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The City of Calcutta. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(2) Plate VI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-city-of-calcutta-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab302-plate-vi-image226871283.htmlRMR52THR–The City of Calcutta. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(2) Plate VI.
![Hindoo [Hindu] Temples at Agouree, on the River Soane, Bahar, September 1796 Agouree is pleasantly situated on the river Soane, surrounded with hills well covered with wood. In this place are many Hindoo temples, and also a small fort, which make a very picturesque appearance from the river. Agouree is a place of worship of the greatest antiquity, which is obvious from the fragments of sculptured idols frequently to be met with there. The village at present is not very considerable. The large tree in this view is the Banyan or Buhr. Agouree is about fifty miles south from Chunar Gur. From the Stock Photo](https://c8.alamy.com/comp/2G5YMRT/hindoo-hindu-temples-at-agouree-on-the-river-soane-bahar-september-1796-agouree-is-pleasantly-situated-on-the-river-soane-surrounded-with-hills-well-covered-with-wood-in-this-place-are-many-hindoo-temples-and-also-a-small-fort-which-make-a-very-picturesque-appearance-from-the-river-agouree-is-a-place-of-worship-of-the-greatest-antiquity-which-is-obvious-from-the-fragments-of-sculptured-idols-frequently-to-be-met-with-there-the-village-at-present-is-not-very-considerable-the-large-tree-in-this-view-is-the-banyan-or-buhr-agouree-is-about-fifty-miles-south-from-chunar-gur-from-the-2G5YMRT.jpg "Hindoo [Hindu] Temples at Agouree, on the River Soane, Bahar, September 1796 Agouree is pleasantly situated on the river Soane, surrounded with hills well covered with wood. In this place are many Hindoo temples, and also a small fort, which make a very picturesque appearance from the river. Agouree is a place of worship of the greatest antiquity, which is obvious from the fragments of sculptured idols frequently to be met with there. The village at present is not very considerable. The large tree in this view is the Banyan or Buhr. Agouree is about fifty miles south from Chunar Gur. From the Stock Photo")
Hindoo [Hindu] Temples at Agouree, on the River Soane, Bahar, September 1796 Agouree is pleasantly situated on the river Soane, surrounded with hills well covered with wood. In this place are many Hindoo temples, and also a small fort, which make a very picturesque appearance from the river. Agouree is a place of worship of the greatest antiquity, which is obvious from the fragments of sculptured idols frequently to be met with there. The village at present is not very considerable. The large tree in this view is the Banyan or Buhr. Agouree is about fifty miles south from Chunar Gur. From the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hindoo-hindu-temples-at-agouree-on-the-river-soane-bahar-september-1796-agouree-is-pleasantly-situated-on-the-river-soane-surrounded-with-hills-well-covered-with-wood-in-this-place-are-many-hindoo-temples-and-also-a-small-fort-which-make-a-very-picturesque-appearance-from-the-river-agouree-is-a-place-of-worship-of-the-greatest-antiquity-which-is-obvious-from-the-fragments-of-sculptured-idols-frequently-to-be-met-with-there-the-village-at-present-is-not-very-considerable-the-large-tree-in-this-view-is-the-banyan-or-buhr-agouree-is-about-fifty-miles-south-from-chunar-gur-from-the-image433941532.htmlRF2G5YMRT–Hindoo [Hindu] Temples at Agouree, on the River Soane, Bahar, September 1796 Agouree is pleasantly situated on the river Soane, surrounded with hills well covered with wood. In this place are many Hindoo temples, and also a small fort, which make a very picturesque appearance from the river. Agouree is a place of worship of the greatest antiquity, which is obvious from the fragments of sculptured idols frequently to be met with there. The village at present is not very considerable. The large tree in this view is the Banyan or Buhr. Agouree is about fifty miles south from Chunar Gur. From the
'Bombay ...', c1920. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bombay-c1920-artist-unknown-image186131180.htmlRMMPR064–'Bombay ...', c1920. Artist: Unknown.
The setting is a huge, open marble terrace, set bedside a lush arbor-filled garden. A large summer white carpet is patterned with bold flowers in a trellis shape with metal derived lozenge-shaped images interspersed. The Kutch retinue of nobles sits on this carpet on the left side, while the Nagaur visitors sit on the right side. The chief Mahant of Kutch, dressed in salmon robes, joins the left side assembly. A multi-floral burgundy-based smaller carpet has been placed on top of this white carpet, and a smaller still yellow cotton dhurrie sits on top of the burgundy carpet. It is upon this th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-setting-is-a-huge-open-marble-terrace-set-bedside-a-lush-arbor-filled-garden-a-large-summer-white-carpet-is-patterned-with-bold-flowers-in-a-trellis-shape-with-metal-derived-lozenge-shaped-images-interspersed-the-kutch-retinue-of-nobles-sits-on-this-carpet-on-the-left-side-while-the-nagaur-visitors-sit-on-the-right-side-the-chief-mahant-of-kutch-dressed-in-salmon-robes-joins-the-left-side-assembly-a-multi-floral-burgundy-based-smaller-carpet-has-been-placed-on-top-of-this-white-carpet-and-a-smaller-still-yellow-cotton-dhurrie-sits-on-top-of-the-burgundy-carpet-it-is-upon-this-th-image554740166.htmlRM2R6EGMP–The setting is a huge, open marble terrace, set bedside a lush arbor-filled garden. A large summer white carpet is patterned with bold flowers in a trellis shape with metal derived lozenge-shaped images interspersed. The Kutch retinue of nobles sits on this carpet on the left side, while the Nagaur visitors sit on the right side. The chief Mahant of Kutch, dressed in salmon robes, joins the left side assembly. A multi-floral burgundy-based smaller carpet has been placed on top of this white carpet, and a smaller still yellow cotton dhurrie sits on top of the burgundy carpet. It is upon this th
Part of the City of Patna, on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-city-of-patna-on-the-river-ganges-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391106019.htmlRM2DM8BM3–Part of the City of Patna, on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Nanda and Vasudeva: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1520-30. Rajput-Chaurapanchasika style Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nanda-and-vasudeva-page-from-a-dispersed-bhagavata-purana-ancient-stories-of-lord-vishnu-ca-1520-30-rajput-chaurapanchasika-style-image343012892.htmlRM2AX1GCC–Nanda and Vasudeva: Page from a Dispersed Bhagavata Purana (Ancient Stories of Lord Vishnu), ca. 1520-30. Rajput-Chaurapanchasika style
A Baolee Near the Old City of Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-baolee-near-the-old-city-of-delhi-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359444250.htmlRM2BTP2PJ–A Baolee Near the Old City of Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Mountainous scenery and waterfall. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate V. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mountainous-scenery-and-waterfall-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab301-plate-v-image226946860.htmlRMR56910–Mountainous scenery and waterfall. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate V.
