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Egyptian cross arms Stock Photos and Images
Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cairo-egyptian-museum-statuette-of-iby-in-wood-hes-got-short-hair-a-loin-cloth-and-crossed-arms-image425042106.htmlRM2FKE9F6–Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms.
Bust of an Official. Dimensions: H. 38.1 × W. 30.1 × D. 17.3 cm, 22.1 kg (15 × 11 7/8 × 6 13/16 in., 48.8 lb.). Dynasty: Dynasty 30. Date: 380-342 B.C.. Only very occasionally do Egyptian statues convey a mood of sadness or concern like this one. This statue has plausibly been dated to the post-Persian Period where such features seem to fit best. The position of the arms and the lack of a back pillar suggest the original statue represented a cross-legged sitting official; if so, it would then be one of the several revivals in the fourth century of features that had gone out of vogue in early Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-an-official-dimensions-h-381-w-301-d-173-cm-221-kg-15-11-78-6-1316-in-488-lb-dynasty-dynasty-30-date-380-342-bc-only-very-occasionally-do-egyptian-statues-convey-a-mood-of-sadness-or-concern-like-this-one-this-statue-has-plausibly-been-dated-to-the-post-persian-period-where-such-features-seem-to-fit-best-the-position-of-the-arms-and-the-lack-of-a-back-pillar-suggest-the-original-statue-represented-a-cross-legged-sitting-official-if-so-it-would-then-be-one-of-the-several-revivals-in-the-fourth-century-of-features-that-had-gone-out-of-vogue-in-early-image213106371.htmlRMPAKR9R–Bust of an Official. Dimensions: H. 38.1 × W. 30.1 × D. 17.3 cm, 22.1 kg (15 × 11 7/8 × 6 13/16 in., 48.8 lb.). Dynasty: Dynasty 30. Date: 380-342 B.C.. Only very occasionally do Egyptian statues convey a mood of sadness or concern like this one. This statue has plausibly been dated to the post-Persian Period where such features seem to fit best. The position of the arms and the lack of a back pillar suggest the original statue represented a cross-legged sitting official; if so, it would then be one of the several revivals in the fourth century of features that had gone out of vogue in early
Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cairo-egyptian-museum-statuette-of-iby-in-wood-hes-got-short-hair-a-loin-cloth-and-crossed-arms-image465757106.htmlRM2J1N1XA–Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms.
The Egyptian Obelisk, San Peter Square, Vatican, Rome, Italy Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-egyptian-obelisk-san-peter-square-vatican-rome-italy-image225825657.htmlRFR3B6X1–The Egyptian Obelisk, San Peter Square, Vatican, Rome, Italy
Egypt, Cairo, Egyptian Museum, detail of a statue group of the king Horemheb with the divine triad of Abydos : Arms crossed. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-cairo-egyptian-museum-detail-of-a-statue-group-of-the-king-horemheb-with-the-divine-triad-of-abydos-arms-crossed-image368112795.htmlRM2CATYHF–Egypt, Cairo, Egyptian Museum, detail of a statue group of the king Horemheb with the divine triad of Abydos : Arms crossed.
Bust of an Official 380–342 B.C. Late Period Only very occasionally do Egyptian statues seem to convey a mood of sadness or concern like this one. This statue has plausibly been dated to the post-Persian Period where such features seem to fit best. The position of the arms and the lack of a back pillar suggest the original statue represented a cross-legged sitting official; if so, it would then be one of the several revivals in the fourth century of features that had gone out of vogue in early Dynasty 26.. Bust of an Official 546751 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bust-of-an-official-380342-bc-late-period-only-very-occasionally-do-egyptian-statues-seem-to-convey-a-mood-of-sadness-or-concern-like-this-one-this-statue-has-plausibly-been-dated-to-the-post-persian-period-where-such-features-seem-to-fit-best-the-position-of-the-arms-and-the-lack-of-a-back-pillar-suggest-the-original-statue-represented-a-cross-legged-sitting-official-if-so-it-would-then-be-one-of-the-several-revivals-in-the-fourth-century-of-features-that-had-gone-out-of-vogue-in-early-dynasty-26-bust-of-an-official-546751-image458491107.htmlRM2HHX22B–Bust of an Official 380–342 B.C. Late Period Only very occasionally do Egyptian statues seem to convey a mood of sadness or concern like this one. This statue has plausibly been dated to the post-Persian Period where such features seem to fit best. The position of the arms and the lack of a back pillar suggest the original statue represented a cross-legged sitting official; if so, it would then be one of the several revivals in the fourth century of features that had gone out of vogue in early Dynasty 26.. Bust of an Official 546751
Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cairo-egyptian-museum-statuette-of-iby-in-wood-hes-got-short-hair-a-loin-cloth-and-crossed-arms-image425040096.htmlRM2FKE6YC–Cairo, Egyptian Museum, statuette of Iby, in wood. He's got short hair, a loin cloth, and crossed arms.
