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Francesco derossi Stock Photos and Images
After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Red chalk on ivory laid paper, 162 x 102 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-the-antique-roman-officiant-at-a-sacrificial-altar-153132-francesco-derossi-called-salviati-italian-1510-1563-italy-red-chalk-on-ivory-laid-paper-162-x-102-mm-image328622788.htmlRM2A2J1M4–After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Red chalk on ivory laid paper, 162 x 102 mm
. English: Francesco de' Rossi: Winter, detail from the modello for the 'Seasons' tapestry series. Pen and brown ink, white heightening. Florence, Uffizi. In the background there is the only known depiction of one of the pyramidal Chigi tombs in Santa Maria del Popolo in the form as Raphael originally designed them. 18 January 2017. Francesco de'Rossi (Cecchino del Salviati) 1088 Salviati Winter detail Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-francesco-de-rossi-winter-detail-from-the-modello-for-the-seasons-tapestry-series-pen-and-brown-ink-white-heightening-florence-uffizi-in-the-background-there-is-the-only-known-depiction-of-one-of-the-pyramidal-chigi-tombs-in-santa-maria-del-popolo-in-the-form-as-raphael-originally-designed-them-18-january-2017-francesco-derossi-cecchino-del-salviati-1088-salviati-winter-detail-image185583651.htmlRMMNX1RF–. English: Francesco de' Rossi: Winter, detail from the modello for the 'Seasons' tapestry series. Pen and brown ink, white heightening. Florence, Uffizi. In the background there is the only known depiction of one of the pyramidal Chigi tombs in Santa Maria del Popolo in the form as Raphael originally designed them. 18 January 2017. Francesco de'Rossi (Cecchino del Salviati) 1088 Salviati Winter detail
After the Antique: Roman Officiant at a Sacrificial Altar. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1510-1564. Dimensions: 162 x 102 mm. Red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-the-antique-roman-officiant-at-a-sacrificial-altar-francesco-derossi-called-salviati-italian-1510-1563-date-1510-1564-dimensions-162-x-102-mm-red-chalk-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image239836589.htmlRMRX5E0D–After the Antique: Roman Officiant at a Sacrificial Altar. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1510-1564. Dimensions: 162 x 102 mm. Red chalk on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Seated Woman with Spindle, n.d. Circle of Francesco de'Rossi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-woman-with-spindle-nd-circle-of-francesco-derossi-image491540147.htmlRM2KFKGD7–Seated Woman with Spindle, n.d. Circle of Francesco de'Rossi.
Seated Woman with Spindle, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash, 129 x 152 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-woman-with-spindle-nd-circle-of-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-lead-white-oxidized-on-cream-laid-paper-prepared-with-salmon-wash-129-x-152-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349685060.htmlRF2B8WET4–Seated Woman with Spindle, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash, 129 x 152 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Heilige Familie met Johannes de Doper Mary seated with the Christ child in the arm. Left the young John the Baptist with the thatched cross and dressed in an animal skin. Right Joseph with boek. Manufacturer : printmaker Giacomo Antonio Stefanoni (listed property) designed by: Annibale Carracci (listed building) editor: Giovanni Battista de'Rossi (listed building) dedicated to Francesco Peretti di Montalto (listed on object) Place manufacture: Italy Date: 1632 Physical characteristics: etching and engra with plate tone material: paper Technique: etching / engra (printing process) / plate tone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/heilige-familie-met-johannes-de-doper-mary-seated-with-the-christ-child-in-the-arm-left-the-young-john-the-baptist-with-the-thatched-cross-and-dressed-in-an-animal-skin-right-joseph-with-boek-manufacturer-printmaker-giacomo-antonio-stefanoni-listed-property-designed-by-annibale-carracci-listed-building-editor-giovanni-battista-derossi-listed-building-dedicated-to-francesco-peretti-di-montalto-listed-on-object-place-manufacture-italy-date-1632-physical-characteristics-etching-and-engra-with-plate-tone-material-paper-technique-etching-engra-printing-process-plate-tone-image348428604.htmlRM2B6T86M–Heilige Familie met Johannes de Doper Mary seated with the Christ child in the arm. Left the young John the Baptist with the thatched cross and dressed in an animal skin. Right Joseph with boek. Manufacturer : printmaker Giacomo Antonio Stefanoni (listed property) designed by: Annibale Carracci (listed building) editor: Giovanni Battista de'Rossi (listed building) dedicated to Francesco Peretti di Montalto (listed on object) Place manufacture: Italy Date: 1632 Physical characteristics: etching and engra with plate tone material: paper Technique: etching / engra (printing process) / plate tone
![The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Engraving of a painting. 'The most recent accession to our National Gallery, at least of those which have been exposed to public scrutiny, is the collection of thirty-one pictures purchased last year from M. Edmond Beaucousin, at Paris, for some £5000 or £6000, we do not recollect the exact amount. The "Charity" by Salviati, a Florentine by birth (b. 1510, d. 1563), contrasts remarkably by the boldness displayed in its motive and grouping with the more modest work of Francia, and Stock Photo](https://c8.alamy.com/comp/2T1DK06/the-beaucousin-collection-at-the-national-gallery-quotcharityquot-by-f-salviati-1860-engraving-of-a-painting-the-most-recent-accession-to-our-national-gallery-at-least-of-those-which-have-been-exposed-to-public-scrutiny-is-the-collection-of-thirty-one-pictures-purchased-last-year-from-m-edmond-beaucousin-at-paris-for-some-xa35000-or-xa36000-we-do-not-recollect-the-exact-amount-the-quotcharityquot-by-salviati-a-florentine-by-birth-b-1510-d-1563-contrasts-remarkably-by-the-boldness-displayed-in-its-motive-and-grouping-with-the-more-modest-work-of-francia-and-2T1DK06.jpg "The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Engraving of a painting. 'The most recent accession to our National Gallery, at least of those which have been exposed to public scrutiny, is the collection of thirty-one pictures purchased last year from M. Edmond Beaucousin, at Paris, for some £5000 or £6000, we do not recollect the exact amount. The "Charity" by Salviati, a Florentine by birth (b. 1510, d. 1563), contrasts remarkably by the boldness displayed in its motive and grouping with the more modest work of Francia, and Stock Photo")
