The invention of the printing press by Laurens Jansz. Coster, Haarlem, ca. 1440, interior of a book printer, with a printing press and putting letters, print maker: Jan van de Velde (mentioned on object), Dating 1628 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-invention-of-the-printing-press-by-laurens-jansz-coster-haarlem-ca-1440-interior-of-a-book-printer-with-a-printing-press-and-putting-letters-print-maker-jan-van-de-velde-mentioned-on-object-dating-1628-image240581262.html
RMRYBBRX–The invention of the printing press by Laurens Jansz. Coster, Haarlem, ca. 1440, interior of a book printer, with a printing press and putting letters, print maker: Jan van de Velde (mentioned on object), Dating 1628
Art inspired by Drawings and Prints, Drawing, Laban Searching for his Idols, Artist, Jan de Braij, Dutch, Haarlem ca. 1627–1697 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-drawings-and-prints-drawing-laban-searching-for-his-idols-artist-jan-de-braij-dutch-haarlem-ca-16271697-amsterdam-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463065362.html
RF2HWACGJ–Art inspired by Drawings and Prints, Drawing, Laban Searching for his Idols, Artist, Jan de Braij, Dutch, Haarlem ca. 1627–1697 Amsterdam, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
A Roman Warrior with Fasces. Artist: Leendert van der Cooghen (Dutch, Haarlem ca. 1610-1681 Haarlem). Dimensions: sheet: 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm). Date: 1666. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-roman-warrior-with-fasces-artist-leendert-van-der-cooghen-dutch-haarlem-ca-1610-1681-haarlem-dimensions-sheet-6-34-x-4-12-in-172-x-115-cm-date-1666-museum-metropolitan-museum-of-art-new-york-usa-image213418454.html
RMPB61BJ–A Roman Warrior with Fasces. Artist: Leendert van der Cooghen (Dutch, Haarlem ca. 1610-1681 Haarlem). Dimensions: sheet: 6 3/4 x 4 1/2 in. (17.2 x 11.5 cm). Date: 1666. Museum: Metropolitan Museum of Art, New York, USA.
The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-ambassador-to-the-netherlands-mr-john-s-rice-has-opened-the-linnaeushof-in-bennebroek-surrounded-by-flower-girls-from-haarlem-ca-april-21-1964-image588304056.html
RM2W53FR4–The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964
. English: Painting of the nun Hillegond Gerritsdr, who became a nun in the St Anna cloister of Haarlem ca 1530. She was probably Marten van Heemskerck's sister-in-law. She was a wealthy Catholic and is portrayed with a rosary. When she died she left all of her possessions, including this painting, to the Hofje van Codde and Beresteyn, where it hung for centuries in the regent's room. Now on loan to the Frans Hals Museum in Haarlem. Portrait of a woman. circa 1530. Hillegond gerritsdr - marten van heemskerck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-painting-of-the-nun-hillegond-gerritsdr-who-became-a-nun-in-the-st-anna-cloister-of-haarlem-ca-1530-she-was-probably-marten-van-heemskercks-sister-in-law-she-was-a-wealthy-catholic-and-is-portrayed-with-a-rosary-when-she-died-she-left-all-of-her-possessions-including-this-painting-to-the-hofje-van-codde-and-beresteyn-where-it-hung-for-centuries-in-the-regents-room-now-on-loan-to-the-frans-hals-museum-in-haarlem-portrait-of-a-woman-circa-1530-hillegond-gerritsdr-marten-van-heemskerck-image184793382.html
RMMMJ1RJ–. English: Painting of the nun Hillegond Gerritsdr, who became a nun in the St Anna cloister of Haarlem ca 1530. She was probably Marten van Heemskerck's sister-in-law. She was a wealthy Catholic and is portrayed with a rosary. When she died she left all of her possessions, including this painting, to the Hofje van Codde and Beresteyn, where it hung for centuries in the regent's room. Now on loan to the Frans Hals Museum in Haarlem. Portrait of a woman. circa 1530. Hillegond gerritsdr - marten van heemskerck
Groepsportret leerlingen H.B.S. en Gymnasium Haarlem ca. 1874. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/groepsportret-leerlingen-hbs-en-gymnasium-haarlem-ca-1874-image351646266.html
RM2BC2TB6–Groepsportret leerlingen H.B.S. en Gymnasium Haarlem ca. 1874.
Jacob Jansz (active in Haarlem, ca.1483-1509). Dutch painter. The Holy Family at Table, 1495-1500. Wallraf-Richartz Museum. Cologne. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-jansz-active-in-haarlem-ca1483-1509-dutch-painter-the-holy-family-at-table-1495-1500-wallraf-richartz-museum-cologne-germany-image217495261.html
RMPHRNBW–Jacob Jansz (active in Haarlem, ca.1483-1509). Dutch painter. The Holy Family at Table, 1495-1500. Wallraf-Richartz Museum. Cologne. Germany.
Laurens Janszoon Coster (ca. 1370, Haarlem, the Netherlands – ca. 1440), or Laurens Jansz Koster, was one of the early European Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-laurens-janszoon-coster-ca-1370-haarlem-the-netherlands-ca-1440-or-21751031.html
RMB7ARJF–Laurens Janszoon Coster (ca. 1370, Haarlem, the Netherlands – ca. 1440), or Laurens Jansz Koster, was one of the early European
Bridal dress in boutique C'est Ca in Brinkmannpassage, Haarlem, Grote Markt, The Netherlands, 24-03-1982, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A timeless journey shaping the stories that shape our future Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bridal-dress-in-boutique-cest-ca-in-brinkmannpassage-haarlem-grote-markt-the-netherlands-24-03-1982-whizgle-news-from-the-past-tailored-for-the-future-explore-historical-narratives-dutch-the-netherlands-agency-image-with-a-modern-perspective-bridging-the-gap-between-yesterdays-events-and-tomorrows-insights-a-timeless-journey-shaping-the-stories-that-shape-our-future-image576443798.html
RM2TDR7XE–Bridal dress in boutique C'est Ca in Brinkmannpassage, Haarlem, Grote Markt, The Netherlands, 24-03-1982, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A timeless journey shaping the stories that shape our future
Figures at a Press, by Jan van de Velde and Petrus Scriverius, 1628, Dutch print, etching on paper. The purported invention of the printing press by Laurens Coster in Haarlem, ca. 1440. He is regarded by some in the Netherlands as having invented printing before Gutenberg. The claim is weak because there are no known works printed by Laurens (BSLOC 2016 3 205) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-figures-at-a-press-by-jan-van-de-velde-and-petrus-scriverius-1628-115916283.html
RMGMGCB7–Figures at a Press, by Jan van de Velde and Petrus Scriverius, 1628, Dutch print, etching on paper. The purported invention of the printing press by Laurens Coster in Haarlem, ca. 1440. He is regarded by some in the Netherlands as having invented printing before Gutenberg. The claim is weak because there are no known works printed by Laurens (BSLOC 2016 3 205)
The invention of the printing press by Laurens Jansz Coster, Haarlem, ca 1440 Typographia Harlemi primum inventa cira annum 1440 (title object) the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Inside the book printing, printing and putting letters. Manufacturer : printmaker Jan van de Velde (II) (listed building) to painting by Pieter Jansz. Saenredam (listed property) writer: Peter Scriverius (listed property) Place manufacture: Northern Netherlands Date: 1626 - 1628 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 160 mm × Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-invention-of-the-printing-press-by-laurens-jansz-coster-haarlem-ca-1440-typographia-harlemi-primum-inventa-cira-annum-1440-title-object-the-invention-of-the-printing-press-by-laurens-jansz-coster-haarlem-ca-1440-inside-the-book-printing-printing-and-putting-letters-manufacturer-printmaker-jan-van-de-velde-ii-listed-building-to-painting-by-pieter-jansz-saenredam-listed-property-writer-peter-scriverius-listed-property-place-manufacture-northern-netherlands-date-1626-1628-physical-features-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-image348299247.html
RM2B6JB6R–The invention of the printing press by Laurens Jansz Coster, Haarlem, ca 1440 Typographia Harlemi primum inventa cira annum 1440 (title object) the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Inside the book printing, printing and putting letters. Manufacturer : printmaker Jan van de Velde (II) (listed building) to painting by Pieter Jansz. Saenredam (listed property) writer: Peter Scriverius (listed property) Place manufacture: Northern Netherlands Date: 1626 - 1628 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 160 mm ×
Justice of Emperor Otto III, 1471–1475, Museums of Fine Arts of Belgium, Brussels. Dirk Bouts (Haarlem ca.1410 (?) - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/justice-of-emperor-otto-iii-14711475-museums-of-fine-arts-of-belgium-brussels-dirk-bouts-haarlem-ca1410-image600316874.html
RF2WTJP8A–Justice of Emperor Otto III, 1471–1475, Museums of Fine Arts of Belgium, Brussels. Dirk Bouts (Haarlem ca.1410 (?) -
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-image8812628.html
RMAN5WW5–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
Kruittoren. Edition of 'Nijmegen Vooruit'. Light pressure of H. Kleinmann & Co., in Haarlem, ca.1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kruittoren-edition-of-nijmegen-vooruit-light-pressure-of-h-kleinmann-co-in-haarlem-ca1910-image474432328.html
RM2JFT77M–Kruittoren. Edition of 'Nijmegen Vooruit'. Light pressure of H. Kleinmann & Co., in Haarlem, ca.1910
Saint Bavo, patron saint of Ghent and Haarlem, ca. 1460, North Netherlandish, Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-saint-bavo-patron-saint-of-ghent-and-haarlem-ca-1460-north-netherlandish-35539332.html
RMC1PXNT–Saint Bavo, patron saint of Ghent and Haarlem, ca. 1460, North Netherlandish,
Ruins of Brederode, Haarlem, Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-ruins-of-brederode-haarlem-holland-83132552.html
RMER70BM–Ruins of Brederode, Haarlem, Holland
Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia Artist and publisher: Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem) Artist: Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1628/29–1658 Amsterdam) Author: Written by Petrus Scriverius, 1650 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-floris-ii-from-the-series-counts-and-countesses-of-holland-zeeland-168222135.html
RMKNK51B–Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia Artist and publisher: Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem) Artist: Engraved by Cornelis Visscher (Dutch, Haarlem (?) 1628/29–1658 Amsterdam) Author: Written by Petrus Scriverius, 1650
A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-logo-sign-outside-of-a-ca-retail-store-in-haarlem-netherlands-on-88872699.html
RMF4GE0Y–A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015.
