Height 294 mm Stock Photos and Images
Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seated-woman-with-book-draughtsman-lambertus-lingeman-23-mar-1851-paper-chalk-height-294-mm-width-209-mm-image454427495.htmlRM2HB8XWB–Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm
Inspired by Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-seated-woman-with-book-draughtsman-lambertus-lingeman-23-mar-1851-paper-chalk-height-294-mm-width-209-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459549775.htmlRF2HKJ8BY–Inspired by Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Oriental palace, print maker: Frans Hogerwaard, 1892 - 1921, paper, etching, height 294 mm × width 433 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/oriental-palace-print-maker-frans-hogerwaard-1892-1921-paper-etching-height-294-mm-width-433-mm-print-image599468798.htmlRM2WR84FX–Oriental palace, print maker: Frans Hogerwaard, 1892 - 1921, paper, etching, height 294 mm × width 433 mm, print
Hot Wind. Date/Period: 1889. Painting. Oil on cardboard. Height: 294 mm (11.57 in); Width: 750 mm (29.52 in). Author: CHARLES CONDER. CONDER, CHARLES. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hot-wind-dateperiod-1889-painting-oil-on-cardboard-height-294-mm-1157-in-width-750-mm-2952-in-author-charles-conder-conder-charles-image219652274.htmlRMPNA0M2–Hot Wind. Date/Period: 1889. Painting. Oil on cardboard. Height: 294 mm (11.57 in); Width: 750 mm (29.52 in). Author: CHARLES CONDER. CONDER, CHARLES.
Portrait of Heinrich Erndel, print maker: Moritz Bodenehr, 1675 - 1748, paper, height 294 mm × width 185 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-heinrich-erndel-print-maker-moritz-bodenehr-1675-1748-paper-height-294-mm-width-185-mm-print-image599519524.htmlRM2WRAD7G–Portrait of Heinrich Erndel, print maker: Moritz Bodenehr, 1675 - 1748, paper, height 294 mm × width 185 mm, print
. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . Figure 14 isitya, beer beaker (A-C) or food basket (D). A. Mpondo, Flagstaff, 1932. Height 256 mm. UCT-32/41. B. Mpondo, Umvume Springs, 1939. Height 294 mm. SAM-5994. C. Mpondo, Libode, 1942. Width 222 mm. FH 369. Photo N. J. van Warmelo. D. Xesibe, Mount Ayliff, 1969. Height 225 mm. SAM-9633. 5. ingcaza: Bhaca, for drinking beer. 6. ingceke: Vundla, a small basket for food; Xhosa, Mpondo, Xesibe, a small ingobozi. 7. ilala: made of palm-leaf, for food or drink; this would mean a coiled sewn basket likeisitya above Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-figure-14-isitya-beer-beaker-a-c-or-food-basket-d-a-mpondo-flagstaff-1932-height-256-mm-uct-3241-b-mpondo-umvume-springs-1939-height-294-mm-sam-5994-c-mpondo-libode-1942-width-222-mm-fh-369-photo-n-j-van-warmelo-d-xesibe-mount-ayliff-1969-height-225-mm-sam-9633-5-ingcaza-bhaca-for-drinking-beer-6-ingceke-vundla-a-small-basket-for-food-xhosa-mpondo-xesibe-a-small-ingobozi-7-ilala-made-of-palm-leaf-for-food-or-drink-this-would-mean-a-coiled-sewn-basket-likeisitya-above-image370130116.htmlRM2CE4TMM–. Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . Figure 14 isitya, beer beaker (A-C) or food basket (D). A. Mpondo, Flagstaff, 1932. Height 256 mm. UCT-32/41. B. Mpondo, Umvume Springs, 1939. Height 294 mm. SAM-5994. C. Mpondo, Libode, 1942. Width 222 mm. FH 369. Photo N. J. van Warmelo. D. Xesibe, Mount Ayliff, 1969. Height 225 mm. SAM-9633. 5. ingcaza: Bhaca, for drinking beer. 6. ingceke: Vundla, a small basket for food; Xhosa, Mpondo, Xesibe, a small ingobozi. 7. ilala: made of palm-leaf, for food or drink; this would mean a coiled sewn basket likeisitya above
Inspired by View into the cloister of Canterbury Cathedral, Henry George Austin, Canterbury, 1861, paper, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-into-the-cloister-of-canterbury-cathedral-henry-george-austin-canterbury-1861-paper-albumen-print-height-294-mm-width-242-mmheight-394-mm-width-332-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459543236.htmlRF2HKJ02C–Inspired by View into the cloister of Canterbury Cathedral, Henry George Austin, Canterbury, 1861, paper, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Highland Dance. Date/Period: 1780. Drawing. Brush and watercolour over pencil on paper. Height: 294 mm (11.57 in); Width: 804 mm (31.65 in). Author: DAVID ALLAN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-highland-dance-dateperiod-1780-drawing-brush-and-watercolour-over-pencil-on-paper-height-294-mm-1157-in-width-804-mm-3165-in-author-david-allan-image233251437.htmlRMRFDEGD–A Highland Dance. Date/Period: 1780. Drawing. Brush and watercolour over pencil on paper. Height: 294 mm (11.57 in); Width: 804 mm (31.65 in). Author: DAVID ALLAN.
Self-portrait, print maker: Charles Verlat, 1868, paper, etching, drypoint, retroussage, height 294 mm × width 252 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/self-portrait-print-maker-charles-verlat-1868-paper-etching-drypoint-retroussage-height-294-mm-width-252-mm-print-image599517078.htmlRM2WRAA46–Self-portrait, print maker: Charles Verlat, 1868, paper, etching, drypoint, retroussage, height 294 mm × width 252 mm, print
Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . V m^^ Fig. 51. Australiceras ramososeptatum (Anthula, 1899). The original of Anthulas (1899, pi. 14(fig. 4a)) Crioceras ramososeptatum. Housed in the Palaeontological Institute, Uppsala Univer-sity (Sjorgen Coll.). Photograph supplied by Dr P. Bengtson (Uppsala). Slightly reduced. 294 ANNALS OF THE SOUTH AFRICAN MUSEUM. 00 tu CRETACEOUS FAUNAS FROM SOUTH AFRICA 295 At a whorl height of approximately 20 mm, ornament consists of alternatetrituberculate ribs and non-tuberculate intermediaries. The tuberculate ribs arem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-v-m-fig-51-australiceras-ramososeptatum-anthula-1899-the-original-of-anthulas-1899-pi-14fig-4a-crioceras-ramososeptatum-housed-in-the-palaeontological-institute-uppsala-univer-sity-sjorgen-coll-photograph-supplied-by-dr-p-bengtson-uppsala-slightly-reduced-294-annals-of-the-south-african-museum-00-tu-cretaceous-faunas-from-south-africa-295-at-a-whorl-height-of-approximately-20-mm-ornament-consists-of-alternatetrituberculate-ribs-and-non-tuberculate-intermediaries-the-tuberculate-ribs-arem-image343200773.htmlRM2AXA42D–Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . V m^^ Fig. 51. Australiceras ramososeptatum (Anthula, 1899). The original of Anthulas (1899, pi. 14(fig. 4a)) Crioceras ramososeptatum. Housed in the Palaeontological Institute, Uppsala Univer-sity (Sjorgen Coll.). Photograph supplied by Dr P. Bengtson (Uppsala). Slightly reduced. 294 ANNALS OF THE SOUTH AFRICAN MUSEUM. 00 tu CRETACEOUS FAUNAS FROM SOUTH AFRICA 295 At a whorl height of approximately 20 mm, ornament consists of alternatetrituberculate ribs and non-tuberculate intermediaries. The tuberculate ribs arem
Portrait of Marten Diefenbach, print maker: Elias Christopf Heiss, Augsburg, 1709 - 1731, paper, height 294 mm × width 190 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-marten-diefenbach-print-maker-elias-christopf-heiss-augsburg-1709-1731-paper-height-294-mm-width-190-mm-print-image599456582.htmlRM2WR7GYJ–Portrait of Marten Diefenbach, print maker: Elias Christopf Heiss, Augsburg, 1709 - 1731, paper, height 294 mm × width 190 mm, print
Portrait of Gerhard Meier, print maker: Christian Fritzsch, Hamburg, 1705 - 1769, paper, engraving, height 294 mm × width 205 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-gerhard-meier-print-maker-christian-fritzsch-hamburg-1705-1769-paper-engraving-height-294-mm-width-205-mm-print-image599518624.htmlRM2WRAC3C–Portrait of Gerhard Meier, print maker: Christian Fritzsch, Hamburg, 1705 - 1769, paper, engraving, height 294 mm × width 205 mm, print
Art inspired by Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-seated-woman-with-book-draughtsman-lambertus-lingeman-23-mar-1851-paper-chalk-height-294-mm-width-209-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459794629.htmlRF2HM1CMN–Art inspired by Seated woman with book, draughtsman: Lambertus Lingeman, 23-Mar-1851, paper, chalk, height 294 mm × width 209 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Kumoi-Zakura (Kumoi Cherry Trees). Date/Period: 1920. Print. Woodblock color print on paper. Height: 294 mm (11.57 in); Width: 451 mm (17.75 in). Author: HIROSHI YOSHIDA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kumoi-zakura-kumoi-cherry-trees-dateperiod-1920-print-woodblock-color-print-on-paper-height-294-mm-1157-in-width-451-mm-1775-in-author-hiroshi-yoshida-image219736368.htmlRMPNDRYC–Kumoi-Zakura (Kumoi Cherry Trees). Date/Period: 1920. Print. Woodblock color print on paper. Height: 294 mm (11.57 in); Width: 451 mm (17.75 in). Author: HIROSHI YOSHIDA.
Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . V m^^ Fig. 51. Australiceras ramososeptatum (Anthula, 1899). The original of Anthulas (1899, pi. 14(fig. 4a)) Crioceras ramososeptatum. Housed in the Palaeontological Institute, Uppsala Univer-sity (Sjorgen Coll.). Photograph supplied by Dr P. Bengtson (Uppsala). Slightly reduced. 294 ANNALS OF THE SOUTH AFRICAN MUSEUM. 00 tu CRETACEOUS FAUNAS FROM SOUTH AFRICA 295 At a whorl height of approximately 20 mm, ornament consists of alternatetrituberculate ribs and non-tuberculate intermediaries. The tuberculate ribs arem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/annals-of-the-south-african-museum-=-annale-van-die-suid-afrikaanse-museum-v-m-fig-51-australiceras-ramososeptatum-anthula-1899-the-original-of-anthulas-1899-pi-14fig-4a-crioceras-ramososeptatum-housed-in-the-palaeontological-institute-uppsala-univer-sity-sjorgen-coll-photograph-supplied-by-dr-p-bengtson-uppsala-slightly-reduced-294-annals-of-the-south-african-museum-00-tu-cretaceous-faunas-from-south-africa-295-at-a-whorl-height-of-approximately-20-mm-ornament-consists-of-alternatetrituberculate-ribs-and-non-tuberculate-intermediaries-the-tuberculate-ribs-arem-image343199416.htmlRM2AXA2A0–Annals of the South African Museum = Annale van die Suid-Afrikaanse Museum . V m^^ Fig. 51. Australiceras ramososeptatum (Anthula, 1899). The original of Anthulas (1899, pi. 14(fig. 4a)) Crioceras ramososeptatum. Housed in the Palaeontological Institute, Uppsala Univer-sity (Sjorgen Coll.). Photograph supplied by Dr P. Bengtson (Uppsala). Slightly reduced. 294 ANNALS OF THE SOUTH AFRICAN MUSEUM. 00 tu CRETACEOUS FAUNAS FROM SOUTH AFRICA 295 At a whorl height of approximately 20 mm, ornament consists of alternatetrituberculate ribs and non-tuberculate intermediaries. The tuberculate ribs arem
Landscape with the Temple of Vesta, print maker: Jean Jacques de Boissieu, France, 1774, paper, etching, height 294 mm × width 379 mm, print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-the-temple-of-vesta-print-maker-jean-jacques-de-boissieu-france-1774-paper-etching-height-294-mm-width-379-mm-print-image599534506.htmlRM2WRB4AJ–Landscape with the Temple of Vesta, print maker: Jean Jacques de Boissieu, France, 1774, paper, etching, height 294 mm × width 379 mm, print
House on the Hoher Weg, Hildesheim, E. Mertens & Cie, (possibly), anonymous, Hildesheim, 1880 - 1900, paper, collotype, height 294 mm × width 232 mm, photomechanical print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/house-on-the-hoher-weg-hildesheim-e-mertens-cie-possibly-anonymous-hildesheim-1880-1900-paper-collotype-height-294-mm-width-232-mm-photomechanical-print-image599443278.htmlRM2WR700E–House on the Hoher Weg, Hildesheim, E. Mertens & Cie, (possibly), anonymous, Hildesheim, 1880 - 1900, paper, collotype, height 294 mm × width 232 mm, photomechanical print
View into the cloister of Canterbury Cathedral, Henry George Austin (attributed to), Canterbury, 1861, paper, cardboard, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-into-the-cloister-of-canterbury-cathedral-henry-george-austin-attributed-to-canterbury-1861-paper-cardboard-albumen-print-height-294-mm-width-242-mmheight-394-mm-width-332-mm-image454425560.htmlRM2HB8TC8–View into the cloister of Canterbury Cathedral, Henry George Austin (attributed to), Canterbury, 1861, paper, cardboard, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm
![Portrait bust of Tsar Alexander I (?), Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 202 mm, [Målangivelser i piede og pollice], Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo](https://c8.alamy.com/comp/2T8EY06/portrait-bust-of-tsar-alexander-i-drawing-paper-color-graphite-drawn-height-294-mm-width-202-mm-mlangivelser-i-piede-og-pollice-draftsmanship-drawing-european-modernity-1800-1914-2T8EY06.jpg "Portrait bust of Tsar Alexander I (?), Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 202 mm, [Målangivelser i piede og pollice], Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo")
Portrait bust of Tsar Alexander I (?), Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 202 mm, [Målangivelser i piede og pollice], Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-bust-of-tsar-alexander-i-drawing-paper-color-graphite-drawn-height-294-mm-width-202-mm-mlangivelser-i-piede-og-pollice-draftsmanship-drawing-european-modernity-1800-1914-image573187894.htmlRM2T8EY06–Portrait bust of Tsar Alexander I (?), Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 202 mm, [Målangivelser i piede og pollice], Draftsmanship, Drawing, European, Modernity (1800 - 1914
Art inspired by View into the cloister of Canterbury Cathedral, Henry George Austin (attributed to), Canterbury, 1861, paper, cardboard, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-into-the-cloister-of-canterbury-cathedral-henry-george-austin-attributed-to-canterbury-1861-paper-cardboard-albumen-print-height-294-mm-width-242-mmheight-394-mm-width-332-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459791948.htmlRF2HM1990–Art inspired by View into the cloister of Canterbury Cathedral, Henry George Austin (attributed to), Canterbury, 1861, paper, cardboard, albumen print, height 294 mm × width 242 mmheight 394 mm × width 332 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Returned Soldier from Cuba on the Quay. Date/Period: 1898. Drawing. Ink and varnish on paper and cardboard. Height: 294 mm (11.57 in); Width: 257 mm (10.11 in). Author: NONELL I MONTURIOL, ISIDRE. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/returned-soldier-from-cuba-on-the-quay-dateperiod-1898-drawing-ink-and-varnish-on-paper-and-cardboard-height-294-mm-1157-in-width-257-mm-1011-in-author-nonell-i-monturiol-isidre-image219740673.htmlRMPNE1D5–Returned Soldier from Cuba on the Quay. Date/Period: 1898. Drawing. Ink and varnish on paper and cardboard. Height: 294 mm (11.57 in); Width: 257 mm (10.11 in). Author: NONELL I MONTURIOL, ISIDRE.
