Eurystheus and the erymanthian boar Stock Photos and Images
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Eurystheus and the erymanthian boar Stock Photos and Images
Herakles, Eurystheus and the Erymanthian Boar, from a black-figured Greek pot, c. 7th - 5th centuries BC. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-herakles-eurystheus-and-the-erymanthian-boar-from-a-black-figured-104000001.htmlRMG15H1N–Herakles, Eurystheus and the Erymanthian Boar, from a black-figured Greek pot, c. 7th - 5th centuries BC.
Heracles and the Erymanthian Boar. Archaic sandstone metope from the Heraion (First Temple of Hera) at Foce del Sele dated from the middle of the 6th century BC on display in the Paestum Archaeological Museum (Museo archeologico di Paestum) in Paestum, Campania, Italy. King Eurystheus hiding in a storage jar as Heracles brings him the Erymanthian boar. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heracles-and-the-erymanthian-boar-archaic-sandstone-metope-from-the-heraion-first-temple-of-hera-at-foce-del-sele-dated-from-the-middle-of-the-6th-century-bc-on-display-in-the-paestum-archaeological-museum-museo-archeologico-di-paestum-in-paestum-campania-italy-king-eurystheus-hiding-in-a-storage-jar-as-heracles-brings-him-the-erymanthian-boar-image181694463.htmlRMMFGW3Y–Heracles and the Erymanthian Boar. Archaic sandstone metope from the Heraion (First Temple of Hera) at Foce del Sele dated from the middle of the 6th century BC on display in the Paestum Archaeological Museum (Museo archeologico di Paestum) in Paestum, Campania, Italy. King Eurystheus hiding in a storage jar as Heracles brings him the Erymanthian boar.
Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heracles-the-erymanthian-boar-and-eurystheus-athenian-black-figure-neck-amphora-c6th-bc-old-19th-century-engraved-illustration-from-souvenirs-de-la-reformation-en-italie-1883-by-john-stoughton-1807-1897-image418818791.htmlRM2F9ARHY–Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)
Amphora with Dionysus between dancing sileni (A) and Heracles with the Erymanthian boar (B), Antìmenesmaleren, Ca. 520 BC, Container, Jar, Amphora, The scene on the neck of the amphora shows the hero Herakles bringing the captured Erymanthian Boar to King Eurystheus. Overcome by fear, the king has hidden in a large container. The motif refers to the third of the Twelve Labours that Herakles had to carry out as punishment for the fit of madness that made him slay his wife, Megara, and their children. The scene on the other side of the neck of the vase renders the god of wine, Dionysos Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amphora-with-dionysus-between-dancing-sileni-a-and-heracles-with-the-erymanthian-boar-b-antmenesmaleren-ca-520-bc-container-jar-amphora-the-scene-on-the-neck-of-the-amphora-shows-the-hero-herakles-bringing-the-captured-erymanthian-boar-to-king-eurystheus-overcome-by-fear-the-king-has-hidden-in-a-large-container-the-motif-refers-to-the-third-of-the-twelve-labours-that-herakles-had-to-carry-out-as-punishment-for-the-fit-of-madness-that-made-him-slay-his-wife-megara-and-their-children-the-scene-on-the-other-side-of-the-neck-of-the-vase-renders-the-god-of-wine-dionysos-image573196914.htmlRM2T8FAEA–Amphora with Dionysus between dancing sileni (A) and Heracles with the Erymanthian boar (B), Antìmenesmaleren, Ca. 520 BC, Container, Jar, Amphora, The scene on the neck of the amphora shows the hero Herakles bringing the captured Erymanthian Boar to King Eurystheus. Overcome by fear, the king has hidden in a large container. The motif refers to the third of the Twelve Labours that Herakles had to carry out as punishment for the fit of madness that made him slay his wife, Megara, and their children. The scene on the other side of the neck of the vase renders the god of wine, Dionysos
Depiction of Hercules' fourth labour. Hercules in lion skin brings the Erymanthian boar and shows it to a terrified Eurystheus, who cowers in a storage jar or pithos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/depiction-of-hercules-fourth-labour-hercules-in-lion-skin-brings-the-erymanthian-boar-and-shows-it-to-a-terrified-eurystheus-who-cowers-in-a-storage-jar-or-pithos-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image231215542.htmlRMRC4NNX–Depiction of Hercules' fourth labour. Hercules in lion skin brings the Erymanthian boar and shows it to a terrified Eurystheus, who cowers in a storage jar or pithos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
Depiction of Hercules' fourth labour. Hercules in lion skin brings the Erymanthian boar and shows it to a terrified Eurystheus, who cowers in a storage jar or pithos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/depiction-of-hercules-fourth-labour-hercules-in-lion-skin-brings-the-erymanthian-boar-and-shows-it-to-a-terrified-eurystheus-who-cowers-in-a-storage-jar-or-pithos-copperplate-engraving-by-tommaso-piroli-from-his-antiquities-of-herculaneum-antichita-di-ercolano-rome-1790-image331806994.htmlRM2A7R35P–Depiction of Hercules' fourth labour. Hercules in lion skin brings the Erymanthian boar and shows it to a terrified Eurystheus, who cowers in a storage jar or pithos. Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1790.
