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Etching print Stock Photos and Images
BUFFALO BILL Vintage 1860's etching print poster of Buffalo Bill William Frederick Cody. Known as Buffalo Bill an American frontiersman and showman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buffalo-bill-vintage-1860s-etching-print-poster-of-buffalo-bill-william-frederick-cody-known-as-buffalo-bill-an-american-frontiersman-and-showman-image418938520.htmlRM2F9G8A0–BUFFALO BILL Vintage 1860's etching print poster of Buffalo Bill William Frederick Cody. Known as Buffalo Bill an American frontiersman and showman
Tomato in woodcut print style Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tomato-in-woodcut-print-style-109484558.htmlRFGA3CJP–Tomato in woodcut print style
![Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photo](https://c8.alamy.com/comp/EDNW9A/louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-EDNW9A.jpg "Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photo")
Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-77312854.htmlRMEDNW9A–Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow
Foil Etching Print Of Landscape In In Plastic Frame Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-foil-etching-print-of-landscape-in-in-plastic-frame-113048515.htmlRMGFWPEY–Foil Etching Print Of Landscape In In Plastic Frame
Crassus. Print of the Roman General and statesman, Marcus Licinius Crassus (115-53 BC) entitled 'The Death of Marcus Licinius Crassus', print maker: Ludwig Gottlieb Portman after drawing by: Jacobus Buys, c. 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crassus-print-of-the-roman-general-and-statesman-marcus-licinius-crassus-115-53-bc-entitled-the-death-of-marcus-licinius-crassus-print-maker-ludwig-gottlieb-portman-after-drawing-by-jacobus-buys-c-1800-image502911958.htmlRM2M65H9A–Crassus. Print of the Roman General and statesman, Marcus Licinius Crassus (115-53 BC) entitled 'The Death of Marcus Licinius Crassus', print maker: Ludwig Gottlieb Portman after drawing by: Jacobus Buys, c. 1800
Sunrise, print engraved by E. Roffe from the alto-relievo by F.J. Williamson, UK 1880s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sunrise-print-engraved-by-e-roffe-from-the-alto-relievo-by-fj-williamson-uk-1880s-image503668002.htmlRF2M7C1JX–Sunrise, print engraved by E. Roffe from the alto-relievo by F.J. Williamson, UK 1880s
C.W. Marr, The Blind Fiddle, 1843-1845, print, etching, The J. Paul Getty Museum, Los Angeles, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cw-marr-the-blind-fiddle-1843-1845-print-etching-the-j-paul-getty-museum-los-angeles-usa-image371012912.htmlRM2CFH2N4–C.W. Marr, The Blind Fiddle, 1843-1845, print, etching, The J. Paul Getty Museum, Los Angeles, USA.
Sir John Middleton, Scottish soldier and general, 1608-1674. Pikeman in the Parliamentarian army in the English Civil War, later a Major General in King Charles I's cavalier army. In plain collar, gorget and doublet. Sr. J. Midleton, MG of N. Wales. From a rare print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-john-middleton-scottish-soldier-and-general-1608-1674-pikeman-in-the-parliamentarian-army-in-the-english-civil-war-later-a-major-general-in-king-charles-is-cavalier-army-in-plain-collar-gorget-and-doublet-sr-j-midleton-mg-of-n-wales-from-a-rare-print-image478637647.htmlRM2JPKR5K–Sir John Middleton, Scottish soldier and general, 1608-1674. Pikeman in the Parliamentarian army in the English Civil War, later a Major General in King Charles I's cavalier army. In plain collar, gorget and doublet. Sr. J. Midleton, MG of N. Wales. From a rare print.
The council of the rulers and the elders against the tribe of ye Americanites, etching. Print shows a group of men in the Hall of Commons, several seated around a tale, on the wall is a map labelled 'North America' which has burst into flames, in the foreground stands Lord North passing banknotes to a man probably on the 'List of the King's friends' which extends from North's pocket;on the right stands Lord Mayor Wilkes pointing out North to another an who stands on his left. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-council-of-the-rulers-and-the-elders-against-the-tribe-of-ye-americanites-90846172.htmlRMF7PB64–The council of the rulers and the elders against the tribe of ye Americanites, etching. Print shows a group of men in the Hall of Commons, several seated around a tale, on the wall is a map labelled 'North America' which has burst into flames, in the foreground stands Lord North passing banknotes to a man probably on the 'List of the King's friends' which extends from North's pocket;on the right stands Lord Mayor Wilkes pointing out North to another an who stands on his left.
Dog or wolf painted tribal ethnic ornament. Vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dog-or-wolf-painted-tribal-ethnic-ornament-vector-illustration-116634811.htmlRFGNN4TY–Dog or wolf painted tribal ethnic ornament. Vector illustration
Tegg, T. - print; coloured etching - Laceing a Dandy - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tegg-t-print-coloured-etching-laceing-a-dandy-105027306.htmlRMG2TBB6–Tegg, T. - print; coloured etching - Laceing a Dandy -
Winslow Homer, Fly Fishing, Saranac Lake, aquatint print from etching, 1889 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winslow-homer-fly-fishing-saranac-lake-aquatint-print-from-etching-1889-image575636264.htmlRM2TCEDX0–Winslow Homer, Fly Fishing, Saranac Lake, aquatint print from etching, 1889
Reiter, Joseph, etching by Charles Burkhart. Remarque print (sheet music), facsimile of the signature, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reiter-joseph-etching-by-charles-burkhart-remarque-print-sheet-music-facsimile-of-the-signature-additional-rights-clearance-info-not-available-image256057966.htmlRMTTGCFA–Reiter, Joseph, etching by Charles Burkhart. Remarque print (sheet music), facsimile of the signature, Additional-Rights-Clearance-Info-Not-Available
Hand-coloured etching titled 'Vent Contraire' published by Aaron Martinet. The print depicts a group of Englishwomen standing behind a folding screen waving their fans in a attempt to prevent the landing of the French Fleet. Dated 1803 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hand-coloured-etching-titled-vent-contraire-published-by-aaron-martinet-the-print-depicts-a-group-of-englishwomen-standing-behind-a-folding-screen-waving-their-fans-in-a-attempt-to-prevent-the-landing-of-the-french-fleet-dated-1803-image330684611.htmlRM2A5YYGK–Hand-coloured etching titled 'Vent Contraire' published by Aaron Martinet. The print depicts a group of Englishwomen standing behind a folding screen waving their fans in a attempt to prevent the landing of the French Fleet. Dated 1803
A humorous cartoon print coloured engraving of The Word Eater by Thomas Rowlandson watercoloured etching on paper Human caricatures Georgian era Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-humorous-cartoon-print-coloured-engraving-of-the-word-eater-by-thomas-rowlandson-watercoloured-etching-on-paper-human-caricatures-georgian-era-image613305927.htmlRM2XHPDY3–A humorous cartoon print coloured engraving of The Word Eater by Thomas Rowlandson watercoloured etching on paper Human caricatures Georgian era