The Fall of Ixion, ca 1588. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-of-ixion-ca-1588-artist-haarlem-cornelis-cornelisz-van-1562-image60438345.html
RMDE95M9–The Fall of Ixion, ca 1588. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638)
Pieter Holsteyn II, A Columbine or Granny's Bonnet (Aquilegia), with Additional Studies of Flowers, Pieter Holsteyn II (Dutch, Haarlem, ca. 1614–1673/83), mid-17th–late 17th century, Brush and gray ink, watercolor, gouache, Sheet: 12 3/4 × 8 1/4 in. (32.4 × 21 cm), Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieter-holsteyn-ii-a-columbine-or-grannys-bonnet-aquilegia-with-additional-studies-of-flowers-pieter-holsteyn-ii-dutch-haarlem-ca-1614167383-mid-17thlate-17th-century-brush-and-gray-ink-watercolor-gouache-sheet-12-34-8-14-in-324-21-cm-drawings-image344651647.html
RM2B0M6KB–Pieter Holsteyn II, A Columbine or Granny's Bonnet (Aquilegia), with Additional Studies of Flowers, Pieter Holsteyn II (Dutch, Haarlem, ca. 1614–1673/83), mid-17th–late 17th century, Brush and gray ink, watercolor, gouache, Sheet: 12 3/4 × 8 1/4 in. (32.4 × 21 cm), Drawings
Inspired by Spaarne in Haarlem, ca. 1790, Het Binnen Spaarne in Haarlem, Riviere dit sparen interior à Haarlem, View of the Spaarne with the Waag in Haarlem, ca. 1790. Part of a plate work from c. 1824-1825 with 74 (unnumbered) plates of the most important topographical views and various customs in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-spaarne-in-haarlem-ca-1790-het-binnen-spaarne-in-haarlem-riviere-dit-sparen-interior-haarlem-view-of-the-spaarne-with-the-waag-in-haarlem-ca-1790-part-of-a-plate-work-from-c-1824-1825-with-74-unnumbered-plates-of-the-most-important-topographical-views-and-various-customs-in-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459382390.html
RF2HKAJWX–Inspired by Spaarne in Haarlem, ca. 1790, Het Binnen Spaarne in Haarlem, Riviere dit sparen interior à Haarlem, View of the Spaarne with the Waag in Haarlem, ca. 1790. Part of a plate work from c. 1824-1825 with 74 (unnumbered) plates of the most important topographical views and various customs in, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Muses on Parnassus. Artist: Pieter Fransz. de Grebber (Dutch, Haarlem ca. 1600-1652/54 Haarlem). Dimensions: sheet: 9 1/16 x 12 3/16 in. (23 x 31 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-muses-on-parnassus-artist-pieter-fransz-de-grebber-dutch-haarlem-ca-1600-165254-haarlem-dimensions-sheet-9-116-x-12-316-in-23-x-31-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212880391.html
RMPA9F33–The Muses on Parnassus. Artist: Pieter Fransz. de Grebber (Dutch, Haarlem ca. 1600-1652/54 Haarlem). Dimensions: sheet: 9 1/16 x 12 3/16 in. (23 x 31 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-ambassador-to-the-netherlands-mr-john-s-rice-has-opened-the-linnaeushof-in-bennebroek-surrounded-by-flower-girls-from-haarlem-ca-april-21-1964-image588302718.html
RM2W53E3A–The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964
. The smoker . between 1640 and 1647. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat Adriaen van Ostade Smoker Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-smoker-between-1640-and-1647-adriaen-van-ostade-16101685-alternative-names-adriaen-jansz-van-ostade-adriaan-van-ostade-description-dutch-painter-draughtsman-and-etcher-date-of-birthdeath-19-december-1610-baptised-2-may-1685-buried-location-of-birthdeath-haarlem-haarlem-work-location-haarlem-ca-1627-utrecht-1532-haarlem-1634-1684-authority-control-q352438-viaf24760273-isni0000-0000-8103-689x-ulan500021654-lccnn82074193-wgaostade-adriaen-jansz-van-worldcat-adriaen-van-ostade-smoker-image185020755.html
RMMN0BT3–. The smoker . between 1640 and 1647. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat Adriaen van Ostade Smoker
'fine arts, Liebermann, Max, (1847 - 1935), painting, 'Schweinemarkt in Haarlem', ('pig market in Haarlem'), 1894, oil on ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-fine-arts-liebermann-max-1847-1935-painting-schweinemarkt-in-haarlem-11695179.html
RMA71NNG–'fine arts, Liebermann, Max, (1847 - 1935), painting, 'Schweinemarkt in Haarlem', ('pig market in Haarlem'), 1894, oil on ca
Gerard Lucasz or Gerrit van Schagen or van Schaagen; Latin: Gerardus a Schagen (ca. 1642 - after 1690) was a cartographer from Amsterdam, well known for his maps. He lived and worked in Amsterdam, in the Haarlemmerstraat near the New Haarlem sluice. He was last mentioned at the burial of his wife Gertruij Govers van Schendel/Schijndel in the Nieuwezijds Kapel on September 29, 1690. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gerard-lucasz-or-gerrit-van-schagen-or-van-schaagen-latin-gerardus-a-schagen-ca-1642-after-1690-was-a-cartographer-from-amsterdam-well-known-for-his-maps-he-lived-and-worked-in-amsterdam-in-the-haarlemmerstraat-near-the-new-haarlem-sluice-he-was-last-mentioned-at-the-burial-of-his-wife-gertruij-govers-van-schendelschijndel-in-the-nieuwezijds-kapel-on-september-29-1690-image344259527.html
RM2B02AF3–Gerard Lucasz or Gerrit van Schagen or van Schaagen; Latin: Gerardus a Schagen (ca. 1642 - after 1690) was a cartographer from Amsterdam, well known for his maps. He lived and worked in Amsterdam, in the Haarlemmerstraat near the New Haarlem sluice. He was last mentioned at the burial of his wife Gertruij Govers van Schendel/Schijndel in the Nieuwezijds Kapel on September 29, 1690.
