Frans the elder Black & White Stock Photos
medicine, quacksalver, 'The Charlatan', painting by Frans van Mieris the Elder (1635 - 1681), 17th century, oil on panel, Galleria degli Uffizi, Florence, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-medicine-quacksalver-the-charlatan-painting-by-frans-van-mieris-the-95879967.htmlRMFFYKTF–medicine, quacksalver, 'The Charlatan', painting by Frans van Mieris the Elder (1635 - 1681), 17th century, oil on panel, Galleria degli Uffizi, Florence, Additional-Rights-Clearences-Not Available
Interior of a Gothic Church at Night, Pieter Neeffs the Elder, probably ca. 1635–40 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-interior-of-a-gothic-church-at-night-pieter-neeffs-the-elder-probably-162537464.htmlRMKCC65C–Interior of a Gothic Church at Night, Pieter Neeffs the Elder, probably ca. 1635–40
A ship running out of a harbour c 1565 . Line engraving by Frans Huys after Pieter Bruegel the Elder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-ship-running-out-of-a-harbour-c-1565-line-engraving-by-frans-huys-after-pieter-bruegel-the-elder-image268858404.htmlRMWHBFHT–A ship running out of a harbour c 1565 . Line engraving by Frans Huys after Pieter Bruegel the Elder
Interior of a Gothic Church at Night. Artist: and Frans Francken III (Flemish, 1607-1667); Pieter Neeffs the Younger (Flemish, 1620-after 1675). Dimensions: 10 x 7 3/4 in. (25.4 x 19.7 cm). Date: ca. 1660. The sculpted and human figures and the altarpiece (based on the Rubens at Mechlin) were executed by 'the young Francken,' as the signature attests. He frequently collaborated with the architectural painters Pieter Neeffs the Elder and the Younger. Small nocturnal views, with their jewel-like effects of artificial illumination, were popularized in the genre by Hendrick van Steenwyck the Youn Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-a-gothic-church-at-night-artist-and-frans-francken-iii-flemish-1607-1667-pieter-neeffs-the-younger-flemish-1620-after-1675-dimensions-10-x-7-34-in-254-x-197-cm-date-ca-1660-the-sculpted-and-human-figures-and-the-altarpiece-based-on-the-rubens-at-mechlin-were-executed-by-the-young-francken-as-the-signature-attests-he-frequently-collaborated-with-the-architectural-painters-pieter-neeffs-the-elder-and-the-younger-small-nocturnal-views-with-their-jewel-like-effects-of-artificial-illumination-were-popularized-in-the-genre-by-hendrick-van-steenwyck-the-youn-image213390430.htmlRMPB4NJP–Interior of a Gothic Church at Night. Artist: and Frans Francken III (Flemish, 1607-1667); Pieter Neeffs the Younger (Flemish, 1620-after 1675). Dimensions: 10 x 7 3/4 in. (25.4 x 19.7 cm). Date: ca. 1660. The sculpted and human figures and the altarpiece (based on the Rubens at Mechlin) were executed by 'the young Francken,' as the signature attests. He frequently collaborated with the architectural painters Pieter Neeffs the Elder and the Younger. Small nocturnal views, with their jewel-like effects of artificial illumination, were popularized in the genre by Hendrick van Steenwyck the Youn
Frans Floris the elder - Portrait of a Gentleman - Walters 37563 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-frans-floris-the-elder-portrait-of-a-gentleman-walters-37563-166014092.htmlRMKJ2GJM–Frans Floris the elder - Portrait of a Gentleman - Walters 37563
Frans Floris the elder - Portrait of a Gentleman - Walters 37563 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frans-floris-the-elder-portrait-of-a-gentleman-walters-37563-132693706.htmlRMHKTM4X–Frans Floris the elder - Portrait of a Gentleman - Walters 37563
Elizabeth I, 7.9.1533 - 24.3.1603, Queen of England 17.11.1558 - 24.3.1603, portrait, wood engraving after painting by Frans Pourbus the Elder (1545 - 1581), , Artist's Copyright has not to be cleared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-elizabeth-i-791533-2431603-queen-of-england-17111558-2431603-portrait-19827507.htmlRMB47657–Elizabeth I, 7.9.1533 - 24.3.1603, Queen of England 17.11.1558 - 24.3.1603, portrait, wood engraving after painting by Frans Pourbus the Elder (1545 - 1581), , Artist's Copyright has not to be cleared
