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Gold ground Stock Photos and Images
David', c1410. Tempera on wood, gold ground. Lorenzo Monaco (c1370-1425) Italian artist. King David, king of Israel Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-david-c1410-tempera-on-wood-gold-ground-lorenzo-monaco-c1370-1425-57359309.htmlRMD98XAN–David', c1410. Tempera on wood, gold ground. Lorenzo Monaco (c1370-1425) Italian artist. King David, king of Israel
A 13th century gold-ground panel painting by Italian master Cimabue, measuring only ten by eight inches, displayed at Sotheby's, London, before being transported to the National Gallery which negotiated with the auction house to save it for the nation. * The painting will be known as the Benacre Madonna and Child after Benacre Hall in Suffolk, seat of the Gooch family, the house contents auction of which led to Sotheby's art expert Richard Charlton-Jones recognising it as a masterpiece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-13th-century-gold-ground-panel-painting-by-italian-master-cimabue-106383764.htmlRMG525G4–A 13th century gold-ground panel painting by Italian master Cimabue, measuring only ten by eight inches, displayed at Sotheby's, London, before being transported to the National Gallery which negotiated with the auction house to save it for the nation. * The painting will be known as the Benacre Madonna and Child after Benacre Hall in Suffolk, seat of the Gooch family, the house contents auction of which led to Sotheby's art expert Richard Charlton-Jones recognising it as a masterpiece.
White Poppies on Gold Ground, School of Ogata Kōrin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-white-poppies-on-gold-ground-school-of-ogata-krin-162441560.htmlRMKC7RT8–White Poppies on Gold Ground, School of Ogata Kōrin
Mary with the the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-with-the-the-baby-jesus-byzantine-gold-ground-mosaics-cathedral-70451679.htmlRME2H9RB–Mary with the the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale
Art inspired by The Annunciation, Oil on wood, gold ground, 39 x 37 in. (99.1 x 94 cm), Paintings, South Netherlandish Painter (ca. 1460, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-annunciation-oil-on-wood-gold-ground-39-x-37-in-991-x-94-cm-paintings-south-netherlandish-painter-ca-1460-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815385.htmlRF2HTY1MW–Art inspired by The Annunciation, Oil on wood, gold ground, 39 x 37 in. (99.1 x 94 cm), Paintings, South Netherlandish Painter (ca. 1460, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saints-matthew-and-francis-by-giovanni-di-paolo-1435-italian-renaissance-170559735.htmlRMKWDJK3–SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62)
Madonna and Child by Lorenzo di Niccolo Gerini, early 15th Century, Florence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-by-lorenzo-di-niccolo-gerini-early-15th-century-florence-image210388099.htmlRMP6804K–Madonna and Child by Lorenzo di Niccolo Gerini, early 15th Century, Florence.
Hosta plant grows in shade part, edge of a stone path in a garden, cover plant Euonymus fortunei 'Emerald n Gold' ground cover plants hosta path Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hosta-plant-grows-in-shade-part-edge-of-a-stone-path-in-a-garden-cover-image69572547.htmlRME158DR–Hosta plant grows in shade part, edge of a stone path in a garden, cover plant Euonymus fortunei 'Emerald n Gold' ground cover plants hosta path
Trophies and bouquets, 18th century. Three pastoral trophies with music, musical instruments, ribbons and flowers on a gold ground by the brothers Martin, varnisher to the king, one with the initials of Marie-Antoinette (bottom). Vase by Carlle (top centre) and the four seasons in grisaille. XVIIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trophies-and-bouquets-18th-century-three-pastoral-trophies-with-music-musical-instruments-ribbons-and-flowers-on-a-gold-ground-by-the-brothers-martin-varnisher-to-the-king-one-with-the-initials-of-marie-antoinette-bottom-vase-by-carlle-top-centre-and-the-four-seasons-in-grisaille-xviiime-siecle-hand-finished-chromolithograph-by-launay-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image571847678.htmlRM2T69WFA–Trophies and bouquets, 18th century. Three pastoral trophies with music, musical instruments, ribbons and flowers on a gold ground by the brothers Martin, varnisher to the king, one with the initials of Marie-Antoinette (bottom). Vase by Carlle (top centre) and the four seasons in grisaille. XVIIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
ANEMONE RANUNCULOIDES SSP WOCKEANA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anemone-ranunculoides-ssp-wockeana-17056275.htmlRMAYBHBG–ANEMONE RANUNCULOIDES SSP WOCKEANA
French nobleman kneeling in prayer, 14th century. Armorial tunic or soubreveste with red lion on gold ground, suit of plate armour. From a manuscript in the Biblioteca angelica, Rome. Noble Francais, XIVe siecle. Handcoloured woodcut engraving from Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/french-nobleman-kneeling-in-prayer-14th-century-armorial-tunic-or-soubreveste-with-red-lion-on-gold-ground-suit-of-plate-armour-from-a-manuscript-in-the-biblioteca-angelica-rome-noble-francais-xive-siecle-handcoloured-woodcut-engraving-from-costume-du-moyen-age-medieval-costume-librairie-historique-artistique-brussels-1847-image574706506.htmlRM2TB040A–French nobleman kneeling in prayer, 14th century. Armorial tunic or soubreveste with red lion on gold ground, suit of plate armour. From a manuscript in the Biblioteca angelica, Rome. Noble Francais, XIVe siecle. Handcoloured woodcut engraving from Costume du Moyen Age, Medieval Costume, Librairie Historique-Artistique, Brussels, 1847.
Saint Andrew by Simone Martini (c.1284-1344), tempera on wood, gold ground, c. 1326 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-andrew-by-simone-martini-c1284-1344-tempera-on-wood-gold-ground-c-1326-image432595957.htmlRM2G3PCFH–Saint Andrew by Simone Martini (c.1284-1344), tempera on wood, gold ground, c. 1326
Painting of Saint Thomas from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-saint-thomas-from-the-workshop-of-simone-martini-created-ca-131719-tempera-on-wood-gold-ground-image458812028.htmlRM2HJCKBT–Painting of Saint Thomas from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground.
