French court 18th century Stock Photos and Images
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French court 18th century Stock Photos and Images
Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-zinaida-yusupova-1894-by-franois-flameng-18561923-french-painter-jewels-of-russian-imperial-court-18th-19th-century-russia-image335473617.htmlRM2ADP40H–Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia.
The trial of Marie Antoinette, 1793. Marie Antoinette, 1755 -1793. Last Queen of France before the French Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-trial-of-marie-antoinette-1793-marie-antoinette-1755-1793-last-image3715338.htmlRMA5TH0B–The trial of Marie Antoinette, 1793. Marie Antoinette, 1755 -1793. Last Queen of France before the French Revolution.
Louis XVI and his family at Versailles, awaiting the mob, French Revolution. Photogravre reproduction of a painting Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-xvi-and-his-family-at-versailles-awaiting-the-mob-french-revolution-photogravre-reproduction-of-a-painting-image184054784.htmlRMMKCBN4–Louis XVI and his family at Versailles, awaiting the mob, French Revolution. Photogravre reproduction of a painting
18th century French Court Dress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-french-court-dress-56770422.htmlRMD8A372–18th century French Court Dress
Vintage American History print of Benjamin Franklin's reception by the French court. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-american-history-print-of-benjamin-franklins-reception-by-47858491.htmlRFCNT3YR–Vintage American History print of Benjamin Franklin's reception by the French court.
Madame de Pompadour holding court in French society, 18th century. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 - 1764. Member of the French court and the official chief mistress of Louis XV. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madame-de-pompadour-holding-court-in-french-society-18th-century-jeanne-121354498.htmlRMH1C4W6–Madame de Pompadour holding court in French society, 18th century. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 - 1764. Member of the French court and the official chief mistress of Louis XV.
The Louvre Palace, Paris, France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-louvre-palace-paris-france-image344166474.htmlRM2AYX3RP–The Louvre Palace, Paris, France
18th Century sketch of the marble staircase in Château de Versailles or the Palace of Versailles, built some 20 km (12 miles) southwest of the centre of Paris. when Louis XIV moved the royal court from Paris, it was the seat of political power in the Kingdom of France until the royal family was forced to return to the capital in October 1789, three months after the beginning of the French Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-18th-century-sketch-of-the-marble-staircase-in-chteau-de-versailles-111805671.htmlRMGDW57K–18th Century sketch of the marble staircase in Château de Versailles or the Palace of Versailles, built some 20 km (12 miles) southwest of the centre of Paris. when Louis XIV moved the royal court from Paris, it was the seat of political power in the Kingdom of France until the royal family was forced to return to the capital in October 1789, three months after the beginning of the French Revolution.
Design for a Court Theatre, Anonymous, French, 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-court-theatre-anonymous-french-18th-century-162458771.htmlRMKC8HPY–Design for a Court Theatre, Anonymous, French, 18th century
Napoleon and his court. Napoleon Bonaparte, 1769 -1821. Emperor of the French. From an engraving by Louis Stanislas Marin-Lavigne after the painting by Victor Adam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/napoleon-and-his-court-napoleon-bonaparte-1769-1821-emperor-of-the-french-from-an-engraving-by-louis-stanislas-marin-lavigne-after-the-painting-by-victor-adam-image523699757.htmlRM2NC0GAN–Napoleon and his court. Napoleon Bonaparte, 1769 -1821. Emperor of the French. From an engraving by Louis Stanislas Marin-Lavigne after the painting by Victor Adam.
Waxwork of Jeanne Antoinette Poisson, (1721 - 1764), commonly known as Madame de Pompadour, a member of the French court and was the official chief mistress of Louis XV from 1745 to 1751 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/waxwork-of-jeanne-antoinette-poisson-1721-1764-commonly-known-as-madame-de-pompadour-a-member-of-the-french-court-and-was-the-official-chief-mistress-of-louis-xv-from-1745-to-1751-image377032720.htmlRM2CWB928–Waxwork of Jeanne Antoinette Poisson, (1721 - 1764), commonly known as Madame de Pompadour, a member of the French court and was the official chief mistress of Louis XV from 1745 to 1751
Jeanne Antoinette Poisson, Marquise de Pompadour,1721 – 1764, aka Madame de Pompadour. Member of the French court and the official chief mistress of Louis XV. After a work by French Rococo portraitist, Maurice Quentin de La Tour, (1704 – 1788). From La Tour, published 1920. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-antoinette-poisson-marquise-de-pompadour1721-1764-aka-madame-de-pompadour-member-of-the-french-court-and-the-official-chief-mistress-of-louis-xv-after-a-work-by-french-rococo-portraitist-maurice-quentin-de-la-tour-1704-1788-from-la-tour-published-1920-image215892187.htmlRMPF6MK7–Jeanne Antoinette Poisson, Marquise de Pompadour,1721 – 1764, aka Madame de Pompadour. Member of the French court and the official chief mistress of Louis XV. After a work by French Rococo portraitist, Maurice Quentin de La Tour, (1704 – 1788). From La Tour, published 1920.
Antique c1830 hand-tinted engraving, 18th century French royal fashion with Empress Joséphine (1763-1814) and others. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-18th-century-french-royal-fashion-with-empress-josphine-1763-1814-and-others-published-by-giulio-ferrario-source-original-engraving-image455812846.htmlRM2HDG1X6–Antique c1830 hand-tinted engraving, 18th century French royal fashion with Empress Joséphine (1763-1814) and others. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
The College des Quatres Nations, Plate 56 from 'Vues Pittoresques des Princepaux Édifices de Paris', Les Campion Frères, Paris, France, L. Roger, French, active 18th century, Jean Testard, French, b. ca. 1740, Engraving and brush and watercolors on paper, View of the court and entrance to the College of Four Nations; wagons and figures in the foreground. Title, artists' and publisher's names below., Europe, Paris, France, 1792, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-college-des-quatres-nations-plate-56-from-vues-pittoresques-des-princepaux-difices-de-paris-les-campion-frres-paris-france-l-roger-french-active-18th-century-jean-testard-french-b-ca-1740-engraving-and-brush-and-watercolors-on-paper-view-of-the-court-and-entrance-to-the-college-of-four-nations-wagons-and-figures-in-the-foreground-title-artists-and-publishers-names-below-europe-paris-france-1792-print-image391114973.htmlRM2DM8R3W–The College des Quatres Nations, Plate 56 from 'Vues Pittoresques des Princepaux Édifices de Paris', Les Campion Frères, Paris, France, L. Roger, French, active 18th century, Jean Testard, French, b. ca. 1740, Engraving and brush and watercolors on paper, View of the court and entrance to the College of Four Nations; wagons and figures in the foreground. Title, artists' and publisher's names below., Europe, Paris, France, 1792, Print
Tennis court oath at Jeu De Paume during the French Revolution, 20th June, 1789. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tennis-court-oath-at-jeu-de-paume-during-the-french-revolution-20th-image4051424.htmlRMA9NNE1–Tennis court oath at Jeu De Paume during the French Revolution, 20th June, 1789.
