A scene on the frontiers as practiced by the 'humane' British and their 'worthy' allies. by William Charles,1776-1820, artist 1812. print on wove paper;etching with watercolour. Charles denounces British and Indian depredations on the American frontier during the War of 1812, alluding specifically to the practice of offering bounties for American scalps. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-scene-on-the-frontiers-as-practiced-by-the-humane-british-and-their-worthy-allies-by-william-charles1776-1820-artist-1812-print-on-wove-paperetching-with-watercolour-charles-denounces-british-and-indian-depredations-on-the-american-frontier-during-the-war-of-1812-alluding-specifically-to-the-practice-of-offering-bounties-for-american-scalps-image230631273.html
RMRB64F5–A scene on the frontiers as practiced by the 'humane' British and their 'worthy' allies. by William Charles,1776-1820, artist 1812. print on wove paper;etching with watercolour. Charles denounces British and Indian depredations on the American frontier during the War of 1812, alluding specifically to the practice of offering bounties for American scalps.
A print coloured engraving of a view of Somerset House on the river Thames London in 1816 Publisher Joseph Constantine Sadler Printer was Thomas Hosmer Shepherd 19th century skyline and cityscape historical perspective etching watercolour old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-a-view-of-somerset-house-on-the-river-thames-london-in-1816-publisher-joseph-constantine-sadler-printer-was-thomas-hosmer-shepherd-19th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-old-antique-print-image608865013.html
RM2XAG5F1–A print coloured engraving of a view of Somerset House on the river Thames London in 1816 Publisher Joseph Constantine Sadler Printer was Thomas Hosmer Shepherd 19th century skyline and cityscape historical perspective etching watercolour old antique print
Prise de la Bastille par les Citoyens de Paris; C'est ainsi que l'on punit les traitres 1789. Citizens with guns and pikes outside of the Bastille, July 14, 1789, and heads of 'traitors' being carried on pikes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prise-de-la-bastille-par-les-citoyens-de-paris-cest-ainsi-que-lon-image68557753.html
RMDYF235–Prise de la Bastille par les Citoyens de Paris; C'est ainsi que l'on punit les traitres 1789. Citizens with guns and pikes outside of the Bastille, July 14, 1789, and heads of 'traitors' being carried on pikes.
Ancient of Days . English: Etching / Watercolour Size: 23.3 x 16.8 cm (9 1/8 x 6 7/8 inch) Location: British Museum, London (THIS IS NOT a copy held by Whitworth Institute, Manchester, but sourced from the British Museum – Dmitrismirnov, talk, 11 July 2013) . 1794. N/A 209 Blake ancient of days Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ancient-of-days-english-etching-watercolour-size-233-x-168-cm-9-18-x-6-78-inch-location-british-museum-london-this-is-not-a-copy-held-by-whitworth-institute-manchester-but-sourced-from-the-british-museum-dmitrismirnov-talk-11-july-2013-1794-na-209-blake-ancient-of-days-image210106508.html
RMP5R4YT–Ancient of Days . English: Etching / Watercolour Size: 23.3 x 16.8 cm (9 1/8 x 6 7/8 inch) Location: British Museum, London (THIS IS NOT a copy held by Whitworth Institute, Manchester, but sourced from the British Museum – Dmitrismirnov, talk, 11 July 2013) . 1794. N/A 209 Blake ancient of days
Eero Järnefelt, 8.11.1863, Vyborg, 15.11.1937, Helsinki, View from Koli, 1880 - 1937, 51.6 × 61.8 cm, soft-ground etching, watercolour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eero-jrnefelt-8111863-vyborg-15111937-helsinki-view-from-koli-1880-1937-516-618-cm-soft-ground-etching-watercolour-image573415631.html
RM2T8W9DK–Eero Järnefelt, 8.11.1863, Vyborg, 15.11.1937, Helsinki, View from Koli, 1880 - 1937, 51.6 × 61.8 cm, soft-ground etching, watercolour
Great Plague in London, 1665. Artist: Anonymous Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/great-plague-in-london-1665-artist-anonymous-image262729469.html
RMW7CA39–Great Plague in London, 1665. Artist: Anonymous
Destruction of the Royal Statue of King George III in New York on July 9th 1776, etching with watercolour painting by Balthasar Friedrich Leizelt, 1771-1781 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/destruction-of-the-royal-statue-of-king-george-iii-in-new-york-on-july-9th-1776-etching-with-watercolour-painting-by-balthasar-friedrich-leizelt-1771-1781-image573161752.html
RM2T8DNJG–Destruction of the Royal Statue of King George III in New York on July 9th 1776, etching with watercolour painting by Balthasar Friedrich Leizelt, 1771-1781
The Battle at Issus in 333 B.C., Alexander the Great of Macedonia is chasing the fleeing Darius III, etching with watercolour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-at-issus-in-333-bc-alexander-the-great-of-macedonia-is-chasing-the-fleeing-darius-iii-etching-with-watercolour-image566000391.html
RM2RTRF7K–The Battle at Issus in 333 B.C., Alexander the Great of Macedonia is chasing the fleeing Darius III, etching with watercolour
Anthony van Dyck, Flemish Baroque artist, leading court painter in England, (1599-1641) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anthony-van-dyck-flemish-baroque-artist-leading-court-painter-in-england-176201591.html
RMM6JJWY–Anthony van Dyck, Flemish Baroque artist, leading court painter in England, (1599-1641)
Orval Abbey / Abbaye Notre-Dame d'Orval, aquarelle of the Cistercian monastery at Villers-devant-Orval, Florenville, Luxembourg, Wallonia, Belgium Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/orval-abbey-abbaye-notre-dame-dorval-aquarelle-of-the-cistercian-monastery-at-villers-devant-orval-florenville-luxembourg-wallonia-belgium-image563751070.html
RM2RN526P–Orval Abbey / Abbaye Notre-Dame d'Orval, aquarelle of the Cistercian monastery at Villers-devant-Orval, Florenville, Luxembourg, Wallonia, Belgium
Watercolour of a ball by Abraham Bosse, a similar subject to many of his most famous etchings, circa 1635 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watercolour-of-a-ball-by-abraham-bosse-a-similar-subject-to-many-of-his-most-famous-etchings-circa-1635-image407037581.html
RM2EJ64GD–Watercolour of a ball by Abraham Bosse, a similar subject to many of his most famous etchings, circa 1635
Les Bouquets, ou la Fete de la Grand'Maman. Dated: 1788. Medium: color aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt. Debucourt, Philibert-Louis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/les-bouquets-ou-la-fete-de-la-grandmaman-dated-1788-medium-color-aquatint-and-etching-museum-national-gallery-of-art-washington-dc-author-philibert-louis-debucourt-debucourt-philibert-louis-image225724439.html
RMR36HR3–Les Bouquets, ou la Fete de la Grand'Maman. Dated: 1788. Medium: color aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt. Debucourt, Philibert-Louis.