Inspired by Le Vieux se Balancant, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching on Spanish laid paper, 18th century, sheet: 12 1/2 x 8 13/16 in., 31.8 x 22.4 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-le-vieux-se-balancant-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-on-spanish-laid-paper-18th-century-sheet-12-12-x-8-1316-in-318-x-224-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459265042.htmlRF2HK596X–Inspired by Le Vieux se Balancant, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching on Spanish laid paper, 18th century, sheet: 12 1/2 x 8 13/16 in., 31.8 x 22.4 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: A bearded Justin Martyr presenting an open book to a Roman emperor. Paper, etching. Print made by Jacques Callot, published by Israël Henriet. French, 1632-1635. Русский: Иустин Философ вручает императору свою 'Апологию'. Бумага, гравюра. Автор: Жак Калло. Франция, 1632-1635. . 22 November 2012, 14:01:19. Jacques Callot, Israël Henriet Engraving of Justin Martyr - 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-a-bearded-justin-martyr-presenting-an-open-book-to-a-roman-emperor-paper-etching-print-made-by-jacques-callot-published-by-isral-henriet-french-1632-1635-1632-1635-22-november-2012-140119-jacques-callot-isral-henriet-engraving-of-justin-martyr-2-image184836258.htmlRMMMM0EX–. English: A bearded Justin Martyr presenting an open book to a Roman emperor. Paper, etching. Print made by Jacques Callot, published by Israël Henriet. French, 1632-1635. Русский: Иустин Философ вручает императору свою 'Апологию'. Бумага, гравюра. Автор: Жак Калло. Франция, 1632-1635. . 22 November 2012, 14:01:19. Jacques Callot, Israël Henriet Engraving of Justin Martyr - 2
Vintage black and white etching print circa 1893 entitled 'The Choir at Westminster Abbey'. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-black-and-white-etching-print-circa-1893-entitled-the-choir-29259814.htmlRMBKGW5A–Vintage black and white etching print circa 1893 entitled 'The Choir at Westminster Abbey'.
PINNER. Pinner, in 1828 (from an etching by Cook) 1888 old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pinner-pinner-in-1828-from-an-etching-by-cook-1888-old-antique-print-image184751680.htmlRFMMG4J8–PINNER. Pinner, in 1828 (from an etching by Cook) 1888 old antique print
Etching of The Tower of London and the River Thames , 1647 Giclee Print by Wenceslaus Hollar , London , England . The Earl of Essex , awaiting execution , declared himself the most vilest traitor that ever had been in the land Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/etching-of-the-tower-of-london-and-the-river-thames-1647-giclee-print-by-wenceslaus-hollar-london-england-the-earl-of-essex-awaiting-execution-declared-himself-the-most-vilest-traitor-that-ever-had-been-in-the-land-image268856155.htmlRMWHBCNF–Etching of The Tower of London and the River Thames , 1647 Giclee Print by Wenceslaus Hollar , London , England . The Earl of Essex , awaiting execution , declared himself the most vilest traitor that ever had been in the land
Gustave Doré, Dante's Divine Comedy, Inferno, (Hell) first Canto, 1861-1868; etching print, I found me in a gloomy wood Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gustave-dor-dantes-divine-comedy-inferno-hell-first-canto-1861-1868-etching-print-i-found-me-in-a-gloomy-wood-image453691172.htmlRM2HA3BM4–Gustave Doré, Dante's Divine Comedy, Inferno, (Hell) first Canto, 1861-1868; etching print, I found me in a gloomy wood
![Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photo](https://c8.alamy.com/comp/DDWCFR/louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-DDWCFR.jpg "Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photo")
Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-image60180283.htmlRMDDWCFR–Louis d'Or, [1705], 1 print : etching., Print shows Louis XIV sitting at a table, resting on his left elbow
The Hundred Guilder Print is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called Christ healing the sick, Christ with the Sick around Him, Receiving Little Children, or Christ preaching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-hundred-guilder-print-is-an-etching-by-rembrandt-the-etchings-popular-name-derives-from-the-large-sum-of-money-supposedly-once-paid-for-an-example-it-is-also-called-christ-healing-the-sick-christ-with-the-sick-around-him-receiving-little-children-or-christ-preaching-image485044222.htmlRM2K53JRX–The Hundred Guilder Print is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called Christ healing the sick, Christ with the Sick around Him, Receiving Little Children, or Christ preaching
Crassus. Print of the Roman General and statesman, Marcus Licinius Crassus (115-53 BC) entitled 'Marcus Licinius Crassus Leaves Rome', print maker: Ludwig Gottlieb Portman after drawing by: Jacobus Buys, c. 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crassus-print-of-the-roman-general-and-statesman-marcus-licinius-crassus-115-53-bc-entitled-marcus-licinius-crassus-leaves-rome-print-maker-ludwig-gottlieb-portman-after-drawing-by-jacobus-buys-c-1800-image502911954.htmlRM2M65H96–Crassus. Print of the Roman General and statesman, Marcus Licinius Crassus (115-53 BC) entitled 'Marcus Licinius Crassus Leaves Rome', print maker: Ludwig Gottlieb Portman after drawing by: Jacobus Buys, c. 1800
The Woodman, print engraved by E. Roffe from the group by Schwanthaler, UK 1856 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-woodman-print-engraved-by-e-roffe-from-the-group-by-schwanthaler-uk-1856-image503668052.htmlRF2M7C1MM–The Woodman, print engraved by E. Roffe from the group by Schwanthaler, UK 1856
etching template result print making Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-etching-template-result-print-making-76521615.htmlRMECDT2R–etching template result print making
Oval portrait of Thomas Mytton, c.1597–1656, general in the Parliamentary army during the English Civil War. General Mitton. From a rare print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oval-portrait-of-thomas-mytton-c15971656-general-in-the-parliamentary-army-during-the-english-civil-war-general-mitton-from-a-rare-print-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637649.htmlRM2JPKR5N–Oval portrait of Thomas Mytton, c.1597–1656, general in the Parliamentary army during the English Civil War. General Mitton. From a rare print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Print, etching of a satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker's cart, the front of which is formed by a guillotine. The procession is headed by Mister John Ketch, Esq.., the hangman. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-etching-of-a-satire-on-the-defeat-of-hobhouse-by-lamb-at-the-90845190.htmlRMF7P9Y2–Print, etching of a satire on the defeat of Hobhouse by Lamb at the Westminster Election. The Rump, or remnant of Reformers, is represented by the hind-quarters of a cart-horse, with its hoofs in the air, carried on a knacker's cart, the front of which is formed by a guillotine. The procession is headed by Mister John Ketch, Esq.., the hangman.
