Four putti surround Stock Photos and Images
Christ crucified with Mary, John and Mary Magdalene, Christ crucified. Four putti surround him. Mary is on the left. Her eyes are directed towards the sky. She is crying. On the right is John the Evangelist. His eyes are directed towards the sky. Mary Magdalene kneels before the cross and embalms Christ's feet. On the ground next to the cross is Adam's skull. In the background a cityscape., print, print maker: Mattheus Borrekens, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), after drawing by: Erasmus Quellinus (II), (mentioned on object), Antwerp, 1650 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-crucified-with-mary-john-and-mary-magdalene-christ-crucified-four-putti-surround-him-mary-is-on-the-left-her-eyes-are-directed-towards-the-sky-she-is-crying-on-the-right-is-john-the-evangelist-his-eyes-are-directed-towards-the-sky-mary-magdalene-kneels-before-the-cross-and-embalms-christs-feet-on-the-ground-next-to-the-cross-is-adams-skull-in-the-background-a-cityscape-print-print-maker-mattheus-borrekens-mentioned-on-object-after-painting-by-anthony-van-dyck-mentioned-on-object-after-drawing-by-erasmus-quellinus-ii-mentioned-on-object-antwerp-1650-image606642976.htmlRM2X6XY8G–Christ crucified with Mary, John and Mary Magdalene, Christ crucified. Four putti surround him. Mary is on the left. Her eyes are directed towards the sky. She is crying. On the right is John the Evangelist. His eyes are directed towards the sky. Mary Magdalene kneels before the cross and embalms Christ's feet. On the ground next to the cross is Adam's skull. In the background a cityscape., print, print maker: Mattheus Borrekens, (mentioned on object), after painting by: Anthony van Dyck, (mentioned on object), after drawing by: Erasmus Quellinus (II), (mentioned on object), Antwerp, 1650
Personification of painting on a pedestal, Arnold Houbraken, 1688 - 1700 print Personified painting is on a piercing stable on which the serial title in six lines in Dutch. She cannot speak through the cloth that is bound in front of her mouth, so that one has to see what she portrays. Behind her is the ignorance with donkey ears, which blindly taunts painting. Behind ignorance the envy. However, painting shows her work on the personalized speech. Four putti surround the pedestal. Title print of part 2 of a series of prints with emblems, in total consisting of three parts with 23, 17 and 20 pr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/personification-of-painting-on-a-pedestal-arnold-houbraken-1688-1700-print-personified-painting-is-on-a-piercing-stable-on-which-the-serial-title-in-six-lines-in-dutch-she-cannot-speak-through-the-cloth-that-is-bound-in-front-of-her-mouth-so-that-one-has-to-see-what-she-portrays-behind-her-is-the-ignorance-with-donkey-ears-which-blindly-taunts-painting-behind-ignorance-the-envy-however-painting-shows-her-work-on-the-personalized-speech-four-putti-surround-the-pedestal-title-print-of-part-2-of-a-series-of-prints-with-emblems-in-total-consisting-of-three-parts-with-23-17-and-20-pr-image592966566.htmlRM2WCKXWA–Personification of painting on a pedestal, Arnold Houbraken, 1688 - 1700 print Personified painting is on a piercing stable on which the serial title in six lines in Dutch. She cannot speak through the cloth that is bound in front of her mouth, so that one has to see what she portrays. Behind her is the ignorance with donkey ears, which blindly taunts painting. Behind ignorance the envy. However, painting shows her work on the personalized speech. Four putti surround the pedestal. Title print of part 2 of a series of prints with emblems, in total consisting of three parts with 23, 17 and 20 pr