RUIN DER Lieben Frau Kirche IN MAYNZ Author Kuntz, Carl 93.17.c. Place of publication: [Mannheim] Publisher: in Mannheim bey Domenico Artaria., Date of publication: [Jahre 1793] Item type: 1 print Medium: etching with watercolour Dimensions: sheet 54 x 69 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruin-der-lieben-frau-kirche-in-maynz-author-kuntz-carl-9317c-place-of-publication-mannheim-publisher-in-mannheim-bey-domenico-artaria-date-of-publication-jahre-1793-item-type-1-print-medium-etching-with-watercolour-dimensions-sheet-54-x-69-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401721570.html
RM2E9FYXX–RUIN DER Lieben Frau Kirche IN MAYNZ Author Kuntz, Carl 93.17.c. Place of publication: [Mannheim] Publisher: in Mannheim bey Domenico Artaria., Date of publication: [Jahre 1793] Item type: 1 print Medium: etching with watercolour Dimensions: sheet 54 x 69 cm Former owner: George III, King of Great Britain, 1738-1820
HMS Colossus at sea Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hms-colossus-at-sea-image544968573.html
RM2PJHCY9–HMS Colossus at sea
Black and white etching of hydrangea flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-etching-of-hydrangea-flowers-image575741511.html
RF2TCK84R–Black and white etching of hydrangea flowers.
Vector autumn Oak Leaf Illustration with painted by black inks in outline style. Line art Drawing of fall plant for harvest greeting cards or Halloween invitations. Etching for postcards. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-autumn-oak-leaf-illustration-with-painted-by-black-inks-in-outline-style-line-art-drawing-of-fall-plant-for-harvest-greeting-cards-or-halloween-invitations-etching-for-postcards-image619157421.html
RF2XY91H1–Vector autumn Oak Leaf Illustration with painted by black inks in outline style. Line art Drawing of fall plant for harvest greeting cards or Halloween invitations. Etching for postcards.
Coloured Illustration, Cana of Galilee the frontispiece from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coloured-illustration-cana-of-galilee-the-frontispiece-from-the-book-palestine-illustrated-by-sir-richard-temple-1st-baronet-gcsi-cie-pc-frs-8-march-1826-15-march-1902-was-an-administrator-in-british-india-and-a-british-politician-published-in-london-by-wh-allen-co-in-1888-image376644213.html
RM2CTNHF1–Coloured Illustration, Cana of Galilee the frontispiece from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
Fishermen and women sitting on the banks of the River Tiber in the foreground, with ships, Ponte Sant'Angelo and Castel Sant'Angelo in the background. Le Tombeau d'Adrien ou Chateau St Ange. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.g. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fishermen-and-women-sitting-on-the-banks-of-the-river-tiber-in-the-foreground-with-ships-ponte-santangelo-and-castel-santangelo-in-the-background-le-tombeau-dadrien-ou-chateau-st-ange-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143g-image226866840.html
RMR52JY4–Fishermen and women sitting on the banks of the River Tiber in the foreground, with ships, Ponte Sant'Angelo and Castel Sant'Angelo in the background. Le Tombeau d'Adrien ou Chateau St Ange. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.g.
View of Paris from Pere-la-Chaise Cemetery, hand coloured engraving by William Miller (1796-1882) based on a 1833 watercolour by J. M. W. Turner (1775-18510 published in 1885. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-paris-from-pere-la-chaise-cemetery-hand-coloured-engraving-by-william-miller-1796-1882-based-on-a-1833-watercolour-by-j-m-w-turner-1775-18510-published-in-1885-image568779209.html
RM2T1A3K5–View of Paris from Pere-la-Chaise Cemetery, hand coloured engraving by William Miller (1796-1882) based on a 1833 watercolour by J. M. W. Turner (1775-18510 published in 1885.
Prise de la Bastille par les Citoyens de Paris; C'est ainsi que l'on punit les traitres 1789. Citizens with guns and pikes outside of the Bastille, July 14, 1789, and heads of 'traitors' being carried on pikes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prise-de-la-bastille-par-les-citoyens-de-paris-cest-ainsi-que-lon-punit-les-traitres-1789-citizens-with-guns-and-pikes-outside-of-the-bastille-july-14-1789-and-heads-of-traitors-being-carried-on-pikes-image210363194.html
RMP66TB6–Prise de la Bastille par les Citoyens de Paris; C'est ainsi que l'on punit les traitres 1789. Citizens with guns and pikes outside of the Bastille, July 14, 1789, and heads of 'traitors' being carried on pikes.
A print coloured engraving of Game keepers to the right honorable Lord Viscount Torrington by Richard Earlom historical perspective etching watercolour art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-game-keepers-to-the-right-honorable-lord-viscount-torrington-by-richard-earlom-historical-perspective-etching-watercolour-art-image613304164.html
RM2XHPBM4–A print coloured engraving of Game keepers to the right honorable Lord Viscount Torrington by Richard Earlom historical perspective etching watercolour art
Ink and water colour etching of Cholera Prevention Man dressed in a large blue overcoat, a clay pipe in one hand and a mask over his face. He is standing in a doorway surrounded by boxes containing herbs. Behind him is the ghostly apparition of cholera. T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ink-and-water-colour-etching-of-cholera-prevention-man-dressed-in-84967643.html
RMEX6H2K–Ink and water colour etching of Cholera Prevention Man dressed in a large blue overcoat, a clay pipe in one hand and a mask over his face. He is standing in a doorway surrounded by boxes containing herbs. Behind him is the ghostly apparition of cholera. T
. English: Print, Great St. James Street, Montreal, John Murray, 1843-1844, Ink and watercolour on paper - Etching - 24.2 x 27.2 cm Français : Estampe, Grande rue Saint-Jacques, Montréal, John Murray 1843-1844, Encre et aquarelle sur papier - Gravure - 24.2 x 27.2 cm . between 1843 and 1844 2 Grande rue Saint-Jacques Montreal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-print-great-st-james-street-montreal-john-murray-1843-1844-ink-and-watercolour-on-paper-etching-242-x-272-cm-franais-estampe-grande-rue-saint-jacques-montral-john-murray-1843-1844-encre-et-aquarelle-sur-papier-gravure-242-x-272-cm-between-1843-and-1844-2-grande-rue-saint-jacques-montreal-image189277021.html
RMMYX8NH–. English: Print, Great St. James Street, Montreal, John Murray, 1843-1844, Ink and watercolour on paper - Etching - 24.2 x 27.2 cm Français : Estampe, Grande rue Saint-Jacques, Montréal, John Murray 1843-1844, Encre et aquarelle sur papier - Gravure - 24.2 x 27.2 cm . between 1843 and 1844 2 Grande rue Saint-Jacques Montreal
View of Paris, View of the Champ de Mars and Lécole (sic) Militaire. (17), Engraver, Tessier, Alexandre, Print dealer, Prints, Manuscripts, printed matter, binding, Graphic arts, Book illustration, Etching, Watercolour, Color heightening, Color print, Coloured, Dimensions - Work: Height: 13 cm, Width: 21.3 cm, Dimensions - Mounting:, Height: 32.6 cm, Width: 49 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-paris-view-of-the-champ-de-mars-and-lcole-sic-militaire-17-engraver-tessier-alexandre-print-dealer-prints-manuscripts-printed-matter-binding-graphic-arts-book-illustration-etching-watercolour-color-heightening-color-print-coloured-dimensions-work-height-13-cm-width-213-cm-dimensions-mounting-height-326-cm-width-49-cm-image573234124.html
RM2T8H1Y8–View of Paris, View of the Champ de Mars and Lécole (sic) Militaire. (17), Engraver, Tessier, Alexandre, Print dealer, Prints, Manuscripts, printed matter, binding, Graphic arts, Book illustration, Etching, Watercolour, Color heightening, Color print, Coloured, Dimensions - Work: Height: 13 cm, Width: 21.3 cm, Dimensions - Mounting:, Height: 32.6 cm, Width: 49 cm
Triumphal arch at the Myasnitskaya Street in Moscow. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triumphal-arch-at-the-myasnitskaya-street-in-moscow-image262730646.html
RMW7CBHA–Triumphal arch at the Myasnitskaya Street in Moscow.