Herakles carrying the Erymanthian boar to Eurystheus hiding in a jar, Attic black-figure amphora, 550-530 BC, inv. 16442 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herakles-carrying-the-erymanthian-boar-to-eurystheus-hiding-in-a-jar-attic-black-figure-amphora-550-530-bc-inv-16442-image353195140.htmlRM2BEHC04–Herakles carrying the Erymanthian boar to Eurystheus hiding in a jar, Attic black-figure amphora, 550-530 BC, inv. 16442
Art inspired by Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 16 3/16 in. (41.1 cm), Vases, Herakles bringing the Erymanthian boar to Eurystheus., Warrior and archer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-neck-amphora-archaic-last-quarter-of-6th-century-bc-greek-attic-terracotta-black-figure-h-16-316-in-411-cm-vases-herakles-bringing-the-erymanthian-boar-to-eurystheus-warrior-and-archer-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462789472.htmlRF2HTWTKC–Art inspired by Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 16 3/16 in. (41.1 cm), Vases, Herakles bringing the Erymanthian boar to Eurystheus., Warrior and archer, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Rome, Italy, August 29, 2008: Etruscan Museum. Amphora with Herakles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rome-italy-august-29-2008-etruscan-museum-amphora-with-herakles-image566373905.htmlRF2RWCFKD–Rome, Italy, August 29, 2008: Etruscan Museum. Amphora with Herakles
Hercules vangt het zwijn van Erymanthus Aper Erymanthius evincitur (titel op object) Herculische thema's (serietitel) front Hercules the boar of Erymanthus knocked down. In the background he leaves the animal over his shoulder at Eurystheus. Manufacturer : design Simon Frisiusnaar of:: printmaker Antonio Tempesta Place manufacture: printmaker: Northern Netherlands to design: Italy Date: 1610 - 1664 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 99 mm × W 143 mm Subject: (4) the Erymanthian boar is captured by Hercules Hercules carries the boar across hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-vangt-het-zwijn-van-erymanthus-aper-erymanthius-evincitur-titel-op-object-herculische-themas-serietitel-front-hercules-the-boar-of-erymanthus-knocked-down-in-the-background-he-leaves-the-animal-over-his-shoulder-at-eurystheus-manufacturer-design-simon-frisiusnaar-of-printmaker-antonio-tempesta-place-manufacture-printmaker-northern-netherlands-to-design-italy-date-1610-1664-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-99-mm-w-143-mm-subject-4-the-erymanthian-boar-is-captured-by-hercules-hercules-carries-the-boar-across-hi-image348432515.htmlRM2B6TD6B–Hercules vangt het zwijn van Erymanthus Aper Erymanthius evincitur (titel op object) Herculische thema's (serietitel) front Hercules the boar of Erymanthus knocked down. In the background he leaves the animal over his shoulder at Eurystheus. Manufacturer : design Simon Frisiusnaar of:: printmaker Antonio Tempesta Place manufacture: printmaker: Northern Netherlands to design: Italy Date: 1610 - 1664 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 99 mm × W 143 mm Subject: (4) the Erymanthian boar is captured by Hercules Hercules carries the boar across hi
