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Giuseppe vasi Stock Photos and Images
Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., Giuseppe Vasi, 1786 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-raccolta-delle-pi-belle-veduta-antiche-e-moderne-di-roma-giuseppe-162569587.htmlRMKCDK4K–Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., Giuseppe Vasi, 1786
. Italiano: Incisione di Giuseppe Vasi . 1747. Giuseppe Vasi 1225 Vasi 1747 San Crisogono Oratorio del Carmine Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-incisione-di-giuseppe-vasi-1747-giuseppe-vasi-1225-vasi-1747-san-crisogono-oratorio-del-carmine-image185607491.htmlRMMNY46Y–. Italiano: Incisione di Giuseppe Vasi . 1747. Giuseppe Vasi 1225 Vasi 1747 San Crisogono Oratorio del Carmine
Giuseppe Vasi - Santa Maria in Via Lata Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-santa-maria-in-via-lata-147590875.htmlRMJG39JK–Giuseppe Vasi - Santa Maria in Via Lata
Italy, Rome, the Piazza del Pantheon in an engraving by Giuseppe Vaso, 1750 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italy-rome-the-piazza-del-pantheon-in-an-engraving-by-giuseppe-vaso-1750-image256981362.htmlRMTX2E9P–Italy, Rome, the Piazza del Pantheon in an engraving by Giuseppe Vaso, 1750
An engraving by Giuseppe Vasi showing the Hospice of Santa Galla with the belltower of Santa Maria in Cosmedin in the background (1759). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-by-giuseppe-vasi-showing-the-hospice-of-santa-galla-with-the-belltower-of-santa-maria-in-cosmedin-in-the-background-1759-image468470520.htmlRM2J64JX0–An engraving by Giuseppe Vasi showing the Hospice of Santa Galla with the belltower of Santa Maria in Cosmedin in the background (1759).
Art inspired by Prospetto principale di Palazzo di Caprarola, 1746–48, Engraving, sheet: 18 1/2 x 28 in. (47 x 71.1 cm), Prints, Giuseppe Vasi (Italian, 1710–1782, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-prospetto-principale-di-palazzo-di-caprarola-174648-engraving-sheet-18-12-x-28-in-47-x-711-cm-prints-giuseppe-vasi-italian-17101782-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462970325.htmlRF2HW63AD–Art inspired by Prospetto principale di Palazzo di Caprarola, 1746–48, Engraving, sheet: 18 1/2 x 28 in. (47 x 71.1 cm), Prints, Giuseppe Vasi (Italian, 1710–1782, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Uffizi palace seen from the banks of the Arno River, Florence, Tuscany, Italy. The Palazzo Vecchio and the dome of Santa Maria del Fiore can be seen in the background. After an 18th century work by Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-uffizi-palace-seen-from-the-banks-of-the-arno-river-florence-tuscany-italy-the-palazzo-vecchio-and-the-dome-of-santa-maria-del-fiore-can-be-seen-in-the-background-after-an-18th-century-work-by-giuseppe-vasi-image442033442.htmlRM2GK4A4J–The Uffizi palace seen from the banks of the Arno River, Florence, Tuscany, Italy. The Palazzo Vecchio and the dome of Santa Maria del Fiore can be seen in the background. After an 18th century work by Giuseppe Vasi.
The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-china-festa-della-chinea-in-rome-museum-private-collection-author-giuseppe-vasi-image623332668.htmlRM2Y63750–The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
The Casino and Villa Borghese, near Rome, 18th century.Artist: Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-casino-and-villa-borghese-near-rome-18th-centuryartist-giuseppe-vasi-image262752624.htmlRMW7DBJ8–The Casino and Villa Borghese, near Rome, 18th century.Artist: Giuseppe Vasi
Ponte Mammolo Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ponte-mammolo-giuseppe-vasi-134664075.htmlRMHR2DB7–Ponte Mammolo Giuseppe Vasi
Collegio Clementino - Plate 167 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-clementino-plate-167-giuseppe-vasi-image260483070.htmlRMW3P0PP–Collegio Clementino - Plate 167 - Giuseppe Vasi.