German version of Marie-Antoinette's trial before the Revolutionary Court on October 14, 1793. French Revolution, Engraver, Between 1776 and 1800, 18th century, Print, Graphic arts, French Revolution, Print, Etching, Germany, Dimensions - Work: Height: 21.8 cm, Width: 30.2 cm, Dimensions - Antique mount:, Height: 32.5 cm, Width: 50 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/german-version-of-marie-antoinettes-trial-before-the-revolutionary-court-on-october-14-1793-french-revolution-engraver-between-1776-and-1800-18th-century-print-graphic-arts-french-revolution-print-etching-germany-dimensions-work-height-218-cm-width-302-cm-dimensions-antique-mount-height-325-cm-width-50-cm-image573233956.htmlRM2T8H1N8–German version of Marie-Antoinette's trial before the Revolutionary Court on October 14, 1793. French Revolution, Engraver, Between 1776 and 1800, 18th century, Print, Graphic arts, French Revolution, Print, Etching, Germany, Dimensions - Work: Height: 21.8 cm, Width: 30.2 cm, Dimensions - Antique mount:, Height: 32.5 cm, Width: 50 cm
Marie Antoinette (1755-1793). Queen consort of France. On October 16, 1793, she was tried and convicted. Marie Antoinette in court. Engraving. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marie-antoinette-1755-1793-queen-consort-of-france-on-october-16-1793-162652992.htmlRMKCHDFC–Marie Antoinette (1755-1793). Queen consort of France. On October 16, 1793, she was tried and convicted. Marie Antoinette in court. Engraving.
Series of illustrations depicting the events of the French Revolution in 1789, including the Tennis Court Oath and the Storming of the Bastille. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/series-of-illustrations-depicting-the-events-of-the-french-revolution-in-1789-including-the-tennis-court-oath-and-the-storming-of-the-bastille-image257300844.htmlRMTXH1RT–Series of illustrations depicting the events of the French Revolution in 1789, including the Tennis Court Oath and the Storming of the Bastille.
French Revolution. The Tennis Court Oath (June 20, 1789). Engraving, 19th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-revolution-the-tennis-court-oath-june-20-1789-engraving-19th-108403134.htmlRMG8A58E–French Revolution. The Tennis Court Oath (June 20, 1789). Engraving, 19th century.
Lady of the French Court. 18th century (under Louis XV), Elias Spanier, 1840 - 1850 Woman in historic costume of a court lady at the French court of Louis XV, 18th century. Presentation added to the sheet metal about the costumed ball held on the Palace of the Prince of Orange (the later King William III) in The Hague on February 26, 1845. The Hague paper historical costume Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lady-of-the-french-court-18th-century-under-louis-xv-elias-spanier-1840-1850-woman-in-historic-costume-of-a-court-lady-at-the-french-court-of-louis-xv-18th-century-presentation-added-to-the-sheet-metal-about-the-costumed-ball-held-on-the-palace-of-the-prince-of-orange-the-later-king-william-iii-in-the-hague-on-february-26-1845-the-hague-paper-historical-costume-image590749336.htmlRM2W92XPG–Lady of the French Court. 18th century (under Louis XV), Elias Spanier, 1840 - 1850 Woman in historic costume of a court lady at the French court of Louis XV, 18th century. Presentation added to the sheet metal about the costumed ball held on the Palace of the Prince of Orange (the later King William III) in The Hague on February 26, 1845. The Hague paper historical costume
French Revolution, Tennis Court Oath, 1789 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-revolution-tennis-court-oath-1789-135096405.htmlRMHRP4RH–French Revolution, Tennis Court Oath, 1789
Art inspired by Design for a Court Theatre, 18th century, Pen and black ink, brush and gray, pink and yellow washes, 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-design-for-a-court-theatre-18th-century-pen-and-black-ink-brush-and-gray-pink-and-yellow-washes-7-716-x-10-916-in-189-x-268-cm-anonymous-french-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961294.htmlRF2HW5KRX–Art inspired by Design for a Court Theatre, 18th century, Pen and black ink, brush and gray, pink and yellow washes, 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm), Anonymous, French, 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Antoine Coysevox, 1701, François Jouvenet, French, 1664 - 1749, 18 5/8 x 15 1/2 in. (47.3 x 39.4 cm), Oil on canvas, France, 18th century, With one hand resting on a marble bust and the other clutching a chisel, Antoine Coysevox reveals his profession: he was a royal sculptor, employed at the court of Louis XIV. But he also happened to be the director of the French Academy from 1702 to 1705. The French Academy of Painting and Sculpture was a learned society that set the standards for, monitored, and critiqued visual art. François Jouvenet painted this portrait a year before Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-antoine-coysevox-1701-franois-jouvenet-french-1664-1749-18-58-x-15-12-in-473-x-394-cm-oil-on-canvas-france-18th-century-with-one-hand-resting-on-a-marble-bust-and-the-other-clutching-a-chisel-antoine-coysevox-reveals-his-profession-he-was-a-royal-sculptor-employed-at-the-court-of-louis-xiv-but-he-also-happened-to-be-the-director-of-the-french-academy-from-1702-to-1705-the-french-academy-of-painting-and-sculpture-was-a-learned-society-that-set-the-standards-for-monitored-and-critiqued-visual-art-franois-jouvenet-painted-this-portrait-a-year-before-image573493556.htmlRM2T90TTM–Portrait of Antoine Coysevox, 1701, François Jouvenet, French, 1664 - 1749, 18 5/8 x 15 1/2 in. (47.3 x 39.4 cm), Oil on canvas, France, 18th century, With one hand resting on a marble bust and the other clutching a chisel, Antoine Coysevox reveals his profession: he was a royal sculptor, employed at the court of Louis XIV. But he also happened to be the director of the French Academy from 1702 to 1705. The French Academy of Painting and Sculpture was a learned society that set the standards for, monitored, and critiqued visual art. François Jouvenet painted this portrait a year before
Louis-Michel van Loo French school The Family of Philip V 1743 Oil on canvas (408 x 520 cm) Madrid, museo del Prado Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-michel-van-loo-french-school-the-family-of-philip-v-1743-oil-on-canvas-408-x-520-cm-madrid-museo-del-prado-image257285573.htmlRMTXGAAD–Louis-Michel van Loo French school The Family of Philip V 1743 Oil on canvas (408 x 520 cm) Madrid, museo del Prado
Vintage fashion in Paris. Court Dresses of the Early Restoration. The various phases of feminine taste and aesthetics from 1797 to 1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-fashion-in-paris-court-dresses-of-the-early-restoration-the-various-phases-of-feminine-taste-and-aesthetics-from-1797-to-1897-image526903195.htmlRM2NH6EB7–Vintage fashion in Paris. Court Dresses of the Early Restoration. The various phases of feminine taste and aesthetics from 1797 to 1897
Marie Sallé by Nicolas Lancret. French dancer and choreographer, 1707–1756. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-marie-sall-by-nicolas-lancret-french-dancer-and-choreographer-17071756-165542161.htmlRMKH92M1–Marie Sallé by Nicolas Lancret. French dancer and choreographer, 1707–1756.
French Ordinary Court, beneath Fenchurch Street station, named for 18th c Huguenots allowed by the French Ambassador to sell coffee and pastries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-ordinary-court-beneath-fenchurch-street-station-named-for-18th-c-huguenots-allowed-by-the-french-ambassador-to-sell-coffee-and-pastries-image354834509.htmlRF2BH8311–French Ordinary Court, beneath Fenchurch Street station, named for 18th c Huguenots allowed by the French Ambassador to sell coffee and pastries
'Gavotte du Ballet du Roi' - score. Gavotte, originally French folk dance. Ballet du roi/King's Ballet, performed initially during reign of Louis XIV of France (5 September 1638 – 1 September 1715). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-gavotte-du-ballet-du-roi-score-gavotte-originally-french-folk-dance-165541949.htmlRMKH92CD–'Gavotte du Ballet du Roi' - score. Gavotte, originally French folk dance. Ballet du roi/King's Ballet, performed initially during reign of Louis XIV of France (5 September 1638 – 1 September 1715).
