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Giuseppe galli bibiena Stock Photos and Images
Monumental Vaulted Hall with Staircase, second quarter 18th century?. Giuseppe Galli Bibiena (Italian, 1696-1757). Pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown ink; sheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); image: 31 x 44.4 cm (12 3/16 x 17 1/2 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monumental-vaulted-hall-with-staircase-second-quarter-18th-century-giuseppe-galli-bibiena-italian-1696-1757-pen-and-brown-ink-and-brush-and-gray-wash-with-brush-and-brown-wash-and-traces-of-yellow-gouache-framing-lines-in-brown-ink-sheet-316-x-45-cm-12-716-x-17-1116-in-image-31-x-444-cm-12-316-x-17-12-in-image240422922.htmlRMRY45TX–Monumental Vaulted Hall with Staircase, second quarter 18th century?. Giuseppe Galli Bibiena (Italian, 1696-1757). Pen and brown ink and brush and gray wash, with brush and brown wash and traces of yellow gouache; framing lines in brown ink; sheet: 31.6 x 45 cm (12 7/16 x 17 11/16 in.); image: 31 x 44.4 cm (12 3/16 x 17 1/2 in
The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-margravial-opera-house-in-bayreuth-is-a-masterwork-of-baroque-court-theatre-architecture-by-giuseppe-galli-bibiena-image183948523.htmlRMMK7G63–The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena
Johann Andreas Pfeffel (German 1674-1748) after Giuseppe Galli Bibiena (Italian, 1696-1756) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-johann-andreas-pfeffel-german-1674-1748-after-giuseppe-galli-bibiena-77326514.htmlRMEDPEN6–Johann Andreas Pfeffel (German 1674-1748) after Giuseppe Galli Bibiena (Italian, 1696-1756)
Design for a Stage Set with a Monumental Arcaded Courtyard. MET DP801284 377854 Artist: Giuseppe Galli Bibiena, Italian, Parma 1696?1756 Berlin , Attributed to., Design for a Stage Set with a Monumental Arcaded Courtyard., early 18th century, Pen and brown ink, with brush and gray wash, sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm). The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.557) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-stage-set-with-a-monumental-arcaded-courtyard-met-dp801284-168349644.htmlRMKNTYK8–Design for a Stage Set with a Monumental Arcaded Courtyard. MET DP801284 377854 Artist: Giuseppe Galli Bibiena, Italian, Parma 1696?1756 Berlin , Attributed to., Design for a Stage Set with a Monumental Arcaded Courtyard., early 18th century, Pen and brown ink, with brush and gray wash, sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm). The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.557)
![Table 28, Plate 28 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Galli Bibiena Primus Archt: S. C. C. M. Inv., et delineavit, I.A. Pfeffel S.C.M. Chalcogr., sculp, direx, A. V, TA., 28, p. 59, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo](https://c8.alamy.com/comp/2A2TK1J/table-28-plate-28-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-joseph-galli-bibiena-primus-archt-s-c-c-m-inv-et-delineavit-ia-pfeffel-scm-chalcogr-sculp-direx-a-v-ta-28-p-59-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-2A2TK1J.jpg "Table 28, Plate 28 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Galli Bibiena Primus Archt: S. C. C. M. Inv., et delineavit, I.A. Pfeffel S.C.M. Chalcogr., sculp, direx, A. V, TA., 28, p. 59, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo")
Table 28, Plate 28 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Galli Bibiena Primus Archt: S. C. C. M. Inv., et delineavit, I.A. Pfeffel S.C.M. Chalcogr., sculp, direx, A. V, TA., 28, p. 59, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-28-plate-28-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-joseph-galli-bibiena-primus-archt-s-c-c-m-inv-et-delineavit-ia-pfeffel-scm-chalcogr-sculp-direx-a-v-ta-28-p-59-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-image328768094.htmlRM2A2TK1J–Table 28, Plate 28 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Galli Bibiena Primus Archt: S. C. C. M. Inv., et delineavit, I.A. Pfeffel S.C.M. Chalcogr., sculp, direx, A. V, TA., 28, p. 59, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740
Art inspired by Half Longitudinal Section and Half Plan, ca. 1750, Pen, black ink and wash, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-half-longitudinal-section-and-half-plan-ca-1750-pen-black-ink-and-wash-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957409.htmlRF2HW5EW5–Art inspired by Half Longitudinal Section and Half Plan, ca. 1750, Pen, black ink and wash, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Costanza e fortezza, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 28. August 1723 in Prag zur Krönung Karl VI. zum König von Böhmen. Theaterarchitektur und Bühnenbilder von Giuseppe Galli da Bibiena. Motiv: Plan des offenen Barocktheaters in Prag, das Galli Bibiena für die Aufführung 1732 erbaut hatte . 1723. Van der Bruggen, I. Märtin 138 Arolsen Klebeband 15 031 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-costanza-e-fortezza-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-28-august-1723-in-prag-zur-krnung-karl-vi-zum-knig-von-bhmen-theaterarchitektur-und-bhnenbilder-von-giuseppe-galli-da-bibiena-motiv-plan-des-offenen-barocktheaters-in-prag-das-galli-bibiena-fr-die-auffhrung-1732-erbaut-hatte-1723-van-der-bruggen-i-mrtin-138-arolsen-klebeband-15-031-image210066684.htmlRMP5NA5G–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Costanza e fortezza, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 28. August 1723 in Prag zur Krönung Karl VI. zum König von Böhmen. Theaterarchitektur und Bühnenbilder von Giuseppe Galli da Bibiena. Motiv: Plan des offenen Barocktheaters in Prag, das Galli Bibiena für die Aufführung 1732 erbaut hatte . 1723. Van der Bruggen, I. Märtin 138 Arolsen Klebeband 15 031
'View of Prison with Ruins in the Foreground'. Italy, Between 1720 and 1756. Dimensions: 51,3x91 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-prison-with-ruins-in-the-foreground-italy-between-1720-and-1756-dimensions-513x91-cm-museum-state-hermitage-st-petersburg-author-giuseppe-galli-bibiena-image241187461.htmlRMT0B11W–'View of Prison with Ruins in the Foreground'. Italy, Between 1720 and 1756. Dimensions: 51,3x91 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA.
Decor design. Giuseppe Galli da Bibiena (1696-1757) Italian designer. Pen, brown ink, brown and grey wash. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-decor-design-giuseppe-galli-da-bibiena-1696-1757-italian-designer-57359769.htmlRMD98XY5–Decor design. Giuseppe Galli da Bibiena (1696-1757) Italian designer. Pen, brown ink, brown and grey wash.