Pendant Triptych with an Onyx Cameo of the Nativity, c. 1460-1500; cameo: c. 1250-1300. This pendant consists of colourful translucent enamel over an incised gold ground, a technique known as basse-taille , which simulates stained glass. For its owner this pendant was both for private devotion and a deluxe accessory. Made to be worn around the neck or suspended on a bed curtain, the pendant is shaped as a miniature triptych (three-panel painting) with wings or shutters that could be opened and closed. The outer surfaces are decorated with two prophets. The remaining images include various sce Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pendant-triptych-with-an-onyx-cameo-of-the-nativity-c-1460-1500-cameo-c-1250-1300-this-pendant-consists-of-colourful-translucent-enamel-over-an-incised-gold-ground-a-technique-known-as-basse-taille-which-simulates-stained-glass-for-its-owner-this-pendant-was-both-for-private-devotion-and-a-deluxe-accessory-made-to-be-worn-around-the-neck-or-suspended-on-a-bed-curtain-the-pendant-is-shaped-as-a-miniature-triptych-three-panel-painting-with-wings-or-shutters-that-could-be-opened-and-closed-the-outer-surfaces-are-decorated-with-two-prophets-the-remaining-images-include-various-sce-image330111778.htmlRM2A51TXA–Pendant Triptych with an Onyx Cameo of the Nativity, c. 1460-1500; cameo: c. 1250-1300. This pendant consists of colourful translucent enamel over an incised gold ground, a technique known as basse-taille , which simulates stained glass. For its owner this pendant was both for private devotion and a deluxe accessory. Made to be worn around the neck or suspended on a bed curtain, the pendant is shaped as a miniature triptych (three-panel painting) with wings or shutters that could be opened and closed. The outer surfaces are decorated with two prophets. The remaining images include various sce
Common juniper, Ground juniper (Juniperus communis 'Gold Cone', Juniperus communis Gold Cone), cultivar Gold Cone, Germany Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/common-juniper-ground-juniper-juniperus-communis-gold-cone-juniperus-communis-gold-cone-cultivar-gold-cone-germany-image255219996.htmlRMTR67KT–Common juniper, Ground juniper (Juniperus communis 'Gold Cone', Juniperus communis Gold Cone), cultivar Gold Cone, Germany
A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-squadron-clasp-in-gold-for-air-to-ground-support-pilots-with-star-pendant-fine-zinc-issue-with-riveted-patinated-partial-loss-swords-appliqu-the-attachment-pin-of-gilded-non-ferrous-metal-magnetic-counter-clasp-star-pendant-in-fine-zinc-width-73-mm-weight-194-g-historic-historical-20th-century-additional-rights-clearance-info-not-available-image247418470.htmlRMTAETNX–A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Gold ground beetle, Carabus auratus. Insect close-up in natural environment. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-ground-beetle-carabus-auratus-insect-close-up-in-natural-environment-image502864138.htmlRF2M63C9E–Gold ground beetle, Carabus auratus. Insect close-up in natural environment.
N/A. English: Four Saints by Francesco d'Antonio, tempera on panel, gold ground, 34.1 by 17.5 cm. . Francesco d'Antonio 2 'Four Saints' by Francesco d'Antonio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/na-english-four-saints-by-francesco-dantonio-tempera-on-panel-gold-ground-341-by-175-cm-francesco-dantonio-2-four-saints-by-francesco-dantonio-image209970534.htmlRMP5GYFJ–N/A. English: Four Saints by Francesco d'Antonio, tempera on panel, gold ground, 34.1 by 17.5 cm. . Francesco d'Antonio 2 'Four Saints' by Francesco d'Antonio
umbrella in a park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-umbrella-in-a-park-114536444.htmlRFGJ9GB8–umbrella in a park
Madonna and Child. Berlinghiero (active by 1228, d1236) Italian artist. Tempera on wood, gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-madonna-and-child-berlinghiero-active-by-1228-d1236-italian-artist-57315329.htmlRMD96X81–Madonna and Child. Berlinghiero (active by 1228, d1236) Italian artist. Tempera on wood, gold ground.
Title: Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation Artist: Spinello Aretino (Spinello di Luca Spinelli) Year: ca. 1395–1400 Medium: Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse) Dimensions: 176.5 x 120 cm Location: The Metropolitan Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-saint-mary-magdalen-holding-a-crucifix-reverse-the-flagellation-artist-spinello-aretino-spinello-di-luca-spinelli-year-ca-13951400-medium-tempera-on-canvas-gold-ground-photographic-facsimile-christs-face-on-reverse-dimensions-1765-x-120-cm-location-the-metropolitan-museum-of-art-image630214792.htmlRM2YH8NB4–Title: Saint Mary Magdalen Holding a Crucifix; (reverse) The Flagellation Artist: Spinello Aretino (Spinello di Luca Spinelli) Year: ca. 1395–1400 Medium: Tempera on canvas, gold ground; photographic facsimile (Christ’s face on reverse) Dimensions: 176.5 x 120 cm Location: The Metropolitan Museum of Art
Sidewall, Machine-printed paper, On metallic gold ground, yellow and tan ferns alternate with lush orange flowers and tan foliage., 1870–90, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-machine-printed-paper-on-metallic-gold-ground-yellow-and-tan-ferns-alternate-with-lush-orange-flowers-and-tan-foliage-187090-wallcoverings-sidewall-image391613476.htmlRM2DN3EYG–Sidewall, Machine-printed paper, On metallic gold ground, yellow and tan ferns alternate with lush orange flowers and tan foliage., 1870–90, Wallcoverings, Sidewall
Mary with the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-with-the-baby-jesus-byzantine-gold-ground-mosaics-cathedral-of-70451681.htmlRME2H9RD–Mary with the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale
Art inspired by Plate, February 26th 1910, Made in Trenton, New Jersey, United States, American, Porcelain, gold ground, Body diameter: 12 in. (30.5 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-plate-february-26th-1910-made-in-trenton-new-jersey-united-states-american-porcelain-gold-ground-body-diameter-12-in-305-cm-ceramics-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462898977.htmlRF2HW2TA9–Art inspired by Plate, February 26th 1910, Made in Trenton, New Jersey, United States, American, Porcelain, gold ground, Body diameter: 12 in. (30.5 cm), Ceramics, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
THE CRUCIFIXION, by Fra Angelico, 1420–23, Italian Renaissance painting, tempera on wood, gold ground. This Crucifixion by the Dominican friar, Fra Giovanni da Fiesole, includes human drama in the iconic scene: the Virgin, collapsed in grief; the lamenting Marys; varied attitudes of the Roman soldiers and their horses. In 1982, Pope John Paul II proclaimed Fra Angelicos beatification (BSLOC 2017 16 57) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-crucifixion-by-fra-angelico-142023-italian-renaissance-painting-170559727.htmlRMKWDJJR–THE CRUCIFIXION, by Fra Angelico, 1420–23, Italian Renaissance painting, tempera on wood, gold ground. This Crucifixion by the Dominican friar, Fra Giovanni da Fiesole, includes human drama in the iconic scene: the Virgin, collapsed in grief; the lamenting Marys; varied attitudes of the Roman soldiers and their horses. In 1982, Pope John Paul II proclaimed Fra Angelicos beatification (BSLOC 2017 16 57)
Madonna and Child by Lorenzo di Niccolo Gerini, early 15th Century, Florence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-by-lorenzo-di-niccolo-gerini-early-15th-century-florence-image210388096.htmlRMP6804G–Madonna and Child by Lorenzo di Niccolo Gerini, early 15th Century, Florence.