VINTAGE TOWER OF LONDON OLD Early 17th Century Lithograph illustration archive print of The Tower of London viewed across the River Thames London 1600's Vaclav Hollar 1677 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-tower-of-london-old-early-17th-century-lithograph-illustration-archive-print-of-the-tower-of-london-viewed-across-the-river-thames-london-1600s-vaclav-hollar-1677-image364698030.htmlRM2C59C1J–VINTAGE TOWER OF LONDON OLD Early 17th Century Lithograph illustration archive print of The Tower of London viewed across the River Thames London 1600's Vaclav Hollar 1677
Hollar, Wenceslaus - print; etching - St Paul's from the west - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hollar-wenceslaus-print-etching-st-pauls-from-the-west-105027228.htmlRMG2TB8C–Hollar, Wenceslaus - print; etching - St Paul's from the west -
Map of the city of Tripoli in Barbary. attacked by the French royal army commanded by Admiral Jean II d'Estrées - By Incomu - etching prints 1685 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-the-city-of-tripoli-in-barbary-attacked-by-the-french-royal-army-commanded-by-admiral-jean-ii-destres-by-incomu-etching-prints-1685-image483988503.htmlRM2K3BG7K–Map of the city of Tripoli in Barbary. attacked by the French royal army commanded by Admiral Jean II d'Estrées - By Incomu - etching prints 1685
Millenkovich-Morold, Max von, etching by Charles Burkhart. Remarque print (arbalest), facsimile of the signature, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/millenkovich-morold-max-von-etching-by-charles-burkhart-remarque-print-arbalest-facsimile-of-the-signature-additional-rights-clearance-info-not-available-image256057955.htmlRMTTGCEY–Millenkovich-Morold, Max von, etching by Charles Burkhart. Remarque print (arbalest), facsimile of the signature, Additional-Rights-Clearance-Info-Not-Available
Engraving of the high life at midnight. Print shows a street scene: five upper class men and women returning home after an evening of entertainment are attacked by a group of lower class men armed with staffs intent on robbery. Dated 1769 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-high-life-at-midnight-print-shows-a-street-scene-five-upper-class-men-and-women-returning-home-after-an-evening-of-entertainment-are-attacked-by-a-group-of-lower-class-men-armed-with-staffs-intent-on-robbery-dated-1769-image230631218.htmlRMRB64D6–Engraving of the high life at midnight. Print shows a street scene: five upper class men and women returning home after an evening of entertainment are attacked by a group of lower class men armed with staffs intent on robbery. Dated 1769
![Satirical print of 'tulipmania'. Etching from De drie t'Zamenspracken ---- Roman A. [or author unknown], De drie t’Zamenspraecken Tusschen Waermondt en Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen. Gedruckt by Johannes Marshoorn, 1734, 219+24 p. Stock Photo](https://c8.alamy.com/comp/2M97N4T/satirical-print-of-tulipmania-etching-from-de-drie-tzamenspracken-roman-a-or-author-unknown-de-drie-tzamenspraecken-tusschen-waermondt-en-gaergoedt-over-de-op-en-ondergang-van-flora-als-mede-floraes-zotte-bollen-troost-brief-en-een-register-der-tegenwoordighe-meets-geachte-hyacinthen-met-der-zelver-prysen-gedruckt-by-johannes-marshoorn-1734-21924-p-2M97N4T.jpg "Satirical print of 'tulipmania'. Etching from De drie t'Zamenspracken ---- Roman A. [or author unknown], De drie t’Zamenspraecken Tusschen Waermondt en Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen. Gedruckt by Johannes Marshoorn, 1734, 219+24 p. Stock Photo")
Satirical print of 'tulipmania'. Etching from De drie t'Zamenspracken ---- Roman A. [or author unknown], De drie t’Zamenspraecken Tusschen Waermondt en Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen. Gedruckt by Johannes Marshoorn, 1734, 219+24 p. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/satirical-print-of-tulipmania-etching-from-de-drie-tzamenspracken-roman-a-or-author-unknown-de-drie-tzamenspraecken-tusschen-waermondt-en-gaergoedt-over-de-op-en-ondergang-van-flora-als-mede-floraes-zotte-bollen-troost-brief-en-een-register-der-tegenwoordighe-meets-geachte-hyacinthen-met-der-zelver-prysen-gedruckt-by-johannes-marshoorn-1734-21924-p-image504802840.htmlRM2M97N4T–Satirical print of 'tulipmania'. Etching from De drie t'Zamenspracken ---- Roman A. [or author unknown], De drie t’Zamenspraecken Tusschen Waermondt en Gaergoedt, over de op- en ondergang van flora; als mede Floraes zotte-bollen, Troost-brief, en een register der tegenwoordighe meets geachte hyacinthen met der zelver prysen. Gedruckt by Johannes Marshoorn, 1734, 219+24 p.
Inspired by Poor Little Girls!, Pobrecitas!, Los Caprichos, Plate 24, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 13/16 x 7 7/8 in., 30 x 20 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-poor-little-girls!-pobrecitas!-los-caprichos-plate-24-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-1316-x-7-78-in-30-x-20-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264571.htmlRF2HK58J3–Inspired by Poor Little Girls!, Pobrecitas!, Los Caprichos, Plate 24, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 13/16 x 7 7/8 in., 30 x 20 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 133 Davent acteon bm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-british-museum-pack-of-hunting-dogs-attacking-a-stag-perhaps-actaeon-after-his-metamorphosis-in-the-background-people-in-classical-costume-and-houses-c1545-etching-print-made-by-lon-davent-after-francesco-primaticcio-1545-zerner-1969-ld38-bartsch-xvi33164-1540s-lon-davent-french-printmaker-in-the-mid-16th-century-133-davent-acteon-bm-image188966366.htmlRMMYC4EP–. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 133 Davent acteon bm
Vintage etching print circa 1870s / 1880s of Notre Dame Cathedral in Paris, France, as it appeared in the late 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-etching-print-circa-1870s-1880s-of-notre-dame-cathedral-in-29271958.htmlRMBKHCK2–Vintage etching print circa 1870s / 1880s of Notre Dame Cathedral in Paris, France, as it appeared in the late 19th century.