1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . DIGITALLY COLORIZED . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT - Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1942-ca-haarlem-holland-portrait-of-dutch-woman-writer-and-novelist-corrie-ten-boom-1892-1983-was-a-dutch-christian-watchmaker-and-later-a-writer-who-worked-with-her-father-casper-ten-boom-her-sister-betsie-ten-boom-and-other-family-members-to-help-many-jewish-people-escape-from-the-nazis-during-the-holocaust-in-world-war-ii-by-hiding-them-in-her-home-they-were-caught-and-she-was-arrested-in-1944-and-sent-to-the-ravensbrck-concentration-camp-unknown-photographer-digitally-colorized-cornelia-arnolda-johanna-letterato-scrittore-letteratura-literature-portrait-image447311472.html
RM2GYMP9M–1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . DIGITALLY COLORIZED . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT -
Henk Geist in a wedding suit on the street ('C'est ça Bridal Fashion Gedempte Oude Gracht'), Haarlem, Gedempte Oude Gracht, Nederland, 19-08-1987, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A timeless journey shaping the stories that shape our future Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/henk-geist-in-a-wedding-suit-on-the-street-cest-a-bridal-fashion-gedempte-oude-gracht-haarlem-gedempte-oude-gracht-nederland-19-08-1987-whizgle-news-from-the-past-tailored-for-the-future-explore-historical-narratives-dutch-the-netherlands-agency-image-with-a-modern-perspective-bridging-the-gap-between-yesterdays-events-and-tomorrows-insights-a-timeless-journey-shaping-the-stories-that-shape-our-future-image576469505.html
RM2TDTCMH–Henk Geist in a wedding suit on the street ('C'est ça Bridal Fashion Gedempte Oude Gracht'), Haarlem, Gedempte Oude Gracht, Nederland, 19-08-1987, Whizgle News from the Past, Tailored for the Future. Explore historical narratives, Dutch The Netherlands agency image with a modern perspective, bridging the gap between yesterday's events and tomorrow's insights. A timeless journey shaping the stories that shape our future
Cities and people series, woman with vegetables against the backdrop of Haarlem in Holland / Serie Städte und Menschen, Frau mit Gemüse vor der Kulisse von Haarlem in Holland, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei, genaues Datum unbekannt Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cities-and-people-series-woman-with-vegetables-against-the-backdrop-of-haarlem-in-holland-serie-stdte-und-menschen-frau-mit-gemse-vor-der-kulisse-von-haarlem-in-holland-liebigbild-digital-improved-reproduction-of-a-collectible-image-from-the-liebig-company-estimated-from-1900-pd-digital-restaurierte-reproduktion-eines-sammelbildes-von-ca-1900-gemeinfrei-genaues-datum-unbekannt-image454745353.html
RF2HBRC9D–Cities and people series, woman with vegetables against the backdrop of Haarlem in Holland / Serie Städte und Menschen, Frau mit Gemüse vor der Kulisse von Haarlem in Holland, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei, genaues Datum unbekannt
Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. B Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figuren-bij-een-drukpers-typographia-harlemi-primum-inventa-cira-annum-1440-the-invention-of-the-printing-press-by-laurens-jansz-coster-haarlem-ca-1440-interior-of-a-book-printing-with-a-printing-press-and-putting-letters-manufacturer-printmaker-jan-van-de-velde-listed-building-designed-by-pieter-jansz-saenredamstraat-indicated-on-object-author-peter-scriverius-indicated-on-object-place-manufacture-haarlem-date-1628-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-w-122-mmtoelichtingprent-also-used-in-ampzing-samuel-b-image348345051.html
RM2B6MDJK–Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. B
Title: A Roman Warrior with Fasces Artist: Leendert van der Cooghen (Dutch, Haarlem ca. 1610–1681 Haarlem) Date: 1666 Medium: Etching Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-a-roman-warrior-with-fasces-artist-leendert-van-der-cooghen-dutch-haarlem-ca-16101681-haarlem-date-1666-medium-etching-image601132300.html
RM2WWYXAM–Title: A Roman Warrior with Fasces Artist: Leendert van der Cooghen (Dutch, Haarlem ca. 1610–1681 Haarlem) Date: 1666 Medium: Etching
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-image8812625.html
RMAN5WW2–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
View of Water-Meerwijk. Edit of 'Nijmegen Vooruit'. Light pressure of H.Kleimann & Co., Haarlem ca.1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-water-meerwijk-edit-of-nijmegen-vooruit-light-pressure-of-hkleimann-co-haarlem-ca1910-image474432338.html
RM2JFT782–View of Water-Meerwijk. Edit of 'Nijmegen Vooruit'. Light pressure of H.Kleimann & Co., Haarlem ca.1910
Johan van Schoterbosch (ca. 1564-1654). Councillor and alderman of Haarlem 1647 by Johannes Cornelisz Verspronck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-van-schoterbosch-ca-1564-1654-councillor-and-alderman-of-haarlem-1647-by-johannes-cornelisz-verspronck-image562055829.html
RM2RJBRXD–Johan van Schoterbosch (ca. 1564-1654). Councillor and alderman of Haarlem 1647 by Johannes Cornelisz Verspronck
Amsterdam Gate, Haarlem, Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-amsterdam-gate-haarlem-holland-83132548.html
RMER70BG–Amsterdam Gate, Haarlem, Holland
Equestrian Portrait of Napoleon as First Consul MET DP141381 380666 Engraver: Engraved and published by John Pine, British, London 1690?1756 London, Draftsman: Hubert Fran?ois Gravelot, French, Paris 1699?1773 Paris, Draftsman: Clement Lempri?re, British (?), active London, 18th century, Artist: After Hendrick (Cornelisz) Vroom, Dutch, Haarlem ca. 1563?1640 Haarlem, The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm). The Metropolitan Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-equestrian-portrait-of-napoleon-as-first-consul-met-dp141381-380666-168489398.html
RMKP39XE–Equestrian Portrait of Napoleon as First Consul MET DP141381 380666 Engraver: Engraved and published by John Pine, British, London 1690?1756 London, Draftsman: Hubert Fran?ois Gravelot, French, Paris 1699?1773 Paris, Draftsman: Clement Lempri?re, British (?), active London, 18th century, Artist: After Hendrick (Cornelisz) Vroom, Dutch, Haarlem ca. 1563?1640 Haarlem, The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm). The Metropolitan Museum
A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-logo-sign-outside-of-a-ca-retail-store-in-haarlem-netherlands-on-88872700.html
RMF4GE10–A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015.
The Fall of the Titans, ca 1590. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-fall-of-the-titans-ca-1590-artist-haarlem-cornelis-cornelisz-van-image60438336.html
RMDE95M0–The Fall of the Titans, ca 1590. Artist: Haarlem, Cornelis Cornelisz., van (1562-1638)
Adam von Bartsch, Horse Standing, Adam von Bartsch (Austrian, Vienna 1757–1821 Vienna), After Philips Wouwerman (Dutch, Haarlem 1619–1668 Haarlem), After Nicolaas Ficke (Dutch, Haarlem ca. 1620–1702), 1803, Etching, third state of three (Rieger), Plate: 4 13/16 × 7 3/16 in. (12.3 × 18.2 cm), Sheet: 8 9/16 × 12 13/16 in. (21.8 × 32.5 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/adam-von-bartsch-horse-standing-adam-von-bartsch-austrian-vienna-17571821-vienna-after-philips-wouwerman-dutch-haarlem-16191668-haarlem-after-nicolaas-ficke-dutch-haarlem-ca-16201702-1803-etching-third-state-of-three-rieger-plate-4-1316-7-316-in-123-182-cm-sheet-8-916-12-1316-in-218-325-cm-prints-image344650941.html
RM2B0M5P5–Adam von Bartsch, Horse Standing, Adam von Bartsch (Austrian, Vienna 1757–1821 Vienna), After Philips Wouwerman (Dutch, Haarlem 1619–1668 Haarlem), After Nicolaas Ficke (Dutch, Haarlem ca. 1620–1702), 1803, Etching, third state of three (Rieger), Plate: 4 13/16 × 7 3/16 in. (12.3 × 18.2 cm), Sheet: 8 9/16 × 12 13/16 in. (21.8 × 32.5 cm), Prints
Inspired by Pavilion Welgelegen at Haarlem, ca. 1825, The Royal Pavilion Welgeleegen, built by den Heere Hope - in den Jaare 1786, near Haarlem, Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem, View of Pavilion Welgelegen on the edge of the Haarlemmerhout at, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-pavilion-welgelegen-at-haarlem-ca-1825-the-royal-pavilion-welgeleegen-built-by-den-heere-hope-in-den-jaare-1786-near-haarlem-le-pavillon-royale-welgeleegen-bati-par-le-sieur-hope-lan-1786-prs-de-haarlem-view-of-pavilion-welgelegen-on-the-edge-of-the-haarlemmerhout-at-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459382396.html
RF2HKAJX4–Inspired by Pavilion Welgelegen at Haarlem, ca. 1825, The Royal Pavilion Welgeleegen, built by den Heere Hope - in den Jaare 1786, near Haarlem, Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem, View of Pavilion Welgelegen on the edge of the Haarlemmerhout at, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Pastoral. Artist: Attributed to Willem Romeyn (Dutch, Haarlem ca. 1624-ca. 1694 Haarlem). Dimensions: sheet: 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm). Date: 1640-94. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pastoral-artist-attributed-to-willem-romeyn-dutch-haarlem-ca-1624-ca-1694-haarlem-dimensions-sheet-6-18-x-9-14-in-156-x-235-cm-date-1640-94-museum-metropolitan-museum-of-art-new-york-usa-image213109549.html
RMPAKYB9–Pastoral. Artist: Attributed to Willem Romeyn (Dutch, Haarlem ca. 1624-ca. 1694 Haarlem). Dimensions: sheet: 6 1/8 x 9 1/4 in. (15.6 x 23.5 cm). Date: 1640-94. Museum: Metropolitan Museum of Art, New York, USA.
