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Engraving printed Stock Photos and Images
La Danse Macabre - wood engraving printed by Guyot Marchant, 1486, Paris. Copied by Jehan Lecocq, Troyes, 1539 and Garnier, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-danse-macabre-wood-engraving-printed-by-guyot-marchant-1486-paris-83359992.htmlRMERHAEG–La Danse Macabre - wood engraving printed by Guyot Marchant, 1486, Paris. Copied by Jehan Lecocq, Troyes, 1539 and Garnier,
Charles-Melchior Descourtis, (artist), French, 1753 - 1820, Vue de Schadau, etching and engraving printed in color Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-melchior-descourtis-artist-french-1753-1820-vue-de-schadau-etching-and-engraving-printed-in-color-image386346579.htmlRM2DCFH03–Charles-Melchior Descourtis, (artist), French, 1753 - 1820, Vue de Schadau, etching and engraving printed in color
Carlo Emanuele III of Savoy - In an engraving printed by Jacques Chireau - known as the Laborer and nicknamed by the Piedmontese Carlin (Turin, 27 April 1701 - Turin, 20 February 1773), king of Sardinia, duke of Savoy, duke of Monferrato, marquis of Saluzzo, prince of Piedmont 'Aosta, della Moriana and Nizza from 1730 to 1773. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carlo-emanuele-iii-of-savoy-in-an-engraving-printed-by-jacques-chireau-known-as-the-laborer-and-nicknamed-by-the-piedmontese-carlin-turin-27-april-1701-turin-20-february-1773-king-of-sardinia-duke-of-savoy-duke-of-monferrato-marquis-of-saluzzo-prince-of-piedmont-aosta-della-moriana-and-nizza-from-1730-to-1773-image242658445.htmlRMT2P191–Carlo Emanuele III of Savoy - In an engraving printed by Jacques Chireau - known as the Laborer and nicknamed by the Piedmontese Carlin (Turin, 27 April 1701 - Turin, 20 February 1773), king of Sardinia, duke of Savoy, duke of Monferrato, marquis of Saluzzo, prince of Piedmont 'Aosta, della Moriana and Nizza from 1730 to 1773.
Stipple and engraving, partly printed in colour Fan-leaf with a portrait of the Duke of Wellington by Robert Home (1752-1834) British oil portrait painter. Dated 1813 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stipple-and-engraving-partly-printed-in-colour-fan-leaf-with-a-portrait-of-the-duke-of-wellington-by-robert-home-1752-1834-british-oil-portrait-painter-dated-1813-image330684255.htmlRM2A5YY3Y–Stipple and engraving, partly printed in colour Fan-leaf with a portrait of the Duke of Wellington by Robert Home (1752-1834) British oil portrait painter. Dated 1813
Inspired by Jeune Tigre Jouant, Wood engraving printed in bistre on loose China paper, 9 5/16 x 13 7/8 in., 23.6 x 35.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-jeune-tigre-jouant-wood-engraving-printed-in-bistre-on-loose-china-paper-9-516-x-13-78-in-236-x-352-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244399.htmlRF2HK4AWK–Inspired by Jeune Tigre Jouant, Wood engraving printed in bistre on loose China paper, 9 5/16 x 13 7/8 in., 23.6 x 35.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Louis-Marin Bonnet, Head of Flora 1769 Pastel-manner engraving printed in color from eight plates, Philadelphia Museum of Art, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-marin-bonnet-head-of-flora-1769-pastel-manner-engraving-printed-in-color-from-eight-plates-philadelphia-museum-of-art-usa-image230258377.htmlRMRAH4WD–Louis-Marin Bonnet, Head of Flora 1769 Pastel-manner engraving printed in color from eight plates, Philadelphia Museum of Art, USA.
Engraving of Puteoli, now known as Pozzuoli, from an engraving printed in 1916 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-puteoli-now-known-as-pozzuoli-from-an-engraving-printed-in-1916-image439852427.htmlRM2GFH077–Engraving of Puteoli, now known as Pozzuoli, from an engraving printed in 1916
Stipple and engraving, partly printed in colour Fan-leaf with a portrait of the Duke of Wellington by Robert Home (1752-1834) British oil portrait painter. Dated 1813 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stipple-and-engraving-partly-printed-in-colour-fan-leaf-with-a-portrait-90840460.htmlRMF7P3X4–Stipple and engraving, partly printed in colour Fan-leaf with a portrait of the Duke of Wellington by Robert Home (1752-1834) British oil portrait painter. Dated 1813
Rhododendron, Rhododendron javanicum. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rhododendron-rhododendron-javanicum-handcoloured-steel-engraving-printed-by-f-chardon-from-achille-comtes-musee-dhistoire-naturelle-museum-of-natural-history-gustave-hazard-paris-1854-image365902082.htmlRM2C787RE–Rhododendron, Rhododendron javanicum. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854.
Vue de Schadau. Medium: etching and engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-de-schadau-medium-etching-and-engraving-printed-in-color-museum-national-gallery-of-art-washington-dc-author-charles-melchior-descourtis-image225553778.htmlRMR2XT42–Vue de Schadau. Medium: etching and engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis.
Göttweig, Lower Austria, Austria. Museum in the imperial wing of Göttweig Abbey. Salomon Kleiner (1700-61), Collectio artis et historiae naturalis ex serie Vedute Göttweiger. Engraving, printed in 1744. Natural goods and coin cabinet Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gttweig-lower-austria-austria-museum-in-the-imperial-wing-of-gttweig-abbey-salomon-kleiner-1700-61-collectio-artis-et-historiae-naturalis-ex-serie-vedute-gttweiger-engraving-printed-in-1744-natural-goods-and-coin-cabinet-image603738677.htmlRM2X26JRH–Göttweig, Lower Austria, Austria. Museum in the imperial wing of Göttweig Abbey. Salomon Kleiner (1700-61), Collectio artis et historiae naturalis ex serie Vedute Göttweiger. Engraving, printed in 1744. Natural goods and coin cabinet
Nicolas Boileau-Despreaux (1636-1711). French poet. Various Works of Boileau. Engraving. Printed in Paris, 1713. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicolas-boileau-despreaux-1636-1711-french-poet-various-works-of-boileau-52125261.htmlRMD0PE8D–Nicolas Boileau-Despreaux (1636-1711). French poet. Various Works of Boileau. Engraving. Printed in Paris, 1713.
Shakespeare's First Folio 17th Century Title page with Portrait of William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-first-folio-17th-century-title-page-with-portrait-of-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1623-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1623-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-image339568596.htmlRM2AMCK5T–Shakespeare's First Folio 17th Century Title page with Portrait of William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet.