![Hebe Pouring Nectar into Hercules' Bowl, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 221 mm, 1 Napoleon d or 37 pant 2½ Gaja, 1 Lois d or 4 Scudi 4 pant, Lois d or 1760, Napoleon d or 1498, [?] 262, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo](https://c8.alamy.com/comp/2T8F30G/hebe-pouring-nectar-into-hercules-bowl-bertel-thorvaldsen-1770-1844-drawing-paper-color-graphite-drawn-height-294-mm-width-221-mm-1-napoleon-d-or-37-pant-2-gaja-1-lois-d-or-4-scudi-4-pant-lois-d-or-1760-napoleon-d-or-1498-262-draftsmanship-drawing-european-modernity-1800-1914-2T8F30G.jpg "Hebe Pouring Nectar into Hercules' Bowl, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 221 mm, 1 Napoleon d or 37 pant 2½ Gaja, 1 Lois d or 4 Scudi 4 pant, Lois d or 1760, Napoleon d or 1498, [?] 262, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photo")
Hebe Pouring Nectar into Hercules' Bowl, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 221 mm, 1 Napoleon d or 37 pant 2½ Gaja, 1 Lois d or 4 Scudi 4 pant, Lois d or 1760, Napoleon d or 1498, [?] 262, Draftsmanship, Drawing, European, Modernity (1800 - 1914 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hebe-pouring-nectar-into-hercules-bowl-bertel-thorvaldsen-1770-1844-drawing-paper-color-graphite-drawn-height-294-mm-width-221-mm-1-napoleon-d-or-37-pant-2-gaja-1-lois-d-or-4-scudi-4-pant-lois-d-or-1760-napoleon-d-or-1498-262-draftsmanship-drawing-european-modernity-1800-1914-image573191040.htmlRM2T8F30G–Hebe Pouring Nectar into Hercules' Bowl, Bertel Thorvaldsen, 1770-1844, Drawing, Paper, Color, Graphite, Drawn, Height 294 mm, Width 221 mm, 1 Napoleon d or 37 pant 2½ Gaja, 1 Lois d or 4 Scudi 4 pant, Lois d or 1760, Napoleon d or 1498, [?] 262, Draftsmanship, Drawing, European, Modernity (1800 - 1914
Conductor Dirk Speets of the Amsterdamsche Postharmonie, photograph, anonymous, c. 1919 - c. 1950, photographic support, gelatin silver print, height, 294 mm × width, 190 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/conductor-dirk-speets-of-the-amsterdamsche-postharmonie-photograph-anonymous-c-1919-c-1950-photographic-support-gelatin-silver-print-height-294-mm-width-190-mm-image606655294.htmlRM2X6YF0E–Conductor Dirk Speets of the Amsterdamsche Postharmonie, photograph, anonymous, c. 1919 - c. 1950, photographic support, gelatin silver print, height, 294 mm × width, 190 mm
Inspired by Tabard of the Hubert Order, Heroldmantel des hubertusorden 1570-1630, Europe, c. 1875 - c. 1900, paper, collotype, height 294 mm × width 232 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-tabard-of-the-hubert-order-heroldmantel-des-hubertusorden-1570-1630-europe-c-1875-c-1900-paper-collotype-height-294-mm-width-232-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459433405.htmlRF2HKCYYW–Inspired by Tabard of the Hubert Order, Heroldmantel des hubertusorden 1570-1630, Europe, c. 1875 - c. 1900, paper, collotype, height 294 mm × width 232 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Eagle Lake Viewed from Cadillac Mountain, Mount Desert Island, Maine. Date/Period: 1850-60. Drawing. Brush and oil paint, graphite on paperboard. Height: 294 mm (11.57 in); Width: 445 mm (17.51 in). Author: FREDERIC EDWIN CHURCH. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eagle-lake-viewed-from-cadillac-mountain-mount-desert-island-maine-dateperiod-1850-60-drawing-brush-and-oil-paint-graphite-on-paperboard-height-294-mm-1157-in-width-445-mm-1751-in-author-frederic-edwin-church-image233354124.htmlRMRFJ5FT–Eagle Lake Viewed from Cadillac Mountain, Mount Desert Island, Maine. Date/Period: 1850-60. Drawing. Brush and oil paint, graphite on paperboard. Height: 294 mm (11.57 in); Width: 445 mm (17.51 in). Author: FREDERIC EDWIN CHURCH.
Fishing Boat in Marseille, photograph, László Moholy-Nagy, (mentioned on object), Marseille, 1929, baryta paper, gelatin silver print, height, 294 mm × width, 225 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fishing-boat-in-marseille-photograph-lszl-moholy-nagy-mentioned-on-object-marseille-1929-baryta-paper-gelatin-silver-print-height-294-mm-width-225-mm-image606649110.htmlRM2X6Y73J–Fishing Boat in Marseille, photograph, László Moholy-Nagy, (mentioned on object), Marseille, 1929, baryta paper, gelatin silver print, height, 294 mm × width, 225 mm
Inspired by Bathroom in the Castle of Fontainebleau, Fontainebleau, - Salle de Bain., JD, Palais de Fontainebleau, c. 1875 - c. 1900, albumen print, height 294 mm × width 220 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bathroom-in-the-castle-of-fontainebleau-fontainebleau-salle-de-bain-jd-palais-de-fontainebleau-c-1875-c-1900-albumen-print-height-294-mm-width-220-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459431121.htmlRF2HKCW29–Inspired by Bathroom in the Castle of Fontainebleau, Fontainebleau, - Salle de Bain., JD, Palais de Fontainebleau, c. 1875 - c. 1900, albumen print, height 294 mm × width 220 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Ruins of the Residency]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD2TR/ruins-of-the-residency-dateperiod-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-PMD2TR.jpg "[Ruins of the Residency]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Ruins of the Residency]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-the-residency-dateperiod-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-image219105175.htmlRMPMD2TR–[Ruins of the Residency]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-two-horsemen-print-maker-etienne-duprac-mentioned-on-object-france-1535-1604-paper-etching-height-294-mm-width-428-mm-image473302066.htmlRM2JE0NH6–Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm
Inspired by Construction of the Bridge over the Maas River at Spijkenisse, Construction of the Bridge over the River Maas at Spijkenisse, Netherlands, Arnaud Pistoor & Zoon, Den Bosch, Aug-1902, height 294 mm × width 420 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-construction-of-the-bridge-over-the-maas-river-at-spijkenisse-construction-of-the-bridge-over-the-river-maas-at-spijkenisse-netherlands-arnaud-pistoor-zoon-den-bosch-aug-1902-height-294-mm-width-420-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459441359.htmlRF2HKDA3Y–Inspired by Construction of the Bridge over the Maas River at Spijkenisse, Construction of the Bridge over the River Maas at Spijkenisse, Netherlands, Arnaud Pistoor & Zoon, Den Bosch, Aug-1902, height 294 mm × width 420 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Devonshire Farm. Date/Period: Ca. 1798. Painting. Watercolor. Height: 198 mm (7.79 in); Width: 294 mm (11.57 in). Author: Thomas Girtin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-devonshire-farm-dateperiod-ca-1798-painting-watercolor-height-198-mm-779-in-width-294-mm-1157-in-author-thomas-girtin-image233251476.htmlRMRFDEHT–A Devonshire Farm. Date/Period: Ca. 1798. Painting. Watercolor. Height: 198 mm (7.79 in); Width: 294 mm (11.57 in). Author: Thomas Girtin.
Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-two-horsemen-print-maker-etienne-duprac-mentioned-on-object-france-1535-1604-paper-etching-height-294-mm-width-428-mm-image473337683.htmlRM2JE2B17–Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm
Inspired by Construction of the right-hand current pillar for the bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, height 294 mm × width 422 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-construction-of-the-right-hand-current-pillar-for-the-bridge-over-the-old-meuse-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-arnaud-pistoor-zoon-den-bosch-jul-1901-height-294-mm-width-422-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459441370.htmlRF2HKDA4A–Inspired by Construction of the right-hand current pillar for the bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, height 294 mm × width 422 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Exterior of The Secundra Bagh]. Date/Period: April 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD27H/exterior-of-the-secundra-bagh-dateperiod-april-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-PMD27H.jpg "[Exterior of The Secundra Bagh]. Date/Period: April 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Exterior of The Secundra Bagh]. Date/Period: April 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/exterior-of-the-secundra-bagh-dateperiod-april-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-image219104693.htmlRMPMD27H–[Exterior of The Secundra Bagh]. Date/Period: April 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-with-two-horsemen-print-maker-etienne-duprac-mentioned-on-object-france-1535-1604-paper-etching-height-294-mm-width-428-mm-image473264366.htmlRM2JDY1EP–Landscape with two horsemen, print maker: Etienne Dupérac, (mentioned on object), France, 1535 - 1604, paper, etching, height 294 mm × width 428 mm
Art inspired by Tabard of the Hubert Order, Heroldmantel des hubertusorden 1570-1630, Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 294 mm × width 232 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-tabard-of-the-hubert-order-heroldmantel-des-hubertusorden-1570-1630-europe-c-1875-c-1900-cardboard-paper-collotype-height-294-mm-width-232-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459748373.htmlRF2HKY9MN–Art inspired by Tabard of the Hubert Order, Heroldmantel des hubertusorden 1570-1630, Europe, c. 1875 - c. 1900, cardboard, paper, collotype, height 294 mm × width 232 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Flatford Mill. Date/Period: Between 1810 and 1811. Painting. Oil on panel. Height: 160 mm (6.29 in); Width: 294 mm (11.57 in). Author: John Constable. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flatford-mill-dateperiod-between-1810-and-1811-painting-oil-on-panel-height-160-mm-629-in-width-294-mm-1157-in-author-john-constable-image233251366.htmlRMRFDEDX–Flatford Mill. Date/Period: Between 1810 and 1811. Painting. Oil on panel. Height: 160 mm (6.29 in); Width: 294 mm (11.57 in). Author: John Constable.
