A black-nested lamp with a flat round body with a large filling hole at the top, a short, round closed spout with a large fire hole and a horizontally attached, slightly upwardly bending ear., Oil lamp, earthenware, terracotta, 3 x 11, 5 x 7.4 cm, -400 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-black-nested-lamp-with-a-flat-round-body-with-a-large-filling-hole-at-the-top-a-short-round-closed-spout-with-a-large-fire-hole-and-a-horizontally-attached-slightly-upwardly-bending-ear-oil-lamp-earthenware-terracotta-3-x-11-5-x-74-cm-400-image344562495.html
RM2B0G4YB–A black-nested lamp with a flat round body with a large filling hole at the top, a short, round closed spout with a large fire hole and a horizontally attached, slightly upwardly bending ear., Oil lamp, earthenware, terracotta, 3 x 11, 5 x 7.4 cm, -400
Spouted pitcher ca. 1050-800 B.C. Iran This pitcher has a squat, globular body, a flat base, a wide neck and a flaring rim. A small handle connects the rim and neck on one side; on the other a spout rises vertically from the body of the pitcher before extending outward horizontally. The spout is attached to the rim by a small bridge. A drooping point protrudes from the spout where it emerges from the body. The pitcher is made of burnished grey clay and decorated with oblique fluting. It was made on a potter’s wheel, perhaps in two halves, with the spout and handle added later.This pitcher was Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/spouted-pitcher-ca-1050-800-bc-iran-this-pitcher-has-a-squat-globular-body-a-flat-base-a-wide-neck-and-a-flaring-rim-a-small-handle-connects-the-rim-and-neck-on-one-side-on-the-other-a-spout-rises-vertically-from-the-body-of-the-pitcher-before-extending-outward-horizontally-the-spout-is-attached-to-the-rim-by-a-small-bridge-a-drooping-point-protrudes-from-the-spout-where-it-emerges-from-the-body-the-pitcher-is-made-of-burnished-grey-clay-and-decorated-with-oblique-fluting-it-was-made-on-a-potters-wheel-perhaps-in-two-halves-with-the-spout-and-handle-added-laterthis-pitcher-was-image457775685.html
RM2HGNDFH–Spouted pitcher ca. 1050-800 B.C. Iran This pitcher has a squat, globular body, a flat base, a wide neck and a flaring rim. A small handle connects the rim and neck on one side; on the other a spout rises vertically from the body of the pitcher before extending outward horizontally. The spout is attached to the rim by a small bridge. A drooping point protrudes from the spout where it emerges from the body. The pitcher is made of burnished grey clay and decorated with oblique fluting. It was made on a potter’s wheel, perhaps in two halves, with the spout and handle added later.This pitcher was
easel, Anonymous, iron, mahogany, brass, Mahogany easel with two narrow upright uprights at the front that serve as legs. In between a wide upright in the middle, which does not reach the ground. A wide ridge is mounted horizontally on this wide upright on which a painting can stand. At the bottom center of the ledge a brass knob with which a brass clamp is operated, with which the upright with ledge is adjustable in height. The upright has rectangular cutouts on the left and right, where the clamp falls when a certain height is chosen. At the back of the middle post is a metal eye to which a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/easel-anonymous-iron-mahogany-brass-mahogany-easel-with-two-narrow-upright-uprights-at-the-front-that-serve-as-legs-in-between-a-wide-upright-in-the-middle-which-does-not-reach-the-ground-a-wide-ridge-is-mounted-horizontally-on-this-wide-upright-on-which-a-painting-can-stand-at-the-bottom-center-of-the-ledge-a-brass-knob-with-which-a-brass-clamp-is-operated-with-which-the-upright-with-ledge-is-adjustable-in-height-the-upright-has-rectangular-cutouts-on-the-left-and-right-where-the-clamp-falls-when-a-certain-height-is-chosen-at-the-back-of-the-middle-post-is-a-metal-eye-to-which-a-image386388549.html
RM2DCHEF1–easel, Anonymous, iron, mahogany, brass, Mahogany easel with two narrow upright uprights at the front that serve as legs. In between a wide upright in the middle, which does not reach the ground. A wide ridge is mounted horizontally on this wide upright on which a painting can stand. At the bottom center of the ledge a brass knob with which a brass clamp is operated, with which the upright with ledge is adjustable in height. The upright has rectangular cutouts on the left and right, where the clamp falls when a certain height is chosen. At the back of the middle post is a metal eye to which a