1640 , ITALY : The italian Santa Suor GIACINTA Clarice MARESCOTTI ( 1585 - 1640 ), of Suore di Clausura Clarisse dell Terzo Ordine di San Francesco d'Assisi ( Francescani ). Engraving, printed in 1847 , by Giovanni Wenzel , from the work by Flippo Bigioli , Italy. . Daughter of Count Marcantonio Marescotti and Ottavia Orsini Countess of Vignanello ( whose father had built the celebrated Monster Park of Bomarzo ), she studied, together with her two sisters Geneva and Ortensia at the Convent of San Bernardino in Viterbo . - SAINT - RELIGIONE CATTOLICA - CATHOLIC RELIGION - Ordine Francescano - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1640-italy-the-italian-santa-suor-giacinta-clarice-marescotti-1585-1640-of-suore-di-clausura-clarisse-dell-terzo-ordine-di-san-francesco-dassisi-francescani-engraving-printed-in-1847-by-giovanni-wenzel-from-the-work-by-flippo-bigioli-italy-daughter-of-count-marcantonio-marescotti-and-ottavia-orsini-countess-of-vignanello-whose-father-had-built-the-celebrated-monster-park-of-bomarzo-she-studied-together-with-her-two-sisters-geneva-and-ortensia-at-the-convent-of-san-bernardino-in-viterbo-saint-religione-cattolica-catholic-religion-ordine-francescano-image365545761.htmlRM2C6M19N–1640 , ITALY : The italian Santa Suor GIACINTA Clarice MARESCOTTI ( 1585 - 1640 ), of Suore di Clausura Clarisse dell Terzo Ordine di San Francesco d'Assisi ( Francescani ). Engraving, printed in 1847 , by Giovanni Wenzel , from the work by Flippo Bigioli , Italy. . Daughter of Count Marcantonio Marescotti and Ottavia Orsini Countess of Vignanello ( whose father had built the celebrated Monster Park of Bomarzo ), she studied, together with her two sisters Geneva and Ortensia at the Convent of San Bernardino in Viterbo . - SAINT - RELIGIONE CATTOLICA - CATHOLIC RELIGION - Ordine Francescano -
. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 410 Medusozoa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-medusozoa-original-antique-engraving-printed-in-1897-1897-unknown-410-medusozoa-image188357696.htmlRMMXCC4G–. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 410 Medusozoa
“Washington Taking Command of the Army”, 3 July 1775, Painting by Alonzo Chappel, Engraving Printed by Henry J. Johnson Publisher, NY, 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-washington-taking-command-of-the-army-3-july-1775-painting-by-alonzo-83848552.htmlRMETBHK4–“Washington Taking Command of the Army”, 3 July 1775, Painting by Alonzo Chappel, Engraving Printed by Henry J. Johnson Publisher, NY, 1879
Seasons - Spring Wood engraving for Carove's 'Story Without an End', printed by Lieghton Brothers, 1863. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seasons-spring-wood-engraving-for-caroves-story-without-an-end-printed-by-lieghton-brothers-1863-image179660487.htmlRMMC86NY–Seasons - Spring Wood engraving for Carove's 'Story Without an End', printed by Lieghton Brothers, 1863.
![ALSATIA Author Specklin, Daniel 57.48. Place of publication: [Nuremberg] Publisher: [Homannsche Erben] Date of publication: [1740?] Item type: 1 map Medium: hand-coloured copperplate engraving, printed on two sheets Dimensions: approximately 110 x 42 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9F812/alsatia-author-specklin-daniel-5748-place-of-publication-nuremberg-publisher-homannsche-erben-date-of-publication-1740-item-type-1-map-medium-hand-coloured-copperplate-engraving-printed-on-two-sheets-dimensions-approximately-110-x-42-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9F812.jpg "ALSATIA Author Specklin, Daniel 57.48. Place of publication: [Nuremberg] Publisher: [Homannsche Erben] Date of publication: [1740?] Item type: 1 map Medium: hand-coloured copperplate engraving, printed on two sheets Dimensions: approximately 110 x 42 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ALSATIA Author Specklin, Daniel 57.48. Place of publication: [Nuremberg] Publisher: [Homannsche Erben] Date of publication: [1740?] Item type: 1 map Medium: hand-coloured copperplate engraving, printed on two sheets Dimensions: approximately 110 x 42 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alsatia-author-specklin-daniel-5748-place-of-publication-nuremberg-publisher-homannsche-erben-date-of-publication-1740-item-type-1-map-medium-hand-coloured-copperplate-engraving-printed-on-two-sheets-dimensions-approximately-110-x-42-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401705950.htmlRM2E9F812–ALSATIA Author Specklin, Daniel 57.48. Place of publication: [Nuremberg] Publisher: [Homannsche Erben] Date of publication: [1740?] Item type: 1 map Medium: hand-coloured copperplate engraving, printed on two sheets Dimensions: approximately 110 x 42 cm Former owner: George III, King of Great Britain, 1738-1820
Emancipation / Th. Nast ; King & Baird, printers, 607 Sansom Street, Philadelphia. Abstract/medium: 1 print on wove paper : wood engraving printed in black and rose ; image 36 x 52.1 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emancipation-th-nast-king-baird-printers-607-sansom-street-philadelphia-abstractmedium-1-print-on-wove-paper-wood-engraving-printed-in-black-and-rose-image-36-x-521-cm-image265033191.htmlRMWB58F3–Emancipation / Th. Nast ; King & Baird, printers, 607 Sansom Street, Philadelphia. Abstract/medium: 1 print on wove paper : wood engraving printed in black and rose ; image 36 x 52.1 cm.
La Danse Macabre - wood engraving printed by Guyot Marchant, 1486, Paris. Copied by Jehan Lecocq, Troyes, 1539 and Garnier, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-la-danse-macabre-wood-engraving-printed-by-guyot-marchant-1486-paris-83345566.htmlRMERGM3A–La Danse Macabre - wood engraving printed by Guyot Marchant, 1486, Paris. Copied by Jehan Lecocq, Troyes, 1539 and Garnier,
The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assumption-of-the-virgin-c-1495-francesco-rosselli-italian-1448-before-1513-engraving-printed-on-two-sheets-from-two-plates-image240430286.htmlRMRY4F7X–The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates
Christopher Columbus setting foot in San Salvador, October 12, 1492. From an engraving printed in 1876 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-christopher-columbus-setting-foot-in-san-salvador-october-12-1492-15530372.htmlRMANHC0N–Christopher Columbus setting foot in San Salvador, October 12, 1492. From an engraving printed in 1876
Emancipation' by Thomas Nast (1840-1902). Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States. Wood engraving printed in black and rose. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emancipation-by-thomas-nast-1840-1902-nasts-celebration-of-the-emancipation-of-southern-slaves-with-the-end-of-the-civil-war-nast-envisions-a-somewhat-optimistic-picture-of-the-future-of-free-blacks-in-the-united-states-wood-engraving-printed-in-black-and-rose-image330681342.htmlRM2A5YRBX–Emancipation' by Thomas Nast (1840-1902). Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States. Wood engraving printed in black and rose.
Inspired by Martha Washington, John McRae, American, active 1855-1880, Engraving printed in colors, on perforated paper, 19th century, Sheet: 21 3/16 x 15 13/16 in., 53.8 x 40.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-martha-washington-john-mcrae-american-active-1855-1880-engraving-printed-in-colors-on-perforated-paper-19th-century-sheet-21-316-x-15-1316-in-538-x-401-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459266918.htmlRF2HK5BHX–Inspired by Martha Washington, John McRae, American, active 1855-1880, Engraving printed in colors, on perforated paper, 19th century, Sheet: 21 3/16 x 15 13/16 in., 53.8 x 40.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Engraving from the Dance of Death printed at Lyons by Matthias Huss 1499. Death taking the printers and a bookseller Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-from-the-dance-of-death-printed-at-lyons-by-matthias-huss-1499-death-taking-the-printers-and-a-bookseller-image268827931.htmlRMWHA4NF–Engraving from the Dance of Death printed at Lyons by Matthias Huss 1499. Death taking the printers and a bookseller
Europa, Deutschland, Nordrhein-Westfalen, Düsseldorf, Heinrich Heine, deutscher Schriftsteller, Porträt, Holzstich, gedruckt 1898 , Signatur des Künstlers konnte ich nicht entziffern . / Europe, Germany, North Rhine-Westphalia, Düsseldorf, Heinrich Heine, German writer, portrait, wood engraving, printed 1898 , signature of the artist I could not making out . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europa-deutschland-nordrhein-westfalen-dsseldorf-heinrich-heine-deutscher-schriftsteller-portrt-holzstich-gedruckt-1898-signatur-des-knstlers-konnte-ich-nicht-entziffern-europe-germany-north-rhine-westphalia-dsseldorf-heinrich-heine-german-writer-portrait-wood-engraving-printed-1898-signature-of-the-artist-i-could-not-making-out-image336333256.htmlRM2AF58E0–Europa, Deutschland, Nordrhein-Westfalen, Düsseldorf, Heinrich Heine, deutscher Schriftsteller, Porträt, Holzstich, gedruckt 1898 , Signatur des Künstlers konnte ich nicht entziffern . / Europe, Germany, North Rhine-Westphalia, Düsseldorf, Heinrich Heine, German writer, portrait, wood engraving, printed 1898 , signature of the artist I could not making out .