The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Engraving of a painting. 'The most recent accession to our National Gallery, at least of those which have been exposed to public scrutiny, is the collection of thirty-one pictures purchased last year from M. Edmond Beaucousin, at Paris, for some £5000 or £6000, we do not recollect the exact amount. The "Charity" by Salviati, a Florentine by birth (b. 1510, d. 1563), contrasts remarkably by the boldness displayed in its motive and grouping with the more modest work of Francia, and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-beaucousin-collection-at-the-national-gallery-quotcharityquot-by-f-salviati-1860-engraving-of-a-painting-the-most-recent-accession-to-our-national-gallery-at-least-of-those-which-have-been-exposed-to-public-scrutiny-is-the-collection-of-thirty-one-pictures-purchased-last-year-from-m-edmond-beaucousin-at-paris-for-some-xa35000-or-xa36000-we-do-not-recollect-the-exact-amount-the-quotcharityquot-by-salviati-a-florentine-by-birth-b-1510-d-1563-contrasts-remarkably-by-the-boldness-displayed-in-its-motive-and-grouping-with-the-more-modest-work-of-francia-and-image568857078.htmlRM2T1DK06–The Beaucousin Collection at the National Gallery - "Charity", by F. Salviati, 1860. Engraving of a painting. 'The most recent accession to our National Gallery, at least of those which have been exposed to public scrutiny, is the collection of thirty-one pictures purchased last year from M. Edmond Beaucousin, at Paris, for some £5000 or £6000, we do not recollect the exact amount. The "Charity" by Salviati, a Florentine by birth (b. 1510, d. 1563), contrasts remarkably by the boldness displayed in its motive and grouping with the more modest work of Francia, and
Seated Woman with Spindle, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash, 129 x 152 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-woman-with-spindle-nd-circle-of-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-lead-white-oxidized-on-cream-laid-paper-prepared-with-salmon-wash-129-x-152-mm-image328624648.htmlRM2A2J42G–Seated Woman with Spindle, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash, 129 x 152 mm
Seated Woman with Spindle. Circle of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 129 x 152 mm. Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-woman-with-spindle-circle-of-francesco-derossi-called-salviati-italian-1510-1563-date-1530-1563-dimensions-129-x-152-mm-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-lead-white-oxidized-on-cream-laid-paper-prepared-with-salmon-wash-origin-italy-museum-the-chicago-art-institute-image239826615.htmlRMRX5187–Seated Woman with Spindle. Circle of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 129 x 152 mm. Pen and brown ink with brush and brown wash, heightened with lead white (oxidized), on cream laid paper prepared with salmon wash. Origin: Italy. Museum: The Chicago Art Institute.
Statue of Standing Warrior, from Rear, n.d. Follower of Francesco de'Rossi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-standing-warrior-from-rear-nd-follower-of-francesco-derossi-image491539083.htmlRM2KFKF37–Statue of Standing Warrior, from Rear, n.d. Follower of Francesco de'Rossi.
Camillus Attacking Brennus, c. 1550, after Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper, 207 x 249 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camillus-attacking-brennus-c-1550-after-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-graphite-on-ivory-laid-paper-laid-down-on-cream-wove-paper-207-x-249-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349700699.htmlRF2B8X6PK–Camillus Attacking Brennus, c. 1550, after Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper, 207 x 249 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landschap met verzonken weg Een heuvellandschap met ruïnes. Op de achtergrond een herder met een kudde op een verzonken weg. Manufacturer : prentmaker: Giovanni Francesco Grimaldi (toegeschreven aan)prentmaker: anoniemuitgever: Giovanni Giacomo de'Rossi (vermeld op object)Plaats manufacture: prentmaker: Italiëprentmaker: Italiëuitgever: Rome Dating: 1637 - 1691 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: plaatrand: h 223 mm × b 308 mm Subject: landschappenherding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landschap-met-verzonken-weg-een-heuvellandschap-met-runes-op-de-achtergrond-een-herder-met-een-kudde-op-een-verzonken-weg-manufacturer-prentmaker-giovanni-francesco-grimaldi-toegeschreven-aanprentmaker-anoniemuitgever-giovanni-giacomo-derossi-vermeld-op-objectplaats-manufacture-prentmaker-italiprentmaker-italiuitgever-rome-dating-1637-1691-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-plaatrand-h-223-mm-b-308-mm-subject-landschappenherding-herdsman-herdswoman-shepherd-shepherdess-cowherd-etc-image348547723.htmlRM2B71M4Y–Landschap met verzonken weg Een heuvellandschap met ruïnes. Op de achtergrond een herder met een kudde op een verzonken weg. Manufacturer : prentmaker: Giovanni Francesco Grimaldi (toegeschreven aan)prentmaker: anoniemuitgever: Giovanni Giacomo de'Rossi (vermeld op object)Plaats manufacture: prentmaker: Italiëprentmaker: Italiëuitgever: Rome Dating: 1637 - 1691 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: plaatrand: h 223 mm × b 308 mm Subject: landschappenherding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.
Camillus Attacking Brennus, c. 1550, after Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper, 207 x 249 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camillus-attacking-brennus-c-1550-after-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-graphite-on-ivory-laid-paper-laid-down-on-cream-wove-paper-207-x-249-mm-image328635142.htmlRM2A2JHDA–Camillus Attacking Brennus, c. 1550, after Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper, 207 x 249 mm
Statue of Standing Warrior, from Rear. Follower of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 274 × 154 mm (ma×.). Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-standing-warrior-from-rear-follower-of-francesco-derossi-called-salviati-italian-1510-1563-date-1530-1563-dimensions-274-154-mm-ma-pen-and-brown-ink-with-brush-and-gray-wash-on-tan-laid-paper-laid-down-on-cream-laid-paper-origin-flanders-museum-the-chicago-art-institute-image239739628.htmlRMRX129G–Statue of Standing Warrior, from Rear. Follower of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 274 × 154 mm (ma×.). Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute.
Niche Statue of David with the Head of Goliath, n.d. Possibly by Francesco de'Rossi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niche-statue-of-david-with-the-head-of-goliath-nd-possibly-by-francesco-derossi-image491535453.htmlRM2KFKADH–Niche Statue of David with the Head of Goliath, n.d. Possibly by Francesco de'Rossi.
