Gold chinoiserie decoration hi-res stock photography and images

Tea Bowl and Saucer with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Round, tapering form cup with circular ring foot that has gold chinoiserie decoration on the surface. Images of figures engaged in various activities such as eating, drinking, and playing instruments are in the center and birds, monkeys, and a rat are included in the scene. Interior rim of the cup is decorated in a gold scalloped border with lines and scrolls. The saucer is a basic round form with faded gold chinoiserie decoration in the center Stock Photo

RM2DMFRX5–Tea Bowl and Saucer with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Round, tapering form cup with circular ring foot that has gold chinoiserie decoration on the surface. Images of figures engaged in various activities such as eating, drinking, and playing instruments are in the center and birds, monkeys, and a rat are included in the scene. Interior rim of the cup is decorated in a gold scalloped border with lines and scrolls. The saucer is a basic round form with faded gold chinoiserie decoration in the center

Faience plate painted with a Chinoiserie decoration. C.1670-1690. Anonymous. Delft. Rijksmuseum. Amsterdam. Holland. Stock Photo

RME00EFG–Faience plate painted with a Chinoiserie decoration. C.1670-1690. Anonymous. Delft. Rijksmuseum. Amsterdam. Holland.

Cachepot and liner, Painted tôle, wire, Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration., France, Ca. 1765, metalwork, Decorative Arts, Cachepot and liner Stock Photo

RM2DMDTD8–Cachepot and liner, Painted tôle, wire, Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration., France, Ca. 1765, metalwork, Decorative Arts, Cachepot and liner

Vienna porcelain clock case, the red and gold decoration in Chinese Imari style (i.e. copying Chinese copying Japanese) Stock Photo

RMWH99R2–Vienna porcelain clock case, the red and gold decoration in Chinese Imari style (i.e. copying Chinese copying Japanese)

Black hyalith glass plate with chinoiserie, Round, shallow plate, the edge slightly concave. Chinoiserie gold-plated decoration with butterflies, dragons and diamond motifs on the flat and on the edge., Franz August van Longueval (graaf van Bucquoy), Zuid-Bohemen, c. 1830, glass, glassblowing, h 1.9 cm × d 22.1 cm Stock Photo

RMW556A8–Black hyalith glass plate with chinoiserie, Round, shallow plate, the edge slightly concave. Chinoiserie gold-plated decoration with butterflies, dragons and diamond motifs on the flat and on the edge., Franz August van Longueval (graaf van Bucquoy), Zuid-Bohemen, c. 1830, glass, glassblowing, h 1.9 cm × d 22.1 cm

Green circular compact with diamante (paste) decoration, gold cord and tassels containing a mirror, powder and two lipstick holders. Stock Photo

RM2M964N8–Green circular compact with diamante (paste) decoration, gold cord and tassels containing a mirror, powder and two lipstick holders.

Chinoiserie seamless pattern with peacocks and flowers trees. Vector. Stock Vector

RF2R9KNXN–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

Bonbonnière. Culture: French, Paris. Dimensions: Diameter: 2 7/8 in. (7.3 cm). Date: ca. 1800. Precious boxes made for confections and sweets were known as drageoirs or bonbonnières. Unlike snuff containers, the lids of such boxes, which are usually circular, are not hinged. Here, the charming chinoiserie decoration painted in gold and platinum on a black ground clearly imitates lacquer. It may have been inspired by the 'black lacquer' porcelain made at Sèvres during the 1790s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPAKWWX–Bonbonnière. Culture: French, Paris. Dimensions: Diameter: 2 7/8 in. (7.3 cm). Date: ca. 1800. Precious boxes made for confections and sweets were known as drageoirs or bonbonnières. Unlike snuff containers, the lids of such boxes, which are usually circular, are not hinged. Here, the charming chinoiserie decoration painted in gold and platinum on a black ground clearly imitates lacquer. It may have been inspired by the 'black lacquer' porcelain made at Sèvres during the 1790s. Museum: Metropolitan Museum of Art, New York, USA.

Pair of cachepots and liners. Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration. Stock Photo

RM2BF5DJ1–Pair of cachepots and liners. Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration.

