Giotto di bondone adoration of magi Stock Photos and Images
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Giotto di bondone adoration of magi Stock Photos and Images
The Adoration of the Magi - by Giotto di Bondone, 1337 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-by-giotto-di-bondone-1337-image62662155.htmlRMDHXE63–The Adoration of the Magi - by Giotto di Bondone, 1337
Giotto. The Adoration of the Magi by Giotto di Bondone (c.1266-1337), tempera on wood, gold ground, c. 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-the-adoration-of-the-magi-by-giotto-di-bondone-c1266-1337-tempera-on-wood-gold-ground-c-1320-image430726471.htmlRM2G0N807–Giotto. The Adoration of the Magi by Giotto di Bondone (c.1266-1337), tempera on wood, gold ground, c. 1320
The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-the-adoration-of-the-magi-giotto-di-bondone-possibly-ca-1320-162554699.htmlRMKCD04Y–The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320
Giotto di Bondone, The Adoration of the Magi, painting, circa 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-the-adoration-of-the-magi-painting-circa-1320-image354365195.htmlRM2BGEMBR–Giotto di Bondone, The Adoration of the Magi, painting, circa 1320
In his 'Adoration of the Magi' at Padua's Scrovegni Chapel (1304-5), Giotto di Bondone painted a realistic comet which may have been based on the appearance of Halley's Comet in 1301. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-in-his-adoration-of-the-magi-at-paduas-scrovegni-chapel-1304-5-giotto-103997140.htmlRMG15DBG–In his 'Adoration of the Magi' at Padua's Scrovegni Chapel (1304-5), Giotto di Bondone painted a realistic comet which may have been based on the appearance of Halley's Comet in 1301.
THE ADORATION OF THE MAGI, by Giotto, 1320, Italian Proto-Renaissance painting, tempera on wood. After the birth of Jesus, the Bible described in Matthew 2:11, three Kings made a pilgrimage to Jesus by following a star, bringing him gifts of gold, frankincense, and myrrh, and worshiping him. Giottos added the action of one Magi holding Jesus, a human moment in keeping with his with a greater realism (BSLOC 2017 16 46) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-adoration-of-the-magi-by-giotto-1320-italian-proto-renaissance-170559711.htmlRMKWDJJ7–THE ADORATION OF THE MAGI, by Giotto, 1320, Italian Proto-Renaissance painting, tempera on wood. After the birth of Jesus, the Bible described in Matthew 2:11, three Kings made a pilgrimage to Jesus by following a star, bringing him gifts of gold, frankincense, and myrrh, and worshiping him. Giottos added the action of one Magi holding Jesus, a human moment in keeping with his with a greater realism (BSLOC 2017 16 46)
The Adoration of Magi, painting by Giotto di Bondone Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-adoration-of-magi-painting-by-giotto-di-bondone-134164568.htmlRFHP7M7M–The Adoration of Magi, painting by Giotto di Bondone
Photoreproduction of a painting by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi. (title on object), Alinari (mentioned on object), Giotto de Bondone (mentioned on object), Sint-Franciscusbasiliek, c. 1875 - c. 1900, cardboard, albumen print, height 199 mm × width 249 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photoreproduction-of-a-painting-by-giotto-depicting-the-adoration-by-the-kings-assisi-umbria-chiesa-inferiore-di-s-francesco-ladorazione-dei-magi-title-on-object-alinari-mentioned-on-object-giotto-de-bondone-mentioned-on-object-sint-franciscusbasiliek-c-1875-c-1900-cardboard-albumen-print-height-199-mm-width-249-mm-image454384060.htmlRM2HB6YE4–Photoreproduction of a painting by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi. (title on object), Alinari (mentioned on object), Giotto de Bondone (mentioned on object), Sint-Franciscusbasiliek, c. 1875 - c. 1900, cardboard, albumen print, height 199 mm × width 249 mm
Inspired by by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi., Alinari, Giotto de Bondone, Sint-Franciscusbasiliek, c. 1875 - c. 1900, albumen print, height 199 mm × width 249 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-by-giotto-depicting-the-adoration-by-the-kings-assisi-umbria-chiesa-inferiore-di-s-francesco-ladorazione-dei-magi-alinari-giotto-de-bondone-sint-franciscusbasiliek-c-1875-c-1900-albumen-print-height-199-mm-width-249-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459431277.htmlRF2HKCW7W–Inspired by by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi., Alinari, Giotto de Bondone, Sint-Franciscusbasiliek, c. 1875 - c. 1900, albumen print, height 199 mm × width 249 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
