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Gothic splat chair Stock Photos and Images
Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-american-gothic-splat-chair-ca-1760-mahogany-overall-36-12-23-38-18-inches-927-594-457-cm-image328732016.htmlRM2A2R114–Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm
Side Chair, c. 1770. The middle section, or splat, of this chair back, with its Gothic pointed arches, may be related to the style invented by the English cabinetmaker Thomas Chippendale. English chairs of this pattern are known, so the design probably originated there and was transmitted to this side of the Atlantic, perhaps by means of an imported example. This chair comes from a set made for Thomas and Elizabeth Edwards of Philadelphia, a furniture making center famous for its carved ornament. This chair features several finely and naturalistically carved details. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-c-1770-the-middle-section-or-splat-of-this-chair-back-with-its-gothic-pointed-arches-may-be-related-to-the-style-invented-by-the-english-cabinetmaker-thomas-chippendale-english-chairs-of-this-pattern-are-known-so-the-design-probably-originated-there-and-was-transmitted-to-this-side-of-the-atlantic-perhaps-by-means-of-an-imported-example-this-chair-comes-from-a-set-made-for-thomas-and-elizabeth-edwards-of-philadelphia-a-furniture-making-center-famous-for-its-carved-ornament-this-chair-features-several-finely-and-naturalistically-carved-details-image330118679.htmlRM2A525MR–Side Chair, c. 1770. The middle section, or splat, of this chair back, with its Gothic pointed arches, may be related to the style invented by the English cabinetmaker Thomas Chippendale. English chairs of this pattern are known, so the design probably originated there and was transmitted to this side of the Atlantic, perhaps by means of an imported example. This chair comes from a set made for Thomas and Elizabeth Edwards of Philadelphia, a furniture making center famous for its carved ornament. This chair features several finely and naturalistically carved details.
Drawing-Boom, and Dining-room Chair; the last has a splat composed of a vine branch and a spike of corn on each side of the back from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-boom-and-dining-room-chair-the-last-has-a-splat-composed-of-a-vine-branch-and-a-spike-of-corn-on-each-side-of-the-back-from-the-practical-cabinet-maker-upholsterers-treasury-of-designs-house-furnishing-decorating-assistant-in-the-grecian-italian-renaissance-louis-quatorze-gothic-tudor-and-elizabethan-styles-interspersed-with-designs-executed-for-the-royal-palaces-and-for-some-of-the-principal-mansions-of-the-nobility-and-gentry-and-club-houses-by-henry-whitaker-1847-image503691067.htmlRF2M7D32K–Drawing-Boom, and Dining-room Chair; the last has a splat composed of a vine branch and a spike of corn on each side of the back from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847
Side chair 1760–90 American The squat proportions of the back of this chair and the carved rail skirts are suggestive of English work, but the oval rear legs, side rails with through tenons, and design and carving of the back are in the classic Philadelphia manner. The refined carving that accentuates the integrated design of the crest and splat represents the fullest development of the Gothic splat pattern in Philadelphia. The hairy paw feet are a restoration.. Side chair. American. 1760–90. Mahogany. Made in Philadelphia, Pennsylvania, United States Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-176090-american-the-squat-proportions-of-the-back-of-this-chair-and-the-carved-rail-skirts-are-suggestive-of-english-work-but-the-oval-rear-legs-side-rails-with-through-tenons-and-design-and-carving-of-the-back-are-in-the-classic-philadelphia-manner-the-refined-carving-that-accentuates-the-integrated-design-of-the-crest-and-splat-represents-the-fullest-development-of-the-gothic-splat-pattern-in-philadelphia-the-hairy-paw-feet-are-a-restoration-side-chair-american-176090-mahogany-made-in-philadelphia-pennsylvania-united-states-image458141282.htmlRM2HHA3TJ–Side chair 1760–90 American The squat proportions of the back of this chair and the carved rail skirts are suggestive of English work, but the oval rear legs, side rails with through tenons, and design and carving of the back are in the classic Philadelphia manner. The refined carving that accentuates the integrated design of the crest and splat represents the fullest development of the Gothic splat pattern in Philadelphia. The hairy paw feet are a restoration.. Side chair. American. 1760–90. Mahogany. Made in Philadelphia, Pennsylvania, United States
Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-american-gothic-splat-chair-ca-1760-mahogany-overall-36-12-23-38-18-inches-927-594-457-cm-image328732018.htmlRM2A2R116–Unknown (American), Gothic Splat Chair, ca. 1760, mahogany, Overall: 36 1/2 × 23 3/8 × 18 inches (92.7 × 59.4 × 45.7 cm