Personification of painting on a pedestal, Title print of: Theater of statues, second part, Theater of statues opened for the service of painters, statue holders, etc. (series title on object), The personified painting stands on a pedestal on which the series title is written in six lines. Dutch. She cannot speak through the cloth tied over her mouth, so one must see what she portrays. Behind her stands dog-eared Ignorance, blindly reviling Painting. Behind Ignorance is Envy. Painting, however, shows its work to the personified Reason. Four putti surround the pedestal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/personification-of-painting-on-a-pedestal-title-print-of-theater-of-statues-second-part-theater-of-statues-opened-for-the-service-of-painters-statue-holders-etc-series-title-on-object-the-personified-painting-stands-on-a-pedestal-on-which-the-series-title-is-written-in-six-lines-dutch-she-cannot-speak-through-the-cloth-tied-over-her-mouth-so-one-must-see-what-she-portrays-behind-her-stands-dog-eared-ignorance-blindly-reviling-painting-behind-ignorance-is-envy-painting-however-shows-its-work-to-the-personified-reason-four-putti-surround-the-pedestal-image599444283.htmlRM2WR718B–Personification of painting on a pedestal, Title print of: Theater of statues, second part, Theater of statues opened for the service of painters, statue holders, etc. (series title on object), The personified painting stands on a pedestal on which the series title is written in six lines. Dutch. She cannot speak through the cloth tied over her mouth, so one must see what she portrays. Behind her stands dog-eared Ignorance, blindly reviling Painting. Behind Ignorance is Envy. Painting, however, shows its work to the personified Reason. Four putti surround the pedestal
Mary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven. Date: 1670-1700. Red chalk, graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mary-is-shown-with-outspread-arms-standing-on-a-lunar-crescent-with-a-serpent-wound-around-it-four-winged-putti-surround-her-and-while-holding-on-to-her-coat-they-carry-her-up-into-heaven-date-1670-1700-red-chalk-graphite-on-laid-paper-museum-cooper-hewitt-smithsonian-design-museum-image554741260.htmlRM2R6EJ3T–Mary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven. Date: 1670-1700. Red chalk, graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.
Personification of painting on a pedestal, Title print of: Theater of statues, second part, Theater of statues opened for the service of painters, statue holders, etc. (series title on object), The personified painting stands on a pedestal on which the series title is written in six lines. Dutch. She cannot speak through the cloth tied over her mouth, so one must see what she portrays. Behind her stands dog-eared Ignorance, blindly reviling Painting. Behind Ignorance is Envy. Painting, however, shows its work to the personified Reason. Four putti surround the pedestal. Title print of part 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/personification-of-painting-on-a-pedestal-title-print-of-theater-of-statues-second-part-theater-of-statues-opened-for-the-service-of-painters-statue-holders-etc-series-title-on-object-the-personified-painting-stands-on-a-pedestal-on-which-the-series-title-is-written-in-six-lines-dutch-she-cannot-speak-through-the-cloth-tied-over-her-mouth-so-one-must-see-what-she-portrays-behind-her-stands-dog-eared-ignorance-blindly-reviling-painting-behind-ignorance-is-envy-painting-however-shows-its-work-to-the-personified-reason-four-putti-surround-the-pedestal-title-print-of-part-2-image606636528.htmlRM2X6XK28–Personification of painting on a pedestal, Title print of: Theater of statues, second part, Theater of statues opened for the service of painters, statue holders, etc. (series title on object), The personified painting stands on a pedestal on which the series title is written in six lines. Dutch. She cannot speak through the cloth tied over her mouth, so one must see what she portrays. Behind her stands dog-eared Ignorance, blindly reviling Painting. Behind Ignorance is Envy. Painting, however, shows its work to the personified Reason. Four putti surround the pedestal. Title print of part 2
Assumption of Mary. Research in ProgressMary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assumption-of-mary-research-in-progressmary-is-shown-with-outspread-arms-standing-on-a-lunar-crescent-with-a-serpent-wound-around-it-four-winged-putti-surround-her-and-while-holding-on-to-her-coat-they-carry-her-up-into-heaven-image359440655.htmlRM2BTNX67–Assumption of Mary. Research in ProgressMary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven.