Statue of Standing Warrior, from Rear, n.d., Follower of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Flanders, Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper, 274 × 154 mm (ma×.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-standing-warrior-from-rear-nd-follower-of-francesco-derossi-called-salviati-italian-1510-1563-flanders-pen-and-brown-ink-with-brush-and-gray-wash-on-tan-laid-paper-laid-down-on-cream-laid-paper-274-154-mm-ma-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349683334.htmlRF2B8WCJE–Statue of Standing Warrior, from Rear, n.d., Follower of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Flanders, Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper, 274 × 154 mm (ma×.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landschap met een verzonken weg Een heuvellandschap met ruïnes. Op de achtergrond een herder met een kudde op een verzonken weg. Manufacturer : prentmaker: Giovanni Francesco Grimaldi (toegeschreven aan)prentmaker: anoniemuitgever: Giovanni Giacomo de'Rossi (vermeld op object)Plaats manufacture: prentmaker: Italiëprentmaker: Italiëuitgever: Rome Dating: 1616 - 1680 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 223 mm (Binnen plaatrand afgesneden.) × b 309 mm (Binnen plaatrand afgesneden.) Subject: landschappenherding, herdsman, herdswoman, shepherd, shepherdess, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landschap-met-een-verzonken-weg-een-heuvellandschap-met-runes-op-de-achtergrond-een-herder-met-een-kudde-op-een-verzonken-weg-manufacturer-prentmaker-giovanni-francesco-grimaldi-toegeschreven-aanprentmaker-anoniemuitgever-giovanni-giacomo-derossi-vermeld-op-objectplaats-manufacture-prentmaker-italiprentmaker-italiuitgever-rome-dating-1616-1680-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-blad-h-223-mm-binnen-plaatrand-afgesneden-b-309-mm-binnen-plaatrand-afgesneden-subject-landschappenherding-herdsman-herdswoman-shepherd-shepherdess-image348543194.htmlRM2B71EB6–Landschap met een verzonken weg Een heuvellandschap met ruïnes. Op de achtergrond een herder met een kudde op een verzonken weg. Manufacturer : prentmaker: Giovanni Francesco Grimaldi (toegeschreven aan)prentmaker: anoniemuitgever: Giovanni Giacomo de'Rossi (vermeld op object)Plaats manufacture: prentmaker: Italiëprentmaker: Italiëuitgever: Rome Dating: 1616 - 1680 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 223 mm (Binnen plaatrand afgesneden.) × b 309 mm (Binnen plaatrand afgesneden.) Subject: landschappenherding, herdsman, herdswoman, shepherd, shepherdess,
Statue of Standing Warrior, from Rear, n.d., Follower of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Flanders, Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper, 274 × 154 mm (ma Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/statue-of-standing-warrior-from-rear-nd-follower-of-francesco-derossi-called-salviati-italian-1510-1563-flanders-pen-and-brown-ink-with-brush-and-gray-wash-on-tan-laid-paper-laid-down-on-cream-laid-paper-274-154-mm-ma-image328623443.htmlRM2A2J2FF–Statue of Standing Warrior, from Rear, n.d., Follower of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Flanders, Pen and brown ink with brush and gray wash, on tan laid paper, laid down on cream laid paper, 274 × 154 mm (ma
Camillus Attacking Brennus. after Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1548-1553. Dimensions: 207 x 249 mm. Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camillus-attacking-brennus-after-francesco-derossi-called-salviati-italian-1510-1563-date-1548-1553-dimensions-207-x-249-mm-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-graphite-on-ivory-laid-paper-laid-down-on-cream-wove-paper-origin-italy-museum-the-chicago-art-institute-image239836827.htmlRMRX5E8Y–Camillus Attacking Brennus. after Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1548-1553. Dimensions: 207 x 249 mm. Pen and brown ink with brush and brown wash, over traces of graphite, on ivory laid paper, laid down on cream wove paper. Origin: Italy. Museum: The Chicago Art Institute.
Crucifixion, 1541. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/crucifixion-1541-image469815117.htmlRM2J89WY9–Crucifixion, 1541.
Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper, 103 x 331 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-overdoor-two-ignudi-with-dolphins-and-shields-nd-circle-of-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-and-traces-of-red-chalk-on-cream-laid-paper-laid-down-on-ivory-laid-paper-103-x-331-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349684521.htmlRF2B8WE4W–Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper, 103 x 331 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Canonization in the St. Peter's Visibility in the transept of St. Peter's Basilica Where: the canonization takes place from the holy Gaetano Thiene, Saint Francesco Borgia, St. Filippo Benizi, St. Luigi Bertrando and St. Rosa da Lima by Pope Clemens X. The performance is flanked on both sides by an angel with a banderole, on which an explanatory list of nummers. Manufacturer : print maker: Giovanni Battista Falda (indicated on object) to drawing of: Giovanni Battista Falda (indicated on object) publisher: Giovanni Giacomo de'Rossi (listed property) provider of privilege: Papal court (listed pr Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/canonization-in-the-st-peters-visibility-in-the-transept-of-st-peters-basilica-where-the-canonization-takes-place-from-the-holy-gaetano-thiene-saint-francesco-borgia-st-filippo-benizi-st-luigi-bertrando-and-st-rosa-da-lima-by-pope-clemens-x-the-performance-is-flanked-on-both-sides-by-an-angel-with-a-banderole-on-which-an-explanatory-list-of-nummers-manufacturer-print-maker-giovanni-battista-falda-indicated-on-object-to-drawing-of-giovanni-battista-falda-indicated-on-object-publisher-giovanni-giacomo-derossi-listed-property-provider-of-privilege-papal-court-listed-pr-image348246096.htmlRM2B6FYCG–Canonization in the St. Peter's Visibility in the transept of St. Peter's Basilica Where: the canonization takes place from the holy Gaetano Thiene, Saint Francesco Borgia, St. Filippo Benizi, St. Luigi Bertrando and St. Rosa da Lima by Pope Clemens X. The performance is flanked on both sides by an angel with a banderole, on which an explanatory list of nummers. Manufacturer : print maker: Giovanni Battista Falda (indicated on object) to drawing of: Giovanni Battista Falda (indicated on object) publisher: Giovanni Giacomo de'Rossi (listed property) provider of privilege: Papal court (listed pr
Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper, 103 x 331 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-overdoor-two-ignudi-with-dolphins-and-shields-nd-circle-of-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-and-traces-of-red-chalk-on-cream-laid-paper-laid-down-on-ivory-laid-paper-103-x-331-mm-image328624234.htmlRM2A2J3FP–Design for Overdoor: Two Ignudi with Dolphins and Shields, n.d., Circle of Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper, 103 x 331 mm
Design for Overdoor: Two Ignudi with Dolphins and Shields. Circle of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 103 x 331 mm. Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-overdoor-two-ignudi-with-dolphins-and-shields-circle-of-francesco-derossi-called-salviati-italian-1510-1563-date-1530-1563-dimensions-103-x-331-mm-pen-and-brown-ink-with-brush-and-brown-wash-and-traces-of-red-chalk-on-cream-laid-paper-laid-down-on-ivory-laid-paper-origin-italy-museum-the-chicago-art-institute-image239835428.htmlRMRX5CF0–Design for Overdoor: Two Ignudi with Dolphins and Shields. Circle of Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1563. Dimensions: 103 x 331 mm. Pen and brown ink with brush and brown wash and traces of red chalk, on cream laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute.