The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-american-ambassador-to-the-netherlands-mr-john-s-rice-has-opened-the-linnaeushof-in-bennebroek-surrounded-by-flower-girls-from-haarlem-ca-april-21-1964-image588307449.html
RM2W53M49–The American ambassador to the Netherlands, Mr. John S. Rice, has opened the Linnaeushof in Bennebroek, surrounded by flower girls from Haarlem ca. April 21, 1964
English: A laughing peasant . 1640s. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat Adriaen van Ostade - Kop van een lachende boer Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-a-laughing-peasant-1640s-adriaen-van-ostade-16101685-alternative-names-adriaen-jansz-van-ostade-adriaan-van-ostade-description-dutch-painter-draughtsman-and-etcher-date-of-birthdeath-19-december-1610-baptised-2-may-1685-buried-location-of-birthdeath-haarlem-haarlem-work-location-haarlem-ca-1627-utrecht-1532-haarlem-1634-1684-authority-control-q352438-viaf24760273-isni0000-0000-8103-689x-ulan500021654-lccnn82074193-wgaostade-adriaen-jansz-van-worldcat-adriaen-van-ostade-kop-van-een-lachende-boer-image185020692.html
RMMN0BNT–English: A laughing peasant . 1640s. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat Adriaen van Ostade - Kop van een lachende boer
Haarlem, Netherlands - August 3, 2016: Low angle view of the interior of the Cathedral of Haarlem. The Grote Kerk is a Protestant church and former Ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-haarlem-netherlands-august-3-2016-low-angle-view-of-the-interior-of-139341395.html
RFJ2KFAB–Haarlem, Netherlands - August 3, 2016: Low angle view of the interior of the Cathedral of Haarlem. The Grote Kerk is a Protestant church and former Ca
Berkenrode. A Collection of 86 plans and views of The Hague. Amsterdam, 1718. Berkenrode (ca. 1650). The castle's situation near the village of Heemstede, close to both Amsterdam and Haarlem, made it an attractive home for wealthy merchants. Image taken from: A Collection of 86 plans and views of The Hague. Published in Amsterdam, 1718. . Source: Maps.C.9.e.9.(10). Language: Dutch. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/berkenrode-a-collection-of-86-plans-and-views-of-the-hague-amsterdam-1718-berkenrode-ca-1650-the-castles-situation-near-the-village-of-heemstede-close-to-both-amsterdam-and-haarlem-made-it-an-attractive-home-for-wealthy-merchants-image-taken-from-a-collection-of-86-plans-and-views-of-the-hague-published-in-amsterdam-1718-source-mapsc9e910-language-dutch-image226828424.html
RMR50WY4–Berkenrode. A Collection of 86 plans and views of The Hague. Amsterdam, 1718. Berkenrode (ca. 1650). The castle's situation near the village of Heemstede, close to both Amsterdam and Haarlem, made it an attractive home for wealthy merchants. Image taken from: A Collection of 86 plans and views of The Hague. Published in Amsterdam, 1718. . Source: Maps.C.9.e.9.(10). Language: Dutch.
1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT - RITRATTO - SCRITTRICE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1942-ca-haarlem-holland-portrait-of-dutch-woman-writer-and-novelist-corrie-ten-boom-1892-1983-was-a-dutch-christian-watchmaker-and-later-a-writer-who-worked-with-her-father-casper-ten-boom-her-sister-betsie-ten-boom-and-other-family-members-to-help-many-jewish-people-escape-from-the-nazis-during-the-holocaust-in-world-war-ii-by-hiding-them-in-her-home-they-were-caught-and-she-was-arrested-in-1944-and-sent-to-the-ravensbrck-concentration-camp-unknown-photographer-cornelia-arnolda-johanna-letterato-scrittore-letteratura-literature-portrait-ritratto-scrittrice-image447212504.html
RM2GYG834–1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT - RITRATTO - SCRITTRICE
Christ sits next to his bride in an oval. He has a cross in his hand, she has a book in her lap. In the upper corners two arms of Haarlem, on which ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/christ-sits-next-to-his-bride-in-an-oval-he-has-a-cross-in-his-hand-she-has-a-book-in-her-lap-in-the-upper-corners-two-arms-of-haarlem-on-which-ca-image488034251.html
RF2K9YTJK–Christ sits next to his bride in an oval. He has a cross in his hand, she has a book in her lap. In the upper corners two arms of Haarlem, on which ca
Scenes from the Passion of Christ, ca. 1470. Anonymous. Haarlem?. Detail of Christ carrying the cross. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-passion-of-christ-ca-1470-anonymous-haarlem-detail-image69681537.html
RME1A7E9–Scenes from the Passion of Christ, ca. 1470. Anonymous. Haarlem?. Detail of Christ carrying the cross.
Interieur van een boekdrukkerij Boekdruckerye te Haerlem gevonden omtrent het Jaer 1440 (titel op object) Invention of printing in Haarlem, ca. 1440. Interior of a book printing company, with the laying of paper and collect drukletters. Manufacturer : printmaker Jan van de Velde (listed property) designed by Pieter Jansz. Saenredamstraat (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 120 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye income praise of city Haerlem i Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interieur-van-een-boekdrukkerij-boekdruckerye-te-haerlem-gevonden-omtrent-het-jaer-1440-titel-op-object-invention-of-printing-in-haarlem-ca-1440-interior-of-a-book-printing-company-with-the-laying-of-paper-and-collect-drukletters-manufacturer-printmaker-jan-van-de-velde-listed-property-designed-by-pieter-jansz-saenredamstraat-indicated-on-object-place-manufacture-haarlem-date-1628-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-w-120-mmtoelichtingprent-also-used-in-ampzing-samuel-beschrye-income-praise-of-city-haerlem-i-image348455561.html
RM2B6WEHD–Interieur van een boekdrukkerij Boekdruckerye te Haerlem gevonden omtrent het Jaer 1440 (titel op object) Invention of printing in Haarlem, ca. 1440. Interior of a book printing company, with the laying of paper and collect drukletters. Manufacturer : printmaker Jan van de Velde (listed property) designed by Pieter Jansz. Saenredamstraat (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 120 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye income praise of city Haerlem i
Frans Hals, Antwerpen ca. 1580/85 - Haarlem 1666 Young Man with a Skull aka Vanitas (1626-28) National Gallery, London Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/frans-hals-antwerpen-ca-158085-haarlem-1666-young-man-with-a-skull-aka-vanitas-1626-28-national-gallery-london-image599119075.html
RF2WPM6DR–Frans Hals, Antwerpen ca. 1580/85 - Haarlem 1666 Young Man with a Skull aka Vanitas (1626-28) National Gallery, London
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-26652016.html
RMBFA2WM–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
View of the Hotel Berg en Dal.Pend of 'Nijmegen Vooruit'. Light pressure of H.Kleinmann & Co., Haarlem ca.1910 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/view-of-the-hotel-berg-en-dalpend-of-nijmegen-vooruit-light-pressure-of-hkleinmann-co-haarlem-ca1910-image474432331.html
RM2JFT77R–View of the Hotel Berg en Dal.Pend of 'Nijmegen Vooruit'. Light pressure of H.Kleinmann & Co., Haarlem ca.1910
Festive Scene ca. 1650 by Jan Miense Molenaer, Dutch, born Haarlem, Netherlands ca. 1610-died Haarlem, Netherlands 1668 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/festive-scene-ca-1650-by-jan-miense-molenaer-dutch-born-haarlem-netherlands-ca-1610-died-haarlem-netherlands-1668-image555997752.html
RM2R8FTPG–Festive Scene ca. 1650 by Jan Miense Molenaer, Dutch, born Haarlem, Netherlands ca. 1610-died Haarlem, Netherlands 1668
The Spaarne and windmill, Haarlem, Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-spaarne-and-windmill-haarlem-holland-83132551.html
RMER70BK–The Spaarne and windmill, Haarlem, Holland
Equestrian Portrait of Napoleon as First Consul MET DP141381 380666 Engraver: Engraved and published by John Pine, British, London 1690?1756 London, Draftsman: Hubert Fran?ois Gravelot, French, Paris 1699?1773 Paris, Draftsman: Clement Lempri?re, British (?), active London, 18th century, Artist: After Hendrick (Cornelisz) Vroom, Dutch, Haarlem ca. 1563?1640 Haarlem, The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm). The Metropolitan Museum Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-equestrian-portrait-of-napoleon-as-first-consul-met-dp141381-380666-168333969.html
RMKNT7KD–Equestrian Portrait of Napoleon as First Consul MET DP141381 380666 Engraver: Engraved and published by John Pine, British, London 1690?1756 London, Draftsman: Hubert Fran?ois Gravelot, French, Paris 1699?1773 Paris, Draftsman: Clement Lempri?re, British (?), active London, 18th century, Artist: After Hendrick (Cornelisz) Vroom, Dutch, Haarlem ca. 1563?1640 Haarlem, The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm). The Metropolitan Museum
A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-logo-sign-outside-of-a-ca-retail-store-in-haarlem-netherlands-on-88872702.html
RMF4GE12–A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015.