A view of Shepperton, Middlesex, watercolour painting by John Boydell, 1752 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-view-of-shepperton-middlesex-watercolour-painting-by-john-boydell-1752-image365919669.html
RM2C7927H–A view of Shepperton, Middlesex, watercolour painting by John Boydell, 1752
Zoological Society of London, a civet cat, coloured etching with watercolour by W. Panormo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/zoological-society-of-london-a-civet-cat-coloured-etching-with-watercolour-by-w-panormo-image566888451.html
RM2RX8003–Zoological Society of London, a civet cat, coloured etching with watercolour by W. Panormo
A Sikh in a landscape; watercolour etching from 'A Collection of Two Hundred and Fifty Coloured Etchings Descriptive of the Manners, Customs and Dress of the Hindoos' by François Balthazar Solvyns, Calcutta, 1799. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sikh-in-a-landscape-watercolour-etching-from-a-collection-of-two-hundred-and-fifty-coloured-etchings-descriptive-of-the-manners-customs-and-dress-of-the-hindoos-by-franois-balthazar-solvyns-calcutta-1799-image592953778.html
RM2WCKAGJ–A Sikh in a landscape; watercolour etching from 'A Collection of Two Hundred and Fifty Coloured Etchings Descriptive of the Manners, Customs and Dress of the Hindoos' by François Balthazar Solvyns, Calcutta, 1799.
Historical botany study. Illustration of 4 various weeds and edible plants by Mathias Lobel. Printed in 1576 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/historical-botany-study-illustration-of-4-various-weeds-and-edible-plants-by-mathias-lobel-printed-in-1576-image340517624.html
RM2ANYWKM–Historical botany study. Illustration of 4 various weeds and edible plants by Mathias Lobel. Printed in 1576
Formal Portrait of balloonist Robert Cocking first man to die in a parachute accident.(1776 – 1837) the a British watercolour artist who died in the first parachute accident. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-formal-portrait-of-balloonist-robert-cocking-first-man-to-die-in-a-175559923.html
RMM5HCD7–Formal Portrait of balloonist Robert Cocking first man to die in a parachute accident.(1776 – 1837) the a British watercolour artist who died in the first parachute accident.
The Dinner. Dated: 1787. Dimensions: sheet: 47.7 x 57.6 cm (18 3/4 x 22 11/16 in.). Medium: hand-colored etching and aquatint on (J. Whatman paper?). Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson. ROWLANDSON, THOMAS. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-dinner-dated-1787-dimensions-sheet-477-x-576-cm-18-34-x-22-1116-in-medium-hand-colored-etching-and-aquatint-on-j-whatman-paper-museum-national-gallery-of-art-washington-dc-author-thomas-rowlandson-rowlandson-thomas-image218715011.html
RMPKR96B–The Dinner. Dated: 1787. Dimensions: sheet: 47.7 x 57.6 cm (18 3/4 x 22 11/16 in.). Medium: hand-colored etching and aquatint on (J. Whatman paper?). Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson. ROWLANDSON, THOMAS.
RUIN DES DOMS UND LEICHTHOFES IN MAYNZ Author Kuntz, Carl 93.17.b. Place of publication: [Mannheim] Publisher: in Mannheim bey Domenico Artaria., Date of publication: [Jahre 1793] Item type: 1 print Medium: etching with watercolour Dimensions: sheet 54 x 69.1 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruin-des-doms-und-leichthofes-in-maynz-author-kuntz-carl-9317b-place-of-publication-mannheim-publisher-in-mannheim-bey-domenico-artaria-date-of-publication-jahre-1793-item-type-1-print-medium-etching-with-watercolour-dimensions-sheet-54-x-691-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401721573.html
RM2E9FYY1–RUIN DES DOMS UND LEICHTHOFES IN MAYNZ Author Kuntz, Carl 93.17.b. Place of publication: [Mannheim] Publisher: in Mannheim bey Domenico Artaria., Date of publication: [Jahre 1793] Item type: 1 print Medium: etching with watercolour Dimensions: sheet 54 x 69.1 cm Former owner: George III, King of Great Britain, 1738-1820
Colored etching showing the ginseng plant, panax quinquefolium, from Jacob Bigelow's American medical botany, 1817 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/colored-etching-showing-the-ginseng-plant-panax-quinquefolium-from-jacob-bigelows-american-medical-botany-1817-image502434931.html
RM2M5BTTK–Colored etching showing the ginseng plant, panax quinquefolium, from Jacob Bigelow's American medical botany, 1817
Black and white etching of hollyhock flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-etching-of-hollyhock-flowers-image575741514.html
RF2TCK84X–Black and white etching of hollyhock flowers.
Goat head hand drawn ink sketch. Engraved style vector logotype. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/goat-head-hand-drawn-ink-sketch-engraved-style-vector-logotype-image607372703.html
RF2X84627–Goat head hand drawn ink sketch. Engraved style vector logotype.