Art inspired by Nécessaire with watch, probably ca. 1745–50, German, Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel, Overall (confirmed): 4 1/4 × 5 1/16 × 3 3/4 in. (10.8 × 12.9 × 9.5 cm); Diameter (back plate): 1 1/4 in. (3.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HTW7FG–Art inspired by Nécessaire with watch, probably ca. 1745–50, German, Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel, Overall (confirmed): 4 1/4 × 5 1/16 × 3 3/4 in. (10.8 × 12.9 × 9.5 cm); Diameter (back plate): 1 1/4 in. (3.2 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Top: Bowl decorated with Mohammedan blue and green enamel, with scrolls in leaf gold. Bottom: Bowl with enamelled ornament. Sixteenth century Ming dynasty, Chia Ching period. from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company Stock Photo

RF2WB819E–Top: Bowl decorated with Mohammedan blue and green enamel, with scrolls in leaf gold. Bottom: Bowl with enamelled ornament. Sixteenth century Ming dynasty, Chia Ching period. from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company

Art inspired by Vase (one of a pair), early 18th century, decoration ca. 1729–32, Chinese with Bohemian, Kronstadt decoration, Hard-paste porcelain (Jingdezhen ware), Height (each): 10 11/16 in. (27.1 cm); Diameter (each): 4 1/8 in. (10.5 cm), Ceramics-Porcelain-Export, This Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW3W1J–Art inspired by Vase (one of a pair), early 18th century, decoration ca. 1729–32, Chinese with Bohemian, Kronstadt decoration, Hard-paste porcelain (Jingdezhen ware), Height (each): 10 11/16 in. (27.1 cm); Diameter (each): 4 1/8 in. (10.5 cm), Ceramics-Porcelain-Export, This Chinese, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

. Initially the workers at Meissen were barely capable of decorating porcelain. Undecorated porcelain objects were thus sent to Augsburg – 500 kilometres away! – where specialized Hausmaler (independent painters) applied gold ornamentation to them. This type of gold chinoiserie decoration is called Goldchinesen. The gold has been worked with an agate burin to give the scenes greater depth. Stock Photo

RM2G4E0PG–. Initially the workers at Meissen were barely capable of decorating porcelain. Undecorated porcelain objects were thus sent to Augsburg – 500 kilometres away! – where specialized Hausmaler (independent painters) applied gold ornamentation to them. This type of gold chinoiserie decoration is called Goldchinesen. The gold has been worked with an agate burin to give the scenes greater depth.

Circular Design in gold gradient circular pattern geometric vector Stock Vector

RF2R964PK–Circular Design in gold gradient circular pattern geometric vector

Nécessaire with watch probably ca. 1745–50 German Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695–1768).. Nécessaire with watch. German. probably ca. 1745–50. Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel. Metalwork-Gold and Platinum Stock Photo

RM2HH5B36–Nécessaire with watch probably ca. 1745–50 German Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695–1768).. Nécessaire with watch. German. probably ca. 1745–50. Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass and partly blued steel. Metalwork-Gold and Platinum

RF2B99W77–Black hyalith glass plate with chinoiserie, Round, shallow plate, the edge slightly concave. Chinoiserie gold-plated decoration with butterflies, dragons and diamond motifs on the flat and on the edge., Franz August van Longueval (graaf van Bucquoy), Zuid-Bohemen, c. 1830, glass, glassblowing, h 1.9 cm × d 22.3 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

Vase (one of a pair) early 18th century, decoration ca. 1729–32 Decorated by the Hausmaler Ignaz Preissler This Chinese vase was initially decorated in red enamel and gilding, but after it was exported to Europe additional decoration in black enamel and gold was applied by Ignaz Preissler (1676–1753). The depiction of “Chinese” figures is typical of chinoiserie, a term used to describe the European fascination with the peoples of Asia and their fanciful evocation in European decorative arts.. Vase (one of a pair) 238558 Stock Photo

RM2HHTRRX–Vase (one of a pair) early 18th century, decoration ca. 1729–32 Decorated by the Hausmaler Ignaz Preissler This Chinese vase was initially decorated in red enamel and gilding, but after it was exported to Europe additional decoration in black enamel and gold was applied by Ignaz Preissler (1676–1753). The depiction of “Chinese” figures is typical of chinoiserie, a term used to describe the European fascination with the peoples of Asia and their fanciful evocation in European decorative arts.. Vase (one of a pair) 238558

