Herat calligraphy Stock Photos and Images
Persian Couplets (Verso); Single Page with Calligraphy and Illumination (Persian Verses), c. 1580. Iran, Herat, Timurid Period, late 15th century. Opaque watercolor, ink, gold and silver on paper; sheet: 31.1 x 15 cm (12 1/4 x 5 7/8 in.); image: 22.6 x 14.7 cm (8 7/8 x 5 13/16 in.); text area: 13.4 x 6 cm (5 1/4 x 2 3/8 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/persian-couplets-verso-single-page-with-calligraphy-and-illumination-persian-verses-c-1580-iran-herat-timurid-period-late-15th-century-opaque-watercolor-ink-gold-and-silver-on-paper-sheet-311-x-15-cm-12-14-x-5-78-in-image-226-x-147-cm-8-78-x-5-1316-in-text-area-134-x-6-cm-5-14-x-2-38-in-image240448468.htmlRMRY5AD8–Persian Couplets (Verso); Single Page with Calligraphy and Illumination (Persian Verses), c. 1580. Iran, Herat, Timurid Period, late 15th century. Opaque watercolor, ink, gold and silver on paper; sheet: 31.1 x 15 cm (12 1/4 x 5 7/8 in.); image: 22.6 x 14.7 cm (8 7/8 x 5 13/16 in.); text area: 13.4 x 6 cm (5 1/4 x 2 3/8 in
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027055.htmlRF2HW8KMF–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Young Man Studying Calligraphy, Nigar Khana Behzad Art Gallery in Malik Pool (Cistern), Herat, Herat Province, Afghanistan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-man-studying-calligraphy-nigar-khana-behzad-art-gallery-in-malik-pool-cistern-herat-herat-province-afghanistan-image228411555.htmlRMR7H17F–Young Man Studying Calligraphy, Nigar Khana Behzad Art Gallery in Malik Pool (Cistern), Herat, Herat Province, Afghanistan
Sa'di, Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di (ca. 1213–1291), Hafiz (1325–90), Folio from a non-illustrated manuscript, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sadi-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-sadi-ca-12131291-hafiz-132590-folio-from-a-non-illustrated-manuscript-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-image344644982.htmlRM2B0KX5A–Sa'di, Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, Sa'di (ca. 1213–1291), Hafiz (1325–90), Folio from a non-illustrated manuscript, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices
Afghanistan: Folios from an illuminated Qur'an dated 1519, perhaps from Herat. The Koran’s oldest illuminations were made by the famed illuminator Yari Mudhahhib, who was active under the late Timurids and early Safavids. The text was written in Naskh by the calligrapher Qasim Ali al-Hirawi in 1519. A Persian translation of the Koran’s Arabic text was added in red Nastaliq. The manuscript was once in the Qutb Shahis’ library in Golconda, but fell into the hands of the Great Mughals when Aurangzeb conquered Golconda in 1687. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afghanistan-folios-from-an-illuminated-quran-dated-1519-perhaps-from-herat-the-korans-oldest-illuminations-were-made-by-the-famed-illuminator-yari-mudhahhib-who-was-active-under-the-late-timurids-and-early-safavids-the-text-was-written-in-naskh-by-the-calligrapher-qasim-ali-al-hirawi-in-1519-a-persian-translation-of-the-korans-arabic-text-was-added-in-red-nastaliq-the-manuscript-was-once-in-the-qutb-shahis-library-in-golconda-but-fell-into-the-hands-of-the-great-mughals-when-aurangzeb-conquered-golconda-in-1687-image344234230.htmlRM2B0167J–Afghanistan: Folios from an illuminated Qur'an dated 1519, perhaps from Herat. The Koran’s oldest illuminations were made by the famed illuminator Yari Mudhahhib, who was active under the late Timurids and early Safavids. The text was written in Naskh by the calligrapher Qasim Ali al-Hirawi in 1519. A Persian translation of the Koran’s Arabic text was added in red Nastaliq. The manuscript was once in the Qutb Shahis’ library in Golconda, but fell into the hands of the Great Mughals when Aurangzeb conquered Golconda in 1687.
'Unwan from the Shah Jahan Album. Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: H. 15 1/4 in. (38.7 cm) W. 10 3/8 in. (26.4 cm). Date: recto: ca. 1630-40; verso: ca. 1540. A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text. To begin this imperial album, text from a treatise on calligraphy by Mir 'Ali, the celebrated penman of the early sixteenth-century Timurid court of Herat, was pasted onto a folio and decorated with several borders of lavish illumination. The writing itself is surrounded with cloudlike bubbles, around which min Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unwan-from-the-shah-jahan-album-calligrapher-mir-ali-haravi-d-ca-1550-dimensions-h-15-14-in-387-cm-w-10-38-in-264-cm-date-recto-ca-1630-40-verso-ca-1540-a-manuscript-often-opened-with-an-unwan-a-sumptuous-double-page-composition-framing-columns-of-text-to-begin-this-imperial-album-text-from-a-treatise-on-calligraphy-by-mir-ali-the-celebrated-penman-of-the-early-sixteenth-century-timurid-court-of-herat-was-pasted-onto-a-folio-and-decorated-with-several-borders-of-lavish-illumination-the-writing-itself-is-surrounded-with-cloudlike-bubbles-around-which-min-image213414562.htmlRMPB5TCJ–'Unwan from the Shah Jahan Album. Calligrapher: Mir 'Ali Haravi (d. ca. 1550). Dimensions: H. 15 1/4 in. (38.7 cm) W. 10 3/8 in. (26.4 cm). Date: recto: ca. 1630-40; verso: ca. 1540. A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text. To begin this imperial album, text from a treatise on calligraphy by Mir 'Ali, the celebrated penman of the early sixteenth-century Timurid court of Herat, was pasted onto a folio and decorated with several borders of lavish illumination. The writing itself is surrounded with cloudlike bubbles, around which min
Timurid Silver Tanka Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/timurid-silver-tanka-image341875221.htmlRM2AT5N99–Timurid Silver Tanka
Afghanistan, Great Mosque Masjod Jami, Herat Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afghanistan-great-mosque-masjod-jami-herat-image625595.htmlRMA98BBB–Afghanistan, Great Mosque Masjod Jami, Herat
Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herat-in-western-afghanistan-the-great-mosque-of-herat-friday-mosque-or-jama-masjid-detail-of-mosque-tiles-with-mosaics-and-quranic-calligraphy-image499208866.htmlRF2M04X02–Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy.