Johann Heinrich Wilhelm Tischbein, Imaginary View of a Vineyard along the Way to the Cave of Polyphemus, print made from an etching, 1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-heinrich-wilhelm-tischbein-imaginary-view-of-a-vineyard-along-the-way-to-the-cave-of-polyphemus-print-made-from-an-etching-1796-image568869022.htmlRM2T1E66P–Johann Heinrich Wilhelm Tischbein, Imaginary View of a Vineyard along the Way to the Cave of Polyphemus, print made from an etching, 1796
Eobasileus Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-eobasileus-135044990.htmlRMHRKR7A–Eobasileus
THE SAVOY: The Savoy in 1650 (from a very scarce etching by Hollar), c1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-savoy-the-savoy-in-1650-from-a-very-scarce-etching-by-hollar-c1880-103183994.htmlRFFYTC6J–THE SAVOY: The Savoy in 1650 (from a very scarce etching by Hollar), c1880
Les Faneuses, (1890), etching, print in brown, 12th condition (from 12), 100 Ex., Sheet: 26.5 x 20.1 cm |, Plate: 19.9 x 13.4 cm, Camille Pissarro, Charlotte Amalie, St.Thomas/Danish Virgin Island 1830–1903 Paris Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-faneuses-1890-etching-print-in-brown-12th-condition-from-12-100-ex-sheet-265-x-201-cm-plate-199-x-134-cm-camille-pissarro-charlotte-amalie-stthomasdanish-virgin-island-18301903-paris-image328709706.htmlRM2A2P0GA–Les Faneuses, (1890), etching, print in brown, 12th condition (from 12), 100 Ex., Sheet: 26.5 x 20.1 cm |, Plate: 19.9 x 13.4 cm, Camille Pissarro, Charlotte Amalie, St.Thomas/Danish Virgin Island 1830–1903 Paris
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Brandon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-duke-of-brandon-image553861307.htmlRF2R52FMY–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Brandon
Hunt the Slipper, print engraved from a painting by E. Goodall, UK, 1864 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hunt-the-slipper-print-engraved-from-a-painting-by-e-goodall-uk-1864-image503668104.htmlRF2M7C1PG–Hunt the Slipper, print engraved from a painting by E. Goodall, UK, 1864
Alexander Henderson, Scottish theologian, one of the founders of the Reformed Church of Scotland, 1583-1646.. In ruff collar, doublet and cloak, holding a book. Copperplate engraving by Hery after a scarce print by Wenceslaus Hollar from a painting by Anthony van Dyke from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-henderson-scottish-theologian-one-of-the-founders-of-the-reformed-church-of-scotland-1583-1646-in-ruff-collar-doublet-and-cloak-holding-a-book-copperplate-engraving-by-hery-after-a-scarce-print-by-wenceslaus-hollar-from-a-painting-by-anthony-van-dyke-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637538.htmlRM2JPKR1P–Alexander Henderson, Scottish theologian, one of the founders of the Reformed Church of Scotland, 1583-1646.. In ruff collar, doublet and cloak, holding a book. Copperplate engraving by Hery after a scarce print by Wenceslaus Hollar from a painting by Anthony van Dyke from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Hand-coloured, print of the modern Circe or a sequel to the petticoat by the etcher Isaac Cruikshank (1756?-1811?). The cartoon shows Mrs. Mary Anne Clarke, wearing the Duke of York's military cloak, extending it to cover a crowd of miniature soldiers, civilians and clergymen clustering around her with outstretched arms;Mr Waddle (Mr. Wardle), standing to the side, gazes at her and declares his fascination. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-coloured-print-of-the-modern-circe-or-a-sequel-to-the-petticoat-90845182.htmlRMF7P9XP–Hand-coloured, print of the modern Circe or a sequel to the petticoat by the etcher Isaac Cruikshank (1756?-1811?). The cartoon shows Mrs. Mary Anne Clarke, wearing the Duke of York's military cloak, extending it to cover a crowd of miniature soldiers, civilians and clergymen clustering around her with outstretched arms;Mr Waddle (Mr. Wardle), standing to the side, gazes at her and declares his fascination.
Vintage Illustration 1800's Saint Paul's Cathedral Christopher Wren (English architect, 1632-1723) ca. 1840-ca. 1890 (print) 1675-1710 (building) London, Greater London, England, United Kingdom Neoclassical Architecture Saint Paul's Cathedral, London, England UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-illustration-1800s-saint-pauls-cathedral-christopher-wren-english-architect-1632-1723-ca-1840-ca-1890-print-1675-1710-building-london-greater-london-england-united-kingdom-neoclassical-architecture-saint-pauls-cathedral-london-england-uk-image371639262.htmlRM2CGHHJP–Vintage Illustration 1800's Saint Paul's Cathedral Christopher Wren (English architect, 1632-1723) ca. 1840-ca. 1890 (print) 1675-1710 (building) London, Greater London, England, United Kingdom Neoclassical Architecture Saint Paul's Cathedral, London, England UK
Banks & Co.; Wilson, Effingham - print; coloured etching and aquatint - A Balloon View of London as seen - Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-banks-co-wilson-effingham-print-coloured-etching-and-aquatint-a-balloon-105026991.htmlRMG2TAYY–Banks & Co.; Wilson, Effingham - print; coloured etching and aquatint - A Balloon View of London as seen -
Marie Christine, archduchess of Austria, etching (Remarque print) by Jakob Groh based on a painting by Alexander Roslin, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marie-christine-archduchess-of-austria-etching-remarque-print-by-jakob-groh-based-on-a-painting-by-alexander-roslin-additional-rights-clearance-info-not-available-image256264848.htmlRMTTWTC0–Marie Christine, archduchess of Austria, etching (Remarque print) by Jakob Groh based on a painting by Alexander Roslin, Additional-Rights-Clearance-Info-Not-Available
Inspired by Bon Voyage, Buen viage, Los Caprichos, Plate 64, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bon-voyage-buen-viage-los-caprichos-plate-64-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264639.htmlRF2HK58MF–Inspired by Bon Voyage, Buen viage, Los Caprichos, Plate 64, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent acteon bm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-british-museum-pack-of-hunting-dogs-attacking-a-stag-perhaps-actaeon-after-his-metamorphosis-in-the-background-people-in-classical-costume-and-houses-c1545-etching-print-made-by-lon-davent-after-francesco-primaticcio-1545-zerner-1969-ld38-bartsch-xvi33164-1540s-lon-davent-french-printmaker-in-the-mid-16th-century-154-davent-acteon-bm-image188251599.htmlRMMX7GRB–. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent acteon bm