Project for a wall decoration (Female figures and putti support a circular medallion with coat of arms), Red crayon, blotted and wash on paper, Very similar to drawing in -1783. Four female figures surround a circular medallion decorated with a coat of arms, a tower between two stars. Four putti support the medallion., Italy, ca. 1700, ornament, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/project-for-a-wall-decoration-female-figures-and-putti-support-a-circular-medallion-with-coat-of-arms-red-crayon-blotted-and-wash-on-paper-very-similar-to-drawing-in-1783-four-female-figures-surround-a-circular-medallion-decorated-with-a-coat-of-arms-a-tower-between-two-stars-four-putti-support-the-medallion-italy-ca-1700-ornament-drawing-image391228215.htmlRM2DMDYG7–Project for a wall decoration (Female figures and putti support a circular medallion with coat of arms), Red crayon, blotted and wash on paper, Very similar to drawing in -1783. Four female figures surround a circular medallion decorated with a coat of arms, a tower between two stars. Four putti support the medallion., Italy, ca. 1700, ornament, Drawing
Project for a wall decoration Female figures and putti support a circular medallion with coat of arms. Research in ProgressVery similar to drawing in -1783. Four female figures surround a circular medallion decorated with a coat of arms, a tower between two stars. Four putti support the medallion. Project for a wall decoration Female figures and putti support a circular medallion with coat of arms Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/project-for-a-wall-decoration-female-figures-and-putti-support-a-circular-medallion-with-coat-of-arms-research-in-progressvery-similar-to-drawing-in-1783-four-female-figures-surround-a-circular-medallion-decorated-with-a-coat-of-arms-a-tower-between-two-stars-four-putti-support-the-medallion-project-for-a-wall-decoration-female-figures-and-putti-support-a-circular-medallion-with-coat-of-arms-image352191477.htmlRM2BCYKR1–Project for a wall decoration Female figures and putti support a circular medallion with coat of arms. Research in ProgressVery similar to drawing in -1783. Four female figures surround a circular medallion decorated with a coat of arms, a tower between two stars. Four putti support the medallion. Project for a wall decoration Female figures and putti support a circular medallion with coat of arms
Assumption of Mary, Red chalk, graphite on laid paper, Mary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven., Italy, 1670–1700, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/assumption-of-mary-red-chalk-graphite-on-laid-paper-mary-is-shown-with-outspread-arms-standing-on-a-lunar-crescent-with-a-serpent-wound-around-it-four-winged-putti-surround-her-and-while-holding-on-to-her-coat-they-carry-her-up-into-heaven-italy-16701700-drawing-image391138424.htmlRM2DM9W1C–Assumption of Mary, Red chalk, graphite on laid paper, Mary is shown with outspread arms standing on a lunar crescent with a serpent wound around it. Four winged putti surround her and while holding on to her coat they carry her up into heaven., Italy, 1670–1700, Drawing
Plate 3 from Livre de bijouterie Book of Designs for Goldsmiths and Jewelers. Research in ProgressDesign for two pendants. At left, four square gems surround a central oval. Above, a pair of putti face inward; below, a pair of putti face outward, holding drop gems. At right, four oval gems surround a central square. Above, two putti. Plate 3 from Livre de bijouterie Book of Designs for Goldsmiths and Jewelers Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-3-from-livre-de-bijouterie-book-of-designs-for-goldsmiths-and-jewelers-research-in-progressdesign-for-two-pendants-at-left-four-square-gems-surround-a-central-oval-above-a-pair-of-putti-face-inward-below-a-pair-of-putti-face-outward-holding-drop-gems-at-right-four-oval-gems-surround-a-central-square-above-two-putti-plate-3-from-livre-de-bijouterie-book-of-designs-for-goldsmiths-and-jewelers-image352199259.htmlRM2BD01MY–Plate 3 from Livre de bijouterie Book of Designs for Goldsmiths and Jewelers. Research in ProgressDesign for two pendants. At left, four square gems surround a central oval. Above, a pair of putti face inward; below, a pair of putti face outward, holding drop gems. At right, four oval gems surround a central square. Above, two putti. Plate 3 from Livre de bijouterie Book of Designs for Goldsmiths and Jewelers