Antique illustration depicting Cavalier and Merchant Girl, paiting by Frans van Mieris the Elder. Frans van Mieris was Dutch Golden Age genre and port Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-illustration-depicting-cavalier-and-merchant-girl-paiting-by-frans-van-mieris-the-elder-frans-van-mieris-was-dutch-golden-age-genre-and-port-image383511793.htmlRF2D7XD5N–Antique illustration depicting Cavalier and Merchant Girl, paiting by Frans van Mieris the Elder. Frans van Mieris was Dutch Golden Age genre and port
Bildnis eines Mannes 1581 by Frans Pourbus the Elder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bildnis-eines-mannes-1581-by-frans-pourbus-the-elder-image562492468.htmlRM2RK3MTM–Bildnis eines Mannes 1581 by Frans Pourbus the Elder
Frans Francken I, Flemish Northern Renaissance painter, late 16th-early 17th century (1909).Artist: Workshop of Peter Paul Rubens Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-frans-francken-i-flemish-northern-renaissance-painter-late-16th-early-11058912.htmlRMA4J42W–Frans Francken I, Flemish Northern Renaissance painter, late 16th-early 17th century (1909).Artist: Workshop of Peter Paul Rubens
![Pride of Niobe and Diana. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (author of design) [painter] dated 1610 Tapestry Dimensions: H 11'8' x W 17'2' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Rijksmuseum, Amsterdam, gift of Van Leer's Vatenfabrieken N.V., 1954. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69A. Inscriptions: City mark on lower guard, left [not visible in photographs; visible only on GCPA 0181791]; w Stock Photo](https://c8.alamy.com/comp/2WT1J4Y/pride-of-niobe-and-diana-spierincx-frans-flemish-1551-1630-workshop-weaver-mander-karel-van-the-elder-netherlandish-before-1600-north-netherlands-1548-1606-author-of-design-painter-dated-1610-tapestry-dimensions-h-118-x-w-172-tapestry-materialstechniques-unknown-culture-dutch-weaving-center-delft-ownership-history-rijksmuseum-amsterdam-gift-of-van-leers-vatenfabrieken-nv-1954-netherlands-north-holland-amsterdam-rijksmuseum-accno-rbk1954-69a-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photographs-visible-only-on-gcpa-0181791-w-2WT1J4Y.jpg "Pride of Niobe and Diana. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (author of design) [painter] dated 1610 Tapestry Dimensions: H 11'8' x W 17'2' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Rijksmuseum, Amsterdam, gift of Van Leer's Vatenfabrieken N.V., 1954. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69A. Inscriptions: City mark on lower guard, left [not visible in photographs; visible only on GCPA 0181791]; w Stock Photo")
Pride of Niobe and Diana. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (author of design) [painter] dated 1610 Tapestry Dimensions: H 11'8' x W 17'2' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Rijksmuseum, Amsterdam, gift of Van Leer's Vatenfabrieken N.V., 1954. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69A. Inscriptions: City mark on lower guard, left [not visible in photographs; visible only on GCPA 0181791]; w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pride-of-niobe-and-diana-spierincx-frans-flemish-1551-1630-workshop-weaver-mander-karel-van-the-elder-netherlandish-before-1600-north-netherlands-1548-1606-author-of-design-painter-dated-1610-tapestry-dimensions-h-118-x-w-172-tapestry-materialstechniques-unknown-culture-dutch-weaving-center-delft-ownership-history-rijksmuseum-amsterdam-gift-of-van-leers-vatenfabrieken-nv-1954-netherlands-north-holland-amsterdam-rijksmuseum-accno-rbk1954-69a-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photographs-visible-only-on-gcpa-0181791-w-image599940459.htmlRM2WT1J4Y–Pride of Niobe and Diana. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (author of design) [painter] dated 1610 Tapestry Dimensions: H 11'8' x W 17'2' Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Rijksmuseum, Amsterdam, gift of Van Leer's Vatenfabrieken N.V., 1954. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69A. Inscriptions: City mark on lower guard, left [not visible in photographs; visible only on GCPA 0181791]; w
Victory, 1552. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victory-1552-image571909029.htmlRM2T6CKPD–Victory, 1552.