Page from the Late Shah Jahan Album: Persian Calligraphy Framed by an Ornamental Border of Flowers and Birds, c. 1500 to 1540. Works of the celebrated calligrapher Mir Ali were favored for inclusion in the Late Shah Jahan Album, possibly because of his links to the dynasty founded by the Mughals ancestor Timur (1336- 1405). This calligraphy page was more than 100 years old when it was set into the imperial album and given a border exquisitely rendered with scrolling floral vines bearing birds and deer. The prominence of calligraphy and poetry in Mughal albums is an indication of how these Turk Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-the-late-shah-jahan-album-persian-calligraphy-framed-by-an-ornamental-border-of-flowers-and-birds-c-1500-to-1540-works-of-the-celebrated-calligrapher-mir-ali-were-favored-for-inclusion-in-the-late-shah-jahan-album-possibly-because-of-his-links-to-the-dynasty-founded-by-the-mughals-ancestor-timur-1336-1405-this-calligraphy-page-was-more-than-100-years-old-when-it-was-set-into-the-imperial-album-and-given-a-border-exquisitely-rendered-with-scrolling-floral-vines-bearing-birds-and-deer-the-prominence-of-calligraphy-and-poetry-in-mughal-albums-is-an-indication-of-how-these-turk-image330136694.htmlRM2A530M6–Page from the Late Shah Jahan Album: Persian Calligraphy Framed by an Ornamental Border of Flowers and Birds, c. 1500 to 1540. Works of the celebrated calligrapher Mir Ali were favored for inclusion in the Late Shah Jahan Album, possibly because of his links to the dynasty founded by the Mughals ancestor Timur (1336- 1405). This calligraphy page was more than 100 years old when it was set into the imperial album and given a border exquisitely rendered with scrolling floral vines bearing birds and deer. The prominence of calligraphy and poetry in Mughal albums is an indication of how these Turk
. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 254 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-with-dcoupage-nastaliq-calligraphy-eastern-persia-herat-circa-1490-chagatay-manuscript-folio-opaque-watercolour-and-gold-on-paper-8-lines-of-fine-nastaiq-dcoupage-calligraphy-in-white-in-blue-ground-illuminated-heading-panel-with-title-in-white-nastaliq-wide-borders-of-gold-sprinkled-blue-paper-10-june-2015-anonymus-254-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-1490-sothebys-image189069917.htmlRMMYGTH1–. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 254 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's
Painting, Royal court, Herat school, 16th century, Reza Abbasi Museum, Tehran, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-royal-court-herat-school-16th-century-reza-abbasi-museum-tehran-iran-image271758897.htmlRMWP3K6W–Painting, Royal court, Herat school, 16th century, Reza Abbasi Museum, Tehran, Iran
A quatrain of Khwaja Asafi, A page of calligraphy from an album made for Sultan Husayn Khan Shamlu, Dar al-Sultaneh, Herat, Persia, 1598-9 AD. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-quatrain-of-khwaja-asafi-a-page-of-calligraphy-from-an-album-made-for-sultan-husayn-khan-shamlu-dar-al-sultaneh-herat-persia-1598-9-ad-image592951550.htmlRM2WCK7N2–A quatrain of Khwaja Asafi, A page of calligraphy from an album made for Sultan Husayn Khan Shamlu, Dar al-Sultaneh, Herat, Persia, 1598-9 AD.
Calligraphy, Persian Verses (verso), c. 1440-1520. Afghanistan, Herat, Timurid period (1370–1501). Opaque watercolor, ink, gold and silver on paper; sheet: 31.1 x 15 cm (12 1/4 x 5 7/8 in.); image: 22.6 x 14.7 cm (8 7/8 x 5 13/16 in.); text area: 13.4 x 6 cm (5 1/4 x 2 3/8 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-persian-verses-verso-c-1440-1520-afghanistan-herat-timurid-period-13701501-opaque-watercolor-ink-gold-and-silver-on-paper-sheet-311-x-15-cm-12-14-x-5-78-in-image-226-x-147-cm-8-78-x-5-1316-in-text-area-134-x-6-cm-5-14-x-2-38-in-image448143370.htmlRM2H12KCA–Calligraphy, Persian Verses (verso), c. 1440-1520. Afghanistan, Herat, Timurid period (1370–1501). Opaque watercolor, ink, gold and silver on paper; sheet: 31.1 x 15 cm (12 1/4 x 5 7/8 in.); image: 22.6 x 14.7 cm (8 7/8 x 5 13/16 in.); text area: 13.4 x 6 cm (5 1/4 x 2 3/8 in.).
I Love Italy calligraphy hand lettering isolated on white . Vector template for typography poster, banner, flyer, sticker, t-shirt, postcard, logo des Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/i-love-italy-calligraphy-hand-lettering-isolated-on-white-vector-template-for-typography-poster-banner-flyer-sticker-t-shirt-postcard-logo-des-image425135851.htmlRF2FKJH37–I Love Italy calligraphy hand lettering isolated on white . Vector template for typography poster, banner, flyer, sticker, t-shirt, postcard, logo des
'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album verso: ca. 1610–15; recto: ca.1535–45 Painting by Nanha Many of the pages of calligraphy have been attributed to Mir 'Ali of Herat, a famed calligrapher trained in the style of the great Persian calligrapher, Sultan 'Ali of Mashhad. The latter was known both for his poetry, primarily composed in quatrains, and his calligraphy, the majority of which is in Persian. Mir 'Ali, an artist of the Timurid court, was greatly admired, and avidly collected, by Jahangir and Shah Jahan.As seen h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-illuminated-with-animals-and-plants-in-a-field-of-flowers-folio-from-the-shah-jahan-album-verso-ca-161015-recto-ca153545-painting-by-nanha-many-of-the-pages-of-calligraphy-have-been-attributed-to-mir-ali-of-herat-a-famed-calligrapher-trained-in-the-style-of-the-great-persian-calligrapher-sultan-ali-of-mashhad-the-latter-was-known-both-for-his-poetry-primarily-composed-in-quatrains-and-his-calligraphy-the-majority-of-which-is-in-persian-mir-ali-an-artist-of-the-timurid-court-was-greatly-admired-and-avidly-collected-by-jahangir-and-shah-jahanas-seen-h-image458133398.htmlRM2HH9NR2–'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album verso: ca. 1610–15; recto: ca.1535–45 Painting by Nanha Many of the pages of calligraphy have been attributed to Mir 'Ali of Herat, a famed calligrapher trained in the style of the great Persian calligrapher, Sultan 'Ali of Mashhad. The latter was known both for his poetry, primarily composed in quatrains, and his calligraphy, the majority of which is in Persian. Mir 'Ali, an artist of the Timurid court, was greatly admired, and avidly collected, by Jahangir and Shah Jahan.As seen h
