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Flounces Stock Photos and Images
Flounces and a High Waist Line, by G. Sacy 1929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-and-a-high-waist-line-by-g-sacy-1929-image501368244.htmlRM2M3K88M–Flounces and a High Waist Line, by G. Sacy 1929
Flounces for Ascot . Waterloo Station took on unaccustomed elegance when fashionable crowds left for Ascot , which opens today ( Tuesday ) . Photo shows , a large hat and flounced gown worn by a woman racegoer as she left Waterloo . 16 June 1936 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-for-ascot-waterloo-station-took-on-unaccustomed-elegance-when-fashionable-crowds-left-for-ascot-which-opens-today-tuesday-photo-shows-a-large-hat-and-flounced-gown-worn-by-a-woman-racegoer-as-she-left-waterloo-16-june-1936-image359458178.htmlRM2BTPMG2–Flounces for Ascot . Waterloo Station took on unaccustomed elegance when fashionable crowds left for Ascot , which opens today ( Tuesday ) . Photo shows , a large hat and flounced gown worn by a woman racegoer as she left Waterloo . 16 June 1936
Flounces, Medium: linen Technique: bobbin lace, Brussels style, 19th century, lace, Flounces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-medium-linen-technique-bobbin-lace-brussels-style-19th-century-lace-flounces-image391080858.htmlRM2DM77HE–Flounces, Medium: linen Technique: bobbin lace, Brussels style, 19th century, lace, Flounces
Inspired by Très Parisien, 1923, No. 4: SAPHIR., Dress of printed 'crêpe de Chine' consisting of unequal flounces. Another 'toilette' of printed 'crêpe Jeannette', with plain crêpe Jeannette on both sides, pleated, small 'guimpe' and cuffs of two-tone organdi. Fabrics from Meurice. Print from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trs-parisien-1923-no-4-saphir-dress-of-printed-crpe-de-chine-consisting-of-unequal-flounces-another-toilette-of-printed-crpe-jeannette-with-plain-crpe-jeannette-on-both-sides-pleated-small-guimpe-and-cuffs-of-two-tone-organdi-fabrics-from-meurice-print-from-the-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459371425.htmlRF2HKA4X9–Inspired by Très Parisien, 1923, No. 4: SAPHIR., Dress of printed 'crêpe de Chine' consisting of unequal flounces. Another 'toilette' of printed 'crêpe Jeannette', with plain crêpe Jeannette on both sides, pleated, small 'guimpe' and cuffs of two-tone organdi. Fabrics from Meurice. Print from the, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Three Flounces, 1875/1900, Belgium, Belgium, Cotton, needle lace of a type known as 'Point de Gaze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-flounces-18751900-belgium-belgium-cotton-needle-lace-of-a-type-known-as-point-de-gaze-image328636972.htmlRM2A2JKPM–Three Flounces, 1875/1900, Belgium, Belgium, Cotton, needle lace of a type known as 'Point de Gaze
Mourning Dress 1844 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mourning-dress-1844-image5547054.htmlRMAY4M2F–Mourning Dress 1844
Closeup of a skirt with flounces of flamenco dresses, typical of Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-a-skirt-with-flounces-of-flamenco-dresses-typical-of-spain-80470390.htmlRMEJWMPE–Closeup of a skirt with flounces of flamenco dresses, typical of Spain
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550498595.htmlRF2PYHAG3–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-of-valencia-spain-19th-century-she-wears-her-hair-tied-up-gothic-lace-sleeves-and-falbala-flounces-on-her-skirt-handcoloured-copperplate-engraving-by-georges-jacques-gatine-after-an-illustration-by-louis-marie-lante-from-costumes-of-various-countries-costumes-de-divers-pays-paris-1827-image211127953.htmlRMP7DKT1–Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-of-valencia-spain-19th-century-she-wears-her-hair-tied-up-gothic-lace-sleeves-and-falbala-flounces-on-her-skirt-handcoloured-copperplate-engraving-by-georges-jacques-gatine-after-an-illustration-by-louis-marie-lante-from-costumes-of-various-countries-costumes-de-divers-pays-paris-1827-image331985280.htmlRM2A836H4–Woman of Valencia, Spain, 19th century. She wears her hair tied up, gothic lace sleeves, and falbala flounces on her skirt. Handcoloured copperplate engraving by Georges Jacques Gatine after an illustration by Louis Marie Lante from Costumes of Various Countries, Costumes de Divers Pays, Paris, 1827.
Cartoon beautiful princess holding glass Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cartoon-beautiful-princess-holding-glass-101505079.htmlRFFW3XNB–Cartoon beautiful princess holding glass
Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols. At the entrance to an evening entertainment in a Paris park. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-jardin-de-paris-1883-fashionable-women-in-bonnets-shawls-dresses-with-flounces-and-parasols-at-the-entrance-to-an-evening-entertainment-in-a-paris-park-handcoloured-lithograph-by-rv-after-an-illustration-by-francois-courboin-from-octave-uzannes-fashion-in-paris-william-heinemann-london-1898-image260798713.htmlRMW48BBN–Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols. At the entrance to an evening entertainment in a Paris park. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Close up of layer upon layer of white vintage 50s style net petticoat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/close-up-of-layer-upon-layer-of-white-vintage-50s-style-net-petticoat-image219429575.htmlRMPMYTJF–Close up of layer upon layer of white vintage 50s style net petticoat
Woman in fancy-dress costume of Rococo fashions, era of Marie Antoinette. In pink bonnet and dress decorated with roses, flounces and lace frills. Holding a letter and walking stick. Handcoloured lithograph by Atelier Bachwitz from Le Carnaval Parisien (Parisian Carnival), Atelier Bachwitz AG, Vienna, 1925. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-in-fancy-dress-costume-of-rococo-fashions-era-of-marie-antoinette-in-pink-bonnet-and-dress-decorated-with-roses-flounces-and-lace-frills-holding-a-letter-and-walking-stick-handcoloured-lithograph-by-atelier-bachwitz-from-le-carnaval-parisien-parisian-carnival-atelier-bachwitz-ag-vienna-1925-image598810713.htmlRM2WP654W–Woman in fancy-dress costume of Rococo fashions, era of Marie Antoinette. In pink bonnet and dress decorated with roses, flounces and lace frills. Holding a letter and walking stick. Handcoloured lithograph by Atelier Bachwitz from Le Carnaval Parisien (Parisian Carnival), Atelier Bachwitz AG, Vienna, 1925.
Flapper fashion of the 1920s. Black velvet frock with many small flounces. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-flapper-fashion-of-the-1920s-black-velvet-frock-with-many-small-flounces-91245895.htmlRMF8CH1Y–Flapper fashion of the 1920s. Black velvet frock with many small flounces.
Regency woman in frilled walking dress. Dress in cambric muslin with flounces, green and straw-coloured sarsnet pelisse, satin bonnet with flowers, silk parasol. Vol. 13, Plate 24, May 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-woman-in-frilled-walking-dress-dress-in-cambric-muslin-with-flounces-green-and-straw-coloured-sarsnet-pelisse-satin-bonnet-with-flowers-silk-parasol-vol-13-plate-24-may-1-1815-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image472478572.htmlRM2JCK76M–Regency woman in frilled walking dress. Dress in cambric muslin with flounces, green and straw-coloured sarsnet pelisse, satin bonnet with flowers, silk parasol. Vol. 13, Plate 24, May 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
Fashion illustration circa 1922. Dinner frock with black velvet corsage over skirt formed by three flounces of silver lace. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fashion-illustration-circa-1922-dinner-frock-with-black-velvet-corsage-39536237.htmlRMC890TD–Fashion illustration circa 1922. Dinner frock with black velvet corsage over skirt formed by three flounces of silver lace.
![Paris Fashions for July - Opera Dress, 1850. 'The Opera Dress is of silk, with a straight upper dress, and three flounces on the cross; the body pointed, having a lace berthe, with five or six rows of lace of the like sort, but the width of which decreases at each row in approaching the point of the body'. From "Illustrated London News", 1850. Stock Photo](https://c8.alamy.com/comp/2HT6D1R/paris-fashions-for-july-opera-dress-1850-the-opera-dress-is-of-silk-with-a-straight-upper-dress-and-three-flounces-on-the-cross-the-body-pointed-having-a-lace-berthe-with-five-or-six-rows-of-lace-of-the-like-sort-but-the-width-of-which-decreases-at-each-row-in-approaching-the-point-of-the-body-from-quotillustrated-london-newsquot-1850-2HT6D1R.jpg "Paris Fashions for July - Opera Dress, 1850. 'The Opera Dress is of silk, with a straight upper dress, and three flounces on the cross; the body pointed, having a lace berthe, with five or six rows of lace of the like sort, but the width of which decreases at each row in approaching the point of the body'. From "Illustrated London News", 1850. Stock Photo")
Paris Fashions for July - Opera Dress, 1850. 'The Opera Dress is of silk, with a straight upper dress, and three flounces on the cross; the body pointed, having a lace berthe, with five or six rows of lace of the like sort, but the width of which decreases at each row in approaching the point of the body'. From "Illustrated London News", 1850. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-fashions-for-july-opera-dress-1850-the-opera-dress-is-of-silk-with-a-straight-upper-dress-and-three-flounces-on-the-cross-the-body-pointed-having-a-lace-berthe-with-five-or-six-rows-of-lace-of-the-like-sort-but-the-width-of-which-decreases-at-each-row-in-approaching-the-point-of-the-body-from-quotillustrated-london-newsquot-1850-image462363267.htmlRM2HT6D1R–Paris Fashions for July - Opera Dress, 1850. 'The Opera Dress is of silk, with a straight upper dress, and three flounces on the cross; the body pointed, having a lace berthe, with five or six rows of lace of the like sort, but the width of which decreases at each row in approaching the point of the body'. From "Illustrated London News", 1850.