THE ADORATION OF THE MAGI, by Giotto, 1320, Italian Proto-Renaissance painting, tempera on wood. After the birth of Jesus, the Bible described in Matthew 2:11, three Kings made a pilgrimage to Jesus by following a star, bringing him gifts of gold, frankincense, and myrrh, and worshiping him. Giottos added the action of one Magi holding Jesus, a human moment in keeping with his with a greater realism (BSLOC 2017 16 46) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-adoration-of-the-magi-by-giotto-1320-italian-proto-renaissance-170561025.htmlRMKWDM95–THE ADORATION OF THE MAGI, by Giotto, 1320, Italian Proto-Renaissance painting, tempera on wood. After the birth of Jesus, the Bible described in Matthew 2:11, three Kings made a pilgrimage to Jesus by following a star, bringing him gifts of gold, frankincense, and myrrh, and worshiping him. Giottos added the action of one Magi holding Jesus, a human moment in keeping with his with a greater realism (BSLOC 2017 16 46)
The Adoration of the Magi (From the cycles of The Life of Christ). Museum: Cappella degli Scrovegni, Padua. Author: GIOTTO DI BONDONE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-from-the-cycles-of-the-life-of-christ-museum-cappella-degli-scrovegni-padua-author-giotto-di-bondone-image477012035.htmlRM2JM1NM3–The Adoration of the Magi (From the cycles of The Life of Christ). Museum: Cappella degli Scrovegni, Padua. Author: GIOTTO DI BONDONE.
Fresco: Adoration of Jesus by the Magi with Halley's Comet, Cappella degli Scrovegni, with the famous cycle of frescoes by Giotto, pioneer of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fresco-adoration-of-jesus-by-the-magi-with-halleys-comet-cappella-degli-scrovegni-with-the-famous-cycle-of-frescoes-by-giotto-pioneer-of-the-image458602749.htmlRM2HJ34DH–Fresco: Adoration of Jesus by the Magi with Halley's Comet, Cappella degli Scrovegni, with the famous cycle of frescoes by Giotto, pioneer of the
Giotto di Bondone - Adoration Magi 1306 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-adoration-magi-1306-image416075875.htmlRF2F4WW0K–Giotto di Bondone - Adoration Magi 1306
English: No. 18 Scenes from the Life of Christ: 2. The Adoration of the Magi (detail) . between 1304 and 1306. Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail) - WGA09196 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-no-18-scenes-from-the-life-of-christ-2-the-adoration-of-the-magi-detail-between-1304-and-1306-giotto-di-bondone-no-18-scenes-from-the-life-of-christ-2-adoration-of-the-magi-detail-wga09196-image184992569.htmlRMMMY3WD–English: No. 18 Scenes from the Life of Christ: 2. The Adoration of the Magi (detail) . between 1304 and 1306. Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail) - WGA09196
Giotto di Bondone - Adoration Magi C 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-adoration-magi-c-1320-image415983030.htmlRF2F4NJGP–Giotto di Bondone - Adoration Magi C 1320
Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-no-18-scenes-from-the-life-of-christ-2-adoration-of-the-magi-image348754255.htmlRM2B7B3H3–Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi
Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi - WGA09195 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giotto-di-bondone-no-18-scenes-from-the-life-of-christ-2-adoration-132714559.htmlRMHKWJNK–Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi - WGA09195
Giotto di Bondone Italian school The Adoration of the Magi Possibly c.1320 Tempera on wood, gold ground (45.1 x 43.8 cm) New York, Metropolitan Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-italian-school-the-adoration-of-the-magi-possibly-c1320-tempera-on-wood-gold-ground-451-x-438-cm-new-york-metropolitan-museum-of-art-image342134484.htmlRM2ATHG0M–Giotto di Bondone Italian school The Adoration of the Magi Possibly c.1320 Tempera on wood, gold ground (45.1 x 43.8 cm) New York, Metropolitan Museum of Art
GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 19 Scenes from the Life of Christ: 3. Presentation at the Temple 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The temple in this scene is the same as that which appears in the Expulsion of Joachim from the Temple and the Presentation of the Virgin in the Temple, but this time we are shown only the shrine over the altar. *** Key Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-b-1267-vespignano-d-1337-firenze-no-19-scenes-from-the-life-of-christ-3-presentation-at-the-temple-1304-06-fresco-200-x-185-cm-cappella-scrovegni-arena-chapel-padua-the-five-scenes-on-the-right-wall-represent-the-nativity-the-adoration-of-the-magi-the-presentation-in-the-temple-the-flight-into-egypt-and-the-massacre-of-the-innocents-the-temple-in-this-scene-is-the-same-as-that-which-appears-in-the-expulsion-of-joachim-from-the-temple-and-the-presentation-of-the-virgin-in-the-temple-but-this-time-we-are-shown-only-the-shrine-over-the-altar-key-image625058135.htmlRM2Y8WT0R–GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 19 Scenes from the Life of Christ: 3. Presentation at the Temple 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The temple in this scene is the same as that which appears in the Expulsion of Joachim from the Temple and the Presentation of the Virgin in the Temple, but this time we are shown only the shrine over the altar. *** Key