Sidewall, Jean-Baptiste Réveillon, French, 1725–1811, Block-printed on handmade paper, Floral bouquet in a basket with arching peacock feathers, alternating with four putti and a goat surround a burning alter. Painted in polychrome on a deep brown ground., France, ca. 1795, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-jean-baptiste-rveillon-french-17251811-block-printed-on-handmade-paper-floral-bouquet-in-a-basket-with-arching-peacock-feathers-alternating-with-four-putti-and-a-goat-surround-a-burning-alter-painted-in-polychrome-on-a-deep-brown-ground-france-ca-1795-wallcoverings-sidewall-image391275743.htmlRM2DMG45K–Sidewall, Jean-Baptiste Réveillon, French, 1725–1811, Block-printed on handmade paper, Floral bouquet in a basket with arching peacock feathers, alternating with four putti and a goat surround a burning alter. Painted in polychrome on a deep brown ground., France, ca. 1795, Wallcoverings, Sidewall
. Personally personalized painting is on a pie stable on which the series title in six rules in Dutch. She can't speak through the cloth tied to her mouth so that one has to see what she portrays. Behind her is the ignorance with donkey ears, blindly painting painting. Behind ignorance the envy. However, painting shows its work on the personalized speech. Four putti surround the base. Title print of part 2 of a series of prints with symbols, in total consisting of three parts with 23, 17 and 20 prints respectively. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/personally-personalized-painting-is-on-a-pie-stable-on-which-the-series-title-in-six-rules-in-dutch-she-cant-speak-through-the-cloth-tied-to-her-mouth-so-that-one-has-to-see-what-she-portrays-behind-her-is-the-ignorance-with-donkey-ears-blindly-painting-painting-behind-ignorance-the-envy-however-painting-shows-its-work-on-the-personalized-speech-four-putti-surround-the-base-title-print-of-part-2-of-a-series-of-prints-with-symbols-in-total-consisting-of-three-parts-with-23-17-and-20-prints-respectively-image433090593.htmlRM2G4GYD5–. Personally personalized painting is on a pie stable on which the series title in six rules in Dutch. She can't speak through the cloth tied to her mouth so that one has to see what she portrays. Behind her is the ignorance with donkey ears, blindly painting painting. Behind ignorance the envy. However, painting shows its work on the personalized speech. Four putti surround the base. Title print of part 2 of a series of prints with symbols, in total consisting of three parts with 23, 17 and 20 prints respectively.
Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines 2012 by Giulio Carpioni Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bacchanal-with-satyr-playing-a-lute-and-surrounded-by-four-figures-who-look-toward-a-succession-of-three-putti-and-a-satyr-dancing-with-cups-and-vines-2012-by-giulio-carpioni-image577140232.htmlRM2TEY074–Bacchanal with satyr playing a lute and surrounded by four figures, who look toward a succession of three putti and a satyr dancing with cups and vines 2012 by Giulio Carpioni
Altar with angels, Jacob Gottlieb Thelott, after Johann Daniel Herz (I), 1722 - 1740 print Design for an altar with angels. There are four angels with incense barrels in front of the altar. On the altar there is a blasting monitor with the letters IHS in heart shape. Beings with four wings surround the monstrans. Sleeing putti and music -making angels float above that. Garlandes and winged putti crown the altar. Augsburg paper etching / engraving altar. angels singing, making music Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/altar-with-angels-jacob-gottlieb-thelott-after-johann-daniel-herz-i-1722-1740-print-design-for-an-altar-with-angels-there-are-four-angels-with-incense-barrels-in-front-of-the-altar-on-the-altar-there-is-a-blasting-monitor-with-the-letters-ihs-in-heart-shape-beings-with-four-wings-surround-the-monstrans-sleeing-putti-and-music-making-angels-float-above-that-garlandes-and-winged-putti-crown-the-altar-augsburg-paper-etching-engraving-altar-angels-singing-making-music-image593975745.htmlRM2WE9X3D–Altar