Max Klinger, Kuss (im Park), Kiss (in the Park), aquatint print from original etching and engraving, 1880-1887 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/max-klinger-kuss-im-park-kiss-in-the-park-aquatint-print-from-original-etching-and-engraving-1880-1887-image473975457.htmlRM2JF3CEW–Max Klinger, Kuss (im Park), Kiss (in the Park), aquatint print from original etching and engraving, 1880-1887
Machine for Electrified Garden, 1755 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/machine-for-electrified-garden-1755-image386295353.htmlRM2DCD7JH–Machine for Electrified Garden, 1755
![Louis D'or, [1705], 1 Print : Etching., Print Shows Louis Xiv Sitting at a Table, Resting on His Left Elbow. He Appears to Be Asleep, But May Be Reading a Letter, Mon Cousin...Recompense De Ure Service ..., Lying on the Table with Two Money Bags and Some Loose Coins, the Table Top is Supported by an Eagle. His Coat is Decorated with Fleurs-De-Lis, As is a Robe(?) on the Table Opposite Him, and He Wears a Louis D'or Medal. Through the Window behind Him is a View of Emser Bad and Hanging on the Wall is a Picture of Tents and a Battle Scene that is Titled Louis Dort Stock Photo](https://c8.alamy.com/comp/RYAE09/louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-table-resting-on-his-left-elbow-he-appears-to-be-asleep-but-may-be-reading-a-letter-mon-cousinrecompense-de-ure-service-lying-on-the-table-with-two-money-bags-and-some-loose-coins-the-table-top-is-supported-by-an-eagle-his-coat-is-decorated-with-fleurs-de-lis-as-is-a-robe-on-the-table-opposite-him-and-he-wears-a-louis-dor-medal-through-the-window-behind-him-is-a-view-of-emser-bad-and-hanging-on-the-wall-is-a-picture-of-tents-and-a-battle-scene-that-is-titled-louis-dort-RYAE09.jpg "Louis D'or, [1705], 1 Print : Etching., Print Shows Louis Xiv Sitting at a Table, Resting on His Left Elbow. He Appears to Be Asleep, But May Be Reading a Letter, Mon Cousin...Recompense De Ure Service ..., Lying on the Table with Two Money Bags and Some Loose Coins, the Table Top is Supported by an Eagle. His Coat is Decorated with Fleurs-De-Lis, As is a Robe(?) on the Table Opposite Him, and He Wears a Louis D'or Medal. Through the Window behind Him is a View of Emser Bad and Hanging on the Wall is a Picture of Tents and a Battle Scene that is Titled Louis Dort Stock Photo")
Louis D'or, [1705], 1 Print : Etching., Print Shows Louis Xiv Sitting at a Table, Resting on His Left Elbow. He Appears to Be Asleep, But May Be Reading a Letter, Mon Cousin...Recompense De Ure Service ..., Lying on the Table with Two Money Bags and Some Loose Coins, the Table Top is Supported by an Eagle. His Coat is Decorated with Fleurs-De-Lis, As is a Robe(?) on the Table Opposite Him, and He Wears a Louis D'or Medal. Through the Window behind Him is a View of Emser Bad and Hanging on the Wall is a Picture of Tents and a Battle Scene that is Titled Louis Dort Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-dor-1705-1-print-etching-print-shows-louis-xiv-sitting-at-a-table-resting-on-his-left-elbow-he-appears-to-be-asleep-but-may-be-reading-a-letter-mon-cousinrecompense-de-ure-service-lying-on-the-table-with-two-money-bags-and-some-loose-coins-the-table-top-is-supported-by-an-eagle-his-coat-is-decorated-with-fleurs-de-lis-as-is-a-robe-on-the-table-opposite-him-and-he-wears-a-louis-dor-medal-through-the-window-behind-him-is-a-view-of-emser-bad-and-hanging-on-the-wall-is-a-picture-of-tents-and-a-battle-scene-that-is-titled-louis-dort-image240561001.htmlRMRYAE09–Louis D'or, [1705], 1 Print : Etching., Print Shows Louis Xiv Sitting at a Table, Resting on His Left Elbow. He Appears to Be Asleep, But May Be Reading a Letter, Mon Cousin...Recompense De Ure Service ..., Lying on the Table with Two Money Bags and Some Loose Coins, the Table Top is Supported by an Eagle. His Coat is Decorated with Fleurs-De-Lis, As is a Robe(?) on the Table Opposite Him, and He Wears a Louis D'or Medal. Through the Window behind Him is a View of Emser Bad and Hanging on the Wall is a Picture of Tents and a Battle Scene that is Titled Louis Dort
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Chandos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-duke-of-chandos-image553861278.htmlRF2R52FKX–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Chandos
The Student, print engraved from a painting by J.L. Meissonier, UK, 1877 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-student-print-engraved-from-a-painting-by-jl-meissonier-uk-1877-image503668243.htmlRF2M7C1YF–The Student, print engraved from a painting by J.L. Meissonier, UK, 1877
Mary, Queen of Scots, Mary Stuart, Mary I of Scotland. 1542-1587. In hood, high ruff collar, veil, gown with ribbon. Maria Dei Gratia Scotorum Regina. From a scarce print done at the time in the collection of John Dent MP. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-queen-of-scots-mary-stuart-mary-i-of-scotland-1542-1587-in-hood-high-ruff-collar-veil-gown-with-ribbon-maria-dei-gratia-scotorum-regina-from-a-scarce-print-done-at-the-time-in-the-collection-of-john-dent-mp-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637633.htmlRM2JPKR55–Mary, Queen of Scots, Mary Stuart, Mary I of Scotland. 1542-1587. In hood, high ruff collar, veil, gown with ribbon. Maria Dei Gratia Scotorum Regina. From a scarce print done at the time in the collection of John Dent MP. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Print showing sitting listening to a man playing the violin and a man playing the piano (Beethoven). By L. Balestrieri. Etching, printed in color c1912. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-print-showing-sitting-listening-to-a-man-playing-the-violin-and-a-57355767.htmlRMD98NT7–Print showing sitting listening to a man playing the violin and a man playing the piano (Beethoven). By L. Balestrieri. Etching, printed in color c1912.