Johan van Schoterbosch (ca. 1564-1654). Councillor and Alderman of Haarlem, 1647. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/johan-van-schoterbosch-ca-1564-1654-councillor-and-alderman-of-haarlem-1647-image565276338.html
RM2RRJFMJ–Johan van Schoterbosch (ca. 1564-1654). Councillor and Alderman of Haarlem, 1647.
Jonas Suyderhoef, Portrait of Albert VII, Archduke of Austria, Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem) (portrait), Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem) (border), Intermediary draftsman Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Infanta Isabella Clara Eugenia (Spanish, Segovia 1566–1633 Brussels), ca. 1650, Etching and engraving; first state of two, Sheet (Trimmed): 16 3/8 in. × 11 in. (41.6 × 28 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jonas-suyderhoef-portrait-of-albert-vii-archduke-of-austria-jonas-suyderhoef-dutch-haarlem-ca-16131686-haarlem-portrait-pieter-soutman-dutch-haarlem-ca-15801657-haarlem-border-intermediary-draftsman-pieter-soutman-dutch-haarlem-ca-15801657-haarlem-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-infanta-isabella-clara-eugenia-spanish-segovia-15661633-brussels-ca-1650-etching-and-engraving-first-state-of-two-sheet-trimmed-16-38-in-11-in-416-28-cm-prints-image344651007.html
RM2B0M5TF–Jonas Suyderhoef, Portrait of Albert VII, Archduke of Austria, Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem) (portrait), Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem) (border), Intermediary draftsman Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Infanta Isabella Clara Eugenia (Spanish, Segovia 1566–1633 Brussels), ca. 1650, Etching and engraving; first state of two, Sheet (Trimmed): 16 3/8 in. × 11 in. (41.6 × 28 cm), Prints
Art inspired by Spaarne in Haarlem, ca. 1790, Het Binnen Spaarne in Haarlem, Riviere dit sparen interior à Haarlem, View of the Spaarne with the Waag in Haarlem, ca. 1790. Part of a plate work from c. 1824-1825 with 74 (unnumbered) plates of the most important topographical views and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-spaarne-in-haarlem-ca-1790-het-binnen-spaarne-in-haarlem-riviere-dit-sparen-interior-haarlem-view-of-the-spaarne-with-the-waag-in-haarlem-ca-1790-part-of-a-plate-work-from-c-1824-1825-with-74-unnumbered-plates-of-the-most-important-topographical-views-and-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459725881.html
RF2HKX91D–Art inspired by Spaarne in Haarlem, ca. 1790, Het Binnen Spaarne in Haarlem, Riviere dit sparen interior à Haarlem, View of the Spaarne with the Waag in Haarlem, ca. 1790. Part of a plate work from c. 1824-1825 with 74 (unnumbered) plates of the most important topographical views and, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Donkey. Artist: Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: sheet: 6 3/16 x 7 5/8 in. (15.7 x 19.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/donkey-artist-pieter-jacobsz-van-laer-dutch-haarlem-ca-159295-1642-haarlem-dimensions-sheet-6-316-x-7-58-in-157-x-194-cm-date-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212899733.html
RMPAABNW–Donkey. Artist: Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: sheet: 6 3/16 x 7 5/8 in. (15.7 x 19.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Fire in supermarket in Haarlem ca. December 22, 1972 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-in-supermarket-in-haarlem-ca-december-22-1972-image588636560.html
RM2W5JKX8–Fire in supermarket in Haarlem ca. December 22, 1972
. Madonna of the Daffodils with the Child and Donors . circa 1535. Jan van Scorel (1495–1562) Alternative names Jan van Schoorel, Jan van Schoorl, Jan van Schoreel, Jan van Schorel, Jan van Scoreel, Jan van Scorelius, Jan van Scorellius Description Dutch painter and draughtsman Date of birth/death 1 August 1495 6 December 1552 Location of birth/death Schoorl Utrecht Work location Haarlem (ca. 1517-1518), Venice (1518-1522), Rome (1522-1524), Utrecht (1524-1528), Haarlem (1528), Utrecht (1529-1551), Ghent (1550), Obervellach Authority control : Q282708 VIAF: 59356315 ISNI: 0000 00 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/madonna-of-the-daffodils-with-the-child-and-donors-circa-1535-jan-van-scorel-14951562-alternative-names-jan-van-schoorel-jan-van-schoorl-jan-van-schoreel-jan-van-schorel-jan-van-scoreel-jan-van-scorelius-jan-van-scorellius-description-dutch-painter-and-draughtsman-date-of-birthdeath-1-august-1495-6-december-1552-location-of-birthdeath-schoorl-utrecht-work-location-haarlem-ca-1517-1518-venice-1518-1522-rome-1522-1524-utrecht-1524-1528-haarlem-1528-utrecht-1529-1551-ghent-1550-obervellach-authority-control-q282708-viaf59356315-isni0000-00-image185587345.html
RMMNX6FD–. Madonna of the Daffodils with the Child and Donors . circa 1535. Jan van Scorel (1495–1562) Alternative names Jan van Schoorel, Jan van Schoorl, Jan van Schoreel, Jan van Schorel, Jan van Scoreel, Jan van Scorelius, Jan van Scorellius Description Dutch painter and draughtsman Date of birth/death 1 August 1495 6 December 1552 Location of birth/death Schoorl Utrecht Work location Haarlem (ca. 1517-1518), Venice (1518-1522), Rome (1522-1524), Utrecht (1524-1528), Haarlem (1528), Utrecht (1529-1551), Ghent (1550), Obervellach Authority control : Q282708 VIAF: 59356315 ISNI: 0000 00
Painting 'The Mulatto' (ca. 1628) by Dutch painter Frans Hals on display in the Museum der bildenden Künste (Museum of Fine Arts) in Leipzig, Saxony, Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-image-painting-the-mulatto-ca-1628-by-dutch-painter-frans-hals-on-display-165631359.html
RMKHD4DK–Painting 'The Mulatto' (ca. 1628) by Dutch painter Frans Hals on display in the Museum der bildenden Künste (Museum of Fine Arts) in Leipzig, Saxony, Germany.