Johannes Hoornbeek, 1651. Artist: Jonas Suyderhoef. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johannes-hoornbeek-1651-artist-jonas-suyderhoef-image218485486.htmlRMPKCTD2–Johannes Hoornbeek, 1651. Artist: Jonas Suyderhoef.
![''"Portrait of a Women" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo](https://c8.alamy.com/comp/2MBBFKK/quotportrait-of-a-womenquot-after-franz-hals-1890-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-42-july-to-december-1890-2MBBFKK.jpg "''"Portrait of a Women" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo")
''"Portrait of a Women" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quotportrait-of-a-womenquot-after-franz-hals-1890-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-42-july-to-december-1890-image506115671.htmlRM2MBBFKK–''"Portrait of a Women" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.
Interior of a Gothic Church by Day, Pieter Neeffs the Elder, probably ca. 1635–40 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-interior-of-a-gothic-church-by-day-pieter-neeffs-the-elder-probably-162537463.htmlRMKCC65B–Interior of a Gothic Church by Day, Pieter Neeffs the Elder, probably ca. 1635–40
Interior of a Gothic Church at Night. Artist: Pieter Neeffs the Elder (Flemish, active 1605-1656/61); and Frans Francken III (Flemish, 1607-1667). Dimensions: 5 1/8 x 6 1/2 in. (13 x 16.5 cm). Date: probably ca. 1635-40. Pieter Neeffs the Elder was the most prolific Flemish specialist in architectural views during the first half of the seventeenth century. Minute detail, artful illumination, and above all perspective effects-- enhanced in these small works on copper by simulated marble frames--were designed to entrance private collectors. Neeffs's usual subject is an imaginary Gothic church i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-a-gothic-church-at-night-artist-pieter-neeffs-the-elder-flemish-active-1605-165661-and-frans-francken-iii-flemish-1607-1667-dimensions-5-18-x-6-12-in-13-x-165-cm-date-probably-ca-1635-40-pieter-neeffs-the-elder-was-the-most-prolific-flemish-specialist-in-architectural-views-during-the-first-half-of-the-seventeenth-century-minute-detail-artful-illumination-and-above-all-perspective-effects-enhanced-in-these-small-works-on-copper-by-simulated-marble-frames-were-designed-to-entrance-private-collectors-neeffss-usual-subject-is-an-imaginary-gothic-church-i-image213207230.htmlRMPATBYX–Interior of a Gothic Church at Night. Artist: Pieter Neeffs the Elder (Flemish, active 1605-1656/61); and Frans Francken III (Flemish, 1607-1667). Dimensions: 5 1/8 x 6 1/2 in. (13 x 16.5 cm). Date: probably ca. 1635-40. Pieter Neeffs the Elder was the most prolific Flemish specialist in architectural views during the first half of the seventeenth century. Minute detail, artful illumination, and above all perspective effects-- enhanced in these small works on copper by simulated marble frames--were designed to entrance private collectors. Neeffs's usual subject is an imaginary Gothic church i
Couple Conversing Mieris (I), Frans van 1635 - 1681 Painting Kulturhistoriske Studier, F.R. Friis, p. 27-28, 1870, 1904-1909. Frans van Mieris (1635-1681) The Elder, Otto Naumann, vol. I, kat. b6, fig. 122, pp. 39f: 'Frans van Mieris and workshop(?)', vol. II, kat. b6, 64584, cop. 1981 Couple Conversing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/couple-conversing-mieris-i-frans-van-1635-1681-painting-kulturhistoriske-studier-fr-friis-p-27-28-1870-1904-1909-frans-van-mieris-1635-1681-the-elder-otto-naumann-vol-i-kat-b6-fig-122-pp-39f-frans-van-mieris-and-workshop-vol-ii-kat-b6-64584-cop-1981-couple-conversing-image613393959.htmlRM2XHXE73–Couple Conversing Mieris (I), Frans van 1635 - 1681 Painting Kulturhistoriske Studier, F.R. Friis, p. 27-28, 1870, 1904-1909. Frans van Mieris (1635-1681) The Elder, Otto Naumann, vol. I, kat. b6, fig. 122, pp. 39f: 'Frans van Mieris and workshop(?)', vol. II, kat. b6, 64584, cop. 1981 Couple Conversing