with angels, Jacob Gottlieb Thelott, after Johann Daniel Herz (I), 1722 - 1740 print Design for an altar with angels. There are four angels with incense barrels in front of the altar. On the altar there is a blasting monitor with the letters IHS in heart shape. Beings with four wings surround the monstrans. Sleeing putti and music -making angels float above that. Garlandes and winged putti crown the altar. Augsburg paper etching / engraving altar. angels singing, making music
Design for the Decoration of an Oblong Octagonal Ceiling, Henri Salembier, French, 1753 - 1820, Pen and black ink with brush and ink wash on paper, A classical warrior accompanied by two figures is on a bracket in a pavilion in the center. Two satyrs are shown on the bracket. Circular motifs surround the central motif. Four female figures, possibly Muses, accompanied by putti, are seated at the corners, leaning against spirals. Lambrequins at their feet change into lines and terminate in grotesque masks. The subject may possibly represent Minerva and the Four Virtues., ca. 1775, interiors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-the-decoration-of-an-oblong-octagonal-ceiling-henri-salembier-french-1753-1820-pen-and-black-ink-with-brush-and-ink-wash-on-paper-a-classical-warrior-accompanied-by-two-figures-is-on-a-bracket-in-a-pavilion-in-the-center-two-satyrs-are-shown-on-the-bracket-circular-motifs-surround-the-central-motif-four-female-figures-possibly-muses-accompanied-by-putti-are-seated-at-the-corners-leaning-against-spirals-lambrequins-at-their-feet-change-into-lines-and-terminate-in-grotesque-masks-the-subject-may-possibly-represent-minerva-and-the-four-virtues-ca-1775-interiors-image391341060.htmlRM2DMK3EC–Design for the Decoration of an Oblong Octagonal Ceiling, Henri Salembier, French, 1753 - 1820, Pen and black ink with brush and ink wash on paper, A classical warrior accompanied by two figures is on a bracket in a pavilion in the center. Two satyrs are shown on the bracket. Circular motifs surround the central motif. Four female figures, possibly Muses, accompanied by putti, are seated at the corners, leaning against spirals. Lambrequins at their feet change into lines and terminate in grotesque masks. The subject may possibly represent Minerva and the Four Virtues., ca. 1775, interiors
Plate 3, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian,1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving on paper, Design for two pendants. At left, four square gems surround a central oval. Above, a pair of putti face inward; below, a pair of putti face outward, holding drop gems. At right, four oval gems surround a central square. Above, two putti. Below, three drop pearls, the center is pear-shaped., France, ca. 1570, albums (bound) & books, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-3-from-livre-de-bijouterie-book-of-designs-for-goldsmiths-and-jewelers-lonard-thiry-flemish-1550-rosso-fiorentino-italian1494-1540-ren-boyvin-french-1525-1625-paul-de-la-houve-french-1575-1643-engraving-on-paper-design-for-two-pendants-at-left-four-square-gems-surround-a-central-oval-above-a-pair-of-putti-face-inward-below-a-pair-of-putti-face-outward-holding-drop-gems-at-right-four-oval-gems-surround-a-central-square-above-two-putti-below-three-drop-pearls-the-center-is-pear-shaped-france-ca-1570-albums-bound-books-print-image391607926.htmlRM2DN37WA–Plate 3, from Livre de bijouterie (Book of Designs for Goldsmiths and Jewelers), Léonard Thiry, Flemish, 1550, Rosso Fiorentino, Italian,1494 - 1540, René Boyvin, French, 1525 - 1625, Paul de la Houve, French, 1575 - 1643, Engraving on paper, Design for two pendants. At left, four square gems surround a central oval. Above, a pair of putti face inward; below, a pair of putti face outward, holding drop gems. At right, four oval gems surround a central square. Above, two putti. Below, three drop pearls, the center is pear-shaped., France, ca. 1570, albums (bound) & books, Print