Different views of an Egyptian image, vero - stamped, The front and rear and the side views of an Egyptian image., print, height 294 mm, width 227 mm, printmaker, 1750 - 1900, paper, etching, etching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/different-views-of-an-egyptian-image-vero-stamped-the-front-and-rear-and-the-side-views-of-an-egyptian-image-print-height-294-mm-width-227-mm-printmaker-1750-1900-paper-etching-etching-image680452636.htmlRM3BF187T–Different views of an Egyptian image, vero - stamped, The front and rear and the side views of an Egyptian image., print, height 294 mm, width 227 mm, printmaker, 1750 - 1900, paper, etching, etching
Inspired by Still life with poultry, A Brace of Birds, William Frederick Lake Price, printer: Richard Holdgate, Great Britain, printer: London, publisher: London, May-1857, paper, height 294 mm × width 246 mmheight 538 mm × width 382 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-still-life-with-poultry-a-brace-of-birds-william-frederick-lake-price-printer-richard-holdgate-great-britain-printer-london-publisher-london-may-1857-paper-height-294-mm-width-246-mmheight-538-mm-width-382-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459446768.htmlRF2HKDH14–Inspired by Still life with poultry, A Brace of Birds, William Frederick Lake Price, printer: Richard Holdgate, Great Britain, printer: London, publisher: London, May-1857, paper, height 294 mm × width 246 mmheight 538 mm × width 382 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Stone Bridge and the New Fortifications, Lucknow]. Date/Period: 1858. Print. Albumen silver. Height: 217 mm (8.54 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD23T/stone-bridge-and-the-new-fortifications-lucknow-dateperiod-1858-print-albumen-silver-height-217-mm-854-in-width-294-mm-1157-in-author-felice-beato-PMD23T.jpg "[Stone Bridge and the New Fortifications, Lucknow]. Date/Period: 1858. Print. Albumen silver. Height: 217 mm (8.54 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Stone Bridge and the New Fortifications, Lucknow]. Date/Period: 1858. Print. Albumen silver. Height: 217 mm (8.54 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stone-bridge-and-the-new-fortifications-lucknow-dateperiod-1858-print-albumen-silver-height-217-mm-854-in-width-294-mm-1157-in-author-felice-beato-image219104588.htmlRMPMD23T–[Stone Bridge and the New Fortifications, Lucknow]. Date/Period: 1858. Print. Albumen silver. Height: 217 mm (8.54 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Leonardo da Vinci, Six grotesque faces in profile, verso - stamped, print, height 294 mm, width 231 mm, print maker, 1800 - 1900, paper, etching, Work conception, Italian, 1452-04-15-1515-05-02, inspirator Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leonardo-da-vinci-six-grotesque-faces-in-profile-verso-stamped-print-height-294-mm-width-231-mm-print-maker-1800-1900-paper-etching-work-conception-italian-1452-04-15-1515-05-02-inspirator-image680487064.htmlRM3BF2T5C–Leonardo da Vinci, Six grotesque faces in profile, verso - stamped, print, height 294 mm, width 231 mm, print maker, 1800 - 1900, paper, etching, Work conception, Italian, 1452-04-15-1515-05-02, inspirator
Inspired by Construction of abutment and bank pillar of the bridge over the Old Meuse on the right bank near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Aug-1900, height 294 mm × width 418 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-construction-of-abutment-and-bank-pillar-of-the-bridge-over-the-old-meuse-on-the-right-bank-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-arnaud-pistoor-zoon-den-bosch-aug-1900-height-294-mm-width-418-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459441374.htmlRF2HKDA4E–Inspired by Construction of abutment and bank pillar of the bridge over the Old Meuse on the right bank near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Aug-1900, height 294 mm × width 418 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Lesser Court of the Residency Occupied by Cavalry]. Date/Period: 1858. Print. Albumen silver. Height: 246 mm (9.68 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD2T4/lesser-court-of-the-residency-occupied-by-cavalry-dateperiod-1858-print-albumen-silver-height-246-mm-968-in-width-294-mm-1157-in-author-felice-beato-PMD2T4.jpg "[Lesser Court of the Residency Occupied by Cavalry]. Date/Period: 1858. Print. Albumen silver. Height: 246 mm (9.68 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Lesser Court of the Residency Occupied by Cavalry]. Date/Period: 1858. Print. Albumen silver. Height: 246 mm (9.68 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lesser-court-of-the-residency-occupied-by-cavalry-dateperiod-1858-print-albumen-silver-height-246-mm-968-in-width-294-mm-1157-in-author-felice-beato-image219105156.htmlRMPMD2T4–[Lesser Court of the Residency Occupied by Cavalry]. Date/Period: 1858. Print. Albumen silver. Height: 246 mm (9.68 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Florence, Bandinelli, Baccio, Italy, Casa, Nicolò della, Portrait of sculptor Baccio Bandinelli, verso - stamped, print, height 294 mm, width 217 mm, printmaker, 1538 - 1552, paper, engraving, printing process, Work concept, 1493 - 1560-02-07 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/florence-bandinelli-baccio-italy-casa-nicol-della-portrait-of-sculptor-baccio-bandinelli-verso-stamped-print-height-294-mm-width-217-mm-printmaker-1538-1552-paper-engraving-printing-process-work-concept-1493-1560-02-07-image680462613.htmlRM3BF1N05–Florence, Bandinelli, Baccio, Italy, Casa, Nicolò della, Portrait of sculptor Baccio Bandinelli, verso - stamped, print, height 294 mm, width 217 mm, printmaker, 1538 - 1552, paper, engraving, printing process, Work concept, 1493 - 1560-02-07
Inspired by Construction of the right-hand current pillar and turning pillar for the Bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, height 294 mm × width 421 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-construction-of-the-right-hand-current-pillar-and-turning-pillar-for-the-bridge-over-the-old-meuse-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-arnaud-pistoor-zoon-den-bosch-jul-1901-height-294-mm-width-421-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459441357.htmlRF2HKDA3W–Inspired by Construction of the right-hand current pillar and turning pillar for the Bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse, Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, height 294 mm × width 421 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Group Portrait of the Royal Marine Battalion]. Date/Period: Ca. 1864. Print. Albumen silver. Height: 194 mm (7.63 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD251/group-portrait-of-the-royal-marine-battalion-dateperiod-ca-1864-print-albumen-silver-height-194-mm-763-in-width-294-mm-1157-in-author-felice-beato-PMD251.jpg "[Group Portrait of the Royal Marine Battalion]. Date/Period: Ca. 1864. Print. Albumen silver. Height: 194 mm (7.63 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Group Portrait of the Royal Marine Battalion]. Date/Period: Ca. 1864. Print. Albumen silver. Height: 194 mm (7.63 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-portrait-of-the-royal-marine-battalion-dateperiod-ca-1864-print-albumen-silver-height-194-mm-763-in-width-294-mm-1157-in-author-felice-beato-image219104621.htmlRMPMD251–[Group Portrait of the Royal Marine Battalion]. Date/Period: Ca. 1864. Print. Albumen silver. Height: 194 mm (7.63 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Portrait of Rudolf Agricola, Portrait of Rudolf Agricola in an oval frame. In the lower margin his name and two lines of Latin text. Top right: page 379., print maker: anonymous, 1600 - 1699, paper, engraving, height 294 mm × width 186 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-rudolf-agricola-portrait-of-rudolf-agricola-in-an-oval-frame-in-the-lower-margin-his-name-and-two-lines-of-latin-text-top-right-page-379-print-maker-anonymous-1600-1699-paper-engraving-height-294-mm-width-186-mm-image473365214.htmlRM2JE3J4E–Portrait of Rudolf Agricola, Portrait of Rudolf Agricola in an oval frame. In the lower margin his name and two lines of Latin text. Top right: page 379., print maker: anonymous, 1600 - 1699, paper, engraving, height 294 mm × width 186 mm
Art inspired by Bathroom in the Castle of Fontainebleau, Fontainebleau, - Salle de Bain., JD, Palais de Fontainebleau, c. 1875 - c. 1900, cardboard, albumen print, height 294 mm × width 220 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-bathroom-in-the-castle-of-fontainebleau-fontainebleau-salle-de-bain-jd-palais-de-fontainebleau-c-1875-c-1900-cardboard-albumen-print-height-294-mm-width-220-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459747448.htmlRF2HKY8FM–Art inspired by Bathroom in the Castle of Fontainebleau, Fontainebleau, - Salle de Bain., JD, Palais de Fontainebleau, c. 1875 - c. 1900, cardboard, albumen print, height 294 mm × width 220 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Apollo and Daphne. Date/Period: 1730. Drawing. Chalk and black chalk on blue paper. Height: 320 mm (12.59 in); Width: 294 mm (11.57 in). Author: STEFANO POZZI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/apollo-and-daphne-dateperiod-1730-drawing-chalk-and-black-chalk-on-blue-paper-height-320-mm-1259-in-width-294-mm-1157-in-author-stefano-pozzi-image233247143.htmlRMRFD933–Apollo and Daphne. Date/Period: 1730. Drawing. Chalk and black chalk on blue paper. Height: 320 mm (12.59 in); Width: 294 mm (11.57 in). Author: STEFANO POZZI.