Christus am Kreuz mit Engeln 1563 by Frans Pourbus the Elder Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christus-am-kreuz-mit-engeln-1563-by-frans-pourbus-the-elder-image562492465.htmlRM2RK3MTH–Christus am Kreuz mit Engeln 1563 by Frans Pourbus the Elder
![Cephalus and Procris. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (designed after) [painter] c. 1600-1610 Tapestry Dimensions: H 345 x W 520 cm Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Barney Coll. Mrs. E. F. Hutton [in 1925]. Rijksmuseum, Amsterdam. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69B. Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not v Stock Photo](https://c8.alamy.com/comp/2WT1HMN/cephalus-and-procris-spierincx-frans-flemish-1551-1630-workshop-weaver-mander-karel-van-the-elder-netherlandish-before-1600-north-netherlands-1548-1606-designed-after-painter-c-1600-1610-tapestry-dimensions-h-345-x-w-520-cm-tapestry-materialstechniques-unknown-culture-dutch-weaving-center-delft-ownership-history-barney-coll-mrs-e-f-hutton-in-1925-rijksmuseum-amsterdam-netherlands-north-holland-amsterdam-rijksmuseum-accno-rbk1954-69b-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-weaver-mark-on-right-guard-bottom-not-v-2WT1HMN.jpg "Cephalus and Procris. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (designed after) [painter] c. 1600-1610 Tapestry Dimensions: H 345 x W 520 cm Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Barney Coll. Mrs. E. F. Hutton [in 1925]. Rijksmuseum, Amsterdam. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69B. Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not v Stock Photo")
Cephalus and Procris. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (designed after) [painter] c. 1600-1610 Tapestry Dimensions: H 345 x W 520 cm Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Barney Coll. Mrs. E. F. Hutton [in 1925]. Rijksmuseum, Amsterdam. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69B. Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not v Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cephalus-and-procris-spierincx-frans-flemish-1551-1630-workshop-weaver-mander-karel-van-the-elder-netherlandish-before-1600-north-netherlands-1548-1606-designed-after-painter-c-1600-1610-tapestry-dimensions-h-345-x-w-520-cm-tapestry-materialstechniques-unknown-culture-dutch-weaving-center-delft-ownership-history-barney-coll-mrs-e-f-hutton-in-1925-rijksmuseum-amsterdam-netherlands-north-holland-amsterdam-rijksmuseum-accno-rbk1954-69b-inscriptions-city-mark-on-lower-guard-left-not-visible-in-photograph-weaver-mark-on-right-guard-bottom-not-v-image599940117.htmlRM2WT1HMN–Cephalus and Procris. Spierincx, Frans (Flemish, 1551-1630) (workshop) [weaver] Mander, Karel van (the Elder) (Netherlandish (before 1600) - North Netherlands, 1548-1606) (designed after) [painter] c. 1600-1610 Tapestry Dimensions: H 345 x W 520 cm Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: Delft Ownership History: Barney Coll. Mrs. E. F. Hutton [in 1925]. Rijksmuseum, Amsterdam. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. R.B.K.1954-69B. Inscriptions: City mark on lower guard, left [not visible in photograph]; weaver mark on right guard, bottom [not v
Portrait of Peter Scriverius,.n.d. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-peter-scriveriusnd-image474668299.htmlRM2JG7077–Portrait of Peter Scriverius,.n.d.
![''Study of a Head Known as "Le Buveur" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo](https://c8.alamy.com/comp/2MBBCAX/study-of-a-head-known-as-quotle-buveurquot-after-franz-hals-1890-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-42-july-to-december-1890-2MBBCAX.jpg "''Study of a Head Known as "Le Buveur" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photo")
''Study of a Head Known as "Le Buveur" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/study-of-a-head-known-as-quotle-buveurquot-after-franz-hals-1890-from-quotthe-graphic-an-illustrated-weekly-newspaperquot-volume-42-july-to-december-1890-image506113074.htmlRM2MBBCAX–''Study of a Head Known as "Le Buveur" after Franz Hals', 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 42. July to December, 1890.