RMCN1PKE–Chinese House

Plate 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of Stock Photo

RM2HHDWEJ–Plate 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of

3D Vinyl Tiles, crafted in classical Baroque European and Morovian Pattern in teal blue and golden color engravings, with cement concrete wall Stock Photo

RF2T0AEK1–3D Vinyl Tiles, crafted in classical Baroque European and Morovian Pattern in teal blue and golden color engravings, with cement concrete wall

"Japanned" Bureau Cabinet, c1720.This spectacular bureau cabinet reflects the fascination with Japanese and Chinese luxury goods in the early eighteenth century, seen through a distinctly European lens. The bright red surface imitated Asian lacquer. The motifs evoke the people and sights of the Far East, but they reflect the limited knowledge and stereotyped views that Europeans held of these distant countries. At the time the cabinet was made, this style of imitation lacquer and decoration was called Japanning. The original owner may have displayed small Asian porcelains in the uppe Stock Photo

RM2X22FHG–"Japanned" Bureau Cabinet, c1720.This spectacular bureau cabinet reflects the fascination with Japanese and Chinese luxury goods in the early eighteenth century, seen through a distinctly European lens. The bright red surface imitated Asian lacquer. The motifs evoke the people and sights of the Far East, but they reflect the limited knowledge and stereotyped views that Europeans held of these distant countries. At the time the cabinet was made, this style of imitation lacquer and decoration was called Japanning. The original owner may have displayed small Asian porcelains in the uppe

Black painted chinoiserie room screen, soapstone carving, 'floating world' Chinese made export to Europe for furnishing retail Stock Photo

RFM46WBJ–Black painted chinoiserie room screen, soapstone carving, 'floating world' Chinese made export to Europe for furnishing retail

Brühl, Schloß Falkenlust, Lackkabinett Stock Photo

RMAXXW2D–Brühl, Schloß Falkenlust, Lackkabinett

RMW556AB–Black hyalith glass plate with chinoiserie, Round, shallow plate, the edge slightly concave. Chinoiserie gold-plated decoration with butterflies, dragons and diamond motifs on the flat and on the edge., Franz August van Longueval (graaf van Bucquoy), Zuid-Bohemen, c. 1830, glass, glassblowing, h 1.9 cm × d 22.3 cm

The Royal Pavilion Brighton: The music room during the exhibition of the Royal Colection a Prince's Treasure on loan 2020 and 2021. Featuring pagodas seen here either side of the fireplace. Stock Photo

RM2E21M00–The Royal Pavilion Brighton: The music room during the exhibition of the Royal Colection a Prince's Treasure on loan 2020 and 2021. Featuring pagodas seen here either side of the fireplace.

RF2R9KP0P–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

RMRC51MX–Faience plate painted with a Chinoiserie decoration. C.1670-1690. Anonymous. Delft. Rijksmuseum. Amsterdam. Holland.

Cup and Saucer in the Etruscan Style. Curved cup with cavetto neck and high loop handle. Curved saucer. Overglaze decoration on cup: at bottom, silver vine on black band; center: pink with gold chinoiserie; top: black vine on white. Inside pink, with wide gold band. Stock Photo

RM2BF4N89–Cup and Saucer in the Etruscan Style. Curved cup with cavetto neck and high loop handle. Curved saucer. Overglaze decoration on cup: at bottom, silver vine on black band; center: pink with gold chinoiserie; top: black vine on white. Inside pink, with wide gold band.

RM2E42E7B–Lackkabinett

Nest of sweetmeat dishes in blue lacquer decorated with gold Ch’ing dynasty (Ch’ien Lung}. D 350mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company Stock Photo

RF2WB81EN–Nest of sweetmeat dishes in blue lacquer decorated with gold Ch’ing dynasty (Ch’ien Lung}. D 350mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company

The Chinese house in Sanssouci park, Potsdam, Berlin Stock Photo

RMEYHA3X–The Chinese house in Sanssouci park, Potsdam, Berlin

Vector hand drawn flower border of asters, daisies, green leaves, botanical wreath Stock Vector

RF2RGK66X–Vector hand drawn flower border of asters, daisies, green leaves, botanical wreath

Vector illustration for the opening of a big sale Stock Vector

RF2PNMNDC–Vector illustration for the opening of a big sale

Gilded sculpture of a musician that stands at the walls of the Chinese House,a garden pavilion in the Sanssouci Park in Potsdam. Stock Photo

RMCW3NKC–Gilded sculpture of a musician that stands at the walls of the Chinese House,a garden pavilion in the Sanssouci Park in Potsdam.