![Part Of The Black Town, Madras [Chennai]; The Black Town (so called from being principally the residence of the native merchants) is distant rather less than half a mile north from Fort St. George, and separated by the Esplanade; along which runs the China Bazaar, or market for Chinese, India, and European merchandize. In the town the Armenians have erected a church, which appears in the distance, and to the left of it are seen the minarets of a handsome Mosque, built by Mahommed Ali, Nabob of the Carnatic. From the book ' Oriental scenery: one hundred and fifty views of the architecture, anti Stock Photo](https://c8.alamy.com/comp/2G5YN7X/part-of-the-black-town-madras-chennai-the-black-town-so-called-from-being-principally-the-residence-of-the-native-merchants-is-distant-rather-less-than-half-a-mile-north-from-fort-st-george-and-separated-by-the-esplanade-along-which-runs-the-china-bazaar-or-market-for-chinese-india-and-european-merchandize-in-the-town-the-armenians-have-erected-a-church-which-appears-in-the-distance-and-to-the-left-of-it-are-seen-the-minarets-of-a-handsome-mosque-built-by-mahommed-ali-nabob-of-the-carnatic-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-the-architecture-anti-2G5YN7X.jpg "Part Of The Black Town, Madras [Chennai]; The Black Town (so called from being principally the residence of the native merchants) is distant rather less than half a mile north from Fort St. George, and separated by the Esplanade; along which runs the China Bazaar, or market for Chinese, India, and European merchandize. In the town the Armenians have erected a church, which appears in the distance, and to the left of it are seen the minarets of a handsome Mosque, built by Mahommed Ali, Nabob of the Carnatic. From the book ' Oriental scenery: one hundred and fifty views of the architecture, anti Stock Photo")
Part Of The Black Town, Madras [Chennai]; The Black Town (so called from being principally the residence of the native merchants) is distant rather less than half a mile north from Fort St. George, and separated by the Esplanade; along which runs the China Bazaar, or market for Chinese, India, and European merchandize. In the town the Armenians have erected a church, which appears in the distance, and to the left of it are seen the minarets of a handsome Mosque, built by Mahommed Ali, Nabob of the Carnatic. From the book ' Oriental scenery: one hundred and fifty views of the architecture, anti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-black-town-madras-chennai-the-black-town-so-called-from-being-principally-the-residence-of-the-native-merchants-is-distant-rather-less-than-half-a-mile-north-from-fort-st-george-and-separated-by-the-esplanade-along-which-runs-the-china-bazaar-or-market-for-chinese-india-and-european-merchandize-in-the-town-the-armenians-have-erected-a-church-which-appears-in-the-distance-and-to-the-left-of-it-are-seen-the-minarets-of-a-handsome-mosque-built-by-mahommed-ali-nabob-of-the-carnatic-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-the-architecture-anti-image433941870.htmlRF2G5YN7X–Part Of The Black Town, Madras [Chennai]; The Black Town (so called from being principally the residence of the native merchants) is distant rather less than half a mile north from Fort St. George, and separated by the Esplanade; along which runs the China Bazaar, or market for Chinese, India, and European merchandize. In the town the Armenians have erected a church, which appears in the distance, and to the left of it are seen the minarets of a handsome Mosque, built by Mahommed Ali, Nabob of the Carnatic. From the book ' Oriental scenery: one hundred and fifty views of the architecture, anti
'Travellers with Escort in the Ancient Province of Kattywar', 1908. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/travellers-with-escort-in-the-ancient-province-of-kattywar-1908-artist-unknown-image262784371.htmlRMW7ET43–'Travellers with Escort in the Ancient Province of Kattywar', 1908. Artist: Unknown.
Rukmini elopes with Krishna, folio from a Bhagavata Purana. Date: ca. 1780. Opaque watercolor and gold on paper. Origin: Garhwal, Uttarakhand state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rukmini-elopes-with-krishna-folio-from-a-bhagavata-purana-date-ca-1780-opaque-watercolor-and-gold-on-paper-origin-garhwal-uttarakhand-state-india-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747907.htmlRM2R6EXH7–Rukmini elopes with Krishna, folio from a Bhagavata Purana. Date: ca. 1780. Opaque watercolor and gold on paper. Origin: Garhwal, Uttarakhand state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Portico of An Excavated Temple on the Island of Salsette, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-portico-of-an-excavated-temple-on-the-island-of-salsette-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391115022.htmlRM2DM8R5J–The Portico of An Excavated Temple on the Island of Salsette, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Flower-Style Box with Drawers, India, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/flower-style-box-with-drawers-india-17th-century-image406453014.htmlRM2EH7EY2–Flower-Style Box with Drawers, India, 17th century.
The Mausoleum of Amir Khusero at the Ancient City of Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mausoleum-of-amir-khusero-at-the-ancient-city-of-delhi-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359438869.htmlRM2BTNRXD–The Mausoleum of Amir Khusero at the Ancient City of Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Calcutta. Boats on the water. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate VII. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calcutta-boats-on-the-water-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-tab599a-plate-vii-image226873632.htmlRMR52YHM–Calcutta. Boats on the water. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate VII.
TOMB OF MEER HAIAT KALUNDUR .from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/tomb-of-meer-haiat-kalundur-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455166192.htmlRF2HCEH3C–TOMB OF MEER HAIAT KALUNDUR .from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
Geographical map of the north-eastern section of India, early 20th century. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geographical-map-of-the-north-eastern-section-of-india-early-20th-century-artist-unknown-image218485868.htmlRMPKCTXM–Geographical map of the north-eastern section of India, early 20th century. Artist: Unknown.
This painting depicts a wedding ceremony with Brahma in attendance. Holding hands, the couple sits under a canopy of leaves that is supported by posts made from pots stacked one on top of another. Date: ca. 1680. Opaque watercolor on paper. Origin: Ajmer, Rajasthan state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-painting-depicts-a-wedding-ceremony-with-brahma-in-attendance-holding-hands-the-couple-sits-under-a-canopy-of-leaves-that-is-supported-by-posts-made-from-pots-stacked-one-on-top-of-another-date-ca-1680-opaque-watercolor-on-paper-origin-ajmer-rajasthan-state-india-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747815.htmlRM2R6EXDY–This painting depicts a wedding ceremony with Brahma in attendance. Holding hands, the couple sits under a canopy of leaves that is supported by posts made from pots stacked one on top of another. Date: ca. 1680. Opaque watercolor on paper. Origin: Ajmer, Rajasthan state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Western Entrance of Shere Shah's Fort, Delhi, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-western-entrance-of-shere-shahs-fort-delhi-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391103039.htmlRM2DM87WK–The Western Entrance of Shere Shah's Fort, Delhi, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
View of the Delhi Gateway After It Was Repaired, 1794. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-the-delhi-gateway-after-it-was-repaired-1794-image571912738.htmlRM2T6CTEX–View of the Delhi Gateway After It Was Repaired, 1794.