Portrait of a prelate (middle of the 16th century), 1550-1563. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-prelate-middle-of-the-16th-century-1550-1563-image621704640.htmlRM2Y3D2H4–Portrait of a prelate (middle of the 16th century), 1550-1563.
Part of The Truimph and Exploits of Furius Camillus, n.d., Francesco de’Rossi, called Salviati, after, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card, 210 x 237 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-truimph-and-exploits-of-furius-camillus-nd-francesco-derossi-called-salviati-after-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-black-chalk-on-tan-laid-paper-laid-down-on-ivory-laid-paper-edge-mounted-to-blue-card-210-x-237-mm-max-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349697070.htmlRF2B8X252–Part of The Truimph and Exploits of Furius Camillus, n.d., Francesco de’Rossi, called Salviati, after, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card, 210 x 237 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Landschap met de boetvaardige Maria Magdalena Landscape with the penitent Mary Magdalene Property type: picture Item number: RP-P-OB-36.332Catalogusreferentie: The Illustrated Bartsch 43Bartsch 43Bellini (Grimaldi) 4-2 (3) Description: A panoramic landscape in the foreground right the penitent St. Mary Magdalene under boom. Manufacturer : printmaker Giovanni Francesco Grimaldi Publisher: Giovanni Giacomo de'Rossi (listed property) Place manufacture: printmaker: Italy Publisher: Rome Date: 1616 - 1680 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 276 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landschap-met-de-boetvaardige-maria-magdalena-landscape-with-the-penitent-mary-magdalene-property-type-picture-item-number-rp-p-ob-36332catalogusreferentie-the-illustrated-bartsch-43bartsch-43bellini-grimaldi-4-2-3-description-a-panoramic-landscape-in-the-foreground-right-the-penitent-st-mary-magdalene-under-boom-manufacturer-printmaker-giovanni-francesco-grimaldi-publisher-giovanni-giacomo-derossi-listed-property-place-manufacture-printmaker-italy-publisher-rome-date-1616-1680-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-276-mm-image348540541.htmlRM2B71B0D–Landschap met de boetvaardige Maria Magdalena Landscape with the penitent Mary Magdalene Property type: picture Item number: RP-P-OB-36.332Catalogusreferentie: The Illustrated Bartsch 43Bartsch 43Bellini (Grimaldi) 4-2 (3) Description: A panoramic landscape in the foreground right the penitent St. Mary Magdalene under boom. Manufacturer : printmaker Giovanni Francesco Grimaldi Publisher: Giovanni Giacomo de'Rossi (listed property) Place manufacture: printmaker: Italy Publisher: Rome Date: 1616 - 1680 Physical features: etching material: paper Technique: etching dimensions: plate edge: h 276 mm
Part of The Truimph and Exploits of Furius Camillus, n.d., Francesco de’Rossi, called Salviati, after, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card, 210 x 237 mm (max Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-truimph-and-exploits-of-furius-camillus-nd-francesco-derossi-called-salviati-after-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-black-chalk-on-tan-laid-paper-laid-down-on-ivory-laid-paper-edge-mounted-to-blue-card-210-x-237-mm-max-image328632530.htmlRM2A2JE42–Part of The Truimph and Exploits of Furius Camillus, n.d., Francesco de’Rossi, called Salviati, after, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card, 210 x 237 mm (max
Part of The Truimph and Exploits of Furius Camillus. Francesco de'Rossi, called Salviati, after; Italian, 1510-1563. Date: 1530-1563. Dimensions: 210 x 237 mm (max.). Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-truimph-and-exploits-of-furius-camillus-francesco-derossi-called-salviati-after-italian-1510-1563-date-1530-1563-dimensions-210-x-237-mm-max-pen-and-brown-ink-with-brush-and-brown-wash-over-traces-of-black-chalk-on-tan-laid-paper-laid-down-on-ivory-laid-paper-edge-mounted-to-blue-card-origin-italy-museum-the-chicago-art-institute-image239875369.htmlRMRX77DD–Part of The Truimph and Exploits of Furius Camillus. Francesco de'Rossi, called Salviati, after; Italian, 1510-1563. Date: 1530-1563. Dimensions: 210 x 237 mm (max.). Pen and brown ink with brush and brown wash, over traces of black chalk, on tan laid paper, laid down on ivory laid paper, edge mounted to blue card. Origin: Italy. Museum: The Chicago Art Institute.
Saint Peter. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-peter-image534374979.htmlRM2P1ATMK–Saint Peter.