Paris fashion of 1923. Flapper fashion of the 1920s. Frock by designer Premet, tube like gown of supple black velvet with two flounces of black tulle trimmed with brown fur. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-paris-fashion-of-1923-flapper-fashion-of-the-1920s-frock-by-designer-91244438.htmlRMF8CF5X–Paris fashion of 1923. Flapper fashion of the 1920s. Frock by designer Premet, tube like gown of supple black velvet with two flounces of black tulle trimmed with brown fur.
Flounces, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-19th-century-image329651014.htmlRM2A48W6E–Flounces, 19th century
. 534 Steinlen - frills-and-flounces-fanfreluches-1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/534-steinlen-frills-and-flounces-fanfreluches-1897-image211856967.htmlRMP8JWM7–. 534 Steinlen - frills-and-flounces-fanfreluches-1897
![Chasuble, c. 1720s. The elegant formal design of blossoms and leaves in this woven silk is especially suitable for chasubles, liturgical vestments worn over albs with lace flounces and cuffs. Its small detailed ornament is reminiscent of prestigious lace, and is known as "lace pattern." The division of the surface into three panels reflects the outmoded fashion of highlighting a different fabric in the center, often with religious images, called orphrey bands. In another change of ecclesiastical fashion, woven silks, such as this splendid example in the style of King Louis XIV (ruled Stock Photo](https://c8.alamy.com/comp/2A50FCX/chasuble-c-1720s-the-elegant-formal-design-of-blossoms-and-leaves-in-this-woven-silk-is-especially-suitable-for-chasubles-liturgical-vestments-worn-over-albs-with-lace-flounces-and-cuffs-its-small-detailed-ornament-is-reminiscent-of-prestigious-lace-and-is-known-as-quotlace-patternquot-the-division-of-the-surface-into-three-panels-reflects-the-outmoded-fashion-of-highlighting-a-different-fabric-in-the-center-often-with-religious-images-called-orphrey-bands-in-another-change-of-ecclesiastical-fashion-woven-silks-such-as-this-splendid-example-in-the-style-of-king-louis-xiv-ruled-2A50FCX.jpg "Chasuble, c. 1720s. The elegant formal design of blossoms and leaves in this woven silk is especially suitable for chasubles, liturgical vestments worn over albs with lace flounces and cuffs. Its small detailed ornament is reminiscent of prestigious lace, and is known as "lace pattern." The division of the surface into three panels reflects the outmoded fashion of highlighting a different fabric in the center, often with religious images, called orphrey bands. In another change of ecclesiastical fashion, woven silks, such as this splendid example in the style of King Louis XIV (ruled Stock Photo")
Chasuble, c. 1720s. The elegant formal design of blossoms and leaves in this woven silk is especially suitable for chasubles, liturgical vestments worn over albs with lace flounces and cuffs. Its small detailed ornament is reminiscent of prestigious lace, and is known as "lace pattern." The division of the surface into three panels reflects the outmoded fashion of highlighting a different fabric in the center, often with religious images, called orphrey bands. In another change of ecclesiastical fashion, woven silks, such as this splendid example in the style of King Louis XIV (ruled Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chasuble-c-1720s-the-elegant-formal-design-of-blossoms-and-leaves-in-this-woven-silk-is-especially-suitable-for-chasubles-liturgical-vestments-worn-over-albs-with-lace-flounces-and-cuffs-its-small-detailed-ornament-is-reminiscent-of-prestigious-lace-and-is-known-as-quotlace-patternquot-the-division-of-the-surface-into-three-panels-reflects-the-outmoded-fashion-of-highlighting-a-different-fabric-in-the-center-often-with-religious-images-called-orphrey-bands-in-another-change-of-ecclesiastical-fashion-woven-silks-such-as-this-splendid-example-in-the-style-of-king-louis-xiv-ruled-image330082394.htmlRM2A50FCX–Chasuble, c. 1720s. The elegant formal design of blossoms and leaves in this woven silk is especially suitable for chasubles, liturgical vestments worn over albs with lace flounces and cuffs. Its small detailed ornament is reminiscent of prestigious lace, and is known as "lace pattern." The division of the surface into three panels reflects the outmoded fashion of highlighting a different fabric in the center, often with religious images, called orphrey bands. In another change of ecclesiastical fashion, woven silks, such as this splendid example in the style of King Louis XIV (ruled
Inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories: headband, floral, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trs-parisien-1923-no-11-15-au-bal-cette-robe-de-velours-ball-gown-of-printed-velvet-with-flounces-of-plain-blue-velvet-cape-of-silver-grey-velvet-at-the-large-collar-and-at-the-underside-of-the-cape-two-shades-of-velvet-velvet-by-fraudet-accessories-headband-floral-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459371182.htmlRF2HKA4HJ–Inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories: headband, floral, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Wedding dress with pinked flounces Wedding gown, consisting of a body (A) and a skirt (B), made of creamy white ottoman silk, bridal gown consisting of a body and a skirt, made of creamy white ottoman silk. Address: ESPERANCE POS / AMSTERDAM., Espérance Pos, Amsterdam, 1891, silk, batiste Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wedding-dress-with-pinked-flounces-wedding-gown-consisting-of-a-body-a-and-a-skirt-b-made-of-creamy-white-ottoman-silk-bridal-gown-consisting-of-a-body-and-a-skirt-made-of-creamy-white-ottoman-silk-address-esperance-pos-amsterdam-esprance-pos-amsterdam-1891-silk-batiste-image261339924.htmlRMW551MM–Wedding dress with pinked flounces Wedding gown, consisting of a body (A) and a skirt (B), made of creamy white ottoman silk, bridal gown consisting of a body and a skirt, made of creamy white ottoman silk. Address: ESPERANCE POS / AMSTERDAM., Espérance Pos, Amsterdam, 1891, silk, batiste
Musical Ladies 1851 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/musical-ladies-1851-image5549575.htmlRMAY5J08–Musical Ladies 1851
Closeup of a skirt with flounces of flamenco dresses, typical of Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-a-skirt-with-flounces-of-flamenco-dresses-typical-of-spain-80470392.htmlRMEJWMPG–Closeup of a skirt with flounces of flamenco dresses, typical of Spain
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550357159.htmlRF2PYAX4R–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols. At the entrance to an evening entertainment in a Paris park. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-jardin-de-paris-1883-fashionable-women-in-bonnets-shawls-dresses-with-flounces-and-parasols-at-the-entrance-to-an-evening-entertainment-in-a-paris-park-handcoloured-lithograph-by-rv-after-an-illustration-by-francois-courboin-from-octave-uzannes-fashion-in-paris-william-heinemann-london-1898-image359074618.htmlRM2BT579E–Entrance to the Jardin de Paris, 1883. Fashionable women in bonnets, shawls, dresses with flounces and parasols. At the entrance to an evening entertainment in a Paris park. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898.
Women's cotton batiste and lace combinations with yoke, split pantaloons, and full leg flounces. Title: Women's Batiste and Lace Combinations . circa 1906. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/womens-cotton-batiste-and-lace-combinations-with-yoke-split-pantaloons-and-full-leg-flounces-title-womens-batiste-and-lace-combinations-circa-1906-image178679621.htmlRMMAKFK1–Women's cotton batiste and lace combinations with yoke, split pantaloons, and full leg flounces. Title: Women's Batiste and Lace Combinations . circa 1906.