of 'A ride through Islam; being a journey through Persia and Afghanistan to India, viâ Meshed, Herat and Kandahar' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-of-a-ride-through-islam-being-a-journey-through-persia-and-afghanistan-95765843.htmlRFFFPE8K–of 'A ride through Islam; being a journey through Persia and Afghanistan to India, viâ Meshed, Herat and Kandahar'
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228006.htmlRMKNKCF2–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027058.htmlRF2HW8KMJ–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-from-a-manuscript-of-the-khamsa-of-nizami-opaque-watercolor-ink-and-gold-on-paper-herat-iran-1447-timurid-timurid-11-14-x-7-14-in-286-x-184-cm-calligraphy-epic-persian-poet-poetry-image454273821.htmlRM2HB1XW1–Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry
Afghanistan: Folios from an illuminated Qur'an dated 1519, perhaps from Herat. The Koran’s oldest illuminations were made by the famed illuminator Yari Mudhahhib, who was active under the late Timurids and early Safavids. The text was written in Naskh by the calligrapher Qasim Ali al-Hirawi in 1519. A Persian translation of the Koran’s Arabic text was added in red Nastaliq. The manuscript was once in the Qutb Shahis’ library in Golconda, but fell into the hands of the Great Mughals when Aurangzeb conquered Golconda in 1687. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/afghanistan-folios-from-an-illuminated-quran-dated-1519-perhaps-from-herat-the-korans-oldest-illuminations-were-made-by-the-famed-illuminator-yari-mudhahhib-who-was-active-under-the-late-timurids-and-early-safavids-the-text-was-written-in-naskh-by-the-calligrapher-qasim-ali-al-hirawi-in-1519-a-persian-translation-of-the-korans-arabic-text-was-added-in-red-nastaliq-the-manuscript-was-once-in-the-qutb-shahis-library-in-golconda-but-fell-into-the-hands-of-the-great-mughals-when-aurangzeb-conquered-golconda-in-1687-image344234231.htmlRM2B0167K–Afghanistan: Folios from an illuminated Qur'an dated 1519, perhaps from Herat. The Koran’s oldest illuminations were made by the famed illuminator Yari Mudhahhib, who was active under the late Timurids and early Safavids. The text was written in Naskh by the calligrapher Qasim Ali al-Hirawi in 1519. A Persian translation of the Koran’s Arabic text was added in red Nastaliq. The manuscript was once in the Qutb Shahis’ library in Golconda, but fell into the hands of the Great Mughals when Aurangzeb conquered Golconda in 1687.
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz. Author: Sa'di (1213/19-92); Hafiz (probably 1325/6-90). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: 11 7/8 x 7 1/2in. (30.2 x 19cm). Date: late 15th century. This folio, copied by Sultan 'Ali Mashhadi--a renowned master of nasta'liq script--once formed part of an anthology of Persian poetry including selections from the works of Sa'di and Hafiz. It was common practice for valuable manuscripts to be remounted within new margins whether for aesthetic or preservation reasons. The folios of this highly treasure Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-author-sadi-121319-92-hafiz-probably-13256-90-calligrapher-sultan-`ali-mashhadi-ca1440-1520-dimensions-11-78-x-7-12in-302-x-19cm-date-late-15th-century-this-folio-copied-by-sultan-ali-mashhadi-a-renowned-master-of-nastaliq-script-once-formed-part-of-an-anthology-of-persian-poetry-including-selections-from-the-works-of-sadi-and-hafiz-it-was-common-practice-for-valuable-manuscripts-to-be-remounted-within-new-margins-whether-for-aesthetic-or-preservation-reasons-the-folios-of-this-highly-treasure-image213175591.htmlRMPAPYHY–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz. Author: Sa'di (1213/19-92); Hafiz (probably 1325/6-90). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: 11 7/8 x 7 1/2in. (30.2 x 19cm). Date: late 15th century. This folio, copied by Sultan 'Ali Mashhadi--a renowned master of nasta'liq script--once formed part of an anthology of Persian poetry including selections from the works of Sa'di and Hafiz. It was common practice for valuable manuscripts to be remounted within new margins whether for aesthetic or preservation reasons. The folios of this highly treasure
Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herat-in-western-afghanistan-the-great-mosque-of-herat-friday-mosque-or-jama-masjid-detail-of-mosque-tiles-with-mosaics-and-quranic-calligraphy-image499208848.htmlRF2M04WYC–Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy.
Nasta'liq Calligraphy, First Half of 16th Century. Found in the Collection of Musée du Louvre, Paris. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nastaliq-calligraphy-first-half-of-16th-century-found-in-the-collection-of-musxe9e-du-louvre-paris-image336854358.htmlRM2AG114P–Nasta'liq Calligraphy, First Half of 16th Century. Found in the Collection of Musée du Louvre, Paris.
. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 293 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-with-dcoupage-nastaliq-calligraphy-eastern-persia-herat-circa-1490-chagatay-manuscript-folio-opaque-watercolour-and-gold-on-paper-8-lines-of-fine-nastaiq-dcoupage-calligraphy-in-white-in-blue-ground-illuminated-heading-panel-with-title-in-white-nastaliq-wide-borders-of-gold-sprinkled-blue-paper-10-june-2015-anonymus-293-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-1490-sothebys-image187786029.htmlRMMWEAYW–. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 293 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's
Painting, Royal gathering, Herat school, 15th century, Reza Abbasi Museum, Tehran, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-royal-gathering-herat-school-15th-century-reza-abbasi-museum-tehran-iran-image271758938.htmlRMWP3K8A–Painting, Royal gathering, Herat school, 15th century, Reza Abbasi Museum, Tehran, Iran
'Unwan from the Shah Jahan Album recto: ca. 1630–40; verso: ca. 1540 Mir 'Ali Haravi A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text. To begin this imperial album, text from a treatise on calligraphy by Mir 'Ali, the celebrated penman of the early sixteenth-century Timurid court of Herat, was pasted onto a folio and decorated with several borders of lavish illumination. The writing itself is surrounded with cloudlike bubbles, around which miniature irises, lilies, and other plants bloom.. 'Unwan from the Shah Jahan Album 451285 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unwan-from-the-shah-jahan-album-recto-ca-163040-verso-ca-1540-mir-ali-haravi-a-manuscript-often-opened-with-an-unwan-a-sumptuous-double-page-composition-framing-columns-of-text-to-begin-this-imperial-album-text-from-a-treatise-on-calligraphy-by-mir-ali-the-celebrated-penman-of-the-early-sixteenth-century-timurid-court-of-herat-was-pasted-onto-a-folio-and-decorated-with-several-borders-of-lavish-illumination-the-writing-itself-is-surrounded-with-cloudlike-bubbles-around-which-miniature-irises-lilies-and-other-plants-bloom-unwan-from-the-shah-jahan-album-451285-image458602673.htmlRM2HJ34AW–'Unwan from the Shah Jahan Album recto: ca. 1630–40; verso: ca. 1540 Mir 'Ali Haravi A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text. To begin this imperial album, text from a treatise on calligraphy by Mir 'Ali, the celebrated penman of the early sixteenth-century Timurid court of Herat, was pasted onto a folio and decorated with several borders of lavish illumination. The writing itself is surrounded with cloudlike bubbles, around which miniature irises, lilies, and other plants bloom.. 'Unwan from the Shah Jahan Album 451285
Image taken from page 78 of 'The Earth and its Inhabitants. The European section of the Universal Geography by E. Reclus. Edited by E. G. Ravenstein. Illustrated by ... engravings and maps' Image taken from page 78 of 'The Earth and its Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-78-of-the-earth-and-its-inhabitants-the-european-130184358.htmlRMHFPBDA–Image taken from page 78 of 'The Earth and its Inhabitants. The European section of the Universal Geography by E. Reclus. Edited by E. G. Ravenstein. Illustrated by ... engravings and maps' Image taken from page 78 of 'The Earth and its
Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso), late 1500s. Afghanistan, Herat, Timurid period (1370–1501). Opaque watercolor, ink, gold and silver on paper; The handsome youth lassoing the feisty colt in this painting is Rustam, the Shahnama's most popular hero. A favorite episode for artists, this event marks a turning point in the fortunes of Iran and offers a wonderful pictorial opportunity. It occurs in a time of trouble for Iran—the throne is empty and a foreign army has invaded the land. The country needs a mighty warrior to fight for her Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rustam-lassoing-his-horse-rakhsh-in-a-landscape-recto-calligraphy-persian-verses-verso-late-1500s-afghanistan-herat-timurid-period-13701501-opaque-watercolor-ink-gold-and-silver-on-paper-the-handsome-youth-lassoing-the-feisty-colt-in-this-painting-is-rustam-the-shahnamas-most-popular-hero-a-favorite-episode-for-artists-this-event-marks-a-turning-point-in-the-fortunes-of-iran-and-offers-a-wonderful-pictorial-opportunity-it-occurs-in-a-time-of-trouble-for-iranthe-throne-is-empty-and-a-foreign-army-has-invaded-the-land-the-country-needs-a-mighty-warrior-to-fight-for-her-image448061650.htmlRM2H0XY5P–Rustam Lassoing his Horse, Rakhsh, in a Landscape (recto); Calligraphy, Persian Verses (verso), late 1500s. Afghanistan, Herat, Timurid period (1370–1501). Opaque watercolor, ink, gold and silver on paper; The handsome youth lassoing the feisty colt in this painting is Rustam, the Shahnama's most popular hero. A favorite episode for artists, this event marks a turning point in the fortunes of Iran and offers a wonderful pictorial opportunity. It occurs in a time of trouble for Iran—the throne is empty and a foreign army has invaded the land. The country needs a mighty warrior to fight for her
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228027.htmlRMKNKCFR–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Page of Calligraphy from a Mantiq al-tair (Language of the Birds) dated A.H. 892/ A.D. 1486 Farid al-Din `Attar The manuscript of the Mantiq al-tair (The Language of the Birds) from which this leaf comes was copied by one of the greatest of all Persian calligraphers, Sultan Ali Mashhadi, who worked in Herat at the court of the last member of the Timurid dynasty to rule on Iranian soil, Sultan Husain Mirza (d.1506). In about 1600, Shah 'Abbas I, known as 'the Great', with his capital in Isfahan, had the manuscript refurbished prior to making a gift of it to his family shrine in Ardebil. The pag Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-from-a-mantiq-al-tair-language-of-the-birds-dated-ah-892-ad-1486-farid-al-din-`attar-the-manuscript-of-the-mantiq-al-tair-the-language-of-the-birds-from-which-this-leaf-comes-was-copied-by-one-of-the-greatest-of-all-persian-calligraphers-sultan-ali-mashhadi-who-worked-in-herat-at-the-court-of-the-last-member-of-the-timurid-dynasty-to-rule-on-iranian-soil-sultan-husain-mirza-d1506-in-about-1600-shah-abbas-i-known-as-the-great-with-his-capital-in-isfahan-had-the-manuscript-refurbished-prior-to-making-a-gift-of-it-to-his-family-shrine-in-ardebil-the-pag-image458259180.htmlRM2HHFE78–Page of Calligraphy from a Mantiq al-tair (Language of the Birds) dated A.H. 892/ A.D. 1486 Farid al-Din `Attar The manuscript of the Mantiq al-tair (The Language of the Birds) from which this leaf comes was copied by one of the greatest of all Persian calligraphers, Sultan Ali Mashhadi, who worked in Herat at the court of the last member of the Timurid dynasty to rule on Iranian soil, Sultan Husain Mirza (d.1506). In about 1600, Shah 'Abbas I, known as 'the Great', with his capital in Isfahan, had the manuscript refurbished prior to making a gift of it to his family shrine in Ardebil. The pag