Marcus Curtius Leaping into the Abyss, 1555/63, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card, 64 x 107 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-curtius-leaping-into-the-abyss-155563-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-white-gouache-with-traces-of-black-chalk-on-oval-shaped-tan-laid-paper-edge-mounted-on-tan-wove-paper-laid-down-on-ivory-wove-card-64-x-107-mm-max-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349684397.htmlRF2B8WE0D–Marcus Curtius Leaping into the Abyss, 1555/63, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card, 64 x 107 mm (max.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Bernard en Pope Innocent 2 St. Bernard represents the enthroned Pope Innocent II. In the foreground two men kneeling with a tiara and sleutels. Manufacturer : printmaker Francesco Raffaelli (listed property) to drawing: Francesco Raffaelli (listed property) to painting: unknown (listed building) Publisher: Domenico de'Rossi (shown on object) assigned to: Candido Cassina (indicated on object) Place manufacture: print maker: Italy to drawing of: Italy to painting of: Rome Publisher: Rome Date: 1706 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 549 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bernard-en-pope-innocent-2-st-bernard-represents-the-enthroned-pope-innocent-ii-in-the-foreground-two-men-kneeling-with-a-tiara-and-sleutels-manufacturer-printmaker-francesco-raffaelli-listed-property-to-drawing-francesco-raffaelli-listed-property-to-painting-unknown-listed-building-publisher-domenico-derossi-shown-on-object-assigned-to-candido-cassina-indicated-on-object-place-manufacture-print-maker-italy-to-drawing-of-italy-to-painting-of-rome-publisher-rome-date-1706-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-549-image348189717.htmlRM2B6DBF1–Bernard en Pope Innocent 2 St. Bernard represents the enthroned Pope Innocent II. In the foreground two men kneeling with a tiara and sleutels. Manufacturer : printmaker Francesco Raffaelli (listed property) to drawing: Francesco Raffaelli (listed property) to painting: unknown (listed building) Publisher: Domenico de'Rossi (shown on object) assigned to: Candido Cassina (indicated on object) Place manufacture: print maker: Italy to drawing of: Italy to painting of: Rome Publisher: Rome Date: 1706 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 549
Marcus Curtius Leaping into the Abyss, 1555/63, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card, 64 x 107 mm (max Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-curtius-leaping-into-the-abyss-155563-francesco-derossi-called-salviati-italian-1510-1563-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-white-gouache-with-traces-of-black-chalk-on-oval-shaped-tan-laid-paper-edge-mounted-on-tan-wove-paper-laid-down-on-ivory-wove-card-64-x-107-mm-max-image328624184.htmlRM2A2J3E0–Marcus Curtius Leaping into the Abyss, 1555/63, Francesco de’Rossi, called Salviati, Italian, 1510-1563, Italy, Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card, 64 x 107 mm (max
Niche Statue of David with the Head of Goliath. Possibly Francesco de'Rossi, called Salviati (Italian, 1510-1563); or Giulio Campi (Italian, c. 1508-1573); or Jacopo Sansovino (Italian, 1486-1570). Date: 1528-1573. Dimensions: 129 x 62 mm. Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niche-statue-of-david-with-the-head-of-goliath-possibly-francesco-derossi-called-salviati-italian-1510-1563-or-giulio-campi-italian-c-1508-1573-or-jacopo-sansovino-italian-1486-1570-date-1528-1573-dimensions-129-x-62-mm-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-traces-of-white-gouache-on-buff-laid-paper-laid-down-on-cream-card-origin-italy-museum-the-chicago-art-institute-image239825597.htmlRMRX4YYW–Niche Statue of David with the Head of Goliath. Possibly Francesco de'Rossi, called Salviati (Italian, 1510-1563); or Giulio Campi (Italian, c. 1508-1573); or Jacopo Sansovino (Italian, 1486-1570). Date: 1528-1573. Dimensions: 129 x 62 mm. Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card. Origin: Italy. Museum: The Chicago Art Institute.
Camillus Attacking Brennus, c. 1550. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camillus-attacking-brennus-c-1550-image491544309.htmlRM2KFKNNW–Camillus Attacking Brennus, c. 1550.
Niche Statue of David with the Head of Goliath, n.d., Possibly Francesco de’Rossi, called Salviati (Italian, 1510-1563), or Giulio Campi (Italian, c. 1508-1573), or Jacopo Sansovino (Italian, 1486-1570), Italy, Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card, 129 x 62 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niche-statue-of-david-with-the-head-of-goliath-nd-possibly-francesco-derossi-called-salviati-italian-1510-1563-or-giulio-campi-italian-c-1508-1573-or-jacopo-sansovino-italian-1486-1570-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-traces-of-white-gouache-on-buff-laid-paper-laid-down-on-cream-card-129-x-62-mm-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revoluti-image349685350.htmlRF2B8WF6E–Niche Statue of David with the Head of Goliath, n.d., Possibly Francesco de’Rossi, called Salviati (Italian, 1510-1563), or Giulio Campi (Italian, c. 1508-1573), or Jacopo Sansovino (Italian, 1486-1570), Italy, Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card, 129 x 62 mm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revoluti
Fontein met opdracht aan en wapen van Livio Odescalchi Le fontane ne palazzi e ne giardini di Roma (serietitel) Fonteinen in de paleizen en tuinen van Rome (serietitel) In the middle a fountain with a command and weapon Livio Odescalchi. In the foreground, two river gods and Romulus and Remus with the she-wolf. Numbered lower right: 2. The print is part of a album. Manufacturer : printmaker Giovanni Francesco Venturini (listed building) in its design: Giovanni Francesco Venturini (listed building) editor: Giovanni Giacomo de'Rossiopgedragen by Giovanni Giacomo de'Rossi (listed property) assign Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fontein-met-opdracht-aan-en-wapen-van-livio-odescalchi-le-fontane-ne-palazzi-e-ne-giardini-di-roma-serietitel-fonteinen-in-de-paleizen-en-tuinen-van-rome-serietitel-in-the-middle-a-fountain-with-a-command-and-weapon-livio-odescalchi-in-the-foreground-two-river-gods-and-romulus-and-remus-with-the-she-wolf-numbered-lower-right-2-the-print-is-part-of-a-album-manufacturer-printmaker-giovanni-francesco-venturini-listed-building-in-its-design-giovanni-francesco-venturini-listed-building-editor-giovanni-giacomo-derossiopgedragen-by-giovanni-giacomo-derossi-listed-property-assign-image348350206.htmlRM2B6MM6P–Fontein met opdracht aan en wapen van Livio Odescalchi Le fontane ne palazzi e ne giardini di Roma (serietitel) Fonteinen in de paleizen en tuinen van Rome (serietitel) In the middle a fountain with a command and weapon Livio Odescalchi. In the foreground, two river gods and Romulus and Remus with the she-wolf. Numbered lower right: 2. The print is part of a album. Manufacturer : printmaker Giovanni Francesco Venturini (listed building) in its design: Giovanni Francesco Venturini (listed building) editor: Giovanni Giacomo de'Rossiopgedragen by Giovanni Giacomo de'Rossi (listed property) assign
