Heavenly jerusalem 12th century Stock Photos and Images
12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/12th-century-unknown-painters-christ-in-majesty-and-the-heavenly-jerusalem-wga19717-image209249354.html
RMP4C3K6–12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717.
Heavenly Jerusalem, a page from Liber Floridus, 12th century. Artist: Unknown Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/heavenly-jerusalem-a-page-from-liber-floridus-12th-century-artist-unknown-image262755600.html
RMW7DFCG–Heavenly Jerusalem, a page from Liber Floridus, 12th century. Artist: Unknown
Cover of a Censer. Artist: Godefridus. Culture: South Netherlandish. Dimensions: Overall: 4 1/8 x 4 1/8 in. (10.5 x 10.5 cm). Date: mid-12th century. The artist who produced this censer proudly inscribed his name, 'Godefridus,' over one of the arches. The censer bears witness to the technical, artistic, and symbolic sophistication lavished on objects, regardless of size, produced for the service of the medieval church. The architectural form may symbolize the heavenly city of Jerusalem, while the lunettes circling the base depict Old Testament events thought to foretell Christ's sacrifice. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cover-of-a-censer-artist-godefridus-culture-south-netherlandish-dimensions-overall-4-18-x-4-18-in-105-x-105-cm-date-mid-12th-century-the-artist-who-produced-this-censer-proudly-inscribed-his-name-godefridus-over-one-of-the-arches-the-censer-bears-witness-to-the-technical-artistic-and-symbolic-sophistication-lavished-on-objects-regardless-of-size-produced-for-the-service-of-the-medieval-church-the-architectural-form-may-symbolize-the-heavenly-city-of-jerusalem-while-the-lunettes-circling-the-base-depict-old-testament-events-thought-to-foretell-christs-sacrifice-image213163960.html
RMPAPCPG–Cover of a Censer. Artist: Godefridus. Culture: South Netherlandish. Dimensions: Overall: 4 1/8 x 4 1/8 in. (10.5 x 10.5 cm). Date: mid-12th century. The artist who produced this censer proudly inscribed his name, 'Godefridus,' over one of the arches. The censer bears witness to the technical, artistic, and symbolic sophistication lavished on objects, regardless of size, produced for the service of the medieval church. The architectural form may symbolize the heavenly city of Jerusalem, while the lunettes circling the base depict Old Testament events thought to foretell Christ's sacrifice.
English: Christ in Majesty and the Heavenly Jerusalem . circa 1120. 12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/english-christ-in-majesty-and-the-heavenly-jerusalem-circa-1120-12th-century-unknown-painters-christ-in-majesty-and-the-heavenly-jerusalem-wga19717-image184865714.html
RMMMNA2X–English: Christ in Majesty and the Heavenly Jerusalem . circa 1120. 12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717
12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-12th-century-unknown-painters-christ-in-majesty-and-the-heavenly-jerusalem-132600603.html
RMHKMDBR–12th century unknown painters - Christ in Majesty and the Heavenly Jerusalem - WGA19717
The largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as war booty by the Swedish army. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-largest-medieval-manuscript-in-the-world-known-as-the-codex-gigas-92585105.html
RMFAHH6W–The largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as war booty by the Swedish army.
Cover of a Censer mid-12th century Godefridus The artist who produced this censer proudly inscribed his name, 'Godefridus,' over one of the arches. The censer bears witness to the technical, artistic, and symbolic sophistication lavished on objects, regardless of size, produced for the service of the medieval church. The architectural form may symbolize the heavenly city of Jerusalem, while the lunettes circling the base depict Old Testament events thought to foretell Christ's sacrifice. Such complicated imagery was standard in art produced in the Valley of the Meuse, an area now part of moder Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cover-of-a-censer-mid-12th-century-godefridus-the-artist-who-produced-this-censer-proudly-inscribed-his-name-godefridus-over-one-of-the-arches-the-censer-bears-witness-to-the-technical-artistic-and-symbolic-sophistication-lavished-on-objects-regardless-of-size-produced-for-the-service-of-the-medieval-church-the-architectural-form-may-symbolize-the-heavenly-city-of-jerusalem-while-the-lunettes-circling-the-base-depict-old-testament-events-thought-to-foretell-christs-sacrifice-such-complicated-imagery-was-standard-in-art-produced-in-the-valley-of-the-meuse-an-area-now-part-of-moder-image458121188.html