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027078.htmlRF2HW8KNA–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Illuminated frontispiece, 1500-50, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Persian, Washington (D.C.), Afghanistan, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, A typical 16th century Persianate frontispieces made for a Qur'an, from Herat, present day Afghanistan., Illuminators during the first half of the 16th century experimented with the double-page illuminated frontispiece. For example, the artist Shaykhzadah began using black backgrounds and invented new arabesque or scrollwork motifs. These motifs not only appeared Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-frontispiece-1500-50-calligraphy-arabic-calligraphy-persian-manuscripts-persian-washington-dc-afghanistan-arabic-script-calligraphy-illuminated-islamic-manuscripts-islamic-calligraphy-islamic-manuscripts-a-typical-16th-century-persianate-frontispieces-made-for-a-quran-from-herat-present-day-afghanistan-illuminators-during-the-first-half-of-the-16th-century-experimented-with-the-double-page-illuminated-frontispiece-for-example-the-artist-shaykhzadah-began-using-black-backgrounds-and-invented-new-arabesque-or-scrollwork-motifs-these-motifs-not-only-appeared-image623479015.htmlRM2Y69WRK–Illuminated frontispiece, 1500-50, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Persian, Washington (D.C.), Afghanistan, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, A typical 16th century Persianate frontispieces made for a Qur'an, from Herat, present day Afghanistan., Illuminators during the first half of the 16th century experimented with the double-page illuminated frontispiece. For example, the artist Shaykhzadah began using black backgrounds and invented new arabesque or scrollwork motifs. These motifs not only appeared
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558503.htmlRMKCD50R–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami. Author: Maulana Nur al-Din `Abd al-Rahman Jami (1414-92). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: Overall page: H. 12 11/16 in. (32.2 cm) W. 8 1/8 in. (20.6 cm) Border: H. 11 7/8 in. (30.2 cm) W. 6 5/16 in. (16 cm) Text: H. 8 in. (20.3 cm) W. 3 5/8 in. (9.2 cm). Date: text, ca. 1500; borders, first quarter 17th century. According to the manuscript's title page, the main text of this folio is from the Panj Ganj (The Five Treasures) of Jami. The calligraphe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-with-stenciled-and-painted-borders-from-a-subhat-al-abrar-rosary-of-the-devout-of-jami-author-maulana-nur-al-din-`abd-al-rahman-jami-1414-92-calligrapher-sultan-`ali-mashhadi-ca1440-1520-dimensions-overall-page-h-12-1116-in-322-cm-w-8-18-in-206-cm-border-h-11-78-in-302-cm-w-6-516-in-16-cm-text-h-8-in-203-cm-w-3-58-in-92-cm-date-text-ca-1500-borders-first-quarter-17th-century-according-to-the-manuscripts-title-page-the-main-text-of-this-folio-is-from-the-panj-ganj-the-five-treasures-of-jami-the-calligraphe-image213073195.htmlRMPAJ90Y–Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami. Author: Maulana Nur al-Din `Abd al-Rahman Jami (1414-92). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: Overall page: H. 12 11/16 in. (32.2 cm) W. 8 1/8 in. (20.6 cm) Border: H. 11 7/8 in. (30.2 cm) W. 6 5/16 in. (16 cm) Text: H. 8 in. (20.3 cm) W. 3 5/8 in. (9.2 cm). Date: text, ca. 1500; borders, first quarter 17th century. According to the manuscript's title page, the main text of this folio is from the Panj Ganj (The Five Treasures) of Jami. The calligraphe
Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/herat-in-western-afghanistan-the-great-mosque-of-herat-friday-mosque-or-jama-masjid-detail-of-mosque-tiles-with-mosaics-and-quranic-calligraphy-image499208815.htmlRF2M04WX7–Herat in western Afghanistan. The Great Mosque of Herat (Friday Mosque or Jama Masjid). Detail of mosque tiles with mosaics and Quranic calligraphy.
Quran Manuscript Folio (Recto); Left Folio of Double-Page Illuminated Frontispiece, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quran-manuscript-folio-recto-left-folio-of-double-page-illuminated-frontispiece-1500s-the-sending-down-of-the-book-is-from-god-the-all-mighty-the-all-wise-surah-xxxix-1-3-the-quran-is-the-sacred-book-of-islam-in-the-view-of-orthodox-muslims-it-is-the-literal-word-of-god-as-revealed-to-the-prophet-muhammad-d-632-in-the-arabic-language-and-thus-recorded-in-the-arabic-script-because-of-its-association-with-the-divine-word-arabic-calligraphy-came-to-be-a-supreme-art-form-in-the-islamic-world-as-the-quintessential-symbol-of-the-culture-it-became-a-pervasive-decorative-element-in-image330114692.htmlRM2A520JC–Quran Manuscript Folio (Recto); Left Folio of Double-Page Illuminated Frontispiece, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in
. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 294 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-with-dcoupage-nastaliq-calligraphy-eastern-persia-herat-circa-1490-chagatay-manuscript-folio-opaque-watercolour-and-gold-on-paper-8-lines-of-fine-nastaiq-dcoupage-calligraphy-in-white-in-blue-ground-illuminated-heading-panel-with-title-in-white-nastaliq-wide-borders-of-gold-sprinkled-blue-paper-10-june-2015-anonymus-294-illuminated-page-from-a-divan-of-sultan-husayn-mirza-bayqara-1490-sothebys-image188320487.htmlRMMXAMKK–. English: ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, WITH DÉCOUPAGE NASTA'LIQ CALLIGRAPHY, EASTERN PERSIA, HERAT, CIRCA 1490 Chagatay manuscript folio, opaque watercolour and gold on paper, 8 lines of fine nasta'iq découpage calligraphy in white in blue ground, illuminated heading panel with title in white nasta'liq, wide borders of gold-sprinkled blue paper. 10 June 2015. anonymus 294 ILLUMINATED PAGE FROM A DIVAN OF SULTAN HUSAYN MIRZA BAYQARA, 1490, Sotheby's
Painting, Two persons in the garden, Herat school, 1592, Reza Abbasi Museum, Tehran, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-two-persons-in-the-garden-herat-school-1592-reza-abbasi-museum-tehran-iran-image271758927.htmlRMWP3K7Y–Painting, Two persons in the garden, Herat school, 1592, Reza Abbasi Museum, Tehran, Iran
. English: This is a sample of the work of the 16th century calligrapher Mir Ali Heravi held at the Louvre Museum. فارسی: دستنوشتهای به خط نستعلیق به قلم میر علی هروی . 16th century AD. Mir Ali Heravi (–1544) Alternative names میر علی سادات حسینی هروی، میرجان، کاتب سلطانی Description Persian artist and calligrapher Date of birth/death 1544 AD (Hijri历951) Location of birth/death Herat Bukhara Work location Herat, Mashhad, Herat, Bukhara Authority control : Q5959839 VIAF: 54083384 ULAN: 500116607 LCCN: nr2002010842 GND: 137756003 WorldCat 973 Persian calligraphy - Mir Ali Tabrizi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-this-is-a-sample-of-the-work-of-the-16th-century-calligrapher-mir-ali-heravi-held-at-the-louvre-museum-16th-century-ad-mir-ali-heravi-1544-alternative-names-description-persian-artist-and-calligrapher-date-of-birthdeath-1544-ad-hijri951-location-of-birthdeath-herat-bukhara-work-location-herat-mashhad-herat-bukhara-authority-control-q5959839-viaf54083384-ulan500116607-lccnnr2002010842-gnd137756003-worldcat-973-persian-calligraphy-mir-ali-tabrizi-image185709124.htmlRMMP3NTM–. English: This is a sample of the work of the 16th century calligrapher Mir Ali Heravi held at the Louvre Museum. فارسی: دستنوشتهای به خط نستعلیق به قلم میر علی هروی . 16th century AD. Mir Ali Heravi (–1544) Alternative names میر علی سادات حسینی هروی، میرجان، کاتب سلطانی Description Persian artist and calligrapher Date of birth/death 1544 AD (Hijri历951) Location of birth/death Herat Bukhara Work location Herat, Mashhad, Herat, Bukhara Authority control : Q5959839 VIAF: 54083384 ULAN: 500116607 LCCN: nr2002010842 GND: 137756003 WorldCat 973 Persian calligraphy - Mir Ali Tabrizi