The Armenian Bridge Near St Thomass Mount Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-armenian-bridge-near-st-thomass-mount-madras-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359496741.htmlRM2BTTDN9–The Armenian Bridge Near St Thomass Mount Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
A small village and temple stupa. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate IV. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-small-village-and-temple-stupa-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-tab599a-plate-iv-image227134191.htmlRMR5ERYB–A small village and temple stupa. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate IV.
MADRESSA, BIDUR from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madressa-bidur-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455166611.htmlRF2HCEHJB–MADRESSA, BIDUR from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
'A Bhil Couple', c1910. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-bhil-couple-c1910-creator-unknown-image246382783.htmlRMT8RKN3–'A Bhil Couple', c1910. Creator: Unknown.
Abhisarika Nayika, folio from a Rasikpriya. Opaque watercolor and gold on paper. Origin: possibly Amber, Rajasthan state, India. Date: ca. 1615-1625. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/abhisarika-nayika-folio-from-a-rasikpriya-opaque-watercolor-and-gold-on-paper-origin-possibly-amber-rajasthan-state-india-date-ca-1615-1625-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554746407.htmlRM2R6ETKK–Abhisarika Nayika, folio from a Rasikpriya. Opaque watercolor and gold on paper. Origin: possibly Amber, Rajasthan state, India. Date: ca. 1615-1625. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Mausoleum of Amir Khusero, at the Ancient City of Delhi, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-mausoleum-of-amir-khusero-at-the-ancient-city-of-delhi-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391112092.htmlRM2DM8KD0–The Mausoleum of Amir Khusero, at the Ancient City of Delhi, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Yellow-Casque Black Hornbill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yellow-casque-black-hornbill-from-the-birds-of-the-tropics-series-n5-for-allen-amp-ginter-cigarettes-brands-1889-image348997479.htmlRM2B7P5RK–Yellow-Casque Black Hornbill, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889.
The Assembly Rooms on the Race Ground Near Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assembly-rooms-on-the-race-ground-near-madras-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359496838.htmlRM2BTTDTP–The Assembly Rooms on the Race Ground Near Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Palace of Nawaub Suja Dowla. Oriental Scenery: Twenty Four Views In Hindoostan. View of Palace of Nawaub Shuja-ud-daula, Lucknow, from the River Gumli. Coloured aquatint. Image taken from Oriental Scenery: Twenty Four Views In Hindoostan. . Source: X 432 volume 3, plate 16. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/palace-of-nawaub-suja-dowla-oriental-scenery-twenty-four-views-in-hindoostan-view-of-palace-of-nawaub-shuja-ud-daula-lucknow-from-the-river-gumli-coloured-aquatint-image-taken-from-oriental-scenery-twenty-four-views-in-hindoostan-source-x-432-volume-3-plate-16-language-english-image231703581.htmlRMRCY07W–Palace of Nawaub Suja Dowla. Oriental Scenery: Twenty Four Views In Hindoostan. View of Palace of Nawaub Shuja-ud-daula, Lucknow, from the River Gumli. Coloured aquatint. Image taken from Oriental Scenery: Twenty Four Views In Hindoostan. . Source: X 432 volume 3, plate 16. Language: English.
![Hindoo Temple Near Currah [Kara], on the River Ganges, November 1796 The banks of the Ganges are here very lofty, steep, and picturesque; but are subject to considerable alterations in the rainy season, as the river then rises to the height of thirty feet.' At that time, before the coming of railways, boats like the one in this view with a big sail were widely used for transport. It was the Daniells' baggage boat, and their palanquins can be seen lashed to the roof. Their own pinnace budgerow is in the distance. The actual site of the view is Naubasta, below the ancient city of Kara on the Gan Stock Photo](https://c8.alamy.com/comp/2G5YN07/hindoo-temple-near-currah-kara-on-the-river-ganges-november-1796-the-banks-of-the-ganges-are-here-very-lofty-steep-and-picturesque-but-are-subject-to-considerable-alterations-in-the-rainy-season-as-the-river-then-rises-to-the-height-of-thirty-feet-at-that-time-before-the-coming-of-railways-boats-like-the-one-in-this-view-with-a-big-sail-were-widely-used-for-transport-it-was-the-daniells-baggage-boat-and-their-palanquins-can-be-seen-lashed-to-the-roof-their-own-pinnace-budgerow-is-in-the-distance-the-actual-site-of-the-view-is-naubasta-below-the-ancient-city-of-kara-on-the-gan-2G5YN07.jpg "Hindoo Temple Near Currah [Kara], on the River Ganges, November 1796 The banks of the Ganges are here very lofty, steep, and picturesque; but are subject to considerable alterations in the rainy season, as the river then rises to the height of thirty feet.' At that time, before the coming of railways, boats like the one in this view with a big sail were widely used for transport. It was the Daniells' baggage boat, and their palanquins can be seen lashed to the roof. Their own pinnace budgerow is in the distance. The actual site of the view is Naubasta, below the ancient city of Kara on the Gan Stock Photo")
Hindoo Temple Near Currah [Kara], on the River Ganges, November 1796 The banks of the Ganges are here very lofty, steep, and picturesque; but are subject to considerable alterations in the rainy season, as the river then rises to the height of thirty feet.' At that time, before the coming of railways, boats like the one in this view with a big sail were widely used for transport. It was the Daniells' baggage boat, and their palanquins can be seen lashed to the roof. Their own pinnace budgerow is in the distance. The actual site of the view is Naubasta, below the ancient city of Kara on the Gan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hindoo-temple-near-currah-kara-on-the-river-ganges-november-1796-the-banks-of-the-ganges-are-here-very-lofty-steep-and-picturesque-but-are-subject-to-considerable-alterations-in-the-rainy-season-as-the-river-then-rises-to-the-height-of-thirty-feet-at-that-time-before-the-coming-of-railways-boats-like-the-one-in-this-view-with-a-big-sail-were-widely-used-for-transport-it-was-the-daniells-baggage-boat-and-their-palanquins-can-be-seen-lashed-to-the-roof-their-own-pinnace-budgerow-is-in-the-distance-the-actual-site-of-the-view-is-naubasta-below-the-ancient-city-of-kara-on-the-gan-image433941655.htmlRF2G5YN07–Hindoo Temple Near Currah [Kara], on the River Ganges, November 1796 The banks of the Ganges are here very lofty, steep, and picturesque; but are subject to considerable alterations in the rainy season, as the river then rises to the height of thirty feet.' At that time, before the coming of railways, boats like the one in this view with a big sail were widely used for transport. It was the Daniells' baggage boat, and their palanquins can be seen lashed to the roof. Their own pinnace budgerow is in the distance. The actual site of the view is Naubasta, below the ancient city of Kara on the Gan
'Temple at Ramnagar, Benares', . Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temple-at-ramnagar-benares-creator-unknown-image248875336.htmlRMTCW70T–'Temple at Ramnagar, Benares', . Creator: Unknown.