Interior of a Gothic Church at Night, Pieter Neeffs the Younger, ca. 1660 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-interior-of-a-gothic-church-at-night-pieter-neeffs-the-younger-ca-162537634.htmlRMKCC6BE–Interior of a Gothic Church at Night, Pieter Neeffs the Younger, ca. 1660
Interior of a Gothic Church by Day. Artist: Pieter Neeffs the Elder (Flemish, active 1605-1656/61); and Frans Francken III (Flemish, 1607-1667). Dimensions: 5 1/8 x 6 1/2 in. (13 x 16.5 cm). Date: probably ca. 1635-40. Pieter Neeffs the Elder was the most prolific Flemish specialist in architectural views during the first half of the seventeenth century. Minute detail, artful illumination, and above all perspective effects-- enhanced in these small works on copper by simulated marble frames--were designed to entrance private collectors. Neeffs's usual subject is an imaginary Gothic church int Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-a-gothic-church-by-day-artist-pieter-neeffs-the-elder-flemish-active-1605-165661-and-frans-francken-iii-flemish-1607-1667-dimensions-5-18-x-6-12-in-13-x-165-cm-date-probably-ca-1635-40-pieter-neeffs-the-elder-was-the-most-prolific-flemish-specialist-in-architectural-views-during-the-first-half-of-the-seventeenth-century-minute-detail-artful-illumination-and-above-all-perspective-effects-enhanced-in-these-small-works-on-copper-by-simulated-marble-frames-were-designed-to-entrance-private-collectors-neeffss-usual-subject-is-an-imaginary-gothic-church-int-image213115220.htmlRMPAM6HT–Interior of a Gothic Church by Day. Artist: Pieter Neeffs the Elder (Flemish, active 1605-1656/61); and Frans Francken III (Flemish, 1607-1667). Dimensions: 5 1/8 x 6 1/2 in. (13 x 16.5 cm). Date: probably ca. 1635-40. Pieter Neeffs the Elder was the most prolific Flemish specialist in architectural views during the first half of the seventeenth century. Minute detail, artful illumination, and above all perspective effects-- enhanced in these small works on copper by simulated marble frames--were designed to entrance private collectors. Neeffs's usual subject is an imaginary Gothic church int
A Lady Sealing a Letter Mieris (I), Frans van 1635 - 1681, Schalcken, Godfried 1643 - 1706 Painting Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischen Maler des XVII Jahrhunderts, Cornelis Hofstede de Groot, vol. V (1912) p. 400 nr. 263, 2119, 1907-28. Frans van Mieris (1635-1681) The Elder, Otto Naumann, vol. II: kat. B10, fig. CB10 'it may be a late work by Van Mieris', 64584, cop. 1981. Godfried Schalcken, Thierry Beherman, kat. 338 - afvises som Schalcken, snarere Eglon van der Neer eller Pieter van Slingeland (p. 368), C 17949 B, 1988 A Lady Sealing a L Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-lady-sealing-a-letter-mieris-i-frans-van-1635-1681-schalcken-godfried-1643-1706-painting-beschreibendes-und-kritisches-verzeichnis-der-werke-der-hervorragendsten-hollndischen-maler-des-xvii-jahrhunderts-cornelis-hofstede-de-groot-vol-v-1912-p-400-nr-263-2119-1907-28-frans-van-mieris-1635-1681-the-elder-otto-naumann-vol-ii-kat-b10-fig-cb10-it-may-be-a-late-work-by-van-mieris-64584-cop-1981-godfried-schalcken-thierry-beherman-kat-338-afvises-som-schalcken-snarere-eglon-van-der-neer-eller-pieter-van-slingeland-p-368-c-17949-b-1988-a-lady-sealing-a-l-image613389585.htmlRM2XHX8JW–A Lady Sealing a Letter Mieris (I), Frans van 1635 - 1681, Schalcken, Godfried 1643 - 1706 Painting Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten Holländischen Maler des XVII Jahrhunderts, Cornelis Hofstede de Groot, vol. V (1912) p. 400 nr. 263, 2119, 1907-28. Frans van Mieris (1635-1681) The Elder, Otto Naumann, vol. II: kat. B10, fig. CB10 'it may be a late work by Van Mieris', 64584, cop. 1981. Godfried Schalcken, Thierry Beherman, kat. 338 - afvises som Schalcken, snarere Eglon van der Neer eller Pieter van Slingeland (p. 368), C 17949 B, 1988 A Lady Sealing a L