The Tennis Court Oath, 20th June 1789, (Le Serment du Jeu de Paume), oil on canvas French Revolution painting by Jacques Louis David, 1791 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tennis-court-oath-20th-june-1789-le-serment-du-jeu-de-paume-oil-on-canvas-french-revolution-painting-by-jacques-louis-david-1791-image461329236.htmlRM2HPFA44–The Tennis Court Oath, 20th June 1789, (Le Serment du Jeu de Paume), oil on canvas French Revolution painting by Jacques Louis David, 1791
Waxwork of Jeanne Antoinette Poisson, (1721 - 1764), commonly known as Madame de Pompadour, a member of the French court and was the official chief mistress of Louis XV from 1745 to 1751 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/waxwork-of-jeanne-antoinette-poisson-1721-1764-commonly-known-as-madame-de-pompadour-a-member-of-the-french-court-and-was-the-official-chief-mistress-of-louis-xv-from-1745-to-1751-image377032728.htmlRM2CWB92G–Waxwork of Jeanne Antoinette Poisson, (1721 - 1764), commonly known as Madame de Pompadour, a member of the French court and was the official chief mistress of Louis XV from 1745 to 1751
French aristocratic ladies at a gaming table, playing cards by candlelight. 18th century daily life at the court, Louis XV, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-aristocratic-ladies-at-a-gaming-table-playing-cards-by-candlelight-83348560.htmlRMERGRX8–French aristocratic ladies at a gaming table, playing cards by candlelight. 18th century daily life at the court, Louis XV,
18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18th-century-coloured-illustration-showing-the-palace-of-versailles-chteau-de-versailles-a-royal-chteau-in-versailles-in-the-le-de-france-region-of-france-versailles-was-the-seat-of-political-power-in-the-kingdom-of-france-from-1682-when-king-louis-xiv-moved-the-royal-court-from-paris-until-the-royal-family-was-forced-to-return-to-the-capital-in-october-1789-within-three-months-after-the-beginning-of-the-french-revolution-image328351713.htmlRM2A25KXW–18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution.
Antique c1830 hand-tinted engraving, 18th century French royal fashion with Napoleon Bonaparte, as First Consul (Premier consul) and others. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antique-c1830-hand-tinted-engraving-18th-century-french-royal-fashion-with-napoleon-bonaparte-as-first-consul-premier-consul-and-others-published-by-giulio-ferrario-source-original-engraving-image455812599.htmlRM2HDG1HB–Antique c1830 hand-tinted engraving, 18th century French royal fashion with Napoleon Bonaparte, as First Consul (Premier consul) and others. Published by Giulio Ferrario. SOURCE: ORIGINAL ENGRAVING
French aristocratic ladies at a gaming table, playing cards by candlelight. 18th century daily life at the court, Louis XV, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-aristocratic-ladies-at-a-gaming-table-playing-cards-by-candlelight-83334852.htmlRMERG6CM–French aristocratic ladies at a gaming table, playing cards by candlelight. 18th century daily life at the court, Louis XV,
Madame Pompadour entertaining guests in the 18th century. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 –1764. Member of the French court and the official chief mistress of Louis XV. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madame-pompadour-entertaining-guests-in-the-18th-century-jeanne-antoinette-78378054.htmlRMEFEC06–Madame Pompadour entertaining guests in the 18th century. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 –1764. Member of the French court and the official chief mistress of Louis XV.
La cour de Louis XV au château de Versailles - The court of Louis XV at play in the Palace of Versailles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/la-cour-de-louis-xv-au-chteau-de-versailles-the-court-of-louis-xv-at-play-in-the-palace-of-versailles-image553018584.htmlRM2R3M4RM–La cour de Louis XV au château de Versailles - The court of Louis XV at play in the Palace of Versailles
The Death of Robert Faulknor on board The Blanche, 1795 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-death-of-robert-faulknor-on-board-the-blanche-1795-161608763.htmlRMKAWWHF–The Death of Robert Faulknor on board The Blanche, 1795
The Society Actor, France, 18th century. Noble thespian in costume of helmet, cloak and suit of armour for an amateur production at court. Le Comedien de Societe. Handcoloured steel engraving by Pierre-Nicolas-Frederic Grenan after an illustration by Theophile Fragonard, within a decorative cartouche by Anne Modave, from Augustin Challamel's Autrefois ou Le Bon Vieux Temps, Types de 18e Siecle, Challamel et Cie, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-society-actor-france-18th-century-noble-thespian-in-costume-of-helmet-cloak-and-suit-of-armour-for-an-amateur-production-at-court-le-comedien-de-societe-handcoloured-steel-engraving-by-pierre-nicolas-frederic-grenan-after-an-illustration-by-theophile-fragonard-within-a-decorative-cartouche-by-anne-modave-from-augustin-challamels-autrefois-ou-le-bon-vieux-temps-types-de-18e-siecle-challamel-et-cie-1842-image594512109.htmlRM2WF6A79–The Society Actor, France, 18th century. Noble thespian in costume of helmet, cloak and suit of armour for an amateur production at court. Le Comedien de Societe. Handcoloured steel engraving by Pierre-Nicolas-Frederic Grenan after an illustration by Theophile Fragonard, within a decorative cartouche by Anne Modave, from Augustin Challamel's Autrefois ou Le Bon Vieux Temps, Types de 18e Siecle, Challamel et Cie, 1842.
Jean Joseph Cassanéa de MONDONVILLE. Pastel by Quentin de la Tour. French Violinist, Composer, Court Musical Director 1711-1772. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-joseph-cassana-de-mondonville-pastel-by-quentin-de-la-tour-french-image155406570.htmlRMK0RAJJ–Jean Joseph Cassanéa de MONDONVILLE. Pastel by Quentin de la Tour. French Violinist, Composer, Court Musical Director 1711-1772.
Franklin's French Court Reception, 1778 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-franklins-french-court-reception-1778-135095545.htmlRMHRP3MW–Franklin's French Court Reception, 1778
Jacques-Louis David (1748-1825). French painter in the Neoclassical style. French Revolution. The Tennis Court Oath (June 20, 1789). Painting. Carnavalet Museum. Paris. France. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jacques-louis-david-1748-1825-french-painter-in-the-neoclassical-style-169303771.htmlRMKRCCK7–Jacques-Louis David (1748-1825). French painter in the Neoclassical style. French Revolution. The Tennis Court Oath (June 20, 1789). Painting. Carnavalet Museum. Paris. France.