3d rendering of three horizontally placed metal chains of different size with strong links. Connection and binding. Strongly chained together. Restric Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-rendering-of-three-horizontally-placed-metal-chains-of-different-size-with-strong-links-connection-and-binding-strongly-chained-together-restric-image329609060.html
RF2A46YM4–3d rendering of three horizontally placed metal chains of different size with strong links. Connection and binding. Strongly chained together. Restric
. The principles of physics. erof oscillation are interchangeable. 68. Center of percussion. Experiment 6. — Suspend the lath by a string attached to one of its extremities, and with a clubstrike it horizontally near itsupper extremity. This end ofthe lath moves in the directionof the stroke (A, Fig. 56), atthe same time causing a suddenjerk on the string, which is feltby the hand. Strike the lathin the same direction, near itslower extremity; the upperend of the lath now moves ina direction opposite to thestroke (B), at the same timecausing a similar jerk of thestring. Next strike the lath su Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-principles-of-physics-erof-oscillation-are-interchangeable-68-center-of-percussion-experiment-6-suspend-the-lath-by-a-string-attached-to-one-of-its-extremities-and-with-a-clubstrike-it-horizontally-near-itsupper-extremity-this-end-ofthe-lath-moves-in-the-directionof-the-stroke-a-fig-56-atthe-same-time-causing-a-suddenjerk-on-the-string-which-is-feltby-the-hand-strike-the-lathin-the-same-direction-near-itslower-extremity-the-upperend-of-the-lath-now-moves-ina-direction-opposite-to-thestroke-b-at-the-same-timecausing-a-similar-jerk-of-thestring-next-strike-the-lath-su-image336765278.html
RM2AFTYFA–. The principles of physics. erof oscillation are interchangeable. 68. Center of percussion. Experiment 6. — Suspend the lath by a string attached to one of its extremities, and with a clubstrike it horizontally near itsupper extremity. This end ofthe lath moves in the directionof the stroke (A, Fig. 56), atthe same time causing a suddenjerk on the string, which is feltby the hand. Strike the lathin the same direction, near itslower extremity; the upperend of the lath now moves ina direction opposite to thestroke (B), at the same timecausing a similar jerk of thestring. Next strike the lath su
easel, Anonymous, iron, mahogany, brass, Mahogany easel with two narrow upright uprights at the front that serve as legs. In between a wide upright in the middle, which does not reach the ground. A wide ridge is mounted horizontally on this wide upright on which a painting can stand. At the bottom center of the ledge a brass knob with which a brass clamp is operated, with which the upright with ledge is adjustable in height. The upright has rectangular cutouts on the left and right, where the clamp falls when a certain height is chosen. At the back of the middle post is a metal eye to which a Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/easel-anonymous-iron-mahogany-brass-mahogany-easel-with-two-narrow-upright-uprights-at-the-front-that-serve-as-legs-in-between-a-wide-upright-in-the-middle-which-does-not-reach-the-ground-a-wide-ridge-is-mounted-horizontally-on-this-wide-upright-on-which-a-painting-can-stand-at-the-bottom-center-of-the-ledge-a-brass-knob-with-which-a-brass-clamp-is-operated-with-which-the-upright-with-ledge-is-adjustable-in-height-the-upright-has-rectangular-cutouts-on-the-left-and-right-where-the-clamp-falls-when-a-certain-height-is-chosen-at-the-back-of-the-middle-post-is-a-metal-eye-to-which-a-image386388649.html
RM2DCHEJH–easel, Anonymous, iron, mahogany, brass, Mahogany easel with two narrow upright uprights at the front that serve as legs. In between a wide upright in the middle, which does not reach the ground. A wide ridge is mounted horizontally on this wide upright on which a painting can stand. At the bottom center of the ledge a brass knob with which a brass clamp is operated, with which the upright with ledge is adjustable in height. The upright has rectangular cutouts on the left and right, where the clamp falls when a certain height is chosen. At the back of the middle post is a metal eye to which a
3d rendering of three horizontally placed polished steel chains of different size with strong links. Connection and binding. Strongly chained together Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-rendering-of-three-horizontally-placed-polished-steel-chains-of-different-size-with-strong-links-connection-and-binding-strongly-chained-together-image329609222.html
RF2A46YWX–3d rendering of three horizontally placed polished steel chains of different size with strong links. Connection and binding. Strongly chained together
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