Adoration of the Magi by Giotto di Bondone, 1337 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoration-of-the-magi-by-giotto-di-bondone-1337-image69606867.htmlRME16T7F–Adoration of the Magi by Giotto di Bondone, 1337
The Adoration of the Magi, possibly ca. 1320. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-possibly-ca-1320-image336840869.htmlRM2AG0BY1–The Adoration of the Magi, possibly ca. 1320.
![The Adoration of the Magi possibly ca. 1320 Giotto di Bondone Italian This picture—at once austere and tender—belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary’s expression of concern translate the biblical account into deeply human terms. As the sculptor Ghiberti declared (ca. 1450): '[Giotto] made [art] natural and gave it gentleness Stock Photo](https://c8.alamy.com/comp/2HH2XH1/the-adoration-of-the-magi-possibly-ca-1320-giotto-di-bondone-italian-this-pictureat-once-austere-and-tenderbelongs-to-a-series-of-seven-showing-the-life-of-christ-the-masterly-depiction-of-the-stable-which-is-viewed-from-slightly-below-and-the-columnar-solidity-of-the-figures-are-typical-of-giotto-the-founder-of-european-painting-the-impetuous-action-of-the-kneeling-king-who-picks-up-the-christ-child-and-marys-expression-of-concern-translate-the-biblical-account-into-deeply-human-terms-as-the-sculptor-ghiberti-declared-ca-1450-giotto-made-art-natural-and-gave-it-gentleness-2HH2XH1.jpg "The Adoration of the Magi possibly ca. 1320 Giotto di Bondone Italian This picture—at once austere and tender—belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary’s expression of concern translate the biblical account into deeply human terms. As the sculptor Ghiberti declared (ca. 1450): '[Giotto] made [art] natural and gave it gentleness Stock Photo")
The Adoration of the Magi possibly ca. 1320 Giotto di Bondone Italian This picture—at once austere and tender—belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary’s expression of concern translate the biblical account into deeply human terms. As the sculptor Ghiberti declared (ca. 1450): '[Giotto] made [art] natural and gave it gentleness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-possibly-ca-1320-giotto-di-bondone-italian-this-pictureat-once-austere-and-tenderbelongs-to-a-series-of-seven-showing-the-life-of-christ-the-masterly-depiction-of-the-stable-which-is-viewed-from-slightly-below-and-the-columnar-solidity-of-the-figures-are-typical-of-giotto-the-founder-of-european-painting-the-impetuous-action-of-the-kneeling-king-who-picks-up-the-christ-child-and-marys-expression-of-concern-translate-the-biblical-account-into-deeply-human-terms-as-the-sculptor-ghiberti-declared-ca-1450-giotto-made-art-natural-and-gave-it-gentleness-image457983485.htmlRM2HH2XH1–The Adoration of the Magi possibly ca. 1320 Giotto di Bondone Italian This picture—at once austere and tender—belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary’s expression of concern translate the biblical account into deeply human terms. As the sculptor Ghiberti declared (ca. 1450): '[Giotto] made [art] natural and gave it gentleness
HUNGARY - CIRCA 1986: stamp printed by Hungary, shows Halley's Comet, European Space Agency Giotto, The Three Magi, tapestry by Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hungary-circa-1986-stamp-printed-by-hungary-shows-halleys-comet-european-75594084.htmlRMEAYH0M–HUNGARY - CIRCA 1986: stamp printed by Hungary, shows Halley's Comet, European Space Agency Giotto, The Three Magi, tapestry by
Cancelled postage stamp printed by Hungary, that shows European Space Agency Giotto and the Three Magi, Halley's Comet, circa 1986. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cancelled-postage-stamp-printed-by-hungary-that-shows-european-space-agency-giotto-and-the-three-magi-halleys-comet-circa-1986-image598787315.htmlRM2WP5397–Cancelled postage stamp printed by Hungary, that shows European Space Agency Giotto and the Three Magi, Halley's Comet, circa 1986.