'Project design for the Gospel City', c1716-1756. Artist: Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-project-design-for-the-gospel-city-c1716-1756-artist-giuseppe-galli-17638630.htmlRMB0KE72–'Project design for the Gospel City', c1716-1756. Artist: Giuseppe Galli Bibiena
Drawing, Costume Design- Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena, 1719 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-costume-design-persian-prince-for-a-stage-production-designed-by-giuseppe-galli-bibiena-1719-image264808955.htmlRMWAR2EK–Drawing, Costume Design- Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena, 1719
Costume Design Persian Prince for a Stage Production Designed by Giuseppe Galli Bibiena. Research in ProgressVertical rectangle. Full-length of a man, facing the spectator, his head turned toward the left. His right hand is at this hip, the left gesturing. He wears an elaborate brocaded costume, with an ermine-lined cape over it. Costume Design Persian Prince for a Stage Production Designed by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/costume-design-persian-prince-for-a-stage-production-designed-by-giuseppe-galli-bibiena-research-in-progressvertical-rectangle-full-length-of-a-man-facing-the-spectator-his-head-turned-toward-the-left-his-right-hand-is-at-this-hip-the-left-gesturing-he-wears-an-elaborate-brocaded-costume-with-an-ermine-lined-cape-over-it-costume-design-persian-prince-for-a-stage-production-designed-by-giuseppe-galli-bibiena-image352146032.htmlRM2BCWHT0–Costume Design Persian Prince for a Stage Production Designed by Giuseppe Galli Bibiena. Research in ProgressVertical rectangle. Full-length of a man, facing the spectator, his head turned toward the left. His right hand is at this hip, the left gesturing. He wears an elaborate brocaded costume, with an ermine-lined cape over it. Costume Design Persian Prince for a Stage Production Designed by Giuseppe Galli Bibiena
Ground Plan 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ground-plan-1972-by-giuseppe-galli-bibiena-image575140742.htmlRM2TBKWTP–Ground Plan 1972 by Giuseppe Galli Bibiena
Johann Andreas Pfeffel I after Giuseppe Galli Bibiena, Catafalque, 1740 Catafalque; 1740date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-andreas-pfeffel-i-after-giuseppe-galli-bibiena-catafalque-1740-catafalque-1740date-image335944479.htmlRM2AEFGH3–Johann Andreas Pfeffel I after Giuseppe Galli Bibiena, Catafalque, 1740 Catafalque; 1740date
Print, Stage Design: A Banquet Hall; Designed by Giuseppe Galli Bibiena (Italian, 1696–1756); Engraved by Anton Ospel (1677 – 1756); Germany; engraving on off-white laid paper; 1955-15-15 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-stage-design-a-banquet-hall-designed-by-giuseppe-galli-bibiena-italian-16961756-engraved-by-anton-ospel-1677-1756-germany-engraving-on-off-white-laid-paper-1955-15-15-image546239709.htmlRM2PMKA91–Print, Stage Design: A Banquet Hall; Designed by Giuseppe Galli Bibiena (Italian, 1696–1756); Engraved by Anton Ospel (1677 – 1756); Germany; engraving on off-white laid paper; 1955-15-15
Festival Hall From a Theatrical Scene, c. 1719. Attributed to Giuseppe Galli-Bibiena. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-hall-from-a-theatrical-scene-c-1719-attributed-to-giuseppe-galli-bibiena-image491541508.htmlRM2KFKJ5T–Festival Hall From a Theatrical Scene, c. 1719. Attributed to Giuseppe Galli-Bibiena.
Giuseppe Galli Bibiena Gothic palace architecture. Bleigriffel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-gothic-palace-architecture-bleigriffel-image572672841.htmlRM2T7KE1D–Giuseppe Galli Bibiena Gothic palace architecture. Bleigriffel
Attributed to Giuseppe Galli-Bibiena (1696-1757) - Festival Hall From a Theatrical Scene (c.1719) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/attributed-to-giuseppe-galli-bibiena-1696-1757-festival-hall-from-a-theatrical-scene-c1719-image452181519.htmlRF2H7JJ3Y–Attributed to Giuseppe Galli-Bibiena (1696-1757) - Festival Hall From a Theatrical Scene (c.1719)
Giuseppe Galli da Bibiena Italian school Decor design Pen, brown ink, brown and grey wash Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-da-bibiena-italian-school-decor-design-pen-brown-ink-brown-and-grey-wash-image257283048.htmlRMTXG748–Giuseppe Galli da Bibiena Italian school Decor design Pen, brown ink, brown and grey wash
Bayreuth, Markgräfliches Opernhaus, Blick in den Zuschauerraum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bayreuth-markgrfliches-opernhaus-blick-in-den-zuschauerraum-image4482350.htmlRMAENW2F–Bayreuth, Markgräfliches Opernhaus, Blick in den Zuschauerraum
The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-margravial-opera-house-in-bayreuth-is-a-masterwork-of-baroque-court-theatre-architecture-by-giuseppe-galli-bibiena-image183948510.htmlRMMK7G5J–The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena
Blick in Richtung Bühne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blick-in-richtung-bhne-image398343929.htmlRM2E423MW–Blick in Richtung Bühne
Houghton MS Typ 412 Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-houghton-ms-typ-412-giuseppe-galli-bibiena-139972711.htmlRMJ3M8HB–Houghton MS Typ 412 Giuseppe Galli Bibiena
![Table 25, Plate 25 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Gali Bibiena Sac., Caes., M. Architectus Theatralis Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculps, direx, A. V, TA., 25, p. 53, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo](https://c8.alamy.com/comp/2A2TK1F/table-25-plate-25-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-joseph-gali-bibiena-sac-caes-m-architectus-theatralis-primarius-inv-et-al-ja-pfeffel-scm-chalcogr-sculps-direx-a-v-ta-25-p-53-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-2A2TK1F.jpg "Table 25, Plate 25 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Gali Bibiena Sac., Caes., M. Architectus Theatralis Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculps, direx, A. V, TA., 25, p. 53, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo")
Table 25, Plate 25 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Gali Bibiena Sac., Caes., M. Architectus Theatralis Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculps, direx, A. V, TA., 25, p. 53, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-25-plate-25-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-joseph-gali-bibiena-sac-caes-m-architectus-theatralis-primarius-inv-et-al-ja-pfeffel-scm-chalcogr-sculps-direx-a-v-ta-25-p-53-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-image328768091.htmlRM2A2TK1F–Table 25, Plate 25 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: Joseph Gali Bibiena Sac., Caes., M. Architectus Theatralis Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculps, direx, A. V, TA., 25, p. 53, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740
Art inspired by Ground Plan for a Catafalque for an electress of Bavaria, 1696–1756, Pen, brown ink and gray wash, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ground-plan-for-a-catafalque-for-an-electress-of-bavaria-16961756-pen-brown-ink-and-gray-wash-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957275.htmlRF2HW5EMB–Art inspired by Ground Plan for a Catafalque for an electress of Bavaria, 1696–1756, Pen, brown ink and gray wash, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. Ansicht der Bühne . 1716. Giuseppe Galli di Bibiena inv. et del.; F. Dietell sculp. 138 Arolsen Klebeband 15 015 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-ansicht-der-bhne-1716-giuseppe-galli-di-bibiena-inv-et-del-f-dietell-sculp-138-arolsen-klebeband-15-015-image210066675.htmlRMP5NA57–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. Ansicht der Bühne . 1716. Giuseppe Galli di Bibiena inv. et del.; F. Dietell sculp. 138 Arolsen Klebeband 15 015
Art inspired by Drawing for an Opera Set, Pen, brown ink and wash, 6 5/16 x 8 11/16 in. (16 x 22 cm), Attributed to Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-drawing-for-an-opera-set-pen-brown-ink-and-wash-6-516-x-8-1116-in-16-x-22-cm-attributed-to-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957283.htmlRF2HW5EMK–Art inspired by Drawing for an Opera Set, Pen, brown ink and wash, 6 5/16 x 8 11/16 in. (16 x 22 cm), Attributed to Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
'Architectural Composition with Ancient Ruins'. Italy, Between 1720 and 1757. Dimensions: 50,2x70,2 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-composition-with-ancient-ruins-italy-between-1720-and-1757-dimensions-502x702-cm-museum-state-hermitage-st-petersburg-author-giuseppe-galli-bibiena-image241210003.htmlRMT0C1PY–'Architectural Composition with Ancient Ruins'. Italy, Between 1720 and 1757. Dimensions: 50,2x70,2 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA.