Portrait of Rudolf Agricola, Portrait of Rudolf Agricola in an oval frame. In the lower margin his name and two lines of Latin text. Top right: page 379., print maker: anonymous, 1600 - 1699, paper, engraving, height 294 mm × width 186 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-rudolf-agricola-portrait-of-rudolf-agricola-in-an-oval-frame-in-the-lower-margin-his-name-and-two-lines-of-latin-text-top-right-page-379-print-maker-anonymous-1600-1699-paper-engraving-height-294-mm-width-186-mm-image473281104.htmlRM2JDYPTG–Portrait of Rudolf Agricola, Portrait of Rudolf Agricola in an oval frame. In the lower margin his name and two lines of Latin text. Top right: page 379., print maker: anonymous, 1600 - 1699, paper, engraving, height 294 mm × width 186 mm
Art inspired by Construction of the Bridge over the Maas River at Spijkenisse, Construction of the Bridge over the River Maas at Spijkenisse, Netherlands, Arnaud Pistoor & Zoon, Den Bosch, Aug-1902, cardboard, photographic support, height 294 mm × width 420 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-construction-of-the-bridge-over-the-maas-river-at-spijkenisse-construction-of-the-bridge-over-the-river-maas-at-spijkenisse-netherlands-arnaud-pistoor-zoon-den-bosch-aug-1902-cardboard-photographic-support-height-294-mm-width-420-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459752484.htmlRF2HKYEYG–Art inspired by Construction of the Bridge over the Maas River at Spijkenisse, Construction of the Bridge over the River Maas at Spijkenisse, Netherlands, Arnaud Pistoor & Zoon, Den Bosch, Aug-1902, cardboard, photographic support, height 294 mm × width 420 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Interior of the Angle of Taku North Fort]. Date/Period: August 21, 1860. Print. Albumen silver. Height: 230 mm (9.05 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD2C5/interior-of-the-angle-of-taku-north-fort-dateperiod-august-21-1860-print-albumen-silver-height-230-mm-905-in-width-294-mm-1157-in-author-felice-beato-PMD2C5.jpg "[Interior of the Angle of Taku North Fort]. Date/Period: August 21, 1860. Print. Albumen silver. Height: 230 mm (9.05 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Interior of the Angle of Taku North Fort]. Date/Period: August 21, 1860. Print. Albumen silver. Height: 230 mm (9.05 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/interior-of-the-angle-of-taku-north-fort-dateperiod-august-21-1860-print-albumen-silver-height-230-mm-905-in-width-294-mm-1157-in-author-felice-beato-image219104821.htmlRMPMD2C5–[Interior of the Angle of Taku North Fort]. Date/Period: August 21, 1860. Print. Albumen silver. Height: 230 mm (9.05 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Brussels, Fussen, Ferdinand, Room of the Exposition Nationale van 1880 in Brussels, Belgium, Brussels, photomechanical print, page, photos, photographic illustrated books, height 294 mm, width 207 mm, Belgian, 1844, photographer, 1880 - 1880, paper, collotype, light printing, clichémaker Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/brussels-fussen-ferdinand-room-of-the-exposition-nationale-van-1880-in-brussels-belgium-brussels-photomechanical-print-page-photos-photographic-illustrated-books-height-294-mm-width-207-mm-belgian-1844-photographer-1880-1880-paper-collotype-light-printing-clichmaker-image680376570.htmlRM3BEWR76–Brussels, Fussen, Ferdinand, Room of the Exposition Nationale van 1880 in Brussels, Belgium, Brussels, photomechanical print, page, photos, photographic illustrated books, height 294 mm, width 207 mm, Belgian, 1844, photographer, 1880 - 1880, paper, collotype, light printing, clichémaker
Art inspired by Construction of the right-hand current pillar for the bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, cardboard, photographic support, height 294 mm × width 422 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-construction-of-the-right-hand-current-pillar-for-the-bridge-over-the-old-meuse-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-series-title-arnaud-pistoor-zoon-den-bosch-jul-1901-cardboard-photographic-support-height-294-mm-width-422-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459752464.htmlRF2HKYEXT–Art inspired by Construction of the right-hand current pillar for the bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, cardboard, photographic support, height 294 mm × width 422 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Entrance to the Winter Palace, Pekin, October 1860. Date/Period: October 1860. Print. Albumen silver. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/entrance-to-the-winter-palace-pekin-october-1860-dateperiod-october-1860-print-albumen-silver-height-232-mm-913-in-width-294-mm-1157-in-author-felice-beato-image225855632.htmlRMR3CH4G–Entrance to the Winter Palace, Pekin, October 1860. Date/Period: October 1860. Print. Albumen silver. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: Felice Beato.
Gouda, Loopik & Comp., M. van, Cover belonging to the monument for the poet Jacques Bellamy, Gouda, verso - stamped, text sheet, cover, prints, height 294 mm, width 446 mm, Publication (Event), Publication, publisher, 1791 - 1791, paper, letterpress printing, bookprint Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gouda-loopik-comp-m-van-cover-belonging-to-the-monument-for-the-poet-jacques-bellamy-gouda-verso-stamped-text-sheet-cover-prints-height-294-mm-width-446-mm-publication-event-publication-publisher-1791-1791-paper-letterpress-printing-bookprint-image680389352.htmlRM3BEXBFM–Gouda, Loopik & Comp., M. van, Cover belonging to the monument for the poet Jacques Bellamy, Gouda, verso - stamped, text sheet, cover, prints, height 294 mm, width 446 mm, Publication (Event), Publication, publisher, 1791 - 1791, paper, letterpress printing, bookprint
Art inspired by Construction of the right-hand current pillar and turning pillar for the Bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, cardboard, photographic support, height 294 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-construction-of-the-right-hand-current-pillar-and-turning-pillar-for-the-bridge-over-the-old-meuse-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-series-title-arnaud-pistoor-zoon-den-bosch-jul-1901-cardboard-photographic-support-height-294-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459752483.htmlRF2HKYEYF–Art inspired by Construction of the right-hand current pillar and turning pillar for the Bridge over the Old Meuse near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Jul-1901, cardboard, photographic support, height 294 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Simla: Great Deodar, 42 Feet in Circumference. Date/Period: 1863. Print. Albumen silver. Height: 233 mm (9.17 in); Width: 294 mm (11.57 in). Author: Samuel Bourne. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/simla-great-deodar-42-feet-in-circumference-dateperiod-1863-print-albumen-silver-height-233-mm-917-in-width-294-mm-1157-in-author-samuel-bourne-image219729274.htmlRMPNDEX2–Simla: Great Deodar, 42 Feet in Circumference. Date/Period: 1863. Print. Albumen silver. Height: 233 mm (9.17 in); Width: 294 mm (11.57 in). Author: Samuel Bourne.
July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/july-juillet-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-199-mm-image473260249.htmlRM2JDXT7N–July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm
Art inspired by Construction of abutment and bank pillar of the bridge over the Old Meuse on the right bank near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Aug-1900, cardboard, photographic support, height 294 mm × width 418, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-construction-of-abutment-and-bank-pillar-of-the-bridge-over-the-old-meuse-on-the-right-bank-near-spijkenisse-bridge-over-the-old-meuse-near-spijkenisse-series-title-arnaud-pistoor-zoon-den-bosch-aug-1900-cardboard-photographic-support-height-294-mm-width-418-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459752470.htmlRF2HKYEY2–Art inspired by Construction of abutment and bank pillar of the bridge over the Old Meuse on the right bank near Spijkenisse, Bridge over the Old Meuse near Spijkenisse (series title), Arnaud Pistoor & Zoon, Den Bosch, Aug-1900, cardboard, photographic support, height 294 mm × width 418, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![[Ruins of the Residency on the Opposite Side of the Bailee Guard Gate]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD2AA/ruins-of-the-residency-on-the-opposite-side-of-the-bailee-guard-gate-dateperiod-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-PMD2AA.jpg "[Ruins of the Residency on the Opposite Side of the Bailee Guard Gate]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[Ruins of the Residency on the Opposite Side of the Bailee Guard Gate]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruins-of-the-residency-on-the-opposite-side-of-the-bailee-guard-gate-dateperiod-1858-print-albumen-silver-height-235-mm-925-in-width-294-mm-1157-in-author-felice-beato-image219104770.htmlRMPMD2AA–[Ruins of the Residency on the Opposite Side of the Bailee Guard Gate]. Date/Period: 1858. Print. Albumen silver. Height: 235 mm (9.25 in); Width: 294 mm (11.57 in). Author: Felice Beato.