Art inspired by Photoreproduction of a painting by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi., Alinari, Giotto de Bondone, Sint-Franciscusbasiliek, c. 1875 - c. 1900, cardboard, albumen print, height 199 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-photoreproduction-of-a-painting-by-giotto-depicting-the-adoration-by-the-kings-assisi-umbria-chiesa-inferiore-di-s-francesco-ladorazione-dei-magi-alinari-giotto-de-bondone-sint-franciscusbasiliek-c-1875-c-1900-cardboard-albumen-print-height-199-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459747603.htmlRF2HKY8N7–Art inspired by Photoreproduction of a painting by Giotto, depicting the adoration by the kings, ASSISI - Umbria. Chiesa inferiore di S. Francesco. L'adorazione dei Magi., Alinari, Giotto de Bondone, Sint-Franciscusbasiliek, c. 1875 - c. 1900, cardboard, albumen print, height 199 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by The Adoration of the Magi, possibly ca. 1320, Tempera on wood, gold ground, 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm), Paintings, Giotto di Bondone (Italian, Florentine, 1266/76–1337), Dating to about 1320, this panel is one of seven showing the life of Christ. Nothing is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-adoration-of-the-magi-possibly-ca-1320-tempera-on-wood-gold-ground-17-34-x-17-14-in-451-x-438-cm-paintings-giotto-di-bondone-italian-florentine-1266761337-dating-to-about-1320-this-panel-is-one-of-seven-showing-the-life-of-christ-nothing-is-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463024761.htmlRF2HW8GPH–Art inspired by The Adoration of the Magi, possibly ca. 1320, Tempera on wood, gold ground, 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm), Paintings, Giotto di Bondone (Italian, Florentine, 1266/76–1337), Dating to about 1320, this panel is one of seven showing the life of Christ. Nothing is, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Adoration of the Magi. Artist: Giotto di Bondone (Italian, Florentine, 1266/76-1337). Dimensions: 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm). Date: possibly ca. 1320. This picture--at once austere and tender--belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary's expression of concern translate the Biblical account into deeply human terms. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-artist-giotto-di-bondone-italian-florentine-126676-1337-dimensions-17-34-x-17-14-in-451-x-438-cm-date-possibly-ca-1320-this-picture-at-once-austere-and-tender-belongs-to-a-series-of-seven-showing-the-life-of-christ-the-masterly-depiction-of-the-stable-which-is-viewed-from-slightly-below-and-the-columnar-solidity-of-the-figures-are-typical-of-giotto-the-founder-of-european-painting-the-impetuous-action-of-the-kneeling-king-who-picks-up-the-christ-child-and-marys-expression-of-concern-translate-the-biblical-account-into-deeply-human-terms-image221750832.htmlRMPTNHCG–The Adoration of the Magi. Artist: Giotto di Bondone (Italian, Florentine, 1266/76-1337). Dimensions: 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm). Date: possibly ca. 1320. This picture--at once austere and tender--belongs to a series of seven showing the life of Christ. The masterly depiction of the stable, which is viewed from slightly below, and the columnar solidity of the figures are typical of Giotto, the founder of European painting. The impetuous action of the kneeling king, who picks up the Christ Child, and Mary's expression of concern translate the Biblical account into deeply human terms.