Art inspired by Ground Plan, ca. 1750, Pen and black ink, 23-7/8 x 17-1/2 in. (60.6 x 44.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ground-plan-ca-1750-pen-and-black-ink-23-78-x-17-12-in-606-x-445-cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957421.htmlRF2HW5EWH–Art inspired by Ground Plan, ca. 1750, Pen and black ink, 23-7/8 x 17-1/2 in. (60.6 x 44.5 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Houghton MS Typ 412 - Giuseppe Galli Bibiena. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/houghton-ms-typ-412-giuseppe-galli-bibiena-image355917989.htmlRM2BK1D0N–Houghton MS Typ 412 - Giuseppe Galli Bibiena.
Johann Andreas Pfeffel (German 1674-1748) after Giuseppe Galli Bibiena (Italian, 1696-1756). Ball Celebrating the reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-andreas-pfeffel-german-1674-1748-after-giuseppe-galli-bibiena-italian-1696-1756-ball-celebrating-the-reimagined-image230488568.htmlRFRAYJEG–Johann Andreas Pfeffel (German 1674-1748) after Giuseppe Galli Bibiena (Italian, 1696-1756). Ball Celebrating the reimagined
Scenographic fantasy 1740 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenographic-fantasy-1740-by-giuseppe-galli-bibiena-image573564136.htmlRM2T942WC–Scenographic fantasy 1740 by Giuseppe Galli Bibiena
Gefängnis für die Schaubühne; 1786date Abel Schlicht possibly after Giuseppe Galli Bibiena, Gefängnis für die Schaubühne, 1786 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gefngnis-fr-die-schaubhne-1786date-abel-schlicht-possibly-after-giuseppe-galli-bibiena-gefangnis-fur-die-schaubuhne-1786-image335693916.htmlRM2AE450C–Gefängnis für die Schaubühne; 1786date Abel Schlicht possibly after Giuseppe Galli Bibiena, Gefängnis für die Schaubühne, 1786
Art inspired by Elevation of Proscenium and Lateral View, ca. 1750, Pen, grey ink and wash over pencil, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elevation-of-proscenium-and-lateral-view-ca-1750-pen-grey-ink-and-wash-over-pencil-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957389.htmlRF2HW5ETD–Art inspired by Elevation of Proscenium and Lateral View, ca. 1750, Pen, grey ink and wash over pencil, Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Print, Stage Design: Garden Scene with Fountain, plate 8, part 5, from 'Architetture e Prospettive dedicate alla Maestà di Carlo Sesto'; Print Maker: Johann Andréas Pfeffel (German, 1674–1748); After Giuseppe Galli Bibiena (Italian, 1696–1756); Germany; etching with engraving on white laid paper; 42.3 x 64.7 cm (16 5/8 x 25 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/print-stage-design-garden-scene-with-fountain-plate-8-part-5-from-architetture-e-prospettive-dedicate-alla-maest-di-carlo-sesto-print-maker-johann-andras-pfeffel-german-16741748-after-giuseppe-galli-bibiena-italian-16961756-germany-etching-with-engraving-on-white-laid-paper-423-x-647-cm-16-58-x-25-12-in-image546224311.htmlRM2PMJJK3–Print, Stage Design: Garden Scene with Fountain, plate 8, part 5, from 'Architetture e Prospettive dedicate alla Maestà di Carlo Sesto'; Print Maker: Johann Andréas Pfeffel (German, 1674–1748); After Giuseppe Galli Bibiena (Italian, 1696–1756); Germany; etching with engraving on white laid paper; 42.3 x 64.7 cm (16 5/8 x 25 1/2 in.)
Giuseppe Galli Bibiena Architekturskizzen. Feder, ink, sepia 1744 , 1744 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-architekturskizzen-feder-ink-sepia-1744-1744-image572706030.htmlRM2T7N0AP–Giuseppe Galli Bibiena Architekturskizzen. Feder, ink, sepia 1744 , 1744
Opera Costanza e fortezza in the Prague Castle on August 28, 1723 to celebrate the coronation of Cha Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/opera-costanza-e-fortezza-in-the-prague-castle-on-august-28-1723-to-celebrate-the-coronation-of-cha-image186164296.htmlRMMPTECT–Opera Costanza e fortezza in the Prague Castle on August 28, 1723 to celebrate the coronation of Cha
Margrave S Opera House In Bayreuth, A Unique Monument Of Baroque Theater Culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-margrave-s-opera-house-in-bayreuth-a-unique-monument-of-baroque-theater-117640640.htmlRMGRAYRC–Margrave S Opera House In Bayreuth, A Unique Monument Of Baroque Theater Culture
Bayreuth, Markgräfliches Opernhaus, Blick in Richtung Bühne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bayreuth-markgrfliches-opernhaus-blick-in-richtung-bhne-image4482352.htmlRMAENW31–Bayreuth, Markgräfliches Opernhaus, Blick in Richtung Bühne
The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-margravial-opera-house-in-bayreuth-is-a-masterwork-of-baroque-court-theatre-architecture-by-giuseppe-galli-bibiena-image183948511.htmlRMMK7G5K–The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena
Blick in den Zuschauerraum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/blick-in-den-zuschauerraum-image398343930.htmlRM2E423MX–Blick in den Zuschauerraum
Design for a Stage Set with a Monumental Arcaded Courtyard. MET DP801284 377854 Artist: Giuseppe Galli Bibiena, Italian, Parma 1696?1756 Berlin , Attributed to., Design for a Stage Set with a Monumental Arcaded Courtyard., early 18th century, Pen and brown ink, with brush and gray wash, sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm). The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.557) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-design-for-a-stage-set-with-a-monumental-arcaded-courtyard-met-dp801284-168493937.htmlRMKP3FMH–Design for a Stage Set with a Monumental Arcaded Courtyard. MET DP801284 377854 Artist: Giuseppe Galli Bibiena, Italian, Parma 1696?1756 Berlin , Attributed to., Design for a Stage Set with a Monumental Arcaded Courtyard., early 18th century, Pen and brown ink, with brush and gray wash, sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm). The Metropolitan Museum of Art, New York. Gift of Cornelius Vanderbilt, 1880 (80.3.557)