. Electric railway journal . sed by the Groningen, Haar-lem, Nymwegen, Amsterdam-Haarlem-Zantvoort, En-sehede-Glanerburg and Zeist-Driebergen lines. The others are standard gage. June 28, 1913.] ELECTRIC RAILWAY JOURNAL WEED BURNER IN LOS ANGELES The Pacific Electric Railway, which operates 972 milesof track in the district surrounding Los Angeles, Cal., hasfound the question of the removal of weeds on its right-of-way a serious one. Vegetation is luxuriant in SouthernCalifornia, and various methods have been employed to dis-pose of the weeds which grow on and between the tracks. The burner ca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/electric-railway-journal-sed-by-the-groningen-haar-lem-nymwegen-amsterdam-haarlem-zantvoort-en-sehede-glanerburg-and-zeist-driebergen-lines-the-others-are-standard-gage-june-28-1913-electric-railway-journal-weed-burner-in-los-angeles-the-pacific-electric-railway-which-operates-972-milesof-track-in-the-district-surrounding-los-angeles-cal-hasfound-the-question-of-the-removal-of-weeds-on-its-right-of-way-a-serious-one-vegetation-is-luxuriant-in-southerncalifornia-and-various-methods-have-been-employed-to-dis-pose-of-the-weeds-which-grow-on-and-between-the-tracks-the-burner-ca-image375830503.html
RM2CRCFHY–. Electric railway journal . sed by the Groningen, Haar-lem, Nymwegen, Amsterdam-Haarlem-Zantvoort, En-sehede-Glanerburg and Zeist-Driebergen lines. The others are standard gage. June 28, 1913.] ELECTRIC RAILWAY JOURNAL WEED BURNER IN LOS ANGELES The Pacific Electric Railway, which operates 972 milesof track in the district surrounding Los Angeles, Cal., hasfound the question of the removal of weeds on its right-of-way a serious one. Vegetation is luxuriant in SouthernCalifornia, and various methods have been employed to dis-pose of the weeds which grow on and between the tracks. The burner ca
1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT - RITRATTO - SCRITTRICE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/1942-ca-haarlem-holland-portrait-of-dutch-woman-writer-and-novelist-corrie-ten-boom-1892-1983-was-a-dutch-christian-watchmaker-and-later-a-writer-who-worked-with-her-father-casper-ten-boom-her-sister-betsie-ten-boom-and-other-family-members-to-help-many-jewish-people-escape-from-the-nazis-during-the-holocaust-in-world-war-ii-by-hiding-them-in-her-home-they-were-caught-and-she-was-arrested-in-1944-and-sent-to-the-ravensbrck-concentration-camp-unknown-photographer-cornelia-arnolda-johanna-letterato-scrittore-letteratura-literature-portrait-ritratto-scrittrice-image447212508.html
RM2GYG838–1942 ca, Haarlem , HOLLAND : Portrait of Dutch woman writer and novelist CORRIE TEN BOOM ( 1892 - 1983 ). was a Dutch Christian watchmaker and later a writer who worked with her father, Casper ten Boom, her sister Betsie ten Boom and other family members to help many Jewish people escape from the Nazis during the Holocaust in World War II by hiding them in her home. They were caught, and she was arrested in 1944 and sent to the Ravensbrück concentration camp. Unknown photographer . - Cornelia Arnolda Johanna - LETTERATO - SCRITTORE - LETTERATURA - Literature - PORTRAIT - RITRATTO - SCRITTRICE
. De natuurlyke historie der insecten; voorzien met naar 't leven getekende en gekoleurde plaaten. Insects. l OCITS TA In Dl CA FRAZFAT.. ^.^7^S^.V ^J.-. .-A .•=. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Rösel von Rosenhof, August Johann, 1705-1759; Kleemann, Christian Friedrich Carl, 1735-1789; Moerbeek, Adam Abrahamzoon. Te Haarlem, Amsterdam, By C. H. Bohn en H. de Wit, boekverkoopers Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/de-natuurlyke-historie-der-insecten-voorzien-met-naar-t-leven-getekende-en-gekoleurde-plaaten-insects-l-ocits-ta-in-dl-ca-frazfat-7sv-j-a-=-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-rsel-von-rosenhof-august-johann-1705-1759-kleemann-christian-friedrich-carl-1735-1789-moerbeek-adam-abrahamzoon-te-haarlem-amsterdam-by-c-h-bohn-en-h-de-wit-boekverkoopers-image216209883.html
RMPFN5WF–. De natuurlyke historie der insecten; voorzien met naar 't leven getekende en gekoleurde plaaten. Insects. l OCITS TA In Dl CA FRAZFAT.. ^.^7^S^.V ^J.-. .-A .•=. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Rösel von Rosenhof, August Johann, 1705-1759; Kleemann, Christian Friedrich Carl, 1735-1789; Moerbeek, Adam Abrahamzoon. Te Haarlem, Amsterdam, By C. H. Bohn en H. de Wit, boekverkoopers
Scenes from the Passion of Christ, ca. 1470. Anonymous. Haarlem?. Catharijneconvent Museum. Utrecht. Netherlands. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scenes-from-the-passion-of-christ-ca-1470-anonymous-haarlem-catharijneconvent-image69681555.html
RME1A7EY–Scenes from the Passion of Christ, ca. 1470. Anonymous. Haarlem?. Catharijneconvent Museum. Utrecht. Netherlands.
Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of printing by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figuren-bij-een-drukpers-typographia-harlemi-primum-inventa-cira-annum-1440-the-invention-of-printing-by-laurens-jansz-coster-haarlem-ca-1440-interior-of-a-book-printing-with-a-printing-press-and-putting-letters-manufacturer-printmaker-jan-van-de-velde-listed-building-designed-by-pieter-jansz-saenredamstraat-indicated-on-object-author-peter-scriverius-indicated-on-object-place-manufacture-haarlem-date-1628-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-w-122-mmtoelichtingprent-also-used-in-ampzing-samuel-beschrye-in-image348345045.html
RM2B6MDJD–Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of printing by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye in
Salomon van Ruysdael - Market by the Seashore Salomon van Ruysdael: Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem 1637; O Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/salomon-van-ruysdael-market-by-the-seashore-salomon-van-ruysdael-dutch-naarden-born-ca-16001603-died-1670-haarlem-1637-o-image567158579.html
RF2RXM8FF–Salomon van Ruysdael - Market by the Seashore Salomon van Ruysdael: Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem 1637; O
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-26621501.html
RMBF8KYW–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
Oceanus ca. 1589–90 Hendrick Goltzius Netherlandish. Oceanus. Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem). ca. 1589–90. Chiaroscuro woodcut from three blocks. Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/oceanus-ca-158990-hendrick-goltzius-netherlandish-oceanus-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-ca-158990-chiaroscuro-woodcut-from-three-blocks-prints-image458091270.html
RM2HH7T2E–Oceanus ca. 1589–90 Hendrick Goltzius Netherlandish. Oceanus. Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem). ca. 1589–90. Chiaroscuro woodcut from three blocks. Prints
Les Debauches [] by Jan Miense Molenaer, Dutch, born Haarlem, Netherlands ca. 1610-died Haarlem, Netherlands 1668 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/les-debauches-by-jan-miense-molenaer-dutch-born-haarlem-netherlands-ca-1610-died-haarlem-netherlands-1668-image555994479.html
RM2R8FMHK–Les Debauches [] by Jan Miense Molenaer, Dutch, born Haarlem, Netherlands ca. 1610-died Haarlem, Netherlands 1668
Town hall, Haarlem, Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-town-hall-haarlem-holland-83132546.html
RMER70BE–Town hall, Haarlem, Holland
Samuel Ampzing (ca.1591 1632). Predikant en dichter te Haarlem Rijksmuseum SK A 4566 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-samuel-ampzing-ca1591-1632-predikant-en-dichter-te-haarlem-rijksmuseum-140523148.html
RMJ4HAKT–Samuel Ampzing (ca.1591 1632). Predikant en dichter te Haarlem Rijksmuseum SK A 4566
A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-a-logo-sign-outside-of-a-ca-retail-store-in-haarlem-netherlands-on-88872701.html
RMF4GE11–A logo sign outside of a C&A retail store in Haarlem, Netherlands on October 5, 2015.
Het Huys te Kleef bij Haarlem, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 3, ca. 1616. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/het-huys-te-kleef-bij-haarlem-from-verscheyden-landtschapjes-various-little-landscapes-plate-3-ca-1616-image382613160.html
RM2D6DEYM–Het Huys te Kleef bij Haarlem, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 3, ca. 1616.