![Prospetto del Palazzo Pontificio di Loreto del nuovo Campanile, e Facciata della Basilica Lauretana Il tutto fatto ristorare, e perfezzionare dalla SantaÃÄ. di Nro. Sigre. Papa Benedetto XIV, l'anno 1752. Author Vasi, Giuseppe 80.55. Place of publication: [Rome] Publisher: [Giuseppe Vasi] Date of publication: [1752] Item type: 1 print Medium: etching Dimensions: 2 joined sheets, 64.6 x 97.2 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9FMPM/prospetto-del-palazzo-pontificio-di-loreto-del-nuovo-campanile-e-facciata-della-basilica-lauretana-il-tutto-fatto-ristorare-e-perfezzionare-dalla-santa-di-nro-sigre-papa-benedetto-xiv-lanno-1752-author-vasi-giuseppe-8055-place-of-publication-rome-publisher-giuseppe-vasi-date-of-publication-1752-item-type-1-print-medium-etching-dimensions-2-joined-sheets-646-x-972-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-2E9FMPM.jpg "Prospetto del Palazzo Pontificio di Loreto del nuovo Campanile, e Facciata della Basilica Lauretana Il tutto fatto ristorare, e perfezzionare dalla SantaÃÄ. di Nro. Sigre. Papa Benedetto XIV, l'anno 1752. Author Vasi, Giuseppe 80.55. Place of publication: [Rome] Publisher: [Giuseppe Vasi] Date of publication: [1752] Item type: 1 print Medium: etching Dimensions: 2 joined sheets, 64.6 x 97.2 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
Prospetto del Palazzo Pontificio di Loreto del nuovo Campanile, e Facciata della Basilica Lauretana Il tutto fatto ristorare, e perfezzionare dalla SantaÃÄ. di Nro. Sigre. Papa Benedetto XIV, l'anno 1752. Author Vasi, Giuseppe 80.55. Place of publication: [Rome] Publisher: [Giuseppe Vasi] Date of publication: [1752] Item type: 1 print Medium: etching Dimensions: 2 joined sheets, 64.6 x 97.2 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospetto-del-palazzo-pontificio-di-loreto-del-nuovo-campanile-e-facciata-della-basilica-lauretana-il-tutto-fatto-ristorare-e-perfezzionare-dalla-santa-di-nro-sigre-papa-benedetto-xiv-lanno-1752-author-vasi-giuseppe-8055-place-of-publication-rome-publisher-giuseppe-vasi-date-of-publication-1752-item-type-1-print-medium-etching-dimensions-2-joined-sheets-646-x-972-cm-trimmed-below-platemark-former-owner-george-iii-king-of-great-britain-1738-1820-image401715964.htmlRM2E9FMPM–Prospetto del Palazzo Pontificio di Loreto del nuovo Campanile, e Facciata della Basilica Lauretana Il tutto fatto ristorare, e perfezzionare dalla SantaÃÄ. di Nro. Sigre. Papa Benedetto XIV, l'anno 1752. Author Vasi, Giuseppe 80.55. Place of publication: [Rome] Publisher: [Giuseppe Vasi] Date of publication: [1752] Item type: 1 print Medium: etching Dimensions: 2 joined sheets, 64.6 x 97.2 cm (trimmed below platemark) Former owner: George III, King of Great Britain, 1738-1820
View of the Palazzo di Caprarola 1953 by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palazzo-di-caprarola-1953-by-giuseppe-vasi-image591175123.htmlRM2W9P9W7–View of the Palazzo di Caprarola 1953 by Giuseppe Vasi
Giuseppe Vasi, after Paolo Posi, The Seconda Macchina for the Chinea of 1754 - An Allegory of Waterworks, 1754 The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks; 1754date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-the-seconda-macchina-for-the-chinea-of-1754-an-allegory-of-waterworks-1754-the-seconda-macchina-for-the-chinea-of-1754-an-allegory-of-waterworks-1754date-image335893872.htmlRM2AED81M–Giuseppe Vasi, after Paolo Posi, The Seconda Macchina for the Chinea of 1754 - An Allegory of Waterworks, 1754 The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks; 1754date
geography / travel, Italy, Venetia, Venice, Castello Quarter, Via Giuseppe Garibaldi, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geography-travel-italy-venetia-venice-castello-quarter-via-giuseppe-96051328.htmlRMFG7ECG–geography / travel, Italy, Venetia, Venice, Castello Quarter, Via Giuseppe Garibaldi, Additional-Rights-Clearance-Info-Not-Available
The Seconda Macchina for the Chinea of 1776: A Palace with a Loggia for the Lottery Draw, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seconda-macchina-for-the-chinea-of-1776-a-palace-with-a-loggia-for-the-lottery-draw-1776-image433085606.htmlRM2G4GN32–The Seconda Macchina for the Chinea of 1776: A Palace with a Loggia for the Lottery Draw, 1776.
South of Tunisia,Djerba,an ancient pottery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-of-tunisiadjerbaan-ancient-pottery-75713245.htmlRMEB510D–South of Tunisia,Djerba,an ancient pottery