Fragment of a Band with Birds, Cross, and Head 5th–7th century This finely worked and richly colored band includes a cross among its varied pattern. While Egyptian textiles with religiously significant motifs are relatively rare, crosses may have been meant to associate the owners with their Christian faith. Large squares rimmed by smaller ones possibly represent jewels surrounded by pearls. Between them are a golden chalice (?), a large green bird, a predominantly red cross with arms of equal length, and a human head.. Fragment of a Band with Birds, Cross, and Head 444126 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-of-a-band-with-birds-cross-and-head-5th7th-century-this-finely-worked-and-richly-colored-band-includes-a-cross-among-its-varied-pattern-while-egyptian-textiles-with-religiously-significant-motifs-are-relatively-rare-crosses-may-have-been-meant-to-associate-the-owners-with-their-christian-faith-large-squares-rimmed-by-smaller-ones-possibly-represent-jewels-surrounded-by-pearls-between-them-are-a-golden-chalice-a-large-green-bird-a-predominantly-red-cross-with-arms-of-equal-length-and-a-human-head-fragment-of-a-band-with-birds-cross-and-head-444126-image458016350.htmlRM2HH4CEP–Fragment of a Band with Birds, Cross, and Head 5th–7th century This finely worked and richly colored band includes a cross among its varied pattern. While Egyptian textiles with religiously significant motifs are relatively rare, crosses may have been meant to associate the owners with their Christian faith. Large squares rimmed by smaller ones possibly represent jewels surrounded by pearls. Between them are a golden chalice (?), a large green bird, a predominantly red cross with arms of equal length, and a human head.. Fragment of a Band with Birds, Cross, and Head 444126
The Ancient Egyptian Obelisk at St Peter's Square on a sunny day in the Vatican Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ancient-egyptian-obelisk-at-st-peters-square-on-a-sunny-day-in-the-vatican-image502097854.htmlRF2M4TEX6–The Ancient Egyptian Obelisk at St Peter's Square on a sunny day in the Vatican
The obilisk in St Peter's Square, brought from Heliopolis in Egypt to Rome by Emperor Caligula in 37 A.D. Reerected in front of St Peter's Basilica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-obilisk-in-st-peters-square-brought-from-heliopolis-in-egypt-to-rome-by-emperor-caligula-in-37-ad-reerected-in-front-of-st-peters-basilica-image242598255.htmlRFT2K8FB–The obilisk in St Peter's Square, brought from Heliopolis in Egypt to Rome by Emperor Caligula in 37 A.D. Reerected in front of St Peter's Basilica.
!['Isis conjured Ra to tell his Name', 1915. In Ancient Egyptian mythology, Ra was deity of the sun and creator of all life. Isis makes a serpent and when the snake bites him, only Isis can save him, she does this only after he reveals his secret name. From "The Myths of Ancient Egypt", by Lewis Spence. [George G. Harrap & Co. Ltd., London, 1915] Stock Photo](https://c8.alamy.com/comp/2AX062X/isis-conjured-ra-to-tell-his-name-1915-in-ancient-egyptian-mythology-ra-was-deity-of-the-sun-and-creator-of-all-life-isis-makes-a-serpent-and-when-the-snake-bites-him-only-isis-can-save-him-she-does-this-only-after-he-reveals-his-secret-name-from-quotthe-myths-of-ancient-egyptquot-by-lewis-spence-george-g-harrap-amp-co-ltd-london-1915-2AX062X.jpg "'Isis conjured Ra to tell his Name', 1915. In Ancient Egyptian mythology, Ra was deity of the sun and creator of all life. Isis makes a serpent and when the snake bites him, only Isis can save him, she does this only after he reveals his secret name. From "The Myths of Ancient Egypt", by Lewis Spence. [George G. Harrap & Co. Ltd., London, 1915] Stock Photo")
'Isis conjured Ra to tell his Name', 1915. In Ancient Egyptian mythology, Ra was deity of the sun and creator of all life. Isis makes a serpent and when the snake bites him, only Isis can save him, she does this only after he reveals his secret name. From "The Myths of Ancient Egypt", by Lewis Spence. [George G. Harrap & Co. Ltd., London, 1915] Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isis-conjured-ra-to-tell-his-name-1915-in-ancient-egyptian-mythology-ra-was-deity-of-the-sun-and-creator-of-all-life-isis-makes-a-serpent-and-when-the-snake-bites-him-only-isis-can-save-him-she-does-this-only-after-he-reveals-his-secret-name-from-quotthe-myths-of-ancient-egyptquot-by-lewis-spence-george-g-harrap-amp-co-ltd-london-1915-image342982834.htmlRM2AX062X–'Isis conjured Ra to tell his Name', 1915. In Ancient Egyptian mythology, Ra was deity of the sun and creator of all life. Isis makes a serpent and when the snake bites him, only Isis can save him, she does this only after he reveals his secret name. From "The Myths of Ancient Egypt", by Lewis Spence. [George G. Harrap & Co. Ltd., London, 1915]