RF2B99W76–Black hyalith glass plate with chinoiserie, Round, shallow plate, the edge slightly concave. Chinoiserie gold-plated decoration with butterflies, dragons and diamond motifs on the flat and on the edge., Franz August van Longueval (graaf van Bucquoy), Zuid-Bohemen, c. 1830, glass, glassblowing, h 1.9 cm × d 22.1 cm, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.

RF2CRWJ1F–Folding screen Simple vector icon. Modern, simple flat vector illustration for web site or mobile app

RM2HH9E27–Plate 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of

Tea and Coffee Service, Paris, c. 1820. Stock Photo

RM2H2HH4W–Tea and Coffee Service, Paris, c. 1820.

Brühl, Schloß Falkenlust, Lackkabinett, Chinesische Lackmalerei Stock Photo

RMAXXW2A–Brühl, Schloß Falkenlust, Lackkabinett, Chinesische Lackmalerei

Plaque with a Chinoiserie landscape and gilt details Plaque Plate, painted with chinoiser decoration, Faience plate, rectangular, painted in blue and gold in the white tin glaze with a chinoiserie. In a wide river landscape, a number of Chinese trees surround a table on which trees and rats (?) Dance. In the middle, two men pierce their wicker with a wicker basket standing upside down. In addition, a man holding a bamboo stem in his belt, on which a man with one leg balances. Behind this man a crowned man with a spear over the shoulder. On the right a dog and some boats with people in it. Stock Photo

RMW552FA–Plaque with a Chinoiserie landscape and gilt details Plaque Plate, painted with chinoiser decoration, Faience plate, rectangular, painted in blue and gold in the white tin glaze with a chinoiserie. In a wide river landscape, a number of Chinese trees surround a table on which trees and rats (?) Dance. In the middle, two men pierce their wicker with a wicker basket standing upside down. In addition, a man holding a bamboo stem in his belt, on which a man with one leg balances. Behind this man a crowned man with a spear over the shoulder. On the right a dog and some boats with people in it.

Planter, Painted tôle, Rectangular planter, low bombe body painted black with gold and polychrome chinoiserie decoration., France, late 18th century, metalwork, Decorative Arts, Planter Stock Photo

RM2DMJP9G–Planter, Painted tôle, Rectangular planter, low bombe body painted black with gold and polychrome chinoiserie decoration., France, late 18th century, metalwork, Decorative Arts, Planter

RF2R9KNYA–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

Pair of cachepots and liners, Painted tôle, wire, Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration., France, Ca. 1765, metalwork, Decorative Arts, Pair of cachepots and liners Stock Photo

RM2DMDXW4–Pair of cachepots and liners, Painted tôle, wire, Cylindrical container curving inward to a low foot. Wire handle at each side. Gold ground with chinoiserie decoration., France, Ca. 1765, metalwork, Decorative Arts, Pair of cachepots and liners

Nécessaire with watch. Culture: German. Dimensions: Overall (confirmed): 4 1/4 × 5 1/16 × 3 3/4 in. (10.8 × 12.9 × 9.5 cm); Diameter (back plate): 1 1/4 in. (3.2 cm). Date: probably ca. 1745-50. Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695-1768). Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPB1AB4–Nécessaire with watch. Culture: German. Dimensions: Overall (confirmed): 4 1/4 × 5 1/16 × 3 3/4 in. (10.8 × 12.9 × 9.5 cm); Diameter (back plate): 1 1/4 in. (3.2 cm). Date: probably ca. 1745-50. Fitted with sewing and writing implements as well as a watch, this unmarked nécessaire shows delightful chinoiserie decoration in the Rococo style, echoing the work of the influential Munich designer François Cuvilliés (1695-1768). Museum: Metropolitan Museum of Art, New York, USA.