. Atti della Reale Accademia delle scienze di Torino. 58 GIUSEPPE GOLOSI opposta, non vi è alcun endotelio: le valvole sono quindi limi- tate dal sarcolemma. La struttura istologica da me riscontrata in Nematoscelis serve a convalidare l'opinione di Popovici-Baznosanu, il quale considera le valvole come ostii che sboccano entro i vasi aortici, riguardando da un unico punto di vista generale tutte le aper- ture cardiache. Sia le valvole che le labbra ostiali, infatti, sono organi che separano la porzione contrattile dell'apparato circolatorio da quella non contrattile; entrambe sono costituite Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/atti-della-reale-accademia-delle-scienze-di-torino-58-giuseppe-golosi-opposta-non-vi-alcun-endotelio-le-valvole-sono-quindi-limi-tate-dal-sarcolemma-la-struttura-istologica-da-me-riscontrata-in-nematoscelis-serve-a-convalidare-lopinione-di-popovici-baznosanu-il-quale-considera-le-valvole-come-ostii-che-sboccano-entro-i-vasi-aortici-riguardando-da-un-unico-punto-di-vista-generale-tutte-le-aper-ture-cardiache-sia-le-valvole-che-le-labbra-ostiali-infatti-sono-organi-che-separano-la-porzione-contrattile-dellapparato-circolatorio-da-quella-non-contrattile-entrambe-sono-costituite-image235351722.htmlRMRJW5EJ–. Atti della Reale Accademia delle scienze di Torino. 58 GIUSEPPE GOLOSI opposta, non vi è alcun endotelio: le valvole sono quindi limi- tate dal sarcolemma. La struttura istologica da me riscontrata in Nematoscelis serve a convalidare l'opinione di Popovici-Baznosanu, il quale considera le valvole come ostii che sboccano entro i vasi aortici, riguardando da un unico punto di vista generale tutte le aper- ture cardiache. Sia le valvole che le labbra ostiali, infatti, sono organi che separano la porzione contrattile dell'apparato circolatorio da quella non contrattile; entrambe sono costituite
Prospetto principale di Palazzo di Caprarola, Giuseppe Vasi, 1746–48 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-prospetto-principale-di-palazzo-di-caprarola-giuseppe-vasi-174648-162524952.htmlRMKCBJ6G–Prospetto principale di Palazzo di Caprarola, Giuseppe Vasi, 1746–48
. Italiano: Giuseppe Vasi - Chiesa e Conservatorio di S. Pasquale di Baijlon delle Fanciulle pericolose . between 1747 and 1761. Giuseppe Vasi 1225 Vasi Conservatorio di San Pasquale Baylon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-giuseppe-vasi-chiesa-e-conservatorio-di-s-pasquale-di-baijlon-delle-fanciulle-pericolose-between-1747-and-1761-giuseppe-vasi-1225-vasi-conservatorio-di-san-pasquale-baylon-image185607493.htmlRMMNY471–. Italiano: Giuseppe Vasi - Chiesa e Conservatorio di S. Pasquale di Baijlon delle Fanciulle pericolose . between 1747 and 1761. Giuseppe Vasi 1225 Vasi Conservatorio di San Pasquale Baylon
Giuseppe Vasi - Sant'Apollonia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-santapollonia-147590886.htmlRMJG39K2–Giuseppe Vasi - Sant'Apollonia
Art inspired by Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., 1786, Etching, Overall: 17 5/16 x 12 5/8 x 1 3/8 in. (44 x 32 x 3.5 cm), Books, Giuseppe Vasi (Italian, 1710–1782), Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-raccolta-delle-pi-belle-veduta-antiche-e-moderne-di-roma-1786-etching-overall-17-516-x-12-58-x-1-38-in-44-x-32-x-35-cm-books-giuseppe-vasi-italian-17101782-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462961644.htmlRF2HW5M8C–Art inspired by Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., 1786, Etching, Overall: 17 5/16 x 12 5/8 x 1 3/8 in. (44 x 32 x 3.5 cm), Books, Giuseppe Vasi (Italian, 1710–1782), Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-china-festa-della-chinea-in-rome-museum-private-collection-author-giuseppe-vasi-image623332075.htmlRM2Y636BR–The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
Giuseppe Vasi - Place du Capitole Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-place-du-capitole-132845995.htmlRMHM3JBR–Giuseppe Vasi - Place du Capitole
Collegio Germanico - Plate 164 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-germanico-plate-164-giuseppe-vasi-image260483071.htmlRMW3P0PR–Collegio Germanico - Plate 164 - Giuseppe Vasi.
Giuseppe Vasi Portese Portese Porta. Copper engraving print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-portese-portese-porta-copper-engraving-print-image572820158.htmlRM2T7X5XP–Giuseppe Vasi Portese Portese Porta. Copper engraving print
Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Piu Belle Veduta Antiche, E Moderne Di Roma... 1952 by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chiesa-di-s-maria-liberatrice-plate-54-from-raccolta-delle-piu-belle-veduta-antiche-e-moderne-di-roma-1952-by-giuseppe-vasi-image591174967.htmlRM2W9P9KK–Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Piu Belle Veduta Antiche, E Moderne Di Roma... 1952 by Giuseppe Vasi
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1760 - The Temple of Neptune, 1760 The Prima Macchina for the Chinea of 1760: The Temple of Neptune; 1760date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1760-the-temple-of-neptune-1760-the-prima-macchina-for-the-chinea-of-1760-the-temple-of-neptune-1760date-image335893649.htmlRM2AED7NN–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1760 - The Temple of Neptune, 1760 The Prima Macchina for the Chinea of 1760: The Temple of Neptune; 1760date
The Seconda Macchina for the Chinea of 1751: The Palace of Wisdom, Studies, and the Sciences, 1751. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seconda-macchina-for-the-chinea-of-1751-the-palace-of-wisdom-studies-and-the-sciences-1751-image433085783.htmlRM2G4GN9B–The Seconda Macchina for the Chinea of 1751: The Palace of Wisdom, Studies, and the Sciences, 1751.