Engraving depicting the compression of printed sheets in a hydraulic press prior to binding. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-the-compression-of-printed-sheets-in-a-hydraulic-press-prior-to-binding-dated-19th-century-image186327213.htmlRMMR3X79–Engraving depicting the compression of printed sheets in a hydraulic press prior to binding. Dated 19th century
Spectacled caiman, Caiman crocodilus. Alligator. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spectacled-caiman-caiman-crocodilus-alligator-handcoloured-steel-engraving-printed-by-f-chardon-from-achille-comtes-musee-dhistoire-naturelle-museum-of-natural-history-gustave-hazard-paris-1854-image365901994.htmlRM2C787MA–Spectacled caiman, Caiman crocodilus. Alligator. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854.
Mrs. Q. Dated: 1820. Medium: stipple engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: William Blake after François Huet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mrs-q-dated-1820-medium-stipple-engraving-printed-in-color-museum-national-gallery-of-art-washington-dc-author-william-blake-after-franois-huet-image218609379.htmlRMPKJEDR–Mrs. Q. Dated: 1820. Medium: stipple engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: William Blake after François Huet.
Earl Rivers (1440-1483), presenting the first printed book in English and William Caxton (1422-1491) his Printer to King Edward IV (1442-1483), engraving by Charles Grignion, before 1810 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/earl-rivers-1440-1483-presenting-the-first-printed-book-in-english-and-william-caxton-1422-1491-his-printer-to-king-edward-iv-1442-1483-engraving-by-charles-grignion-before-1810-image387113418.htmlRM2DDPF36–Earl Rivers (1440-1483), presenting the first printed book in English and William Caxton (1422-1491) his Printer to King Edward IV (1442-1483), engraving by Charles Grignion, before 1810
Nicolas Boileau-Despreaux (1636-1711). French poet. Various Works of Boileau. Engraving. Printed in Paris, 1713. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-nicolas-boileau-despreaux-1636-1711-french-poet-various-works-of-boileau-84717435.htmlRMEWR5XK–Nicolas Boileau-Despreaux (1636-1711). French poet. Various Works of Boileau. Engraving. Printed in Paris, 1713. Colored.
Shakespeare's First Folio 17th C TITLE PAGE William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-first-folio-17th-c-title-page-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1623-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1623-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-image333996294.htmlRM2ABARK2–Shakespeare's First Folio 17th C TITLE PAGE William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet.
1640 , ITALY : The italian Santa Suor GIACINTA Clarice MARESCOTTI ( 1585 - 1640 ), of Suore di Clausura Clarisse dell Terzo Ordine di San Francesco d'Assisi ( Francescani ). Engraving, printed in Rome ( Italy ) 1807 , when was proclamed Saint from the Pope Pius VII . Daughter of Count Marcantonio Marescotti and Ottavia Orsini Countess of Vignanello ( whose father had built the celebrated Monster Park of Bomarzo ), she studied, together with her two sisters Geneva and Ortensia at the Convent of San Bernardino in Viterbo . - SAINT - RELIGIONE CATTOLICA - CATHOLIC RELIGION - Ordine Francescano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1640-italy-the-italian-santa-suor-giacinta-clarice-marescotti-1585-1640-of-suore-di-clausura-clarisse-dell-terzo-ordine-di-san-francesco-dassisi-francescani-engraving-printed-in-rome-italy-1807-when-was-proclamed-saint-from-the-pope-pius-vii-daughter-of-count-marcantonio-marescotti-and-ottavia-orsini-countess-of-vignanello-whose-father-had-built-the-celebrated-monster-park-of-bomarzo-she-studied-together-with-her-two-sisters-geneva-and-ortensia-at-the-convent-of-san-bernardino-in-viterbo-saint-religione-cattolica-catholic-religion-ordine-francescano-image365545760.htmlRM2C6M19M–1640 , ITALY : The italian Santa Suor GIACINTA Clarice MARESCOTTI ( 1585 - 1640 ), of Suore di Clausura Clarisse dell Terzo Ordine di San Francesco d'Assisi ( Francescani ). Engraving, printed in Rome ( Italy ) 1807 , when was proclamed Saint from the Pope Pius VII . Daughter of Count Marcantonio Marescotti and Ottavia Orsini Countess of Vignanello ( whose father had built the celebrated Monster Park of Bomarzo ), she studied, together with her two sisters Geneva and Ortensia at the Convent of San Bernardino in Viterbo . - SAINT - RELIGIONE CATTOLICA - CATHOLIC RELIGION - Ordine Francescano
. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 410 Medusozoa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-medusozoa-original-antique-engraving-printed-in-1897-1897-unknown-410-medusozoa-image187849438.htmlRMMWH7TE–. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 410 Medusozoa
Washington and the Committee of Congress at Valley Forge, Winter 1777-78, from a Painting by W.H. Powell, Engraving Printed circa 1879 by Henry J. Johnson Publisher, NY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-washington-and-the-committee-of-congress-at-valley-forge-winter-1777-83850195.htmlRMETBKNR–Washington and the Committee of Congress at Valley Forge, Winter 1777-78, from a Painting by W.H. Powell, Engraving Printed circa 1879 by Henry J. Johnson Publisher, NY
an illustrated collection of engraving techniques, methods and tools from an unknown book engraver tools, technics and samples: floral pattern printed in three colours Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illustrated-collection-of-engraving-techniques-methods-and-tools-from-an-unknown-book-engraver-tools-technics-and-samples-floral-pattern-printed-in-three-colours-image488308304.htmlRM2KACA68–an illustrated collection of engraving techniques, methods and tools from an unknown book engraver tools, technics and samples: floral pattern printed in three colours
View of Paris . Author Hoeye, FrancÃßois van den 65.5. Place of publication: AMSTELODAMI Publisher: Franciscus Hoiamis Fecit , Excudit, Date of publication: 1619. Item type: 1 print Medium: etching and engraving, printed on four sheets Dimensions: sheet 41 x 212 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-paris-author-hoeye-francois-van-den-655-place-of-publication-amstelodami-publisher-franciscus-hoiamis-fecit-excudit-date-of-publication-1619-item-type-1-print-medium-etching-and-engraving-printed-on-four-sheets-dimensions-sheet-41-x-212-cm-trimmed-former-owner-george-iii-king-of-great-britain-1738-1820-image401709329.htmlRM2E9FC9N–View of Paris . Author Hoeye, FrancÃßois van den 65.5. Place of publication: AMSTELODAMI Publisher: Franciscus Hoiamis Fecit , Excudit, Date of publication: 1619. Item type: 1 print Medium: etching and engraving, printed on four sheets Dimensions: sheet 41 x 212 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820
R-20120730-0054.jpgPaul Revere, Masonic Certificate, 1773 Paul Revere, Masonic Certificate, American, 1735 - 1818, 1773, engraving printed by Herbert Pasternack in 1954 on wove paper, Rosenwald Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/r-20120730-0054jpgpaul-revere-masonic-certificate-1773-paul-revere-masonic-certificate-american-1735-1818-1773-engraving-printed-by-herbert-pasternack-in-1954-on-wove-paper-rosenwald-collection-image336040792.htmlRM2AEKYCT–R-20120730-0054.jpgPaul Revere, Masonic Certificate, 1773 Paul Revere, Masonic Certificate, American, 1735 - 1818, 1773, engraving printed by Herbert Pasternack in 1954 on wove paper, Rosenwald Collection
Napoleon III 's funeral - engraving printed by Pellerin at Epinal, France, c. 1873. Pictured (left to right): death bed Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-napoleon-iii-s-funeral-engraving-printed-by-pellerin-at-epinal-france-83345360.htmlRMERGKT0–Napoleon III 's funeral - engraving printed by Pellerin at Epinal, France, c. 1873. Pictured (left to right): death bed
The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assumption-of-the-virgin-c-1495-francesco-rosselli-italian-1448-before-1513-engraving-printed-on-two-sheets-from-two-plates-image240430293.htmlRMRY4F85–The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates
Fourteenth century costumes: bishop, countess, earl, judge, from Victorian engraving printed in colour with multiple plates. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fourteenth-century-costumes-bishop-countess-earl-judge-from-victorian-84902579.htmlRFEX3J2Y–Fourteenth century costumes: bishop, countess, earl, judge, from Victorian engraving printed in colour with multiple plates.