Marie Christine, archduchess of Austria, etching (Remarque print) by Jakob Groh based on a painting by Elisabeth Vigee-Lebrun, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marie-christine-archduchess-of-austria-etching-remarque-print-by-jakob-groh-based-on-a-painting-by-elisabeth-vigee-lebrun-additional-rights-clearance-info-not-available-image256061500.htmlRMTTGH1G–Marie Christine, archduchess of Austria, etching (Remarque print) by Jakob Groh based on a painting by Elisabeth Vigee-Lebrun, Additional-Rights-Clearance-Info-Not-Available
Inspired by Until Death, Hasta la muerte, Los Caprichos, Plate 55, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, sheet: 11 13/16 × 8 in., 30 × 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-until-death-hasta-la-muerte-los-caprichos-plate-55-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-1316-8-in-30-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253329.htmlRF2HK4P8H–Inspired by Until Death, Hasta la muerte, Los Caprichos, Plate 55, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, sheet: 11 13/16 × 8 in., 30 × 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent acteon bm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-british-museum-pack-of-hunting-dogs-attacking-a-stag-perhaps-actaeon-after-his-metamorphosis-in-the-background-people-in-classical-costume-and-houses-c1545-etching-print-made-by-lon-davent-after-francesco-primaticcio-1545-zerner-1969-ld38-bartsch-xvi33164-1540s-lon-davent-french-printmaker-in-the-mid-16th-century-154-davent-acteon-bm-image187720679.htmlRMMWBBHY–. English: British Museum Pack of hunting dogs attacking a stag, perhaps Actaeon after his metamorphosis; in the background, people in classical costume and houses. c.1545 Etching, Print made by: Léon Davent After: Francesco Primaticcio , 1545 Zerner 1969 LD.38 Bartsch XVI.331.64 . 1540s. Léon Davent - French printmaker in the mid 16th century 154 Davent acteon bm
Christ captured, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-captured-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536115.htmlRM2WRB6C3–Christ captured, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Derby Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-earl-of-derby-image553861360.htmlRF2R52FPT–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Derby
The Smoker, print engraved from a painting by J.L. Meissonier, UK, 1877 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-smoker-print-engraved-from-a-painting-by-jl-meissonier-uk-1877-image503668346.htmlRF2M7C236–The Smoker, print engraved from a painting by J.L. Meissonier, UK, 1877
Sir Felim O'Neill of Kinard, Irish Catholic politician and solider, 1604-1653. Launched the Irish rebellion in Ulster in 1641 against the Protestant forces. Sir Phillom O'Neale, chief traitor of all Ireland. In collar, cape, doublet, breeches with sash. From a very singular print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-felim-oneill-of-kinard-irish-catholic-politician-and-solider-1604-1653-launched-the-irish-rebellion-in-ulster-in-1641-against-the-protestant-forces-sir-phillom-oneale-chief-traitor-of-all-ireland-in-collar-cape-doublet-breeches-with-sash-from-a-very-singular-print-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637660.htmlRM2JPKR64–Sir Felim O'Neill of Kinard, Irish Catholic politician and solider, 1604-1653. Launched the Irish rebellion in Ulster in 1641 against the Protestant forces. Sir Phillom O'Neale, chief traitor of all Ireland. In collar, cape, doublet, breeches with sash. From a very singular print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Print of the Capture of Jacobins, Titled 'The Propaganda Tree'(Le Propagandier)Artist or maker unknown. Date:07 April 1792 aquatint, etching and engraving on paper, printed in brown ink. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-of-the-capture-of-jacobins-titled-the-propaganda-treele-propagandierartist-image68548892.htmlRMDYEJPM–Print of the Capture of Jacobins, Titled 'The Propaganda Tree'(Le Propagandier)Artist or maker unknown. Date:07 April 1792 aquatint, etching and engraving on paper, printed in brown ink.
sports, ball game, pastime on castle Atzenbrugg, print after etching by Ludwig Mohn, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sports-ball-game-pastime-on-castle-atzenbrugg-print-after-etching-by-ludwig-mohn-artists-copyright-has-not-to-be-cleared-image432414380.htmlRM2G3E4XM–sports, ball game, pastime on castle Atzenbrugg, print after etching by Ludwig Mohn, ARTIST'S COPYRIGHT HAS NOT TO BE CLEARED
Inspired by Blow, Sopla, Los Caprichos, Plate 69, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-blow-sopla-los-caprichos-plate-69-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253335.htmlRF2HK4P8R–Inspired by Blow, Sopla, Los Caprichos, Plate 69, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. Henry Hase(1763-1829), Chief cashier of the Bank of England, stipple, soft-ground etching, Print made by Charles Wilkin, Published by Charles Wilkin after Francis William Wilkin Published in London 1821, 'Engraved by C. Wilkin from a Portrait size of Life by F.W. Wilkin. / Published by Chas. Wilkin Jany. 19, 1821 No. 31 Foley Street, Portland Place.'. . 1821. Charles Wilkin (circa 1750–1814) Description English engraver and painter father of Francis William Wilkin Date of birth/death 1750 28 May 1814 Location of birth/death London London Work location London Authority control : Q Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/henry-hase1763-1829-chief-cashier-of-the-bank-of-england-stipple-soft-ground-etching-print-made-by-charles-wilkin-published-by-charles-wilkin-after-francis-william-wilkin-published-in-london-1821-engraved-by-c-wilkin-from-a-portrait-size-of-life-by-fw-wilkin-published-by-chas-wilkin-jany-19-1821-no-31-foley-street-portland-place-1821-charles-wilkin-circa-17501814-description-english-engraver-and-painter-father-of-francis-william-wilkin-date-of-birthdeath-1750-28-may-1814-location-of-birthdeath-london-london-work-location-london-authority-control-q-image184983345.htmlRMMMXM41–. Henry Hase(1763-1829), Chief cashier of the Bank of England, stipple, soft-ground etching, Print made by Charles Wilkin, Published by Charles Wilkin after Francis William Wilkin Published in London 1821, 'Engraved by C. Wilkin from a Portrait size of Life by F.W. Wilkin. / Published by Chas. Wilkin Jany. 19, 1821 No. 31 Foley Street, Portland Place.'. . 1821. Charles Wilkin (circa 1750–1814) Description English engraver and painter father of Francis William Wilkin Date of birth/death 1750 28 May 1814 Location of birth/death London London Work location London Authority control : Q
A laundry, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-laundry-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536127.htmlRM2WRB6CF–A laundry, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Denbigh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-earl-of-denbigh-image553861300.htmlRF2R52FMM–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Denbigh
The sleeping Faun, print engraved by E. Stodart from the sculpture of Hosmer, UK 1878 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-sleeping-faun-print-engraved-by-e-stodart-from-the-sculpture-of-hosmer-uk-1878-image503668012.htmlRF2M7C1K8–The sleeping Faun, print engraved by E. Stodart from the sculpture of Hosmer, UK 1878