South of Tunisia, Djerba, an ancient pottery Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-south-of-tunisia-djerba-an-ancient-pottery-75713251.htmlRMEB510K–South of Tunisia, Djerba, an ancient pottery
. Bullettino del Laboratorio ed Orto botanico. Plants; Plants -- Italy Siena. Fig. 99 Ceratonia Siliqua L. (carrubo) (12; 1).. Fig. 100 Kerium Oleandcr L. (oleandro) (12: 1.) 2). Pareuchima rappresentato da rari elementi isolati. Vasi larghi 0,05-0,06 mm. e disposti in serie radiali di 2-12 ele- menti. Fibre poco ispessite e con piccoli pori. Legno bianca- stro, tenero, omogeneo ad anelli annnali distinti. Peso speci- fico 0,60. Oleandro, mazza di S. Giuseppe, (fig. 100). 99. Nerìum Oleander L. .3). Parenchima come sopra. Vasi a parete poco ispessita e areole più grandi di qnelle dell' olean Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bullettino-del-laboratorio-ed-orto-botanico-plants-plants-italy-siena-fig-99-ceratonia-siliqua-l-carrubo-12-1-fig-100-kerium-oleandcr-l-oleandro-12-1-2-pareuchima-rappresentato-da-rari-elementi-isolati-vasi-larghi-005-006-mm-e-disposti-in-serie-radiali-di-2-12-ele-menti-fibre-poco-ispessite-e-con-piccoli-pori-legno-bianca-stro-tenero-omogeneo-ad-anelli-annnali-distinti-peso-speci-fico-060-oleandro-mazza-di-s-giuseppe-fig-100-99-nerum-oleander-l-3-parenchima-come-sopra-vasi-a-parete-poco-ispessita-e-areole-pi-grandi-di-qnelle-dell-olean-image233721419.htmlRMRG6X1F–. Bullettino del Laboratorio ed Orto botanico. Plants; Plants -- Italy Siena. Fig. 99 Ceratonia Siliqua L. (carrubo) (12; 1).. Fig. 100 Kerium Oleandcr L. (oleandro) (12: 1.) 2). Pareuchima rappresentato da rari elementi isolati. Vasi larghi 0,05-0,06 mm. e disposti in serie radiali di 2-12 ele- menti. Fibre poco ispessite e con piccoli pori. Legno bianca- stro, tenero, omogeneo ad anelli annnali distinti. Peso speci- fico 0,60. Oleandro, mazza di S. Giuseppe, (fig. 100). 99. Nerìum Oleander L. .3). Parenchima come sopra. Vasi a parete poco ispessita e areole più grandi di qnelle dell' olean
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710-1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-77439028.htmlRMEDYJ7G–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710-1782
493 Porta Angelica by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/493-porta-angelica-by-giuseppe-vasi-image213963523.htmlRMPC2TJB–493 Porta Angelica by Giuseppe Vasi
Giuseppe Vasi - Spiaggia detta la Regola Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-spiaggia-detta-la-regola-147590897.htmlRMJG39KD–Giuseppe Vasi - Spiaggia detta la Regola
Prospetto di Roma verso ponente, Vasi, Giuseppe, 1710-1782, black chalk and black ink or watercolor on paper, canvas reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospetto-di-roma-verso-ponente-vasi-giuseppe-1710-1782-black-chalk-and-black-ink-or-watercolor-on-paper-canvas-reimagined-image230288897.htmlRFRAJFRD–Prospetto di Roma verso ponente, Vasi, Giuseppe, 1710-1782, black chalk and black ink or watercolor on paper, canvas reimagined
The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-china-festa-della-chinea-in-rome-museum-private-collection-author-giuseppe-vasi-image623333244.htmlRM2Y637WG–The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
Porta Cavalleggeri Giuseppe Vasi etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-porta-cavalleggeri-giuseppe-vasi-etching-134660999.htmlRMHR29DB–Porta Cavalleggeri Giuseppe Vasi etching
Collegio Nazzareno - Plate 168 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-nazzareno-plate-168-giuseppe-vasi-image260483084.htmlRMW3P0R8–Collegio Nazzareno - Plate 168 - Giuseppe Vasi.
The Campo Vaccino, 1765. Giuseppe Vasi (Italian, 1710-1782). Engraving; Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-campo-vaccino-1765-giuseppe-vasi-italian-1710-1782-engraving-image448086477.htmlRM2H102TD–The Campo Vaccino, 1765. Giuseppe Vasi (Italian, 1710-1782). Engraving;
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, 1755 A Triumphal Bridge Adorned with Relics of the City of Ercolano; 1755date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-1755-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-1755date-image335893599.htmlRM2AED7KY–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, 1755 A Triumphal Bridge Adorned with Relics of the City of Ercolano; 1755date
Delle Magnificenze di Roma Antica e Moderna (vol. 3), published 1747-1761. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delle-magnificenze-di-roma-antica-e-moderna-vol-3-published-1747-1761-image433086786.htmlRM2G4GPH6–Delle Magnificenze di Roma Antica e Moderna (vol. 3), published 1747-1761.
Tunisia, Sidi Bou Said, a traditional house in the country center Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-tunisia-sidi-bou-said-a-traditional-house-in-the-country-center-75713672.htmlRMEB51FM–Tunisia, Sidi Bou Said, a traditional house in the country center
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710-1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-123325686.htmlRMH4HY4P–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710-1782
. Italiano: Incisione di Giuseppe Vasi (1710-1782) raffigurante il Seminario Vaticano e la demolita chiesa di Santa Marta in Vaticano . Giuseppe Vasi (1710-1782) Giuseppe Vasi, Seminario di S. Pietro in Vaticano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-incisione-di-giuseppe-vasi-1710-1782-raffigurante-il-seminario-vaticano-e-la-demolita-chiesa-di-santa-marta-in-vaticano-giuseppe-vasi-1710-1782-giuseppe-vasi-seminario-di-s-pietro-in-vaticano-image184995039.htmlRMMMY71K–. Italiano: Incisione di Giuseppe Vasi (1710-1782) raffigurante il Seminario Vaticano e la demolita chiesa di Santa Marta in Vaticano . Giuseppe Vasi (1710-1782) Giuseppe Vasi, Seminario di S. Pietro in Vaticano
Giuochi atletici - Giuseppe Palazzi delineò ; Giuseppe Vasi incise. LCCN2011647450 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuochi-atletici-giuseppe-palazzi-deline-giuseppe-vasi-incise-lccn2011647450-176694121.htmlRMM7D349–Giuochi atletici - Giuseppe Palazzi delineò ; Giuseppe Vasi incise. LCCN2011647450
Art inspired by Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., 1786, Etching, plate: 8 3/8 x 12 11/16 in. (21.2 x 32.3 cm), Prints, Giuseppe Vasi (Italian, 1710–1782), Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-chiesa-di-s-maria-liberatrice-plate-54-from-raccolta-delle-pi-belle-veduta-antiche-e-moderne-di-roma-1786-etching-plate-8-38-x-12-1116-in-212-x-323-cm-prints-giuseppe-vasi-italian-17101782-rome-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463002487.htmlRF2HW7GB3–Art inspired by Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., 1786, Etching, plate: 8 3/8 x 12 11/16 in. (21.2 x 32.3 cm), Prints, Giuseppe Vasi (Italian, 1710–1782), Rome, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-china-festa-della-chinea-in-rome-museum-private-collection-author-giuseppe-vasi-image623333293.htmlRM2Y637Y9–The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
Villa Celimontana, Giuseppe Vasi 1761 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-villa-celimontana-giuseppe-vasi-1761-134788396.htmlRMHR83Y8–Villa Celimontana, Giuseppe Vasi 1761
Collegio de' Neofiti - Plate 169 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-de-neofiti-plate-169-giuseppe-vasi-image260483057.htmlRMW3P0P9–Collegio de' Neofiti - Plate 169 - Giuseppe Vasi.