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228016.htmlRMKNKCFC–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027071.htmlRF2HW8KN3–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558498.htmlRMKCD50J–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz. Author: Hafiz (probably 1325/6-90); Written by Sa'di (1213/19-92). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: 11 7/8 x 7 1/2in. (30.2 x 19cm). Date: late 15th century. This folio, copied by Sultan 'Ali Mashhadi--a renowned master of nasta'liq script--once formed part of an anthology of Persian poetry including selections from the works of Sa'di and Hafiz. It was common practice for valuable manuscripts to be remounted within new margins whether for aesthetic or preservation reasons. The folios of this high Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-author-hafiz-probably-13256-90-written-by-sadi-121319-92-calligrapher-sultan-`ali-mashhadi-ca1440-1520-dimensions-11-78-x-7-12in-302-x-19cm-date-late-15th-century-this-folio-copied-by-sultan-ali-mashhadi-a-renowned-master-of-nastaliq-script-once-formed-part-of-an-anthology-of-persian-poetry-including-selections-from-the-works-of-sadi-and-hafiz-it-was-common-practice-for-valuable-manuscripts-to-be-remounted-within-new-margins-whether-for-aesthetic-or-preservation-reasons-the-folios-of-this-high-image213324171.htmlRMPB1N4B–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz. Author: Hafiz (probably 1325/6-90); Written by Sa'di (1213/19-92). Calligrapher: Sultan `Ali Mashhadi (ca.1440-1520). Dimensions: 11 7/8 x 7 1/2in. (30.2 x 19cm). Date: late 15th century. This folio, copied by Sultan 'Ali Mashhadi--a renowned master of nasta'liq script--once formed part of an anthology of Persian poetry including selections from the works of Sa'di and Hafiz. It was common practice for valuable manuscripts to be remounted within new margins whether for aesthetic or preservation reasons. The folios of this high
Quran Manuscript Folio (Verso); Right folio of Double-Page Illuminated Frontispiece, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quran-manuscript-folio-verso-right-folio-of-double-page-illuminated-frontispiece-1500s-the-sending-down-of-the-book-is-from-god-the-all-mighty-the-all-wise-surah-xxxix-1-3-the-quran-is-the-sacred-book-of-islam-in-the-view-of-orthodox-muslims-it-is-the-literal-word-of-god-as-revealed-to-the-prophet-muhammad-d-632-in-the-arabic-language-and-thus-recorded-in-the-arabic-script-because-of-its-association-with-the-divine-word-arabic-calligraphy-came-to-be-a-supreme-art-form-in-the-islamic-world-as-the-quintessential-symbol-of-the-culture-it-became-a-pervasive-decorative-element-in-image330114785.htmlRM2A520NN–Quran Manuscript Folio (Verso); Right folio of Double-Page Illuminated Frontispiece, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in
Painting, Journey of Aghoz to Aran e Moghan, Herat school, 15th century, Reza Abbasi Museum, Tehran, Iran Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/painting-journey-of-aghoz-to-aran-e-moghan-herat-school-15th-century-reza-abbasi-museum-tehran-iran-image271758894.htmlRMWP3K6P–Painting, Journey of Aghoz to Aran e Moghan, Herat school, 15th century, Reza Abbasi Museum, Tehran, Iran
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228008.htmlRMKNKCF4–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027061.htmlRF2HW8KMN–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558502.htmlRMKCD50P–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Quran Manuscript Folio (Recto); Illuminated Page, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Islamic art and architecture. Alth Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quran-manuscript-folio-recto-illuminated-page-1500s-the-sending-down-of-the-book-is-from-god-the-all-mighty-the-all-wise-surah-xxxix-1-3-the-quran-is-the-sacred-book-of-islam-in-the-view-of-orthodox-muslims-it-is-the-literal-word-of-god-as-revealed-to-the-prophet-muhammad-d-632-in-the-arabic-language-and-thus-recorded-in-the-arabic-script-because-of-its-association-with-the-divine-word-arabic-calligraphy-came-to-be-a-supreme-art-form-in-the-islamic-world-as-the-quintessential-symbol-of-the-culture-it-became-a-pervasive-decorative-element-in-islamic-art-and-architecture-alth-image330114695.htmlRM2A520JF–Quran Manuscript Folio (Recto); Illuminated Page, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Islamic art and architecture. Alth
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228015.htmlRMKNKCFB–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027070.htmlRF2HW8KN2–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558496.htmlRMKCD50G–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Quran Manuscript Folio (verso); Text Page, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Islamic art and architecture. Although se Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/quran-manuscript-folio-verso-text-page-1500s-the-sending-down-of-the-book-is-from-god-the-all-mighty-the-all-wise-surah-xxxix-1-3-the-quran-is-the-sacred-book-of-islam-in-the-view-of-orthodox-muslims-it-is-the-literal-word-of-god-as-revealed-to-the-prophet-muhammad-d-632-in-the-arabic-language-and-thus-recorded-in-the-arabic-script-because-of-its-association-with-the-divine-word-arabic-calligraphy-came-to-be-a-supreme-art-form-in-the-islamic-world-as-the-quintessential-symbol-of-the-culture-it-became-a-pervasive-decorative-element-in-islamic-art-and-architecture-although-se-image330114753.htmlRM2A520MH–Quran Manuscript Folio (verso); Text Page, 1500s. The sending down of the Book is from God the All-mighty, the All-wise. Surah XXXIX: 1-3 The Quran is the sacred book of Islam. In the view of orthodox Muslims, it is the literal word of God as revealed to the Prophet Muhammad (d. 632) in the Arabic language, and thus, recorded in the Arabic script. Because of its association with the divine word, Arabic calligraphy came to be a supreme art form in the Islamic world. As the quintessential symbol of the culture, it became a pervasive decorative element in Islamic art and architecture. Although se
Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-divan-of-sultan-husayn-baiqara-calligrapher-sultan-ali-al-mashhadi-168228021.htmlRMKNKCFH–Divan of Sultan Husayn Baiqara, Calligrapher: Sultan 'Ali al-Mashhadi (Iranian, Mashhad 1453–1520 Mashhad), dated 905 AH/1500 CE, Made in present-day Afghanistan, Herat, Medium: Ink, opaque watercolor, and gold on paper; lacquer binding