14th century - The Descent from the Cross - Pseudo-Dalmasio (1330) Tempera on wood, gold ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-14th-century-the-descent-from-the-cross-pseudo-dalmasio-1330-tempera-59617850.htmlRMDCYR4X–14th century - The Descent from the Cross - Pseudo-Dalmasio (1330) Tempera on wood, gold ground
Madonna and Child with Angels. Artist: Pietro di Domenico da Montepulciano (Italian, Marchigian, active first quarter 15th century). Dimensions: Overall, with engaged frame, 34 5/8 x 26 1/4 in. (87.9 x 66.7 cm); painted surface 30 5/8 x 22 1/4 in. (77.8 x 56.5 cm). Date: 1420. This exquisite painting is notable for the refinement of its tooled and freehand work on the gold ground. The picture alludes to the Madonna's humility (she is seated on grass), and to her roles as Queen of Heaven (the angels tooled into the gold background suspend a crown over her) and the beloved enclosed in a garden. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-with-angels-artist-pietro-di-domenico-da-montepulciano-italian-marchigian-active-first-quarter-15th-century-dimensions-overall-with-engaged-frame-34-58-x-26-14-in-879-x-667-cm-painted-surface-30-58-x-22-14-in-778-x-565-cm-date-1420-this-exquisite-painting-is-notable-for-the-refinement-of-its-tooled-and-freehand-work-on-the-gold-ground-the-picture-alludes-to-the-madonnas-humility-she-is-seated-on-grass-and-to-her-roles-as-queen-of-heaven-the-angels-tooled-into-the-gold-background-suspend-a-crown-over-her-and-the-beloved-enclosed-in-a-garden-image212897516.htmlRMPAA8XM–Madonna and Child with Angels. Artist: Pietro di Domenico da Montepulciano (Italian, Marchigian, active first quarter 15th century). Dimensions: Overall, with engaged frame, 34 5/8 x 26 1/4 in. (87.9 x 66.7 cm); painted surface 30 5/8 x 22 1/4 in. (77.8 x 56.5 cm). Date: 1420. This exquisite painting is notable for the refinement of its tooled and freehand work on the gold ground. The picture alludes to the Madonna's humility (she is seated on grass), and to her roles as Queen of Heaven (the angels tooled into the gold background suspend a crown over her) and the beloved enclosed in a garden.
ANEMONE RANUNCULOIDES SSP WOCKEANA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anemone-ranunculoides-ssp-wockeana-17055974.htmlRMAYBGDY–ANEMONE RANUNCULOIDES SSP WOCKEANA
Arabic Gospels. Title page of the Arabic Gospel of St. Luke from Bishop Butler's manuscript (British Museum MS Add 11856) wrtten in coloured ink on a gold ground. Chromolithograph after an illustration by John Obadiah Westwood from his own Palaeographia Sacra Pictoria, being a series of Illustrations of the Ancient Versions of the Bible, copied from Illuminated Manuscripts, William Smith, London, 1843. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arabic-gospels-title-page-of-the-arabic-gospel-of-st-luke-from-bishop-butlers-manuscript-british-museum-ms-add-11856-wrtten-in-coloured-ink-on-a-gold-ground-chromolithograph-after-an-illustration-by-john-obadiah-westwood-from-his-own-palaeographia-sacra-pictoria-being-a-series-of-illustrations-of-the-ancient-versions-of-the-bible-copied-from-illuminated-manuscripts-william-smith-london-1843-image628763721.htmlRM2YEXJF5–Arabic Gospels. Title page of the Arabic Gospel of St. Luke from Bishop Butler's manuscript (British Museum MS Add 11856) wrtten in coloured ink on a gold ground. Chromolithograph after an illustration by John Obadiah Westwood from his own Palaeographia Sacra Pictoria, being a series of Illustrations of the Ancient Versions of the Bible, copied from Illuminated Manuscripts, William Smith, London, 1843.
Madonna and Child by Simone Martini (c.1284-1344), tempera on wood, gold ground, c. 1326 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-by-simone-martini-c1284-1344-tempera-on-wood-gold-ground-c-1326-image432487950.htmlRM2G3HEP6–Madonna and Child by Simone Martini (c.1284-1344), tempera on wood, gold ground, c. 1326
Painting of Saint Andrew from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-saint-andrew-from-the-workshop-of-simone-martini-created-ca-131719-tempera-on-wood-gold-ground-image458812039.htmlRM2HJCKC7–Painting of Saint Andrew from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground.
![Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christ’s role as the beginning and end of all things. The Latin inscription states: "This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italia Stock Photo](https://c8.alamy.com/comp/2A52WD5/virgin-and-child-enthroned-1419-rather-than-depicting-a-single-moment-in-time-this-gold-ground-painting-symbolically-encapsulates-christ-seated-on-a-rich-throne-the-monumental-virgin-holds-the-christ-child-above-the-risen-christ-is-seen-in-heaven-holding-a-book-inscribed-with-the-alpha-and-omega-the-first-and-last-letters-of-the-greek-alphabet-signifying-christx2019s-role-as-the-beginning-and-end-of-all-things-the-latin-inscription-states-quotthis-painting-was-made-for-antonio-di-domenicho-giugni-for-the-repose-of-his-soul-the-year-of-our-lord-1419quot-in-the-1300s-italia-2A52WD5.jpg "Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christ’s role as the beginning and end of all things. The Latin inscription states: "This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italia Stock Photo")
Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christ’s role as the beginning and end of all things. The Latin inscription states: "This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italia Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/virgin-and-child-enthroned-1419-rather-than-depicting-a-single-moment-in-time-this-gold-ground-painting-symbolically-encapsulates-christ-seated-on-a-rich-throne-the-monumental-virgin-holds-the-christ-child-above-the-risen-christ-is-seen-in-heaven-holding-a-book-inscribed-with-the-alpha-and-omega-the-first-and-last-letters-of-the-greek-alphabet-signifying-christx2019s-role-as-the-beginning-and-end-of-all-things-the-latin-inscription-states-quotthis-painting-was-made-for-antonio-di-domenicho-giugni-for-the-repose-of-his-soul-the-year-of-our-lord-1419quot-in-the-1300s-italia-image330134145.htmlRM2A52WD5–Virgin and Child Enthroned, 1419. Rather than depicting a single moment in time, this gold-ground painting symbolically encapsulates Christ. Seated on a rich throne, the monumental Virgin holds the Christ child. Above, the risen Christ is seen in heaven holding a book, inscribed with the alpha and omega, the first and last letters of the Greek alphabet, signifying Christ’s role as the beginning and end of all things. The Latin inscription states: "This painting was made for Antonio di Domenicho Giugni for the repose of his soul, the year of our Lord 1419." In the 1300s, Italia
Fragment. Scale pattern on gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fragment-scale-pattern-on-gold-ground-image353546914.htmlRM2BF5CKE–Fragment. Scale pattern on gold ground.