Cartoon beautiful princess Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-cartoon-beautiful-princess-101505080.htmlRFFW3XNC–Cartoon beautiful princess
. Ball gowns of the early 1860's (somewhat extreme examples of the crinoline hoop-skirt style). Left: Rose Taffeta with Chantilly flounces. Right: Black net over white satin. early 1860s. Drawn by Pauqet for Petit Courrier des Dames. 26 Ball-Gowns-Pauqet-early-1860s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ball-gowns-of-the-early-1860s-somewhat-extreme-examples-of-the-crinoline-hoop-skirt-style-left-rose-taffeta-with-chantilly-flounces-right-black-net-over-white-satin-early-1860s-drawn-by-pauqet-for-petit-courrier-des-dames-26-ball-gowns-pauqet-early-1860s-image207906443.htmlRMP26XP3–. Ball gowns of the early 1860's (somewhat extreme examples of the crinoline hoop-skirt style). Left: Rose Taffeta with Chantilly flounces. Right: Black net over white satin. early 1860s. Drawn by Pauqet for Petit Courrier des Dames. 26 Ball-Gowns-Pauqet-early-1860s
Feb. 26, 2012 - Little Annette has nearly disappeared beneath an avalanche of lace and flounces. She's going to have a job picking her party dress from all these. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-26-2012-little-annette-has-nearly-disappeared-beneath-an-avalanche-image69520562.htmlRME12X56–Feb. 26, 2012 - Little Annette has nearly disappeared beneath an avalanche of lace and flounces. She's going to have a job picking her party dress from all these.
Appearing in her Summer collection this No 253 ' Spanish Ensemble ' is a dak blue skirt made entirely of net flounces , with a cummerbund of cherry red seersucker . Worn with a white shantung blouse , a navy cap of tulle flounces and lond dark blue gloves . 16 May 1950 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/appearing-in-her-summer-collection-this-no-253-spanish-ensemble-is-a-dak-blue-skirt-made-entirely-of-net-flounces-with-a-cummerbund-of-cherry-red-seersucker-worn-with-a-white-shantung-blouse-a-navy-cap-of-tulle-flounces-and-lond-dark-blue-gloves-16-may-1950-image623376752.htmlRM2Y657BC–Appearing in her Summer collection this No 253 ' Spanish Ensemble ' is a dak blue skirt made entirely of net flounces , with a cummerbund of cherry red seersucker . Worn with a white shantung blouse , a navy cap of tulle flounces and lond dark blue gloves . 16 May 1950
Flounces. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-image353511247.htmlRM2BF3R5K–Flounces.
Regency lady in black walking dress. Round dress of black bombazeen, skirt bottom with crape flounces, spencer jacket with epaulettes, ruff collar, with black crape bonnet. Vol. 6, Plate 35, December 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-lady-in-black-walking-dress-round-dress-of-black-bombazeen-skirt-bottom-with-crape-flounces-spencer-jacket-with-epaulettes-ruff-collar-with-black-crape-bonnet-vol-6-plate-35-december-1-1818-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image472478651.htmlRM2JCK79F–Regency lady in black walking dress. Round dress of black bombazeen, skirt bottom with crape flounces, spencer jacket with epaulettes, ruff collar, with black crape bonnet. Vol. 6, Plate 35, December 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
This striking cocktail suit in navy blue fine ball strikes an elegant Regency night. The short jacket is piped with looped silk braid which is also used to form an artificial basque on the skirt. The novel widebrimmed shovel hat is decorated with pale blue ostrich feathers, and the flowing veil is also in pale blue. Flounces in cravat style on the front of the pale blue necked blouse complete a charming ensemble reminiscent of fashions of the century ago. 30 March 1947 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-striking-cocktail-suit-in-navy-blue-fine-ball-strikes-an-elegant-regency-night-the-short-jacket-is-piped-with-looped-silk-braid-which-is-also-used-to-form-an-artificial-basque-on-the-skirt-the-novel-widebrimmed-shovel-hat-is-decorated-with-pale-blue-ostrich-feathers-and-the-flowing-veil-is-also-in-pale-blue-flounces-in-cravat-style-on-the-front-of-the-pale-blue-necked-blouse-complete-a-charming-ensemble-reminiscent-of-fashions-of-the-century-ago-30-march-1947-image623936050.htmlRM2Y72MPA–This striking cocktail suit in navy blue fine ball strikes an elegant Regency night. The short jacket is piped with looped silk braid which is also used to form an artificial basque on the skirt. The novel widebrimmed shovel hat is decorated with pale blue ostrich feathers, and the flowing veil is also in pale blue. Flounces in cravat style on the front of the pale blue necked blouse complete a charming ensemble reminiscent of fashions of the century ago. 30 March 1947
Beautiful woman of Lima, Peru. She wears a black lace manto, over a full dress of black silk with frills and flounces. With Native American servant. Liman Belle. Taken from Henry Walter Bates' Illustrated Travels. Woodcut from Robert Brown’s The Races of Mankind, Cassell, Petter and Galpin, London, 1873. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/beautiful-woman-of-lima-peru-she-wears-a-black-lace-manto-over-a-full-dress-of-black-silk-with-frills-and-flounces-with-native-american-servant-liman-belle-taken-from-henry-walter-bates-illustrated-travels-woodcut-from-robert-browns-the-races-of-mankind-cassell-petter-and-galpin-london-1873-image620015486.htmlRM2Y0M426–Beautiful woman of Lima, Peru. She wears a black lace manto, over a full dress of black silk with frills and flounces. With Native American servant. Liman Belle. Taken from Henry Walter Bates' Illustrated Travels. Woodcut from Robert Brown’s The Races of Mankind, Cassell, Petter and Galpin, London, 1873.
Paris Fashions for October, 1854. 'Sarcenet Bonnet, with a feather, the inside trimmed with flowers; collar embroidered in satin-stitch, with long points. There is a great tendency to exaggerate the size of the collars, which should be avoided. Dress of chestnut-colour sarcenet, with three flounces, ornamented with a velvet pattern, woven in the silk; it follows the points of the flounces; in each point there is a small velvet bouquet. We have seen another dress with this little bouquet in coloured silk as well as the pattern which borders the flounces; the sleeves, opened at the inside seam, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-fashions-for-october-1854-sarcenet-bonnet-with-a-feather-the-inside-trimmed-with-flowers-collar-embroidered-in-satin-stitch-with-long-points-there-is-a-great-tendency-to-exaggerate-the-size-of-the-collars-which-should-be-avoided-dress-of-chestnut-colour-sarcenet-with-three-flounces-ornamented-with-a-velvet-pattern-woven-in-the-silk-it-follows-the-points-of-the-flounces-in-each-point-there-is-a-small-velvet-bouquet-we-have-seen-another-dress-with-this-little-bouquet-in-coloured-silk-as-well-as-the-pattern-which-borders-the-flounces-the-sleeves-opened-at-the-inside-seam-image481978014.htmlRM2K03YTE–Paris Fashions for October, 1854. 'Sarcenet Bonnet, with a feather, the inside trimmed with flowers; collar embroidered in satin-stitch, with long points. There is a great tendency to exaggerate the size of the collars, which should be avoided. Dress of chestnut-colour sarcenet, with three flounces, ornamented with a velvet pattern, woven in the silk; it follows the points of the flounces; in each point there is a small velvet bouquet. We have seen another dress with this little bouquet in coloured silk as well as the pattern which borders the flounces; the sleeves, opened at the inside seam,
Flapper in summer outfit, 1926. In ribbon hat, taffetas coat, printed foulard dress with godet skirt of four flounces, holding a clutch purse. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1926. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flapper-in-summer-outfit-1926-in-ribbon-hat-taffetas-coat-printed-foulard-dress-with-godet-skirt-of-four-flounces-holding-a-clutch-purse-handcoloured-lithograph-by-atelier-bachwitz-from-modell-kleider-fur-den-hochsommer-elegances-dete-fashions-for-the-hot-season-atelier-bachwitz-ag-vienna-1926-image600251512.htmlRM2WTFPX0–Flapper in summer outfit, 1926. In ribbon hat, taffetas coat, printed foulard dress with godet skirt of four flounces, holding a clutch purse. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1926.
Flounces, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-19th-century-image329650992.htmlRM2A48W5M–Flounces, 19th century
The last of the boulevard lions, 1853. Fashionable people outside Tortoni’s ice cream cafe. Dandies in top hats, jacquettes and striped pants, woman in bonnet and wide crinoline with flounces or volants. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-of-the-boulevard-lions-1853-fashionable-people-outside-tortonis-ice-cream-cafe-dandies-in-top-hats-jacquettes-and-striped-pants-woman-in-bonnet-and-wide-crinoline-with-flounces-or-volants-handcoloured-lithograph-by-rv-after-an-illustration-by-francois-courboin-from-octave-uzannes-fashion-in-paris-william-heinemann-london-1898-image260798639.htmlRMW48B93–The last of the boulevard lions, 1853. Fashionable people outside Tortoni’s ice cream cafe. Dandies in top hats, jacquettes and striped pants, woman in bonnet and wide crinoline with flounces or volants. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzanne’s Fashion in Paris, William Heinemann, London, 1898.