Pair of cachepots and liners, sheet metal, metal, paint, gold, Cylindrical containers curving inward to a low feet. Wire handle at each side. Gold ground with chinoiserie decoration., France, ca. 1765, metalwork, Decorative Arts, Pair of cachepots and liners Stock Photo

RM2DMW4G0–Pair of cachepots and liners, sheet metal, metal, paint, gold, Cylindrical containers curving inward to a low feet. Wire handle at each side. Gold ground with chinoiserie decoration., France, ca. 1765, metalwork, Decorative Arts, Pair of cachepots and liners

Planter. Rectangular planter, low bombe body painted black with gold and polychrome chinoiserie decoration. Stock Photo

RM2BF5TD9–Planter. Rectangular planter, low bombe body painted black with gold and polychrome chinoiserie decoration.

Beaker with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Bell shaped with ring foot. Engraved gilt chinoiserie decoration of figure, trees, birds and scrolls., Germany, 1725–1730, ceramics, Decorative Arts, beaker, beaker Stock Photo

RM2DMHT0E–Beaker with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Bell shaped with ring foot. Engraved gilt chinoiserie decoration of figure, trees, birds and scrolls., Germany, 1725–1730, ceramics, Decorative Arts, beaker, beaker

Cover of a bowl in carved brown lacquer with circle of gold Ming dynasty (late). D. 254mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company Stock Photo

RF2WB81DH–Cover of a bowl in carved brown lacquer with circle of gold Ming dynasty (late). D. 254mm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company

Teapot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Globous, with short gilded hexagonal spout and double-scrolled handle. Flat-domed cover with gilded knob. Engraved gilt chinoiserie decoration of figures with scrollwork., Germany, 1725–1730, ceramics, Decorative Arts, teapot, teapot Stock Photo

RM2DMP0KW–Teapot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Globous, with short gilded hexagonal spout and double-scrolled handle. Flat-domed cover with gilded knob. Engraved gilt chinoiserie decoration of figures with scrollwork., Germany, 1725–1730, ceramics, Decorative Arts, teapot, teapot

RF2B99PHJ–Plaque with a Chinoiserie landscape and gilt details Plaque Plate, painted with chinoiser decoration, Faience plate, rectangular, painted in blue and gold in the white tin glaze with a chinoiserie. In a wide river landscape, a number of Chinese trees surround a table on which trees and rats (?) Dance. In the middle, two men pierce their wicker with a wicker basket standing upside down. In addition, a man holding a bamboo stem in his belt, on which a man with one leg balances. Behind this man a crowned man with a spear over the shoulder. On the right a dog and some boats with people in it. On t

Tea Bowl and Saucer with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Bell-shaped cup, flat saucer with curved sides and ring foot. Engraved gilt chinoiserie decoration of figures, birds, trees and scrolls., Germany, 1720–1730, ceramics, Decorative Arts, tea bowl and saucer, tea bowl and saucer Stock Photo

RM2DMPNA4–Tea Bowl and Saucer with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Bell-shaped cup, flat saucer with curved sides and ring foot. Engraved gilt chinoiserie decoration of figures, birds, trees and scrolls., Germany, 1720–1730, ceramics, Decorative Arts, tea bowl and saucer, tea bowl and saucer

Lackkabinett, Chinesische Lackmalerei Stock Photo

RM2E42E7T–Lackkabinett, Chinesische Lackmalerei

Plate ca. 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones Stock Photo

RM2HJ23BG–Plate ca. 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones

RMEYHA3E–The Chinese house in Sanssouci park, Potsdam, Berlin

RM2HH838G–Plate 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones of

RM2H2HH4M–Coffee Pot, Paris, c. 1820.

RMAXXW1F–Brühl, Schloß Falkenlust, Lackkabinett, Chinesische Lackmalerei

RF2RGP50G–Vector hand drawn flower border of asters, daisies, green leaves, botanical wreath

RF2PNMNEJ–Vector illustration for the opening of a big sale

Ensemble of gilded sandstone sculptures of the Chinese House, a garden pavilion in the Sanssouci Park in Potsdam, Germany. Stock Photo

RMCW3PG8–Ensemble of gilded sandstone sculptures of the Chinese House, a garden pavilion in the Sanssouci Park in Potsdam, Germany.