A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-squadron-clasp-in-gold-for-air-to-ground-support-pilots-with-star-pendant-fine-zinc-issue-with-riveted-patinated-partial-loss-swords-appliqu-the-attachment-pin-of-gilded-non-ferrous-metal-magnetic-counter-clasp-star-pendant-in-fine-zinc-width-73-mm-weight-194-g-historic-historical-20th-century-additional-rights-clearance-info-not-available-image247418468.htmlRMTAETNT–A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Gold ground beetle, Carabus auratus. Insect close-up in natural environment. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-ground-beetle-carabus-auratus-insect-close-up-in-natural-environment-image502864135.htmlRF2M63C9B–Gold ground beetle, Carabus auratus. Insect close-up in natural environment.
. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 544 SassestaHumility Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wmadonna-of-humility-by-wsassetta-ca-144550-tempera-on-wood-gold-ground-metropolitan-mus-of-art-ny-circa-1445-50-wsassetta-544-sassestahumility-image187470140.htmlRMMW0024–. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 544 SassestaHumility
umbrella in a park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-umbrella-in-a-park-114464317.htmlRFGJ68B9–umbrella in a park
Mughal portrait of a Princess seen at a window holding a jewel. She faces left and is dressed in a transparent robe over a flowered skirt. She is richly bejewelled and wears a tall gold flowered hat with a black aigrette and a transparent veil falling over her shoulders; the window blind above her and the hanging draped over the sill are decorated with flowers on a gold ground, on an album leaf with a border of silver and gilt leaves on a dark blue ground, four lines of nasta'liq calligraphy on the verso on a gold and silver ground. Dated 18th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-mughal-portrait-of-a-princess-seen-at-a-window-holding-a-jewel-she-165896692.htmlRMKHW6WT–Mughal portrait of a Princess seen at a window holding a jewel. She faces left and is dressed in a transparent robe over a flowered skirt. She is richly bejewelled and wears a tall gold flowered hat with a black aigrette and a transparent veil falling over her shoulders; the window blind above her and the hanging draped over the sill are decorated with flowers on a gold ground, on an album leaf with a border of silver and gilt leaves on a dark blue ground, four lines of nasta'liq calligraphy on the verso on a gold and silver ground. Dated 18th Century
Spring Woodland garden, ground, Euonymus fortunei 'Emerald´n Gold', covered, Yellow, leaves, Tree trunk Pinus old Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spring-woodland-garden-ground-euonymus-fortunei-emeraldn-gold-covered-yellow-leaves-tree-trunk-pinus-old-image574349631.htmlRM2TABTPR–Spring Woodland garden, ground, Euonymus fortunei 'Emerald´n Gold', covered, Yellow, leaves, Tree trunk Pinus old
Sidewall, Machine-printed, On metallic gold ground, large fantastic flowers with feathered and plume-like leaves in tan and white., USA, 1875–1900, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-machine-printed-on-metallic-gold-ground-large-fantastic-flowers-with-feathered-and-plume-like-leaves-in-tan-and-white-usa-18751900-wallcoverings-sidewall-image391327151.htmlRM2DMJDNK–Sidewall, Machine-printed, On metallic gold ground, large fantastic flowers with feathered and plume-like leaves in tan and white., USA, 1875–1900, Wallcoverings, Sidewall
Mary with the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-mary-with-the-baby-jesus-byzantine-gold-ground-mosaics-cathedral-of-70451680.htmlRME2H9RC–Mary with the Baby Jesus, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale
Art inspired by The Nativity, Oil on wood, gold ground, 37 x 36 1/4 in. (94 x 92.1 cm), Paintings, South Netherlandish Painter (ca. 1460, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-nativity-oil-on-wood-gold-ground-37-x-36-14-in-94-x-921-cm-paintings-south-netherlandish-painter-ca-1460-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815394.htmlRF2HTY1N6–Art inspired by The Nativity, Oil on wood, gold ground, 37 x 36 1/4 in. (94 x 92.1 cm), Paintings, South Netherlandish Painter (ca. 1460, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
THE CRUCIFIXION, THE LAST JUDGMENT, by Jan van Eyck, 1440-41, Northern Renaissance painting. In this masterpiece of Renaissance art, the naturalism of a landscape setting replaced the gold ground of Italian painting. In the left panel, Van Eyck depicted the Crucifixion as it would take place in his contemporary 15th century world (BSLOC 2017 16 106) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-crucifixion-the-last-judgment-by-jan-van-eyck-1440-41-northern-170559635.htmlRMKWDJFF–THE CRUCIFIXION, THE LAST JUDGMENT, by Jan van Eyck, 1440-41, Northern Renaissance painting. In this masterpiece of Renaissance art, the naturalism of a landscape setting replaced the gold ground of Italian painting. In the left panel, Van Eyck depicted the Crucifixion as it would take place in his contemporary 15th century world (BSLOC 2017 16 106)
Mughal portrait of a Princess seen at a window holding a jewel. She faces left and is dressed in a transparent robe over a flowered skirt. She is richly bejewelled and wears a tall gold flowered hat with a black aigrette and a transparent veil falling over her shoulders; the window blind above her and the hanging draped over the sill are decorated with flowers on a gold ground, on an album leaf with a border of silver and gilt leaves on a dark blue ground, four lines of nasta'liq calligraphy on the verso on a gold and silver ground. Dated 18th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mughal-portrait-of-a-princess-seen-at-a-window-holding-a-jewel-she-faces-left-and-is-dressed-in-a-transparent-robe-over-a-flowered-skirt-she-is-richly-bejewelled-and-wears-a-tall-gold-flowered-hat-with-a-black-aigrette-and-a-transparent-veil-falling-over-her-shoulders-the-window-blind-above-her-and-the-hanging-draped-over-the-sill-are-decorated-with-flowers-on-a-gold-ground-on-an-album-leaf-with-a-border-of-silver-and-gilt-leaves-on-a-dark-blue-ground-four-lines-of-nastaliq-calligraphy-on-the-verso-on-a-gold-and-silver-ground-dated-18th-century-image610220588.htmlRM2XCNXGC–Mughal portrait of a Princess seen at a window holding a jewel. She faces left and is dressed in a transparent robe over a flowered skirt. She is richly bejewelled and wears a tall gold flowered hat with a black aigrette and a transparent veil falling over her shoulders; the window blind above her and the hanging draped over the sill are decorated with flowers on a gold ground, on an album leaf with a border of silver and gilt leaves on a dark blue ground, four lines of nasta'liq calligraphy on the verso on a gold and silver ground. Dated 18th Century