Egypt travel, flag and emblem, coat of arms with hawk or eagle. Vector Egyptian country symbols, tourism to Cairo, Africa. Horus eye and Anubis, copti Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/egypt-travel-flag-and-emblem-coat-of-arms-with-hawk-or-eagle-vector-egyptian-country-symbols-tourism-to-cairo-africa-horus-eye-and-anubis-copti-image406867207.htmlRF2EHXB7K–Egypt travel, flag and emblem, coat of arms with hawk or eagle. Vector Egyptian country symbols, tourism to Cairo, Africa. Horus eye and Anubis, copti
Manual of Egyptian archæology and guide to the study of antiquities in EgyptFor the use of students and travellers . Fig. 205.—Cross-legged scribe at the Louvre, Old Kingdom. occupations do not admit of actixe exercise. Theback and arms stand out well, the hands are hard andbony, the fingers are unusually long, the details of theknees are carefully modelled. The whole body is STATUARY OF THE OLD EMPIRE. 247 governed by the dominating sense of waiting, whichalso prevails in the expression of the face. Themuscles of the arm, the bust, and shoulder are all insemi-repose, ready to resume their int Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/manual-of-egyptian-archology-and-guide-to-the-study-of-antiquities-in-egyptfor-the-use-of-students-and-travellers-fig-205cross-legged-scribe-at-the-louvre-old-kingdom-occupations-do-not-admit-of-actixe-exercise-theback-and-arms-stand-out-well-the-hands-are-hard-andbony-the-fingers-are-unusually-long-the-details-of-theknees-are-carefully-modelled-the-whole-body-is-statuary-of-the-old-empire-247-governed-by-the-dominating-sense-of-waiting-whichalso-prevails-in-the-expression-of-the-face-themuscles-of-the-arm-the-bust-and-shoulder-are-all-insemi-repose-ready-to-resume-their-int-image343344079.htmlRM2AXGJTF–Manual of Egyptian archæology and guide to the study of antiquities in EgyptFor the use of students and travellers . Fig. 205.—Cross-legged scribe at the Louvre, Old Kingdom. occupations do not admit of actixe exercise. Theback and arms stand out well, the hands are hard andbony, the fingers are unusually long, the details of theknees are carefully modelled. The whole body is STATUARY OF THE OLD EMPIRE. 247 governed by the dominating sense of waiting, whichalso prevails in the expression of the face. Themuscles of the arm, the bust, and shoulder are all insemi-repose, ready to resume their int
Bust of an Official, Late Period, Dynasty 30, 380–342 B.C., From Egypt; Probably from Memphite Region, Memphis (Mit Rahina Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-bust-of-an-official-late-period-dynasty-30-380342-bc-from-egypt-probably-162352985.htmlRMKC3PTW–Bust of an Official, Late Period, Dynasty 30, 380–342 B.C., From Egypt; Probably from Memphite Region, Memphis (Mit Rahina
Handsome man with his arms crossed smiling at the camera on orange background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handsome-man-with-his-arms-crossed-smiling-at-the-camera-on-orange-background-image224444319.htmlRFR1490F–Handsome man with his arms crossed smiling at the camera on orange background.
Sphinx at Mannheim water tower, Baden-Wuerttemberg, Germany Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-sphinx-at-mannheim-water-tower-baden-wuerttemberg-germany-12030972.htmlRMA89D3W–Sphinx at Mannheim water tower, Baden-Wuerttemberg, Germany
100 history icons set, isometric 3d style Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-100-history-icons-set-isometric-3d-style-148689784.htmlRFJHWB9C–100 history icons set, isometric 3d style
Statue of the scribe Maaniamun. Late 15th C. BC. New Kingdom, 18th Dynasty, Reign of Amenhotep II. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/statue-of-the-scribe-maaniamun-late-15th-c-bc-new-kingdom-18th-dynasty-reign-of-amenhotep-ii-the-state-hermitage-museum-saint-petersburg-russia-image220342556.htmlRMPPDD50–Statue of the scribe Maaniamun. Late 15th C. BC. New Kingdom, 18th Dynasty, Reign of Amenhotep II. The State Hermitage Museum. Saint Petersburg. Russia.