Inspired by Très Parisien, 1923, No 7: 2 - PALAIS ROYAL. - D'une préciosité charmante..., 'Robe de style' or evening gown garnished with flounces of gold lace from Lyon and rose red velvet on black satin. Lace from Jallade et Gendre. Accessories: cloche (pot hat) with ribbons, floral corsage, long, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trs-parisien-1923-no-7-2-palais-royal-dune-prciosit-charmante-robe-de-style-or-evening-gown-garnished-with-flounces-of-gold-lace-from-lyon-and-rose-red-velvet-on-black-satin-lace-from-jallade-et-gendre-accessories-cloche-pot-hat-with-ribbons-floral-corsage-long-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459371646.htmlRF2HKA566–Inspired by Très Parisien, 1923, No 7: 2 - PALAIS ROYAL. - D'une préciosité charmante..., 'Robe de style' or evening gown garnished with flounces of gold lace from Lyon and rose red velvet on black satin. Lace from Jallade et Gendre. Accessories: cloche (pot hat) with ribbons, floral corsage, long, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Dress with a Tie Belt Black belt silk tie belt, with oval ends adorned with flounces, with hook and eye and three ribs for reinforcement, Black table lace tie belt, with oval ends decorated with flounces. With hook and eye and three ribs for reinforcement., Kruysveldt-de Mare, c. 1951 - c. 1952, ceintuur, sluiting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dress-with-a-tie-belt-black-belt-silk-tie-belt-with-oval-ends-adorned-with-flounces-with-hook-and-eye-and-three-ribs-for-reinforcement-black-table-lace-tie-belt-with-oval-ends-decorated-with-flounces-with-hook-and-eye-and-three-ribs-for-reinforcement-kruysveldt-de-mare-c-1951-c-1952-ceintuur-sluiting-image261348533.htmlRMW55CM5–Dress with a Tie Belt Black belt silk tie belt, with oval ends adorned with flounces, with hook and eye and three ribs for reinforcement, Black table lace tie belt, with oval ends decorated with flounces. With hook and eye and three ribs for reinforcement., Kruysveldt-de Mare, c. 1951 - c. 1952, ceintuur, sluiting
Ball Dress Bouquet 1861 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ball-dress-bouquet-1861-image5550645.htmlRMAY5P36–Ball Dress Bouquet 1861
Fashion picture: 'Parisian woman with Chinese hairstyle and mousseline flounces on her dress', Unknown, 1812, paper, colorised, copperplate engraving, height 16, 7 cm, width 9 cm, plate size 14, 5×8, 5 cm, Fashion, Bourgeoisie, Exoticism, fashion plates, head-gear, woman, dress, gown, The Vienna Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-picture-parisian-woman-with-chinese-hairstyle-and-mousseline-flounces-on-her-dress-unknown-1812-paper-colorised-copperplate-engraving-height-16-7-cm-width-9-cm-plate-size-14-58-5-cm-fashion-bourgeoisie-exoticism-fashion-plates-head-gear-woman-dress-gown-the-vienna-collection-image573453593.htmlRM2T8Y1WD–Fashion picture: 'Parisian woman with Chinese hairstyle and mousseline flounces on her dress', Unknown, 1812, paper, colorised, copperplate engraving, height 16, 7 cm, width 9 cm, plate size 14, 5×8, 5 cm, Fashion, Bourgeoisie, Exoticism, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550498591.htmlRF2PYHAFY–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
Possibly evening dress: 3 scallop edged, embroidered flounces, stomacher corsage trimmed with bows in imitation of echelles & a square neckline. (possibly a Watteau body) Date: early 1850s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-possibly-evening-dress-3-scallop-edged-embroidered-flounces-stomacher-105316103.htmlRMG39FNB–Possibly evening dress: 3 scallop edged, embroidered flounces, stomacher corsage trimmed with bows in imitation of echelles & a square neckline. (possibly a Watteau body) Date: early 1850s
Regency lady in black walking dress. Round dress of black bombazeen, skirt bottom with crape flounces, spencer jacket with epaulettes, ruff collar, with black crape bonnet. Vol. 6, Plate 35, December 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-lady-in-black-walking-dress-round-dress-of-black-bombazeen-skirt-bottom-with-crape-flounces-spencer-jacket-with-epaulettes-ruff-collar-with-black-crape-bonnet-vol-6-plate-35-december-1-1818-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image571916908.htmlRM2T6D1RT–Regency lady in black walking dress. Round dress of black bombazeen, skirt bottom with crape flounces, spencer jacket with epaulettes, ruff collar, with black crape bonnet. Vol. 6, Plate 35, December 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
Costumes with tablier skirts & sleeves that are full on the upper arm. One has a bolero style jacket bodice, the other lace flounces. Hats: tricorn hat with rosette, large flat hat. Date: 1905 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-costumes-with-tablier-skirts-amp-sleeves-that-are-full-on-the-upper-105359644.htmlRMG3BF8C–Costumes with tablier skirts & sleeves that are full on the upper arm. One has a bolero style jacket bodice, the other lace flounces. Hats: tricorn hat with rosette, large flat hat. Date: 1905
Flappers in short bob haircuts and summer dresses, 1925. Dress in lilac tussalga with embroidered pockets 20, green poplalga with flounces 21 and white crepalga with ribbon girdlesash 22. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1925. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flappers-in-short-bob-haircuts-and-summer-dresses-1925-dress-in-lilac-tussalga-with-embroidered-pockets-20-green-poplalga-with-flounces-21-and-white-crepalga-with-ribbon-girdlesash-22-handcoloured-lithograph-by-atelier-bachwitz-from-modell-kleider-fur-den-hochsommer-elegances-dete-fashions-for-the-hot-season-atelier-bachwitz-ag-vienna-1925-image597785878.htmlRM2WMFDYJ–Flappers in short bob haircuts and summer dresses, 1925. Dress in lilac tussalga with embroidered pockets 20, green poplalga with flounces 21 and white crepalga with ribbon girdlesash 22. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1925.
. 1810 watercolor sketch of woman in 'Schute' bonnet and blue-striped empire-style dress with flounces, by Johann Adam Klein. (She's sitting on her red shawl to keep her dress clean, and has one glove pulled off.) Notice her arms -- too-thin arms were not admired in women during this historical period. 1810. 1810-Johann-Klein-dress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1810-watercolor-sketch-of-woman-in-schute-bonnet-and-blue-striped-empire-style-dress-with-flounces-by-johann-adam-klein-shes-sitting-on-her-red-shawl-to-keep-her-dress-clean-and-has-one-glove-pulled-off-notice-her-arms-too-thin-arms-were-not-admired-in-women-during-this-historical-period-1810-1810-johann-klein-dress-image184929048.htmlRMMMT6TT–. 1810 watercolor sketch of woman in 'Schute' bonnet and blue-striped empire-style dress with flounces, by Johann Adam Klein. (She's sitting on her red shawl to keep her dress clean, and has one glove pulled off.) Notice her arms -- too-thin arms were not admired in women during this historical period. 1810. 1810-Johann-Klein-dress
A maternity dress for the expectant mother in rose-pink cotton with flounces of broderie anglaise on the elbow length sleeves, 'unexpectedly roomy under its cleverly shaped shallow bodice' - from Maternally Yours. The little girl's dress is from Grade One. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-maternity-dress-for-the-expectant-mother-in-rose-pink-cotton-with-flounces-of-broderie-anglaise-on-the-elbow-length-sleeves-unexpectedly-roomy-under-its-cleverly-shaped-shallow-bodice-from-maternally-yours-the-little-girls-dress-is-from-grade-one-image560867058.htmlRM2RGDKJA–A maternity dress for the expectant mother in rose-pink cotton with flounces of broderie anglaise on the elbow length sleeves, 'unexpectedly roomy under its cleverly shaped shallow bodice' - from Maternally Yours. The little girl's dress is from Grade One.
Stéfan. 'Costumes parisiens': dress in mufti satin with nainsook flounces (1914) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-stfan-costumes-parisiens-dress-in-mufti-satin-with-nainsook-flounces-49908189.htmlRMCW5EB9–Stéfan. 'Costumes parisiens': dress in mufti satin with nainsook flounces (1914)
Fragments of skirt. Two sections of a skirt, shaped and gored on white ribbed ground; warp pattern in pale rose, brown and pink festoons and small flower clusters. Trimmed with flounces of white net with eyelet embroidery, gathered by a large bow of russet color ribbon. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragments-of-skirt-two-sections-of-a-skirt-shaped-and-gored-on-white-ribbed-ground-warp-pattern-in-pale-rose-brown-and-pink-festoons-and-small-flower-clusters-trimmed-with-flounces-of-white-net-with-eyelet-embroidery-gathered-by-a-large-bow-of-russet-color-ribbon-image353545117.htmlRM2BF5AB9–Fragments of skirt. Two sections of a skirt, shaped and gored on white ribbed ground; warp pattern in pale rose, brown and pink festoons and small flower clusters. Trimmed with flounces of white net with eyelet embroidery, gathered by a large bow of russet color ribbon.
