month, fragment. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 9'3' x W 4'3' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Mrs. E. H.[Edward Henry] Harriman coll. French & Co. purchased from [Spanish, crossed out] Art Gallery ([Emile] Pares Sale) 12/13/1919, with notes: '1/2 interest with L. [Luigi?] Orselli'; 'void see Stock 22005' [SS 7588]. French & Co. purchased Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/month-fragment-master-of-the-months-of-lucas-netherlandish-before-1600-1494-1533-author-of-design-attr-painter-kempener-willem-i-netherlandish-before-1600-flanders-1535-workshop-weaver-c-1540-tapestry-dimensions-h-93-x-w-43-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-mrs-e-h-edward-henry-harriman-coll-french-co-purchased-from-spanish-crossed-out-art-gallery-emile-pares-sale-12131919-with-notes-12-interest-with-l-luigi-orselli-void-see-stock-22005-ss-7588-french-co-purchased-image600256422.html
RM2WTG15A–month, fragment. Master of the Months of Lucas (Netherlandish (before 1600), 1494-1533) (author of design, attr.) [painter] Kempener, Willem I (Netherlandish (before 1600) - Flanders, 1535) (workshop) [weaver] c. 1540 Tapestry Dimensions: H 9'3' x W 4'3' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: Mrs. E. H.[Edward Henry] Harriman coll. French & Co. purchased from [Spanish, crossed out] Art Gallery ([Emile] Pares Sale) 12/13/1919, with notes: '1/2 interest with L. [Luigi?] Orselli'; 'void see Stock 22005' [SS 7588]. French & Co. purchased
Little Fourteen-Year-Old Dancer by Edgar Degas at the Museum of Fine Art in Boston, Massachusetts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-fourteen-year-old-dancer-by-edgar-degas-at-the-museum-of-fine-art-in-boston-massachusetts-image435045302.html
RM2G7P0M6–Little Fourteen-Year-Old Dancer by Edgar Degas at the Museum of Fine Art in Boston, Massachusetts.
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN INSTTTtTIHN NATIONAL GALLERY OF ART FREER GA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-smithsonian-instttttihn-national-gallery-of-art-freer-ga-image235053955.html
RMRJBHM3–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN INSTTTtTIHN NATIONAL GALLERY OF ART FREER GA
Border fragments made into four-fold screen. unknown c. 1550-1600 Tapestry Dimensions: H 6' x W 1'11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. Anthony J. Drexel Biddle 8/7/1917; sold to J. W. Harriman 9/12/1919 [SS 4397]. French & Co. purchased from Plaza Art Gallery (J. W. Harriman sale) invoiced 11/15/1934; sold to Joseph [Zilaster ?] 11/6/1953 [SS 39654]. 2 middle panels with female figures in niches of Promise [Promissio] with streams of light radiating from her hed (L) & Confidence [Confidentia] ho Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-fragments-made-into-four-fold-screen-unknown-c-1550-1600-tapestry-dimensions-h-6-x-w-111-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-purchased-from-mrs-anthony-j-drexel-biddle-871917-sold-to-j-w-harriman-9121919-ss-4397-french-co-purchased-from-plaza-art-gallery-j-w-harriman-sale-invoiced-11151934-sold-to-joseph-zilaster-1161953-ss-39654-2-middle-panels-with-female-figures-in-niches-of-promise-promissio-with-streams-of-light-radiating-from-her-hed-l-confidence-confidentia-ho-image600256187.html
RM2WTG0TY–Border fragments made into four-fold screen. unknown c. 1550-1600 Tapestry Dimensions: H 6' x W 1'11' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from Mrs. Anthony J. Drexel Biddle 8/7/1917; sold to J. W. Harriman 9/12/1919 [SS 4397]. French & Co. purchased from Plaza Art Gallery (J. W. Harriman sale) invoiced 11/15/1934; sold to Joseph [Zilaster ?] 11/6/1953 [SS 39654]. 2 middle panels with female figures in niches of Promise [Promissio] with streams of light radiating from her hed (L) & Confidence [Confidentia] ho
Where Do We Come From? What Are We? Where Are We Going? By Paul Gauguin at the Museum of Fine Art in Boston, Massachusetts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/where-do-we-come-from-what-are-we-where-are-we-going-by-paul-gauguin-at-the-museum-of-fine-art-in-boston-massachusetts-image435045353.html
RM2G7P0P1–Where Do We Come From? What Are We? Where Are We Going? By Paul Gauguin at the Museum of Fine Art in Boston, Massachusetts.
