El Greco's 'Cardinal Don Fernando Niño de Guevara' (circa 1600): Residing in the Metropolitan Museum of Art, New York, this portrait features the imposing figure of Cardinal Guevara, showcasing El Greco's distinctive style of elongated forms and intense emotional expression. It serves as a profound study of character and power in the Spanish clergy of the time. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-grecos-cardinal-don-fernando-nio-de-guevara-circa-1600-residing-in-the-metropolitan-museum-of-art-new-york-this-portrait-features-the-imposing-figure-of-cardinal-guevara-showcasing-el-grecos-distinctive-style-of-elongated-forms-and-intense-emotional-expression-it-serves-as-a-profound-study-of-character-and-power-in-the-spanish-clergy-of-the-time-image601211747.html
RM2WX3FM3–El Greco's 'Cardinal Don Fernando Niño de Guevara' (circa 1600): Residing in the Metropolitan Museum of Art, New York, this portrait features the imposing figure of Cardinal Guevara, showcasing El Greco's distinctive style of elongated forms and intense emotional expression. It serves as a profound study of character and power in the Spanish clergy of the time.
Domenico Theotokópoulos, called El Greco. The Assumption of the Virgin. 1577–1579. Spain. Oil on canvas This painting was the central element of the altarpiece that was El Greco’s ?rst major Spanish commission and ?rst large public work. After living in Venice and Rome, where he absorbed the late Mannerist style, the Greek-born artist settled in the Spanish city of Toledo in 1577 to work on the high altar of the convent church of Santo Domingo el Antiguo. The church of this ancient Cistercian convent was being rebuilt as the funerary chapel of a pious widow, Doña Maria de Silva. In El Greco’s Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/domenico-theotokpoulos-called-el-greco-the-assumption-of-the-virgin-15771579-spain-oil-on-canvas-this-painting-was-the-central-element-of-the-altarpiece-that-was-el-grecos-rst-major-spanish-commission-and-rst-large-public-work-after-living-in-venice-and-rome-where-he-absorbed-the-late-mannerist-style-the-greek-born-artist-settled-in-the-spanish-city-of-toledo-in-1577-to-work-on-the-high-altar-of-the-convent-church-of-santo-domingo-el-antiguo-the-church-of-this-ancient-cistercian-convent-was-being-rebuilt-as-the-funerary-chapel-of-a-pious-widow-doa-maria-de-silva-in-el-grecos-image338000827.html
RM2AHW7E3–Domenico Theotokópoulos, called El Greco. The Assumption of the Virgin. 1577–1579. Spain. Oil on canvas This painting was the central element of the altarpiece that was El Greco’s ?rst major Spanish commission and ?rst large public work. After living in Venice and Rome, where he absorbed the late Mannerist style, the Greek-born artist settled in the Spanish city of Toledo in 1577 to work on the high altar of the convent church of Santo Domingo el Antiguo. The church of this ancient Cistercian convent was being rebuilt as the funerary chapel of a pious widow, Doña Maria de Silva. In El Greco’s
El Greco (Domenikos Theotokopoulos): Disrobing of Christ (Espolio), El Greco (Domenikos Theotokopoulos), Early 17th century, Oil on canvas, This canvas was probably painted by El Greco's son, Jorge Manuel, who was known to work in the style of his father. Born in Crete, El Greco studied under the Venetian master Titian before settling in Toledo, Spain, where he received many important commissions. This painting is a reduced version of El Greco's original canvas for the Cathedral of Toledo. It shows the dramatic moment before the Crucifixion when Christ's executioners strip him of his red robe. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/el-greco-domenikos-theotokopoulos-disrobing-of-christ-espolio-el-greco-domenikos-theotokopoulos-early-17th-century-oil-on-canvas-this-canvas-was-probably-painted-by-el-grecos-son-jorge-manuel-who-was-known-to-work-in-the-style-of-his-father-born-in-crete-el-greco-studied-under-the-venetian-master-titian-before-settling-in-toledo-spain-where-he-received-many-important-commissions-this-painting-is-a-reduced-version-of-el-grecos-original-canvas-for-the-cathedral-of-toledo-it-shows-the-dramatic-moment-before-the-crucifixion-when-christs-executioners-strip-him-of-his-red-robe-image350109017.html
RF2B9GRHD–El Greco (Domenikos Theotokopoulos): Disrobing of Christ (Espolio), El Greco (Domenikos Theotokopoulos), Early 17th century, Oil on canvas, This canvas was probably painted by El Greco's son, Jorge Manuel, who was known to work in the style of his father. Born in Crete, El Greco studied under the Venetian master Titian before settling in Toledo, Spain, where he received many important commissions. This painting is a reduced version of El Greco's original canvas for the Cathedral of Toledo. It shows the dramatic moment before the Crucifixion when Christ's executioners strip him of his red robe.
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