Deer-stalking at night. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/deer-stalking-at-night-date-18th-century-origin-india-period-mughal-dynasty-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554743478.htmlRM2R6EMY2–Deer-stalking at night. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
N.W. View of Rotas Ghur, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nw-view-of-rotas-ghur-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391099278.htmlRM2DM833A–N.W. View of Rotas Ghur, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
The Tropic Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-tropic-bird-from-the-birds-of-the-tropics-series-n5-for-allen-amp-ginter-cigarettes-brands-1889-image348997556.htmlRM2B7P5XC–The Tropic Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889.
An Antient Hindoo Temple In the Fort of Rotas Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-antient-hindoo-temple-in-the-fort-of-rotas-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359438643.htmlRM2BTNRJB–An Antient Hindoo Temple In the Fort of Rotas Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Koala bears. Hindoostan Quadrupeds. 1798-1805. Koala bears (Phascolarctos cinereus). Watercolour. Inscribed on the reverse 'Coola, an animal of the oppossum tribe from New South Wales'. Watercolour. Image taken from Hindoostan Quadrupeds. Originally published/produced in 1798-1805. . Source: NHD 33/40,. Author: Lewin, John William. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/koala-bears-hindoostan-quadrupeds-1798-1805-koala-bears-phascolarctos-cinereus-watercolour-inscribed-on-the-reverse-coola-an-animal-of-the-oppossum-tribe-from-new-south-wales-watercolour-image-taken-from-hindoostan-quadrupeds-originally-publishedproduced-in-1798-1805-source-nhd-3340-author-lewin-john-william-image226917659.htmlRMR54YP3–Koala bears. Hindoostan Quadrupeds. 1798-1805. Koala bears (Phascolarctos cinereus). Watercolour. Inscribed on the reverse 'Coola, an animal of the oppossum tribe from New South Wales'. Watercolour. Image taken from Hindoostan Quadrupeds. Originally published/produced in 1798-1805. . Source: NHD 33/40,. Author: Lewin, John William.
![Akbur Shah II. (Frontispiece) [Akbar II (Persian 22 April 1760 – 28 September 1837), also known as Akbar Shah II, was the nineteenth Mughal emperor of India. He reigned from 1806 to 1837. He was the second son of Shah Alam II and the father of Bahadur Shah II.] from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon ... with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photo](https://c8.alamy.com/comp/2HCEGPT/akbur-shah-ii-frontispiece-akbar-ii-persian-22-april-1760-28-september-1837-also-known-as-akbar-shah-ii-was-the-nineteenth-mughal-emperor-of-india-he-reigned-from-1806-to-1837-he-was-the-second-son-of-shah-alam-ii-and-the-father-of-bahadur-shah-ii-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-2HCEGPT.jpg "Akbur Shah II. (Frontispiece) [Akbar II (Persian 22 April 1760 – 28 September 1837), also known as Akbar Shah II, was the nineteenth Mughal emperor of India. He reigned from 1806 to 1837. He was the second son of Shah Alam II and the father of Bahadur Shah II.] from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon ... with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photo")
Akbur Shah II. (Frontispiece) [Akbar II (Persian 22 April 1760 – 28 September 1837), also known as Akbar Shah II, was the nineteenth Mughal emperor of India. He reigned from 1806 to 1837. He was the second son of Shah Alam II and the father of Bahadur Shah II.] from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon ... with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/akbur-shah-ii-frontispiece-akbar-ii-persian-22-april-1760-28-september-1837-also-known-as-akbar-shah-ii-was-the-nineteenth-mughal-emperor-of-india-he-reigned-from-1806-to-1837-he-was-the-second-son-of-shah-alam-ii-and-the-father-of-bahadur-shah-ii-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455165952.htmlRF2HCEGPT–Akbur Shah II. (Frontispiece) [Akbar II (Persian 22 April 1760 – 28 September 1837), also known as Akbar Shah II, was the nineteenth Mughal emperor of India. He reigned from 1806 to 1837. He was the second son of Shah Alam II and the father of Bahadur Shah II.] from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon ... with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
'Indian Water Lift'. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indian-water-lift-creator-unknown-image246382792.htmlRMT8RKNC–'Indian Water Lift'. Creator: Unknown.
A Tatar soldier. Date: 16th century. Ink and slight tint on paper. Origin: Ahmadnagar, Maharashtra state, Deccan plateau, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-tatar-soldier-date-16th-century-ink-and-slight-tint-on-paper-origin-ahmadnagar-maharashtra-state-deccan-plateau-india-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554740685.htmlRM2R6EHB9–A Tatar soldier. Date: 16th century. Ink and slight tint on paper. Origin: Ahmadnagar, Maharashtra state, Deccan plateau, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Assembly Rooms on the Race Ground, Near Madras, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-assembly-rooms-on-the-race-ground-near-madras-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391105216.htmlRM2DM8AKC–The Assembly Rooms on the Race Ground, Near Madras, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Photographic Views in Madura, Part III, 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photographic-views-in-madura-part-iii-1858-image469815886.htmlRM2J89XXP–Photographic Views in Madura, Part III, 1858.
South East View of Fort St George Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/south-east-view-of-fort-st-george-madras-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359429858.htmlRM2BTNCCJ–South East View of Fort St George Madras from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Boats on the water. Islands and headland. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate I. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boats-on-the-water-islands-and-headland-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-tab599a-plate-i-image227082431.htmlRMR5CDXR–Boats on the water. Islands and headland. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate I.
The Jummah Musjed, Delhi, January 1797 The Jami Masjid, the largest mosque in India, was built between 1644 and 1658, as the principal monument of Delhi, the new capital of the Mughal emperor Shah Jahan, established in 1638. The Mosque stands on a high platform on a rock and has three huge gateways approached by broad flights of steps that lead to a big courtyard. The minarets and domed prayer-hall are ornamented in white marble and deep red standstone and the doors are decorated with brass carvings. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquitie Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-jummah-musjed-delhi-january-1797-the-jami-masjid-the-largest-mosque-in-india-was-built-between-1644-and-1658-as-the-principal-monument-of-delhi-the-new-capital-of-the-mughal-emperor-shah-jahan-established-in-1638-the-mosque-stands-on-a-high-platform-on-a-rock-and-has-three-huge-gateways-approached-by-broad-flights-of-steps-that-lead-to-a-big-courtyard-the-minarets-and-domed-prayer-hall-are-ornamented-in-white-marble-and-deep-red-standstone-and-the-doors-are-decorated-with-brass-carvings-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-the-architecture-antiquitie-image433941718.htmlRF2G5YN2E–The Jummah Musjed, Delhi, January 1797 The Jami Masjid, the largest mosque in India, was built between 1644 and 1658, as the principal monument of Delhi, the new capital of the Mughal emperor Shah Jahan, established in 1638. The Mosque stands on a high platform on a rock and has three huge gateways approached by broad flights of steps that lead to a big courtyard. The minarets and domed prayer-hall are ornamented in white marble and deep red standstone and the doors are decorated with brass carvings. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquitie
Indo-Persian rug, c1570. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indo-persian-rug-c1570-artist-unknown-image262787032.htmlRMW7EYF4–Indo-Persian rug, c1570. Artist: Unknown.