Personification of music, reproduced from an engraving from the Margarita Philosophica Nova, printed by Johann Gruninger. The Margarita Philosophica Nova is an encyclopedia used widely in universities in the early 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-personification-of-music-reproduced-from-an-engraving-from-the-margarita-164626584.htmlRMKFRATT–Personification of music, reproduced from an engraving from the Margarita Philosophica Nova, printed by Johann Gruninger. The Margarita Philosophica Nova is an encyclopedia used widely in universities in the early 16th century.
Art inspired by Portrait of Louis XVI, late 18th century, Stipple engraving, printed in colors, sheet: 10 11/16 x 8 11/16 in. (27.2 x 22 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-louis-xvi-late-18th-century-stipple-engraving-printed-in-colors-sheet-10-1116-x-8-1116-in-272-x-22-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805856.htmlRF2HTXHGG–Art inspired by Portrait of Louis XVI, late 18th century, Stipple engraving, printed in colors, sheet: 10 11/16 x 8 11/16 in. (27.2 x 22 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Nervous reflex arc. Engraving of a man standing next to fire with half his nervous system visible. The fire triggers a nervous impulse which travels up to the brain, into another nerve fibre and back to the leg muscles. The leg jerks away from the pain without any conscious thought in a reflex arc. Descartes originally planned to publish De homine in 1633, but hearing of Galileo’s condemnation by the Church, he became concerned for his own safety and refused to have it printed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nervous-reflex-arc-engraving-of-a-man-standing-next-to-fire-with-half-his-nervous-system-visible-the-fire-triggers-a-nervous-impulse-which-travels-up-to-the-brain-into-another-nerve-fibre-and-back-to-the-leg-muscles-the-leg-jerks-away-from-the-pain-without-any-conscious-thought-in-a-reflex-arc-descartes-originally-planned-to-publish-de-homine-in-1633-but-hearing-of-galileos-condemnation-by-the-church-he-became-concerned-for-his-own-safety-and-refused-to-have-it-printed-image246622632.htmlRMT96HK4–Nervous reflex arc. Engraving of a man standing next to fire with half his nervous system visible. The fire triggers a nervous impulse which travels up to the brain, into another nerve fibre and back to the leg muscles. The leg jerks away from the pain without any conscious thought in a reflex arc. Descartes originally planned to publish De homine in 1633, but hearing of Galileo’s condemnation by the Church, he became concerned for his own safety and refused to have it printed.
![Figures dancing, eating, drinking and playing instruments in a grotto by the sea, with boats moored on the right. View of a Grotto between Gaiola & Bagnoli = Vue d'une Grotte entre Gaiola et Bagnoli. [London] : [Archibald Robertson], [January 15 1782]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 15. Language: English and French. Author: FABRIS, PETER. Stock Photo](https://c8.alamy.com/comp/R586EF/figures-dancing-eating-drinking-and-playing-instruments-in-a-grotto-by-the-sea-with-boats-moored-on-the-right-view-of-a-grotto-between-gaiola-bagnoli-=-vue-dune-grotte-entre-gaiola-et-bagnoli-london-archibald-robertson-january-15-1782-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-15-language-english-and-french-author-fabris-peter-R586EF.jpg "Figures dancing, eating, drinking and playing instruments in a grotto by the sea, with boats moored on the right. View of a Grotto between Gaiola & Bagnoli = Vue d'une Grotte entre Gaiola et Bagnoli. [London] : [Archibald Robertson], [January 15 1782]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 15. Language: English and French. Author: FABRIS, PETER. Stock Photo")
Figures dancing, eating, drinking and playing instruments in a grotto by the sea, with boats moored on the right. View of a Grotto between Gaiola & Bagnoli = Vue d'une Grotte entre Gaiola et Bagnoli. [London] : [Archibald Robertson], [January 15 1782]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 15. Language: English and French. Author: FABRIS, PETER. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-dancing-eating-drinking-and-playing-instruments-in-a-grotto-by-the-sea-with-boats-moored-on-the-right-view-of-a-grotto-between-gaiola-bagnoli-=-vue-dune-grotte-entre-gaiola-et-bagnoli-london-archibald-robertson-january-15-1782-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-15-language-english-and-french-author-fabris-peter-image226988791.htmlRMR586EF–Figures dancing, eating, drinking and playing instruments in a grotto by the sea, with boats moored on the right. View of a Grotto between Gaiola & Bagnoli = Vue d'une Grotte entre Gaiola et Bagnoli. [London] : [Archibald Robertson], [January 15 1782]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 15. Language: English and French. Author: FABRIS, PETER.
Engraving depicting the compression of printed sheets in a manual press prior to binding. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-the-compression-of-printed-sheets-in-a-manual-press-prior-to-binding-dated-19th-century-image186327221.htmlRMMR3X7H–Engraving depicting the compression of printed sheets in a manual press prior to binding. Dated 19th century
Common peony, Paeonia officinalis, with cobweb. Pivoine. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/common-peony-paeonia-officinalis-with-cobweb-pivoine-handcoloured-steel-engraving-printed-by-f-chardon-from-achille-comtes-musee-dhistoire-naturelle-museum-of-natural-history-gustave-hazard-paris-1854-image365902092.htmlRM2C787RT–Common peony, Paeonia officinalis, with cobweb. Pivoine. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854.
Rue Saint-Severin. Dated: published 1901. Medium: wood engraving printed in sanguine. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rue-saint-severin-dated-published-1901-medium-wood-engraving-printed-in-sanguine-museum-national-gallery-of-art-washington-dc-author-auguste-lepere-image218825982.htmlRMPM0ANJ–Rue Saint-Severin. Dated: published 1901. Medium: wood engraving printed in sanguine. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.
José Guadalupe Posada, The Skeleton of Don Quixote, engraving and etching, 1910-1913 (printed 1943) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jos-guadalupe-posada-the-skeleton-of-don-quixote-engraving-and-etching-1910-1913-printed-1943-image473975455.htmlRM2JF3CER–José Guadalupe Posada, The Skeleton of Don Quixote, engraving and etching, 1910-1913 (printed 1943)
Facsimile of the engraving of Rosarium Celestis Curie et Patrie Triumphantis. By Jakob Locher (1471-1528). Printed in Nuremberg, 1517. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-facsimile-of-the-engraving-of-rosarium-celestis-curie-et-patrie-triumphantis-133862333.htmlRMHNNXNH–Facsimile of the engraving of Rosarium Celestis Curie et Patrie Triumphantis. By Jakob Locher (1471-1528). Printed in Nuremberg, 1517. Colored.
William Shakespeare's First Folio 17th C TITLE PAGE printed 1632 William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1632 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1632. It is one of only two works of art definitively identifiable as a depiction of the poet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-shakespeares-first-folio-17th-c-title-page-printed-1632-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1632-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1632-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-image339568592.htmlRM2AMCK5M–William Shakespeare's First Folio 17th C TITLE PAGE printed 1632 William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1632 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1632. It is one of only two works of art definitively identifiable as a depiction of the poet.