Sir Ralph Hopton, Governour of Bristol, 1596-1652. Royalist politician and soldier during the English Civil War. From a print in the collection of Earl Spencer, sold by W. Bentley. In lace collar, doublet, breeches and boots with spurs. A military encampment and infantry formations at his feet. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-ralph-hopton-governour-of-bristol-1596-1652-royalist-politician-and-soldier-during-the-english-civil-war-from-a-print-in-the-collection-of-earl-spencer-sold-by-w-bentley-in-lace-collar-doublet-breeches-and-boots-with-spurs-a-military-encampment-and-infantry-formations-at-his-feet-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637555.htmlRM2JPKR2B–Sir Ralph Hopton, Governour of Bristol, 1596-1652. Royalist politician and soldier during the English Civil War. From a print in the collection of Earl Spencer, sold by W. Bentley. In lace collar, doublet, breeches and boots with spurs. A military encampment and infantry formations at his feet. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Hand-coloured etching titled 'Vent Contraire' published by Aaron Martinet. The print depicts a group of Englishwomen standing behind a folding screen waving their fans in a attempt to prevent the landing of the French Fleet. Dated 1803 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-coloured-etching-titled-vent-contraire-published-by-aaron-martinet-90852957.htmlRMF7PKTD–Hand-coloured etching titled 'Vent Contraire' published by Aaron Martinet. The print depicts a group of Englishwomen standing behind a folding screen waving their fans in a attempt to prevent the landing of the French Fleet. Dated 1803
technics, printing, print office of Joseph Zaengl, Faerbergraben, Munich, etching by Friedrich Bollinger, early 19th century, letterpress, plant, Germany, Bavaria, historic, historical, people, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-technics-printing-print-office-of-joseph-zaengl-faerbergraben-munich-28629743.htmlRMBJG5ER–technics, printing, print office of Joseph Zaengl, Faerbergraben, Munich, etching by Friedrich Bollinger, early 19th century, letterpress, plant, Germany, Bavaria, historic, historical, people,
Inspired by Miren Que Grabes, Los Caprichos, Plate 63, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-miren-que-grabes-los-caprichos-plate-63-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253347.htmlRF2HK4P97–Inspired by Miren Que Grabes, Los Caprichos, Plate 63, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Cestius Gallus, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cestius-gallus-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536123.htmlRM2WRB6CB–Cestius Gallus, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Norfolk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-duke-of-norfolk-image553861247.htmlRF2R52FJR–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Norfolk
The Shepherd, print engraved by Rosa Bonheur from the painting by C. Cousen, UK 1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-shepherd-print-engraved-by-rosa-bonheur-from-the-painting-by-c-cousen-uk-1888-image503668083.htmlRF2M7C1NR–The Shepherd, print engraved by Rosa Bonheur from the painting by C. Cousen, UK 1888
The Family of Sir Thomas More, Lord Chancellor, 1478-1535. L-R: Elizabeth Dauncey, Margaret Clements, Sir John More, Ann More, Sir Thomas More, John More, Henry Patenson, Cecily Heron, Margaret Roper, and Alice More. From the scarce print by Hans Holbein, engraved by W. Parsons. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-family-of-sir-thomas-more-lord-chancellor-1478-1535-l-r-elizabeth-dauncey-margaret-clements-sir-john-more-ann-more-sir-thomas-more-john-more-henry-patenson-cecily-heron-margaret-roper-and-alice-more-from-the-scarce-print-by-hans-holbein-engraved-by-w-parsons-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637657.htmlRM2JPKR61–The Family of Sir Thomas More, Lord Chancellor, 1478-1535. L-R: Elizabeth Dauncey, Margaret Clements, Sir John More, Ann More, Sir Thomas More, John More, Henry Patenson, Cecily Heron, Margaret Roper, and Alice More. From the scarce print by Hans Holbein, engraved by W. Parsons. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
'A convention of the not-ables' Print shows Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and others attempting to break into the royal treasury. etching S.W. Fores No. 3 Piccadilly, 1787 April 28th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-convention-of-the-not-ables-print-shows-lord-north-edmund-burke-57359161.htmlRMD98X5D–'A convention of the not-ables' Print shows Lord North, Edmund Burke, Charles Fox, the Prince of Wales, and others attempting to break into the royal treasury. etching S.W. Fores No. 3 Piccadilly, 1787 April 28th
Inspired by No Grites, Tonta, Los Caprichos, Plate 74, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-no-grites-tonta-los-caprichos-plate-74-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253345.htmlRF2HK4P95–Inspired by No Grites, Tonta, Los Caprichos, Plate 74, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Peter recognized, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peter-recognized-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536099.htmlRM2WRB6BF–Peter recognized, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Shrewsbury Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-earl-of-shrewsbury-image553861313.htmlRF2R52FN5–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Shrewsbury
Watch and Ward, print engraved by Bertinot from a painting by W. Bouguereau, UK, 1877 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watch-and-ward-print-engraved-by-bertinot-from-a-painting-by-w-bouguereau-uk-1877-image503668234.htmlRF2M7C1Y6–Watch and Ward, print engraved by Bertinot from a painting by W. Bouguereau, UK, 1877
James Graham, 1st Marquess of Montrose, Scottish poet and soldier, 1612-1650. The Great Montrose, Earl of Kingcairne, Lt. Governour and Captain General in the Kingdom of Scotland. With long hair, collar, suit of armour, coat of arms and crest with gauntlet and hedgehog. From the rare print by Adriaen Jacobz Matham. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/james-graham-1st-marquess-of-montrose-scottish-poet-and-soldier-1612-1650-the-great-montrose-earl-of-kingcairne-lt-governour-and-captain-general-in-the-kingdom-of-scotland-with-long-hair-collar-suit-of-armour-coat-of-arms-and-crest-with-gauntlet-and-hedgehog-from-the-rare-print-by-adriaen-jacobz-matham-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637656.htmlRM2JPKR60–James Graham, 1st Marquess of Montrose, Scottish poet and soldier, 1612-1650. The Great Montrose, Earl of Kingcairne, Lt. Governour and Captain General in the Kingdom of Scotland. With long hair, collar, suit of armour, coat of arms and crest with gauntlet and hedgehog. From the rare print by Adriaen Jacobz Matham. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