The obilisk in St Peter's Square, brought from Heliopolis in Egypt to Rome by Emperor Caligula in 37 A.D. Reerected in front of St Peter's Basilica. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-obilisk-in-st-peters-square-brought-from-heliopolis-in-egypt-to-rome-by-emperor-caligula-in-37-ad-reerected-in-front-of-st-peters-basilica-image242598300.htmlRFT2K8H0–The obilisk in St Peter's Square, brought from Heliopolis in Egypt to Rome by Emperor Caligula in 37 A.D. Reerected in front of St Peter's Basilica.
. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . Fig. 2ig. Porcelain Cruciform Box (Egyptian). Cruciform. Shaped to form a cross. Theillustration represents a specimen of ancientEgyptian porcelain, of this shape, ornamentedwith the lotus. (See Egyptian Pottery.) Crumata. (See Crusmata.) Crumena, R. A leather pouch for carryingmoney. Tlie balantion o Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-dictionary-of-words-used-in-art-and-archaeology-explaining-terms-frequently-used-in-works-on-architecture-arms-bronzes-christian-art-colour-costume-decoration-devices-emblems-heraldry-lace-personal-ornaments-pottery-painting-sculpture-c-with-their-derivations-fig-2ig-porcelain-cruciform-box-egyptian-cruciform-shaped-to-form-a-cross-theillustration-represents-a-specimen-of-ancientegyptian-porcelain-of-this-shape-ornamentedwith-the-lotus-see-egyptian-pottery-crumata-see-crusmata-crumena-r-a-leather-pouch-for-carryingmoney-tlie-balantion-o-image375516808.htmlRM2CPX7EG–. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c., with their derivations . Fig. 2ig. Porcelain Cruciform Box (Egyptian). Cruciform. Shaped to form a cross. Theillustration represents a specimen of ancientEgyptian porcelain, of this shape, ornamentedwith the lotus. (See Egyptian Pottery.) Crumata. (See Crusmata.) Crumena, R. A leather pouch for carryingmoney. Tlie balantion o
Handsome man with his arms crossed smiling at the camera on orange background. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handsome-man-with-his-arms-crossed-smiling-at-the-camera-on-orange-background-image224444318.htmlRFR1490E–Handsome man with his arms crossed smiling at the camera on orange background.
Rameseum. Pillars with osirian statues. Detail. 13th century B.C. Nineteenth Dynasty. New Kingdom. Necropolis of Thebes. Valley of the Kings. Egypt. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rameseum-pillars-with-osirian-statues-detail-13th-century-bc-nineteenth-dynasty-new-kingdom-necropolis-of-thebes-valley-of-the-kings-egypt-image209567696.htmlRMP4XHMG–Rameseum. Pillars with osirian statues. Detail. 13th century B.C. Nineteenth Dynasty. New Kingdom. Necropolis of Thebes. Valley of the Kings. Egypt.
. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c, with their derivations . Fig. 219. Porcelain Cruciform Box (Egyptian). Cruciform. Shaped to foim a cross. Theillustration represents a specimen of ancientEgyptian porcelain, of this shape, ornamentedwith the lotus. (See Egyptian Pottery.) Crumata. (See Crusmata.) Crumena, R. A leather pouch for carryingmoney. The balantioji of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/an-illustrated-dictionary-of-words-used-in-art-and-archaeology-explaining-terms-frequently-used-in-works-on-architecture-arms-bronzes-christian-art-colour-costume-decoration-devices-emblems-heraldry-lace-personal-ornaments-pottery-painting-sculpture-c-with-their-derivations-fig-219-porcelain-cruciform-box-egyptian-cruciform-shaped-to-foim-a-cross-theillustration-represents-a-specimen-of-ancientegyptian-porcelain-of-this-shape-ornamentedwith-the-lotus-see-egyptian-pottery-crumata-see-crusmata-crumena-r-a-leather-pouch-for-carryingmoney-the-balantioji-of-image376222459.htmlRM2CT2BGB–. An illustrated dictionary of words used in art and archaeology. Explaining terms frequently used in works on architecture, arms, bronzes, Christian art, colour, costume, decoration, devices, emblems, heraldry, lace, personal ornaments, pottery, painting, sculpture, &c, with their derivations . Fig. 219. Porcelain Cruciform Box (Egyptian). Cruciform. Shaped to foim a cross. Theillustration represents a specimen of ancientEgyptian porcelain, of this shape, ornamentedwith the lotus. (See Egyptian Pottery.) Crumata. (See Crusmata.) Crumena, R. A leather pouch for carryingmoney. The balantioji of
Search Results for Egyptian cross arms Stock Photos and Images (23)
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