RF2R9KP1R–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

Scent bottle. Culture: Austrian, Vienna. Dimensions: Height: 3 3/8 in. (8.6 cm). Factory: Vienna. Factory director: Du Paquier period (1718-1744). Date: ca. 1730. Medieval travelers used leather pilgrim flasks to transport water. The form was appropriated in later centuries for large, opulent examples made in silver or glass. Employed on small scale, it was an appropriate choice for a luxury object intended to hold an expensive fragrance. This example is embellished with low-relief decoration, including shells and chinoiserie figures, and ornamental strapwork. Museum: Metropolitan Museum of A Stock Photo

RMPB1GE6–Scent bottle. Culture: Austrian, Vienna. Dimensions: Height: 3 3/8 in. (8.6 cm). Factory: Vienna. Factory director: Du Paquier period (1718-1744). Date: ca. 1730. Medieval travelers used leather pilgrim flasks to transport water. The form was appropriated in later centuries for large, opulent examples made in silver or glass. Employed on small scale, it was an appropriate choice for a luxury object intended to hold an expensive fragrance. This example is embellished with low-relief decoration, including shells and chinoiserie figures, and ornamental strapwork. Museum: Metropolitan Museum of A

Panel from a 4-fold screen in gold, red, and brown lacquer encrusted with ivory, shell, and hard Stones. Ch’ing dynasty (K’ang Hsi). H.97 cm. W. 54 cm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company Stock Photo

RF2WB81DR–Panel from a 4-fold screen in gold, red, and brown lacquer encrusted with ivory, shell, and hard Stones. Ch’ing dynasty (K’ang Hsi). H.97 cm. W. 54 cm from Chinese art : one hundred plates in colour reproducing pottery & porcelain of all periods, jades, lacquer, paintings, bronzes, furniture, etc., etc. by Hobson, R. L. (Robert Lockhart), 1872-1941 Publication date 1927 Publisher New York : The Macmillan Company

RM2DMPNA8–Tea Bowl and Saucer with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Bell-shaped cup, flat saucer with curved sides and ring foot. Engraved gilt chinoiserie decoration of figures, birds, trees and scrolls., Germany, 1720–1730, ceramics, Decorative Arts, tea bowl and saucer, tea bowl and saucer

Coffeepot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Pear-shaped, on rounded flaring circular foot, scrolled handle, simple triangular spout, domed cover with round finial. Solid gilding on foot, handle, spout, edge of mouth and cover, and finial. Engraved gilt chinoiserie decoration of figures, birds and trees, with scrollwork. Cover attached with siver-gilt mounting., Germany, 1725–1735, ceramics, Decorative Arts, coffeepot, coffeepot Stock Photo

RM2DMFRWJ–Coffeepot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, gold, Pear-shaped, on rounded flaring circular foot, scrolled handle, simple triangular spout, domed cover with round finial. Solid gilding on foot, handle, spout, edge of mouth and cover, and finial. Engraved gilt chinoiserie decoration of figures, birds and trees, with scrollwork. Cover attached with siver-gilt mounting., Germany, 1725–1735, ceramics, Decorative Arts, coffeepot, coffeepot

RMEYHA3G–The Chinese house in Sanssouci park, Potsdam, Berlin

Cup and Saucer, Royal Porcelain Manufactory, Berlin, German, established 1763, hard paste porcelain, vitreous enamel, gold, Curved cup with cavetto neck and high loop handle. Curved saucer. Overglaze decoration on cup: at bottom, silver vine on black band; center: pink with gold chinoiserie; top: black vine on white. Inside pink, with wide gold band. Saucer with similar decoration, but wreath instead of chinoiserie., Germany, 1800–1810, ceramics, Decorative Arts, cup and saucer, cup and saucer Stock Photo

RM2DMKT3F–Cup and Saucer, Royal Porcelain Manufactory, Berlin, German, established 1763, hard paste porcelain, vitreous enamel, gold, Curved cup with cavetto neck and high loop handle. Curved saucer. Overglaze decoration on cup: at bottom, silver vine on black band; center: pink with gold chinoiserie; top: black vine on white. Inside pink, with wide gold band. Saucer with similar decoration, but wreath instead of chinoiserie., Germany, 1800–1810, ceramics, Decorative Arts, cup and saucer, cup and saucer

RM2HH8NAA–Plate ca. 1791 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in subtle tones

Coffeepot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, vitreous enamel, gold, brass, Pear-shaped, on rounded flaring circular foot; scrolled handle, simple triangular spout, domed cover with flat circular finial. Solid gilding on foot, handle, lip, edge of pot and of cover, and finial. Underglaze decoration of floral sprays and birds; overglaze gilding representing a Chinoiserie scene of figures in landscape. Edge of pot and of cover mounted in gilded brass (missing?)., Germany, 1725–1735, ceramics, Decorative Arts Stock Photo