Le Grande Maitre de la Frisure a la Mode, c. 1770-1775, Unknown French ?, 18th century, 12 5/8 x 9 1/2 in. (32.13 x 24.13 cm) (sheet), Hand-colored etching, France, 18th century, This bigwig appears to be Louis XVI out for a walk in the royal gardens with Marie-Antoinette. Though this is usually considered a French caricature, its sharp anti-French satire suggests that it may have been made by a foreigner intent on tweaking the young king’s court. The fall of the guillotine would eventually leave Louis with no place to wear his wig Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-grande-maitre-de-la-frisure-a-la-mode-c-1770-1775-unknown-french-18th-century-12-58-x-9-12-in-3213-x-2413-cm-sheet-hand-colored-etching-france-18th-century-this-bigwig-appears-to-be-louis-xvi-out-for-a-walk-in-the-royal-gardens-with-marie-antoinette-though-this-is-usually-considered-a-french-caricature-its-sharp-anti-french-satire-suggests-that-it-may-have-been-made-by-a-foreigner-intent-on-tweaking-the-young-kings-court-the-fall-of-the-guillotine-would-eventually-leave-louis-with-no-place-to-wear-his-wig-image573517951.htmlRM2T91YYY–Le Grande Maitre de la Frisure a la Mode, c. 1770-1775, Unknown French ?, 18th century, 12 5/8 x 9 1/2 in. (32.13 x 24.13 cm) (sheet), Hand-colored etching, France, 18th century, This bigwig appears to be Louis XVI out for a walk in the royal gardens with Marie-Antoinette. Though this is usually considered a French caricature, its sharp anti-French satire suggests that it may have been made by a foreigner intent on tweaking the young king’s court. The fall of the guillotine would eventually leave Louis with no place to wear his wig
Revolutionary Committee, Reign of Terror 1793-94 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/revolutionary-committee-reign-of-terror-1793-94-image352802643.htmlRM2BDYFAB–Revolutionary Committee, Reign of Terror 1793-94
Vintage fashion in Paris. The Court at Compiegne. Mme. de M. watching the Hunting Party start, 1869. The various phases of feminine taste and aesthetics from 1797 to 1897 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vintage-fashion-in-paris-the-court-at-compiegne-mme-de-m-watching-the-hunting-party-start-1869-the-various-phases-of-feminine-taste-and-aesthetics-from-1797-to-1897-image526903491.htmlRM2NH6ENR–Vintage fashion in Paris. The Court at Compiegne. Mme. de M. watching the Hunting Party start, 1869. The various phases of feminine taste and aesthetics from 1797 to 1897
Dame de la Cour Française. XVIII Siècle (sous Louis XV) (title on object), Woman in historical costume of a maid of honor at the French court of Louis XV, 18th century. Added performance to the sheet metal work on the costumed ball held at the palace of the Prince of Orange (the later King William III) in The Hague on 26 February 1845, historical costume, Elias Spanier (mentioned on object), The Hague, 1840 - 1850, paper, h 270 mm × w 180 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dame-de-la-cour-franaise-xviii-sicle-sous-louis-xv-title-on-object-woman-in-historical-costume-of-a-maid-of-honor-at-the-french-court-of-louis-xv-18th-century-added-performance-to-the-sheet-metal-work-on-the-costumed-ball-held-at-the-palace-of-the-prince-of-orange-the-later-king-william-iii-in-the-hague-on-26-february-1845-historical-costume-elias-spanier-mentioned-on-object-the-hague-1840-1850-paper-h-270-mm-w-180-mm-image261379638.htmlRMW56TB2–Dame de la Cour Française. XVIII Siècle (sous Louis XV) (title on object), Woman in historical costume of a maid of honor at the French court of Louis XV, 18th century. Added performance to the sheet metal work on the costumed ball held at the palace of the Prince of Orange (the later King William III) in The Hague on 26 February 1845, historical costume, Elias Spanier (mentioned on object), The Hague, 1840 - 1850, paper, h 270 mm × w 180 mm
French Ordinary Court, beneath Fenchurch Street station, named for 18th c Huguenots allowed by the French Ambassador to sell coffee and pastries Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-ordinary-court-beneath-fenchurch-street-station-named-for-18th-c-huguenots-allowed-by-the-french-ambassador-to-sell-coffee-and-pastries-image354834508.htmlRF2BH8310–French Ordinary Court, beneath Fenchurch Street station, named for 18th c Huguenots allowed by the French Ambassador to sell coffee and pastries
Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-zinaida-yusupova-1894-by-franois-flameng-18561923-french-painter-jewels-of-russian-imperial-court-18th-19th-century-russia-image335473462.htmlRM2ADP3R2–Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia.
'The Seat of Justice in the Parlement of Paris', 1723. Artist: Nicolas Lancret Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seat-of-justice-in-the-parlement-of-paris-1723-artist-nicolas-lancret-image262741465.htmlRMW7CWBN–'The Seat of Justice in the Parlement of Paris', 1723. Artist: Nicolas Lancret
Fetes at Louveciennes, 1771. Jean-Michel Moreau the Younger (1741-1814) French painter. Court painter to Louis XV from 1770. In 1769 Louis gave the Chateau of Louveciennes to his mistress Mme du Barry. Royal Court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fetes-at-louveciennes-1771-jean-michel-moreau-the-younger-1741-1814-french-painter-court-painter-to-louis-xv-from-1770-in-1769-louis-gave-the-chateau-of-louveciennes-to-his-mistress-mme-du-barry-royal-court-image181802585.htmlRMMFNR1D–Fetes at Louveciennes, 1771. Jean-Michel Moreau the Younger (1741-1814) French painter. Court painter to Louis XV from 1770. In 1769 Louis gave the Chateau of Louveciennes to his mistress Mme du Barry. Royal Court
Jeanne Becu (1743-1793) Comtesse du Barry. Last Mistress of King Louis XV of France. Engraving (C. 1890) by J.C. Armitage after painting. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-becu-1743-1793-comtesse-du-barry-last-mistress-of-king-louis-xv-of-france-engraving-c-1890-by-jc-armitage-after-painting-image354037538.htmlRM2BFYPDP–Jeanne Becu (1743-1793) Comtesse du Barry. Last Mistress of King Louis XV of France. Engraving (C. 1890) by J.C. Armitage after painting.
18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18th-century-coloured-illustration-showing-the-palace-of-versailles-chteau-de-versailles-a-royal-chteau-in-versailles-in-the-le-de-france-region-of-france-versailles-was-the-seat-of-political-power-in-the-kingdom-of-france-from-1682-when-king-louis-xiv-moved-the-royal-court-from-paris-until-the-royal-family-was-forced-to-return-to-the-capital-in-october-1789-within-three-months-after-the-beginning-of-the-french-revolution-image328351712.htmlRM2A25KXT–18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution.
Jeanne Antoinette Poisson, Marquise de Pompadour, also known as Madame de Pompadour, 1721 - 1764. Member of the French court and the official chief mistress of King Louis XV. Portrait by Francois Boucher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jeanne-antoinette-poisson-marquise-de-pompadour-also-known-as-madame-31079622.htmlRMBPFPAE–Jeanne Antoinette Poisson, Marquise de Pompadour, also known as Madame de Pompadour, 1721 - 1764. Member of the French court and the official chief mistress of King Louis XV. Portrait by Francois Boucher.
18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18th-century-coloured-illustration-showing-the-palace-of-versailles-chteau-de-versailles-a-royal-chteau-in-versailles-in-the-le-de-france-region-of-france-versailles-was-the-seat-of-political-power-in-the-kingdom-of-france-from-1682-when-king-louis-xiv-moved-the-royal-court-from-paris-until-the-royal-family-was-forced-to-return-to-the-capital-in-october-1789-within-three-months-after-the-beginning-of-the-french-revolution-image328351675.htmlRM2A25KWF–18th century, coloured illustration showing the Palace of Versailles (Château de Versailles) a royal château in Versailles in the Île-de-France region of France. Versailles was the seat of political power in the Kingdom of France from 1682, when King Louis XIV moved the royal court from Paris, until the royal family was forced to return to the capital in October 1789, within three months after the beginning of the French Revolution.
Mozart, seen here as a child, received by Madame Pompadou in 1764. Wolfgang Amadeus Mozart, 1756 – 1791, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart. Prolific and influential composer of the Classical era. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 – 1764. Member of the French court and the official chief mistress of Louis XV. From Hutchinson's History of the Nations, published 1915. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mozart-seen-here-as-a-child-received-by-madame-pompadou-in-1764-wolfgang-137839322.htmlRMJ073CX–Mozart, seen here as a child, received by Madame Pompadou in 1764. Wolfgang Amadeus Mozart, 1756 – 1791, baptised as Johannes Chrysostomus Wolfgangus Theophilus Mozart. Prolific and influential composer of the Classical era. Jeanne Antoinette Poisson, Marquise de Pompadour, aka Madame de Pompadour, 1721 – 1764. Member of the French court and the official chief mistress of Louis XV. From Hutchinson's History of the Nations, published 1915.