Giuseppe Vasi Staircase in the Spanish square. Copper engraving print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-staircase-in-the-spanish-square-copper-engraving-print-image572820150.htmlRM2T7X5XE–Giuseppe Vasi Staircase in the Spanish square. Copper engraving print
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1766 - The Palace of Orpheus, 1766 The Prima Macchina for the Chinea of 1766: The Palace of Orpheus; 1766date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1766-the-palace-of-orpheus-1766-the-prima-macchina-for-the-chinea-of-1766-the-palace-of-orpheus-1766date-image335893674.htmlRM2AED7PJ–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1766 - The Palace of Orpheus, 1766 The Prima Macchina for the Chinea of 1766: The Palace of Orpheus; 1766date
Delle Magnificenze di Roma Antica e Moderna (vol. 2), published 1747-1761. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delle-magnificenze-di-roma-antica-e-moderna-vol-2-published-1747-1761-image433086812.htmlRM2G4GPJ4–Delle Magnificenze di Roma Antica e Moderna (vol. 2), published 1747-1761.
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710 - 1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-77436873.htmlRMEDYFEH–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710 - 1782
. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 494 Porta Angelica by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-giuseppe-vasi-porta-angelica-circa-1750-giuseppe-vasi-494-porta-angelica-by-giuseppe-vasi-image187942127.htmlRMMWNE2R–. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 494 Porta Angelica by Giuseppe Vasi
Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma...by Giuseppe Vasi (Italian, 1710–1782) , Rome, 1786 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chiesa-di-s-maria-liberatrice-plate-54-from-raccolta-delle-pi-belle-168223740.htmlRMKNK72M–Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma...by Giuseppe Vasi (Italian, 1710–1782) , Rome, 1786
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-italian-reimagined-image230035862.htmlRFRA712E–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined
The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-china-festa-della-chinea-in-rome-museum-private-collection-author-giuseppe-vasi-image623331692.htmlRM2Y635X4–The Chinèa (Festa della Chinea) in Rome. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
Giuseppe Vasi Santi Vito e Modesto Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-santi-vito-e-modesto-132840404.htmlRMHM3B84–Giuseppe Vasi Santi Vito e Modesto
Collegio di Propaganda Fide - Plate 164ii - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-di-propaganda-fide-plate-164ii-giuseppe-vasi-image260483077.htmlRMW3P0R1–Collegio di Propaganda Fide - Plate 164ii - Giuseppe Vasi.
Giuseppe Vasi Rome: View of the Roman Forum (Roma Antica). Copper engraving print 1765 , 1765 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-rome-view-of-the-roman-forum-roma-antica-copper-engraving-print-1765-1765-image572847894.htmlRM2T7YD9A–Giuseppe Vasi Rome: View of the Roman Forum (Roma Antica). Copper engraving print 1765 , 1765
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1769 - A Deliziosa, 1769 The Prima Macchina for the Chinea of 1769: A Deliziosa; 1769date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1769-a-deliziosa-1769-the-prima-macchina-for-the-chinea-of-1769-a-deliziosa-1769date-image335893659.htmlRM2AED7P3–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1769 - A Deliziosa, 1769 The Prima Macchina for the Chinea of 1769: A Deliziosa; 1769date
The Seconda Macchina for the Chinea of 1760: A Chinoiserie Pavilion, 1760. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seconda-macchina-for-the-chinea-of-1760-a-chinoiserie-pavilion-1760-image433085637.htmlRM2G4GN45–The Seconda Macchina for the Chinea of 1760: A Chinoiserie Pavilion, 1760.
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710 - 1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-123381386.htmlRMH4ME62–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian, 1710 - 1782
. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 430 Porta Angelica by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-giuseppe-vasi-porta-angelica-circa-1750-giuseppe-vasi-430-porta-angelica-by-giuseppe-vasi-image189173216.htmlRMMYNGA8–. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 430 Porta Angelica by Giuseppe Vasi
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-italian-reimagined-image230434362.htmlRFRAW5AJ–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined
Prospetto dell'Alma Città di Roma visto dal Monte Gianciolo. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prospetto-dellalma-citt-di-roma-visto-dal-monte-gianciolo-museum-private-collection-author-giuseppe-vasi-image515378182.htmlRM2MXDE3J–Prospetto dell'Alma Città di Roma visto dal Monte Gianciolo. Museum: PRIVATE COLLECTION. Author: GIUSEPPE VASI.
Giuseppe Vasi, Seminario di S. Pietro in Vaticano Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-seminario-di-s-pietro-in-vaticano-132839131.htmlRMHM39JK–Giuseppe Vasi, Seminario di S. Pietro in Vaticano
Collegio di S. Agostino - Plate 123 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collegio-di-s-agostino-plate-123-giuseppe-vasi-image260483067.htmlRMW3P0PK–Collegio di S. Agostino - Plate 123 - Giuseppe Vasi.