Portrait of an emperor. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-an-emperor-date-18th-century-origin-india-period-mughal-dynasty-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554738921.htmlRM2R6EF49–Portrait of an emperor. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Lucnow Taken From the Opposite Bank of the River Goomty, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucnow-taken-from-the-opposite-bank-of-the-river-goomty-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391103741.htmlRM2DM88PN–Lucnow Taken From the Opposite Bank of the River Goomty, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Fiery-Tailed Sun Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fiery-tailed-sun-bird-from-the-birds-of-the-tropics-series-n5-for-allen-amp-ginter-cigarettes-brands-1889-image348997485.htmlRM2B7P5RW–Fiery-Tailed Sun Bird, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889.
Hindoo Temple at Agouree On the River Soane Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hindoo-temple-at-agouree-on-the-river-soane-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359428186.htmlRM2BTNA8X–Hindoo Temple at Agouree On the River Soane Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Calcutta. Boats on the river. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/calcutta-boats-on-the-river-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-tab599a-plate-x-image227110882.htmlRMR5DP6X–Calcutta. Boats on the river. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: Tab.599.a plate X.
NASSUK, ON THE GUADAVERY from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nassuk-on-the-guadavery-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455166572.htmlRF2HCEHH0–NASSUK, ON THE GUADAVERY from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
Map of Bombay, Berar, and part of Central India, 1902. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-bombay-berar-and-part-of-central-india-1902-creator-unknown-image221502335.htmlRMPTA8DK–Map of Bombay, Berar, and part of Central India, 1902. Creator: Unknown.
Wedding Preparations: folio from a Nala-Damayanti series. Date: 1775-1800. Opaque watercolor on paper. Origin: Guler, Himachal Pradesh state, Punjab Hills, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/wedding-preparations-folio-from-a-nala-damayanti-series-date-1775-1800-opaque-watercolor-on-paper-origin-guler-himachal-pradesh-state-punjab-hills-india-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747192.htmlRM2R6EWKM–Wedding Preparations: folio from a Nala-Damayanti series. Date: 1775-1800. Opaque watercolor on paper. Origin: Guler, Himachal Pradesh state, Punjab Hills, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Gate of the Tomb of the Emperor Akbar, At Secundra, Near Agra, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gate-of-the-tomb-of-the-emperor-akbar-at-secundra-near-agra-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391152335.htmlRM2DMAEP7–Gate of the Tomb of the Emperor Akbar, At Secundra, Near Agra, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Red Fort, Delhi, India, 1860s-70s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-fort-delhi-india-1860s-70s-image368408707.htmlRM2CBAD1R–Red Fort, Delhi, India, 1860s-70s.
The Interior of An Excavated Hindoo Temple On the Island of Salsette from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-of-an-excavated-hindoo-temple-on-the-island-of-salsette-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359536717.htmlRM2BTX8N1–The Interior of An Excavated Hindoo Temple On the Island of Salsette from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Antiquities of India. Engraving by Thomas Daniell of Hindu temples with tall towers. Bindrabund. . Oriental Scenery. Twenty four views in Hindoostan. London. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) 1795. Source: 10.Tab.30.(1) Plate II. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antiquities-of-india-engraving-by-thomas-daniell-of-hindu-temples-with-tall-towers-bindrabund-oriental-scenery-twenty-four-views-in-hindoostan-london-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-1795-source-10tab301-plate-ii-image227199952.htmlRMR5HRT0–Antiquities of India. Engraving by Thomas Daniell of Hindu temples with tall towers. Bindrabund. . Oriental Scenery. Twenty four views in Hindoostan. London. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) 1795. Source: 10.Tab.30.(1) Plate II.
Machine Colorized Jumnoutri and the Cone, Himala Mountains from the book ' The Oriental Annual ' Containing A Series Of Tales, Legends, & Historical Romances; By Thomas Bacon, Esq., F.S.A., With Engravings By W. And E. Finden, From Sketches By The Author Published In London By Charles Tilt, Fleet Street. 1839 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/machine-colorized-jumnoutri-and-the-cone-himala-mountains-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-esq-fsa-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-published-in-london-by-charles-tilt-fleet-street-1839-image451464626.htmlRF2H6DYMJ–Machine Colorized Jumnoutri and the Cone, Himala Mountains from the book ' The Oriental Annual ' Containing A Series Of Tales, Legends, & Historical Romances; By Thomas Bacon, Esq., F.S.A., With Engravings By W. And E. Finden, From Sketches By The Author Published In London By Charles Tilt, Fleet Street. 1839
Map of Punjab, Sind, Rajputana and Kashmir, 1902. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/map-of-punjab-sind-rajputana-and-kashmir-1902-creator-unknown-image221502334.htmlRMPTA8DJ–Map of Punjab, Sind, Rajputana and Kashmir, 1902. Creator: Unknown.
A mounted man hunting birds with a falcon. Date: early 18th century. Period: Mughal dynasty. Opaque watercolor and gold on paper. Origin: Kishangarh, Rajasthan state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-mounted-man-hunting-birds-with-a-falcon-date-early-18th-century-period-mughal-dynasty-opaque-watercolor-and-gold-on-paper-origin-kishangarh-rajasthan-state-india-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554751773.htmlRM2R6F3F9–A mounted man hunting birds with a falcon. Date: early 18th century. Period: Mughal dynasty. Opaque watercolor and gold on paper. Origin: Kishangarh, Rajasthan state, India. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Part of the Interior of an Hindoo Temple, At Deo, In Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-interior-of-an-hindoo-temple-at-deo-in-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391113610.htmlRM2DM8NB6–Part of the Interior of an Hindoo Temple, At Deo, In Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
The Causeway Across the Vaigai River, January-March 1858. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-causeway-across-the-vaigai-river-january-march-1858-image469815830.htmlRM2J89XTP–The Causeway Across the Vaigai River, January-March 1858.
Part of the Interior of an Hindoo Temple At Deo In Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/part-of-the-interior-of-an-hindoo-temple-at-deo-in-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359442907.htmlRM2BTP12K–Part of the Interior of an Hindoo Temple At Deo In Bahar from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Engraving. Text. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(3) frontispiece. Language: English. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-text-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab303-frontispiece-language-english-image227136336.htmlRMR5EXM0–Engraving. Text. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(3) frontispiece. Language: English.