Side chair, 18th century, 38 x 24 x 18 in. (96.52 x 60.96 x 45.72 cm), Mahogany, white pine, United States, 18th century, The pierced back-splat and carved ball-and-claw feet on this chair relate to those illustrated in the best known pattern book of the 18th century, Thomas Chippendale's Gentleman and Cabinet-Maker's Director. Available in the Colonies soon after being published in London in 1754, the Director -and English furniture inspired by it-was tremendously influential on both sides of the Atlantic. The elongated lancet arches carved into this back-splat are less common in America Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-18th-century-38-x-24-x-18-in-9652-x-6096-x-4572-cm-mahogany-white-pine-united-states-18th-century-the-pierced-back-splat-and-carved-ball-and-claw-feet-on-this-chair-relate-to-those-illustrated-in-the-best-known-pattern-book-of-the-18th-century-thomas-chippendales-gentleman-and-cabinet-makers-director-available-in-the-colonies-soon-after-being-published-in-london-in-1754-the-director-and-english-furniture-inspired-by-it-was-tremendously-influential-on-both-sides-of-the-atlantic-the-elongated-lancet-arches-carved-into-this-back-splat-are-less-common-in-america-image573512472.htmlRM2T91N08–Side chair, 18th century, 38 x 24 x 18 in. (96.52 x 60.96 x 45.72 cm), Mahogany, white pine, United States, 18th century, The pierced back-splat and carved ball-and-claw feet on this chair relate to those illustrated in the best known pattern book of the 18th century, Thomas Chippendale's Gentleman and Cabinet-Maker's Director. Available in the Colonies soon after being published in London in 1754, the Director -and English furniture inspired by it-was tremendously influential on both sides of the Atlantic. The elongated lancet arches carved into this back-splat are less common in America
Chair in the Italian style; and Arm-Chair, in the Elizabethan style. The chair might be made with a stuffed back, by filling in the spaces on each side of the splat. from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chair-in-the-italian-style-and-arm-chair-in-the-elizabethan-style-the-chair-might-be-made-with-a-stuffed-back-by-filling-in-the-spaces-on-each-side-of-the-splat-from-the-practical-cabinet-maker-upholsterers-treasury-of-designs-house-furnishing-decorating-assistant-in-the-grecian-italian-renaissance-louis-quatorze-gothic-tudor-and-elizabethan-styles-interspersed-with-designs-executed-for-the-royal-palaces-and-for-some-of-the-principal-mansions-of-the-nobility-and-gentry-and-club-houses-by-henry-whitaker-1847-image503691057.htmlRF2M7D329–Chair in the Italian style; and Arm-Chair, in the Elizabethan style. The chair might be made with a stuffed back, by filling in the spaces on each side of the splat. from The practical cabinet maker & upholsterer's treasury of designs : house-furnishing & decorating assistant : in the Grecian, Italian, Renaissance, Louis-Quatorze, Gothic, Tudor, and Elizabethan styles : interspersed with designs executed for the royal palaces, and for some of the principal mansions of the nobility and gentry, and club houses by Henry Whitaker, 1847
Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table supported by fluted column decorated with snake coil in relief. Base showing frieze of classical figures in white on blue ground, table terminates with women's feet. Flanking table, left, chair with curved back, ovoidal medallion at top rail. Right, X-framed chair painted green, back splat in gothic tracery style., France, 1790, furniture, Drawing Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/two-chairs-and-a-table-jean-dmosthne-dugourc-french-17491825-brush-and-watercolor-pen-and-black-ink-graphite-on-white-laid-paper-circular-table-supported-by-fluted-column-decorated-with-snake-coil-in-relief-base-showing-frieze-of-classical-figures-in-white-on-blue-ground-table-terminates-with-womens-feet-flanking-table-left-chair-with-curved-back-ovoidal-medallion-at-top-rail-right-x-framed-chair-painted-green-back-splat-in-gothic-tracery-style-france-1790-furniture-drawing-image391411350.htmlRM2DMP94P–Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table supported by fluted column decorated with snake coil in relief. Base showing frieze of classical figures in white on blue ground, table terminates with women's feet. Flanking table, left, chair with curved back, ovoidal medallion at top rail. Right, X-framed chair painted green, back splat in gothic tracery style., France, 1790, furniture, Drawing