Charles Alexandre de Calonne (1734 ? 1802), Count of Hannonville in 1759. French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-alexandre-de-calonne-1734-1802-count-of-hannonville-in-1759-french-statesman-best-known-for-being-louis-xvis-controller-general-of-finances-minister-of-finance-in-the-years-leading-up-to-the-french-revolution-image634300828.htmlRM2YRXW50–Charles Alexandre de Calonne (1734 ? 1802), Count of Hannonville in 1759. French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French revolution.
A late 19th Century aerial illustration of the Palace and gardens at Versailles, a former royal residence located in Versailles, about 12 miles west of Paris, France. In 1623 Louis XIII built a simple hunting lodge on the site of the palace, then replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace and in 1682, Louis XIV moved his court and government to Versailles, making the palace the de facto capital of France. It was continued by Kings Louis XV and Louis XVI, but in 1789 the royal family and capital of France returned to Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-late-19th-century-aerial-illustration-of-the-palace-and-gardens-at-versailles-a-former-royal-residence-located-in-versailles-about-12-miles-west-of-paris-france-in-1623-louis-xiii-built-a-simple-hunting-lodge-on-the-site-of-the-palace-then-replaced-it-with-a-small-chteau-in-163134-louis-xiv-expanded-the-chteau-into-a-palace-and-in-1682-louis-xiv-moved-his-court-and-government-to-versailles-making-the-palace-the-de-facto-capital-of-france-it-was-continued-by-kings-louis-xv-and-louis-xvi-but-in-1789-the-royal-family-and-capital-of-france-returned-to-paris-image451888074.htmlRM2H757RP–A late 19th Century aerial illustration of the Palace and gardens at Versailles, a former royal residence located in Versailles, about 12 miles west of Paris, France. In 1623 Louis XIII built a simple hunting lodge on the site of the palace, then replaced it with a small château in 1631–34. Louis XIV expanded the château into a palace and in 1682, Louis XIV moved his court and government to Versailles, making the palace the de facto capital of France. It was continued by Kings Louis XV and Louis XVI, but in 1789 the royal family and capital of France returned to Paris.
Costume of a court valet, 18th century. In striped jacket, large apron, breeches and buckle shoes, holding a hat box, shoes and a water ewer. Le Valet de chambre. Handcoloured steel engraving after an illustration by Theophile Fragonard, within a decorative cartouche by Anne Modave, from Augustin Challamel's Autrefois ou Le Bon Vieux Temps, Types de 18e Siecle, Challamel et Cie, 1842. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-court-valet-18th-century-in-striped-jacket-large-apron-breeches-and-buckle-shoes-holding-a-hat-box-shoes-and-a-water-ewer-le-valet-de-chambre-handcoloured-steel-engraving-after-an-illustration-by-theophile-fragonard-within-a-decorative-cartouche-by-anne-modave-from-augustin-challamels-autrefois-ou-le-bon-vieux-temps-types-de-18e-siecle-challamel-et-cie-1842-image594511834.htmlRM2WF69WE–Costume of a court valet, 18th century. In striped jacket, large apron, breeches and buckle shoes, holding a hat box, shoes and a water ewer. Le Valet de chambre. Handcoloured steel engraving after an illustration by Theophile Fragonard, within a decorative cartouche by Anne Modave, from Augustin Challamel's Autrefois ou Le Bon Vieux Temps, Types de 18e Siecle, Challamel et Cie, 1842.
Michel Richard de LALANDE (Delalande) writing with quill. French organist composer, 15 December 1657 -18 June 1726. Court Director of Music Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/michel-richard-de-lalande-delalande-writing-with-quill-french-organist-image155406309.htmlRMK0RA99–Michel Richard de LALANDE (Delalande) writing with quill. French organist composer, 15 December 1657 -18 June 1726. Court Director of Music
French fool, 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-fool-16th-century-33855592.htmlRMBY2748–French fool, 16th century.
Jean Phillipe Rameau 's Princess of Navarre being presented at Versailles at court of Louis XV. Comedy ballet written in collaboration with Voltaire. La Princesse de Navarre. French composer and theorist, 25 September 1683 - 12 September 1764. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jean-phillipe-rameau-s-princess-of-navarre-being-presented-at-versailles-163032426.htmlRMKD6NEJ–Jean Phillipe Rameau 's Princess of Navarre being presented at Versailles at court of Louis XV. Comedy ballet written in collaboration with Voltaire. La Princesse de Navarre. French composer and theorist, 25 September 1683 - 12 September 1764.
French merchant, 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-merchant-16th-century-33855154.htmlRMBY26GJ–French merchant, 16th century.
Gentleman and Lady of the Court of Louis XIV, First Third of the 18th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gentleman-and-lady-of-the-court-of-louis-xiv-first-third-of-the-18th-century-illustration-the-history-of-costume-braun-schneider-munich-germany-1861-1880-image465963105.htmlRM2J22CKD–Gentleman and Lady of the Court of Louis XIV, First Third of the 18th Century, Illustration, The History of Costume, Braun & Schneider, Munich, Germany, 1861-1880
France, Paris, area listed as World Heritage by UNESCO, Ile de la Cite, the Conciergerie in the Palais de Justice Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-paris-area-listed-as-world-heritage-by-unesco-ile-de-la-cite-the-conciergerie-in-the-palais-de-justice-image266932603.htmlRMWE7R77–France, Paris, area listed as World Heritage by UNESCO, Ile de la Cite, the Conciergerie in the Palais de Justice
Jean Joseph Cassanéa de MONDONVILLE. Pastel by Quentin de la Tour. French Violinist, Composer, Court Musical Director 1711-1772. Colourised version. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-jean-joseph-cassana-de-mondonville-pastel-by-quentin-de-la-tour-french-164175040.htmlRMKF2PX8–Jean Joseph Cassanéa de MONDONVILLE. Pastel by Quentin de la Tour. French Violinist, Composer, Court Musical Director 1711-1772. Colourised version.
Jacques Benigne Bossuet, 1627 - 1704. Bishop of Meaux, French theologian, court preacher and renowned pulpit orator. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jacques-benigne-bossuet-1627-1704-bishop-of-meaux-french-theologian-21978727.htmlRMB7N62F–Jacques Benigne Bossuet, 1627 - 1704. Bishop of Meaux, French theologian, court preacher and renowned pulpit orator.
Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-zinaida-yusupova-1894-by-franois-flameng-18561923-french-painter-jewels-of-russian-imperial-court-18th-19th-century-russia-image335473537.htmlRM2ADP3WN–Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia.
Title page to Jean Joseph Cassanéa de MONDONVILLE 'Pieces de Clavecin avec voix ou violon' c.1748 op. 5. French Violinist, Composer, Court Musical Director 1711-1772. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-title-page-to-jean-joseph-cassana-de-mondonville-pieces-de-clavecin-164176024.htmlRMKF2T5C–Title page to Jean Joseph Cassanéa de MONDONVILLE 'Pieces de Clavecin avec voix ou violon' c.1748 op. 5. French Violinist, Composer, Court Musical Director 1711-1772.