Giuseppe Vasi Panorama of the city of Rome seen from Gianicolo. Copper engraving print 1765 , 1765 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-panorama-of-the-city-of-rome-seen-from-gianicolo-copper-engraving-print-1765-1765-image572831204.htmlRM2T7XM18–Giuseppe Vasi Panorama of the city of Rome seen from Gianicolo. Copper engraving print 1765 , 1765
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1763 - The Grape Harvest, 1763 The Seconda Macchina for the Chinea of 1763: The Grape Harvest; 1763date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-seconda-macchina-for-the-chinea-of-1763-the-grape-harvest-1763-the-seconda-macchina-for-the-chinea-of-1763-the-grape-harvest-1763date-image335893757.htmlRM2AED7WH–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Seconda Macchina for the Chinea of 1763 - The Grape Harvest, 1763 The Seconda Macchina for the Chinea of 1763: The Grape Harvest; 1763date
The Prima Macchina for the Chinea of 1776: A Pleasure Palace, 1776. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prima-macchina-for-the-chinea-of-1776-a-pleasure-palace-1776-image433085602.htmlRM2G4GN2X–The Prima Macchina for the Chinea of 1776: A Pleasure Palace, 1776.
Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated to Peace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-giuseppe-palazzi-designer-and-paolo-posi-architect-123395814.htmlRMH4N4HA–Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated to Peace
. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 493 Porta Angelica by Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-giuseppe-vasi-porta-angelica-circa-1750-giuseppe-vasi-493-porta-angelica-by-giuseppe-vasi-image187457045.htmlRMMTYBAD–. Deutsch: Giuseppe Vasi: Porta Angelica . circa 1750. Giuseppe Vasi 493 Porta Angelica by Giuseppe Vasi
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-italian-reimagined-image230054149.htmlRFRA7TBH–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined
![View of the Palazzo di Caprarola. Architect: Jacopo [Giacomo] Barozzi da Vignola (Italian, Vignola 1507-1573 Rome). Artist: Giuseppe Vasi (Italian, 1710-1782). Dimensions: sheet: 18 1/2 x 28 in. (47 x 71.1 cm). Date: 1746-48. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo](https://c8.alamy.com/comp/PB9W9B/view-of-the-palazzo-di-caprarola-architect-jacopo-giacomo-barozzi-da-vignola-italian-vignola-1507-1573-rome-artist-giuseppe-vasi-italian-1710-1782-dimensions-sheet-18-12-x-28-in-47-x-711-cm-date-1746-48-museum-metropolitan-museum-of-art-new-york-usa-PB9W9B.jpg "View of the Palazzo di Caprarola. Architect: Jacopo [Giacomo] Barozzi da Vignola (Italian, Vignola 1507-1573 Rome). Artist: Giuseppe Vasi (Italian, 1710-1782). Dimensions: sheet: 18 1/2 x 28 in. (47 x 71.1 cm). Date: 1746-48. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo")
View of the Palazzo di Caprarola. Architect: Jacopo [Giacomo] Barozzi da Vignola (Italian, Vignola 1507-1573 Rome). Artist: Giuseppe Vasi (Italian, 1710-1782). Dimensions: sheet: 18 1/2 x 28 in. (47 x 71.1 cm). Date: 1746-48. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palazzo-di-caprarola-architect-jacopo-giacomo-barozzi-da-vignola-italian-vignola-1507-1573-rome-artist-giuseppe-vasi-italian-1710-1782-dimensions-sheet-18-12-x-28-in-47-x-711-cm-date-1746-48-museum-metropolitan-museum-of-art-new-york-usa-image213503063.htmlRMPB9W9B–View of the Palazzo di Caprarola. Architect: Jacopo [Giacomo] Barozzi da Vignola (Italian, Vignola 1507-1573 Rome). Artist: Giuseppe Vasi (Italian, 1710-1782). Dimensions: sheet: 18 1/2 x 28 in. (47 x 71.1 cm). Date: 1746-48. Museum: Metropolitan Museum of Art, New York, USA.
Isola Tiberina verso Occidente - Plate 091 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/isola-tiberina-verso-occidente-plate-091-giuseppe-vasi-image364614290.htmlRM2C55H6X–Isola Tiberina verso Occidente - Plate 091 - Giuseppe Vasi.
View of the Palazzo di Caprarola 1746–48 Giuseppe Vasi Italian. View of the Palazzo di Caprarola 370488 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-palazzo-di-caprarola-174648-giuseppe-vasi-italian-view-of-the-palazzo-di-caprarola-370488-image458496188.htmlRM2HHX8FT–View of the Palazzo di Caprarola 1746–48 Giuseppe Vasi Italian. View of the Palazzo di Caprarola 370488
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1771 - The Temple of Asclepius, 1771 The Prima Macchina for the Chinea of 1771: The Temple of Asclepius; 1771date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1771-the-temple-of-asclepius-1771-the-prima-macchina-for-the-chinea-of-1771-the-temple-of-asclepius-1771date-image335893661.htmlRM2AED7P5–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1771 - The Temple of Asclepius, 1771 The Prima Macchina for the Chinea of 1771: The Temple of Asclepius; 1771date
Delle Magnificenze di Roma Antica e Moderna (vol. 1), published 1747-1761. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/delle-magnificenze-di-roma-antica-e-moderna-vol-1-published-1747-1761-image433086782.htmlRM2G4GPH2–Delle Magnificenze di Roma Antica e Moderna (vol. 1), published 1747-1761.
Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated to Peace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-giuseppe-vasi-after-giuseppe-palazzi-designer-and-paolo-posi-architect-77364492.htmlRMEDT75G–Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated to Peace
. Italiano: Incisione di Giuseppe Vasi . 1747. Giuseppe Vasi 1225 Vasi 1747 San Tommaso in Parione Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italiano-incisione-di-giuseppe-vasi-1747-giuseppe-vasi-1225-vasi-1747-san-tommaso-in-parione-image185607492.htmlRMMNY470–. Italiano: Incisione di Giuseppe Vasi . 1747. Giuseppe Vasi 1225 Vasi 1747 San Tommaso in Parione
Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-paolo-posi-architect-a-triumphal-bridge-adorned-with-relics-of-the-city-of-ercolano-italian-reimagined-image230424574.htmlRFRATMW2–Giuseppe Vasi after Paolo Posi (architect), A Triumphal Bridge Adorned with Relics of the City of Ercolano, Italian reimagined
Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma... Artist: Giuseppe Vasi (Italian, 1710-1782) , Rome. Dimensions: Overall: 17 5/16 x 12 5/8 x 1 3/8 in. (44 x 32 x 3.5 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raccolta-delle-pi-belle-veduta-antiche-e-moderne-di-roma-artist-giuseppe-vasi-italian-1710-1782-rome-dimensions-overall-17-516-x-12-58-x-1-38-in-44-x-32-x-35-cm-date-1786-museum-metropolitan-museum-of-art-new-york-usa-image213332577.htmlRMPB23TH–Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma... Artist: Giuseppe Vasi (Italian, 1710-1782) , Rome. Dimensions: Overall: 17 5/16 x 12 5/8 x 1 3/8 in. (44 x 32 x 3.5 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.
Immacolata Concezione in C. Marzio - Plate 141 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/immacolata-concezione-in-c-marzio-plate-141-giuseppe-vasi-image364579284.htmlRM2C540GM–Immacolata Concezione in C. Marzio - Plate 141 - Giuseppe Vasi.
Giuseppe Vasi ROM: Ansicht der 'Città Leonina' (Baroque Rome). Copper engraving print 1765 , 1765 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-rom-ansicht-der-citt-leonina-baroque-rome-copper-engraving-print-1765-1765-image572847856.htmlRM2T7YD80–Giuseppe Vasi ROM: Ansicht der 'Città Leonina' (Baroque Rome). Copper engraving print 1765 , 1765
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1759 - A Fortress, 1759 The Prima Macchina for the Chinea of 1759: A Fortress; 1759date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1759-a-fortress-1759-the-prima-macchina-for-the-chinea-of-1759-a-fortress-1759date-image335893597.htmlRM2AED7KW–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1759 - A Fortress, 1759 The Prima Macchina for the Chinea of 1759: A Fortress; 1759date
![The Seconda Macchina for the Chinea of 1774: A Villa with Ancient Monuments and a Game of "Giostra", 1774. Stock Photo](https://c8.alamy.com/comp/2G4GN43/the-seconda-macchina-for-the-chinea-of-1774-a-villa-with-ancient-monuments-and-a-game-of-quotgiostraquot-1774-2G4GN43.jpg "The Seconda Macchina for the Chinea of 1774: A Villa with Ancient Monuments and a Game of "Giostra", 1774. Stock Photo")
The Seconda Macchina for the Chinea of 1774: A Villa with Ancient Monuments and a Game of "Giostra", 1774. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-seconda-macchina-for-the-chinea-of-1774-a-villa-with-ancient-monuments-and-a-game-of-quotgiostraquot-1774-image433085635.htmlRM2G4GN43–The Seconda Macchina for the Chinea of 1774: A Villa with Ancient Monuments and a Game of "Giostra", 1774.
Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., Giuseppe Vasi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-chiesa-di-s-maria-liberatrice-plate-54-from-raccolta-delle-pi-belle-162488132.htmlRMKC9Y7G–Chiesa di S. Maria Liberatrice, Plate 54 from Raccolta Delle Più Belle Veduta Antiche, E Moderne Di Roma..., Giuseppe Vasi
. Deutsch: Giuseppe Vasi: Porta Angelica, Inschriften 1750 . circa 1750. Giuseppe Vasi 430 Porta Angelica by Giuseppe Vasi Inscriptions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-giuseppe-vasi-porta-angelica-inschriften-1750-circa-1750-giuseppe-vasi-430-porta-angelica-by-giuseppe-vasi-inscriptions-image189173213.htmlRMMYNGA5–. Deutsch: Giuseppe Vasi: Porta Angelica, Inschriften 1750 . circa 1750. Giuseppe Vasi 430 Porta Angelica by Giuseppe Vasi Inscriptions
Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-designer-and-paolo-posi-architect-italian-1710-1782-a-temple-dedicated-reimagined-image230071181.htmlRFRA8J3W–Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated reimagined
Sepulcher for the Kings of France. Dated: 1739. Dimensions: plate: 39.9 x 53 cm (15 11/16 x 20 7/8 in.) sheet: 48.2 x 64.3 cm (19 x 25 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Filippo Juvarra. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sepulcher-for-the-kings-of-france-dated-1739-dimensions-plate-399-x-53-cm-15-1116-x-20-78-in-sheet-482-x-643-cm-19-x-25-516-in-medium-etching-and-engraving-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-giuseppe-vasi-after-filippo-juvarra-image225771361.htmlRMR38NJW–Sepulcher for the Kings of France. Dated: 1739. Dimensions: plate: 39.9 x 53 cm (15 11/16 x 20 7/8 in.) sheet: 48.2 x 64.3 cm (19 x 25 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Filippo Juvarra.