Jacob's Well [AKA Jacob's fountain and Well of Sychar is a deep well constructed from rock that has been associated in religious tradition with Jacob for roughly two millennia. It is situated a short distance from the archaeological site of biblical Shechem]. Coloured Illustration of from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacobs-well-aka-jacobs-fountain-and-well-of-sychar-is-a-deep-well-constructed-from-rock-that-has-been-associated-in-religious-tradition-with-jacob-for-roughly-two-millennia-it-is-situated-a-short-distance-from-the-archaeological-site-of-biblical-shechem-coloured-illustration-of-from-the-book-palestine-illustrated-by-sir-richard-temple-1st-baronet-gcsi-cie-pc-frs-8-march-1826-15-march-1902-was-an-administrator-in-british-india-and-a-british-politician-published-in-london-by-wh-allen-co-in-1888-image376645790.html
RM2CTNKFA–Jacob's Well [AKA Jacob's fountain and Well of Sychar is a deep well constructed from rock that has been associated in religious tradition with Jacob for roughly two millennia. It is situated a short distance from the archaeological site of biblical Shechem]. Coloured Illustration of from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
Two men and two women walk barefoot with two horses before the Arch of Constantine in Rome, with cottages beyond and a landscape in the background. L'Arc de Constantin. [Rome] : [Giovanni Volpato], [between 1780 and 1789]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.a. Language: French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-men-and-two-women-walk-barefoot-with-two-horses-before-the-arch-of-constantine-in-rome-with-cottages-beyond-and-a-landscape-in-the-background-larc-de-constantin-rome-giovanni-volpato-between-1780-and-1789-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143a-language-french-image226908498.html
RMR54G2X–Two men and two women walk barefoot with two horses before the Arch of Constantine in Rome, with cottages beyond and a landscape in the background. L'Arc de Constantin. [Rome] : [Giovanni Volpato], [between 1780 and 1789]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.a. Language: French.
A skeleton hand holds an iron drinking goblet. Wrist and and radius, ulna. Watercolor illustration. Isolated on a white background. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-skeleton-hand-holds-an-iron-drinking-goblet-wrist-and-and-radius-ulna-watercolor-illustration-isolated-on-a-white-background-image485854112.html
RF2K6CFTG–A skeleton hand holds an iron drinking goblet. Wrist and and radius, ulna. Watercolor illustration. Isolated on a white background.
Watercolour drawing of nasturtium flowers and leaves from the Holy Land area (Israel and Palestine)By Grace Whiting, artist. Published between 1933 and 1961. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/watercolour-drawing-of-nasturtium-flowers-and-leaves-from-the-holy-land-area-israel-and-palestineby-grace-whiting-artist-published-between-1933-and-1961-image330680026.html
RM2A5YNMX–Watercolour drawing of nasturtium flowers and leaves from the Holy Land area (Israel and Palestine)By Grace Whiting, artist. Published between 1933 and 1961.
A print coloured engraving of general view of the Bastille in Paris 1749 Publisher Robert Sayer 18th century skyline and cityscape historical perspective etching watercolour old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-general-view-of-the-bastille-in-paris-1749-publisher-robert-sayer-18th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-old-antique-print-image608863570.html
RM2XAG3KE–A print coloured engraving of general view of the Bastille in Paris 1749 Publisher Robert Sayer 18th century skyline and cityscape historical perspective etching watercolour old antique print
Triomphe de Marat : [1793] etching, with watercolour. Jean Paul Marat with crown of laurel leaves carried on shoulders of man around whom others are crowded; celebrating his acquittal by Revolutionary Tribunal. French political cartoon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triomphe-de-marat-1793-etching-with-watercolour-jean-paul-marat-with-image68557118.html
RMDYF18E–Triomphe de Marat : [1793] etching, with watercolour. Jean Paul Marat with crown of laurel leaves carried on shoulders of man around whom others are crowded; celebrating his acquittal by Revolutionary Tribunal. French political cartoon
. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 317 Le Saint-Laurent a Montreal 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-print-the-st-lawrence-at-montreal-william-henry-bartlett-1809-1854-1841-ink-and-watercolour-on-paper-etching-215-x-275-cm-franais-estampe-le-saint-laurent-montral-william-henry-bartlett-1809-1854-1841-encre-et-aquarelle-sur-papier-gravure-215-x-275-cm-1841-william-henry-bartlett-1809-1854-317-le-saint-laurent-a-montreal-1841-image188818056.html
RMMY5BA0–. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 317 Le Saint-Laurent a Montreal 1841
French Theatre. Mr Michelot, role of Don Carlos (Hernani), Engraver, Lacauchie, Alexandre, Draftsman, Theatrical Gallery, Engraver, In 1873, 3rd quarter of the 19th century, Maison de Victor Hugo - Hauteville House, Prints, Graphic arts, Prints, Etching, Watercolour, Paper, Dimensions - Trait Carré:, Height: 19. 4 cm, Width: 14.5 cm, Dimensions - Work: Height: 31.7 cm, Width: 25 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-theatre-mr-michelot-role-of-don-carlos-hernani-engraver-lacauchie-alexandre-draftsman-theatrical-gallery-engraver-in-1873-3rd-quarter-of-the-19th-century-maison-de-victor-hugo-hauteville-house-prints-graphic-arts-prints-etching-watercolour-paper-dimensions-trait-carr-height-19-4-cm-width-145-cm-dimensions-work-height-317-cm-width-25-cm-image573224733.html
RM2T8GHYW–French Theatre. Mr Michelot, role of Don Carlos (Hernani), Engraver, Lacauchie, Alexandre, Draftsman, Theatrical Gallery, Engraver, In 1873, 3rd quarter of the 19th century, Maison de Victor Hugo - Hauteville House, Prints, Graphic arts, Prints, Etching, Watercolour, Paper, Dimensions - Trait Carré:, Height: 19. 4 cm, Width: 14.5 cm, Dimensions - Work: Height: 31.7 cm, Width: 25 cm
View of the Palace of Fontainebleau, 1725. Found in the Collection of the Etching, watercolour. Found in the Collection of the Royal Castle, Warsaw. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palace-of-fontainebleau-1725-found-in-the-collection-of-the-etching-watercolour-found-in-the-collection-of-the-royal-castle-warsaw-image565538547.html
RM2RT2E57–View of the Palace of Fontainebleau, 1725. Found in the Collection of the Etching, watercolour. Found in the Collection of the Royal Castle, Warsaw.
William Blake, Pity, watercolour painting circa 1795 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-pity-watercolour-painting-circa-1795-image259368375.html
RMW1Y707–William Blake, Pity, watercolour painting circa 1795
Corpus Christi College, Cambridge, coloured aquatint, 1824 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/corpus-christi-college-cambridge-coloured-aquatint-1824-image566774857.html
RM2RX2R35–Corpus Christi College, Cambridge, coloured aquatint, 1824
Spaniels: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spaniels-from-a-series-of-old-monochrome-sporting-prints-from-the-engravings-of-samuel-howitt-originally-published-between-1798-and-1800-howitt-was-an-english-painter-working-in-oils-and-watercolour-painting-animals-hunting-scenes-horse-racing-and-landscapes-he-was-also-an-etcher-illustrator-and-engraver-this-is-photographed-from-a-small-print-image591992989.html
RM2WB3H2N–Spaniels: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print.