Madam Louise taking leave of her father', 1771. Jean-Michel Moreau the Younger (1741-1814) French painter. Louise Marie of France (1737-1787) youngest daughter of Louis XV left Court in 1770 to become a Carmelite nun. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madam-louise-taking-leave-of-her-father-1771-jean-michel-moreau-the-younger-1741-1814-french-painter-louise-marie-of-france-1737-1787-youngest-daughter-of-louis-xv-left-court-in-1770-to-become-a-carmelite-nun-image181802587.htmlRMMFNR1F–Madam Louise taking leave of her father', 1771. Jean-Michel Moreau the Younger (1741-1814) French painter. Louise Marie of France (1737-1787) youngest daughter of Louis XV left Court in 1770 to become a Carmelite nun.
Jeanne Becu (1743-1793) Comtesse du Barry. Last Mistress of King Louis XV of France. Engraving (C. 1890) by J.C. Armitage after painting. Colored Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jeanne-becu-1743-1793-comtesse-du-barry-last-mistress-of-king-louis-xv-of-france-engraving-c-1890-by-jc-armitage-after-painting-colored-image354037546.htmlRM2BFYPE2–Jeanne Becu (1743-1793) Comtesse du Barry. Last Mistress of King Louis XV of France. Engraving (C. 1890) by J.C. Armitage after painting. Colored
Title page to Jean Joseph Cassanéa de MONDONVILLE 'Pieces de Clavecin avec voix ou violon' c.1748 op. 5. French Violinist, Composer, Court Musical Director 1711-1772. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-to-jean-joseph-cassana-de-mondonville-pieces-de-clavecin-image155406569.htmlRMK0RAJH–Title page to Jean Joseph Cassanéa de MONDONVILLE 'Pieces de Clavecin avec voix ou violon' c.1748 op. 5. French Violinist, Composer, Court Musical Director 1711-1772.
FRENCH REVOLUTION. Abbey room where the revolutionary court held its sessions in 1793. Engraving by Capuz. XIX century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-revolution-abbey-room-where-the-revolutionary-court-held-its-27238199.htmlRMBG8PGR–FRENCH REVOLUTION. Abbey room where the revolutionary court held its sessions in 1793. Engraving by Capuz. XIX century.
Louis XVI of France. (1754-1793) 18th. Century. King of the French. Louis Capet. Guillotined. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xvi-of-france-1754-1793-18th-century-king-of-the-french-louis-140085356.htmlRMJ3WC8C–Louis XVI of France. (1754-1793) 18th. Century. King of the French. Louis Capet. Guillotined.
Louis de Bourbon, or Louis III, Prince of Condé (1668-1710), was a prince du sang as a member of the reigning House of Bourbon at the French court of Louis XIV. Styled as the Duke of Bourbon from birth, he succeeded his father as Prince of Condé in 1709; however, he was still known by the ducal title. He was prince for less than a year. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/louis-de-bourbon-or-louis-iii-prince-of-cond-1668-1710-was-a-prince-du-sang-as-a-member-of-the-reigning-house-of-bourbon-at-the-french-court-of-louis-xiv-styled-as-the-duke-of-bourbon-from-birth-he-succeeded-his-father-as-prince-of-cond-in-1709-however-he-was-still-known-by-the-ducal-title-he-was-prince-for-less-than-a-year-image444174537.htmlRM2GPHW49–Louis de Bourbon, or Louis III, Prince of Condé (1668-1710), was a prince du sang as a member of the reigning House of Bourbon at the French court of Louis XIV. Styled as the Duke of Bourbon from birth, he succeeded his father as Prince of Condé in 1709; however, he was still known by the ducal title. He was prince for less than a year.
Charles Alexandre de Calonne (1734 ? 1802), Count of Hannonville in 1759. French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French revolution. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charles-alexandre-de-calonne-1734-1802-count-of-hannonville-in-1759-french-statesman-best-known-for-being-louis-xvis-controller-general-of-finances-minister-of-finance-in-the-years-leading-up-to-the-french-revolution-image634300817.htmlRM2YRXW4H–Charles Alexandre de Calonne (1734 ? 1802), Count of Hannonville in 1759. French statesman, best known for being Louis XVI's Controller-General of Finances (minister of finance) in the years leading up to the French revolution.
![Engraver: Jean Charles Flipart, French, 1682–1751, After: Jacopo Amigoni, Italian, 1682-1752, Portrait of Ferdinand VI, [Maria Barbara of Braganza and personages of the court, including Domenica Scarlatti and Carlo Broschi Farinelli], Engraving, sheet: 62.8 × 55.3 cm (24 3/4 × 21 3/4 in.), French, 18th century, Works on Paper - Prints Stock Photo](https://c8.alamy.com/comp/2DT2RG3/engraver-jean-charles-flipart-french-16821751-after-jacopo-amigoni-italian-1682-1752-portrait-of-ferdinand-vi-maria-barbara-of-braganza-and-personages-of-the-court-including-domenica-scarlatti-and-carlo-broschifarinelli-engraving-sheet-628-553-cm-24-34-21-34in-french-18thcentury-works-on-paper-prints-2DT2RG3.jpg "Engraver: Jean Charles Flipart, French, 1682–1751, After: Jacopo Amigoni, Italian, 1682-1752, Portrait of Ferdinand VI, [Maria Barbara of Braganza and personages of the court, including Domenica Scarlatti and Carlo Broschi Farinelli], Engraving, sheet: 62.8 × 55.3 cm (24 3/4 × 21 3/4 in.), French, 18th century, Works on Paper - Prints Stock Photo")
Engraver: Jean Charles Flipart, French, 1682–1751, After: Jacopo Amigoni, Italian, 1682-1752, Portrait of Ferdinand VI, [Maria Barbara of Braganza and personages of the court, including Domenica Scarlatti and Carlo Broschi Farinelli], Engraving, sheet: 62.8 × 55.3 cm (24 3/4 × 21 3/4 in.), French, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraver-jean-charles-flipart-french-16821751-after-jacopo-amigoni-italian-1682-1752-portrait-of-ferdinand-vi-maria-barbara-of-braganza-and-personages-of-the-court-including-domenica-scarlatti-and-carlo-broschifarinelli-engraving-sheet-628-553-cm-24-34-21-34in-french-18thcentury-works-on-paper-prints-image393442227.htmlRM2DT2RG3–Engraver: Jean Charles Flipart, French, 1682–1751, After: Jacopo Amigoni, Italian, 1682-1752, Portrait of Ferdinand VI, [Maria Barbara of Braganza and personages of the court, including Domenica Scarlatti and Carlo Broschi Farinelli], Engraving, sheet: 62.8 × 55.3 cm (24 3/4 × 21 3/4 in.), French, 18th century, Works on Paper - Prints
Toute la cour de France en alarme, estampe hollandaise contre Louis XIV (1638-1715) aisant partie du recueil attribue au baron Francois Ignace de Puechemeck, cette gravure est une raillerie sur les revers de Louis XIV dans les Pays Bas et en Italie en 1706, parmi les personnages qui se precipitent au secours du roi, on reconnait Madame de Maintenon (1635-1719) qui se penche sur sa tete . Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/toute-la-cour-de-france-en-alarme-estampe-hollandaise-contre-louis-xiv-1638-1715-aisant-partie-du-recueil-attribue-au-baron-francois-ignace-de-puechemeck-cette-gravure-est-une-raillerie-sur-les-revers-de-louis-xiv-dans-les-pays-bas-et-en-italie-en-1706-parmi-les-personnages-qui-se-precipitent-au-secours-du-roi-on-reconnait-madame-de-maintenon-1635-1719-qui-se-penche-sur-sa-tete-image466307518.htmlRM2J2J3YX–Toute la cour de France en alarme, estampe hollandaise contre Louis XIV (1638-1715) aisant partie du recueil attribue au baron Francois Ignace de Puechemeck, cette gravure est une raillerie sur les revers de Louis XIV dans les Pays Bas et en Italie en 1706, parmi les personnages qui se precipitent au secours du roi, on reconnait Madame de Maintenon (1635-1719) qui se penche sur sa tete .