![Table 26, Plate 26 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: J. G. Bibiena S. C. M. Archit., Theatr, Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculpt, direx, A. V, TA., 26, p. 55, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo](https://c8.alamy.com/comp/2A2TK1G/table-26-plate-26-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-j-g-bibiena-s-c-m-archit-theatr-primarius-inv-et-al-ja-pfeffel-scm-chalcogr-sculpt-direx-a-v-ta-26-p-55-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-2A2TK1G.jpg "Table 26, Plate 26 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: J. G. Bibiena S. C. M. Archit., Theatr, Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculpt, direx, A. V, TA., 26, p. 55, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photo")
Table 26, Plate 26 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: J. G. Bibiena S. C. M. Archit., Theatr, Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculpt, direx, A. V, TA., 26, p. 55, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/table-26-plate-26-from-giuseppe-bibinas-architetture-e-prospettive-from-the-18th-century-signed-j-g-bibiena-s-c-m-archit-theatr-primarius-inv-et-al-ja-pfeffel-scm-chalcogr-sculpt-direx-a-v-ta-26-p-55-galli-bibina-giuseppe-inv-et-del-pfeffel-j-a-sculp-et-direx-1740-giuseppe-bibina-architetture-e-prospettive-paris-basan-ca-1740-image328768092.htmlRM2A2TK1G–Table 26, Plate 26 from Giuseppe Bibiènas Architetture, e prospettive ... from the 18th century, signed: J. G. Bibiena S. C. M. Archit., Theatr, Primarius Inv., et al., J.A. Pfeffel S.C.M. Chalcogr., sculpt, direx, A. V, TA., 26, p. 55, Galli Bibièna, Giuseppe (inv. et del.); Pfeffel, J. A. (sculp. et direx.), 1740, Giuseppe Bibièna: Architetture, e prospettive [...]. Paris: Basan, ca 1740
Giuseppe Galli Bibiena (Italian, 1696 - 1757), Christ Led Captive from a Palace, 1740-1745, pen and brown ink, brown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-galli-bibiena-italian-1696-1757-christ-led-captive-from-a-77435212.htmlRMEDYDB8–Giuseppe Galli Bibiena (Italian, 1696 - 1757), Christ Led Captive from a Palace, 1740-1745, pen and brown ink, brown
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. I. Akt, II. Bild, Zauberreich der Alcina . 1716. Giuseppe Galli di Bibiena inv. et del.; Chri. Dietell sculp. 138 Arolsen Klebeband 15 017 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-i-akt-ii-bild-zauberreich-der-alcina-1716-giuseppe-galli-di-bibiena-inv-et-del-chri-dietell-sculp-138-arolsen-klebeband-15-017-image210066695.htmlRMP5NA5Y–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. I. Akt, II. Bild, Zauberreich der Alcina . 1716. Giuseppe Galli di Bibiena inv. et del.; Chri. Dietell sculp. 138 Arolsen Klebeband 15 017
'Architectural Fantasy'. Italy, Between 1680 and 1739. Dimensions: 49,3x48,4 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA . Francesco Galli Bibiena. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/architectural-fantasy-italy-between-1680-and-1739-dimensions-493x484-cm-museum-state-hermitage-st-petersburg-author-giuseppe-galli-bibiena-francesco-galli-bibiena-image241210787.htmlRMT0C2PY–'Architectural Fantasy'. Italy, Between 1680 and 1739. Dimensions: 49,3x48,4 cm. Museum: State Hermitage, St. Petersburg. Author: GIUSEPPE GALLI BIBIENA . Francesco Galli Bibiena.
Giuseppe Galli da Bibiena. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-da-bibiena-image349465942.htmlRM2B8FFAE–Giuseppe Galli da Bibiena.
Elevation of Proscenium and Lateral View 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elevation-of-proscenium-and-lateral-view-1972-by-giuseppe-galli-bibiena-image575140747.htmlRM2TBKWTY–Elevation of Proscenium and Lateral View 1972 by Giuseppe Galli Bibiena
Giuseppe Galli Bibiena, Christ Led Captive from a Palace, 1740-1745 Christ Led Captive from a Palace; 1740/1745 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-christ-led-captive-from-a-palace-1740-1745-christ-led-captive-from-a-palace-17401745-image335893264.htmlRM2AED780–Giuseppe Galli Bibiena, Christ Led Captive from a Palace, 1740-1745 Christ Led Captive from a Palace; 1740/1745
Art inspired by Elevation for a Catafalque Surmounted by an Obelisk., 1696–1756, Pen, grey ink and wash, 23 x 15-1/2 in. (58.4 x 39.4 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-elevation-for-a-catafalque-surmounted-by-an-obelisk-16961756-pen-grey-ink-and-wash-23-x-15-12-in-584-x-394-cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957323.htmlRF2HW5EP3–Art inspired by Elevation for a Catafalque Surmounted by an Obelisk., 1696–1756, Pen, grey ink and wash, 23 x 15-1/2 in. (58.4 x 39.4 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giuseppe Galli Bibiena Fantastic theater brochure with actors. Feder, blue and green laved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-fantastic-theater-brochure-with-actors-feder-blue-and-green-laved-image572650764.htmlRM2T7JDW0–Giuseppe Galli Bibiena Fantastic theater brochure with actors. Feder, blue and green laved
Monumental Vaulted Hall with Staircase, second quarter 18th century?. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/monumental-vaulted-hall-with-staircase-second-quarter-18th-century-image330107490.htmlRM2A51KD6–Monumental Vaulted Hall with Staircase, second quarter 18th century?.