RM2HH9670–Cover of a Censer mid-12th century Godefridus The artist who produced this censer proudly inscribed his name, 'Godefridus,' over one of the arches. The censer bears witness to the technical, artistic, and symbolic sophistication lavished on objects, regardless of size, produced for the service of the medieval church. The architectural form may symbolize the heavenly city of Jerusalem, while the lunettes circling the base depict Old Testament events thought to foretell Christ's sacrifice. Such complicated imagery was standard in art produced in the Valley of the Meuse, an area now part of moder
C12th Last Judgement frescoes around the walls & chancel arch of the C11th Saxon nave of St John the Baptist's Church, Clayton, Sussex, England, UK Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/c12th-last-judgement-frescoes-around-the-walls-chancel-arch-of-the-c11th-saxon-nave-of-st-john-the-baptists-church-clayton-sussex-england-uk-image594675314.html
RM2WFDPC2–C12th Last Judgement frescoes around the walls & chancel arch of the C11th Saxon nave of St John the Baptist's Church, Clayton, Sussex, England, UK
Last Judgement fresco, painted early 1300s and showing influence of Giotto. In the Chiesa di Santa Maria del Tiglio, a Como-Romanesque church built in the second half of the 1100s at Gravedona in Lombardy, Italy. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/last-judgement-fresco-painted-early-1300s-and-showing-influence-of-giotto-in-the-chiesa-di-santa-maria-del-tiglio-a-como-romanesque-church-built-in-the-second-half-of-the-1100s-at-gravedona-in-lombardy-italy-image605530052.html
RF2X547N8–Last Judgement fresco, painted early 1300s and showing influence of Giotto. In the Chiesa di Santa Maria del Tiglio, a Como-Romanesque church built in the second half of the 1100s at Gravedona in Lombardy, Italy.
Aachen Cathedral. Palatine Chapel. Low-angle shot of the bronze Barbarossa's Chandelier (1168) and the vault of the Octagon with golden mosaics depicting Christ surrounded by the 24 Ancients of the Apocalypse. By Salviati of Venice, 1882. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aachen-cathedral-palatine-chapel-low-angle-shot-of-the-bronze-barbarossas-chandelier-1168-and-the-vault-of-the-octagon-with-golden-mosaics-depicting-christ-surrounded-by-the-24-ancients-of-the-apocalypse-by-salviati-of-venice-1882-germany-image231204521.html
RMRC47M9–Aachen Cathedral. Palatine Chapel. Low-angle shot of the bronze Barbarossa's Chandelier (1168) and the vault of the Octagon with golden mosaics depicting Christ surrounded by the 24 Ancients of the Apocalypse. By Salviati of Venice, 1882. Germany.
Facsimile of the pages from the largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as wa Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-facsimile-of-the-pages-from-the-largest-medieval-manuscript-in-the-92585110.html
RMFAHH72–Facsimile of the pages from the largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as wa
Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aachen-cathedral-palatine-chapel-interior-with-the-bronze-chandelier-provided-by-emperor-barbarossa-1168-germany-image231179030.html
RMRC335X–Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany.
The largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as war booty by the Swedish army. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-the-largest-medieval-manuscript-in-the-world-known-as-the-codex-gigas-92585107.html
RMFAHH6Y–The largest medieval manuscript in the world known as the Codex Gigas or also as the Devil's Bible displayed at the exhibition 'The Codex Gigas: the mystery of the largest book in the world' in the Czech National Library in Prague, Czech Republic, on September 19, 2007. The Codex Gigas was created in the early 12th century in the Benedictine monastery of Podlazice in Bohemia, now in the Czech Republic. It is known as the Devil's Bible because of a large illustration of the devil on the inside. At the end of the Thirty Years War in 1648 the manuscript was taken as war booty by the Swedish army.
Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aachen-cathedral-palatine-chapel-interior-with-the-bronze-chandelier-49334620.html
RMCT7APM–Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany.
Germany. Aachen Cathedral. Palatine Chapel. Low-angle shot of the bronze Barbarossa's Chandelier and the vault of the Octagon. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-germany-aachen-cathedral-palatine-chapel-low-angle-shot-of-the-bronze-49335824.html
RMCT7C9M–Germany. Aachen Cathedral. Palatine Chapel. Low-angle shot of the bronze Barbarossa's Chandelier and the vault of the Octagon.
Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/aachen-cathedral-palatine-chapel-interior-with-the-bronze-chandelier-provided-by-emperor-barbarossa-1168-germany-image231210741.html
RMRC4FJD–Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany.
Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-aachen-cathedral-palatine-chapel-interior-with-the-bronze-chandelier-49334592.html
RMCT7ANM–Aachen Cathedral. Palatine Chapel. Interior with the bronze chandelier provided by emperor Barbarossa. 1168. Germany.