Pieter Van Sompel, Portrait of Theophrastus Paracelsus, Pieter Van Sompel (Dutch, ca. 1600–ca. 1643), Intermediary draftsman Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Paracelsus (Swiss, Einsiedeln 1493 or 1494–1541 Salzburg), 1615–43, Engraving; first state of two (Hollstein), Plate: 12 1/16 × 8 11/16 in. (30.7 × 22 cm), Sheet: 13 7/16 × 9 13/16 in. (34.2 × 24.9 cm), Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pieter-van-sompel-portrait-of-theophrastus-paracelsus-pieter-van-sompel-dutch-ca-1600ca-1643-intermediary-draftsman-pieter-soutman-dutch-haarlem-ca-15801657-haarlem-after-peter-paul-rubens-flemish-siegen-15771640-antwerp-paracelsus-swiss-einsiedeln-1493-or-14941541-salzburg-161543-engraving-first-state-of-two-hollstein-plate-12-116-8-1116-in-307-22-cm-sheet-13-716-9-1316-in-342-249-cm-prints-image344650947.html
RM2B0M5PB–Pieter Van Sompel, Portrait of Theophrastus Paracelsus, Pieter Van Sompel (Dutch, ca. 1600–ca. 1643), Intermediary draftsman Pieter Soutman (Dutch, Haarlem, ca. 1580–1657 Haarlem), After Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Paracelsus (Swiss, Einsiedeln 1493 or 1494–1541 Salzburg), 1615–43, Engraving; first state of two (Hollstein), Plate: 12 1/16 × 8 11/16 in. (30.7 × 22 cm), Sheet: 13 7/16 × 9 13/16 in. (34.2 × 24.9 cm), Prints
Art inspired by Pavilion Welgelegen at Haarlem, ca. 1825, The Royal Pavilion Welgeleegen, built by den Heere Hope - in den Jaare 1786, near Haarlem, Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem, View of Pavilion Welgelegen on the edge of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-pavilion-welgelegen-at-haarlem-ca-1825-the-royal-pavilion-welgeleegen-built-by-den-heere-hope-in-den-jaare-1786-near-haarlem-le-pavillon-royale-welgeleegen-bati-par-le-sieur-hope-lan-1786-prs-de-haarlem-view-of-pavilion-welgelegen-on-the-edge-of-the-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459725884.html
RF2HKX91G–Art inspired by Pavilion Welgelegen at Haarlem, ca. 1825, The Royal Pavilion Welgeleegen, built by den Heere Hope - in den Jaare 1786, near Haarlem, Le Pavillon Royale Welgeleegen - bati par le Sieur Hope - l'An 1786 - prês de Haarlem, View of Pavilion Welgelegen on the edge of the, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Africa. Artist: Ascribed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: sheet: 6 1/4 x 15 3/4 in. (15.8 x 40 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/africa-artist-ascribed-to-pieter-jacobsz-van-laer-dutch-haarlem-ca-159295-1642-haarlem-dimensions-sheet-6-14-x-15-34-in-158-x-40-cm-date-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image213110753.html
RMPAM0X9–Africa. Artist: Ascribed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: sheet: 6 1/4 x 15 3/4 in. (15.8 x 40 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Fire in supermarket in Haarlem ca. December 22, 1972 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-in-supermarket-in-haarlem-ca-december-22-1972-image588638656.html
RM2W5JPH4–Fire in supermarket in Haarlem ca. December 22, 1972
. English: Three Backgammon Players in an Interior . between circa 1664 and circa 1700. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat 269 Adriaen van Ostade - Three B Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-three-backgammon-players-in-an-interior-between-circa-1664-and-circa-1700-adriaen-van-ostade-16101685-alternative-names-adriaen-jansz-van-ostade-adriaan-van-ostade-description-dutch-painter-draughtsman-and-etcher-date-of-birthdeath-19-december-1610-baptised-2-may-1685-buried-location-of-birthdeath-haarlem-haarlem-work-location-haarlem-ca-1627-utrecht-1532-haarlem-1634-1684-authority-control-q352438-viaf24760273-isni0000-0000-8103-689x-ulan500021654-lccnn82074193-wgaostade-adriaen-jansz-van-worldcat-269-adriaen-van-ostade-three-b-image206767633.html
RMP0B269–. English: Three Backgammon Players in an Interior . between circa 1664 and circa 1700. Adriaen van Ostade (1610–1685) Alternative names Adriaen Jansz. van Ostade, Adriaan van Ostade Description Dutch painter, draughtsman and etcher Date of birth/death 19 December 1610 (baptised) 2 May 1685 (buried) Location of birth/death Haarlem Haarlem Work location Haarlem (ca. 1627), Utrecht (1532), Haarlem (1634-1684) Authority control : Q352438 VIAF:?24760273 ISNI:?0000 0000 8103 689X ULAN:?500021654 LCCN:?n82074193 WGA:?OSTADE, Adriaen Jansz. van WorldCat 269 Adriaen van Ostade - Three B
. Die Gartenwelt. Gardening. IV, i8 Die Gartenwelt. 211 Zwiebel- und Knollengewächse. Die neue Hyazinthe „Flora". Von Cäsar Riechers, in Firma F. A. Riechers Söhne, Handels- gärtnet, Hamburg. Ich habe über eine Hyazinthen-Neuheit zu berichten, die es wohl verdient, in der „Garteuwelt" erwähnt zu werden. Im Herbst v. J. sandte uns die Firma G. van Waweren & Kruyff in Sassenheim b. Haarlem ca. 2 Dutzend Zwiebeln von einem Hyazinthen-Sämling, dem sie den Namen „Flora" gegeben hatte, mit der Bitte, die Zwiebeln auf ihre Früh- treibfähigkeit zu prüfen. Da nun das Resultat sehr be Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/die-gartenwelt-gardening-iv-i8-die-gartenwelt-211-zwiebel-und-knollengewchse-die-neue-hyazinthe-floraquot-von-csar-riechers-in-firma-f-a-riechers-shne-handels-grtnet-hamburg-ich-habe-ber-eine-hyazinthen-neuheit-zu-berichten-die-es-wohl-verdient-in-der-garteuweltquot-erwhnt-zu-werden-im-herbst-v-j-sandte-uns-die-firma-g-van-waweren-amp-kruyff-in-sassenheim-b-haarlem-ca-2-dutzend-zwiebeln-von-einem-hyazinthen-smling-dem-sie-den-namen-floraquot-gegeben-hatte-mit-der-bitte-die-zwiebeln-auf-ihre-frh-treibfhigkeit-zu-prfen-da-nun-das-resultat-sehr-be-image231585744.html
RMRCNHYC–. Die Gartenwelt. Gardening. IV, i8 Die Gartenwelt. 211 Zwiebel- und Knollengewächse. Die neue Hyazinthe „Flora". Von Cäsar Riechers, in Firma F. A. Riechers Söhne, Handels- gärtnet, Hamburg. Ich habe über eine Hyazinthen-Neuheit zu berichten, die es wohl verdient, in der „Garteuwelt" erwähnt zu werden. Im Herbst v. J. sandte uns die Firma G. van Waweren & Kruyff in Sassenheim b. Haarlem ca. 2 Dutzend Zwiebeln von einem Hyazinthen-Sämling, dem sie den Namen „Flora" gegeben hatte, mit der Bitte, die Zwiebeln auf ihre Früh- treibfähigkeit zu prüfen. Da nun das Resultat sehr be
Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. B Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/figuren-bij-een-drukpers-typographia-harlemi-primum-inventa-cira-annum-1440-the-invention-of-the-printing-press-by-laurens-jansz-coster-haarlem-ca-1440-interior-of-a-book-printing-with-a-printing-press-and-putting-letters-manufacturer-printmaker-jan-van-de-velde-listed-building-designed-by-pieter-jansz-saenredamstraat-indicated-on-object-author-peter-scriverius-indicated-on-object-place-manufacture-haarlem-date-1628-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-w-122-mmtoelichtingprent-also-used-in-ampzing-samuel-b-image348345039.html
RM2B6MDJ7–Figuren bij een drukpers Typographia Harlemi primum inventa cira annum 1440 the invention of the printing press by Laurens Jansz. Coster Haarlem, ca. 1440. Interior of a book printing, with a printing press and putting letters. Manufacturer : printmaker Jan van de Velde (listed building), designed by Pieter Jansz. Saenredamstraat (indicated on object) author: Peter Scriverius (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 122 mmToelichtingPrent also used in: Ampzing, Samuel. B
Jacob van Ruisdael - The Forest Stream Jacob van Ruisdael: Dutch, Haarlem 1628/29–1682 Amsterdam ca. 1660; Oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-van-ruisdael-the-forest-stream-jacob-van-ruisdael-dutch-haarlem-1628291682-amsterdam-ca-1660-oil-on-canvas-image567158566.html
RF2RXM8F2–Jacob van Ruisdael - The Forest Stream Jacob van Ruisdael: Dutch, Haarlem 1628/29–1682 Amsterdam ca. 1660; Oil on canvas
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-26621876.html
RMBF8MD8–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
The Schoolmaster ca. 1680–1700 Cornelis Dusart Dutch. The Schoolmaster. Cornelis Dusart (Dutch, Haarlem 1660–1704 Haarlem). ca. 1680–1700. Pen and brown ink, brush and gray wash.. Drawings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-schoolmaster-ca-16801700-cornelis-dusart-dutch-the-schoolmaster-cornelis-dusart-dutch-haarlem-16601704-haarlem-ca-16801700-pen-and-brown-ink-brush-and-gray-wash-drawings-image457994342.html
RM2HH3CCP–The Schoolmaster ca. 1680–1700 Cornelis Dusart Dutch. The Schoolmaster. Cornelis Dusart (Dutch, Haarlem 1660–1704 Haarlem). ca. 1680–1700. Pen and brown ink, brush and gray wash.. Drawings
Drawing n.d. by Jacob Ruisdael, Dutch, born Haarlem, Netherlands ca. 1625/1629-died Amsterdam, Netherlands 1682 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-nd-by-jacob-ruisdael-dutch-born-haarlem-netherlands-ca-16251629-died-amsterdam-netherlands-1682-image555986116.html
RM2R8F9Y0–Drawing n.d. by Jacob Ruisdael, Dutch, born Haarlem, Netherlands ca. 1625/1629-died Amsterdam, Netherlands 1682
The Spaarne (canal), Haarlem, Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-spaarne-canal-haarlem-holland-83132550.html
RMER70BJ–The Spaarne (canal), Haarlem, Holland
Johan van Schoterbosch (ca. 1564 1654). Raad en schepen van Haarlem Rijksmuseum SK A 1253 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-johan-van-schoterbosch-ca-1564-1654-raad-en-schepen-van-haarlem-rijksmuseum-142967872.html
RMJ8GMYC–Johan van Schoterbosch (ca. 1564 1654). Raad en schepen van Haarlem Rijksmuseum SK A 1253
Baptism of Christ, ca. 1600. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/baptism-of-christ-ca-1600-image349001565.html
RM2B7PB1H–Baptism of Christ, ca. 1600.