Side chair 1841 D. Phyfe & Son This side chair and its pair (see 2013.22.1) were originally part of a large suite of rosewood furniture made for the double parlor at Millford, a magnificent Greek Revival mansion built for John Laurence Manning (1816–1889) and Susan Hampton (1816–1845) on their Clarendon (now Sumter) County, South Carolina plantation in 1839–41. The Egyptian lotus piercing in the back splat, slender proportions and seamless shaping of the arched crest and lower back rails illustrates the blending of Classical- and Gothic Revival designs of the period. Manning likely ordered the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-1841-d-phyfe-son-this-side-chair-and-its-pair-see-2013221-were-originally-part-of-a-large-suite-of-rosewood-furniture-made-for-the-double-parlor-at-millford-a-magnificent-greek-revival-mansion-built-for-john-laurence-manning-18161889-and-susan-hampton-18161845-on-their-clarendon-now-sumter-county-south-carolina-plantation-in-183941-the-egyptian-lotus-piercing-in-the-back-splat-slender-proportions-and-seamless-shaping-of-the-arched-crest-and-lower-back-rails-illustrates-the-blending-of-classical-and-gothic-revival-designs-of-the-period-manning-likely-ordered-the-image458283334.htmlRM2HHGH1X–Side chair 1841 D. Phyfe & Son This side chair and its pair (see 2013.22.1) were originally part of a large suite of rosewood furniture made for the double parlor at Millford, a magnificent Greek Revival mansion built for John Laurence Manning (1816–1889) and Susan Hampton (1816–1845) on their Clarendon (now Sumter) County, South Carolina plantation in 1839–41. The Egyptian lotus piercing in the back splat, slender proportions and seamless shaping of the arched crest and lower back rails illustrates the blending of Classical- and Gothic Revival designs of the period. Manning likely ordered the
Side chair 1841 D. Phyfe & Son This side chair and its pair (see 2013.22.2) were originally part of a large suite of rosewood furniture made for the double parlor at Millford, a magnificent Greek Revival mansion built for John Laurence Manning (1816–1889) and Susan Hampton (1816–1845) on their Clarendon (now Sumter) County, South Carolina plantation in 1839–41. The Egyptian lotus piercing in the back splat, slender proportions and seamless shaping of the arched crest and lower back rails illustrates the blending of Classical- and Gothic Revival designs of the period. Manning likely ordered the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-1841-d-phyfe-son-this-side-chair-and-its-pair-see-2013222-were-originally-part-of-a-large-suite-of-rosewood-furniture-made-for-the-double-parlor-at-millford-a-magnificent-greek-revival-mansion-built-for-john-laurence-manning-18161889-and-susan-hampton-18161845-on-their-clarendon-now-sumter-county-south-carolina-plantation-in-183941-the-egyptian-lotus-piercing-in-the-back-splat-slender-proportions-and-seamless-shaping-of-the-arched-crest-and-lower-back-rails-illustrates-the-blending-of-classical-and-gothic-revival-designs-of-the-period-manning-likely-ordered-the-image457840302.htmlRM2HGTBYA–Side chair 1841 D. Phyfe & Son This side chair and its pair (see 2013.22.2) were originally part of a large suite of rosewood furniture made for the double parlor at Millford, a magnificent Greek Revival mansion built for John Laurence Manning (1816–1889) and Susan Hampton (1816–1845) on their Clarendon (now Sumter) County, South Carolina plantation in 1839–41. The Egyptian lotus piercing in the back splat, slender proportions and seamless shaping of the arched crest and lower back rails illustrates the blending of Classical- and Gothic Revival designs of the period. Manning likely ordered the
Side Chair 1770–90 American This richly carved Gothic-splat New York chair is part of a set or sets of chairs that descended in the Verplanck family of New York. In addition, the museum owns an armchair and six other side chairs (see 40.137.1; 62.250.1–.3; 63.22.1-.2; 1984.287 for set). All of the chairs exhibit close similarities and may have been made in one shop, although close examination reveals splats from two different templates, carving by two different hands, and the incised marks of two separate sets. The carving of crest rail and splat on this chair matches that on the armchair and Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/side-chair-177090-american-this-richly-carved-gothic-splat-new-york-chair-is-part-of-a-set-or-sets-of-chairs-that-descended-in-the-verplanck-family-of-new-york-in-addition-the-museum-owns-an-armchair-and-six-other-side-chairs-see-401371-6225013-63221-2-1984287-for-set-all-of-the-chairs-exhibit-close-similarities-and-may-have-been-made-in-one-shop-although-close-examination-reveals-splats-from-two-different-templates-carving-by-two-different-hands-and-the-incised-marks-of-two-separate-sets-the-carving-of-crest-rail-and-splat-on-this-chair-matches-that-on-the-armchair-and-image458587292.htmlRM2HJ2CNG–Side Chair 1770–90 American This richly carved Gothic-splat New York chair is part of a set or sets of chairs that descended in the Verplanck family of New York. In addition, the museum owns an armchair and six other side chairs (see 40.137.1; 62.250.1–.3; 63.22.1-.2; 1984.287 for set). All of the chairs exhibit close similarities and may have been made in one shop, although close examination reveals splats from two different templates, carving by two different hands, and the incised marks of two separate sets. The carving of crest rail and splat on this chair matches that on the armchair and