15th century - Saint Lawrence Enthroned with Saints and Donors, around 1440 - Fra Filippo Lippi Tempera on wood, gold ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-15th-century-saint-lawrence-enthroned-with-saints-and-donors-around-59411343.htmlRMDCJBNK–15th century - Saint Lawrence Enthroned with Saints and Donors, around 1440 - Fra Filippo Lippi Tempera on wood, gold ground
The Lamentation. Artist: Master of the Codex of Saint George (Italian, active Florence, ca. 1315-35). Culture: Italian. Dimensions: Overall: 18 x 11 3/4 in. (45.7 x 29.8 cm) Painted surface: 15 5/8 x 10 5/8 in. (39.7 x 27 cm). Date: ca. 1330-35. The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he ill Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-lamentation-artist-master-of-the-codex-of-saint-george-italian-active-florence-ca-1315-35-culture-italian-dimensions-overall-18-x-11-34-in-457-x-298-cm-painted-surface-15-58-x-10-58-in-397-x-27-cm-date-ca-1330-35-the-grieving-faces-and-bold-gestures-on-this-exquisitey-painted-panel-highlighted-against-a-stark-gold-ground-dramatically-convey-the-emotion-of-the-passion-of-the-christ-this-panel-along-with-its-companion-acc-no-612001-are-among-the-few-surviving-works-by-the-so-called-master-of-the-codex-of-saint-george-who-is-named-for-a-missal-he-ill-image212916756.htmlRMPAB5DT–The Lamentation. Artist: Master of the Codex of Saint George (Italian, active Florence, ca. 1315-35). Culture: Italian. Dimensions: Overall: 18 x 11 3/4 in. (45.7 x 29.8 cm) Painted surface: 15 5/8 x 10 5/8 in. (39.7 x 27 cm). Date: ca. 1330-35. The grieving faces and bold gestures on this exquisitey painted panel, highlighted against a stark gold ground, dramatically convey the emotion of the Passion of the Christ. This panel, along with its companion (acc. no. 61.200.1), are among the few surviving works by the so-called Master of the Codex of Saint George, who is named for a missal he ill
ANEMONE RANUNCULOIDES SSP WOCKEANA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anemone-ranunculoides-ssp-wockeana-17056301.htmlRMAYBHDJ–ANEMONE RANUNCULOIDES SSP WOCKEANA
Trophies and bouquets, 18th century. Three pastoral trophies with music, musical instruments, ribbons and flowers on a gold ground by the brothers Martin, varnisher to the king, one with the initials of Marie-Antoinette (bottom). Vase by Carlle (top centre) and the four seasons in grisaille. XVIIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trophies-and-bouquets-18th-century-three-pastoral-trophies-with-music-musical-instruments-ribbons-and-flowers-on-a-gold-ground-by-the-brothers-martin-varnisher-to-the-king-one-with-the-initials-of-marie-antoinette-bottom-vase-by-carlle-top-centre-and-the-four-seasons-in-grisaille-xviiime-siecle-hand-finished-chromolithograph-by-launay-from-albert-charles-auguste-racinets-lornement-polychrome-polychromatic-ornament-firmin-didot-paris-1869-73-image455970772.htmlRM2HDR7AC–Trophies and bouquets, 18th century. Three pastoral trophies with music, musical instruments, ribbons and flowers on a gold ground by the brothers Martin, varnisher to the king, one with the initials of Marie-Antoinette (bottom). Vase by Carlle (top centre) and the four seasons in grisaille. XVIIIme Siecle. Hand-finished chromolithograph by Launay from Albert-Charles-Auguste Racinet’s L’Ornement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.
The Feast of Herod and the Beheading of the Baptist by Giovanni Baronzio, tempera on wood, gold ground, and silver, c. 1330-35 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-feast-of-herod-and-the-beheading-of-the-baptist-by-giovanni-baronzio-tempera-on-wood-gold-ground-and-silver-c-1330-35-image432283550.htmlRM2G38626–The Feast of Herod and the Beheading of the Baptist by Giovanni Baronzio, tempera on wood, gold ground, and silver, c. 1330-35
Painting of Saint Matthias from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-saint-matthias-from-the-workshop-of-simone-martini-created-ca-131719-tempera-on-wood-gold-ground-image458812029.htmlRM2HJCKBW–Painting of Saint Matthias from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground.
Vertical bands or borders in dark colours on gold ground, pub. 1892. Creator: George Ashdown Audsley (1838-1925). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vertical-bands-or-borders-in-dark-colours-on-gold-ground-pub-1892-creator-george-ashdown-audsley-1838-1925-image228931747.htmlRMR8CMNR–Vertical bands or borders in dark colours on gold ground, pub. 1892. Creator: George Ashdown Audsley (1838-1925).
Sidewall. On metallic gold ground, yellow and tan ferns alternate with lush orange flowers and tan foliage. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-on-metallic-gold-ground-yellow-and-tan-ferns-alternate-with-lush-orange-flowers-and-tan-foliage-image353518649.htmlRM2BF44J1–Sidewall. On metallic gold ground, yellow and tan ferns alternate with lush orange flowers and tan foliage.
A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-squadron-clasp-in-gold-for-air-to-ground-support-pilots-with-star-pendant-fine-zinc-issue-with-riveted-patinated-partial-loss-swords-appliqu-the-attachment-pin-of-gilded-non-ferrous-metal-magnetic-counter-clasp-star-pendant-in-fine-zinc-width-73-mm-weight-194-g-historic-historical-20th-century-additional-rights-clearance-info-not-available-image247418455.htmlRMTAETNB–A Squadron Clasp in Gold for air-to-ground support pilots with star pendant Fine zinc issue with riveted, patinated (partial loss) swords appliqué. The attachment pin of gilded non-ferrous metal, magnetic counter clasp. Star pendant in fine zinc. Width 73 mm. Weight 19.4 g. historic, historical, 20th century, Additional-Rights-Clearance-Info-Not-Available
Gold ground beetle, Carabus auratus. Insect close-up in natural environment. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-ground-beetle-carabus-auratus-insect-close-up-in-natural-environment-image502864140.htmlRF2M63C9G–Gold ground beetle, Carabus auratus. Insect close-up in natural environment.
. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 475 SassestaHumility Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wmadonna-of-humility-by-wsassetta-ca-144550-tempera-on-wood-gold-ground-metropolitan-mus-of-art-ny-circa-1445-50-wsassetta-475-sassestahumility-image188743581.htmlRMMY20A5–. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 475 SassestaHumility
umbrella in a park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-umbrella-in-a-park-114539112.htmlRFGJ9KPG–umbrella in a park
A shiny gold ground beetle hidden in the green grass. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-shiny-gold-ground-beetle-hidden-in-the-green-grass-image465032591.htmlRM2J0G1PR–A shiny gold ground beetle hidden in the green grass.