American model Marisa Berenson, posing in a fuchsia dress with flounces designed by Loris Azzaro. October 1973 Photo Michael Holtz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-american-model-marisa-berenson-posing-in-a-fuchsia-dress-with-flounces-146839289.htmlRMJEW309–American model Marisa Berenson, posing in a fuchsia dress with flounces designed by Loris Azzaro. October 1973 Photo Michael Holtz
Flounces; linen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-linen-image546248313.htmlRM2PMKN89–Flounces; linen
Paris Fashions for September, 1854. 'Robe de taffetas rose, with three flounces embroidered on tulle rose. The embroidery is a point de chainette; the rounded pinkings are embroidered the same. The basques are also ornamented with pinkings, between each of which is placed a knot of ribbon. The front of the corsage is likewise set off with two or three bows of the same, which join a plaited ribbon passing along the edge. The Sleeves have likewise three flounces pinked, and worked like those of the skirt, as have also the lace sleeves, fichu, and cap...Country Bonnet en paille d'ltalie, with a s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-fashions-for-september-1854-robe-de-taffetas-rose-with-three-flounces-embroidered-on-tulle-rose-the-embroidery-is-a-point-de-chainette-the-rounded-pinkings-are-embroidered-the-same-the-basques-are-also-ornamented-with-pinkings-between-each-of-which-is-placed-a-knot-of-ribbon-the-front-of-the-corsage-is-likewise-set-off-with-two-or-three-bows-of-the-same-which-join-a-plaited-ribbon-passing-along-the-edge-the-sleeves-have-likewise-three-flounces-pinked-and-worked-like-those-of-the-skirt-as-have-also-the-lace-sleeves-fichu-and-capcountry-bonnet-en-paille-dltalie-with-a-s-image481977796.htmlRM2K03YGM–Paris Fashions for September, 1854. 'Robe de taffetas rose, with three flounces embroidered on tulle rose. The embroidery is a point de chainette; the rounded pinkings are embroidered the same. The basques are also ornamented with pinkings, between each of which is placed a knot of ribbon. The front of the corsage is likewise set off with two or three bows of the same, which join a plaited ribbon passing along the edge. The Sleeves have likewise three flounces pinked, and worked like those of the skirt, as have also the lace sleeves, fichu, and cap...Country Bonnet en paille d'ltalie, with a s
Frills and flounces - Fanfreluches 1897 by Theophile Steinlen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frills-and-flounces-fanfreluches-1897-by-theophile-steinlen-image558418880.htmlRM2RCE4YC–Frills and flounces - Fanfreluches 1897 by Theophile Steinlen
Flounces, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flounces-19th-century-image329651007.htmlRM2A48W67–Flounces, 19th century
Senator John F. Kennedy and bride Jacqueline Lee Bouvier walk down the church aisle shortly after their wedding ceremony on the morning of September 12, 1953, in St. Mary's Roman Catholic Church in Newport, Rhode Island. The more than eight hundred guests included many notable individuals. The Bride wore a dress of ivory tissue silk, with a portrait neckline, fitted bodice, and a bouffant skirt embellished with bands of more than fifty yards of flounces. Jacqueline wore a choker of pearls and a diamond bracelet that was a gift from the groom. The bouquet was of pink and white spray orchids and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/senator-john-f-kennedy-and-bride-jacqueline-lee-bouvier-walk-down-the-church-aisle-shortly-after-their-wedding-ceremony-on-the-morning-of-september-12-1953-in-st-marys-roman-catholic-church-in-newport-rhode-island-the-more-than-eight-hundred-guests-included-many-notable-individuals-the-bride-wore-a-dress-of-ivory-tissue-silk-with-a-portrait-neckline-fitted-bodice-and-a-bouffant-skirt-embellished-with-bands-of-more-than-fifty-yards-of-flounces-jacqueline-wore-a-choker-of-pearls-and-a-diamond-bracelet-that-was-a-gift-from-the-groom-the-bouquet-was-of-pink-and-white-spray-orchids-and-image218919895.htmlRMPM4JFK–Senator John F. Kennedy and bride Jacqueline Lee Bouvier walk down the church aisle shortly after their wedding ceremony on the morning of September 12, 1953, in St. Mary's Roman Catholic Church in Newport, Rhode Island. The more than eight hundred guests included many notable individuals. The Bride wore a dress of ivory tissue silk, with a portrait neckline, fitted bodice, and a bouffant skirt embellished with bands of more than fifty yards of flounces. Jacqueline wore a choker of pearls and a diamond bracelet that was a gift from the groom. The bouquet was of pink and white spray orchids and
Inspired by Très Parisien, 1923, No 11: 3. - EMERALD. - D'une simplicité toute jolie..., Dress with two wide flounces of 'crêpe de Chine batick épis d'or'. Fabrics by A. Piat. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, A. et Cie Piat, Lyon, Paris, 1923, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trs-parisien-1923-no-11-3-emerald-dune-simplicit-toute-jolie-dress-with-two-wide-flounces-of-crpe-de-chine-batick-pis-dor-fabrics-by-a-piat-print-from-the-fashion-magazine-trs-parisien-1920-1936-print-maker-a-et-cie-piat-lyon-paris-1923-paper-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459371186.htmlRF2HKA4HP–Inspired by Très Parisien, 1923, No 11: 3. - EMERALD. - D'une simplicité toute jolie..., Dress with two wide flounces of 'crêpe de Chine batick épis d'or'. Fabrics by A. Piat. Print from the fashion magazine Très Parisien (1920-1936)., print maker:, A. et Cie Piat, Lyon, Paris, 1923, paper, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Woman in red dress and traditional white apron with flounces carries a basket on her head, Nicaragua Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-woman-in-red-dress-and-traditional-white-apron-with-flounces-carries-47222353.htmlRMCMR4GH–Woman in red dress and traditional white apron with flounces carries a basket on her head, Nicaragua
Woman's white muslin dress with tiered flounces, Europe, c.1855. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/womans-white-muslin-dress-with-tiered-flounces-europe-c1855-image568860115.htmlRM2T1DPTK–Woman's white muslin dress with tiered flounces, Europe, c.1855.
Fashion picture: Two figures, dresses from Barèges in red and yellow decorated with flounces, Unknown, 1829, paper, colorised, copperplate engraving, height 19, 8 cm, width 12 cm, plate size 17, 6×11, 2 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-picture-two-figures-dresses-from-barges-in-red-and-yellow-decorated-with-flounces-unknown-1829-paper-colorised-copperplate-engraving-height-19-8-cm-width-12-cm-plate-size-17-611-2-cm-fashion-bourgeoisie-biedermeier-fashion-plates-head-gear-woman-dress-gown-the-vienna-collection-image573455052.htmlRM2T8Y3NG–Fashion picture: Two figures, dresses from Barèges in red and yellow decorated with flounces, Unknown, 1829, paper, colorised, copperplate engraving, height 19, 8 cm, width 12 cm, plate size 17, 6×11, 2 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550498585.htmlRF2PYHAFN–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
Closeup of a skirt with flounces of flamenco dresses, typical of Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-a-skirt-with-flounces-of-flamenco-dresses-typical-of-spain-71214945.htmlRME3T3AW–Closeup of a skirt with flounces of flamenco dresses, typical of Spain
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550498594.htmlRF2PYHAG2–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
Regency woman in frilled walking dress. Dress in cambric muslin with flounces, green and straw-coloured sarsnet pelisse, satin bonnet with flowers, silk parasol. Vol. 13, Plate 24, May 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-woman-in-frilled-walking-dress-dress-in-cambric-muslin-with-flounces-green-and-straw-coloured-sarsnet-pelisse-satin-bonnet-with-flowers-silk-parasol-vol-13-plate-24-may-1-1815-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image571833094.htmlRM2T696XE–Regency woman in frilled walking dress. Dress in cambric muslin with flounces, green and straw-coloured sarsnet pelisse, satin bonnet with flowers, silk parasol. Vol. 13, Plate 24, May 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
Flappers in cloches and straw hat and summer frocks, 1925. Dress of marocain with pinafore tunic 30, crepe Georgette frock with gathered tunic 31, and patterned tussore frock with flounces 32. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1925. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flappers-in-cloches-and-straw-hat-and-summer-frocks-1925-dress-of-marocain-with-pinafore-tunic-30-crepe-georgette-frock-with-gathered-tunic-31-and-patterned-tussore-frock-with-flounces-32-handcoloured-lithograph-by-atelier-bachwitz-from-modell-kleider-fur-den-hochsommer-elegances-dete-fashions-for-the-hot-season-atelier-bachwitz-ag-vienna-1925-image597786078.htmlRM2WMFE6P–Flappers in cloches and straw hat and summer frocks, 1925. Dress of marocain with pinafore tunic 30, crepe Georgette frock with gathered tunic 31, and patterned tussore frock with flounces 32. Handcoloured lithograph by Atelier Bachwitz from Modell-Kleider fur den Hochsommer, Elegances d’Ete, Fashions for the Hot Season, Atelier Bachwitz AG, Vienna, 1925.