![View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of Stock Photo](https://c8.alamy.com/comp/2G5YR42/view-of-gyah-an-hindoo-town-in-bahar-bihar-1801-gaya-is-situated-on-the-bank-of-the-phalgu-river-in-bihar-and-was-early-on-associated-with-gautama-and-mahavira-the-founders-of-buddhism-and-jainism-in-the-5th-6th-centuries-bc-bodhgaya-the-place-of-the-buddhas-enlightenment-isa-few-miles-south-of-the-town-at-least-from-the-early-mediaeval-period-gaya-became-an-important-site-of-hindu-pilgrimage-centred-round-the-stone-image-of-vishnus-footprint-enshrined-in-the-vishnupada-temple-which-dominates-this-view-of-the-town-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-2G5YR42.jpg "View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of Stock Photo")
View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-gyah-an-hindoo-town-in-bahar-bihar-1801-gaya-is-situated-on-the-bank-of-the-phalgu-river-in-bihar-and-was-early-on-associated-with-gautama-and-mahavira-the-founders-of-buddhism-and-jainism-in-the-5th-6th-centuries-bc-bodhgaya-the-place-of-the-buddhas-enlightenment-isa-few-miles-south-of-the-town-at-least-from-the-early-mediaeval-period-gaya-became-an-important-site-of-hindu-pilgrimage-centred-round-the-stone-image-of-vishnus-footprint-enshrined-in-the-vishnupada-temple-which-dominates-this-view-of-the-town-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-image433943330.htmlRF2G5YR42–View of Gyah, an Hindoo Town in Bahar [Bihar], 1801 Gaya is situated on the bank of the Phalgu river in Bihar and was early on associated with Gautama and Mahavira, the founders of Buddhism and Jainism in the 5th - 6th Centuries BC. Bodhgaya, the place of the Buddha's enlightenment, isa few miles south of the town. At least from the early mediaeval period Gaya became an important site of Hindu pilgrimage centred round the stone image of Vishnu's footprint enshrined in the Vishnupada Temple, which dominates this view of the town. From the book ' Oriental scenery: one hundred and fifty views of
'Cooly Woman'. Creator: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cooly-woman-creator-unknown-image246382978.htmlRMT8RM02–'Cooly Woman'. Creator: Unknown.
Saraswati, folio from a Goddess series. Opaque watercolor and gold on paper. Origin: Sawar, Rajasthan state, India. Date: ca. 1680-1700. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saraswati-folio-from-a-goddess-series-opaque-watercolor-and-gold-on-paper-origin-sawar-rajasthan-state-india-date-ca-1680-1700-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554746339.htmlRM2R6ETH7–Saraswati, folio from a Goddess series. Opaque watercolor and gold on paper. Origin: Sawar, Rajasthan state, India. Date: ca. 1680-1700. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Armenian Bridge, Near St. Thomas's Mount, Madras, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-armenian-bridge-near-st-thomass-mount-madras-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391103040.htmlRM2DM87WM–The Armenian Bridge, Near St. Thomas's Mount, Madras, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Alexandrine Ring Parakeet, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alexandrine-ring-parakeet-from-the-birds-of-the-tropics-series-n5-for-allen-amp-ginter-cigarettes-brands-1889-image348997480.htmlRM2B7P5RM–Alexandrine Ring Parakeet, from the Birds of the Tropics series (N5) for Allen & Ginter Cigarettes Brands, 1889.
Lucnow Taken From the Opposite Bank of the River Goomty from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lucnow-taken-from-the-opposite-bank-of-the-river-goomty-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359437781.htmlRM2BTNPFH–Lucnow Taken From the Opposite Bank of the River Goomty from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Engraved frontispiece of sketch collection with text. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) frontispiece. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraved-frontispiece-of-sketch-collection-with-text-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab301-frontispiece-image227118329.htmlRMR5E3MW–Engraved frontispiece of sketch collection with text. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) frontispiece.
KOONOOR PASS, (COONOOR PASS) NEILGHERRIES from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/koonoor-pass-coonoor-pass-neilgherries-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455166624.htmlRF2HCEHJT–KOONOOR PASS, (COONOOR PASS) NEILGHERRIES from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
Elephant hunt, India, c1840. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elephant-hunt-india-c1840-artist-unknown-image262750644.htmlRMW7D93G–Elephant hunt, India, c1840. Artist: Unknown
A Darbar of Jahangir. Date: early 17th century. Origin: India. Period: Mughal dynasty. Ink, color, and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-darbar-of-jahangir-date-early-17th-century-origin-india-period-mughal-dynasty-ink-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554742451.htmlRM2R6EKJB–A Darbar of Jahangir. Date: early 17th century. Origin: India. Period: Mughal dynasty. Ink, color, and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
The Interior of An Excavated Hindoo Temple, On the Island of Salsette, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-interior-of-an-excavated-hindoo-temple-on-the-island-of-salsette-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391134310.htmlRM2DM9KPE–The Interior of An Excavated Hindoo Temple, On the Island of Salsette, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Juggernaut Car, Madras, 1850s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/juggernaut-car-madras-1850s-image368403098.htmlRM2CBA5WE–Juggernaut Car, Madras, 1850s.
Mausoleum of the Ranee Wife of the Emperor Jehangire Near Allahabad from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mausoleum-of-the-ranee-wife-of-the-emperor-jehangire-near-allahabad-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359438884.htmlRM2BTNRY0–Mausoleum of the Ranee Wife of the Emperor Jehangire Near Allahabad from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
The River Ganges and Patna city. Waterfront ghats. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate X. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-river-ganges-and-patna-city-waterfront-ghats-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab301-plate-x-image226997012.htmlRMR58H04–The River Ganges and Patna city. Waterfront ghats. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate X.
Gate of a Mosque, built by Hafez Ramut, at Pillibeat, 1801 This mosque at Pilibhit was founded by Hafiz Rahmat Khan, the Afghan Rohilla leader whose jagirs or estates included Pilibhit and Bareilly, where he is buried. He became the leader of the Rohilla Afghans in western Avadh, but was killed in a battle against the Nawab of Avadh, assisted by trhe English, in 1774. The gateway is built in late Mughal style, paying homage to the gateways of the Jami' Masjid in Delhi, while the wall around the mosque enclosure shows the curvilinear Bengali roof found in Shah Jahan's additions to the Mughal pa Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gate-of-a-mosque-built-by-hafez-ramut-at-pillibeat-1801-this-mosque-at-pilibhit-was-founded-by-hafiz-rahmat-khan-the-afghan-rohilla-leader-whose-jagirs-or-estates-included-pilibhit-and-bareilly-where-he-is-buried-he-became-the-leader-of-the-rohilla-afghans-in-western-avadh-but-was-killed-in-a-battle-against-the-nawab-of-avadh-assisted-by-trhe-english-in-1774-the-gateway-is-built-in-late-mughal-style-paying-homage-to-the-gateways-of-the-jami-masjid-in-delhi-while-the-wall-around-the-mosque-enclosure-shows-the-curvilinear-bengali-roof-found-in-shah-jahans-additions-to-the-mughal-pa-image433942991.htmlRF2G5YPKY–Gate of a Mosque, built by Hafez Ramut, at Pillibeat, 1801 This mosque at Pilibhit was founded by Hafiz Rahmat Khan, the Afghan Rohilla leader whose jagirs or estates included Pilibhit and Bareilly, where he is buried. He became the leader of the Rohilla Afghans in western Avadh, but was killed in a battle against the Nawab of Avadh, assisted by trhe English, in 1774. The gateway is built in late Mughal style, paying homage to the gateways of the Jami' Masjid in Delhi, while the wall around the mosque enclosure shows the curvilinear Bengali roof found in Shah Jahan's additions to the Mughal pa
'View from Malabar Hill, Bombay', c1920. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-from-malabar-hill-bombay-c1920-artist-unknown-image262787530.htmlRMW7F04X–'View from Malabar Hill, Bombay', c1920. Artist: Unknown.