State cooks, or the downfall of the fish kettle: Print shows George III and Lord North standing in a kitchen, both wear aprons, George III has his back to the fireplace, between them, on the floor, is an overturned kettle of fish, each labelled with the name of a colony. George III says, 'O Boreas, the loss of these fish will ruin us forever', North replies, 'My honoured liege never fret. Minden & I will cook 'em yet', on the wall behind North is a map labelled 'Plan of North America'. etching, hand-collared 1781 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-state-cooks-or-the-downfall-of-the-fish-kettle-print-shows-george-57359167.htmlRMD98X5K–State cooks, or the downfall of the fish kettle: Print shows George III and Lord North standing in a kitchen, both wear aprons, George III has his back to the fireplace, between them, on the floor, is an overturned kettle of fish, each labelled with the name of a colony. George III says, 'O Boreas, the loss of these fish will ruin us forever', North replies, 'My honoured liege never fret. Minden & I will cook 'em yet', on the wall behind North is a map labelled 'Plan of North America'. etching, hand-collared 1781
Inspired by Unos a Otros, Los Caprichos, Plate 77, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-unos-a-otros-los-caprichos-plate-77-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253400.htmlRF2HK4PB4–Inspired by Unos a Otros, Los Caprichos, Plate 77, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Title print, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-print-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536066.htmlRM2WRB6AA–Title print, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Cleveland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-duke-of-cleveland-image553861420.htmlRF2R52FW0–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Cleveland
The Reading Girl, print engraved by E. Roffe from the statue by P. Magni, UK 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-reading-girl-print-engraved-by-e-roffe-from-the-statue-by-p-magni-uk-1850-image503668084.htmlRF2M7C1NT–The Reading Girl, print engraved by E. Roffe from the statue by P. Magni, UK 1850
Maurice, Prince Palatine of the Rhine, 1621-1652. Fought in the English Civil War on the Royalist side. On horseback, in suit of plate armour with collar and sash. Prince Maurice, 3rd son to Frederick V, King of Bohemia. From a unique equestrian print in Earl Spencer's Clarendon, sold by Peter Stent. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maurice-prince-palatine-of-the-rhine-1621-1652-fought-in-the-english-civil-war-on-the-royalist-side-on-horseback-in-suit-of-plate-armour-with-collar-and-sash-prince-maurice-3rd-son-to-frederick-v-king-of-bohemia-from-a-unique-equestrian-print-in-earl-spencers-clarendon-sold-by-peter-stent-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637644.htmlRM2JPKR5G–Maurice, Prince Palatine of the Rhine, 1621-1652. Fought in the English Civil War on the Royalist side. On horseback, in suit of plate armour with collar and sash. Prince Maurice, 3rd son to Frederick V, King of Bohemia. From a unique equestrian print in Earl Spencer's Clarendon, sold by Peter Stent. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Inspired by Nothing Could Be Done About It, Nohubo remedio, Los Caprichos, Plate 24, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 13/16 x 8 15/16 in., 30 x 22.7 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-nothing-could-be-done-about-it-nohubo-remedio-los-caprichos-plate-24-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-1316-x-8-1516-in-30-x-227-cm-aquatint-engraving-etching-print-satire-satirical-spain-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253278.htmlRF2HK4P6P–Inspired by Nothing Could Be Done About It, Nohubo remedio, Los Caprichos, Plate 24, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 13/16 x 8 15/16 in., 30 x 22.7 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Company of men at the table, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/company-of-men-at-the-table-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536118.htmlRM2WRB6C6–Company of men at the table, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Huntingdon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-earl-of-huntingdon-image553861431.htmlRF2R52FWB–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Earl of Huntingdon
The Angler's Nook, print engraved by J. Carter from the painting by P. Nasmyth, UK 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-anglers-nook-print-engraved-by-j-carter-from-the-painting-by-p-nasmyth-uk-1850-image503668106.htmlRF2M7C1PJ–The Angler's Nook, print engraved by J. Carter from the painting by P. Nasmyth, UK 1850
Princess Mary, daughter of King James V of Scotland, 1542-1587. Later Mary Queen of Scots, Mary Stuart, Mary I, Queen of Scotland. In bejeweled cap, brocade gown with slashed sleeves, holding a feather fan. Maria Jacobi Scotorum Regis Filia Scotorumque Nunc Regina. From a singular and rare print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-mary-daughter-of-king-james-v-of-scotland-1542-1587-later-mary-queen-of-scots-mary-stuart-mary-i-queen-of-scotland-in-bejeweled-cap-brocade-gown-with-slashed-sleeves-holding-a-feather-fan-maria-jacobi-scotorum-regis-filia-scotorumque-nunc-regina-from-a-singular-and-rare-print-copperplate-engraving-from-samuel-woodburns-gallery-of-rare-portraits-consisting-of-original-plates-george-jones-102-st-martins-lane-london-1816-image478637630.htmlRM2JPKR52–Princess Mary, daughter of King James V of Scotland, 1542-1587. Later Mary Queen of Scots, Mary Stuart, Mary I, Queen of Scotland. In bejeweled cap, brocade gown with slashed sleeves, holding a feather fan. Maria Jacobi Scotorum Regis Filia Scotorumque Nunc Regina. From a singular and rare print. Copperplate engraving from Samuel Woodburn’s Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martin’s Lane, London, 1816.
Inspired by Trials, Ensayos, Los Caprichos, Plate 60, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trials-ensayos-los-caprichos-plate-60-francisco-de-goya-y-lucientes-spanish-1746-1828-etching-and-aquatint-on-laid-paper-spain-1797-1798-sheet-11-78-x-8-in-302-x-203-cm-aquatint-engraving-etching-print-satire-satirical-spain-spanish-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459253339.htmlRF2HK4P8Y–Inspired by Trials, Ensayos, Los Caprichos, Plate 60, Francisco de Goya y Lucientes, Spanish, 1746-1828, Etching and aquatint on laid paper, Spain, 1797-1798, Sheet: 11 7/8 x 8 in., 30.2 x 20.3 cm, Aquatint, Engraving, Etching, Print, Satire, Satirical, Spain, Spanish, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Children blowing bubbles, print maker: Jan Luyken, 1659 - 1712, paper, etching, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/children-blowing-bubbles-print-maker-jan-luyken-1659-1712-paper-etching-print-image599536132.htmlRM2WRB6CM–Children blowing bubbles, print maker: Jan Luyken, 1659 - 1712, paper, etching, print
Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Devonshire Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-grignion-1721-1810-engravings-after-samuel-wales-c1763-1767-duke-of-devonshire-image553861439.htmlRF2R52FWK–Charles Grignion (1721-1810) engravings after Samuel Wales c1763-1767 - Duke of Devonshire
Jenny Lind, print engraved by E. Roffe from the bust by J. Durham, UK 1850 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jenny-lind-print-engraved-by-e-roffe-from-the-bust-by-j-durham-uk-1850-image503668086.htmlRF2M7C1NX–Jenny Lind, print engraved by E. Roffe from the bust by J. Durham, UK 1850