Chee-Chacos Camping Ground, Dawson City, Canada 1898 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chee-chacos-camping-ground-dawson-city-canada-1898-image178803310.htmlRMMAW5CE–Chee-Chacos Camping Ground, Dawson City, Canada 1898
Sidewall, Block-printed on ribbed paper, Delicately drawn but dense pattern of foliate scrolls and flowers on metallic gold ground., USA, 1870–90, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-block-printed-on-ribbed-paper-delicately-drawn-but-dense-pattern-of-foliate-scrolls-and-flowers-on-metallic-gold-ground-usa-187090-wallcoverings-sidewall-image391735340.htmlRM2DN92BT–Sidewall, Block-printed on ribbed paper, Delicately drawn but dense pattern of foliate scrolls and flowers on metallic gold ground., USA, 1870–90, Wallcoverings, Sidewall
Lot flees from Sodom, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lot-flees-from-sodom-byzantine-gold-ground-mosaics-cathedral-of-santa-70451691.htmlRME2H9RR–Lot flees from Sodom, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale
Art inspired by Obi with Iris, 1988, Japan (Kyoto), Brocaded in silk on gold ground, 12 1/2 in. x 16 ft. (31.8 x 496 cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-obi-with-iris-1988-japan-kyoto-brocaded-in-silk-on-gold-ground-12-12-in-x-16-ft-318-x-496-cm-costumes-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462761216.htmlRF2HTTGJ8–Art inspired by Obi with Iris, 1988, Japan (Kyoto), Brocaded in silk on gold ground, 12 1/2 in. x 16 ft. (31.8 x 496 cm), Costumes, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Closeup shot of acorns on the ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/closeup-shot-of-acorns-on-the-ground-image418509107.htmlRF2F8TMHR–Closeup shot of acorns on the ground
Giotto di Bondone Italian school The Adoration of the Magi Possibly c.1320 Tempera on wood, gold ground (45.1 x 43.8 cm) New York, Metropolitan Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-di-bondone-italian-school-the-adoration-of-the-magi-possibly-c1320-tempera-on-wood-gold-ground-451-x-438-cm-new-york-metropolitan-museum-of-art-image342134484.htmlRM2ATHG0M–Giotto di Bondone Italian school The Adoration of the Magi Possibly c.1320 Tempera on wood, gold ground (45.1 x 43.8 cm) New York, Metropolitan Museum of Art
SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-saints-matthew-and-francis-by-giovanni-di-paolo-1435-italian-renaissance-170561050.htmlRMKWDMA2–SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figures drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC 2017 16 62)
'Prince Killing a Lion', Folio from the Davis Album. Calligrapher: Ali Reza. Dimensions: Page: H. 13 1/8 in. (33.3 cm) W. 8 9/16 in. (21.7 cm) Painting: H. 7 7/8 in. (20 cm) W. 6 1/4 in. (15.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: 17th century. This dramatic scene depicts a prince stabbing a wounded lion as his horse sinks its teeth into the lion's neck. On the basis of the tightly wound turban with a thick bulge in front and a fanned end with flowers on a gold ground the painting can be dated to the 1690's or early eighteenth century. A signature would have a Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prince-killing-a-lion-folio-from-the-davis-album-calligrapher-ali-reza-dimensions-page-h-13-18-in-333-cm-w-8-916-in-217-cm-painting-h-7-78-in-20-cm-w-6-14-in-159-cm-mat-h-19-14-in-489-cm-w-14-14-in-362-cm-date-17th-century-this-dramatic-scene-depicts-a-prince-stabbing-a-wounded-lion-as-his-horse-sinks-its-teeth-into-the-lions-neck-on-the-basis-of-the-tightly-wound-turban-with-a-thick-bulge-in-front-and-a-fanned-end-with-flowers-on-a-gold-ground-the-painting-can-be-dated-to-the-1690s-or-early-eighteenth-century-a-signature-would-have-a-image213145881.htmlRMPANHMW–'Prince Killing a Lion', Folio from the Davis Album. Calligrapher: Ali Reza. Dimensions: Page: H. 13 1/8 in. (33.3 cm) W. 8 9/16 in. (21.7 cm) Painting: H. 7 7/8 in. (20 cm) W. 6 1/4 in. (15.9 cm) Mat: H. 19 1/4 in. (48.9 cm) W. 14 1/4 in. (36.2 cm). Date: 17th century. This dramatic scene depicts a prince stabbing a wounded lion as his horse sinks its teeth into the lion's neck. On the basis of the tightly wound turban with a thick bulge in front and a fanned end with flowers on a gold ground the painting can be dated to the 1690's or early eighteenth century. A signature would have a
ANEMONE RANUNCULOIDES SSP WOCKEANA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anemone-ranunculoides-ssp-wockeana-17056051.htmlRMAYBGMM–ANEMONE RANUNCULOIDES SSP WOCKEANA
Decorative plate from Rouen with six putti on a gold ground, bordered with foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-decorative-plate-from-rouen-with-six-putti-on-a-gold-ground-bordered-90633200.htmlRMF7CKG0–Decorative plate from Rouen with six putti on a gold ground, bordered with foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
Giotto. The Adoration of the Magi by Giotto di Bondone (c.1266-1337), tempera on wood, gold ground, c. 1320 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/giotto-the-adoration-of-the-magi-by-giotto-di-bondone-c1266-1337-tempera-on-wood-gold-ground-c-1320-image430726471.htmlRM2G0N807–Giotto. The Adoration of the Magi by Giotto di Bondone (c.1266-1337), tempera on wood, gold ground, c. 1320
Painting of Saint Bartholomew from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-of-saint-bartholomew-from-the-workshop-of-simone-martini-created-ca-131719-tempera-on-wood-gold-ground-image458811487.htmlRM2HJCJMF–Painting of Saint Bartholomew from the workshop of Simone Martini, created ca. 1317‚Äì19. Tempera on wood, gold ground.
Sash with floral field and end panels on a gold ground, 1700s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sash-with-floral-field-and-end-panels-on-a-gold-ground-1700s-image330116814.htmlRM2A523A6–Sash with floral field and end panels on a gold ground, 1700s.
Border. Printed three across, turquoise blue and maroon flowers with foliage. Printed on emobssed metallic gold ground. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-printed-three-across-turquoise-blue-and-maroon-flowers-with-foliage-printed-on-emobssed-metallic-gold-ground-image353469524.htmlRM2BF1WYG–Border. Printed three across, turquoise blue and maroon flowers with foliage. Printed on emobssed metallic gold ground.
An Squadron Clasp for Air-to-Ground Support Pilots in Gold with '200' pendant Gilt zinc (migrated), riveted appliqué. The reverse with a barely legible maker's mark for Osang, Dresden. Complete attachment pin system with magnetic needle. Weight 19.3 g. historic, historical, awards, award, German Reich, Third Reich, Nazi era, National Socialism, object, objects, stills, medal, decoration, medals, decorations, clipping, cut out, cut-out, cut-outs, honor, honour, National Socialist, Nazi, Nazi period, 20th century, Editorial-Use-Only Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-squadron-clasp-for-air-to-ground-support-pilots-in-gold-with-200-pendant-gilt-zinc-migrated-riveted-appliqu-the-reverse-with-a-barely-legible-makers-mark-for-osang-dresden-complete-attachment-pin-system-with-magnetic-needle-weight-193-g-historic-historical-awards-award-german-reich-third-reich-nazi-era-national-socialism-object-objects-stills-medal-decoration-medals-decorations-clipping-cut-out-cut-out-cut-outs-honor-honour-national-socialist-nazi-nazi-period-20th-century-editorial-use-only-image246130109.htmlRMT8C5D1–An Squadron Clasp for Air-to-Ground Support Pilots in Gold with '200' pendant Gilt zinc (migrated), riveted appliqué. The reverse with a barely legible maker's mark for Osang, Dresden. Complete attachment pin system with magnetic needle. Weight 19.3 g. historic, historical, awards, award, German Reich, Third Reich, Nazi era, National Socialism, object, objects, stills, medal, decoration, medals, decorations, clipping, cut out, cut-out, cut-outs, honor, honour, National Socialist, Nazi, Nazi period, 20th century, Editorial-Use-Only
Gold ground beetle, Carabus auratus. Insect close-up in natural environment. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-ground-beetle-carabus-auratus-insect-close-up-in-natural-environment-image502864136.htmlRF2M63C9C–Gold ground beetle, Carabus auratus. Insect close-up in natural environment.
. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 544 SassestaHumility Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wmadonna-of-humility-by-wsassetta-ca-144550-tempera-on-wood-gold-ground-metropolitan-mus-of-art-ny-circa-1445-50-wsassetta-544-sassestahumility-image187982338.htmlRMMWR9AX–. w:Madonna of humility by w:Sassetta, ca. 1445–50; Tempera on wood, gold ground; Metropolitan Mus of art, NY . circa 1445-50. w:Sassetta 544 SassestaHumility
umbrella in a park Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-umbrella-in-a-park-114543481.htmlRFGJ9WAH–umbrella in a park
Wheel lock Musket made in Munich by the Court Artists of the Duke of Bavaria. The barrel, lock and mounts are chiseled in low relief with figure subjects against a gold ground and further enriched with gold dots Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wheel-lock-musket-made-in-munich-by-the-court-artists-of-the-duke-of-bavaria-the-barrel-lock-and-mounts-are-chiseled-in-low-relief-with-figure-subjects-against-a-gold-ground-and-further-enriched-with-gold-dots-image268820013.htmlRMWH9PJN–Wheel lock Musket made in Munich by the Court Artists of the Duke of Bavaria. The barrel, lock and mounts are chiseled in low relief with figure subjects against a gold ground and further enriched with gold dots
gravel background Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-gravel-background-56673255.htmlRFD85K8R–gravel background
Sidewall, On patterned orange and metallic gold ground, dark brown stencil technique delineates all-over patterns stylized floral and foliage., USA, 1875–99, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-on-patterned-orange-and-metallic-gold-ground-dark-brown-stencil-technique-delineates-all-over-patterns-stylized-floral-and-foliage-usa-187599-wallcoverings-sidewall-image391649482.htmlRM2DN54WE–Sidewall, On patterned orange and metallic gold ground, dark brown stencil technique delineates all-over patterns stylized floral and foliage., USA, 1875–99, Wallcoverings, Sidewall
Jesus Feeds the Five Thousand, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jesus-feeds-the-five-thousand-byzantine-gold-ground-mosaics-cathedral-70451690.htmlRME2H9RP–Jesus Feeds the Five Thousand, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova, Monreale Cathedral, Monreale
Art inspired by All Saints, Tempera on wood, gold ground, 12 1/2 x 8 1/4 in. (31.8 x 21 cm), Paintings, Greek Painter (possibly 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-all-saints-tempera-on-wood-gold-ground-12-12-x-8-14-in-318-x-21-cm-paintings-greek-painter-possibly-18th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815509.htmlRF2HTY1W9–Art inspired by All Saints, Tempera on wood, gold ground, 12 1/2 x 8 1/4 in. (31.8 x 21 cm), Paintings, Greek Painter (possibly 18th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Lantern in dry autumn leaves on the ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lantern-in-dry-autumn-leaves-on-the-ground-image443073520.htmlRF2GMRMP8–Lantern in dry autumn leaves on the ground
Lorenzo Monaco (born Piero di Giovanni) Italian school David c.1408-1410 Tempera on wood, gold ground (56.8 x 43.2 cm) New York, the Metropolitan Museum of Art Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lorenzo-monaco-born-piero-di-giovanni-italian-school-david-c1408-1410-tempera-on-wood-gold-ground-568-x-432-cm-new-york-the-metropolitan-museum-of-art-image342134541.htmlRM2ATHG2N–Lorenzo Monaco (born Piero di Giovanni) Italian school David c.1408-1410 Tempera on wood, gold ground (56.8 x 43.2 cm) New York, the Metropolitan Museum of Art
THE CRUCIFIXION, by Fra Angelico, 1420–23, Italian Renaissance painting, tempera on wood, gold ground. This Crucifixion by the Dominican friar, Fra Giovanni da Fiesole, includes human drama in the iconic scene: the Virgin, collapsed in grief; the lamenting Marys; varied attitudes of the Roman soldiers and their horses. In 1982, Pope John Paul II proclaimed Fra Angelicos beatification (BSLOC 2017 16 57) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-crucifixion-by-fra-angelico-142023-italian-renaissance-painting-170561044.htmlRMKWDM9T–THE CRUCIFIXION, by Fra Angelico, 1420–23, Italian Renaissance painting, tempera on wood, gold ground. This Crucifixion by the Dominican friar, Fra Giovanni da Fiesole, includes human drama in the iconic scene: the Virgin, collapsed in grief; the lamenting Marys; varied attitudes of the Roman soldiers and their horses. In 1982, Pope John Paul II proclaimed Fra Angelicos beatification (BSLOC 2017 16 57)
Gun with Flintlock a la moda. Culture: Spanish, Madrid. Dimensions: L. of barrel 38 3/4 in. (98.4 cm). Gunsmith: Gabriel de Algora (Spanish, Madrid, documented 1733-died 1761). Date: dated 1744. One of Algora's masterpieces, this hunting gun is decorated with figures from Classical mythology chiseled in bright steel against a matte gold ground in the French style. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gun-with-flintlock-a-la-moda-culture-spanish-madrid-dimensions-l-of-barrel-38-34-in-984-cm-gunsmith-gabriel-de-algora-spanish-madrid-documented-1733-died-1761-date-dated-1744-one-of-algoras-masterpieces-this-hunting-gun-is-decorated-with-figures-from-classical-mythology-chiseled-in-bright-steel-against-a-matte-gold-ground-in-the-french-style-museum-metropolitan-museum-of-art-new-york-usa-image231241395.htmlRMRC5XN7–Gun with Flintlock a la moda. Culture: Spanish, Madrid. Dimensions: L. of barrel 38 3/4 in. (98.4 cm). Gunsmith: Gabriel de Algora (Spanish, Madrid, documented 1733-died 1761). Date: dated 1744. One of Algora's masterpieces, this hunting gun is decorated with figures from Classical mythology chiseled in bright steel against a matte gold ground in the French style. Museum: Metropolitan Museum of Art, New York, USA.