August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/august-aoust-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-198-mm-image473292280.htmlRM2JE093M–August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm
Inspired by Cormorant, draughtsman: Willem Roelofs (I), 1832 - 1897, paper, pencil, brush, height 226 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-cormorant-draughtsman-willem-roelofs-i-1832-1897-paper-pencil-brush-height-226-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459546988.htmlRF2HKJ4TC–Inspired by Cormorant, draughtsman: Willem Roelofs (I), 1832 - 1897, paper, pencil, brush, height 226 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Judgement of Korah, Dathan and Abiram. Date/Period: Ca. 1801. Painting. Pen and ink and oil on canvas. Height: 371 mm (14.60 in); Width: 294 mm (11.57 in). Author: Maria Hadfield Cosway. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-judgement-of-korah-dathan-and-abiram-dateperiod-ca-1801-painting-pen-and-ink-and-oil-on-canvas-height-371-mm-1460-in-width-294-mm-1157-in-author-maria-hadfield-cosway-image219729787.htmlRMPNDFGB–The Judgement of Korah, Dathan and Abiram. Date/Period: Ca. 1801. Painting. Pen and ink and oil on canvas. Height: 371 mm (14.60 in); Width: 294 mm (11.57 in). Author: Maria Hadfield Cosway.
July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/july-juillet-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-199-mm-image473292281.htmlRM2JE093N–July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm
Inspired by Isi temple at Philae, John Beasly Greene, Philae, 1854, paper, salted paper print, height 228 mm × width 294 mmheight 369 mm × width 486 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-isi-temple-at-philae-john-beasly-greene-philae-1854-paper-salted-paper-print-height-228-mm-width-294-mmheight-369-mm-width-486-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459541976.htmlRF2HKHXDC–Inspired by Isi temple at Philae, John Beasly Greene, Philae, 1854, paper, salted paper print, height 228 mm × width 294 mmheight 369 mm × width 486 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[The Muchee Bhawan Fort and the Gomti River Taken from the Stone Bridge]. Date/Period: 1858. Print. Albumen silver. Height: 245 mm (9.64 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo](https://c8.alamy.com/comp/PMD2AF/the-muchee-bhawan-fort-and-the-gomti-river-taken-from-the-stone-bridge-dateperiod-1858-print-albumen-silver-height-245-mm-964-in-width-294-mm-1157-in-author-felice-beato-PMD2AF.jpg "[The Muchee Bhawan Fort and the Gomti River Taken from the Stone Bridge]. Date/Period: 1858. Print. Albumen silver. Height: 245 mm (9.64 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photo")
[The Muchee Bhawan Fort and the Gomti River Taken from the Stone Bridge]. Date/Period: 1858. Print. Albumen silver. Height: 245 mm (9.64 in); Width: 294 mm (11.57 in). Author: Felice Beato. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-muchee-bhawan-fort-and-the-gomti-river-taken-from-the-stone-bridge-dateperiod-1858-print-albumen-silver-height-245-mm-964-in-width-294-mm-1157-in-author-felice-beato-image219104775.htmlRMPMD2AF–[The Muchee Bhawan Fort and the Gomti River Taken from the Stone Bridge]. Date/Period: 1858. Print. Albumen silver. Height: 245 mm (9.64 in); Width: 294 mm (11.57 in). Author: Felice Beato.
August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/august-aoust-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-198-mm-image473260252.htmlRM2JDXT7T–August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm
Art inspired by Cormorant, draughtsman: Willem Roelofs (I), 1832 - 1897, paper, pencil, brush, height 226 mm × width 294 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-cormorant-draughtsman-willem-roelofs-i-1832-1897-paper-pencil-brush-height-226-mm-width-294-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459793828.htmlRF2HM1BM4–Art inspired by Cormorant, draughtsman: Willem Roelofs (I), 1832 - 1897, paper, pencil, brush, height 226 mm × width 294 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Sunny Landscape with Trees and Monument on a Hill. Date/Period: Ca. 1830. Painting. Oil on paper. Height: 137 mm (5.39 in); Width: 294 mm (11.57 in). Author: UNKNOWN ARTIST. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sunny-landscape-with-trees-and-monument-on-a-hill-dateperiod-ca-1830-painting-oil-on-paper-height-137-mm-539-in-width-294-mm-1157-in-author-unknown-artist-image233342291.htmlRMRFHJD7–Sunny Landscape with Trees and Monument on a Hill. Date/Period: Ca. 1830. Painting. Oil on paper. Height: 137 mm (5.39 in); Width: 294 mm (11.57 in). Author: UNKNOWN ARTIST.
July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/july-juillet-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-199-mm-image473324002.htmlRM2JE1NGJ–July, Juillet (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 199 mm
Inspired by River landscape in Britain, John Payne Jennings, Great Britain, 1877 - 1887, paper, albumen print, height 240 mm × width 294 mmheight 324 mm × width 368 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-river-landscape-in-britain-john-payne-jennings-great-britain-1877-1887-paper-albumen-print-height-240-mm-width-294-mmheight-324-mm-width-368-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459440191.htmlRF2HKD8J7–Inspired by River landscape in Britain, John Payne Jennings, Great Britain, 1877 - 1887, paper, albumen print, height 240 mm × width 294 mmheight 324 mm × width 368 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Portrait of Manolo Hugué. Date/Period: Ca. 1897-1899. Drawing. Charcoal, pastel and pulverised ink on paper. Height: 618 mm (24.33 in); Width: 294 mm (11.57 in). Author: Ramon Casas i Carbó. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-manolo-hugu-dateperiod-ca-1897-1899-drawing-charcoal-pastel-and-pulverised-ink-on-paper-height-618-mm-2433-in-width-294-mm-1157-in-author-ramon-casas-i-carb-image219734797.htmlRMPNDNY9–Portrait of Manolo Hugué. Date/Period: Ca. 1897-1899. Drawing. Charcoal, pastel and pulverised ink on paper. Height: 618 mm (24.33 in); Width: 294 mm (11.57 in). Author: Ramon Casas i Carbó.
August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/august-aoust-title-on-object-personifications-of-the-twelve-months-series-title-print-maker-anonymous-publisher-jean-mariette-mentioned-on-object-print-maker-france-publisher-paris-1670-1742-paper-etching-engraving-height-294-mm-width-198-mm-image473324005.htmlRM2JE1NGN–August, Aoust (title on object), Personifications of the twelve months (series title), print maker: anonymous, publisher: Jean Mariette, (mentioned on object), print maker: France, publisher: Paris, 1670 - 1742, paper, etching, engraving, height 294 mm × width 198 mm
Art inspired by River landscape in Britain, John Payne Jennings (attributed to), Great Britain, 1877 - 1887, paper, cardboard, albumen print, height 240 mm × width 294 mmheight 324 mm × width 368 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-river-landscape-in-britain-john-payne-jennings-attributed-to-great-britain-1877-1887-paper-cardboard-albumen-print-height-240-mm-width-294-mmheight-324-mm-width-368-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459751899.htmlRF2HKYE6K–Art inspired by River landscape in Britain, John Payne Jennings (attributed to), Great Britain, 1877 - 1887, paper, cardboard, albumen print, height 240 mm × width 294 mmheight 324 mm × width 368 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Caritas (Liefde) Caritas (Charity). Date/Period: 1559. Drawing. Pen in brown ink. Height: 223 mm (8.77 in); Width: 294 mm (11.57 in). Author: Pieter Brueghel The Elder. Bruegel (Brueghel), Pieter, the Elder. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caritas-liefde-caritas-charity-dateperiod-1559-drawing-pen-in-brown-ink-height-223-mm-877-in-width-294-mm-1157-in-author-pieter-brueghel-the-elder-bruegel-brueghel-pieter-the-elder-image219725819.htmlRMPNDAEK–Caritas (Liefde) Caritas (Charity). Date/Period: 1559. Drawing. Pen in brown ink. Height: 223 mm (8.77 in); Width: 294 mm (11.57 in). Author: Pieter Brueghel The Elder. Bruegel (Brueghel), Pieter, the Elder.