![French noblewomen in contemporary court dress, ca. 1774-1784. [automated translation] Stock Photo](https://c8.alamy.com/comp/2PYX6AN/french-noblewomen-in-contemporary-court-dress-ca-1774-1784-automated-translation-2PYX6AN.jpg "French noblewomen in contemporary court dress, ca. 1774-1784. [automated translation] Stock Photo")
French noblewomen in contemporary court dress, ca. 1774-1784. [automated translation] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-noblewomen-in-contemporary-court-dress-ca-1774-1784-automated-translation-image550692877.htmlRM2PYX6AN–French noblewomen in contemporary court dress, ca. 1774-1784. [automated translation]
Jean-Baptiste Clery (1759-1809). Personal valet to King Louis XVI of France. Portrait. Engraving. 'History of the French Revolution'. Volume I, 1876. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jean-baptiste-clery-1759-1809-personal-valet-to-king-louis-xvi-of-france-portrait-engraving-history-of-the-french-revolution-volume-i-1876-image606222933.htmlRM2X67RF1–Jean-Baptiste Clery (1759-1809). Personal valet to King Louis XVI of France. Portrait. Engraving. 'History of the French Revolution'. Volume I, 1876.
![French noblewomen in contemporary court dress, ca. 1770-1790. [automated translation] Stock Photo](https://c8.alamy.com/comp/2PYX6A4/french-noblewomen-in-contemporary-court-dress-ca-1770-1790-automated-translation-2PYX6A4.jpg "French noblewomen in contemporary court dress, ca. 1770-1790. [automated translation] Stock Photo")
French noblewomen in contemporary court dress, ca. 1770-1790. [automated translation] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-noblewomen-in-contemporary-court-dress-ca-1770-1790-automated-translation-image550692860.htmlRM2PYX6A4–French noblewomen in contemporary court dress, ca. 1770-1790. [automated translation]
French wrestlers, 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-wrestlers-16th-century-33855609.htmlRMBY274W–French wrestlers, 16th century.
![Fashion at the French court: Francoise Marie v. Bourbon, Duchess v Orleans (1702), and a member of the palace guard under Louis XV (1724). [automated translation] Stock Photo](https://c8.alamy.com/comp/2PYX6H0/fashion-at-the-french-court-francoise-marie-v-bourbon-duchess-v-orleans-1702-and-a-member-of-the-palace-guard-under-louis-xv-1724-automated-translation-2PYX6H0.jpg "Fashion at the French court: Francoise Marie v. Bourbon, Duchess v Orleans (1702), and a member of the palace guard under Louis XV (1724). [automated translation] Stock Photo")
Fashion at the French court: Francoise Marie v. Bourbon, Duchess v Orleans (1702), and a member of the palace guard under Louis XV (1724). [automated translation] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-at-the-french-court-francoise-marie-v-bourbon-duchess-v-orleans-1702-and-a-member-of-the-palace-guard-under-louis-xv-1724-automated-translation-image550693052.htmlRM2PYX6H0–Fashion at the French court: Francoise Marie v. Bourbon, Duchess v Orleans (1702), and a member of the palace guard under Louis XV (1724). [automated translation]
French artisan, 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-french-artisan-16th-century-33855431.htmlRMBY26XF–French artisan, 16th century.
18th century France Gent and Lady of Rank Louis XIV court Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/18th-century-france-gent-and-lady-of-rank-louis-xiv-court-image62793436.htmlRFDJ4DJM–18th century France Gent and Lady of Rank Louis XIV court
Costume of a noble woman at the court of King Louis XV, mid-18th century. Formal gown, bodice with ribbons and lace, pannier hoopskirt decorated with flowers. Dame de la Cour de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-of-a-noble-woman-at-the-court-of-king-louis-xv-mid-18th-century-formal-gown-bodice-with-ribbons-and-lace-pannier-hoopskirt-decorated-with-flowers-dame-de-la-cour-de-louis-xv-handcoloured-lithograph-by-lorenzo-bianchi-and-domenico-cuciniello-after-hippolyte-lecomte-from-costumi-civili-e-militari-della-monarchia-francese-dal-1200-al-1820-naples-1825-italian-edition-of-lecomtes-civilian-and-military-costumes-of-the-french-monarchy-from-1200-to-1820-image465599464.htmlRM2J1DTT8–Costume of a noble woman at the court of King Louis XV, mid-18th century. Formal gown, bodice with ribbons and lace, pannier hoopskirt decorated with flowers. Dame de la Cour de Louis XV. Handcoloured lithograph by Lorenzo Bianchi and Domenico Cuciniello after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomte’s Civilian and military costumes of the French monarchy from 1200 to 1820.
Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-zinaida-yusupova-1894-by-franois-flameng-18561923-french-painter-jewels-of-russian-imperial-court-18th-19th-century-russia-image335473406.htmlRM2ADP3N2–Princess Zinaida Yusupova 1894 by François Flameng (1856–1923) French painter. , Jewels of Russian imperial court, 18th-19th Century, Russia.
The Reception of the Princess Royal, at the entrance of the Table Room. 1. The king 2. The Queen 3. The Prince Royal 4. The Prince Royal 5. The Ladies Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-reception-of-the-princess-royal-at-the-entrance-of-the-table-room-1-the-king-2-the-queen-3-the-prince-royal-4-the-prince-royal-5-the-ladies-image465663256.htmlRM2J1GP6G–The Reception of the Princess Royal, at the entrance of the Table Room. 1. The king 2. The Queen 3. The Prince Royal 4. The Prince Royal 5. The Ladies
Princess Anne - Marie Anne de Bourbon (1689 –1720) was a princess of the blood at the French court of Versailles. She was the first wife of Louis Henri de Bourbon and as such was the Duchess of Bourbon and Princess of Condé by marriage. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-princess-anne-marie-anne-de-bourbon-1689-1720-was-a-princess-of-the-106798189.htmlRMG5N251–Princess Anne - Marie Anne de Bourbon (1689 –1720) was a princess of the blood at the French court of Versailles. She was the first wife of Louis Henri de Bourbon and as such was the Duchess of Bourbon and Princess of Condé by marriage.
Design for a Court Theatre. Artist: Anonymous, French, 18th century. Dimensions: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-court-theatre-artist-anonymous-french-18th-century-dimensions-7-716-x-10-916-in-189-x-268-cm-date-18th-century-museum-metropolitan-museum-of-art-new-york-usa-image213106564.htmlRMPAKRGM–Design for a Court Theatre. Artist: Anonymous, French, 18th century. Dimensions: 7 7/16 x 10 9/16 in. (18.9 x 26.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
Admiral Augustus Keppel, an officer of the Royal Navy during the the War of American Independence at his court marshal. The First Battle of Ushant against the French on 27 July 1778 ended in a highly unsatisfactory manner, partly owing mainly to Keppel's mismanagement. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-admiral-augustus-keppel-an-officer-of-the-royal-navy-during-the-the-88067043.htmlRMF37PBF–Admiral Augustus Keppel, an officer of the Royal Navy during the the War of American Independence at his court marshal. The First Battle of Ushant against the French on 27 July 1778 ended in a highly unsatisfactory manner, partly owing mainly to Keppel's mismanagement.