Drawing for an Opera Set Attributed to Giuseppe Galli Bibiena Italian. Drawing for an Opera Set 344316 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-for-an-opera-set-attributed-to-giuseppe-galli-bibiena-italian-drawing-for-an-opera-set-344316-image458163800.htmlRM2HHB4GT–Drawing for an Opera Set Attributed to Giuseppe Galli Bibiena Italian. Drawing for an Opera Set 344316
The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-margravial-opera-house-in-bayreuth-is-a-masterwork-of-baroque-court-theatre-architecture-by-giuseppe-galli-bibiena-image183948517.htmlRMMK7G5W–The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena
Ground Plan ca. 1750 Workshop of Giuseppe Galli Bibiena Italian. Ground Plan 344467 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ground-plan-ca-1750-workshop-of-giuseppe-galli-bibiena-italian-ground-plan-344467-image458108655.htmlRM2HH8J7B–Ground Plan ca. 1750 Workshop of Giuseppe Galli Bibiena Italian. Ground Plan 344467
Giuseppe Galli da Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-galli-da-bibiena-139962131.htmlRMJ3KR3F–Giuseppe Galli da Bibiena
Giuseppe Galli Bibiena Two -storey bow hall with figures. Feder, laved 1739 , 1739 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-two-storey-bow-hall-with-figures-feder-laved-1739-1739-image572650768.htmlRM2T7JDW4–Giuseppe Galli Bibiena Two -storey bow hall with figures. Feder, laved 1739 , 1739
Giuseppe Galli Bibiena (Italian, 1696 - 1757), Christ Led Captive from a Palace, 1740-1745, pen and brown ink, brown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-galli-bibiena-italian-1696-1757-christ-led-captive-from-a-123363448.htmlRMH4KK9C–Giuseppe Galli Bibiena (Italian, 1696 - 1757), Christ Led Captive from a Palace, 1740-1745, pen and brown ink, brown
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. III. Akt, VI. Bild, Das öffentliche Glück. Oben das Glück, begleitet von den Rittern und Helden, die Gefangene der Alcina waren . 1716. Giuseppe Galli di Bibiena inv. et del. 138 Arolsen Klebeband 15 021 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-iii-akt-vi-bild-das-ffentliche-glck-oben-das-glck-begleitet-von-den-rittern-und-helden-die-gefangene-der-alcina-waren-1716-giuseppe-galli-di-bibiena-inv-et-del-138-arolsen-klebeband-15-021-image210066678.htmlRMP5NA5A–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. III. Akt, VI. Bild, Das öffentliche Glück. Oben das Glück, begleitet von den Rittern und Helden, die Gefangene der Alcina waren . 1716. Giuseppe Galli di Bibiena inv. et del. 138 Arolsen Klebeband 15 021
Stage Design: A Banquet Hall, Giuseppe Galli Bibiena, Italian, 1696–1756, Anton Ospel, 1677 – 1756, Engraving on off-white laid paper, 1740–44, theater, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stage-design-a-banquet-hall-giuseppe-galli-bibiena-italian-16961756-anton-ospel-1677-1756-engraving-on-off-white-laid-paper-174044-theater-print-image391582418.htmlRM2DN23AA–Stage Design: A Banquet Hall, Giuseppe Galli Bibiena, Italian, 1696–1756, Anton Ospel, 1677 – 1756, Engraving on off-white laid paper, 1740–44, theater, Print
Part of a richly decorated interior with colonnades. Draughtsman: Giuseppe Galli Bibiena. Dating: c. 1706 - c. 1756. Measurements: h 293 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-a-richly-decorated-interior-with-colonnades-draughtsman-giuseppe-galli-bibiena-dating-c-1706-c-1756-measurements-h-293-mm-w-212-mm-museum-rijksmuseum-amsterdam-image232948190.htmlRMREYKP6–Part of a richly decorated interior with colonnades. Draughtsman: Giuseppe Galli Bibiena. Dating: c. 1706 - c. 1756. Measurements: h 293 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.
A 'Forum', Johann Andréas Pfeffel, German, 1674–1748, Giuseppe Galli Bibiena, Italian, 1696–1756, Engraving on paper, Plate 10 of the first part of the 'Architetture e Prospettive,' published by Joh. Andreas Pfeffel (1674-1748)., Italy, 1740, architecture, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-forum-johann-andras-pfeffel-german-16741748-giuseppe-galli-bibiena-italian-16961756-engraving-on-paper-plate-10-of-the-first-part-of-the-architetture-e-prospettive-published-by-joh-andreas-pfeffel-1674-1748-italy-1740-architecture-print-image391119876.htmlRM2DM91B0–A 'Forum', Johann Andréas Pfeffel, German, 1674–1748, Giuseppe Galli Bibiena, Italian, 1696–1756, Engraving on paper, Plate 10 of the first part of the 'Architetture e Prospettive,' published by Joh. Andreas Pfeffel (1674-1748)., Italy, 1740, architecture, Print
Galli da Bibiena Giuseppe — Entwurf für das Theatrum Sacrum (Hofkapelle Wien) — 1740. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/galli-da-bibiena-giuseppe-entwurf-fr-das-theatrum-sacrum-hofkapelle-wien-1740-image345102200.htmlRM2B1CNAG–Galli da Bibiena Giuseppe — Entwurf für das Theatrum Sacrum (Hofkapelle Wien) — 1740.
Festival Hall From a Theatrical Scene, c. 1719, Attributed to Giuseppe Galli-Bibiena, Italian, 1696-1757, Italy, Pen and brown ink, with brush and brown, gray, yellow, and pale green wash and touches of red wash, on cream laid paper, 310 x 445 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/festival-hall-from-a-theatrical-scene-c-1719-attributed-to-giuseppe-galli-bibiena-italian-1696-1757-italy-pen-and-brown-ink-with-brush-and-brown-gray-yellow-and-pale-green-wash-and-touches-of-red-wash-on-cream-laid-paper-310-x-445-mm-image328653848.htmlRM2A2KD9C–Festival Hall From a Theatrical Scene, c. 1719, Attributed to Giuseppe Galli-Bibiena, Italian, 1696-1757, Italy, Pen and brown ink, with brush and brown, gray, yellow, and pale green wash and touches of red wash, on cream laid paper, 310 x 445 mm
Ground Plan for a Catafalque 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ground-plan-for-a-catafalque-1972-by-giuseppe-galli-bibiena-image575140685.htmlRM2TBKWPN–Ground Plan for a Catafalque 1972 by Giuseppe Galli Bibiena
Stage Design: Palace Interior, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and wash on laid paper, Horizontal rectangle showing a vestibule with three staircases leading to an upper hall. Above stairs are arches supported by columns., Italy, 1700–1750, theater, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stage-design-palace-interior-giuseppe-galli-bibiena-italian-16961756-pen-and-brown-ink-brush-and-wash-on-laid-paper-horizontal-rectangle-showing-a-vestibule-with-three-staircases-leading-to-an-upper-hall-above-stairs-are-arches-supported-by-columns-italy-17001750-theater-drawing-image391569892.htmlRM2DN1FB0–Stage Design: Palace Interior, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and wash on laid paper, Horizontal rectangle showing a vestibule with three staircases leading to an upper hall. Above stairs are arches supported by columns., Italy, 1700–1750, theater, Drawing
Art inspired by Ground Plan for a Catafalque, 1696–1756, Pen and brown ink, brush and gray wash, 20-3/16 x 14-7/16 in. (51.3 x 36.7 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-ground-plan-for-a-catafalque-16961756-pen-and-brown-ink-brush-and-gray-wash-20-316-x-14-716-in-513-x-367-cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957317.htmlRF2HW5ENW–Art inspired by Ground Plan for a Catafalque, 1696–1756, Pen and brown ink, brush and gray wash, 20-3/16 x 14-7/16 in. (51.3 x 36.7 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giuseppe Galli-Bibiena. Festival Hall From a Theatrical Scene. 1714–1724. Italy. Pen and brown ink, with brush and brown, gray, yellow, and pale green wash and touches of red wash, on cream laid paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-festival-hall-from-a-theatrical-scene-17141724-italy-pen-and-brown-ink-with-brush-and-brown-gray-yellow-and-pale-green-wash-and-touches-of-red-wash-on-cream-laid-paper-image337986042.htmlRM2AHTGJ2–Giuseppe Galli-Bibiena. Festival Hall From a Theatrical Scene. 1714–1724. Italy. Pen and brown ink, with brush and brown, gray, yellow, and pale green wash and touches of red wash, on cream laid paper
![Proscenium for Angelica, Vincitrice di Alcina, 1716. [Opera composed for the birth of Prince Leopold in 1716]. Stock Photo](https://c8.alamy.com/comp/2DCBDM3/proscenium-for-angelica-vincitrice-di-alcina-1716-opera-composed-for-the-birth-of-prince-leopold-in-1716-2DCBDM3.jpg "Proscenium for Angelica, Vincitrice di Alcina, 1716. [Opera composed for the birth of Prince Leopold in 1716]. Stock Photo")
Proscenium for Angelica, Vincitrice di Alcina, 1716. [Opera composed for the birth of Prince Leopold in 1716]. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/proscenium-for-angelica-vincitrice-di-alcina-1716-opera-composed-for-the-birth-of-prince-leopold-in-1716-image386256195.htmlRM2DCBDM3–Proscenium for Angelica, Vincitrice di Alcina, 1716. [Opera composed for the birth of Prince Leopold in 1716].