UK steps printed name stamp hospital UCH was founded in 1834 eight years after University College London in order provide Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-uk-steps-printed-name-stamp-hospital-uch-was-founded-in-1834-eight-54342767.htmlRMD4BEN3–UK steps printed name stamp hospital UCH was founded in 1834 eight years after University College London in order provide
. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 358 Medusozoa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-medusozoa-original-antique-engraving-printed-in-1897-1897-unknown-358-medusozoa-image189140951.htmlRMMYM35Y–. English: medusozoa; Original Antique Engraving printed in 1897 . 1897. Unknown 358 Medusozoa
Battle of Lexington, 19 April 1775, Painted by Alonzo Chappel (1828-1887), Engraving Printed 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-of-lexington-19-april-1775-painted-by-alonzo-chappel-1828-1887-83848353.htmlRMETBHC1–Battle of Lexington, 19 April 1775, Painted by Alonzo Chappel (1828-1887), Engraving Printed 1913
Alhambra palace of Moorish kings of Granada partly rebuilt by Emperor Charles V c1530. Court of the Lions. Late 19th century colour-printed engraving Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alhambra-palace-of-moorish-kings-of-granada-partly-rebuilt-by-emperor-charles-v-c1530-court-of-the-lions-late-19th-century-colour-printed-engraving-image483535262.htmlRM2K2JX4E–Alhambra palace of Moorish kings of Granada partly rebuilt by Emperor Charles V c1530. Court of the Lions. Late 19th century colour-printed engraving
![ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.5. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: 1740. Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59.5 x 82.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FBA3/environs-de-paris-author-lagrive-jean-de-6475-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-1740-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-595-x-825-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FBA3.jpg "ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.5. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: 1740. Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59.5 x 82.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.5. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: 1740. Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59.5 x 82.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-de-paris-author-lagrive-jean-de-6475-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-1740-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-595-x-825-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708555.htmlRM2E9FBA3–ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.5. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: 1740. Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59.5 x 82.5 cm Former owner: George III, King of Great Britain, 1738-1820
Unknown artist. Journey to Emmaus. 1549. France. Engraving printed in black on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-artist-journey-to-emmaus-1549-france-engraving-printed-in-black-on-paper-image337970865.htmlRM2AHRW81–Unknown artist. Journey to Emmaus. 1549. France. Engraving printed in black on paper
Jean de Calais - wood engraving printed by L. Abadie (Younger) of Toulouse, France. Beginning of 19th century. JC: Parisian Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jean-de-calais-wood-engraving-printed-by-l-abadie-younger-of-toulouse-83360042.htmlRMERHAGA–Jean de Calais - wood engraving printed by L. Abadie (Younger) of Toulouse, France. Beginning of 19th century. JC: Parisian
The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assumption-of-the-virgin-c-1495-francesco-rosselli-italian-1448-before-1513-engraving-printed-on-two-sheets-from-two-plates-image240430296.htmlRMRY4F88–The Assumption of the Virgin, c. 1495. Francesco Rosselli (Italian, 1448-before 1513). Engraving printed on two sheets from two plates
Engraving of people passing out copies of Martin Luther's printed tracts during the Reformation, one of the events behind the rapid spread of discontent against the Catholic Church. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-people-passing-out-copies-of-martin-luthers-printed-tracts-during-the-reformation-one-of-the-events-behind-the-rapid-spread-of-discontent-against-the-catholic-church-image451842457.htmlRM2H735JH–Engraving of people passing out copies of Martin Luther's printed tracts during the Reformation, one of the events behind the rapid spread of discontent against the Catholic Church.
PLANETS -EARTH Lunar landscape - Earth-set. (The caption printed at the foot of this image is inaccurate). Colour wood engraving in Agnes Gilberne's Sun, Moon and Stars. 1881 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/planets-earth-lunar-landscape-earth-set-the-caption-printed-at-the-foot-of-this-image-is-inaccurate-colour-wood-engraving-in-agnes-gilbernes-sun-moon-and-stars-1881-image179623547.htmlRMMC6FJK–PLANETS -EARTH Lunar landscape - Earth-set. (The caption printed at the foot of this image is inaccurate). Colour wood engraving in Agnes Gilberne's Sun, Moon and Stars. 1881
Art inspired by Jeune Tigre Jouant, Wood engraving printed in bistre on loose China paper, 9 5/16 x 13 7/8 in., 23.6 x 35.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-jeune-tigre-jouant-wood-engraving-printed-in-bistre-on-loose-china-paper-9-516-x-13-78-in-236-x-352-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562148.htmlRF2HKJT5T–Art inspired by Jeune Tigre Jouant, Wood engraving printed in bistre on loose China paper, 9 5/16 x 13 7/8 in., 23.6 x 35.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Germany: A mechanical printing press of the type designed by Johannes Gutenberg. Woodcut engraving by Jost Amman (1539 - 17 March 1591), c. 1568. At left in the foreground, a printer removes a printed page from the press. The printer at right is inking the plate. In the background, compositors are using cast type. Presses of this type could make 240 prints per hour. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/germany-a-mechanical-printing-press-of-the-type-designed-by-johannes-gutenberg-woodcut-engraving-by-jost-amman-1539-17-march-1591-c-1568-at-left-in-the-foreground-a-printer-removes-a-printed-page-from-the-press-the-printer-at-right-is-inking-the-plate-in-the-background-compositors-are-using-cast-type-presses-of-this-type-could-make-240-prints-per-hour-image344242345.htmlRM2B01GHD–Germany: A mechanical printing press of the type designed by Johannes Gutenberg. Woodcut engraving by Jost Amman (1539 - 17 March 1591), c. 1568. At left in the foreground, a printer removes a printed page from the press. The printer at right is inking the plate. In the background, compositors are using cast type. Presses of this type could make 240 prints per hour.
![Groups of figures on a road under a coffered arch in ruins, with a landscape in the background . View of the Ruins of an Ancient Edifice on the High Ground of Baia = Vue des Ruines d'un ancien Edifice dans la Colline de Baia. [London] : Publish'd as the Act directs by P. Sandby & A. Robertson. June 1777, [June 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 5. Language: English and French. Stock Photo](https://c8.alamy.com/comp/R58T0M/groups-of-figures-on-a-road-under-a-coffered-arch-in-ruins-with-a-landscape-in-the-background-view-of-the-ruins-of-an-ancient-edifice-on-the-high-ground-of-baia-=-vue-des-ruines-dun-ancien-edifice-dans-la-colline-de-baia-london-publishd-as-the-act-directs-by-p-sandby-a-robertson-june-1777-june-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-5-language-english-and-french-R58T0M.jpg "Groups of figures on a road under a coffered arch in ruins, with a landscape in the background . View of the Ruins of an Ancient Edifice on the High Ground of Baia = Vue des Ruines d'un ancien Edifice dans la Colline de Baia. [London] : Publish'd as the Act directs by P. Sandby & A. Robertson. June 1777, [June 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 5. Language: English and French. Stock Photo")
Groups of figures on a road under a coffered arch in ruins, with a landscape in the background . View of the Ruins of an Ancient Edifice on the High Ground of Baia = Vue des Ruines d'un ancien Edifice dans la Colline de Baia. [London] : Publish'd as the Act directs by P. Sandby & A. Robertson. June 1777, [June 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 5. Language: English and French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/groups-of-figures-on-a-road-under-a-coffered-arch-in-ruins-with-a-landscape-in-the-background-view-of-the-ruins-of-an-ancient-edifice-on-the-high-ground-of-baia-=-vue-des-ruines-dun-ancien-edifice-dans-la-colline-de-baia-london-publishd-as-the-act-directs-by-p-sandby-a-robertson-june-1777-june-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-5-language-english-and-french-image227002516.htmlRMR58T0M–Groups of figures on a road under a coffered arch in ruins, with a landscape in the background . View of the Ruins of an Ancient Edifice on the High Ground of Baia = Vue des Ruines d'un ancien Edifice dans la Colline de Baia. [London] : Publish'd as the Act directs by P. Sandby & A. Robertson. June 1777, [June 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 5. Language: English and French.