Interno della Porta S. Paolo - Plate 011ii - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interno-della-porta-s-paolo-plate-011ii-giuseppe-vasi-image364602552.htmlRM2C5527M–Interno della Porta S. Paolo - Plate 011ii - Giuseppe Vasi.
Anticaglie presso il Ponte Palatino (Ruins near the Ponte Palatino). Artist: Giuseppe Vasi, Italian, 1710–1782 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anticaglie-presso-il-ponte-palatino-ruins-near-the-pontepalatino-artist-giuseppe-vasi-italian-17101782-image463162212.htmlRM2HWET3G–Anticaglie presso il Ponte Palatino (Ruins near the Ponte Palatino). Artist: Giuseppe Vasi, Italian, 1710–1782
Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1765 - The Garden of the Hesperides, 1765 The Prima Macchina for the Chinea of 1765: The Garden of the Hesperides; 1765date Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-after-paolo-posi-the-prima-macchina-for-the-chinea-of-1765-the-garden-of-the-hesperides-1765-the-prima-macchina-for-the-chinea-of-1765-the-garden-of-the-hesperides-1765date-image335893654.htmlRM2AED7NX–Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1765 - The Garden of the Hesperides, 1765 The Prima Macchina for the Chinea of 1765: The Garden of the Hesperides; 1765date
![The Prima Macchina for the Chinea of 1752: A "Deliziosa" Alluding to Villa Carl'Amalia in Caserta, 1752. Stock Photo](https://c8.alamy.com/comp/2G4GN9G/the-prima-macchina-for-the-chinea-of-1752-a-quotdeliziosaquot-alluding-to-villa-carlamalia-in-caserta-1752-2G4GN9G.jpg "The Prima Macchina for the Chinea of 1752: A "Deliziosa" Alluding to Villa Carl'Amalia in Caserta, 1752. Stock Photo")
The Prima Macchina for the Chinea of 1752: A "Deliziosa" Alluding to Villa Carl'Amalia in Caserta, 1752. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-prima-macchina-for-the-chinea-of-1752-a-quotdeliziosaquot-alluding-to-villa-carlamalia-in-caserta-1752-image433085788.htmlRM2G4GN9G–The Prima Macchina for the Chinea of 1752: A "Deliziosa" Alluding to Villa Carl'Amalia in Caserta, 1752.
Artist: Giuseppe Vasi, Italian, 1710–1782, Anticaglie presso il Ponte Palatino (Ruins near the Ponte Palatino), Etching, platemark: 21.4 × 32.2 cm (8 7/16 × 12 11/16 in.), Italian, 18th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-giuseppe-vasi-italian-17101782-anticaglie-presso-il-ponte-palatino-ruins-near-the-pontepalatino-etching-platemark-214-322-cm-8-716-12-1116-in-italian-18thcentury-works-on-paper-prints-image393424316.htmlRM2DT20MC–Artist: Giuseppe Vasi, Italian, 1710–1782, Anticaglie presso il Ponte Palatino (Ruins near the Ponte Palatino), Etching, platemark: 21.4 × 32.2 cm (8 7/16 × 12 11/16 in.), Italian, 18th century, Works on Paper - Prints
. Deutsch: Giuseppe Vasi: Porta Angelica, Inschriften 1750 . circa 1750. Giuseppe Vasi 494 Porta Angelica by Giuseppe Vasi Inscriptions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deutsch-giuseppe-vasi-porta-angelica-inschriften-1750-circa-1750-giuseppe-vasi-494-porta-angelica-by-giuseppe-vasi-inscriptions-image187942122.htmlRMMWNE2J–. Deutsch: Giuseppe Vasi: Porta Angelica, Inschriften 1750 . circa 1750. Giuseppe Vasi 494 Porta Angelica by Giuseppe Vasi Inscriptions
Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated reimagined Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giuseppe-vasi-after-giuseppe-palazzi-designer-and-paolo-posi-architect-italian-1710-1782-a-temple-dedicated-reimagined-image230423640.htmlRFRATKKM–Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect) (Italian, 1710 - 1782), A Temple Dedicated reimagined
A Royal Hunt Casino in the Countryside, for the 'Chinea' Festival. Dated: 1755. Dimensions: plate: 38.2 x 54.4 cm (15 1/16 x 21 7/16 in.) sheet: 45.3 x 63.7 cm (17 13/16 x 25 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Paolo Posi (architect). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-royal-hunt-casino-in-the-countryside-for-the-chinea-festival-dated-1755-dimensions-plate-382-x-544-cm-15-116-x-21-716-in-sheet-453-x-637-cm-17-1316-x-25-116-in-medium-etching-on-laid-paper-museum-national-gallery-of-art-washington-dc-author-giuseppe-vasi-after-paolo-posi-architect-image225660348.htmlRMR33M24–A Royal Hunt Casino in the Countryside, for the 'Chinea' Festival. Dated: 1755. Dimensions: plate: 38.2 x 54.4 cm (15 1/16 x 21 7/16 in.) sheet: 45.3 x 63.7 cm (17 13/16 x 25 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Paolo Posi (architect).
Conservatorio di S. Pasquale Bailonne - Plate 160 - Giuseppe Vasi. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conservatorio-di-s-pasquale-bailonne-plate-160-giuseppe-vasi-image260736763.htmlRMW45GB7–Conservatorio di S. Pasquale Bailonne - Plate 160 - Giuseppe Vasi.