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF AST FREER GALLERY OF ART INTERNATION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-national-gallery-of-ast-freer-gallery-of-art-internation-image235073515.html
RMRJCEJK–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF AST FREER GALLERY OF ART INTERNATION
Chasing the wild boar. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 6'6' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to Conde Nast [Liquid] 4/9/1940 [SS 39656]. In landscape with trees & flowering plants, 2 horsemen galloping with their hound dogs flan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chasing-the-wild-boar-unknown-c-1750-1800-tapestry-dimensions-h-93-x-w-66-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-charles-mather-ffoulke-coll-washington-dc-1909-cornelius-k-g-billings-1913-french-co-purchased-from-mrs-b-n-duke-received-9141917-sold-to-j-w-harriman-9121919-ss-4422-french-co-purchased-from-plaza-art-gallery-j-w-harriman-sale-invoiced-11151934-sold-to-conde-nast-liquid-491940-ss-39656-in-landscape-with-trees-flowering-plants-2-horsemen-galloping-with-their-hound-dogs-flan-image600257570.html
RM2WTG2JA–Chasing the wild boar. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 6'6' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to Conde Nast [Liquid] 4/9/1940 [SS 39656]. In landscape with trees & flowering plants, 2 horsemen galloping with their hound dogs flan
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN rNSTITlTlOX NATtONAL GALLERY OF ART FREER GA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-smithsonian-rnstitltlox-nattonal-gallery-of-art-freer-ga-image235045048.html
RMRJB6A0–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN rNSTITlTlOX NATtONAL GALLERY OF ART FREER GA
The huntsmen. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 5'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422-a]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to J. J. Gillespie Co. 11/2/1937 [SS 39656-a]. In landscape with trees, hunter standing with his shotgun converses with woman laying on ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-huntsmen-unknown-c-1750-1800-tapestry-dimensions-h-93-x-w-59-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-charles-mather-ffoulke-coll-washington-dc-1909-cornelius-k-g-billings-1913-french-co-purchased-from-mrs-b-n-duke-received-9141917-sold-to-j-w-harriman-9121919-ss-4422-a-french-co-purchased-from-plaza-art-gallery-j-w-harriman-sale-invoiced-11151934-sold-to-j-j-gillespie-co-1121937-ss-39656-a-in-landscape-with-trees-hunter-standing-with-his-shotgun-converses-with-woman-laying-on-ground-image600250537.html
RM2WTFNK5–The huntsmen. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 5'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422-a]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to J. J. Gillespie Co. 11/2/1937 [SS 39656-a]. In landscape with trees, hunter standing with his shotgun converses with woman laying on ground
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF ART FREER OALLERY OF ART INTERNATION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-national-gallery-of-art-freer-oallery-of-art-internation-image234992887.html
RMRJ8RR3–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF ART FREER OALLERY OF ART INTERNATION
The huntsmen. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 5'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422-a]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to J. J. Gillespie Co. 11/2/1937 [SS 39656-a]. In landscape with trees, hunter standing with his shotgun converses with woman laying on ground Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-huntsmen-unknown-c-1750-1800-tapestry-dimensions-h-93-x-w-59-tapestry-materialstechniques-unknown-culture-french-weaving-center-aubusson-ownership-history-charles-mather-ffoulke-coll-washington-dc-1909-cornelius-k-g-billings-1913-french-co-purchased-from-mrs-b-n-duke-received-9141917-sold-to-j-w-harriman-9121919-ss-4422-a-french-co-purchased-from-plaza-art-gallery-j-w-harriman-sale-invoiced-11151934-sold-to-j-j-gillespie-co-1121937-ss-39656-a-in-landscape-with-trees-hunter-standing-with-his-shotgun-converses-with-woman-laying-on-ground-image600250113.html