RM2DMGMXH–Coffeepot with 'Hausmaler' Decor, Meissen Porcelain Manufactory, German, active from 1710 to the present, hard paste porcelain, vitreous enamel, gold, brass, Pear-shaped, on rounded flaring circular foot; scrolled handle, simple triangular spout, domed cover with flat circular finial. Solid gilding on foot, handle, lip, edge of pot and of cover, and finial. Underglaze decoration of floral sprays and birds; overglaze gilding representing a Chinoiserie scene of figures in landscape. Edge of pot and of cover mounted in gilded brass (missing?)., Germany, 1725–1735, ceramics, Decorative Arts

Tea Bowl and Saucer, Vienna, c. 1730. Stock Photo

RM2GPPMC9–Tea Bowl and Saucer, Vienna, c. 1730.

Pier table, c. 1820, 36 5/8 x 36 5/8 x 17 5/8 in. (93.03 x 93.03 x 44.77 cm), Painted cherry, maple, poplar, United States, 19th century, This pier table, a rare example of early 19th-century Massachusetts or New York painted furntiure, combines a simple neoclassical furniture form with elaborate Chinese-style gold and black surface decoration. During the 18th and early 19th centuries, American cabinetmakers imitated lacquer imported from China and Japan by combining European painting techniques with designs taken from Asian sources, called chinoiserie. Stock Photo

RM2T91DEG–Pier table, c. 1820, 36 5/8 x 36 5/8 x 17 5/8 in. (93.03 x 93.03 x 44.77 cm), Painted cherry, maple, poplar, United States, 19th century, This pier table, a rare example of early 19th-century Massachusetts or New York painted furntiure, combines a simple neoclassical furniture form with elaborate Chinese-style gold and black surface decoration. During the 18th and early 19th centuries, American cabinetmakers imitated lacquer imported from China and Japan by combining European painting techniques with designs taken from Asian sources, called chinoiserie.

RMAXXX47–Brühl, Schloß Falkenlust, Lackkabinett

RF2R9KN6W–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

Vase (one of a pair), early 18th century, decoration ca. 1729–32 Stock Photo

RMKC75XK–Vase (one of a pair), early 18th century, decoration ca. 1729–32

Dressing table. Wood; carving,painting, gilding. From Saint Petersburg. Mid. 18th century. The State Hermitage Museum. Saint Petersburg. Russia. Stock Photo

RMP7GRW9–Dressing table. Wood; carving,painting, gilding. From Saint Petersburg. Mid. 18th century. The State Hermitage Museum. Saint Petersburg. Russia.

Nécessaire with watch, probably ca. 1745–50, German, Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass Stock Photo

RMKC7PTJ–Nécessaire with watch, probably ca. 1745–50, German, Casket: gold and mother-of-pearl, lined with dark-red velvet; Watch: brass

RF2RGNKTA–Vector hand drawn flower border of asters, daisies, green leaves, botanical wreath

RF2PNMNC1–Vector illustration for the opening of a big sale

RMCW3P2W–Gilded sculpture of a musician that stands at the walls of the Chinese House,a garden pavilion in the Sanssouci Park in Potsdam.

RMEYHA41–The Chinese house in Sanssouci park, Potsdam, Berlin

Vase (vase chinois) (one of a pair) 1791 Sèvres Manufactory French The final expression of the fashion for chinoiserie decoration at Sèvres in the eighteenth century occurred in the years between 1790 and 1793 when a remarkable group of objects was produced in imitation of Japanese and Chinese black lacquer. The majority of the works decorated in this style were tablewares, or tea wares, but a small number of vases were produced as well.[1] The shared characteristics of these porcelains are scenes painted in gold and platinum on a black ground. The gold was usually applied in several subtly di Stock Photo

RM2HH518G–Vase (vase chinois) (one of a pair) 1791 Sèvres Manufactory French The final expression of the fashion for chinoiserie decoration at Sèvres in the eighteenth century occurred in the years between 1790 and 1793 when a remarkable group of objects was produced in imitation of Japanese and Chinese black lacquer. The majority of the works decorated in this style were tablewares, or tea wares, but a small number of vases were produced as well.[1] The shared characteristics of these porcelains are scenes painted in gold and platinum on a black ground. The gold was usually applied in several subtly di

Pair of Hall Chairs, England, 1720/30. Stock Photo

RM2GPPM4J–Pair of Hall Chairs, England, 1720/30.