A princess and a child. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-princess-and-a-child-date-18th-century-origin-india-period-mughal-dynasty-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554750982.htmlRM2R6F2F2–A princess and a child. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Hindoo Temple at Agouree, On the River Soane, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hindoo-temple-at-agouree-on-the-river-soane-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391106961.htmlRM2DM8CWN–Hindoo Temple at Agouree, On the River Soane, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
![[Campbell Twins in a Shigram, Governor General's Camp], 1858-61. Stock Photo](https://c8.alamy.com/comp/2CBA6G8/campbell-twins-in-a-shigram-governor-generals-camp-1858-61-2CBA6G8.jpg "[Campbell Twins in a Shigram, Governor General's Camp], 1858-61. Stock Photo")
[Campbell Twins in a Shigram, Governor General's Camp], 1858-61. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/campbell-twins-in-a-shigram-governor-generals-camp-1858-61-image368403624.htmlRM2CBA6G8–[Campbell Twins in a Shigram, Governor General's Camp], 1858-61.
Jag Deo Warrangur Hill Forts in the Barramahl from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/jag-deo-warrangur-hill-forts-in-the-barramahl-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359431081.htmlRM2BTNE09–Jag Deo Warrangur Hill Forts in the Barramahl from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
Antiquities of India , Engravings of historic sites and places in Hindustan in India. Interior of a temple. . Oriental Scenery. Twenty four views in Hindoostan. London. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) 1795. Source: 10.Tab.30.(3) Plate VI. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/antiquities-of-india-engravings-of-historic-sites-and-places-in-hindustan-in-india-interior-of-a-temple-oriental-scenery-twenty-four-views-in-hindoostan-london-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-1795-source-10tab303-plate-vi-image226861944.htmlRMR52CM8–Antiquities of India , Engravings of historic sites and places in Hindustan in India. Interior of a temple. . Oriental Scenery. Twenty four views in Hindoostan. London. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) 1795. Source: 10.Tab.30.(3) Plate VI.
ABOO’S TOMB, MERAT from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/aboos-tomb-merat-from-the-book-the-oriental-annual-containing-a-series-of-tales-legends-historical-romances-by-thomas-bacon-with-engravings-by-w-and-e-finden-from-sketches-by-the-author-and-captain-meadows-taylor-published-in-london-by-charles-tilt-fleet-street-1840-image455166657.htmlRF2HCEHM1–ABOO’S TOMB, MERAT from the book The Oriental annual; containing a series of tales, legends, & historical romances by Thomas Bacon. with engravings by W. and E. Finden from sketches by the author and Captain Meadows Taylor. Published in LONDON by CHARLES TILT, FLEET STREET 1840.
'Temples on the River, Udaipur', c1900. Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/temples-on-the-river-udaipur-c1900-artist-unknown-image262787500.htmlRMW7F03T–'Temples on the River, Udaipur', c1900. Artist: Unknown.
A sick man surrounded by his family. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-sick-man-surrounded-by-his-family-date-18th-century-origin-india-period-mughal-dynasty-color-and-gold-on-paper-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554747631.htmlRM2R6EX7B–A sick man surrounded by his family. Date: 18th century. Origin: India. Period: Mughal dynasty. Color and gold on paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
An Antient Hindoo Temple, In the Fort of Rotas, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-antient-hindoo-temple-in-the-fort-of-rotas-bahar-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391095791.htmlRM2DM7XJR–An Antient Hindoo Temple, In the Fort of Rotas, Bahar, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Portrait of a Noble in Gauzy White Costume, Folio from the Davis Album, 17th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-noble-in-gauzy-white-costume-folio-from-the-davis-album-17th-century-image374715861.htmlRM2CNHNW9–Portrait of a Noble in Gauzy White Costume, Folio from the Davis Album, 17th century.
Gate of the Tomb of the Emperor Akbar At Secundra Near Agra from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gate-of-the-tomb-of-the-emperor-akbar-at-secundra-near-agra-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359422959.htmlRM2BTN3J7–Gate of the Tomb of the Emperor Akbar At Secundra Near Agra from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
A city on the River Ganges. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate XIV. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-city-on-the-river-ganges-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab301-plate-xiv-image227207322.htmlRMR5J576–A city on the River Ganges. . Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(1) Plate XIV.