Set of different trees watercolour, isolated on white background. Vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-different-trees-watercolour-isolated-on-white-background-vector-illustration-image568763252.html
RF2T19B98–Set of different trees watercolour, isolated on white background. Vector illustration
Possible self-portrait of balloonist Robert Cocking first man to die in a parachute accident.(1776 – 1837) the a British watercolour artist who died in the first parachute accident. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-possible-self-portrait-of-balloonist-robert-cocking-first-man-to-die-175559904.html
RMM5HCCG–Possible self-portrait of balloonist Robert Cocking first man to die in a parachute accident.(1776 – 1837) the a British watercolour artist who died in the first parachute accident.
Specimens of Waltzing. George Cruikshank (English, 1792-1878); published by Hannah Humphrey (English, c. 1745-1818). Date: 1817. Dimensions: 242 × 342 mm (image); 250 × 350 mm (plate); 255 × 355 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/specimens-of-waltzing-george-cruikshank-english-1792-1878-published-by-hannah-humphrey-english-c-1745-1818-date-1817-dimensions-242-342-mm-image-250-350-mm-plate-255-355-mm-sheet-hand-colored-etching-on-paper-origin-england-museum-the-chicago-art-institute-image240142987.html
RMRXKCR7–Specimens of Waltzing. George Cruikshank (English, 1792-1878); published by Hannah Humphrey (English, c. 1745-1818). Date: 1817. Dimensions: 242 × 342 mm (image); 250 × 350 mm (plate); 255 × 355 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute.
View of the Isles of Proscita, Ischia and Baia. Author Sandby, Paul 83.64.b. Place of publication: [London] Publisher: [Paul Sandby and Archibald Robertson] Date of publication: [1777] Item type: 1 print Medium: aquatint and etching with watercolour Dimensions: sheet 27.5 x 53.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-isles-of-proscita-ischia-and-baia-author-sandby-paul-8364b-place-of-publication-london-publisher-paul-sandby-and-archibald-robertson-date-of-publication-1777-item-type-1-print-medium-aquatint-and-etching-with-watercolour-dimensions-sheet-275-x-537-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401717080.html
RM2E9FP6G–View of the Isles of Proscita, Ischia and Baia. Author Sandby, Paul 83.64.b. Place of publication: [London] Publisher: [Paul Sandby and Archibald Robertson] Date of publication: [1777] Item type: 1 print Medium: aquatint and etching with watercolour Dimensions: sheet 27.5 x 53.7 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
Black and white etching of poppy flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-etching-of-poppy-flowers-image575741554.html
RF2TCK86A–Black and white etching of poppy flowers.
Cute baby goat head hand drawn ink sketch. Engraved style vector logotype. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cute-baby-goat-head-hand-drawn-ink-sketch-engraved-style-vector-logotype-image607384849.html
RF2X84NG1–Cute baby goat head hand drawn ink sketch. Engraved style vector logotype.
Coloured Illustration the River Jordan of from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/coloured-illustration-the-river-jordan-of-from-the-book-palestine-illustrated-by-sir-richard-temple-1st-baronet-gcsi-cie-pc-frs-8-march-1826-15-march-1902-was-an-administrator-in-british-india-and-a-british-politician-published-in-london-by-wh-allen-co-in-1888-image376645465.html
RM2CTNK3N–Coloured Illustration the River Jordan of from the book Palestine illustrated by Sir Richard Temple, 1st Baronet, GCSI, CIE, PC, FRS (8 March 1826 – 15 March 1902) was an administrator in British India and a British politician. Published in London by W.H. Allen & Co. in 1888
Figures in conversation, walking and riding donkeys among the ruins at Palatine Hill, with trees and shrubs growing among the remains of the Imperial Palace in the background. La Ville des Empereurs. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.f. Language: French. Author: Ducros, Louis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/figures-in-conversation-walking-and-riding-donkeys-among-the-ruins-at-palatine-hill-with-trees-and-shrubs-growing-among-the-remains-of-the-imperial-palace-in-the-background-la-ville-des-empereurs-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143f-language-french-author-ducros-louis-image227106846.html
RMR5DH2P–Figures in conversation, walking and riding donkeys among the ruins at Palatine Hill, with trees and shrubs growing among the remains of the Imperial Palace in the background. La Ville des Empereurs. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.f. Language: French. Author: Ducros, Louis.
Sheet of an old parchment drawing paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sheet-of-an-old-parchment-drawing-paper-image332978999.html
RF2A9ME33–Sheet of an old parchment drawing paper
Triomphe de Marat : [1793] etching, with watercolour. Jean Paul Marat with crown of laurel leaves carried on shoulders of man around whom others are crowded; celebrating his acquittal by Revolutionary Tribunal. French political cartoon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/triomphe-de-marat-1793-etching-with-watercolour-jean-paul-marat-with-crown-of-laurel-leaves-carried-on-shoulders-of-man-around-whom-others-are-crowded-celebrating-his-acquittal-by-revolutionary-tribunal-french-political-cartoon-image210362942.html
RMP66T26–Triomphe de Marat : [1793] etching, with watercolour. Jean Paul Marat with crown of laurel leaves carried on shoulders of man around whom others are crowded; celebrating his acquittal by Revolutionary Tribunal. French political cartoon
A print coloured engraving of a a view of London from Greenwich park, in 1804 Publisher William Daniell 19th century skyline and cityscape historical perspective etching watercolour old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-a-a-view-of-london-from-greenwich-park-in-1804-publisher-william-daniell-19th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-old-antique-print-image627124453.html
RM2YC7YHW–A print coloured engraving of a a view of London from Greenwich park, in 1804 Publisher William Daniell 19th century skyline and cityscape historical perspective etching watercolour old antique print
John Bull, the leviathan of the ocean; or, the French fleet sailing into the mouth of the Nile! 1798. etching, with watercolour. Cartoon showing John Bull eating French sailing ships; a satire on the French defeat during the War of the Second Coalition, possibly refers to the Battle of the Nile. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-bull-the-leviathan-of-the-ocean-or-the-french-fleet-sailing-into-image68550752.html
RMDYEN54–John Bull, the leviathan of the ocean; or, the French fleet sailing into the mouth of the Nile! 1798. etching, with watercolour. Cartoon showing John Bull eating French sailing ships; a satire on the French defeat during the War of the Second Coalition, possibly refers to the Battle of the Nile.
. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 364 Le Saint-Laurent a Montreal 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-print-the-st-lawrence-at-montreal-william-henry-bartlett-1809-1854-1841-ink-and-watercolour-on-paper-etching-215-x-275-cm-franais-estampe-le-saint-laurent-montral-william-henry-bartlett-1809-1854-1841-encre-et-aquarelle-sur-papier-gravure-215-x-275-cm-1841-william-henry-bartlett-1809-1854-364-le-saint-laurent-a-montreal-1841-image187562789.html
RMMW4671–. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 364 Le Saint-Laurent a Montreal 1841
French Theatre. Mr Michelot, role of Don Carlos (Hernani), Engraver, Lacauchie, Alexandre, Draftsman, Theatrical Gallery, Engraver, In 1873, 3rd quarter of the 19th century, Maison de Victor Hugo - Hauteville House, Prints, Graphic arts, Prints, Etching, Watercolour, Paper, Dimensions - Trait Carré:, Height: 19. 4 cm, Width: 14.5 cm, Dimensions - Work: Height: 31.7 cm, Width: 25 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-theatre-mr-michelot-role-of-don-carlos-hernani-engraver-lacauchie-alexandre-draftsman-theatrical-gallery-engraver-in-1873-3rd-quarter-of-the-19th-century-maison-de-victor-hugo-hauteville-house-prints-graphic-arts-prints-etching-watercolour-paper-dimensions-trait-carr-height-19-4-cm-width-145-cm-dimensions-work-height-317-cm-width-25-cm-image573224735.html
RM2T8GHYY–French Theatre. Mr Michelot, role of Don Carlos (Hernani), Engraver, Lacauchie, Alexandre, Draftsman, Theatrical Gallery, Engraver, In 1873, 3rd quarter of the 19th century, Maison de Victor Hugo - Hauteville House, Prints, Graphic arts, Prints, Etching, Watercolour, Paper, Dimensions - Trait Carré:, Height: 19. 4 cm, Width: 14.5 cm, Dimensions - Work: Height: 31.7 cm, Width: 25 cm
La Scala opera house in Milan, Festive Interior, 1830. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-scala-opera-house-in-milan-festive-interior-1830-image262733567.html
RMW7CF9K–La Scala opera house in Milan, Festive Interior, 1830.
William Blake, Dream of Thiralatha, relief etching, colour printed, 1794-1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-dream-of-thiralatha-relief-etching-colour-printed-1794-1796-image330576898.html
RM2A5R25P–William Blake, Dream of Thiralatha, relief etching, colour printed, 1794-1796
William Bromfield, 1712 - 1792, English surgeon, coloured engraving with watercolour by Daniel Orme after Richard Cosway, 1792 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-bromfield-1712-1792-english-surgeon-coloured-engraving-with-watercolour-by-daniel-orme-after-richard-cosway-1792-image566853730.html
RM2RX6BM2–William Bromfield, 1712 - 1792, English surgeon, coloured engraving with watercolour by Daniel Orme after Richard Cosway, 1792
The Fox: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-foxfrom-a-series-of-old-monochrome-sporting-prints-from-the-engravings-of-samuel-howitt-originally-published-between-1798-and-1800-howitt-was-an-english-painter-working-in-oils-and-watercolour-painting-animals-hunting-scenes-horse-racing-and-landscapes-he-was-also-an-etcher-illustrator-and-engraver-this-is-photographed-from-a-small-print-image591993041.html
RM2WB3H4H–The Fox: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print.
19th Century Hand colored Animal engraving of a tarsier on a tree Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-hand-colored-animal-engraving-of-a-tarsier-on-a-tree-image332763709.html
RM2A9AKE5–19th Century Hand colored Animal engraving of a tarsier on a tree
Farm animals, sheep and lamb watercolour, isolated on white background. Vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/farm-animals-sheep-and-lamb-watercolour-isolated-on-white-background-vector-illustration-image568763032.html
RF2T19B1C–Farm animals, sheep and lamb watercolour, isolated on white background. Vector illustration
L'assemblee au concert. Dated: 1784. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Francois-Nicolas-Barthelemy Dequevauviller after Nicolas Lavreince. Lafrensen, Niclas. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lassemblee-au-concert-dated-1784-medium-etching-and-engraving-museum-national-gallery-of-art-washington-dc-author-francois-nicolas-barthelemy-dequevauviller-after-nicolas-lavreince-lafrensen-niclas-image218824024.html
RMPM087M–L'assemblee au concert. Dated: 1784. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Francois-Nicolas-Barthelemy Dequevauviller after Nicolas Lavreince. Lafrensen, Niclas.
La Ville des Empereurs. Author Volpato, Giovanni 81.43.f. Place of publication: [Rome] Publisher: [Giovanni Volpato] Date of publication: [between 1780 and 1790] Item type: 1 print Medium: hand-coloured etching, with watercolour and gouache Dimensions: sheet 36.1 x 51.3 cm, on mount 42.2 x 58 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-ville-des-empereurs-author-volpato-giovanni-8143f-place-of-publication-rome-publisher-giovanni-volpato-date-of-publication-between-1780-and-1790-item-type-1-print-medium-hand-coloured-etching-with-watercolour-and-gouache-dimensions-sheet-361-x-513-cm-on-mount-422-x-58-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401716352.html
RM2E9FN8G–La Ville des Empereurs. Author Volpato, Giovanni 81.43.f. Place of publication: [Rome] Publisher: [Giovanni Volpato] Date of publication: [between 1780 and 1790] Item type: 1 print Medium: hand-coloured etching, with watercolour and gouache Dimensions: sheet 36.1 x 51.3 cm, on mount 42.2 x 58 cm Former owner: George III, King of Great Britain, 1738-1820
Black and white etching of hellebore flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-etching-of-hellebore-flowers-image575741518.html
RF2TCK852–Black and white etching of hellebore flowers.
Goat on the field head hand drawn ink sketch. Engraved style vector logotype. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/goat-on-the-field-head-hand-drawn-ink-sketch-engraved-style-vector-logotype-image607376361.html
RF2X84AMW–Goat on the field head hand drawn ink sketch. Engraved style vector logotype.
Portsmouth Point 1814 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portsmouth-point-1814-thomas-rowlandson-british-1756-1827-england-19th-century-etching-hand-colored-image409116736.html
RF2ENGTG0–Portsmouth Point 1814 Thomas Rowlandson (British, 1756-1827) England, 19th century Etching, hand colored
View of the Temple of Portunus, formerly believed to be the Temple of Fortuna Virilis, in the Forum Boarium in Rome, with figures trading and carrying goods in the foreground and theTemple of Hercules Victor in the background on the right. Le Temple de la Fortuna Virile. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-temple-of-portunus-formerly-believed-to-be-the-temple-of-fortuna-virilis-in-the-forum-boarium-in-rome-with-figures-trading-and-carrying-goods-in-the-foreground-and-thetemple-of-hercules-victor-in-the-background-on-the-right-le-temple-de-la-fortuna-virile-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143d-image226988698.html
RMR586B6–View of the Temple of Portunus, formerly believed to be the Temple of Fortuna Virilis, in the Forum Boarium in Rome, with figures trading and carrying goods in the foreground and theTemple of Hercules Victor in the background on the right. Le Temple de la Fortuna Virile. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.d.