RM2WTFN41–The huntsmen. unknown c. 1750-1800 Tapestry Dimensions: H 9'3' x W 5'9' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Charles Mather Ffoulke coll., Washington D.C, 1909. Cornelius K. G. Billings 1913. French & Co. purchased from Mrs. B. N. Duke, received 9/14/1917; sold to J. W. Harriman 9/12/1919 [SS 4422-a]. French & Co. purchased from Plaza Art Gallery J. W. Harriman sale, invoiced 11/15/1934; sold to J. J. Gillespie Co. 11/2/1937 [SS 39656-a]. In landscape with trees, hunter standing with his shotgun converses with woman laying on ground
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF ART FREER GALLERY OF ART INTERNATION Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-national-gallery-of-art-freer-gallery-of-art-internation-image235053965.html
RMRJBHMD–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. NATIONAL GALLERY OF ART FREER GALLERY OF ART INTERNATION
. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN INSTimiaN N MATIOMAL GALLERY OF ART FREER GA Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c-hart-merriam-papers-including-correspondence-papers-relating-to-career-with-the-united-states-biological-survey-1798-1972-bulk-1871-1942-united-states-division-of-ornithology-and-mammalogy-united-states-division-of-biological-survey-united-states-biological-survey-united-states-bureau-of-biological-survey-geological-and-geographical-survey-of-the-territories-u-s-harriman-alaska-expedition-1899-bering-sea-controversy-bears-biogeography-natural-history-ornithology-botany-life-zones-wildlife-conservation-smithsonian-instimian-n-matiomal-gallery-of-art-freer-ga-image235054156.html
RMRJBHY8–. C. Hart Merriam papers : including correspondence, papers relating to career with the United States Biological Survey, 1798-1972 (bulk 1871-1942). United States. Division of Ornithology and Mammalogy; United States. Division of Biological Survey; United States. Biological Survey; United States. Bureau of Biological Survey; Geological and Geographical Survey of the Territories (U. S. ); Harriman Alaska Expedition (1899); Bering Sea controversy; Bears; Biogeography; Natural history; Ornithology; Botany; Life zones; Wildlife conservation. SMITHSONIAN INSTimiaN N MATIOMAL GALLERY OF ART FREER GA
. Better fruit. Fruit-culture. Tpl8 BETTER FRUIT Page 5 The Conserving of Fruits by Scientific Dehydration IN the East Gallery of the Grand Central Terminal in New York is the Mrs. Oliver Harriman Food Re- search Laboratory, a daily exhibit of a practical wartime measure and the an- swer to one of the biggest conservation questions today. To the fruit-grower, who does not need to be told the ad- vantages of drying, the possibilities that dehydration has to ofTer will be of decided interest. Not that dehydration is something totally new,—in various forms it has been practiced from time immemori Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/better-fruit-fruit-culture-tpl8-better-fruit-page-5-the-conserving-of-fruits-by-scientific-dehydration-in-the-east-gallery-of-the-grand-central-terminal-in-new-york-is-the-mrs-oliver-harriman-food-re-search-laboratory-a-daily-exhibit-of-a-practical-wartime-measure-and-the-an-swer-to-one-of-the-biggest-conservation-questions-today-to-the-fruit-grower-who-does-not-need-to-be-told-the-ad-vantages-of-drying-the-possibilities-that-dehydration-has-to-ofter-will-be-of-decided-interest-not-that-dehydration-is-something-totally-newin-various-forms-it-has-been-practiced-from-time-immemori-image234730782.html
RMRHTWE6–. Better fruit. Fruit-culture. Tpl8 BETTER FRUIT Page 5 The Conserving of Fruits by Scientific Dehydration IN the East Gallery of the Grand Central Terminal in New York is the Mrs. Oliver Harriman Food Re- search Laboratory, a daily exhibit of a practical wartime measure and the an- swer to one of the biggest conservation questions today. To the fruit-grower, who does not need to be told the ad- vantages of drying, the possibilities that dehydration has to ofTer will be of decided interest. Not that dehydration is something totally new,—in various forms it has been practiced from time immemori