. The Adoration of the Magi. Fresco in Lower Church, San Francesco, Assisi . circa 1310. Giotto di Bondone (–1337) Alternative names Giotto Description Italian painter, architect, sculptor and goatherd Date of birth/death 1267 / 1276 8 January 1337 Location of birth/death Colle di Vespignano, part of Vicchio, Tuscany Florence Work location Florence, Padua, Rome, Naples, Assisi Authority control : Q7814 VIAF:?27073355 ISNI:?0000 0001 2125 1587 ULAN:?500010766 LCCN:?n81071909 NLA:?35126164 WorldCat Adoration assisi2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-fresco-in-lower-church-san-francesco-assisi-circa-1310-giotto-di-bondone-1337-alternative-names-giotto-description-italian-painter-architect-sculptor-and-goatherd-date-of-birthdeath-1267-1276-8-january-1337-location-of-birthdeath-colle-di-vespignano-part-of-vicchio-tuscany-florence-work-location-florence-padua-rome-naples-assisi-authority-control-q7814-viaf27073355-isni0000-0001-2125-1587-ulan500010766-lccnn81071909-nla35126164-worldcat-adoration-assisi2-image185020340.htmlRMMN0B98–. The Adoration of the Magi. Fresco in Lower Church, San Francesco, Assisi . circa 1310. Giotto di Bondone (–1337) Alternative names Giotto Description Italian painter, architect, sculptor and goatherd Date of birth/death 1267 / 1276 8 January 1337 Location of birth/death Colle di Vespignano, part of Vicchio, Tuscany Florence Work location Florence, Padua, Rome, Naples, Assisi Authority control : Q7814 VIAF:?27073355 ISNI:?0000 0001 2125 1587 ULAN:?500010766 LCCN:?n81071909 NLA:?35126164 WorldCat Adoration assisi2
Giotto di Bondone - Adoration Magi C 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-adoration-magi-c-1320-image256545276.htmlRMTWAJ38–Giotto di Bondone - Adoration Magi C 1320
Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-no-18-scenes-from-the-life-of-christ-2-adoration-of-the-magi-detail-image348754236.htmlRM2B7B3GC–Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail)
Giotto di Bondone - Adoration Magi 1306 1 C 1306 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-adoration-magi-1306-1-c-1306-image256543470.htmlRMTWAFPP–Giotto di Bondone - Adoration Magi 1306 1 C 1306
Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail) - WGA09196 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giotto-di-bondone-no-18-scenes-from-the-life-of-christ-2-adoration-132714558.htmlRMHKWJNJ–Giotto di Bondone - No. 18 Scenes from the Life of Christ - 2. Adoration of the Magi (detail) - WGA09196
GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 18 Scenes from the Life of Christ: 2. Adoration of the Magi 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The well-constructed shed in the first scene reappears in this scene, set at a slightly different angle. *** Keywords: ************* Author: GIOTTO di Bondone Title: No. 18 Scenes from the Life of Christ: 2. Adoration of th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-b-1267-vespignano-d-1337-firenze-no-18-scenes-from-the-life-of-christ-2-adoration-of-the-magi-1304-06-fresco-200-x-185-cm-cappella-scrovegni-arena-chapel-padua-the-five-scenes-on-the-right-wall-represent-the-nativity-the-adoration-of-the-magi-the-presentation-in-the-temple-the-flight-into-egypt-and-the-massacre-of-the-innocents-the-well-constructed-shed-in-the-first-scene-reappears-in-this-scene-set-at-a-slightly-different-angle-keywords-author-giotto-di-bondone-title-no-18-scenes-from-the-life-of-christ-2-adoration-of-th-image625059262.htmlRM2Y8WWD2–GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 18 Scenes from the Life of Christ: 2. Adoration of the Magi 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The well-constructed shed in the first scene reappears in this scene, set at a slightly different angle. *** Keywords: ************* Author: GIOTTO di Bondone Title: No. 18 Scenes from the Life of Christ: 2. Adoration of th
The Adoration of the Magi (From the cycles of The Life of Christ), 1304-1306. Found in the collection of the Cappella degli Scrovegni, Padua. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-from-the-cycles-of-the-life-of-christ-1304-1306-found-in-the-collection-of-the-cappella-degli-scrovegni-padua-image481977742.htmlRM2K03YEP–The Adoration of the Magi (From the cycles of The Life of Christ), 1304-1306. Found in the collection of the Cappella degli Scrovegni, Padua.