Engraving depicting the compression of printed sheets in a manual press prior to binding. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-depicting-the-compression-of-printed-sheets-in-a-manual-press-prior-to-binding-dated-19th-century-image186327222.htmlRMMR3X7J–Engraving depicting the compression of printed sheets in a manual press prior to binding. Dated 19th century
Martinique pit viper, Bothrops lanceolatus. Trigonecephale (Fer de lance). Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/martinique-pit-viper-bothrops-lanceolatus-trigonecephale-fer-de-lance-handcoloured-steel-engraving-printed-by-f-chardon-from-achille-comtes-musee-dhistoire-naturelle-museum-of-natural-history-gustave-hazard-paris-1854-image365902012.htmlRM2C787N0–Martinique pit viper, Bothrops lanceolatus. Trigonecephale (Fer de lance). Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854.
Armand Guéraud. Dated: 1862. Medium: etching with engraving, printed from 2 plates. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/armand-guraud-dated-1862-medium-etching-with-engraving-printed-from-2-plates-museum-national-gallery-of-art-washington-dc-author-charles-meryon-image233287278.htmlRMRFF48E–Armand Guéraud. Dated: 1862. Medium: etching with engraving, printed from 2 plates. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.
Butterfly (Abraxas grossulariata) woodcut illustration printed in black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterfly-abraxas-grossulariata-woodcut-illustration-printed-in-black-image387237856.htmlRM2DE05RC–Butterfly (Abraxas grossulariata) woodcut illustration printed in black
James I The Conqueror (1208-1276). King of Aragon, Valencia and Majorca. Engraving of the first edition of the Chronicle printed by Joan de Mey in Valencia, 1557. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-james-i-the-conqueror-1208-1276-king-of-aragon-valencia-and-majorca-83079219.htmlRMER4GAY–James I The Conqueror (1208-1276). King of Aragon, Valencia and Majorca. Engraving of the first edition of the Chronicle printed by Joan de Mey in Valencia, 1557.
Shakespeare's First Folio Title Page with portrait of 17th C William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Cutout on white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shakespeares-first-folio-title-page-with-portrait-of-17th-c-william-shakespeare-shakespeares-comedies-histories-tragedies-published-according-to-the-true-original-copies-london-printed-by-isaac-iaggard-and-ed-blount-engraving-by-artist-martin-droeshout-1623-the-droeshout-portrait-or-droeshout-engraving-is-a-portrait-of-william-shakespeare-engraved-by-martin-droeshout-as-the-frontispiece-for-the-title-page-of-the-first-folio-collection-of-shakespeares-plays-published-in-1623-it-is-one-of-only-two-works-of-art-definitively-identifiable-as-a-depiction-of-the-poet-cutout-on-white-image333996410.htmlRM2ABARR6–Shakespeare's First Folio Title Page with portrait of 17th C William Shakespeare. Shakespeares Comedies, Histories, & Tragedies. Published according to the true original copies. London, Printed by Isaac Iaggard, and Ed. Blount, engraving by artist Martin Droeshout, 1623 The Droeshout portrait or Droeshout engraving is a portrait of William Shakespeare engraved by Martin Droeshout as the frontispiece for the title page of the First Folio collection of Shakespeare's plays, published in 1623. It is one of only two works of art definitively identifiable as a depiction of the poet. Cutout on white
Stagecoach and four horses in an engraving printed in 1867 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stagecoach-and-four-horses-in-an-engraving-printed-in-1867-image536379672.htmlRM2P4J5MT–Stagecoach and four horses in an engraving printed in 1867
. English: George IV of the United Kingdom (1762-1830; r. 1820-1830) by Thomas Woolnoth, after Abraham Wivell, stipple engraving printed in colours, published 1823 GeorgeIV1823 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-george-iv-of-the-united-kingdom-1762-1830-r-1820-1830-by-thomas-woolnoth-after-abraham-wivell-stipple-engraving-printed-in-colours-published-1823-georgeiv1823-image184833691.htmlRMMMKW77–. English: George IV of the United Kingdom (1762-1830; r. 1820-1830) by Thomas Woolnoth, after Abraham Wivell, stipple engraving printed in colours, published 1823 GeorgeIV1823
“Surrender of Col. Rall at the Battle of Trenton”, December 1776, from a Painting by Alonzo Chappel, Engraving Printed by Henry J. Johnson Publisher, NY, 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-surrender-of-col-rall-at-the-battle-of-trenton-december-1776-from-83851444.htmlRMETBNAC–“Surrender of Col. Rall at the Battle of Trenton”, December 1776, from a Painting by Alonzo Chappel, Engraving Printed by Henry J. Johnson Publisher, NY, 1879
Print, Tradecard, Frederick Crace and Son; England; engraving printed in gilt; 10.5 x 13.7 cm (4 1/8 x 5 3/8 in. ) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-tradecard-frederick-crace-and-son-england-engraving-printed-in-gilt-105-x-137-cm-4-18-x-5-38-in-image546226378.htmlRM2PMJN8X–Print, Tradecard, Frederick Crace and Son; England; engraving printed in gilt; 10.5 x 13.7 cm (4 1/8 x 5 3/8 in. )
![ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.7. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1730 and 1740] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 60 x 83 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FBAX/environs-de-paris-author-lagrive-jean-de-6477-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-between-1730-and-1740-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-60-x-83-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FBAX.jpg "ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.7. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1730 and 1740] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 60 x 83 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.7. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1730 and 1740] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 60 x 83 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-de-paris-author-lagrive-jean-de-6477-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-between-1730-and-1740-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-60-x-83-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708578.htmlRM2E9FBAX–ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.7. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [between 1730 and 1740] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 60 x 83 cm Former owner: George III, King of Great Britain, 1738-1820
Master of the Die. Game of Cupids. 1533. Italy. Engraving, printed in black, on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-of-the-die-game-of-cupids-1533-italy-engraving-printed-in-black-on-paper-image337958436.htmlRM2AHR9C4–Master of the Die. Game of Cupids. 1533. Italy. Engraving, printed in black, on paper
Print seller - wood engraving, c. 1815. Printed by Martin-Delahaye, Lille, France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-seller-wood-engraving-c-1815-printed-by-martin-delahaye-lille-83345295.htmlRMERGKNK–Print seller - wood engraving, c. 1815. Printed by Martin-Delahaye, Lille, France.