. English: Fashion Design by Christoph Drecoll (1851–1939). White Worth satin “Drecoll Model of Black Lace”, veiled with white Callot chiffon and covered with black Chantilly lace and two flounces. Shoulder and panel of net lace with gold kimono sleeve of lace to match. Skirt, belt and sash. Bottom of skirt of black Worth satin. Cocktail dress by couturier Baron Christoph von Drecoll. Published by Haas brothers. 8 March 2013, 18:25:57. Christop Drecoll (1851-1939) 170 Drecoll Model of Black Lace. Paris Spring Season 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fashion-design-by-christoph-drecoll-18511939-white-worth-satin-drecoll-model-of-black-lace-veiled-with-white-callot-chiffon-and-covered-with-black-chantilly-lace-and-two-flounces-shoulder-and-panel-of-net-lace-with-gold-kimono-sleeve-of-lace-to-match-skirt-belt-and-sash-bottom-of-skirt-of-black-worth-satin-cocktail-dress-by-couturier-baron-christoph-von-drecoll-published-by-haas-brothers-8-march-2013-182557-christop-drecoll-1851-1939-170-drecoll-model-of-black-lace-paris-spring-season-1913-image188133946.htmlRMMX26NE–. English: Fashion Design by Christoph Drecoll (1851–1939). White Worth satin “Drecoll Model of Black Lace”, veiled with white Callot chiffon and covered with black Chantilly lace and two flounces. Shoulder and panel of net lace with gold kimono sleeve of lace to match. Skirt, belt and sash. Bottom of skirt of black Worth satin. Cocktail dress by couturier Baron Christoph von Drecoll. Published by Haas brothers. 8 March 2013, 18:25:57. Christop Drecoll (1851-1939) 170 Drecoll Model of Black Lace. Paris Spring Season 1913
Regency lady in morning dress with pet parrot. Round dress in cambric trimmed with four rows of embroidery and two flounces, chemisette body, morning cornette hat of fine muslin, silk handkerchief over the shoulder. Vol. 2, Plate 28, November 1, 1816. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-lady-in-morning-dress-with-pet-parrot-round-dress-in-cambric-trimmed-with-four-rows-of-embroidery-and-two-flounces-chemisette-body-morning-cornette-hat-of-fine-muslin-silk-handkerchief-over-the-shoulder-vol-2-plate-28-november-1-1816-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image472478609.htmlRM2JCK781–Regency lady in morning dress with pet parrot. Round dress in cambric trimmed with four rows of embroidery and two flounces, chemisette body, morning cornette hat of fine muslin, silk handkerchief over the shoulder. Vol. 2, Plate 28, November 1, 1816. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
indoor flat kitchen woman 25 30 young blonde stand skirt flounce flounces anger wrath apoplexy bung break plate plates vertic Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indoor-flat-kitchen-woman-25-30-young-blonde-stand-skirt-flounce-flounces-image6788373.htmlRMA7NAW6–indoor flat kitchen woman 25 30 young blonde stand skirt flounce flounces anger wrath apoplexy bung break plate plates vertic
Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. 'When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.' Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-with-spiral-sleeves-profuse-ruffs-and-flounces-kerchief-key-holder-when-one-talks-of-flounces-refer-back-to-the-reign-of-louis-xv-and-look-at-the-portrait-of-your-grandmother-have-patience-miss-that-which-causes-such-disdain-today-will-excite-you-in-a-little-while-and-it-wont-be-one-falbala-but-many-that-you-want-to-wear-illustration-by-jean-baptiste-isabey-handcoloured-engraving-from-pierre-de-la-mesangeres-le-bon-genre-paris-1817-image331809307.htmlRM2A7R64B–Woman with spiral sleeves, profuse ruffs and flounces, kerchief key-holder. 'When one talks of flounces, refer back to the reign of Louis XV, and look at the portrait of your grandmother. Have patience, miss. That which causes such disdain today will excite you in a little while, and it won't be one falbala but many that you want to wear.' Illustration by Jean-Baptiste Isabey. Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
American model Marisa Berenson, posing in a fuchsia dress with flounces designed by Loris Azzaro. October 1973 Photo Michael Holtz Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-american-model-marisa-berenson-posing-in-a-fuchsia-dress-with-flounces-146839286.htmlRMJEW306–American model Marisa Berenson, posing in a fuchsia dress with flounces designed by Loris Azzaro. October 1973 Photo Michael Holtz
Fashionable lady in front of the church of Saint-Merri, or Saint Mederic, and bookstore, Paris, 1823. In bonnet, ruff collar, gown with flounces, frills and ribbons. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-in-front-of-the-church-of-saint-merri-or-saint-mederic-and-bookstore-paris-1823-in-bonnet-ruff-collar-gown-with-flounces-frills-and-ribbons-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097036.htmlRM2JDKC2M–Fashionable lady in front of the church of Saint-Merri, or Saint Mederic, and bookstore, Paris, 1823. In bonnet, ruff collar, gown with flounces, frills and ribbons. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Paris Fashions for May, 1856. 'Chapeau of white taffetas, with crisped feathers...Mantelet of white muslin...Robe en taffetas quadrillé...the skirt has five flounces, with round scallops...Straw hat, the passe covered with a network of fine velvet...Skirt of moiré antique, and an over corsage, fitting closely, of black or coloured velvet...Robe of gros de Naples...The corsage, closed in front, is ornamented with a ruche, which tails to the bottom of the waist...An écharpe mantelet covers the shoulders. Chapeau of white rice-straw, trimmed with flowers. Robe of barège, white Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-fashions-for-may-1856-chapeau-of-white-taffetas-with-crisped-feathersmantelet-of-white-muslinrobe-en-taffetas-quadrillxe9the-skirt-has-five-flounces-with-round-scallopsstraw-hat-the-passe-covered-with-a-network-of-fine-velvetskirt-of-moirxe9-antique-and-an-over-corsage-fitting-closely-of-black-or-coloured-velvetrobe-of-gros-de-naplesthe-corsage-closed-in-front-is-ornamented-with-a-ruche-which-tails-to-the-bottom-of-the-waistan-xe9charpe-mantelet-covers-the-shoulders-chapeau-of-white-rice-straw-trimmed-with-flowers-robe-of-barxe8ge-white-image553489679.htmlRM2R4DHMF–Paris Fashions for May, 1856. 'Chapeau of white taffetas, with crisped feathers...Mantelet of white muslin...Robe en taffetas quadrillé...the skirt has five flounces, with round scallops...Straw hat, the passe covered with a network of fine velvet...Skirt of moiré antique, and an over corsage, fitting closely, of black or coloured velvet...Robe of gros de Naples...The corsage, closed in front, is ornamented with a ruche, which tails to the bottom of the waist...An écharpe mantelet covers the shoulders. Chapeau of white rice-straw, trimmed with flowers. Robe of barège, white
Regency woman in walking dress reading a book in a park. Round robe of cambric or jaconot muslin, French needlework flounces, French grey sarsnet pelisse, French handkerchief at the neck, French hat of satin straw with feathers. Vol. 14, Plate 23, October 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-woman-in-walking-dress-reading-a-book-in-a-park-round-robe-of-cambric-or-jaconot-muslin-french-needlework-flounces-french-grey-sarsnet-pelisse-french-handkerchief-at-the-neck-french-hat-of-satin-straw-with-feathers-vol-14-plate-23-october-1-1815-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image472478581.htmlRM2JCK771–Regency woman in walking dress reading a book in a park. Round robe of cambric or jaconot muslin, French needlework flounces, French grey sarsnet pelisse, French handkerchief at the neck, French hat of satin straw with feathers. Vol. 14, Plate 23, October 1, 1815. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
Six Flounces. 1840–1860. France. Silk, warp-faced plain weave; brocaded Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/six-flounces-18401860-france-silk-warp-faced-plain-weave-brocaded-image337963728.htmlRM2AHRG54–Six Flounces. 1840–1860. France. Silk, warp-faced plain weave; brocaded
Black satin visiting dress, skirt with six flaring flounces. Cloche hat. Toilette de visite en satin noir. Jupe a volants ondulants. Handcoloured lithograph from Beaux-Arts des Modes: Modeles Originaux, Hiver 1928 (Fashions of Fine Arts: Original Models, Winter 1928), Publisher Chic Parisien, Atelier Bachwitz, Paris, Volume 6, Number VII, November 1927. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/black-satin-visiting-dress-skirt-with-six-flaring-flounces-cloche-hat-toilette-de-visite-en-satin-noir-jupe-a-volants-ondulants-handcoloured-lithograph-from-beaux-arts-des-modes-modeles-originaux-hiver-1928-fashions-of-fine-arts-original-models-winter-1928-publisher-chic-parisien-atelier-bachwitz-paris-volume-6-number-vii-november-1927-image455152194.htmlRM2HCDY7E–Black satin visiting dress, skirt with six flaring flounces. Cloche hat. Toilette de visite en satin noir. Jupe a volants ondulants. Handcoloured lithograph from Beaux-Arts des Modes: Modeles Originaux, Hiver 1928 (Fashions of Fine Arts: Original Models, Winter 1928), Publisher Chic Parisien, Atelier Bachwitz, Paris, Volume 6, Number VII, November 1927.