Neck-amphora last quarter of 6th century B.C. Attributed to the Group of Würzburg 199 Herakles bringing the Erymanthian boar to Eurystheus. Warrior and archer.. Neck-amphora. Greek, Attic. last quarter of 6th century B.C.. Terracotta; black-figure. Archaic. Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/neck-amphora-last-quarter-of-6th-century-bc-attributed-to-the-group-of-wrzburg-199-herakles-bringing-the-erymanthian-boar-to-eurystheus-warrior-and-archer-neck-amphora-greek-attic-last-quarter-of-6th-century-bc-terracotta-black-figure-archaic-vases-image457837706.htmlRM2HGT8JJ–Neck-amphora last quarter of 6th century B.C. Attributed to the Group of Würzburg 199 Herakles bringing the Erymanthian boar to Eurystheus. Warrior and archer.. Neck-amphora. Greek, Attic. last quarter of 6th century B.C.. Terracotta; black-figure. Archaic. Vases
Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 16 3/16 in. (41.1 cm), Vases Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-neck-amphora-archaic-last-quarter-of-6th-century-bc-greek-attic-terracotta-162401223.htmlRMKC60BK–Neck-amphora, Archaic, last quarter of 6th century B.C., Greek, Attic, Terracotta; black-figure, H. 16 3/16 in. (41.1 cm), Vases
Hercules catches the boar of Eymanthus, Simon Frisius, after Antonio Tempesta, 1610 - 1664 print In the front, Hercules has worked the boar of Eymanthus to the ground. In the background he leaves with the animal over his shoulder to Eurystheus. print maker: Northern Netherlandsafter design by: Italy paper etching (4) the Erymanthian boar is captured by Hercules. Hercules carries the boar across his shoulders to Eurystheus, who takes refuge in a bronze tub Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-catches-the-boar-of-eymanthus-simon-frisius-after-antonio-tempesta-1610-1664-print-in-the-front-hercules-has-worked-the-boar-of-eymanthus-to-the-ground-in-the-background-he-leaves-with-the-animal-over-his-shoulder-to-eurystheus-print-maker-northern-netherlandsafter-design-by-italy-paper-etching-4-the-erymanthian-boar-is-captured-by-hercules-hercules-carries-the-boar-across-his-shoulders-to-eurystheus-who-takes-refuge-in-a-bronze-tub-image593046326.htmlRM2WCRGHX–Hercules catches the boar of Eymanthus, Simon Frisius, after Antonio Tempesta, 1610 - 1664 print In the front, Hercules has worked the boar of Eymanthus to the ground. In the background he leaves with the animal over his shoulder to Eurystheus. print maker: Northern Netherlandsafter design by: Italy paper etching (4) the Erymanthian boar is captured by Hercules. Hercules carries the boar across his shoulders to Eurystheus, who takes refuge in a bronze tub
Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heracles-the-erymanthian-boar-and-eurystheus-athenian-black-figure-neck-amphora-c6th-bc-old-19th-century-engraved-illustration-from-souvenirs-de-la-reformation-en-italie-1883-by-john-stoughton-1807-1897-image418818794.htmlRM2F9ARJ2–Heracles, the Erymanthian Boar and Eurystheus, Athenian black-figure neck amphora C6th B.C. Old 19th century engraved illustration from Souvenirs de la Reformation en Italie 1883 by John Stoughton (1807-1897)
Neck-amphora. Culture: Greek, Attic. Dimensions: H. 16 3/16 in. (41.1 cm) diameter 10 1/2 in. (26.7 cm). Date: last quarter of 6th century B.C.. Herakles bringing the Erymanthian boar to Eurystheus. Warrior and archer. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/neck-amphora-culture-greek-attic-dimensions-h-16-316-in-411-cm-diameter-10-12-in-267-cm-date-last-quarter-of-6th-century-bc-herakles-bringing-the-erymanthian-boar-to-eurystheus-warrior-and-archer-museum-metropolitan-museum-of-art-new-york-usa-image213259272.htmlRMPAXPAG–Neck-amphora. Culture: Greek, Attic. Dimensions: H. 16 3/16 in. (41.1 cm) diameter 10 1/2 in. (26.7 cm). Date: last quarter of 6th century B.C.. Herakles bringing the Erymanthian boar to Eurystheus. Warrior and archer. Museum: Metropolitan Museum of Art, New York, USA.