Wladislaus IV Vasa, Pieter Soutman (Haarlem ca. 1593/1601 - 1657 Haarlem), c. 1628, drawing, black chalk, pen in dark brown, trimmed to follow the laurel, 28.2 x 24.7 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wladislaus-iv-vasa-pieter-soutman-haarlem-ca-15931601-1657-haarlem-c-1628-drawing-black-chalk-pen-in-dark-brown-trimmed-to-follow-the-laurel-282-x-247-cm-image573323782.html
RM2T8N49A–Wladislaus IV Vasa, Pieter Soutman (Haarlem ca. 1593/1601 - 1657 Haarlem), c. 1628, drawing, black chalk, pen in dark brown, trimmed to follow the laurel, 28.2 x 24.7 cm
Art inspired by Judith from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 5/16 x 13 in. (44 x 33 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-judith-from-heroes-and-heroines-of-the-old-testament-ca-1597-engraving-sheet-17-516-x-13-in-44-x-33-cm-prints-nicolaes-braeu-netherlandish-active-haarlem-ca-1586died-1600-after-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463015997.html
RF2HW85HH–Art inspired by Judith from Heroes and Heroines of the Old Testament, ca. 1597, Engraving, Sheet: 17 5/16 x 13 in. (44 x 33 cm), Prints, Nicolaes Braeu (Netherlandish, active Haarlem, ca. 1586–died 1600), After Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Study of a Donkey. Artist: Attributed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: 5 3/4 x 5 5/8 in. (14.6 x 14.3 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/study-of-a-donkey-artist-attributed-to-pieter-jacobsz-van-laer-dutch-haarlem-ca-159295-1642-haarlem-dimensions-5-34-x-5-58-in-146-x-143-cm-date-early-17th-century-museum-metropolitan-museum-of-art-new-york-usa-image212875122.html
RMPA98AX–Study of a Donkey. Artist: Attributed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95-1642 (?) Haarlem). Dimensions: 5 3/4 x 5 5/8 in. (14.6 x 14.3 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.
Fire in supermarket in Haarlem ca. December 22, 1972 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fire-in-supermarket-in-haarlem-ca-december-22-1972-image588635076.html
RM2W5JJ18–Fire in supermarket in Haarlem ca. December 22, 1972
. English: Triptych of Crucifiction painted in Jan van Scorel's workshop after an original in the Oude Kerk of Amsterdam (lost in iconoclasm of Protestant Reformation in 1578) . between 1550 and 1575. After Jan van Scorel (1495–1562) Alternative names Jan van Schoorel, Jan van Schoorl, Jan van Schoreel, Jan van Schorel, Jan van Scoreel, Jan van Scorelius, Jan van Scorellius Description Dutch painter and draughtsman Date of birth/death 1 August 1495 6 December 1552 Location of birth/death Schoorl Utrecht Work location Haarlem (ca. 1517-1518), Venice (1518-1522), Rome (1522-1524), U Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-triptych-of-crucifiction-painted-in-jan-van-scorels-workshop-after-an-original-in-the-oude-kerk-of-amsterdam-lost-in-iconoclasm-of-protestant-reformation-in-1578-between-1550-and-1575-after-jan-van-scorel-14951562-alternative-names-jan-van-schoorel-jan-van-schoorl-jan-van-schoreel-jan-van-schorel-jan-van-scoreel-jan-van-scorelius-jan-van-scorellius-description-dutch-painter-and-draughtsman-date-of-birthdeath-1-august-1495-6-december-1552-location-of-birthdeath-schoorl-utrecht-work-location-haarlem-ca-1517-1518-venice-1518-1522-rome-1522-1524-u-image185771393.html
RMMP6H8H–. English: Triptych of Crucifiction painted in Jan van Scorel's workshop after an original in the Oude Kerk of Amsterdam (lost in iconoclasm of Protestant Reformation in 1578) . between 1550 and 1575. After Jan van Scorel (1495–1562) Alternative names Jan van Schoorel, Jan van Schoorl, Jan van Schoreel, Jan van Schorel, Jan van Scoreel, Jan van Scorelius, Jan van Scorellius Description Dutch painter and draughtsman Date of birth/death 1 August 1495 6 December 1552 Location of birth/death Schoorl Utrecht Work location Haarlem (ca. 1517-1518), Venice (1518-1522), Rome (1522-1524), U
. Album der Natuur. /?. I—I ca Pi. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Haarlem Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-der-natuur-ii-ca-pi-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-may-not-perfectly-resemble-the-original-work-haarlem-image237840772.html
RMRPXG98–. Album der Natuur. /?. I—I ca Pi. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.. Haarlem
Interieur van een boekdrukkerij Boekdruckerye te Haelem gevonden ontrent het Jaer 1440 (titel op object) Invention of printing in Haarlem, ca. 1440. Interior of a book printing company, with the laying of paper and collect drukletters. Manufacturer : printmaker: van de Velde, Jan (listed object) design by Pieter Jansz. Saenredamstraat (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 120 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye income praise of city Haerlem in H Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/interieur-van-een-boekdrukkerij-boekdruckerye-te-haelem-gevonden-ontrent-het-jaer-1440-titel-op-object-invention-of-printing-in-haarlem-ca-1440-interior-of-a-book-printing-company-with-the-laying-of-paper-and-collect-drukletters-manufacturer-printmaker-van-de-velde-jan-listed-object-design-by-pieter-jansz-saenredamstraat-indicated-on-object-place-manufacture-haarlem-date-1628-physical-characteristics-etching-material-paper-technique-etching-dimensions-plate-edge-h-160-mm-w-120-mmtoelichtingprent-also-used-in-ampzing-samuel-beschrye-income-praise-of-city-haerlem-in-h-image348455609.html
RM2B6WEK5–Interieur van een boekdrukkerij Boekdruckerye te Haelem gevonden ontrent het Jaer 1440 (titel op object) Invention of printing in Haarlem, ca. 1440. Interior of a book printing company, with the laying of paper and collect drukletters. Manufacturer : printmaker: van de Velde, Jan (listed object) design by Pieter Jansz. Saenredamstraat (indicated on object) Place manufacture: Haarlem Date: 1628 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: H 160 mm × W 120 mmToelichtingPrent also used in: Ampzing, Samuel. Beschrye income praise of city Haerlem in H
Jacob van Ruisdael - Wheat Fields Jacob van Ruisdael: Dutch, Haarlem 1628/29–1682 Amsterdam ca. 1670; Oil on canvas Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jacob-van-ruisdael-wheat-fields-jacob-van-ruisdael-dutch-haarlem-1628291682-amsterdam-ca-1670-oil-on-canvas-image567158572.html
RF2RXM8F8–Jacob van Ruisdael - Wheat Fields Jacob van Ruisdael: Dutch, Haarlem 1628/29–1682 Amsterdam ca. 1670; Oil on canvas
Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-haarlem-amsterdamse-poort-ca-1400-haarlems-only-surviving-town-gate-26621518.html
RMBF8M0E–Haarlem Amsterdamse Poort (ca. 1400), Haarlem's only surviving town gate. Historic town Netherlands Holland
Drunken Silenus 1630–57 Jonas Suyderhoef Dutch. Drunken Silenus. Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem). 1630–57. Engraving and etching; second state of five (Hollstein). Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drunken-silenus-163057-jonas-suyderhoef-dutch-drunken-silenus-jonas-suyderhoef-dutch-haarlem-ca-16131686-haarlem-163057-engraving-and-etching-second-state-of-five-hollstein-prints-image457906241.html
RM2HGYC29–Drunken Silenus 1630–57 Jonas Suyderhoef Dutch. Drunken Silenus. Jonas Suyderhoef (Dutch, Haarlem ca. 1613–1686 Haarlem). 1630–57. Engraving and etching; second state of five (Hollstein). Prints
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