Niche Statue of David with the Head of Goliath, n.d., Possibly Francesco de’Rossi, called Salviati (Italian, 1510-1563), or Giulio Campi (Italian, c. 1508-1573), or Jacopo Sansovino (Italian, 1486-1570), Italy, Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card, 129 x 62 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/niche-statue-of-david-with-the-head-of-goliath-nd-possibly-francesco-derossi-called-salviati-italian-1510-1563-or-giulio-campi-italian-c-1508-1573-or-jacopo-sansovino-italian-1486-1570-italy-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-traces-of-white-gouache-on-buff-laid-paper-laid-down-on-cream-card-129-x-62-mm-image328624839.htmlRM2A2J49B–Niche Statue of David with the Head of Goliath, n.d., Possibly Francesco de’Rossi, called Salviati (Italian, 1510-1563), or Giulio Campi (Italian, c. 1508-1573), or Jacopo Sansovino (Italian, 1486-1570), Italy, Pen and brown ink with brush and brown wash, heightened with traces of white gouache, on buff laid paper, laid down on cream card, 129 x 62 mm
Cavalry Skirmish (recto); Kneeling Ecorché (verso). Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1539. Dimensions: 267 x 420 mm (max.). Pen and brown ink with brush and gray wash, over black chalk, with later additions of brown wash in lower right, on ivory laid paper, edge mounted to cream laid paper, hinged on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cavalry-skirmish-recto-kneeling-ecorch-verso-francesco-derossi-called-salviati-italian-1510-1563-date-1530-1539-dimensions-267-x-420-mm-max-pen-and-brown-ink-with-brush-and-gray-wash-over-black-chalk-with-later-additions-of-brown-wash-in-lower-right-on-ivory-laid-paper-edge-mounted-to-cream-laid-paper-hinged-on-ivory-wove-card-origin-italy-museum-the-chicago-art-institute-image239740202.htmlRMRX1322–Cavalry Skirmish (recto); Kneeling Ecorché (verso). Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1530-1539. Dimensions: 267 x 420 mm (max.). Pen and brown ink with brush and gray wash, over black chalk, with later additions of brown wash in lower right, on ivory laid paper, edge mounted to cream laid paper, hinged on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute.
After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/after-the-antique-roman-officiant-at-a-sacrificial-altar-153132-image466984972.htmlRM2J3N02M–After the Antique: Roman Officiant at a Sacrificial Altar, 1531/32.
Inspired by Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati, Fountains of Frascati, In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In the foreground left two figures using hammer, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-fountain-with-dedication-to-and-coat-of-arms-of-giovanni-francesco-negroni-fontane-delle-ville-di-frascati-fountains-of-frascati-in-the-center-a-fountain-with-a-dedication-to-and-the-coat-of-arms-of-cardinal-giovanni-francesco-negroni-in-the-foreground-left-two-figures-using-hammer-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459364230.htmlRF2HK9RNA–Inspired by Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati, Fountains of Frascati, In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In the foreground left two figures using hammer, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Cardinal Giovanni Francesco Barbarigo, print maker: Girolamo Rossi (II), (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), Pauselijk hof, (mentioned on object), print maker: Rome, publisher: Rome, Vaticaanstad, 1720 - 1762, paper, engraving, h 219 mm - w 165 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-giovanni-francesco-barbarigo-print-maker-girolamo-rossi-ii-mentioned-on-object-publisher-domenico-derossi-mentioned-on-object-pauselijk-hof-mentioned-on-object-print-maker-rome-publisher-rome-vaticaanstad-1720-1762-paper-engraving-h-219-mm-w-165-mm-image472313826.htmlRM2JCBN2X–Portrait of Cardinal Giovanni Francesco Barbarigo, print maker: Girolamo Rossi (II), (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), Pauselijk hof, (mentioned on object), print maker: Rome, publisher: Rome, Vaticaanstad, 1720 - 1762, paper, engraving, h 219 mm - w 165 mm
Marcus Curtius Leaping into the Abyss. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1555-1563. Dimensions: 64 x 107 mm (max.). Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-curtius-leaping-into-the-abyss-francesco-derossi-called-salviati-italian-1510-1563-date-1555-1563-dimensions-64-x-107-mm-max-pen-and-brown-ink-with-brush-and-brown-wash-heightened-with-white-gouache-with-traces-of-black-chalk-on-oval-shaped-tan-laid-paper-edge-mounted-on-tan-wove-paper-laid-down-on-ivory-wove-card-origin-italy-museum-the-chicago-art-institute-image239840426.htmlRMRX5JWE–Marcus Curtius Leaping into the Abyss. Francesco de'Rossi, called Salviati; Italian, 1510-1563. Date: 1555-1563. Dimensions: 64 x 107 mm (max.). Pen and brown ink with brush and brown wash, heightened with white gouache, with traces of black chalk, on oval-shaped tan laid paper, edge mounted on tan wove paper, laid down on ivory wove card. Origin: Italy. Museum: The Chicago Art Institute.
Alexander the Great kneeling before the High Priest of Ammon, between 1530 and 1536. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexander-the-great-kneeling-before-the-high-priest-of-ammon-between-1530-and-1536-image571908677.htmlRM2T6CK9W–Alexander the Great kneeling before the High Priest of Ammon, between 1530 and 1536.