Gevecht tussen mensen en demonen op het eiland van Alcina Gevecht tussen mensen en demonen op het eiland van Alcina Object Type : prent Objectnummer: RP-P-OB-53.868Catalogusreferentie: Nagler Künstlerlexikon 3 Inscriptions / Merken: collector's mark , verso, gestempeld: Lugt 240 Manufacturer : prentmaker: Elias Schaffhauser (vermeld op object)naar ontwerp van: Giuseppe Galli Bibiena (vermeld op object)Plaats manufacture: Wenen Dating: 1694 - 1738 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 220 mm (binnen de plaatrand afgesneden) × b 483 mm (binnen de plaatrand Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gevecht-tussen-mensen-en-demonen-op-het-eiland-van-alcina-gevecht-tussen-mensen-en-demonen-op-het-eiland-van-alcina-object-type-prent-objectnummer-rp-p-ob-53868catalogusreferentie-nagler-knstlerlexikon-3-inscriptions-merken-collectors-mark-verso-gestempeld-lugt-240-manufacturer-prentmaker-elias-schaffhauser-vermeld-op-objectnaar-ontwerp-van-giuseppe-galli-bibiena-vermeld-op-objectplaats-manufacture-wenen-dating-1694-1738-physical-kenmerken-ets-material-papier-techniek-etsen-dimensions-blad-h-220-mm-binnen-de-plaatrand-afgesneden-b-483-mm-binnen-de-plaatrand-image348377862.htmlRM2B6NYEE–Gevecht tussen mensen en demonen op het eiland van Alcina Gevecht tussen mensen en demonen op het eiland van Alcina Object Type : prent Objectnummer: RP-P-OB-53.868Catalogusreferentie: Nagler Künstlerlexikon 3 Inscriptions / Merken: collector's mark , verso, gestempeld: Lugt 240 Manufacturer : prentmaker: Elias Schaffhauser (vermeld op object)naar ontwerp van: Giuseppe Galli Bibiena (vermeld op object)Plaats manufacture: Wenen Dating: 1694 - 1738 Physical kenmerken: ets Material: papier Techniek: etsen Dimensions: blad: h 220 mm (binnen de plaatrand afgesneden) × b 483 mm (binnen de plaatrand
The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-margravial-opera-house-in-bayreuth-is-a-masterwork-of-baroque-court-theatre-architecture-by-giuseppe-galli-bibiena-image183948519.htmlRMMK7G5Y–The Margravial Opera House in Bayreuth is a masterwork of Baroque court theatre architecture by Giuseppe Galli Bibiena
Galli da Bibiena Giuseppe Entwurf für das Theatrum Sacrum 28Hofkapelle Wien29 1740 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-galli-da-bibiena-giuseppe-entwurf-fr-das-theatrum-sacrum-28hofkapelle-147550539.htmlRMJG1E63–Galli da Bibiena Giuseppe Entwurf für das Theatrum Sacrum 28Hofkapelle Wien29 1740
Giuseppe Galli Bibiena Gothic hall with two side galleries. Feather; brown and gray laved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-gothic-hall-with-two-side-galleries-feather-brown-and-gray-laved-image572650778.htmlRM2T7JDWE–Giuseppe Galli Bibiena Gothic hall with two side galleries. Feather; brown and gray laved
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. II. Akt, IV. Bild, links ein Felsen mit Flammen, in der Mitte das große Meerungeheuer, das Angelica verschlingen sollte. Nachdem es verschwunden ist, fahren die Schiffe herbei. 1716. Giuseppe Galli di Bibiena inv. et del. 138 Arolsen Kle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-ii-akt-iv-bild-links-ein-felsen-mit-flammen-in-der-mitte-das-groe-meerungeheuer-das-angelica-verschlingen-sollte-nachdem-es-verschwunden-ist-fahren-die-schiffe-herbei-1716-giuseppe-galli-di-bibiena-inv-et-del-138-arolsen-kle-image210066683.htmlRMP5NA5F–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. II. Akt, IV. Bild, links ein Felsen mit Flammen, in der Mitte das große Meerungeheuer, das Angelica verschlingen sollte. Nachdem es verschwunden ist, fahren die Schiffe herbei. 1716. Giuseppe Galli di Bibiena inv. et del. 138 Arolsen Kle
'Scene: 'The Hell''. Italy-Russia, 18th century. Dimensions: 33,9x43,4 cm. Museum: State Hermitage, St. Petersburg. Author: PIETRO DI GOTTARDO GONZAGA . Giuseppe Galli Bibiena (? ). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-the-hell-italy-russia-18th-century-dimensions-339x434-cm-museum-state-hermitage-st-petersburg-author-pietro-di-gottardo-gonzaga-giuseppe-galli-bibiena-image241208512.htmlRMT0BYWM–'Scene: 'The Hell''. Italy-Russia, 18th century. Dimensions: 33,9x43,4 cm. Museum: State Hermitage, St. Petersburg. Author: PIETRO DI GOTTARDO GONZAGA . Giuseppe Galli Bibiena (? ).