Charles-Melchior Descourtis, (artist), French, 1753 - 1820, Vue generale des Alpes et Glaciers, etching and engraving printed in color Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-melchior-descourtis-artist-french-1753-1820-vue-generale-des-alpes-et-glaciers-etching-and-engraving-printed-in-color-image386324520.htmlRM2DCEGT8–Charles-Melchior Descourtis, (artist), French, 1753 - 1820, Vue generale des Alpes et Glaciers, etching and engraving printed in color
'Walter Gramatté, Smiling Head, Self-portrait (Lächelnder Kopf, Selbstporträt), 1923, etching and engraving, printed in black and green, sheet: 53 × 39 cm (20 7/8 × 15 3/8 in.) plate: 25.5 × 17.5 cm (10 1/16 × 6 7/8 in.), Gift of Ruth Cole Kainen, 2012.92.252' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/walter-gramatt-smiling-head-self-portrait-lchelnder-kopf-selbstportrt-1923-etching-and-engraving-printed-in-black-and-green-sheet-53-39-cm-20-78-15-38-in-plate-255-175-cm-10-116-6-78-in-gift-of-ruth-cole-kainen-201292252-image557466140.htmlRM2RAXNN0–'Walter Gramatté, Smiling Head, Self-portrait (Lächelnder Kopf, Selbstporträt), 1923, etching and engraving, printed in black and green, sheet: 53 × 39 cm (20 7/8 × 15 3/8 in.) plate: 25.5 × 17.5 cm (10 1/16 × 6 7/8 in.), Gift of Ruth Cole Kainen, 2012.92.252'
![DEMONS - FAUST - MEPHISTOPHELES - THE BROCKEN Faust and Mephistopheles ascend the Brocken towards the Sabbat. Engraving No. 24 in the series, Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. [In the Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tragedy of Faust engraved by Henry Moses, in 1820, it is engraving 21.] There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in Stock Photo](https://c8.alamy.com/comp/MC87CY/demons-faust-mephistopheles-the-brocken-faust-and-mephistopheles-ascend-the-brocken-towards-the-sabbat-engraving-no-24-in-the-series-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-in-the-retschs-series-of-twenty-six-outlines-illustrative-of-goethes-tragedy-of-faust-engraved-by-henry-moses-in-1820-it-is-engraving-21-there-were-two-distinct-early-editions-of-the-retsch-series-of-drawings-for-goethes-play-faust-the-finest-was-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-edition-printed-in-both-stuttgart-and-augsburg-there-were-29-plates-in-MC87CY.jpg "DEMONS - FAUST - MEPHISTOPHELES - THE BROCKEN Faust and Mephistopheles ascend the Brocken towards the Sabbat. Engraving No. 24 in the series, Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. [In the Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tragedy of Faust engraved by Henry Moses, in 1820, it is engraving 21.] There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in Stock Photo")
DEMONS - FAUST - MEPHISTOPHELES - THE BROCKEN Faust and Mephistopheles ascend the Brocken towards the Sabbat. Engraving No. 24 in the series, Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. [In the Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tragedy of Faust engraved by Henry Moses, in 1820, it is engraving 21.] There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/demons-faust-mephistopheles-the-brocken-faust-and-mephistopheles-ascend-the-brocken-towards-the-sabbat-engraving-no-24-in-the-series-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-in-the-retschs-series-of-twenty-six-outlines-illustrative-of-goethes-tragedy-of-faust-engraved-by-henry-moses-in-1820-it-is-engraving-21-there-were-two-distinct-early-editions-of-the-retsch-series-of-drawings-for-goethes-play-faust-the-finest-was-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-edition-printed-in-both-stuttgart-and-augsburg-there-were-29-plates-in-image179661019.htmlRMMC87CY–DEMONS - FAUST - MEPHISTOPHELES - THE BROCKEN Faust and Mephistopheles ascend the Brocken towards the Sabbat. Engraving No. 24 in the series, Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. [In the Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tragedy of Faust engraved by Henry Moses, in 1820, it is engraving 21.] There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in
Art inspired by Portrait of Marie Antoinette, late 18th century, Stipple engraving, printed in colors, sheet: 10 13/16 x 8 3/4 in. (27.4 x 22.2 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-portrait-of-marie-antoinette-late-18th-century-stipple-engraving-printed-in-colors-sheet-10-1316-x-8-34-in-274-x-222-cm-prints-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462805851.htmlRF2HTXHGB–Art inspired by Portrait of Marie Antoinette, late 18th century, Stipple engraving, printed in colors, sheet: 10 13/16 x 8 3/4 in. (27.4 x 22.2 cm), Prints, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Facsimile of an anonymous engraving satirising the pre Raphaelite school of painters, printed 1857. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-facsimile-of-an-anonymous-engraving-satirising-the-pre-raphaelite-18184303.htmlRMB1GA7B–Facsimile of an anonymous engraving satirising the pre Raphaelite school of painters, printed 1857.
![A man on a donkey, a woman and a young child travel on a paved road in the foreground, with a view of a Roman arch in the background. View of Arco Felice = Vue de L'Arco Felice. [London] : Publish'd as the Act directs, by P. Sandby & A. Robertson. Sep.r 1777, [September 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 10(2). Language: English and French. Author: SANDBY, PAUL. Stock Photo](https://c8.alamy.com/comp/R568PW/a-man-on-a-donkey-a-woman-and-a-young-child-travel-on-a-paved-road-in-the-foreground-with-a-view-of-a-roman-arch-in-the-background-view-of-arco-felice-=-vue-de-larco-felice-london-publishd-as-the-act-directs-by-p-sandby-a-robertson-sepr-1777-september-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-102-language-english-and-french-author-sandby-paul-R568PW.jpg "A man on a donkey, a woman and a young child travel on a paved road in the foreground, with a view of a Roman arch in the background. View of Arco Felice = Vue de L'Arco Felice. [London] : Publish'd as the Act directs, by P. Sandby & A. Robertson. Sep.r 1777, [September 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 10(2). Language: English and French. Author: SANDBY, PAUL. Stock Photo")
A man on a donkey, a woman and a young child travel on a paved road in the foreground, with a view of a Roman arch in the background. View of Arco Felice = Vue de L'Arco Felice. [London] : Publish'd as the Act directs, by P. Sandby & A. Robertson. Sep.r 1777, [September 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 10(2). Language: English and French. Author: SANDBY, PAUL. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-man-on-a-donkey-a-woman-and-a-young-child-travel-on-a-paved-road-in-the-foreground-with-a-view-of-a-roman-arch-in-the-background-view-of-arco-felice-=-vue-de-larco-felice-london-publishd-as-the-act-directs-by-p-sandby-a-robertson-sepr-1777-september-1777-aquatint-etching-and-engraving-printed-in-sepia-source-maps-7tab60-plate-102-language-english-and-french-author-sandby-paul-image226946689.htmlRMR568PW–A man on a donkey, a woman and a young child travel on a paved road in the foreground, with a view of a Roman arch in the background. View of Arco Felice = Vue de L'Arco Felice. [London] : Publish'd as the Act directs, by P. Sandby & A. Robertson. Sep.r 1777, [September 1777]. Aquatint, etching and engraving, printed in sepia. Source: Maps 7.Tab.60, plate 10(2). Language: English and French. Author: SANDBY, PAUL.
Emancipation' by Thomas Nast (1840-1902). Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States. Wood engraving printed in bl Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-emancipation-by-thomas-nast-1840-1902-nasts-celebration-of-the-emancipation-84975078.htmlRMEX6XG6–Emancipation' by Thomas Nast (1840-1902). Nast's celebration of the emancipation of Southern slaves with the end of the Civil War. Nast envisions a somewhat optimistic picture of the future of free blacks in the United States. Wood engraving printed in bl
Huge violet ground beetles, Carabus scabrosus. Procere Scabreus, Procere d’Olivier. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/huge-violet-ground-beetles-carabus-scabrosus-procere-scabreus-procere-dolivier-handcoloured-steel-engraving-printed-by-f-chardon-from-achille-comtes-musee-dhistoire-naturelle-museum-of-natural-history-gustave-hazard-paris-1854-image365902057.htmlRM2C787PH–Huge violet ground beetles, Carabus scabrosus. Procere Scabreus, Procere d’Olivier. Handcoloured steel engraving printed by F. Chardon from Achille Comte’s Musee d’Histoire Naturelle, Museum of Natural History, Gustave Hazard, Paris, 1854.
Vue generale des Alpes et Glaciers. Medium: etching and engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vue-generale-des-alpes-et-glaciers-medium-etching-and-engraving-printed-in-color-museum-national-gallery-of-art-washington-dc-author-charles-melchior-descourtis-image225696652.htmlRMR35AAM–Vue generale des Alpes et Glaciers. Medium: etching and engraving printed in color. Museum: National Gallery of Art, Washington DC. Author: Charles-Melchior Descourtis.