John Bull, the leviathan of the ocean; or, the French fleet sailing into the mouth of the Nile! 1798. etching, with watercolour. Cartoon showing John Bull eating French sailing ships; a satire on the French defeat during the War of the Second Coalition, possibly refers to the Battle of the Nile. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-bull-the-leviathan-of-the-ocean-or-the-french-fleet-sailing-into-the-mouth-of-the-nile!-1798-etching-with-watercolour-cartoon-showing-john-bull-eating-french-sailing-ships-a-satire-on-the-french-defeat-during-the-war-of-the-second-coalition-possibly-refers-to-the-battle-of-the-nile-image330680007.html
RM2A5YNM7–John Bull, the leviathan of the ocean; or, the French fleet sailing into the mouth of the Nile! 1798. etching, with watercolour. Cartoon showing John Bull eating French sailing ships; a satire on the French defeat during the War of the Second Coalition, possibly refers to the Battle of the Nile.
A print coloured engraving of a view inside the Rotunda in Ranelagh gardens London in 1751 by Thomas Bowles Publisher was Robert Wilkinson 18th century skyline and cityscape historical perspective etching watercolour old antique print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-a-view-inside-the-rotunda-in-ranelagh-gardens-london-in-1751-by-thomas-bowles-publisher-was-robert-wilkinson-18th-century-skyline-and-cityscape-historical-perspective-etching-watercolour-old-antique-print-image627124311.html
RM2YC7YCR–A print coloured engraving of a view inside the Rotunda in Ranelagh gardens London in 1751 by Thomas Bowles Publisher was Robert Wilkinson 18th century skyline and cityscape historical perspective etching watercolour old antique print
Portrait of a female member of the auxiliary air force by Laura Knight (1877-1970) English artist who worked in oils, watercolours, etching, engraving and drypoint. Dated 1941 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-female-member-of-the-auxiliary-air-force-by-laura-knight-90823706.html
RMF7NAFP–Portrait of a female member of the auxiliary air force by Laura Knight (1877-1970) English artist who worked in oils, watercolours, etching, engraving and drypoint. Dated 1941
. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 364 Le Saint-Laurent a Montreal 1841 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-print-the-st-lawrence-at-montreal-william-henry-bartlett-1809-1854-1841-ink-and-watercolour-on-paper-etching-215-x-275-cm-franais-estampe-le-saint-laurent-montral-william-henry-bartlett-1809-1854-1841-encre-et-aquarelle-sur-papier-gravure-215-x-275-cm-1841-william-henry-bartlett-1809-1854-364-le-saint-laurent-a-montreal-1841-image188103961.html
RMMX0TEH–. English: Print, The St. Lawrence, at Montreal, William Henry Bartlett (1809-1854), 1841, Ink and watercolour on paper - Etching - 21.5 x 27.5 cm Français : Estampe, Le Saint-Laurent, à Montréal, William Henry Bartlett (1809-1854), 1841, Encre et aquarelle sur papier - Gravure - 21.5 x 27.5 cm . 1841. William Henry Bartlett (1809-1854) 364 Le Saint-Laurent a Montreal 1841
As You Like It, Act I Scene II, 1800 After John Downman, Rosalind gives a trinket to Orlando, crowned with a laurel wreath, who has just defeated the wrestler, while Celia peeps from behind her friend, smiling at the two, in a garden with a colonnaded pavilion behind where the king walks thoughtfully., Watercolour, Literature, William Shakespeare, Frame, Printing, Etching, Theatre, Costume, Hat, Costume, Fashion, Laurel wreath, Legend, Hand-Tinted, Works on Paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/as-you-like-it-act-i-scene-ii-1800-after-john-downman-rosalind-gives-a-trinket-to-orlando-crowned-with-a-laurel-wreath-who-has-just-defeated-the-wrestler-while-celia-peeps-from-behind-her-friend-smiling-at-the-two-in-a-garden-with-a-colonnaded-pavilion-behind-where-the-king-walks-thoughtfully-watercolour-literature-william-shakespeare-frame-printing-etching-theatre-costume-hat-costume-fashion-laurel-wreath-legend-hand-tinted-works-on-paper-image387009701.html
RM2DDHPR1–As You Like It, Act I Scene II, 1800 After John Downman, Rosalind gives a trinket to Orlando, crowned with a laurel wreath, who has just defeated the wrestler, while Celia peeps from behind her friend, smiling at the two, in a garden with a colonnaded pavilion behind where the king walks thoughtfully., Watercolour, Literature, William Shakespeare, Frame, Printing, Etching, Theatre, Costume, Hat, Costume, Fashion, Laurel wreath, Legend, Hand-Tinted, Works on Paper
Portrait of Emperor Peter I. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-emperor-peter-i-image262731818.html
RMW7CD36–Portrait of Emperor Peter I.
William Blake, Joseph of Arimathea Preaching to the Britons, relief etching printed in colour, 1794-1796 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/william-blake-joseph-of-arimathea-preaching-to-the-britons-relief-etching-printed-in-colour-1794-1796-image330576911.html
RM2A5R267–William Blake, Joseph of Arimathea Preaching to the Britons, relief etching printed in colour, 1794-1796
Three Minstrels playing their instruments as they walk among trees, coloured engraving with watercolour after Henry Shaw, Date: 1843 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-minstrels-playing-their-instruments-as-they-walk-among-trees-coloured-engraving-with-watercolour-after-henry-shaw-date-1843-image599416028.html
RM2WR5N78–Three Minstrels playing their instruments as they walk among trees, coloured engraving with watercolour after Henry Shaw, Date: 1843
Horse Racing: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/horse-racing-from-a-series-of-old-monochrome-sporting-prints-from-the-engravings-of-samuel-howitt-originally-published-between-1798-and-1800-howitt-was-an-english-painter-working-in-oils-and-watercolour-painting-animals-hunting-scenes-horse-racing-and-landscapes-he-was-also-an-etcher-illustrator-and-engraver-this-is-photographed-from-a-small-print-image591992995.html
RM2WB3H2Y–Horse Racing: From a series of old monochrome sporting prints from the engravings of Samuel Howitt, originally published between 1798 and 1800. Howitt was an English painter working in oils and watercolour, painting animals, hunting scenes, horse racing and landscapes. He was also an etcher, illustrator and engraver. This is photographed from a small print.