The Guitarist, 1720s. Like his illustrious master, Watteau, Pater specialized in fête galantes, paintings that featured elegantly attired men and women in bucolic settings engaged in decorously amorous play, and, also like his teacher, Pater worked out his preliminary ideas in red chalk studies. During the 17th century, guitar virtuosos from Italy and Spain made their way to the court of Louis XIV, and by the 18th century, the guitar had become integrated into the French culture of gallantry, and thus featured prominently in fête galantes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-guitarist-1720s-like-his-illustrious-master-watteau-pater-specialized-in-fxeate-galantes-paintings-that-featured-elegantly-attired-men-and-women-in-bucolic-settings-engaged-in-decorously-amorous-play-and-also-like-his-teacher-pater-worked-out-his-preliminary-ideas-in-red-chalk-studies-during-the-17th-century-guitar-virtuosos-from-italy-and-spain-made-their-way-to-the-court-of-louis-xiv-and-by-the-18th-century-the-guitar-had-become-integrated-into-the-french-culture-of-gallantry-and-thus-featured-prominently-in-fxeate-galantes-image330128003.htmlRM2A52HHR–The Guitarist, 1720s. Like his illustrious master, Watteau, Pater specialized in fête galantes, paintings that featured elegantly attired men and women in bucolic settings engaged in decorously amorous play, and, also like his teacher, Pater worked out his preliminary ideas in red chalk studies. During the 17th century, guitar virtuosos from Italy and Spain made their way to the court of Louis XIV, and by the 18th century, the guitar had become integrated into the French culture of gallantry, and thus featured prominently in fête galantes.
Louis XVI of France. (1754-1793) 18th. Century. King of the French. Louis Capet. Guillotined. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-xvi-of-france-1754-1793-18th-century-king-of-the-french-louis-140085387.htmlRMJ3WC9F–Louis XVI of France. (1754-1793) 18th. Century. King of the French. Louis Capet. Guillotined.
A Voyage to Brobdingnag. Gulliver reporting to the King and Queen of Brobdingnag on the political and social mores of England. Illustration by Albert Robida from Jonathan Swift's Gulliver's Travels. 1933 French edition, Henri Laurens publisher. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-voyage-to-brobdingnag-gulliver-reporting-to-the-king-and-queen-of-brobdingnag-on-the-political-and-social-mores-of-england-illustration-by-albert-robida-from-jonathan-swifts-gullivers-travels-1933-french-edition-henri-laurens-publisher-image610220769.htmlRM2XCNXPW–A Voyage to Brobdingnag. Gulliver reporting to the King and Queen of Brobdingnag on the political and social mores of England. Illustration by Albert Robida from Jonathan Swift's Gulliver's Travels. 1933 French edition, Henri Laurens publisher.
The future Philip V being introduced as King of Spain by his grandfather, Louis XIV Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-future-philip-v-being-introduced-as-king-of-spain-by-his-grandfather-louis-xiv-image634318637.htmlRM2YRYKW1–The future Philip V being introduced as King of Spain by his grandfather, Louis XIV
Fashion. Haute Couture. Illustration of 'Encyclopedie'. 18th century. Published in France between 1751-1772. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fashion-haute-couture-illustration-of-encyclopedie-18th-century-published-image61652620.htmlRMDG8EF8–Fashion. Haute Couture. Illustration of 'Encyclopedie'. 18th century. Published in France between 1751-1772.
A woodcut engraving depicting a picture-card game card. The image on the card shows an electrical experiment, which had grown popular at the French Court. Dated 18th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woodcut-engraving-depicting-a-picture-card-game-card-the-image-on-the-card-shows-an-electrical-experiment-which-had-grown-popular-at-the-french-court-dated-18th-century-image235000296.htmlRMRJ957M–A woodcut engraving depicting a picture-card game card. The image on the card shows an electrical experiment, which had grown popular at the French Court. Dated 18th century
Princess Marie Louise of Savoy (1749-1792). Confidante of Queen Marie Antoinette. Portrait. Engraving. Colored. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/princess-marie-louise-of-savoy-1749-1792-confidante-of-queen-marie-image67681984.htmlRMDX351M–Princess Marie Louise of Savoy (1749-1792). Confidante of Queen Marie Antoinette. Portrait. Engraving. Colored.
France: 'View of the Estate of Versailles from Place d'Armes'. Oil on canvas painting by Pierre-Denis Martin (1663-1742), 1722. Formerly a hunting lodge, the court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a magnificent building, but as a symbol of absolute monarchy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/france-view-of-the-estate-of-versailles-from-place-darmes-oil-on-canvas-painting-by-pierre-denis-martin-1663-1742-1722-formerly-a-hunting-lodge-the-court-of-versailles-was-the-centre-of-political-power-in-france-from-1682-when-louis-xiv-moved-from-paris-until-the-royal-family-was-forced-to-return-to-the-capital-in-october-1789-after-the-beginning-of-the-french-revolution-versailles-is-therefore-famous-not-only-as-a-magnificent-building-but-as-a-symbol-of-absolute-monarchy-image344228129.htmlRM2B00XDN–France: 'View of the Estate of Versailles from Place d'Armes'. Oil on canvas painting by Pierre-Denis Martin (1663-1742), 1722. Formerly a hunting lodge, the court of Versailles was the centre of political power in France from 1682, when Louis XIV moved from Paris, until the royal family was forced to return to the capital in October 1789 after the beginning of the French Revolution. Versailles is therefore famous not only as a magnificent building, but as a symbol of absolute monarchy.
Battle of Bishops Court, The Defeat of Thurot, 28 February 1760 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-battle-of-bishops-court-the-defeat-of-thurot-28-february-1760-171689791.htmlRMKY9427–Battle of Bishops Court, The Defeat of Thurot, 28 February 1760
Jacques Roux (1752-1794) was a French revolutionary priest, leader of the radical group of Enragés who was closely related to the sans-culottes movement. On January 14, 1794, Roux was informed that his case was going to be tried by the Revolutionary Court and he pulled out a knife and stabbed himself several times. France. Old 19th century engraved illustration from Histoire de la Revolution Francaise 1876 by Jules Michelet (1798-1874) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jacques-roux-1752-1794-was-a-french-revolutionary-priest-leader-of-the-radical-group-of-enrags-who-was-closely-related-to-the-sans-culottes-movement-on-january-14-1794-roux-was-informed-that-his-case-was-going-to-be-tried-by-the-revolutionary-court-and-he-pulled-out-a-knife-and-stabbed-himself-several-times-france-old-19th-century-engraved-illustration-from-histoire-de-la-revolution-francaise-1876-by-jules-michelet-1798-1874-image425571148.htmlRM2FMAC9G–Jacques Roux (1752-1794) was a French revolutionary priest, leader of the radical group of Enragés who was closely related to the sans-culottes movement. On January 14, 1794, Roux was informed that his case was going to be tried by the Revolutionary Court and he pulled out a knife and stabbed himself several times. France. Old 19th century engraved illustration from Histoire de la Revolution Francaise 1876 by Jules Michelet (1798-1874)
Marie Antoinette of Austria (1755-93) Judged by the Revolutionary Tribunal Court, 16th October 1793 - Revolution francaise : la reine de France Marie- Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/marie-antoinette-of-austria-1755-93-judged-by-the-revolutionary-tribunal-court-16th-october-1793-revolution-francaise-la-reine-de-france-marie-image341269895.htmlRM2AR656F–Marie Antoinette of Austria (1755-93) Judged by the Revolutionary Tribunal Court, 16th October 1793 - Revolution francaise : la reine de France Marie-