Art inspired by Très Parisien, 1923, No. 4: SAPHIR., Dress of printed 'crêpe de Chine' consisting of unequal flounces. Another 'toilette' of printed 'crêpe Jeannette', with plain crêpe Jeannette on both sides, pleated, small 'guimpe' and cuffs of two-tone organdi. Fabrics from Meurice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trs-parisien-1923-no-4-saphir-dress-of-printed-crpe-de-chine-consisting-of-unequal-flounces-another-toilette-of-printed-crpe-jeannette-with-plain-crpe-jeannette-on-both-sides-pleated-small-guimpe-and-cuffs-of-two-tone-organdi-fabrics-from-meurice-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459720062.htmlRF2HKX1HJ–Art inspired by Très Parisien, 1923, No. 4: SAPHIR., Dress of printed 'crêpe de Chine' consisting of unequal flounces. Another 'toilette' of printed 'crêpe Jeannette', with plain crêpe Jeannette on both sides, pleated, small 'guimpe' and cuffs of two-tone organdi. Fabrics from Meurice, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fashionable lady at the Theatre de l'Ambigu-Comique on the Blvd. Saint-Martin, Paris, 1840. She wears a bonnet, jacket with full sleeves and flounces, full skirts. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-at-the-theatre-de-lambigu-comique-on-the-blvd-saint-martin-paris-1840-she-wears-a-bonnet-jacket-with-full-sleeves-and-flounces-full-skirts-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097050.htmlRM2JDKC36–Fashionable lady at the Theatre de l'Ambigu-Comique on the Blvd. Saint-Martin, Paris, 1840. She wears a bonnet, jacket with full sleeves and flounces, full skirts. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Young girl wearing the traditional white apron with flounces stands on steps in the street, Central Ammerica Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-young-girl-wearing-the-traditional-white-apron-with-flounces-stands-47221974.htmlRMCMR432–Young girl wearing the traditional white apron with flounces stands on steps in the street, Central Ammerica
Fashion picture: 'French lady with hat and percale dress, equipped with tie and many flounces', Unknown, 1822, paper, colorised, copperplate engraving, height 21, 5 cm, width 13, 5 cm, plate size 15, 5×9 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-picture-french-lady-with-hat-and-percale-dress-equipped-with-tie-and-many-flounces-unknown-1822-paper-colorised-copperplate-engraving-height-21-5-cm-width-13-5-cm-plate-size-15-59-cm-fashion-bourgeoisie-biedermeier-fashion-plates-head-gear-woman-dress-gown-the-vienna-collection-image573454213.htmlRM2T8Y2KH–Fashion picture: 'French lady with hat and percale dress, equipped with tie and many flounces', Unknown, 1822, paper, colorised, copperplate engraving, height 21, 5 cm, width 13, 5 cm, plate size 15, 5×9 cm, Fashion, Bourgeoisie, Biedermeier, fashion plates, head-gear, woman, dress, gown, The Vienna Collection
Fashionable lady looking at flowers on a stall in the Paris Flower Market, Ile de la Cite, 1855. In bonnet, gown with layered flounces on sleeves and skirt. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-looking-at-flowers-on-a-stall-in-the-paris-flower-market-ile-de-la-cite-1855-in-bonnet-gown-with-layered-flounces-on-sleeves-and-skirt-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097082.htmlRM2JDKC4A–Fashionable lady looking at flowers on a stall in the Paris Flower Market, Ile de la Cite, 1855. In bonnet, gown with layered flounces on sleeves and skirt. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Closeup of a skirt with flounces of flamenco dresses, typical of Spain Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closeup-of-a-skirt-with-flounces-of-flamenco-dresses-typical-of-spain-71214967.htmlRME3T3BK–Closeup of a skirt with flounces of flamenco dresses, typical of Spain
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-image550357162.htmlRF2PYAX4X–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear.
The last of the boulevard lions, 1853. Fashionable people outside Tortonis ice cream cafe. Dandies in top hats, jacquettes and striped pants, woman in bonnet and wide crinoline with flounces or volants. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-last-of-the-boulevard-lions-1853-fashionable-people-outside-tortonis-ice-cream-cafe-dandies-in-top-hats-jacquettes-and-striped-pants-woman-in-bonnet-and-wide-crinoline-with-flounces-or-volants-handcoloured-lithograph-by-rv-after-an-illustration-by-francois-courboin-from-octave-uzannes-fashion-in-paris-william-heinemann-london-1898-image359084537.htmlRM2BT5KYN–The last of the boulevard lions, 1853. Fashionable people outside Tortonis ice cream cafe. Dandies in top hats, jacquettes and striped pants, woman in bonnet and wide crinoline with flounces or volants. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898.
Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Banner Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/buttoned-zip-on-a-blue-raincoat-waves-and-folds-in-the-fabric-beautiful-flounces-ruffles-frills-decorative-finishing-of-a-garment-smocked-sewn-silk-fabric-nice-casual-wear-banner-image550357163.htmlRF2PYAX4Y–Buttoned zip on a blue raincoat. Waves and folds in the fabric. Beautiful flounces, ruffles, frills. Decorative finishing of a garment. Smocked, sewn silk fabric. Nice casual wear. Banner
Young French woman in town costume, 1784. With flowers in her hair, frilled shawl, hoopskirt with flounces, cane and fan. Jeune Dame, Costume de Ville. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-french-woman-in-town-costume-1784-with-flowers-in-her-hair-frilled-shawl-hoopskirt-with-flounces-cane-and-fan-jeune-dame-costume-de-ville-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image465599523.htmlRM2J1DTXB–Young French woman in town costume, 1784. With flowers in her hair, frilled shawl, hoopskirt with flounces, cane and fan. Jeune Dame, Costume de Ville. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
. English: Fashion Design by Christoph Drecoll (1851–1939). White Worth satin “Drecoll Model of Black Lace”, veiled with white Callot chiffon and covered with black Chantilly lace and two flounces. Shoulder and panel of net lace with gold kimono sleeve of lace to match. Skirt, belt and sash. Bottom of skirt of black Worth satin. Cocktail dress by couturier Baron Christoph von Drecoll. Published by Haas brothers. 8 March 2013, 18:25:57. Christop Drecoll (1851-1939) 146 Drecoll Model of Black Lace. Paris Spring Season 1913 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-fashion-design-by-christoph-drecoll-18511939-white-worth-satin-drecoll-model-of-black-lace-veiled-with-white-callot-chiffon-and-covered-with-black-chantilly-lace-and-two-flounces-shoulder-and-panel-of-net-lace-with-gold-kimono-sleeve-of-lace-to-match-skirt-belt-and-sash-bottom-of-skirt-of-black-worth-satin-cocktail-dress-by-couturier-baron-christoph-von-drecoll-published-by-haas-brothers-8-march-2013-182557-christop-drecoll-1851-1939-146-drecoll-model-of-black-lace-paris-spring-season-1913-image188849747.htmlRMMY6RNR–. English: Fashion Design by Christoph Drecoll (1851–1939). White Worth satin “Drecoll Model of Black Lace”, veiled with white Callot chiffon and covered with black Chantilly lace and two flounces. Shoulder and panel of net lace with gold kimono sleeve of lace to match. Skirt, belt and sash. Bottom of skirt of black Worth satin. Cocktail dress by couturier Baron Christoph von Drecoll. Published by Haas brothers. 8 March 2013, 18:25:57. Christop Drecoll (1851-1939) 146 Drecoll Model of Black Lace. Paris Spring Season 1913
Fashionable lady in front of an octagonal theatre, Paris, 1861. Perhaps the Rotonde des Panoramas, Theatre du Rond-Point or Le Panorama National. She wears a full dress with many flounces and frills. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-in-front-of-an-octagonal-theatre-paris-1861-perhaps-the-rotonde-des-panoramas-theatre-du-rond-point-or-le-panorama-national-she-wears-a-full-dress-with-many-flounces-and-frills-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image472764397.htmlRM2JD47PN–Fashionable lady in front of an octagonal theatre, Paris, 1861. Perhaps the Rotonde des Panoramas, Theatre du Rond-Point or Le Panorama National. She wears a full dress with many flounces and frills. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Prada Milan Ready to Wear Autumn Winter Model wearing a beige coat and holding a beige leather handbag with flounces Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-prada-milan-ready-to-wear-autumn-winter-model-wearing-a-beige-coat-43628427.htmlRMCEYCE3–Prada Milan Ready to Wear Autumn Winter Model wearing a beige coat and holding a beige leather handbag with flounces