Nederland, Steuerwald, Christian Heinrich Gottlieb, Portrait of unknown military, Netherlands, verso - handwritten, Possibly Matzen., print, verso - stamped, 4a, 10-9-'75, height 294 mm, width 232 mm, Dutch, 1802-06-20 - 1874-08-21, printmaker, 1812 - 1874, paper, lithography (technics) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nederland-steuerwald-christian-heinrich-gottlieb-portrait-of-unknown-military-netherlands-verso-handwritten-possibly-matzen-print-verso-stamped-4a-10-9-75-height-294-mm-width-232-mm-dutch-1802-06-20-1874-08-21-printmaker-1812-1874-paper-lithography-technics-image680473717.htmlRM3BF274N–Nederland, Steuerwald, Christian Heinrich Gottlieb, Portrait of unknown military, Netherlands, verso - handwritten, Possibly Matzen., print, verso - stamped, 4a, 10-9-'75, height 294 mm, width 232 mm, Dutch, 1802-06-20 - 1874-08-21, printmaker, 1812 - 1874, paper, lithography (technics)
Art inspired by Isi temple at Philae, John Beasly Greene, Philae, 1854, paper, cardboard, salted paper print, height 228 mm × width 294 mmheight 369 mm × width 486 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-isi-temple-at-philae-john-beasly-greene-philae-1854-paper-cardboard-salted-paper-print-height-228-mm-width-294-mmheight-369-mm-width-486-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459791004.htmlRF2HM1838–Art inspired by Isi temple at Philae, John Beasly Greene, Philae, 1854, paper, cardboard, salted paper print, height 228 mm × width 294 mmheight 369 mm × width 486 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Valle Crucis Abbey, near Llangollen. Date/Period: Between 1798 and 1801. Landscape. Watercolor over graphite on medium, moderately textured, beige, antique laid paper. Height: 210 mm (8.26 in); Width: 294 mm (11.57 in). Author: Thomas Girtin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valle-crucis-abbey-near-llangollen-dateperiod-between-1798-and-1801-landscape-watercolor-over-graphite-on-medium-moderately-textured-beige-antique-laid-paper-height-210-mm-826-in-width-294-mm-1157-in-author-thomas-girtin-image233250565.htmlRMRFDDD9–Valle Crucis Abbey, near Llangollen. Date/Period: Between 1798 and 1801. Landscape. Watercolor over graphite on medium, moderately textured, beige, antique laid paper. Height: 210 mm (8.26 in); Width: 294 mm (11.57 in). Author: Thomas Girtin.
Tokyo, Watanabe Shôzaburô, Japan, Kako, Watanabe, Kawaguchiko, Lake Kawaguchi, View on Mount Fuji, over Lake Kawaguchi, print, Japan (collection), height 294 mm, width 428 mm, printmaker, 1937 - 1937, second quarter 20st century, paper, colour woodcut, publication (Event), Publication, Japanese, 1885 - 1962, publisher Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tokyo-watanabe-shzabur-japan-kako-watanabe-kawaguchiko-lake-kawaguchi-view-on-mount-fuji-over-lake-kawaguchi-print-japan-collection-height-294-mm-width-428-mm-printmaker-1937-1937-second-quarter-20st-century-paper-colour-woodcut-publication-event-publication-japanese-1885-1962-publisher-image680371055.htmlRM3BEWG67–Tokyo, Watanabe Shôzaburô, Japan, Kako, Watanabe, Kawaguchiko, Lake Kawaguchi, View on Mount Fuji, over Lake Kawaguchi, print, Japan (collection), height 294 mm, width 428 mm, printmaker, 1937 - 1937, second quarter 20st century, paper, colour woodcut, publication (Event), Publication, Japanese, 1885 - 1962, publisher
Inspired by View into fort Malachov near Sebastopol, Interior of Malakof, James Robertson, Krim, 1855, salted paper print, height 235 mm × width 295 mmheight 294 mm × width 365 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-into-fort-malachov-near-sebastopol-interior-of-malakof-james-robertson-krim-1855-salted-paper-print-height-235-mm-width-295-mmheight-294-mm-width-365-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459440197.htmlRF2HKD8JD–Inspired by View into fort Malachov near Sebastopol, Interior of Malakof, James Robertson, Krim, 1855, salted paper print, height 235 mm × width 295 mmheight 294 mm × width 365 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
![[Médinet-Habou, Palais de Ramsès Méïamoun, Entrée de La Seconde Cour]. Date/Period: 1854. Print. Albumenized salt, from a calotype negative. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: John Beasly Greene. Stock Photo](https://c8.alamy.com/comp/PNDYC2/mdinet-habou-palais-de-ramss-mamoun-entre-de-la-seconde-cour-dateperiod-1854-print-albumenized-salt-from-a-calotype-negative-height-232-mm-913-in-width-294-mm-1157-in-author-john-beasly-greene-PNDYC2.jpg "[Médinet-Habou, Palais de Ramsès Méïamoun, Entrée de La Seconde Cour]. Date/Period: 1854. Print. Albumenized salt, from a calotype negative. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: John Beasly Greene. Stock Photo")
[Médinet-Habou, Palais de Ramsès Méïamoun, Entrée de La Seconde Cour]. Date/Period: 1854. Print. Albumenized salt, from a calotype negative. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: John Beasly Greene. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mdinet-habou-palais-de-ramss-mamoun-entre-de-la-seconde-cour-dateperiod-1854-print-albumenized-salt-from-a-calotype-negative-height-232-mm-913-in-width-294-mm-1157-in-author-john-beasly-greene-image219739074.htmlRMPNDYC2–[Médinet-Habou, Palais de Ramsès Méïamoun, Entrée de La Seconde Cour]. Date/Period: 1854. Print. Albumenized salt, from a calotype negative. Height: 232 mm (9.13 in); Width: 294 mm (11.57 in). Author: John Beasly Greene.
Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/casino-of-the-villa-giulia-at-rome-speculum-romanae-magnificentiae-series-title-view-of-the-facade-of-the-casino-of-the-villa-giulia-print-maker-anonymous-after-drawing-by-bartolomeo-ammanati-possibly-publisher-antonio-lafreri-print-maker-italy-after-drawing-by-italy-publisher-rome-1560-1590-paper-etching-height-294-mm-width-415-mm-image473297684.htmlRM2JE0G0M–Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm
Art inspired by View into fort Malachov near Sebastopol, Interior of Malakof, James Robertson (attributed to), Krim, 1855, photographic support, cardboard, salted paper print, height 235 mm × width 295 mmheight 294 mm × width 365 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-view-into-fort-malachov-near-sebastopol-interior-of-malakof-james-robertson-attributed-to-krim-1855-photographic-support-cardboard-salted-paper-print-height-235-mm-width-295-mmheight-294-mm-width-365-mm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459751850.htmlRF2HKYE4X–Art inspired by View into fort Malachov near Sebastopol, Interior of Malakof, James Robertson (attributed to), Krim, 1855, photographic support, cardboard, salted paper print, height 235 mm × width 295 mmheight 294 mm × width 365 mm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Mass of St. Gregory. Date/Period: Ca. 1460-1465. Unknown. Oil and gold leaf on wood panel oil and gold leaf on wood panel. Height: 451 mm (17.75 in); Width: 294 mm (11.57 in). Author: Simon Marmion. MARMION, SIMON. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mass-of-st-gregory-dateperiod-ca-1460-1465-unknown-oil-and-gold-leaf-on-wood-panel-oil-and-gold-leaf-on-wood-panel-height-451-mm-1775-in-width-294-mm-1157-in-author-simon-marmion-marmion-simon-image219733974.htmlRMPNDMWX–The Mass of St. Gregory. Date/Period: Ca. 1460-1465. Unknown. Oil and gold leaf on wood panel oil and gold leaf on wood panel. Height: 451 mm (17.75 in); Width: 294 mm (11.57 in). Author: Simon Marmion. MARMION, SIMON.
Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/casino-of-the-villa-giulia-at-rome-speculum-romanae-magnificentiae-series-title-view-of-the-facade-of-the-casino-of-the-villa-giulia-print-maker-anonymous-after-drawing-by-bartolomeo-ammanati-possibly-publisher-antonio-lafreri-print-maker-italy-after-drawing-by-italy-publisher-rome-1560-1590-paper-etching-height-294-mm-width-415-mm-image473261773.htmlRM2JDXX65–Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm
Inspired by Interior, draughtsman: Firma Feuchère, Paris, c. 1830 - c. 1850, tracing paper, graphite (mineral), height 221 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-interior-draughtsman-firma-feuchre-paris-c-1830-c-1850-tracing-paper-graphite-mineral-height-221-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459373494.htmlRF2HKA7G6–Inspired by Interior, draughtsman: Firma Feuchère, Paris, c. 1830 - c. 1850, tracing paper, graphite (mineral), height 221 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Romulus and Remus. Date/Period: Ca. 1390 - 1400. Detached leaf. Tempera colors, colored washes, gold leaf, and ink on parchment. Height: 383 mm (15.07 in); Width: 294 mm (11.57 in). Author: First Master of the Bible historiale of Jean de Berry. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/romulus-and-remus-dateperiod-ca-1390-1400-detached-leaf-tempera-colors-colored-washes-gold-leaf-and-ink-on-parchment-height-383-mm-1507-in-width-294-mm-1157-in-author-first-master-of-the-bible-historiale-of-jean-de-berry-image219749566.htmlRMPNECPP–Romulus and Remus. Date/Period: Ca. 1390 - 1400. Detached leaf. Tempera colors, colored washes, gold leaf, and ink on parchment. Height: 383 mm (15.07 in); Width: 294 mm (11.57 in). Author: First Master of the Bible historiale of Jean de Berry.
Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/casino-of-the-villa-giulia-at-rome-speculum-romanae-magnificentiae-series-title-view-of-the-facade-of-the-casino-of-the-villa-giulia-print-maker-anonymous-after-drawing-by-bartolomeo-ammanati-possibly-publisher-antonio-lafreri-print-maker-italy-after-drawing-by-italy-publisher-rome-1560-1590-paper-etching-height-294-mm-width-415-mm-image473333139.htmlRM2JE256Y–Casino of the Villa Giulia at Rome, Speculum Romanae Magnificentiae (series title), View of the facade of the Casino of the Villa Giulia., print maker: anonymous, after drawing by: Bartolomeo Ammanati, (possibly), publisher: Antonio Lafreri, print maker: Italy, after drawing by: Italy, publisher: Rome, 1560 - 1590, paper, etching, height 294 mm × width 415 mm
Inspired by Cast of the bust of a child, Donatello - Buste d'enfant, Adolphe Giraudon, 1850 - 1900, albumen print, height 367 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-cast-of-the-bust-of-a-child-donatello-buste-denfant-adolphe-giraudon-1850-1900-albumen-print-height-367-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459437232.htmlRF2HKD4TG–Inspired by Cast of the bust of a child, Donatello - Buste d'enfant, Adolphe Giraudon, 1850 - 1900, albumen print, height 367 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Customs House at Boulogne. Date/Period: 1790s. Cityscape. Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper. Height: 203 mm (7.99 in); Width: 294 mm (11.57 in). Author: Thomas Rowlandson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/customs-house-at-boulogne-dateperiod-1790s-cityscape-watercolor-with-pen-and-gray-and-black-ink-over-graphite-verso-graphite-on-medium-moderately-textured-blued-white-laid-paper-height-203-mm-799-in-width-294-mm-1157-in-author-thomas-rowlandson-image219700731.htmlRMPNC6EK–Customs House at Boulogne. Date/Period: 1790s. Cityscape. Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper. Height: 203 mm (7.99 in); Width: 294 mm (11.57 in). Author: Thomas Rowlandson.
Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-tug-female-tug-pantin-with-head-body-of-young-woman-dressed-in-a-dress-decorated-with-flower-garlands-four-loose-parts-with-two-legs-and-shod-feet-and-two-arms-and-hands-print-maker-anonymous-france-possibly-c-1740-c-1800-paper-etching-height-294-mm-width-215-mm-image473339745.htmlRM2JE2DJW–Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm
Inspired by View of a palace on a hill in India, Samuel Bourne, Brits-Indië, 1865 - 1872, paper, albumen print, height 192 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-view-of-a-palace-on-a-hill-in-india-samuel-bourne-brits-indi-1865-1872-paper-albumen-print-height-192-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459542218.htmlRF2HKHXP2–Inspired by View of a palace on a hill in India, Samuel Bourne, Brits-Indië, 1865 - 1872, paper, albumen print, height 192 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Benisouef. Date/Period: 1867. Marine art. Watercolor with pen in brown ink and gouche over graphite on medium, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper. Height: 95 mm (3.74 in); Width: 294 mm (11.57 in). Author: Edward Lear. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/benisouef-dateperiod-1867-marine-art-watercolor-with-pen-in-brown-ink-and-gouche-over-graphite-on-medium-slightly-textured-wove-paper-mounted-on-thick-slightly-textured-cream-wove-paper-height-95-mm-374-in-width-294-mm-1157-in-author-edward-lear-image233291552.htmlRMRFF9N4–Benisouef. Date/Period: 1867. Marine art. Watercolor with pen in brown ink and gouche over graphite on medium, slightly textured, wove paper, mounted on thick, slightly textured, cream wove paper. Height: 95 mm (3.74 in); Width: 294 mm (11.57 in). Author: Edward Lear.
Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-tug-female-tug-pantin-with-head-body-of-young-woman-dressed-in-a-dress-decorated-with-flower-garlands-four-loose-parts-with-two-legs-and-shod-feet-and-two-arms-and-hands-print-maker-anonymous-france-possibly-c-1740-c-1800-paper-etching-height-294-mm-width-215-mm-image473265256.htmlRM2JDY2JG–Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm
Inspired by Ruins of the Abbey of Jumièges, Séraphin-Médéric Mieusement, Jumièges, 1870 - 1890, paper, albumen print, height 263 mm × width 198 mmheight 361 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-ruins-of-the-abbey-of-jumiges-sraphin-mdric-mieusement-jumiges-1870-1890-paper-albumen-print-height-263-mm-width-198-mmheight-361-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459445805.htmlRF2HKDFPN–Inspired by Ruins of the Abbey of Jumièges, Séraphin-Médéric Mieusement, Jumièges, 1870 - 1890, paper, albumen print, height 263 mm × width 198 mmheight 361 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Labourers at Rest. Date/Period: Between 1790 and 1795. Genre subject. Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige, laid paper, mounted on, medium, slightly textured, beige, wove paper. Height: 222 mm (8.74 in); Width: 294 mm (11.57 in). Author: Thomas Rowlandson. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/labourers-at-rest-dateperiod-between-1790-and-1795-genre-subject-watercolor-with-pen-and-red-brown-and-blue-ink-over-graphite-with-pen-and-gray-ink-and-wash-line-on-border-on-medium-moderately-textured-beige-laid-paper-mounted-on-medium-slightly-textured-beige-wove-paper-height-222-mm-874-in-width-294-mm-1157-in-author-thomas-rowlandson-image219709168.htmlRMPNCH80–Labourers at Rest. Date/Period: Between 1790 and 1795. Genre subject. Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige, laid paper, mounted on, medium, slightly textured, beige, wove paper. Height: 222 mm (8.74 in); Width: 294 mm (11.57 in). Author: Thomas Rowlandson.
Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/female-tug-female-tug-pantin-with-head-body-of-young-woman-dressed-in-a-dress-decorated-with-flower-garlands-four-loose-parts-with-two-legs-and-shod-feet-and-two-arms-and-hands-print-maker-anonymous-france-possibly-c-1740-c-1800-paper-etching-height-294-mm-width-215-mm-image473306373.htmlRM2JE0Y31–Female Tug, Female Tug (Pantin) with head, body of young woman, dressed in a dress decorated with flower garlands; four loose parts with two legs and shod feet and two arms and hands., print maker: anonymous, France, (possibly), c. 1740 - c. 1800, paper, etching, height 294 mm × width 215 mm
Inspired by Fountain of Flora in the garden of the castle of Versailles, Versailles Allée d'arbres avec bassin, Versailles, c. 1875 - c. 1900, albumen print, height 223 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-fountain-of-flora-in-the-garden-of-the-castle-of-versailles-versailles-alle-darbres-avec-bassin-versailles-c-1875-c-1900-albumen-print-height-223-mm-width-294-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459411222.htmlRF2HKBYKJ–Inspired by Fountain of Flora in the garden of the castle of Versailles, Versailles Allée d'arbres avec bassin, Versailles, c. 1875 - c. 1900, albumen print, height 223 mm × width 294 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Roman execution. Draughtsman: Mattheus Ignatius van Bree. Dating: 1783 - 1839. Measurements: h 225 mm × w 294 mm. Museum: Rijksmuseum, Amsterdam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roman-execution-draughtsman-mattheus-ignatius-van-bree-dating-1783-1839-measurements-h-225-mm-w-294-mm-museum-rijksmuseum-amsterdam-image232951422.htmlRMREYRWJ–Roman execution. Draughtsman: Mattheus Ignatius van Bree. Dating: 1783 - 1839. Measurements: h 225 mm × w 294 mm. Museum: Rijksmuseum, Amsterdam.