Design for a Theatrum Sacrum 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-theatrum-sacrum-1972-by-giuseppe-galli-bibiena-image575140734.htmlRM2TBKWTE–Design for a Theatrum Sacrum 1972 by Giuseppe Galli Bibiena
Stage Design, Prison in Gothic Building, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. The upper gallery of a prison court. Gothic building with barred windows, large arches, various stairs., Italy, mid- 18th–late 18th century, theater, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stage-design-prison-in-gothic-building-giuseppe-galli-bibiena-italian-16961756-pen-and-bistre-ink-brush-and-wash-on-paper-horizontal-rectangle-the-upper-gallery-of-a-prison-court-gothic-building-with-barred-windows-large-arches-various-stairs-italy-mid-18thlate-18th-century-theater-drawing-image391562864.htmlRM2DN16C0–Stage Design, Prison in Gothic Building, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. The upper gallery of a prison court. Gothic building with barred windows, large arches, various stairs., Italy, mid- 18th–late 18th century, theater, Drawing
Art inspired by Half Ground Plan and Half Elevation for a Catafalque for a Prince of Hanover, probably Ernst August (1674-1728), 1696–1756, 20 3/16 x 13 3/4in. (51.3 x 34.9cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-half-ground-plan-and-half-elevation-for-a-catafalque-for-a-prince-of-hanover-probably-ernst-august-1674-1728-16961756-20-316-x-13-34in-513-x-349cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957348.htmlRF2HW5ER0–Art inspired by Half Ground Plan and Half Elevation for a Catafalque for a Prince of Hanover, probably Ernst August (1674-1728), 1696–1756, 20 3/16 x 13 3/4in. (51.3 x 34.9cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-masterpiece-of-baroque-theatre-architecture-built-between-1745-and-1750-the-opera-house-is-the-only-entirely-preserved-example-of-its-type-image183948501.htmlRMMK7G59–A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type
Giuseppe Galli Bibiena Magnificent hall with statues, karyathids and opera figures. Feder, brown and gray laved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-magnificent-hall-with-statues-karyathids-and-opera-figures-feder-brown-and-gray-laved-image572650840.htmlRM2T7JDYM–Giuseppe Galli Bibiena Magnificent hall with statues, karyathids and opera figures. Feder, brown and gray laved
Framed Design for an Altar ca. 1710–20 Giuseppe Galli Bibiena Italian. Framed Design for an Altar 340330 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/framed-design-for-an-altar-ca-171020-giuseppe-galli-bibiena-italian-framed-design-for-an-altar-340330-image458111609.htmlRM2HH8P0W–Framed Design for an Altar ca. 1710–20 Giuseppe Galli Bibiena Italian. Framed Design for an Altar 340330
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. II. Akt, III. Bild, Ein Kanal trennt zwei Inseln, in der Ferne das Meer mit vielen Schiffen, davor ein Fels mit sprühenden Flammen. Die beiden Inseln sind durch Zauberei der Alcina mit Ungeheuern und Wilden bevölkert. Auf der einen Insel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-ii-akt-iii-bild-ein-kanal-trennt-zwei-inseln-in-der-ferne-das-meer-mit-vielen-schiffen-davor-ein-fels-mit-sprhenden-flammen-die-beiden-inseln-sind-durch-zauberei-der-alcina-mit-ungeheuern-und-wilden-bevlkert-auf-der-einen-insel-image210066698.htmlRMP5NA62–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. II. Akt, III. Bild, Ein Kanal trennt zwei Inseln, in der Ferne das Meer mit vielen Schiffen, davor ein Fels mit sprühenden Flammen. Die beiden Inseln sind durch Zauberei der Alcina mit Ungeheuern und Wilden bevölkert. Auf der einen Insel
Giuseppe Galli Bibiena Public square with classic buildings and a equestrian monument. Feather; brown and gray laved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-public-square-with-classic-buildings-and-a-equestrian-monument-feather-brown-and-gray-laved-image572650776.htmlRM2T7JDWC–Giuseppe Galli Bibiena Public square with classic buildings and a equestrian monument. Feather; brown and gray laved
Half Longitudinal Section and Half Plan. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/half-longitudinal-section-and-half-plan-artist-workshop-of-giuseppe-galli-bibiena-italian-parma-1696-1756-berlin-date-ca-1750-museum-metropolitan-museum-of-art-new-york-usa-image212934934.htmlRMPAC0K2–Half Longitudinal Section and Half Plan. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.
Design for a Stage Set 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/design-for-a-stage-set-1972-by-giuseppe-galli-bibiena-image575140753.htmlRM2TBKWW5–Design for a Stage Set 1972 by Giuseppe Galli Bibiena
Stage Design: Architectural Fantasy, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and gray and blue-gray wash on paper, Horizontal format depiction of a fantastical architectural scene including ruins, monuments, obelisks, and various domed buildings. Framing lines., Italy, early 18th century, theater, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stage-design-architectural-fantasy-giuseppe-galli-bibiena-italian-16961756-pen-and-brown-ink-brush-and-gray-and-blue-gray-wash-on-paper-horizontal-format-depiction-of-a-fantastical-architectural-scene-including-ruins-monuments-obelisks-and-various-domed-buildings-framing-lines-italy-early-18th-century-theater-drawing-image391766525.htmlRM2DNAE5H–Stage Design: Architectural Fantasy, Giuseppe Galli Bibiena, Italian, 1696–1756, Pen and brown ink, brush and gray and blue-gray wash on paper, Horizontal format depiction of a fantastical architectural scene including ruins, monuments, obelisks, and various domed buildings. Framing lines., Italy, early 18th century, theater, Drawing
Art inspired by Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine, 1696–1756, Pen, brown ink and grey wash, 20 x 14-1/4 in. (50.8 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-half-elevation-and-half-ground-plan-for-a-catafalque-for-an-electress-palatine-16961756-pen-brown-ink-and-grey-wash-20-x-14-14-in-508-x-362-cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957268.htmlRF2HW5EM4–Art inspired by Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine, 1696–1756, Pen, brown ink and grey wash, 20 x 14-1/4 in. (50.8 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-masterpiece-of-baroque-theatre-architecture-built-between-1745-and-1750-the-opera-house-is-the-only-entirely-preserved-example-of-its-type-image183948476.htmlRMMK7G4C–A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. III. Akt, V. Bild, Die glücklichen Inseln mit hängenden Gärten; Angelica begleitet von Medoro und Atlante . 1716. Giuseppe Galli di Bibiena inv. et del.; I. V. Biberger sculp. 138 Arolsen Klebeband 15 019 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-motiv-angelica-vincitrice-di-alcina-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-1716-zur-geburt-des-prinzen-leopold-auf-einer-bhne-auf-zwei-inseln-in-einem-teich-im-park-der-favorita-bei-wien-bhnenarchitektur-von-giuseppe-galli-di-bibiena-iii-akt-v-bild-die-glcklichen-inseln-mit-hngenden-grten-angelica-begleitet-von-medoro-und-atlante-1716-giuseppe-galli-di-bibiena-inv-et-del-i-v-biberger-sculp-138-arolsen-klebeband-15-019-image210066677.htmlRMP5NA59–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Motiv: Angelica vincitrice di Alcina, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 1716 zur Geburt des Prinzen Leopold auf einer Bühne auf zwei Inseln in einem Teich im Park der Favorita bei Wien. Bühnenarchitektur von Giuseppe Galli di Bibiena. III. Akt, V. Bild, Die glücklichen Inseln mit hängenden Gärten; Angelica begleitet von Medoro und Atlante . 1716. Giuseppe Galli di Bibiena inv. et del.; I. V. Biberger sculp. 138 Arolsen Klebeband 15 019
Giuseppe Galli Bibiena Place in a city in Italy in front of a church. Feather; lavated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-place-in-a-city-in-italy-in-front-of-a-church-feather-lavated-image572672863.htmlRM2T7KE27–Giuseppe Galli Bibiena Place in a city in Italy in front of a church. Feather; lavated
Ground Plan for a Catafalque for an electress of Bavaria. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ground-plan-for-a-catafalque-for-an-electress-of-bavaria-artist-workshop-of-giuseppe-galli-bibiena-italian-parma-1696-1756-berlin-date-1696-1756-museum-metropolitan-museum-of-art-new-york-usa-image212877959.htmlRMPA9C07–Ground Plan for a Catafalque for an electress of Bavaria. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.