Fashionable woman shopping in the arcade at the Palais Royal, Paris, 1820. She wears a wide-brim bonnet, spencer jacket, petticoat with flounces, and holds a parasol and drawstring bag or ridicule. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-woman-shopping-in-the-arcade-at-the-palais-royal-paris-1820-she-wears-a-wide-brim-bonnet-spencer-jacket-petticoat-with-flounces-and-holds-a-parasol-and-drawstring-bag-or-ridicule-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-female-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image472764345.htmlRM2JD47MW–Fashionable woman shopping in the arcade at the Palais Royal, Paris, 1820. She wears a wide-brim bonnet, spencer jacket, petticoat with flounces, and holds a parasol and drawstring bag or ridicule. Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Female Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Parasol 1850–59 American This parasol is an excellent example of the parasols typical of the 1850s. The canopy echoes the skirt shape and tiered bands of the period. Like the flounces of the period, the fabric was woven à la disposition.. Parasol 158218 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/parasol-185059-american-this-parasol-is-an-excellent-example-of-the-parasols-typical-of-the-1850s-the-canopy-echoes-the-skirt-shape-and-tiered-bands-of-the-period-like-the-flounces-of-the-period-the-fabric-was-woven-la-disposition-parasol-158218-image458441350.htmlRM2HHRPHA–Parasol 1850–59 American This parasol is an excellent example of the parasols typical of the 1850s. The canopy echoes the skirt shape and tiered bands of the period. Like the flounces of the period, the fabric was woven à la disposition.. Parasol 158218
Woman wearing headdress and dress featuring extravagent pleating and flouncing. 'Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-wearing-headdress-and-dress-featuring-extravagent-pleating-and-flouncing-pleated-collars-flounces-falbalas-and-ruffs-chicories-have-never-been-more-in-fashion-than-today-the-art-of-pressing-has-been-raised-to-the-point-of-perfection-the-elegantes-no-longer-send-their-linen-to-neuilly-the-coarse-hands-of-the-peasants-tear-the-fabric-they-launder-the-delicate-hand-of-a-parisienne-is-required-for-fine-linen-it-costs-6-sous-to-launder-a-dress-and-50-to-press-it-handcoloured-engraving-from-pierre-de-la-mesangeres-le-bon-genre-paris-1817-image331809296.htmlRM2A7R640–Woman wearing headdress and dress featuring extravagent pleating and flouncing. 'Pleated collars, flounces (falbalas) and ruffs (chicories), have never been more in fashion than today. The art of pressing has been raised to the point of perfection. The elegantes no longer send their linen to Neuilly: the coarse hands of the peasants tear the fabric they launder. The delicate hand of a Parisienne is required for fine linen. It costs 6 sous to launder a dress, and 50 to press it.' Handcoloured engraving from Pierre de la Mesangere's Le Bon Genre, Paris, 1817.
Paris Fashions for April, 1856. 'The three figures represent the newest forms of sleeves and corsages which have appeared this season...Chapeau de Taffetas, rose, trimmed with ribbons and little May-roses in the cap...Robe: stripes of colour on colour, and à Grecques découpées; four flounces to the skirt...Corsage à pointe, ornamented with braces découpées...Under-sleeves of English point lace...Flowers: Forgot-me-not in the cap. Lace scarf rounded off behind. Robe of taffetas d'ltalie mauve...Robe of gros de Tours, with flounces, the first formed by a wide round Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/paris-fashions-for-april-1856-the-three-figures-represent-the-newest-forms-of-sleeves-and-corsages-which-have-appeared-this-seasonchapeau-de-taffetas-rose-trimmed-with-ribbons-and-little-may-roses-in-the-caprobe-stripes-of-colour-on-colour-and-xe0-grecques-dxe9coupxe9es-four-flounces-to-the-skirtcorsage-xe0-pointe-ornamented-with-braces-dxe9coupxe9esunder-sleeves-of-english-point-laceflowers-forgot-me-not-in-the-cap-lace-scarf-rounded-off-behind-robe-of-taffetas-dltalie-mauverobe-of-gros-de-tours-with-flounces-the-first-formed-by-a-wide-round-image553490071.htmlRM2R4DJ6F–Paris Fashions for April, 1856. 'The three figures represent the newest forms of sleeves and corsages which have appeared this season...Chapeau de Taffetas, rose, trimmed with ribbons and little May-roses in the cap...Robe: stripes of colour on colour, and à Grecques découpées; four flounces to the skirt...Corsage à pointe, ornamented with braces découpées...Under-sleeves of English point lace...Flowers: Forgot-me-not in the cap. Lace scarf rounded off behind. Robe of taffetas d'ltalie mauve...Robe of gros de Tours, with flounces, the first formed by a wide round
Fashionable lady holding a pot plant in front of the fontaine des Nymphes. In bonnet, dress with lace collar, capelet, ribbons and flounces. The Fountain of the Nymphs was built by Pierre Lescot in 1549 (now the Fontaine des Innocents, Marche des Innocents). Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashionable-lady-holding-a-pot-plant-in-front-of-the-fontaine-des-nymphes-in-bonnet-dress-with-lace-collar-capelet-ribbons-and-flounces-the-fountain-of-the-nymphs-was-built-by-pierre-lescot-in-1549-now-the-fontaine-des-innocents-marche-des-innocents-handcoloured-drypoint-or-pointe-seche-etching-by-henri-boutet-from-les-modes-feminines-du-xixeme-siecle-feminine-fashions-of-the-19th-century-ernest-flammarion-paris-1902-boutet-1851-1919-was-a-french-artist-engraver-lithographer-and-designer-image473097049.htmlRM2JDKC35–Fashionable lady holding a pot plant in front of the fontaine des Nymphes. In bonnet, dress with lace collar, capelet, ribbons and flounces. The Fountain of the Nymphs was built by Pierre Lescot in 1549 (now the Fontaine des Innocents, Marche des Innocents). Handcoloured drypoint or pointe-seche etching by Henri Boutet from Les Modes Feminines du XIXeme Siecle (Feminine Fashions of the 19th Century), Ernest Flammarion, Paris, 1902. Boutet (1851-1919) was a French artist, engraver, lithographer and designer.
Three Flounces. 1875–1900. Belgium. Cotton, needle lace of a type known as Point de Gaze Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-flounces-18751900-belgium-cotton-needle-lace-of-a-type-known-as-point-de-gaze-image337967078.htmlRM2AHRMCP–Three Flounces. 1875–1900. Belgium. Cotton, needle lace of a type known as Point de Gaze
Art inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trs-parisien-1923-no-11-15-au-bal-cette-robe-de-velours-ball-gown-of-printed-velvet-with-flounces-of-plain-blue-velvet-cape-of-silver-grey-velvet-at-the-large-collar-and-at-the-underside-of-the-cape-two-shades-of-velvet-velvet-by-fraudet-accessories-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459719877.htmlRF2HKX1B1–Art inspired by Très Parisien, 1923, No 11: 15. - AU BAL. - Cette robe de velours..., Ball gown of printed velvet with flounces of plain blue velvet. Cape of silver grey velvet, at the large collar and at the underside of the cape two shades of velvet. Velvet by Fraudet. Accessories, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Regency lady in evening dress. Round dress of pink polka dot gauze with flounces, bodice with lace and bows, lace scarf, bandeau headdress with feather. Designed by Miss Pierpoint, 9 Henrietta Street, Covent Garden. Vol. 8, Plate 5, July I, 1819. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/regency-lady-in-evening-dress-round-dress-of-pink-polka-dot-gauze-with-flounces-bodice-with-lace-and-bows-lace-scarf-bandeau-headdress-with-feather-designed-by-miss-pierpoint-9-henrietta-street-covent-garden-vol-8-plate-5-july-i-1819-handcoloured-copperplate-engraving-by-thomas-uwins-from-rudolph-ackermanns-repository-of-arts-strand-london-image472478659.htmlRM2JCK79R–Regency lady in evening dress. Round dress of pink polka dot gauze with flounces, bodice with lace and bows, lace scarf, bandeau headdress with feather. Designed by Miss Pierpoint, 9 Henrietta Street, Covent Garden. Vol. 8, Plate 5, July I, 1819. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.