ANEMONE RANUNCULOIDES SSP WOCKEANA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-anemone-ranunculoides-ssp-wockeana-17056449.htmlRMAYBHWP–ANEMONE RANUNCULOIDES SSP WOCKEANA
Decorative rectangular plate from Rouen with handles. Painted with six putti in laurel wreaths with cello, lute, lyre, quill, torch on a gold ground, bordered with foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-decorative-rectangular-plate-from-rouen-with-handles-painted-with-90633204.htmlRMF7CKG4–Decorative rectangular plate from Rouen with handles. Painted with six putti in laurel wreaths with cello, lute, lyre, quill, torch on a gold ground, bordered with foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.
Bright orange autumn leaves in woodland Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bright-orange-autumn-leaves-in-woodland-37082460.htmlRFC4971G–Bright orange autumn leaves in woodland
White Poppies on Gold Ground 1949 by Ogata Korin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/white-poppies-on-gold-ground-1949-by-ogata-korin-image575423284.htmlRM2TC4P7G–White Poppies on Gold Ground 1949 by Ogata Korin
Vienna, Austria. Cathedral Museum Vienna. Lombard triptych, mid-15th century. Tempara on wood, punched gold ground, collaged parchment Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vienna-austria-cathedral-museum-vienna-lombard-triptych-mid-15th-century-tempara-on-wood-punched-gold-ground-collaged-parchment-image607626740.htmlRM2X8FP30–Vienna, Austria. Cathedral Museum Vienna. Lombard triptych, mid-15th century. Tempara on wood, punched gold ground, collaged parchment
Sidewall. Research in ProgressDelicately drawn but dense pattern of foliate scrolls and flowers on metallic gold ground. Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-research-in-progressdelicately-drawn-but-dense-pattern-of-foliate-scrolls-and-flowers-on-metallic-gold-ground-sidewall-image352212426.htmlRM2BD0JF6–Sidewall. Research in ProgressDelicately drawn but dense pattern of foliate scrolls and flowers on metallic gold ground. Sidewall
An Squadron Clasp for Air-to-Ground Support Pilots in Gold with '200' pendant Gilt zinc (migrated), riveted appliqué. The reverse with a barely legible maker's mark for Osang, Dresden. Complete attachment pin system with magnetic needle. Weight 19.3 g. historic, historical, awards, award, German Reich, Third Reich, Nazi era, National Socialism, object, objects, stills, medal, decoration, medals, decorations, clipping, cut out, cut-out, cut-outs, honor, honour, National Socialist, Nazi, Nazi period, 20th century, Editorial-Use-Only Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-squadron-clasp-for-air-to-ground-support-pilots-in-gold-with-200-pendant-gilt-zinc-migrated-riveted-appliqu-the-reverse-with-a-barely-legible-makers-mark-for-osang-dresden-complete-attachment-pin-system-with-magnetic-needle-weight-193-g-historic-historical-awards-award-german-reich-third-reich-nazi-era-national-socialism-object-objects-stills-medal-decoration-medals-decorations-clipping-cut-out-cut-out-cut-outs-honor-honour-national-socialist-nazi-nazi-period-20th-century-editorial-use-only-image246130108.htmlRMT8C5D0–An Squadron Clasp for Air-to-Ground Support Pilots in Gold with '200' pendant Gilt zinc (migrated), riveted appliqué. The reverse with a barely legible maker's mark for Osang, Dresden. Complete attachment pin system with magnetic needle. Weight 19.3 g. historic, historical, awards, award, German Reich, Third Reich, Nazi era, National Socialism, object, objects, stills, medal, decoration, medals, decorations, clipping, cut out, cut-out, cut-outs, honor, honour, National Socialist, Nazi, Nazi period, 20th century, Editorial-Use-Only
Set of realistic autumn yellow, red, orange leaves and Autumn lettering isolated on a white background. Vector illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/set-of-realistic-autumn-yellow-red-orange-leaves-and-autumn-lettering-isolated-on-a-white-background-vector-illustration-image363822044.htmlRF2C3WEMC–Set of realistic autumn yellow, red, orange leaves and Autumn lettering isolated on a white background. Vector illustration
. English: Drawing, Textile Design: Wicken, 1919 . English: Sprigs of elongated leaves in dark brown on gold ground. . 1919 111 Drawing, Textile Design- Wicken, 1919 (CH 18631039) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-drawing-textile-design-wicken-1919-english-sprigs-of-elongated-leaves-in-dark-brown-on-gold-ground-1919-111-drawing-textile-design-wicken-1919-ch-18631039-image207939975.htmlRMP28DFK–. English: Drawing, Textile Design: Wicken, 1919 . English: Sprigs of elongated leaves in dark brown on gold ground. . 1919 111 Drawing, Textile Design- Wicken, 1919 (CH 18631039)
Gold earrings on torrent pebbles Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gold-earrings-on-torrent-pebbles-image468435666.htmlRF2J632D6–Gold earrings on torrent pebbles
Solitary Green leaf on the muddy ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-solitary-green-leaf-on-the-muddy-ground-126992884.htmlRMHAH0M4–Solitary Green leaf on the muddy ground
Oregon, United States Of America; Autumn Colored Leaves On The Ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-oregon-united-states-of-america-autumn-colored-leaves-on-the-ground-29333018.htmlRFBKM6FP–Oregon, United States Of America; Autumn Colored Leaves On The Ground
Sidewall, Machine-printed on embossed paper, Aesthetic-style design, with chrysanthemums and other flowers, printed against a textured gold ground., USA, 1880–87, Wallcoverings, Sidewall Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sidewall-machine-printed-on-embossed-paper-aesthetic-style-design-with-chrysanthemums-and-other-flowers-printed-against-a-textured-gold-ground-usa-188087-wallcoverings-sidewall-image391748705.htmlRM2DN9KD5–Sidewall, Machine-printed on embossed paper, Aesthetic-style design, with chrysanthemums and other flowers, printed against a textured gold ground., USA, 1880–87, Wallcoverings, Sidewall
Jesus and his disciples during the Last Supper, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-jesus-and-his-disciples-during-the-last-supper-byzantine-gold-ground-70451689.htmlRME2H9RN–Jesus and his disciples during the Last Supper, Byzantine gold ground mosaics, Cathedral of Santa Maria Nuova
Art inspired by The Resurrection, Oil and silver on wood, gold ground, 31 x 24 7/8 in. (78.7 x 63.2 cm), Paintings, Spanish (Aragonese) Painter (mid-15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-resurrection-oil-and-silver-on-wood-gold-ground-31-x-24-78-in-787-x-632-cm-paintings-spanish-aragonese-painter-mid-15th-century-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462815292.htmlRF2HTY1HG–Art inspired by The Resurrection, Oil and silver on wood, gold ground, 31 x 24 7/8 in. (78.7 x 63.2 cm), Paintings, Spanish (Aragonese) Painter (mid-15th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