Half Longitudinal Section and Half Plan 1972 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/half-longitudinal-section-and-half-plan-1972-by-giuseppe-galli-bibiena-image575140744.htmlRM2TBKWTT–Half Longitudinal Section and Half Plan 1972 by Giuseppe Galli Bibiena
Side Wall Elevation of the Riding Academy, Vienna, Giuseppe Galli Bibiena, Italian, 1696–1756, Engraving with black ink on white paper, Horizontal rectangle. Side elevation of the winter riding school, Vienna, decorated for the wedding of Charles Alexander of Lorrain and Maria Anna of Austria, Vienna, January 7, 1744., Europe, 1740–44, interiors, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-wall-elevation-of-the-riding-academy-vienna-giuseppe-galli-bibiena-italian-16961756-engraving-with-black-ink-on-white-paper-horizontal-rectangle-side-elevation-of-the-winter-riding-school-vienna-decorated-for-the-wedding-of-charles-alexander-of-lorrain-and-maria-anna-of-austria-vienna-january-7-1744-europe-174044-interiors-print-image391550618.htmlRM2DN0JPJ–Side Wall Elevation of the Riding Academy, Vienna, Giuseppe Galli Bibiena, Italian, 1696–1756, Engraving with black ink on white paper, Horizontal rectangle. Side elevation of the winter riding school, Vienna, decorated for the wedding of Charles Alexander of Lorrain and Maria Anna of Austria, Vienna, January 7, 1744., Europe, 1740–44, interiors, Print
Art inspired by Half Elevation and Half Ground Plan for a Catafalque, 1696–1756, Pen, brown ink and grey wash, 19-1/4 x 14-1/4 in. (48.9 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-half-elevation-and-half-ground-plan-for-a-catafalque-16961756-pen-brown-ink-and-grey-wash-19-14-x-14-14-in-489-x-362-cm-drawings-workshop-of-giuseppe-galli-bibiena-italian-parma-16961756-berlin-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462957358.htmlRF2HW5ERA–Art inspired by Half Elevation and Half Ground Plan for a Catafalque, 1696–1756, Pen, brown ink and grey wash, 19-1/4 x 14-1/4 in. (48.9 x 36.2 cm), Drawings, Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Giuseppe Galli Bibiena, Italian, 1696-1757, A Fantastic View of a City, between 1696 and 1757, pen and brown, black and blue inks, brush and black ink, gray and blue washes on light buff laid paper, Sheet: 19 7/8 × 36 9/16 inches (50.5 × 92.9 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-italian-1696-1757-a-fantastic-view-of-a-city-between-1696-and-1757-pen-and-brown-black-and-blue-inks-brush-and-black-ink-gray-and-blue-washes-on-light-buff-laid-paper-sheet-19-78-36-916-inches-505-929-cm-image328732129.htmlRM2A2R155–Giuseppe Galli Bibiena, Italian, 1696-1757, A Fantastic View of a City, between 1696 and 1757, pen and brown, black and blue inks, brush and black ink, gray and blue washes on light buff laid paper, Sheet: 19 7/8 × 36 9/16 inches (50.5 × 92.9 cm
A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-masterpiece-of-baroque-theatre-architecture-built-between-1745-and-1750-the-opera-house-is-the-only-entirely-preserved-example-of-its-type-image183948503.htmlRMMK7G5B–A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type
N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Costanza e fortezza, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 28. August 1723 in Prag zur Krönung Karl VI. zum König von Böhmen. Theaterarchitektur und Bühnenbilder von Giuseppe Galli da Bibiena. Motiv: Seitenansicht des Proszeniums des eigens errichteten Theaters in der Reitschule . 1723. Giuseppe Galli da Bibena inv. et del., Christ. Dietel sculps. 138 Arolsen Klebeband 15 033 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-grafik-aus-dem-klebeband-nr-15-der-frstlich-waldeckschen-hofbibliothek-arolsen-costanza-e-fortezza-oper-von-johann-joseph-fux-musik-pietro-pariato-libretto-uraufgefhrt-28-august-1723-in-prag-zur-krnung-karl-vi-zum-knig-von-bhmen-theaterarchitektur-und-bhnenbilder-von-giuseppe-galli-da-bibiena-motiv-seitenansicht-des-proszeniums-des-eigens-errichteten-theaters-in-der-reitschule-1723-giuseppe-galli-da-bibena-inv-et-del-christ-dietel-sculps-138-arolsen-klebeband-15-033-image210066699.htmlRMP5NA63–N/A. Grafik aus dem Klebeband Nr. 15 der Fürstlich Waldeckschen Hofbibliothek Arolsen Costanza e fortezza, Oper von Johann Joseph Fux (Musik), Pietro Pariato (Libretto), uraufgeführt 28. August 1723 in Prag zur Krönung Karl VI. zum König von Böhmen. Theaterarchitektur und Bühnenbilder von Giuseppe Galli da Bibiena. Motiv: Seitenansicht des Proszeniums des eigens errichteten Theaters in der Reitschule . 1723. Giuseppe Galli da Bibena inv. et del., Christ. Dietel sculps. 138 Arolsen Klebeband 15 033
Giuseppe Galli Bibiena Magnificent buildings at a port where Dido welcomes the incoming Aeneas. Feather; brown and gray laved Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-galli-bibiena-magnificent-buildings-at-a-port-where-dido-welcomes-the-incoming-aeneas-feather-brown-and-gray-laved-image572650783.htmlRM2T7JDWK–Giuseppe Galli Bibiena Magnificent buildings at a port where Dido welcomes the incoming Aeneas. Feather; brown and gray laved
Two design sketches for the hall of a palace. Draughtsman: Giuseppe Galli Bibiena. Draughtsman: Luigi Vanvitelli (rejected attribution). Dating: c. 1710 - c. 1773. Measurements: h 347 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-design-sketches-for-the-hall-of-a-palace-draughtsman-giuseppe-galli-bibiena-draughtsman-luigi-vanvitelli-rejected-attribution-dating-c-1710-c-1773-measurements-h-347-mm-w-222-mm-museum-rijksmuseum-amsterdam-image232963262.htmlRMRF0B0E–Two design sketches for the hall of a palace. Draughtsman: Giuseppe Galli Bibiena. Draughtsman: Luigi Vanvitelli (rejected attribution). Dating: c. 1710 - c. 1773. Measurements: h 347 mm × w 222 mm. Museum: Rijksmuseum, Amsterdam.
Proscenium for Angelica, Vincitrice di Alcina 1951 by Giuseppe Galli Bibiena Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/proscenium-for-angelica-vincitrice-di-alcina-1951-by-giuseppe-galli-bibiena-image591175579.htmlRM2W9PADF–Proscenium for Angelica, Vincitrice di Alcina 1951 by Giuseppe Galli Bibiena