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027047.htmlRF2HW8KM7–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162442462.htmlRMKC7W0E–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Calligraphy, Persian Verses (verso), c. 1440-1520. The handsome youth lassoing the feisty colt in this painting is Rustam, the Shahnama's most popular hero. A favorite episode for illustrating, this event marks a turning point in the fortunes of Iran and offers the artist a wonderful pictorial opportunity. The episode occurs in a time of trouble for Iran -- the throne is empty and a foreign army invades the land. The country needs a mighty warrior to fight for her, and the young Rustam is ready for the challenge -- once he finds a horse that can bear his enormous weight! The herds are gathered Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calligraphy-persian-verses-verso-c-1440-1520-the-handsome-youth-lassoing-the-feisty-colt-in-this-painting-is-rustam-the-shahnamas-most-popular-hero-a-favorite-episode-for-illustrating-this-event-marks-a-turning-point-in-the-fortunes-of-iran-and-offers-the-artist-a-wonderful-pictorial-opportunity-the-episode-occurs-in-a-time-of-trouble-for-iran-the-throne-is-empty-and-a-foreign-army-invades-the-land-the-country-needs-a-mighty-warrior-to-fight-for-her-and-the-young-rustam-is-ready-for-the-challenge-once-he-finds-a-horse-that-can-bear-his-enormous-weight!-the-herds-are-gathered-image330081062.htmlRM2A50DNA–Calligraphy, Persian Verses (verso), c. 1440-1520. The handsome youth lassoing the feisty colt in this painting is Rustam, the Shahnama's most popular hero. A favorite episode for illustrating, this event marks a turning point in the fortunes of Iran and offers the artist a wonderful pictorial opportunity. The episode occurs in a time of trouble for Iran -- the throne is empty and a foreign army invades the land. The country needs a mighty warrior to fight for her, and the young Rustam is ready for the challenge -- once he finds a horse that can bear his enormous weight! The herds are gathered
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 5/8in. (30.2 x 19.4cm), Codices, This folio, copied by Sultan 'Ali Mashhadi, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-58in-302-x-194cm-codices-this-folio-copied-by-sultan-ali-mashhadi-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027080.htmlRF2HW8KNC–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 5/8in. (30.2 x 19.4cm), Codices, This folio, copied by Sultan 'Ali Mashhadi, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558497.htmlRMKCD50H–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027075.htmlRF2HW8KN7–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558504.htmlRMKCD50T–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027056.htmlRF2HW8KMG–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-folio-copied-by-sultan-ali-mashhadia-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027074.htmlRF2HW8KN6–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This folio, copied by Sultan 'Ali Mashhadi—a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This leaf comes from a dispersed anthology, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-late-15th-century-attributed-to-present-day-afghanistan-herat-ink-opaque-watercolor-silver-and-gold-on-paper-11-78-x-7-12in-302-x-19cm-codices-this-leaf-comes-from-a-dispersed-anthology-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027073.htmlRF2HW8KN5–Art inspired by Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 1/2in. (30.2 x 19cm), Codices, This leaf comes from a dispersed anthology, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558500.htmlRMKCD50M–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Inspired by Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-folio-from-a-manuscript-of-the-khamsa-of-nizami-opaque-watercolor-ink-and-gold-on-paper-herat-iran-1447-timurid-timurid-11-14-x-7-14-in-286-x-184-cm-calligraphy-epic-persian-poet-poetry-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459252890.htmlRF2HK4NMX–Inspired by Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162442570.htmlRMKC7W4A–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Art inspired by Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-folio-from-a-manuscript-of-the-khamsa-of-nizami-opaque-watercolor-ink-and-gold-on-paper-herat-iran-1447-timurid-timurid-11-14-x-7-14-in-286-x-184-cm-calligraphy-epic-persian-poet-poetry-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568004.htmlRF2HKK3K0–Art inspired by Folio from a Manuscript of the Khamsa of Nizami, Opaque watercolor, ink, and gold on paper, Herat, Iran, 1447, Timurid, Timurid, 11 1/4 x 7 1/4 in., 28.6 x 18.4 cm, calligraphy, epic, Persian, poet, poetry, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Art inspired by Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, text, ca. 1500; borders, first quarter 17th century, Decorated in India. Made in present-day Afghanistan or Iran, Herat or Mashhad, Ink, gold, and opaque, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-with-stenciled-and-painted-borders-from-a-subhat-al-abrar-rosary-of-the-devout-of-jami-text-ca-1500-borders-first-quarter-17th-century-decorated-in-india-made-in-present-day-afghanistan-or-iran-herat-or-mashhad-ink-gold-and-opaque-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029066.htmlRF2HW8P8A–Art inspired by Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, text, ca. 1500; borders, first quarter 17th century, Decorated in India. Made in present-day Afghanistan or Iran, Herat or Mashhad, Ink, gold, and opaque, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558499.htmlRMKCD50K–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162460355.htmlRMKC8KRF–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Art inspired by Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album, verso: ca. 1610–15; recto: ca5–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/16 in. (38.3 cm), Codices, Painting by Nanha, Many, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-page-of-calligraphy-illuminated-with-animals-and-plants-in-a-field-of-flowers-folio-from-the-shah-jahan-album-verso-ca-161015-recto-ca545-attributed-to-india-ink-opaque-watercolor-and-gold-on-paper-h-15-116-in-383-cm-codices-painting-by-nanha-many-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027984.htmlRF2HW8MWM–Art inspired by Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album, verso: ca. 1610–15; recto: ca5–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/16 in. (38.3 cm), Codices, Painting by Nanha, Many, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-from-an-anthology-of-poetry-by-sa`di-and-hafiz-162558501.htmlRMKCD50N–Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century
Inspired by Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4 in., 22.5 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-folio-of-poetry-from-the-divan-of-sultan-husayn-mirza-attributed-to-sultan-ali-mashhadi-persian-1442-1519-ink-opaque-watercolors-and-gold-on-indigo-blue-ground-with-dcoupage-and-gold-flecked-border-herat-afghanistan-ca-1490-timurid-timurid-8-78-x-5-14-in-225-x-133-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459254635.htmlRF2HK4RY7–Inspired by Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4 in., 22.5 x 13.3 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-illuminated-with-animals-and-plants-in-a-field-162431523.htmlRMKC7B1R–'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album