Butterfly (Abraxas grossulariata) woodcut illustration printed in two colors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/butterfly-abraxas-grossulariata-woodcut-illustration-printed-in-two-colors-image387237854.htmlRM2DE05RA–Butterfly (Abraxas grossulariata) woodcut illustration printed in two colors
Joan Rois de Corella (1435-1497). Valencian poet and humanist. Engraving that belongs to his work 'Psalter', printed in Venice in 1490 by Johan Bertezog. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-joan-rois-de-corella-1435-1497-valencian-poet-and-humanist-engraving-89894117.htmlRMF670T5–Joan Rois de Corella (1435-1497). Valencian poet and humanist. Engraving that belongs to his work 'Psalter', printed in Venice in 1490 by Johan Bertezog. Colored.
Tragicomedy of Calixto and Melibea, known as 'La Celestina' by Fernando de Rojas, printed in Burg… Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tragicomedy-of-calixto-and-melibea-known-as-la-celestina-by-fernando-de-rojas-printed-in-burg-image212423672.htmlRMP9GMFM–Tragicomedy of Calixto and Melibea, known as 'La Celestina' by Fernando de Rojas, printed in Burg…
Reverse of original WW1 era cabinet card from the photographic studio of Joseph Werner, at Isartorplatz Munchen (Munich) Bavaria, Germany. An elaborate illustration, engraving of the photographic premises is printed with the location. Circa 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reverse-of-original-ww1-era-cabinet-card-from-the-photographic-studio-of-joseph-werner-at-isartorplatz-munchen-munich-bavaria-germany-an-elaborate-illustration-engraving-of-the-photographic-premises-is-printed-with-the-location-circa-1914-image467425268.htmlRM2J4D1KG–Reverse of original WW1 era cabinet card from the photographic studio of Joseph Werner, at Isartorplatz Munchen (Munich) Bavaria, Germany. An elaborate illustration, engraving of the photographic premises is printed with the location. Circa 1914
. Allegory of the Transience of Life, engraving printed on vellum, in the collection of the British Museum . circa 1480-90. Master I. A. M. of Zwolle 869 Master IAM allegory of transitoriness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/allegory-of-the-transience-of-life-engraving-printed-on-vellum-in-the-collection-of-the-british-museum-circa-1480-90-master-i-a-m-of-zwolle-869-master-iam-allegory-of-transitoriness-image185859024.htmlRMMPAH28–. Allegory of the Transience of Life, engraving printed on vellum, in the collection of the British Museum . circa 1480-90. Master I. A. M. of Zwolle 869 Master IAM allegory of transitoriness
“Lee’s Cavalry Skirmishing at the Battle of Guilford”, 1781, from a Painting by Alonzo Chappell, Engraving Printed circa 1879 by Henry J. Johnson Publisher, NY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lees-cavalry-skirmishing-at-the-battle-of-guilford-1781-from-a-painting-83845128.htmlRMETBD8T–“Lee’s Cavalry Skirmishing at the Battle of Guilford”, 1781, from a Painting by Alonzo Chappell, Engraving Printed circa 1879 by Henry J. Johnson Publisher, NY
Print, The Family Record; After Winslow Homer (American, 1836–1910); USA; wood engraving printed in black ink on paper ; 40 x 27 cm (15 3/4 x 10 5/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-the-family-record-after-winslow-homer-american-18361910-usa-wood-engraving-printed-in-black-ink-on-paper-40-x-27-cm-15-34-x-10-58-in-image546221326.htmlRM2PMJETE–Print, The Family Record; After Winslow Homer (American, 1836–1910); USA; wood engraving printed in black ink on paper ; 40 x 27 cm (15 3/4 x 10 5/8 in.)
![ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.9. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [1730] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59 x 85.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FB9W/environs-de-paris-author-lagrive-jean-de-6479-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-1730-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-59-x-855-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FB9W.jpg "ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.9. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [1730] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59 x 85.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.9. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [1730] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59 x 85.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/environs-de-paris-author-lagrive-jean-de-6479-place-of-publication-paris-publisher-publisher-not-identified-date-of-publication-1730-item-type-1-map-medium-copperplate-engraving-printed-on-nine-sheets-dimensions-59-x-855-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401708549.htmlRM2E9FB9W–ENVIRONS DE PARIS Author Lagrive, Jean de 64.7.9. Place of publication: [Paris] Publisher: [publisher not identified] Date of publication: [1730] Item type: 1 map Medium: copperplate engraving, printed on nine sheets Dimensions: 59 x 85.5 cm Former owner: George III, King of Great Britain, 1738-1820
Jean Duvet. The Crucifixion. 1545–1555. France. Engraving printed in black, on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-duvet-the-crucifixion-15451555-france-engraving-printed-in-black-on-paper-image337993961.htmlRM2AHTXMW–Jean Duvet. The Crucifixion. 1545–1555. France. Engraving printed in black, on paper
Our Lady of the Rosary (French: Notre Dame du St. Rosaire) - from engraving (printed) by Thomas Vincent, Quimper, France, early Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-our-lady-of-the-rosary-french-notre-dame-du-st-rosaire-from-engraving-83345367.htmlRMERGKT7–Our Lady of the Rosary (French: Notre Dame du St. Rosaire) - from engraving (printed) by Thomas Vincent, Quimper, France, early
Master of the Battle of Fornovo, (artist), French, active c. 1495, The Battle of Fornovo, 1495/1506, engraving printed on two sheets joined at center Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/master-of-the-battle-of-fornovo-artist-french-active-c-1495-the-battle-of-fornovo-14951506-engraving-printed-on-two-sheets-joined-at-center-image386284285.htmlRM2DCCNF9–Master of the Battle of Fornovo, (artist), French, active c. 1495, The Battle of Fornovo, 1495/1506, engraving printed on two sheets joined at center
Engraving of the infant prophet Samuel at prayer. From an edition of Josephus, printed in the 1800s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-infant-prophet-samuel-at-prayer-from-an-edition-of-josephus-printed-in-the-1800s-image342112923.htmlRM2ATGGEK–Engraving of the infant prophet Samuel at prayer. From an edition of Josephus, printed in the 1800s.
DEMONS - FAUST - MEPHISTOPHELES The quarrel in the Tavern. Engraving No. 7 in Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in this edition, for the first part of the play, and a further 11 for the second part. Another edition was that engraved by Henry Moses, in 1820: Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tra Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/demons-faust-mephistopheles-the-quarrel-in-the-tavern-engraving-no-7-in-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-there-were-two-distinct-early-editions-of-the-retsch-series-of-drawings-for-goethes-play-faust-the-finest-was-umrisse-goethes-faust-gezeichnet-von-moritz-retsch-1836-edition-printed-in-both-stuttgart-and-augsburg-there-were-29-plates-in-this-edition-for-the-first-part-of-the-play-and-a-further-11-for-the-second-part-another-edition-was-that-engraved-by-henry-moses-in-1820-retschs-series-of-twenty-six-outlines-illustrative-of-goethes-tra-image179661001.htmlRMMC87C9–DEMONS - FAUST - MEPHISTOPHELES The quarrel in the Tavern. Engraving No. 7 in Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836. There were two distinct early editions of the Retsch series of drawings for Goethe's play, Faust. The finest was Umrisse Goethe's Faust. Gezeichnet von Moritz Retsch, 1836 edition, printed in both Stuttgart and Augsburg. There were 29 plates in this edition, for the first part of the play, and a further 11 for the second part. Another edition was that engraved by Henry Moses, in 1820: Retsch's Series of Twenty-Six Outlines, Illustrative of Goethe's Tra
Art inspired by Beauty and the Beast, ca. 1901, Illustrations: wood engraving, printed in colors, 10 9/16 x 9 3/16 x 1/8 in. (26.8 x 23.3 x 0.3 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-beauty-and-the-beast-ca-1901-illustrations-wood-engraving-printed-in-colors-10-916-x-9-316-x-18-in-268-x-233-x-03-cm-books-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462802990.htmlRF2HTXDX6–Art inspired by Beauty and the Beast, ca. 1901, Illustrations: wood engraving, printed in colors, 10 9/16 x 9 3/16 x 1/8 in. (26.8 x 23.3 x 0.3 cm), Books, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