ADORACION DE LOS REYES MAGOS - DETALLE - 1302-1305 - FRESCO - TRECENTO ITALIANO - ESCUELA FLORENTINA. Author: Giotto di Bondone (1266-1337). Location: CAPILLA DE LOS SCROVEGNI, PADUA, ITALIA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/adoracion-de-los-reyes-magos-detalle-1302-1305-fresco-trecento-italiano-escuela-florentina-author-giotto-di-bondone-1266-1337-location-capilla-de-los-scrovegni-padua-italia-image208376391.htmlRMP30A5Y–ADORACION DE LOS REYES MAGOS - DETALLE - 1302-1305 - FRESCO - TRECENTO ITALIANO - ESCUELA FLORENTINA. Author: Giotto di Bondone (1266-1337). Location: CAPILLA DE LOS SCROVEGNI, PADUA, ITALIA.
GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The well-constructed shed in the first scene reappears in the second, set at a slightly different angle. The temple in the third scene is the same as that which appears in the Expulsion of Joachim from the Temple and the Present Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-b-1267-vespignano-d-1337-firenze-no-17-scenes-from-the-life-of-christ-1-nativity-birth-of-jesus-1304-06-fresco-200-x-185-cm-cappella-scrovegni-arena-chapel-padua-the-five-scenes-on-the-right-wall-represent-the-nativity-the-adoration-of-the-magi-the-presentation-in-the-temple-the-flight-into-egypt-and-the-massacre-of-the-innocents-the-well-constructed-shed-in-the-first-scene-reappears-in-the-second-set-at-a-slightly-different-angle-the-temple-in-the-third-scene-is-the-same-as-that-which-appears-in-the-expulsion-of-joachim-from-the-temple-and-the-present-image625059295.htmlRM2Y8WWE7–GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus 1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The five scenes on the right wall represent the Nativity, the Adoration of the Magi, the Presentation in the Temple, the Flight into Egypt, and the Massacre of the Innocents. The well-constructed shed in the first scene reappears in the second, set at a slightly different angle. The temple in the third scene is the same as that which appears in the Expulsion of Joachim from the Temple and the Present
The Adoration of the Magi, ca. 1340-43. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-adoration-of-the-magi-ca-1340-43-image343004621.htmlRM2AX15W1–The Adoration of the Magi, ca. 1340-43.
GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) The Epiphany c. 1320 Tempera on wood, gold ground, 45,1 x 43,8 cm Metropolitan Museum of Art, New York Giotto of Florence was the founder of Renaissance painting. This picture, which shows the Adoration of the Magi in the foreground and the Annunciation to the Shepherds in the background, belongs to a series of seven panels depicting the life of Christ. When it was painted, Giotto was at the height of his powers and enjoyed an unparalleled reputation throughout Italy. The clearly organized space, arranged like a stepped stage w Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-b-1267-vespignano-d-1337-firenze-the-epiphany-c-1320-tempera-on-wood-gold-ground-451-x-438-cm-metropolitan-museum-of-art-new-york-giotto-of-florence-was-the-founder-of-renaissance-painting-this-picture-which-shows-the-adoration-of-the-magi-in-the-foreground-and-the-annunciation-to-the-shepherds-in-the-background-belongs-to-a-series-of-seven-panels-depicting-the-life-of-christ-when-it-was-painted-giotto-was-at-the-height-of-his-powers-and-enjoyed-an-unparalleled-reputation-throughout-italy-the-clearly-organized-space-arranged-like-a-stepped-stage-w-image625062521.htmlRM2Y8X1HD–GIOTTO di Bondone (b. 1267, Vespignano, d. 1337, Firenze) The Epiphany c. 1320 Tempera on wood, gold ground, 45,1 x 43,8 cm Metropolitan Museum of Art, New York Giotto of Florence was the founder of Renaissance painting. This picture, which shows the Adoration of the Magi in the foreground and the Annunciation to the Shepherds in the background, belongs to a series of seven panels depicting the life of Christ. When it was painted, Giotto was at the height of his powers and enjoyed an unparalleled reputation throughout Italy. The clearly organized space, arranged like a stepped stage w