Hercules vangt het zwijn van Erymanthus Aper Erymanthius evincitur (titel op object) Herculische thema's (serietitel) front Hercules the boar of Erymanthus knocked down. In the background he leaves the animal over his shoulder at Eurystheus. Manufacturer : design Simon Frisiusnaar of:: printmaker Antonio Tempesta Place manufacture: printmaker: Northern Netherlands to design: Italy Date: 1610 - 1664 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 98 mm × W 138 mm Subject: (4) the Erymanthian boar is captured by Hercules Hercules carries the boar across hi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-vangt-het-zwijn-van-erymanthus-aper-erymanthius-evincitur-titel-op-object-herculische-themas-serietitel-front-hercules-the-boar-of-erymanthus-knocked-down-in-the-background-he-leaves-the-animal-over-his-shoulder-at-eurystheus-manufacturer-design-simon-frisiusnaar-of-printmaker-antonio-tempesta-place-manufacture-printmaker-northern-netherlands-to-design-italy-date-1610-1664-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-98-mm-w-138-mm-subject-4-the-erymanthian-boar-is-captured-by-hercules-hercules-carries-the-boar-across-hi-image348432544.htmlRM2B6TD7C–Hercules vangt het zwijn van Erymanthus Aper Erymanthius evincitur (titel op object) Herculische thema's (serietitel) front Hercules the boar of Erymanthus knocked down. In the background he leaves the animal over his shoulder at Eurystheus. Manufacturer : design Simon Frisiusnaar of:: printmaker Antonio Tempesta Place manufacture: printmaker: Northern Netherlands to design: Italy Date: 1610 - 1664 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 98 mm × W 138 mm Subject: (4) the Erymanthian boar is captured by Hercules Hercules carries the boar across hi
Hercules catches the boar of Eymanthus, Simon Frisius, after Antonio Tempesta, 1610 - 1664 print In the front, Hercules has worked the boar of Eymanthus to the ground. In the background he leaves with the animal over his shoulder to Eurystheus. print maker: Northern Netherlandsafter design by: Italy paper etching (4) the Erymanthian boar is captured by Hercules. Hercules carries the boar across his shoulders to Eurystheus, who takes refuge in a bronze tub Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hercules-catches-the-boar-of-eymanthus-simon-frisius-after-antonio-tempesta-1610-1664-print-in-the-front-hercules-has-worked-the-boar-of-eymanthus-to-the-ground-in-the-background-he-leaves-with-the-animal-over-his-shoulder-to-eurystheus-print-maker-northern-netherlandsafter-design-by-italy-paper-etching-4-the-erymanthian-boar-is-captured-by-hercules-hercules-carries-the-boar-across-his-shoulders-to-eurystheus-who-takes-refuge-in-a-bronze-tub-image594855749.htmlRM2WFP0G5–Hercules catches the boar of Eymanthus, Simon Frisius, after Antonio Tempesta, 1610 - 1664 print In the front, Hercules has worked the boar of Eymanthus to the ground. In the background he leaves with the animal over his shoulder to Eurystheus. print maker: Northern Netherlandsafter design by: Italy paper etching (4) the Erymanthian boar is captured by Hercules. Hercules carries the boar across his shoulders to Eurystheus, who takes refuge in a bronze tub
Marble relief with Herakles carrying the Erymanthian Boar 27 B.C.–A.D. 68 Roman Large marble reliefs of this type were set into walls as decoration. Many figures were shown in an archaistic style, reinterpreting the stiff appearance of early Greek art in a highly sophisticated and decorative manner. In this relief, Herakles carries the wild boar he was obliged to capture alive as one of the twelve labors imposed by Eurystheus, ruler of the Argolid.. Marble relief with Herakles carrying the Erymanthian Boar. Roman. 27 B.C.–A.D. 68. Marble. Augustan or Julio-Claudian. Stone Sculpture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-relief-with-herakles-carrying-the-erymanthian-boar-27-bcad-68-roman-large-marble-reliefs-of-this-type-were-set-into-walls-as-decoration-many-figures-were-shown-in-an-archaistic-style-reinterpreting-the-stiff-appearance-of-early-greek-art-in-a-highly-sophisticated-and-decorative-manner-in-this-relief-herakles-carries-the-wild-boar-he-was-obliged-to-capture-alive-as-one-of-the-twelve-labors-imposed-by-eurystheus-ruler-of-the-argolid-marble-relief-with-herakles-carrying-the-erymanthian-boar-roman-27-bcad-68-marble-augustan-or-julio-claudian-stone-sculpture-image458064700.htmlRM2HH6J5G–Marble relief with Herakles carrying the Erymanthian Boar 27 B.C.–A.D. 68 Roman Large marble reliefs of this type were set into walls as decoration. Many figures were shown in an archaistic style, reinterpreting the stiff appearance of early Greek art in a highly sophisticated and decorative manner. In this relief, Herakles carries the wild boar he was obliged to capture alive as one of the twelve labors imposed by Eurystheus, ruler of the Argolid.. Marble relief with Herakles carrying the Erymanthian Boar. Roman. 27 B.C.–A.D. 68. Marble. Augustan or Julio-Claudian. Stone Sculpture
