪中, Bikunihashi setchu) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Cat in Brothel ] — A cat relaxes on the windowsill of a brothel in the Yoshiwara red light district in Edo (current Tokyo), 1857 (Ansei 4). The white cat is a symbolic representation of a courtesan after the end of her work night. This woodblock print is image 101 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). Title: Asakusa Ricefields and Torinomachi Festival (浅草田甫酉の町詣, Asakusa tanbu Torinomachi mode) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGD22–[ 1850s Japan - Cat in Brothel ] — A cat relaxes on the windowsill of a brothel in the Yoshiwara red light district in Edo (current Tokyo), 1857 (Ansei 4). The white cat is a symbolic representation of a courtesan after the end of her work night. This woodblock print is image 101 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). Title: Asakusa Ricefields and Torinomachi Festival (浅草田甫酉の町詣, Asakusa tanbu Torinomachi mode) 19th century vintage Ukiyoe woodblock print.

RM2BMGCXR–[ 1850s Japan - Cat in Brothel ] — A cat relaxes on the windowsill of a brothel in the Yoshiwara red light district in Edo (current Tokyo), 1857 (Ansei 4). The white cat is a symbolic representation of a courtesan after the end of her work night. This woodblock print is image 101 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige (歌川広重, 1797–1858). Title: Asakusa Ricefields and Torinomachi Festival (浅草田甫酉の町詣, Asakusa tanbu Torinomachi mode) 19th century vintage Ukiyoe woodblock print.

[ 1850s Japan - Foxes on New Year's Eve ] — Foxes gather at a tree near Oji Inari Shrine in Edo (current Tokyo) during New Year's Eve, 1857. It was believed that foxes from nearby areas gathered here on New Year's Eve to change into clothes and visit the nearby shrine. This woodblock print is image 118 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Kitsunebi on New Year's Night under the Enoki Tree near Oji (王子装束ゑの木大晦日の狐火, Oji shozoku wenoki otsugomorihi no kitsunebi) 19th century vintage Ukiyoe woodblock print. Stock Photo

RM2BMGHEE–[ 1850s Japan - Foxes on New Year's Eve ] — Foxes gather at a tree near Oji Inari Shrine in Edo (current Tokyo) during New Year's Eve, 1857. It was believed that foxes from nearby areas gathered here on New Year's Eve to change into clothes and visit the nearby shrine. This woodblock print is image 118 in One Hundred Famous Views of Edo (名所江戸百景, Meisho Edo Hyakkei), a series created by ukiyoe artist Utagawa Hiroshige. Title: Kitsunebi on New Year's Night under the Enoki Tree near Oji (王子装束ゑの木大晦日の狐火, Oji shozoku wenoki otsugomorihi no kitsunebi) 19th century vintage Ukiyoe woodblock print.

Edo winter scenes Stock Photos and Images

Edo winter scenes Stock Photos and Images

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