The national assembly revivified James Gillray (1757-1815). 'The national assembly revivified'. Eau-forte aquarellée, 1791. Paris, musée Carnavalet. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-national-assembly-revivified-james-gillray-1757-1815-the-national-assembly-revivified-eau-forte-aquarelle-1791-paris-muse-carnavalet-image350080985.html
RM2B9FFT9–The national assembly revivified James Gillray (1757-1815). 'The national assembly revivified'. Eau-forte aquarellée, 1791. Paris, musée Carnavalet.
The Crucifixion by Anthony van Dyck, Circa 1627 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-crucifixion-by-anthony-van-dyck-circa-1627-176201594.html
RMM6JJX2–The Crucifixion by Anthony van Dyck, Circa 1627
Song Sparrow. Dated: 1827. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/song-sparrow-dated-1827-medium-hand-colored-etching-and-aquatint-on-whatman-paper-museum-national-gallery-of-art-washington-dc-author-robert-havell-after-john-james-audubon-image225589335.html
RMR30DDY–Song Sparrow. Dated: 1827. Medium: hand-colored etching and aquatint on Whatman paper. Museum: National Gallery of Art, Washington DC. Author: Robert Havell after John James Audubon.
Le Temple de Vesta. Author Volpato, Giovanni 81.43.c. Place of publication: [Rome] Publisher: [Giovanni Volpato] Date of publication: [between 1780 and 1789] Item type: 1 print Medium: hand-coloured etching, with watercolour and gouache Dimensions: sheet 36.4 x 51.8 cm, on mount 42 x 58.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-temple-de-vesta-author-volpato-giovanni-8143c-place-of-publication-rome-publisher-giovanni-volpato-date-of-publication-between-1780-and-1789-item-type-1-print-medium-hand-coloured-etching-with-watercolour-and-gouache-dimensions-sheet-364-x-518-cm-on-mount-42-x-584-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401716307.html
RM2E9FN6Y–Le Temple de Vesta. Author Volpato, Giovanni 81.43.c. Place of publication: [Rome] Publisher: [Giovanni Volpato] Date of publication: [between 1780 and 1789] Item type: 1 print Medium: hand-coloured etching, with watercolour and gouache Dimensions: sheet 36.4 x 51.8 cm, on mount 42 x 58.4 cm Former owner: George III, King of Great Britain, 1738-1820
Black and white etching of dahlia flowers. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-and-white-etching-of-dahlia-flowers-image575748094.html
RF2TCKGFX–Black and white etching of dahlia flowers.
Goat head hand drawn ink sketch. Engraved style vector logotype. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/goat-head-hand-drawn-ink-sketch-engraved-style-vector-logotype-image607396790.html
RF2X858PE–Goat head hand drawn ink sketch. Engraved style vector logotype.
Richardson's Show: A Flying Wagon, 1816. Thomas Rowlandson (British, 1756-1827). Etching, hand colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/richardsons-show-a-flying-wagon-1816-thomas-rowlandson-british-1756-1827-etching-hand-colored-image409117167.html
RF2ENGW3B–Richardson's Show: A Flying Wagon, 1816. Thomas Rowlandson (British, 1756-1827). Etching, hand colored
A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-herdsman-talks-to-two-women-and-a-boy-who-draw-milk-from-a-pail-under-an-arch-at-the-baths-of-titus-with-a-view-of-the-ruins-convents-and-churches-of-rome-among-trees-in-the-background-les-thermes-de-tite-rome-giovanni-volpato-between-1780-and-1790-hand-coloured-etching-with-watercolour-and-gouache-source-maps-ktop8143e-language-french-author-ducros-louis-image227199798.html
RMR5HRJE–A herdsman talks to two women and a boy who draw milk from a pail under an arch at the Baths of Titus, with a view of the ruins, convents and churches of Rome among trees in the background. Les Thermes de Tite. [Rome] : [Giovanni Volpato], [between 1780 and 1790]. Hand-coloured etching, with watercolour and gouache. Source: Maps K.Top.81.43.e. Language: French. Author: Ducros, Louis.
Anonymous Janissaries 16th century Etching Paris, Bibliothèque Nationale de France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anonymous-janissaries-16th-century-etching-paris-bibliothque-nationale-113153393.html
RMGG2G8H–Anonymous Janissaries 16th century Etching Paris, Bibliothèque Nationale de France
A print coloured engraving of general view of the Villa Pamphili Rome Italy Publisher Giovanni Volpato skyline and cityscape historical perspective art etching watercolour Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-print-coloured-engraving-of-general-view-of-the-villa-pamphili-rome-italy-publisher-giovanni-volpato-skyline-and-cityscape-historical-perspective-art-etching-watercolour-image613305376.html
RM2XHPD7C–A print coloured engraving of general view of the Villa Pamphili Rome Italy Publisher Giovanni Volpato skyline and cityscape historical perspective art etching watercolour
The Frontiers by William Charles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-frontiers-by-william-charles-image69822410.html
RME1GK5E–The Frontiers by William Charles
. English: View of the Bourse from Bolshaya Neva (1810s). Etching with watercolour, 55.5x81 cm. State Hermitage. Русский: Вид биржи со стороны Большой Невы (1810-е). Бумага, офорт, акварель. 55.5х81 см. Государственный Эрмитаж. 1810s. English: Engraving by Ivan Chesky (1777-1848) by orig. M.I. Sthotoshnikov (1770-18??). Русский: Гравюра И.В.Ческого с рисунка М.И.Шотошникова. 576 Sthotoshnikov, Chesky - View of Bourse from Bolshaya Neva 1810s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-view-of-the-bourse-from-bolshaya-neva-1810s-etching-with-watercolour-555x81-cm-state-hermitage-1810-55581-1810s-english-engraving-by-ivan-chesky-1777-1848-by-orig-mi-sthotoshnikov-1770-18-576-sthotoshnikov-chesky-view-of-bourse-from-bolshaya-neva-1810s-image188002459.html
RMMWT71F–. English: View of the Bourse from Bolshaya Neva (1810s). Etching with watercolour, 55.5x81 cm. State Hermitage. Русский: Вид биржи со стороны Большой Невы (1810-е). Бумага, офорт, акварель. 55.5х81 см. Государственный Эрмитаж. 1810s. English: Engraving by Ivan Chesky (1777-1848) by orig. M.I. Sthotoshnikov (1770-18??). Русский: Гравюра И.В.Ческого с рисунка М.И.Шотошникова. 576 Sthotoshnikov, Chesky - View of Bourse from Bolshaya Neva 1810s
Entrance to the Great Temple of Aboo-Simble, Nubia, Louis Haghe / David Roberts 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-entrance-to-the-great-temple-of-aboo-simble-nubia-louis-haghe-david-38072288.html
RFC5X9GG–Entrance to the Great Temple of Aboo-Simble, Nubia, Louis Haghe / David Roberts 'The Holy Land, Syria, Idumea, Arabia, Egypt and Nubia'
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