Marble relief with Herakles carrying the Erymanthian Boar. Culture: Roman. Dimensions: Overall: 27 3/8 x 19 1/8 x 3 1/4in. (69.5 x 48.6 x 8.3cm). Date: 27 B.C.-A.D. 68. Large marble reliefs of this type were set into walls as decoration. Many figures were shown in an archaistic style, reinterpreting the stiff appearance of early Greek art in a highly sophisticated and decorative manner. In this relief, Herakles carries the wild boar he was obliged to capture alive as one of the twelve labors imposed by Eurystheus, ruler of the Argolid. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marble-relief-with-herakles-carrying-the-erymanthian-boar-culture-roman-dimensions-overall-27-38-x-19-18-x-3-14in-695-x-486-x-83cm-date-27-bc-ad-68-large-marble-reliefs-of-this-type-were-set-into-walls-as-decoration-many-figures-were-shown-in-an-archaistic-style-reinterpreting-the-stiff-appearance-of-early-greek-art-in-a-highly-sophisticated-and-decorative-manner-in-this-relief-herakles-carries-the-wild-boar-he-was-obliged-to-capture-alive-as-one-of-the-twelve-labors-imposed-by-eurystheus-ruler-of-the-argolid-museum-metropolitan-museum-of-art-new-york-usa-image213107418.htmlRMPAKTK6–Marble relief with Herakles carrying the Erymanthian Boar. Culture: Roman. Dimensions: Overall: 27 3/8 x 19 1/8 x 3 1/4in. (69.5 x 48.6 x 8.3cm). Date: 27 B.C.-A.D. 68. Large marble reliefs of this type were set into walls as decoration. Many figures were shown in an archaistic style, reinterpreting the stiff appearance of early Greek art in a highly sophisticated and decorative manner. In this relief, Herakles carries the wild boar he was obliged to capture alive as one of the twelve labors imposed by Eurystheus, ruler of the Argolid. Museum: Metropolitan Museum of Art, New York, USA.
Amphora. Heracles bringing the Erymanthian boar to Eurystheus. Attica, Greece. 540BC-530BC. Museum: BRITISH MUSEUM, LONDRES, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/amphora-heracles-bringing-the-erymanthian-boar-to-eurystheus-attica-greece-540bc-530bc-museum-british-museum-londres-uk-image503466637.htmlRM2M72TR9–Amphora. Heracles bringing the Erymanthian boar to Eurystheus. Attica, Greece. 540BC-530BC. Museum: BRITISH MUSEUM, LONDRES, UK.
Terracotta neck-amphora (jar). Culture: Greek, Attic. Dimensions: H. 14 5/16 in. (36.3 cm) diameter of mouth 6 9/16 in. (16.7 cm) diameter of foot 5 3/8 in. (13.7 cm). Date: ca. 520 B.C.. Obverse, Herakles bringing the Erymanthian Boar to King Eurystheus Reverse, Ajax carrying the body of Achilles The Greek hero Achilles was killed at Troy by an arrow that pierced his heel, the only vulnerable spot on his body. Though shot by Paris, the arrow was guided to its mark by Apollo. After Achilles fell, a fierce conflict erupted for possession of his body. While Odysseus kept the Trojans at ba Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/terracotta-neck-amphora-jar-culture-greek-attic-dimensions-h-14-516-in-363-cm-diameter-of-mouth-6-916-in-167-cm-diameter-of-foot-5-38-in-137-cm-date-ca-520-bc-obverse-herakles-bringing-the-erymanthian-boar-to-king-eurystheus-reverse-ajax-carrying-the-body-of-achilles-the-greek-hero-achilles-was-killed-at-troy-by-an-arrow-that-pierced-his-heel-the-only-vulnerable-spot-on-his-body-though-shot-by-paris-the-arrow-was-guided-to-its-mark-by-apollo-after-achilles-fell-a-fierce-conflict-erupted-for-possession-of-his-body-while-odysseus-kept-the-trojans-at-ba-image213366851.htmlRMPB3KGK–Terracotta neck-amphora (jar). Culture: Greek, Attic. Dimensions: H. 14 5/16 in. (36.3 cm) diameter of mouth 6 9/16 in. (16.7 cm) diameter of foot 5 3/8 in. (13.7 cm). Date: ca. 520 B.C.. Obverse, Herakles bringing the Erymanthian Boar to King Eurystheus Reverse, Ajax carrying the body of Achilles The Greek hero Achilles was killed at Troy by an arrow that pierced his heel, the only vulnerable spot on his body. Though shot by Paris, the arrow was guided to its mark by Apollo. After Achilles fell, a fierce conflict erupted for possession of his body. While Odysseus kept the Trojans at ba