RF2R9KNX4–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

RF2RGNPJ0–Vector hand drawn flower border of asters, daisies, green leaves, botanical wreath

RF2PNMNC3–Vector illustration for the opening of a big sale

One of the gilded sculptures that stand at the walls of the Chinese House,a garden pavilion in the Sanssouci Park in Potsdam. Stock Photo

RMCW3P2X–One of the gilded sculptures that stand at the walls of the Chinese House,a garden pavilion in the Sanssouci Park in Potsdam.

RMEYHA3Y–The Chinese house in Sanssouci park, Potsdam, Berlin

RM2HH341W–Vase (one of a pair) early 18th century, decoration ca. 1729–32 Decorated by the Hausmaler Ignaz Preissler This Chinese vase was initially decorated in red enamel and gilding, but after it was exported to Europe additional decoration in black enamel and gold was applied by Ignaz Preissler (1676–1753). The depiction of “Chinese” figures is typical of chinoiserie, a term used to describe the European fascination with the peoples of Asia and their fanciful evocation in European decorative arts.. Vase (one of a pair). Chinese with Bohemian, Kronstadt decoration. early 18th century, decoration ca.

Briséwaaier of ivory painted with varnish Martin, in Central Cartouche the Roof of Helena surrounded by chinoiserie (front) and an arcadian harbor face with chinoiserie (back), anonymous, c. 1700 - c. 1720 Briséwaaier of Ivory painted with varnish Martin, in Central Cartouche the Roof of Helena surrounded by chinoiserie (front) and an arcadian harbor face with chinoiserie (back). Model: 30 legs (incl. Closing legs). Ribbon of green rips side, decorated with gold paint. Copper closing pin on pearl disk and mother -of -pearl reinforcement of the closing legs. Decoration: (front) The fan is divid Stock Photo

RM2TX8NW6–Briséwaaier of ivory painted with varnish Martin, in Central Cartouche the Roof of Helena surrounded by chinoiserie (front) and an arcadian harbor face with chinoiserie (back), anonymous, c. 1700 - c. 1720 Briséwaaier of Ivory painted with varnish Martin, in Central Cartouche the Roof of Helena surrounded by chinoiserie (front) and an arcadian harbor face with chinoiserie (back). Model: 30 legs (incl. Closing legs). Ribbon of green rips side, decorated with gold paint. Copper closing pin on pearl disk and mother -of -pearl reinforcement of the closing legs. Decoration: (front) The fan is divid

Pair of Chestnut Urns, Wales, 1790/1800. Stock Photo

RM2H95NTA–Pair of Chestnut Urns, Wales, 1790/1800.

Ice cream cooler 1804–13 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in su Stock Photo

RM2HHFAWX–Ice cream cooler 1804–13 Sèvres Manufactory French Porcelain decorated with a black ground in imitation of Asian lacquer was produced at Sèvres for about a fifteen-year period beginning in 1790. Furniture decorated with imported black lacquer panels saw a resurgence of popularity in the last two decades of the eighteenth century, and the Sèvres factory's efforts to simulate black lacquer on porcelain were probably stimulated by this renewed general interest in lacquer decoration. Black-ground Sèvres porcelain was decorated with chinoiserie scenes executed in gold, which was often applied in su

RF2R9KNX8–Chinoiserie seamless pattern with peacocks and flowers trees. Vector.

Black hyalith glass plate with chinoiserie. Round, shallow board, the edge light concave. On the flat and edge gold-plated decoration of chinoiserie with butterflies, dragons and diamond motifs. Stock Photo

RM2G4A6YE–Black hyalith glass plate with chinoiserie. Round, shallow board, the edge light concave. On the flat and edge gold-plated decoration of chinoiserie with butterflies, dragons and diamond motifs.

RM2G47D46–Black hyalith glass plate with chinoiserie. Round, shallow board, the edge light concave. On the flat and edge gold-plated decoration of chinoiserie with butterflies, dragons and diamond motifs.