![View Taken Of The Esplanade, Calcutta [Kolkata] The Esplanade lies between Fort William to the south, and the town of Calcutta to the north, which are distant about half a mile; Cheringhee on the east, and on the west the river Hoogley, a branch of the Ganges. The Orphan House, with towers at the angles, is seen on the opposite side of the river, which is here three-quarters of a mile wide. Ships of considerable burden come up as high as Calcutta. The Dutch East Indiamen, French and Danes, proceed many miles farther to their respective settlements of Chinsura, Chandernagore, and Serampore. Thi Stock Photo](https://c8.alamy.com/comp/2G5YN3N/view-taken-of-the-esplanade-calcutta-kolkata-the-esplanade-lies-between-fort-william-to-the-south-and-the-town-of-calcutta-to-the-north-which-are-distant-about-half-a-mile-cheringhee-on-the-east-and-on-the-west-the-river-hoogley-a-branch-of-the-ganges-the-orphan-house-with-towers-at-the-angles-is-seen-on-the-opposite-side-of-the-river-which-is-here-three-quarters-of-a-mile-wide-ships-of-considerable-burden-come-up-as-high-as-calcutta-the-dutch-east-indiamen-french-and-danes-proceed-many-miles-farther-to-their-respective-settlements-of-chinsura-chandernagore-and-serampore-thi-2G5YN3N.jpg "View Taken Of The Esplanade, Calcutta [Kolkata] The Esplanade lies between Fort William to the south, and the town of Calcutta to the north, which are distant about half a mile; Cheringhee on the east, and on the west the river Hoogley, a branch of the Ganges. The Orphan House, with towers at the angles, is seen on the opposite side of the river, which is here three-quarters of a mile wide. Ships of considerable burden come up as high as Calcutta. The Dutch East Indiamen, French and Danes, proceed many miles farther to their respective settlements of Chinsura, Chandernagore, and Serampore. Thi Stock Photo")
View Taken Of The Esplanade, Calcutta [Kolkata] The Esplanade lies between Fort William to the south, and the town of Calcutta to the north, which are distant about half a mile; Cheringhee on the east, and on the west the river Hoogley, a branch of the Ganges. The Orphan House, with towers at the angles, is seen on the opposite side of the river, which is here three-quarters of a mile wide. Ships of considerable burden come up as high as Calcutta. The Dutch East Indiamen, French and Danes, proceed many miles farther to their respective settlements of Chinsura, Chandernagore, and Serampore. Thi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-taken-of-the-esplanade-calcutta-kolkata-the-esplanade-lies-between-fort-william-to-the-south-and-the-town-of-calcutta-to-the-north-which-are-distant-about-half-a-mile-cheringhee-on-the-east-and-on-the-west-the-river-hoogley-a-branch-of-the-ganges-the-orphan-house-with-towers-at-the-angles-is-seen-on-the-opposite-side-of-the-river-which-is-here-three-quarters-of-a-mile-wide-ships-of-considerable-burden-come-up-as-high-as-calcutta-the-dutch-east-indiamen-french-and-danes-proceed-many-miles-farther-to-their-respective-settlements-of-chinsura-chandernagore-and-serampore-thi-image433941753.htmlRF2G5YN3N–View Taken Of The Esplanade, Calcutta [Kolkata] The Esplanade lies between Fort William to the south, and the town of Calcutta to the north, which are distant about half a mile; Cheringhee on the east, and on the west the river Hoogley, a branch of the Ganges. The Orphan House, with towers at the angles, is seen on the opposite side of the river, which is here three-quarters of a mile wide. Ships of considerable burden come up as high as Calcutta. The Dutch East Indiamen, French and Danes, proceed many miles farther to their respective settlements of Chinsura, Chandernagore, and Serampore. Thi
The Ordeal Trial, 1792. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-ordeal-trial-1792-artist-unknown-image262745702.htmlRMW7D2R2–The Ordeal Trial, 1792. Artist: Unknown
Kamod Ragini, folio from a Ragamala. Opaque watercolor and gold on paper. Origin: Kota, Rajasthan state, India. Date: ca. 1770-1775. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/kamod-ragini-folio-from-a-ragamala-opaque-watercolor-and-gold-on-paper-origin-kota-rajasthan-state-india-date-ca-1770-1775-museum-freer-gallery-of-art-and-arthur-m-sackler-gallery-image554742046.htmlRM2R6EK3X–Kamod Ragini, folio from a Ragamala. Opaque watercolor and gold on paper. Origin: Kota, Rajasthan state, India. Date: ca. 1770-1775. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.
Mausoleum of the Ranee, Wife of the Emperor Jehangire, Near Allahabad, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mausoleum-of-the-ranee-wife-of-the-emperor-jehangire-near-allahabad-from-oriental-scenery-twenty-four-views-in-hindoostan-thomas-daniell-british-1749-1840-colored-aquatint-on-paper-london-england-1795-1803-print-image391139124.htmlRM2DM9WXC–Mausoleum of the Ranee, Wife of the Emperor Jehangire, Near Allahabad, from 'Oriental Scenery: Twenty Four Views in Hindoostan', Thomas Daniell, British, 1749 - 1840, Colored aquatint on paper, London, England, 1795-1803, Print
Rajpoots, 1870s. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/rajpoots-1870s-image368402875.htmlRM2CBA5HF–Rajpoots, 1870s.
Remains of an Ancient Building Near Firoz Shahs Cotilla Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/remains-of-an-ancient-building-near-firoz-shahs-cotilla-delhi-from-oriental-scenery-twenty-four-views-in-hindoostan-research-in-progress-image359457045.htmlRM2BTPK3H–Remains of an Ancient Building Near Firoz Shahs Cotilla Delhi from Oriental Scenery Twenty Four Views in Hindoostan. Research in Progress
An engraving of the coastline of Hindustan. India. A fort. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(2) Plate VII. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-of-the-coastline-of-hindustan-india-a-fort-oriental-scenery-twenty-four-views-in-hindoostan-london-robt-bowyer-1795-1797-daniell-thomas-1749-1840-oriental-scenery-twenty-four-views-in-hindoostan-drawn-and-engraved-by-thomas-daniell-taken-in-the-years-1789-and-1790-source-10tab302-plate-vii-image226966977.htmlRMR576KD–An engraving of the coastline of Hindustan. India. A fort. Oriental Scenery. Twenty four views in Hindoostan. London : Robt Bowyer, 1795, 1797. Daniell, Thomas, 1749-1840. Oriental Scenery. Twenty four views in Hindoostan drawn and engraved by Thomas Daniell. (Taken in the years 1789 and 1790.) . Source: 10.Tab.30.(2) Plate VII.
View of Mutura, on the river Jumna, 1801 This view of the ancient city of Mathura, one of the seven holy cities of Hinduism, is taken from a garden pavilion on the opposite bank of the river Jumna. Mathura is particularly associated wtih the exploits of the Hindu god Krishna. The principal buildings visible are the fort built by Raja Man Singh of Amber at the beginning of the 17th century, and the Jami Masjid with its four minarets, which was erected 1660-1668 by Aurangzeb's governor 'Abd al-Nabi Khan. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquiti Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/view-of-mutura-on-the-river-jumna-1801-this-view-of-the-ancient-city-of-mathura-one-of-the-seven-holy-cities-of-hinduism-is-taken-from-a-garden-pavilion-on-the-opposite-bank-of-the-river-jumna-mathura-is-particularly-associated-wtih-the-exploits-of-the-hindu-god-krishna-the-principal-buildings-visible-are-the-fort-built-by-raja-man-singh-of-amber-at-the-beginning-of-the-17th-century-and-the-jami-masjid-with-its-four-minarets-which-was-erected-1660-1668-by-aurangzebs-governor-abd-al-nabi-khan-from-the-book-oriental-scenery-one-hundred-and-fifty-views-of-the-architecture-antiquiti-image433943831.htmlRF2G5YRNY–View of Mutura, on the river Jumna, 1801 This view of the ancient city of Mathura, one of the seven holy cities of Hinduism, is taken from a garden pavilion on the opposite bank of the river Jumna. Mathura is particularly associated wtih the exploits of the Hindu god Krishna. The principal buildings visible are the fort built by Raja Man Singh of Amber at the beginning of the 17th century, and the Jami Masjid with its four minarets, which was erected 1660-1668 by Aurangzeb's governor 'Abd al-Nabi Khan. From the book ' Oriental scenery: one hundred and fifty views of the architecture, antiquiti