Art inspired by Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati (series title), Fountains of Frascati (series title), In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fountain-with-dedication-to-and-coat-of-arms-of-giovanni-francesco-negroni-fontane-delle-ville-di-frascati-series-title-fountains-of-frascati-series-title-in-the-center-a-fountain-with-a-dedication-to-and-the-coat-of-arms-of-cardinal-giovanni-francesco-negroni-in-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459713827.htmlRF2HKWNJY–Art inspired by Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati (series title), Fountains of Frascati (series title), In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Francesco Morosini Franciscvs Mavrocenvs eques generalissimvs anno MDCLXXXIV, print maker: Jacques Blondeau, (mentioned on object), unknown, publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: unknown, publisher: Rome, 1665 - 1698, paper, engraving, h 244 mm × w 179 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-francesco-morosini-franciscvs-mavrocenvs-eques-generalissimvs-anno-mdclxxxiv-print-maker-jacques-blondeau-mentioned-on-object-unknown-publisher-giovanni-giacomo-derossi-mentioned-on-object-print-maker-unknown-publisher-rome-1665-1698-paper-engraving-h-244-mm-w-179-mm-image473369774.htmlRM2JE3RYA–Portrait of Francesco Morosini Franciscvs Mavrocenvs eques generalissimvs anno MDCLXXXIV, print maker: Jacques Blondeau, (mentioned on object), unknown, publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: unknown, publisher: Rome, 1665 - 1698, paper, engraving, h 244 mm × w 179 mm
Part of The Truimph and Exploits of Furius Camillus, n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-truimph-and-exploits-of-furius-camillus-nd-image466984989.htmlRM2J3N039–Part of The Truimph and Exploits of Furius Camillus, n.d.
Portrait of Cardinal Francesco Buonvisi Franciscvs SRE presbyter die septembris MDCLXXXI, print maker: Jacques Blondeau, (mentioned on object), unknown, publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: unknown, publisher: Rome, 1681 - 1698, paper, engraving, h 210 mm × w 152 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-francesco-buonvisi-franciscvs-sre-presbyter-die-septembris-mdclxxxi-print-maker-jacques-blondeau-mentioned-on-object-unknown-publisher-giovanni-giacomo-derossi-mentioned-on-object-print-maker-unknown-publisher-rome-1681-1698-paper-engraving-h-210-mm-w-152-mm-image473369751.htmlRM2JE3RXF–Portrait of Cardinal Francesco Buonvisi Franciscvs SRE presbyter die septembris MDCLXXXI, print maker: Jacques Blondeau, (mentioned on object), unknown, publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: unknown, publisher: Rome, 1681 - 1698, paper, engraving, h 210 mm × w 152 mm
Christ Falling under the Cross. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christ-falling-under-the-cross-image534374945.htmlRM2P1ATKD–Christ Falling under the Cross.
Portrait of Cardinal Francesco Acquaviva d'Aragona, print maker: Girolamo Rossi (II), (mentioned on object), after: Pietro Nelli, (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), print maker: Rome, after: Italy, publisher: Rome, Vaticaanstad, 1706 - 1762, paper, engraving, h 206 mm - w 156 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-francesco-acquaviva-daragona-print-maker-girolamo-rossi-ii-mentioned-on-object-after-pietro-nelli-mentioned-on-object-publisher-domenico-derossi-mentioned-on-object-print-maker-rome-after-italy-publisher-rome-vaticaanstad-1706-1762-paper-engraving-h-206-mm-w-156-mm-image472313825.htmlRM2JCBN2W–Portrait of Cardinal Francesco Acquaviva d'Aragona, print maker: Girolamo Rossi (II), (mentioned on object), after: Pietro Nelli, (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), print maker: Rome, after: Italy, publisher: Rome, Vaticaanstad, 1706 - 1762, paper, engraving, h 206 mm - w 156 mm
The Resurrection, 1545/1548. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-resurrection-15451548-image534374962.htmlRM2P1ATM2–The Resurrection, 1545/1548.
Portrait of Francesco del Giudice Franciscus SRE presbyter cardinalis judice Neapolitanus creatus die XIII februarii MDCXC Portraits of cardinals Effigies cardinalium nunc viventium, print maker: Benoît Farjat, (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), Pauselijk hof, (mentioned on object), print maker: France, (possibly), publisher: Rome, 1690 - 1720, paper, engraving, h 216 mm - w 157 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-francesco-del-giudice-franciscus-sre-presbyter-cardinalis-judice-neapolitanus-creatus-die-xiii-februarii-mdcxc-portraits-of-cardinals-effigies-cardinalium-nunc-viventium-print-maker-benot-farjat-mentioned-on-object-publisher-domenico-derossi-mentioned-on-object-pauselijk-hof-mentioned-on-object-print-maker-france-possibly-publisher-rome-1690-1720-paper-engraving-h-216-mm-w-157-mm-image473369804.htmlRM2JE3T0C–Portrait of Francesco del Giudice Franciscus SRE presbyter cardinalis judice Neapolitanus creatus die XIII februarii MDCXC Portraits of cardinals Effigies cardinalium nunc viventium, print maker: Benoît Farjat, (mentioned on object), publisher: Domenico de'Rossi, (mentioned on object), Pauselijk hof, (mentioned on object), print maker: France, (possibly), publisher: Rome, 1690 - 1720, paper, engraving, h 216 mm - w 157 mm
Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-warrior-seen-from-behind-lifting-a-curtain-155055-image466984990.htmlRM2J3N03A–Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55.
Portrait of Cardinal Francesco Maria Mancini, Portraits of cardinals with two coats of arms (series title), Effigies (series title), Top left and top right a coat of arms., print, print maker: Giovanni Battista Bonacina, (mentioned on object), after painting by: Io. Mar. Moran, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: Italy, publisher: Rome, Vaticaanstad, 1625 - 1669, paper, etching, engraving, height, 195 mm × width, 145 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cardinal-francesco-maria-mancini-portraits-of-cardinals-with-two-coats-of-arms-series-title-effigies-series-title-top-left-and-top-right-a-coat-of-arms-print-print-maker-giovanni-battista-bonacina-mentioned-on-object-after-painting-by-io-mar-moran-mentioned-on-object-publisher-giovanni-giacomo-derossi-mentioned-on-object-print-maker-italy-publisher-rome-vaticaanstad-1625-1669-paper-etching-engraving-height-195-mm-width-145-mm-image623510527.htmlRM2Y6BA13–Portrait of Cardinal Francesco Maria Mancini, Portraits of cardinals with two coats of arms (series title), Effigies (series title), Top left and top right a coat of arms., print, print maker: Giovanni Battista Bonacina, (mentioned on object), after painting by: Io. Mar. Moran, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), print maker: Italy, publisher: Rome, Vaticaanstad, 1625 - 1669, paper, etching, engraving, height, 195 mm × width, 145 mm
Cavalry Skirmish (recto); Kneeling Ecorché (verso), 1530/39. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cavalry-skirmish-recto-kneeling-ecorchxe9-verso-153039-image466984967.htmlRM2J3N02F–Cavalry Skirmish (recto); Kneeling Ecorché (verso), 1530/39.
Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati (series title), Fountains of Frascati (series title), In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In the foreground left two figures using hammer and chisel to affix a coat of arms to a shield. The print is part of an album., print maker: anonymous, publisher: Giovanni Giacomo de'Rossi, publisher: Rome, Rome, Italy, 1653 - 1691, paper, etching, engraving, height 205 mm × width 285 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fountain-with-dedication-to-and-coat-of-arms-of-giovanni-francesco-negroni-fontane-delle-ville-di-frascati-series-title-fountains-of-frascati-series-title-in-the-center-a-fountain-with-a-dedication-to-and-the-coat-of-arms-of-cardinal-giovanni-francesco-negroni-in-the-foreground-left-two-figures-using-hammer-and-chisel-to-affix-a-coat-of-arms-to-a-shield-the-print-is-part-of-an-album-print-maker-anonymous-publisher-giovanni-giacomo-derossi-publisher-rome-rome-italy-1653-1691-paper-etching-engraving-height-205-mm-width-285-mm-image454356059.htmlRM2HB5KP3–Fountain with dedication to and coat of arms of Giovanni Francesco Negroni, Fontane delle ville di Frascati (series title), Fountains of Frascati (series title), In the center a fountain with a dedication to and the coat of arms of Cardinal Giovanni Francesco Negroni. In the foreground left two figures using hammer and chisel to affix a coat of arms to a shield. The print is part of an album., print maker: anonymous, publisher: Giovanni Giacomo de'Rossi, publisher: Rome, Rome, Italy, 1653 - 1691, paper, etching, engraving, height 205 mm × width 285 mm
Marcus Curtius Leaping into the Abyss, 1555/63. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marcus-curtius-leaping-into-the-abyss-155563-image466984996.htmlRM2J3N03G–Marcus Curtius Leaping into the Abyss, 1555/63.
Bust of Cardinal Francesco Barberini at age 38, made on the occasion of his consecration as cardinal In the upper corners, on the left, the papal coat of arms of Alexander VIII, and on the right, his own cardinal coat of arms Below the portrait his name and titles, Portrait of Cardinal Francesco Barberini, print maker: Robert van Audenaerd, (mentioned on object), after: Carlo Maratti, (mentioned on object), printer: Domenico en erven Giovanni Giacomo de'Rossi, (mentioned on object), Rome, 1690 - 1723, paper, engraving, h 212 mm × w 155 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bust-of-cardinal-francesco-barberini-at-age-38-made-on-the-occasion-of-his-consecration-as-cardinal-in-the-upper-corners-on-the-left-the-papal-coat-of-arms-of-alexander-viii-and-on-the-right-his-own-cardinal-coat-of-arms-below-the-portrait-his-name-and-titles-portrait-of-cardinal-francesco-barberini-print-maker-robert-van-audenaerd-mentioned-on-object-after-carlo-maratti-mentioned-on-object-printer-domenico-en-erven-giovanni-giacomo-derossi-mentioned-on-object-rome-1690-1723-paper-engraving-h-212-mm-w-155-mm-image472310365.htmlRM2JCBGK9–Bust of Cardinal Francesco Barberini at age 38, made on the occasion of his consecration as cardinal In the upper corners, on the left, the papal coat of arms of Alexander VIII, and on the right, his own cardinal coat of arms Below the portrait his name and titles, Portrait of Cardinal Francesco Barberini, print maker: Robert van Audenaerd, (mentioned on object), after: Carlo Maratti, (mentioned on object), printer: Domenico en erven Giovanni Giacomo de'Rossi, (mentioned on object), Rome, 1690 - 1723, paper, engraving, h 212 mm × w 155 mm
Portrait in oval frame of Cardinal Volumnio Bandinelli Bust to the right Top left the coat of arms of Pope Alexander VII, top right the coat of arms of Cardinal Volumnio Bandinelli The print has a Latin caption with details of the person portrayed, Portrait of Cardinal Volumnio Bandinelli Portraits of Cardinals Effigies cardinalium nunc viventium , print maker: Albertus Clouwet, (mentioned on object), after: Pier Francesco Mola, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), Rome, 1667 - 1679, paper, engraving, h 193 mm × w 144 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-in-oval-frame-of-cardinal-volumnio-bandinelli-bust-to-the-right-top-left-the-coat-of-arms-of-pope-alexander-vii-top-right-the-coat-of-arms-of-cardinal-volumnio-bandinelli-the-print-has-a-latin-caption-with-details-of-the-person-portrayed-portrait-of-cardinal-volumnio-bandinelli-portraits-of-cardinals-effigies-cardinalium-nunc-viventium-print-maker-albertus-clouwet-mentioned-on-object-after-pier-francesco-mola-mentioned-on-object-publisher-giovanni-giacomo-derossi-mentioned-on-object-rome-1667-1679-paper-engraving-h-193-mm-w-144-mm-image472311180.htmlRM2JCBHMC–Portrait in oval frame of Cardinal Volumnio Bandinelli Bust to the right Top left the coat of arms of Pope Alexander VII, top right the coat of arms of Cardinal Volumnio Bandinelli The print has a Latin caption with details of the person portrayed, Portrait of Cardinal Volumnio Bandinelli Portraits of Cardinals Effigies cardinalium nunc viventium , print maker: Albertus Clouwet, (mentioned on object), after: Pier Francesco Mola, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, (mentioned on object), Rome, 1667 - 1679, paper, engraving, h 193 mm × w 144 mm