Art inspired by Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-folio-of-poetry-from-the-divan-of-sultan-husayn-mirza-attributed-to-sultan-ali-mashhadi-persian-1442-1519-ink-opaque-watercolors-and-gold-on-indigo-blue-ground-with-dcoupage-and-gold-flecked-border-herat-afghanistan-ca-1490-timurid-timurid-8-78-x-5-14-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459568956.htmlRF2HKK4W0–Art inspired by Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, text, ca. 1500 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-page-of-calligraphy-with-stenciled-and-painted-borders-from-a-subhat-162561134.htmlRMKCD8AP–Page of Calligraphy with Stenciled and Painted Borders from a Subhat al-Abrar (Rosary of the Devout) of Jami, text, ca. 1500
Art inspired by Unwan from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-unwan-from-the-shah-jahan-album-recto-ca-163040-verso-ca-1540-attributed-to-india-ink-opaque-watercolor-and-gold-on-paper-h-15-14-in-387-cm-codices-a-manuscript-often-opened-with-an-unwan-a-sumptuous-double-page-composition-framing-columns-of-text-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463027973.htmlRF2HW8MW9–Art inspired by Unwan from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, A manuscript often opened with an 'unwan, a sumptuous double-page composition framing columns of text, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Divan of Sultan Husayn Mirza, Sultan 'Ali al-Mashhadi, 897/1492, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Chagatai, Washington (D.C.), Afghanistan, Herat, Arabic script calligraphy, Découpage nasta' liq, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Sultan Bayqara, ruler of Khurasan, based in Herat. A deÌcoupage work in the Chagatai Turkish or (chg (jag) language., Although the technique of deÌcoupage emerges during the second half of the 15th century, it became a popular tool for the making of Ottoman kalips (calligraphic perforated sheets) durin Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/divan-of-sultan-husayn-mirza-sultan-ali-al-mashhadi-8971492-calligraphy-arabic-calligraphy-persian-manuscripts-chagatai-washington-dc-afghanistan-herat-arabic-script-calligraphy-dcoupage-nasta-liq-illuminated-islamic-manuscripts-islamic-calligraphy-islamic-manuscripts-sultan-bayqara-ruler-of-khurasan-based-in-herat-a-decoupage-work-in-the-chagatai-turkish-or-chg-jag-language-although-the-technique-of-decoupage-emerges-during-the-second-half-of-the-15th-century-it-became-a-popular-tool-for-the-making-of-ottoman-kalips-calligraphic-perforated-sheets-durin-image624753265.htmlRM2Y8BY4H–Divan of Sultan Husayn Mirza, Sultan 'Ali al-Mashhadi, 897/1492, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Chagatai, Washington (D.C.), Afghanistan, Herat, Arabic script calligraphy, Découpage nasta' liq, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Sultan Bayqara, ruler of Khurasan, based in Herat. A deÌcoupage work in the Chagatai Turkish or (chg (jag) language., Although the technique of deÌcoupage emerges during the second half of the 15th century, it became a popular tool for the making of Ottoman kalips (calligraphic perforated sheets) durin
Ghazals of Amir Khusraw Dihlavi, Sultan 'Ali Mashhadi, ca. 1500, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Persian, Washington (D.C.), Uzbekistan, Tajikistan, Afghanistan, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Nasta'liq, Ghazals by Indian Persian poet, Amir Khusraw Dihlavi (d. 725/1325) written in black nasta'liq script by the calligrapher Sultan 'Ali Mashhadi, active in the Timurid court of Sultan Husayn Bayqara (r. 1470-1506) in Herat., Dimensions of Written Surface: 10.5 (w) x 18.6 (h) cm, In the bottom left corne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ghazals-of-amir-khusraw-dihlavi-sultan-ali-mashhadi-ca-1500-calligraphy-arabic-calligraphy-persian-manuscripts-persian-washington-dc-uzbekistan-tajikistan-afghanistan-arabic-script-calligraphy-illuminated-islamic-manuscripts-islamic-calligraphy-islamic-manuscripts-nastaliq-ghazals-by-indian-persian-poet-amir-khusraw-dihlavi-d-7251325-written-in-black-nastaliq-script-by-the-calligrapher-sultan-ali-mashhadi-active-in-the-timurid-court-of-sultan-husayn-bayqara-r-1470-1506-in-herat-dimensions-of-written-surface-105-w-x-186-h-cm-in-the-bottom-left-corne-image624753396.htmlRM2Y8BY98–Ghazals of Amir Khusraw Dihlavi, Sultan 'Ali Mashhadi, ca. 1500, Calligraphy, Arabic, Calligraphy, Persian, Manuscripts, Persian, Washington (D.C.), Uzbekistan, Tajikistan, Afghanistan, Arabic script calligraphy, Illuminated Islamic manuscripts, Islamic calligraphy, Islamic manuscripts, Nasta'liq, Ghazals by Indian Persian poet, Amir Khusraw Dihlavi (d. 725/1325) written in black nasta'liq script by the calligrapher Sultan 'Ali Mashhadi, active in the Timurid court of Sultan Husayn Bayqara (r. 1470-1506) in Herat., Dimensions of Written Surface: 10.5 (w) x 18.6 (h) cm, In the bottom left corne
Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4 in., 22.5 x 13.3 cm, 1490, 15th C, Arabic, bleu, blue, book, calligraphy, decorative, decoupage, divan, folder, folio, Folio of poetry from the Divan of Sultan Husayn Mirza, gilded, gold, IMLS, indigo, ink, Iran, Iranian, Islamic, opaque watercolors, patterned, peotry, Persia, Persian, poems, poetry, royalty, Sultan, timurid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/folio-of-poetry-from-the-divan-of-sultan-husayn-mirza-attributed-to-sultan-ali-mashhadi-persian-1442-1519-ink-opaque-watercolors-and-gold-on-indigo-blue-ground-with-dcoupage-and-gold-flecked-border-herat-afghanistan-ca-1490-timurid-timurid-8-78-x-5-14-in-225-x-133-cm-1490-15th-c-arabic-bleu-blue-book-calligraphy-decorative-decoupage-divan-folder-folio-folio-of-poetry-from-the-divan-of-sultan-husayn-mirza-gilded-gold-imls-indigo-ink-iran-iranian-islamic-opaque-watercolors-patterned-peotry-persia-persian-poems-poetry-royalty-sultan-timurid-image454276275.htmlRM2HB220K–Folio of Poetry From the Divan of Sultan Husayn Mirza, Attributed to Sultan 'Ali Mashhadi, Persian, 1442-1519, Ink, opaque watercolors, and gold on indigo blue ground, with découpage and gold-flecked border, Herat, Afghanistan, ca. 1490, Timurid, Timurid, 8 7/8 x 5 1/4 in., 22.5 x 13.3 cm, 1490, 15th C, Arabic, bleu, blue, book, calligraphy, decorative, decoupage, divan, folder, folio, Folio of poetry from the Divan of Sultan Husayn Mirza, gilded, gold, IMLS, indigo, ink, Iran, Iranian, Islamic, opaque watercolors, patterned, peotry, Persia, Persian, poems, poetry, royalty, Sultan, timurid
Unwan from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1540 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-unwan-from-the-shah-jahan-album-recto-ca-163040-verso-ca-1540-162427906.htmlRMKC76CJ–Unwan from the Shah Jahan Album, recto: ca. 1630–40; verso: ca. 1540
