maid servant, scullery maid, house servant, female servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-maid-servant-scullery-maid-house-servant-female-servant-113379486.html
RMGGCTKA–maid servant, scullery maid, house servant, female servant
A Mexican 'Criada' (House Servant) carrying a large jar Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-mexican-criada-house-servant-carrying-a-large-jar-105390176.html
RMG3CX6T–A Mexican 'Criada' (House Servant) carrying a large jar
The K.K. castle guard, the arcier guard and the castle house servant, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 34.6 × 25 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-kk-castle-guard-the-arcier-guard-and-the-castle-house-servant-calls-to-buy-georg-emanuel-opiz-prague-1775-1841-leipzig-1804-1812-drawing-gouache-pencil-346-25-cm-image573251095.html
RM2T8HRHB–The K.K. castle guard, the arcier guard and the castle house servant, calls to buy, Georg Emanuel Opiz, Prague 1775 - 1841 Leipzig, 1804-1812, drawing, gouache, pencil, 34.6 × 25 cm
c.1880s India - Indian servant - house maid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-c1880s-india-indian-servant-house-maid-177382615.html
RMM8GD9B–c.1880s India - Indian servant - house maid
An engraving depicting the lady of the house giving her servant a spoon of medicine. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-engraving-depicting-the-lady-of-the-house-giving-her-servant-a-spoon-of-medicine-dated-19th-century-image235029556.html
RMRJAEGM–An engraving depicting the lady of the house giving her servant a spoon of medicine. Dated 19th century
House servant to the king in livery, reign of Henri III of France. Handcoloured lithograph . after a portrait in Roger de Gaignieres' gallery portfolio IX 134 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/house-servant-to-the-king-in-livery-reign-of-henri-iii-of-france-handcoloured-lithograph-after-a-portrait-in-roger-de-gaignieres-gallery-portfolio-ix-134-from-le-bibliophile-jacob-aka-paul-lacroixs-costumes-historiques-de-la-france-historical-costumes-of-france-administration-de-librairie-paris-1852-image359070655.html
RM2BT527Y–House servant to the king in livery, reign of Henri III of France. Handcoloured lithograph . after a portrait in Roger de Gaignieres' gallery portfolio IX 134 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
Inside and patio of a Roman house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inside-and-patio-of-a-roman-house-image835380.html
RMACBF34–Inside and patio of a Roman house
House servant to the king in livery, reign of Henri III of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 134 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-house-servant-to-the-king-in-livery-reign-of-henri-iii-of-france-handcoloured-175160059.html
RMM4Y6CB–House servant to the king in livery, reign of Henri III of France. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio IX 134 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.
A house servant, dressed in an early 20th century put out an Open Entry sign for visitors at the entrance to the Palace House, the residence of Lord M Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-house-servant-dressed-in-an-early-20th-century-put-out-an-open-entry-42030001.html
RMCCAHKD–A house servant, dressed in an early 20th century put out an Open Entry sign for visitors at the entrance to the Palace House, the residence of Lord M
high angle view of the woman coming don the stairs in an old house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-high-angle-view-of-the-woman-coming-don-the-stairs-in-an-old-house-100659591.html
RMFRNC9B–high angle view of the woman coming don the stairs in an old house
A house servant Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-house-servant-image444452802.html
RF2GR2G2A–A house servant
Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caroline-herschel-aged-92-stipple-engraving-by-joseph-brown-caroline-lucretia-herschel-march-16-1750-january-9-1848-was-a-german-astronomer-at-the-age-of-ten-caroline-was-struck-with-typhus-and-suffered-vision-loss-in-her-left-eye-as-a-result-of-her-illness-her-mother-felt-it-was-best-for-her-to-train-to-be-a-house-servant-rather-than-becoming-educated-in-accordance-with-her-fathers-wishes-image246624464.html
RMT96M0G–Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes.
Early 1900's studio portrait of pretty parlour maid by Atkinson of Marygate, Wakefield, U.K.circa 1906 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/early-1900s-studio-portrait-of-pretty-parlour-maid-by-atkinson-of-marygate-wakefield-ukcirca-1906-image370581239.html
RM2CEWC47–Early 1900's studio portrait of pretty parlour maid by Atkinson of Marygate, Wakefield, U.K.circa 1906
. Joshua Johnson was one of the first professional African-American artists. The artist was a Freeman, or freed slave, who may have earned his freedom through the sale of his art. The names 'Joshua Johnston' or 'Johnston” appear in Baltimore directories from 1796-1824, where he is identified as a 'portrait painter.' Little is known conclusively about Johnson since according to Census records he moved frequently throughout Baltimore. Scholar J. Hall Pleasants surmises that Johnson was probably once a slave, or a house servant of a portrait painter. Johnson's style contrasts with that of his co Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/joshua-johnson-was-one-of-the-first-professional-african-american-artists-the-artist-was-a-freeman-or-freed-slave-who-may-have-earned-his-freedom-through-the-sale-of-his-art-the-names-joshua-johnston-or-johnston-appear-in-baltimore-directories-from-1796-1824-where-he-is-identified-as-a-portrait-painter-little-is-known-conclusively-about-johnson-since-according-to-census-records-he-moved-frequently-throughout-baltimore-scholar-j-hall-pleasants-surmises-that-johnson-was-probably-once-a-slave-or-a-house-servant-of-a-portrait-painter-johnsons-style-contrasts-with-that-of-his-co-image206771931.html
RMP0B7KR–. Joshua Johnson was one of the first professional African-American artists. The artist was a Freeman, or freed slave, who may have earned his freedom through the sale of his art. The names 'Joshua Johnston' or 'Johnston” appear in Baltimore directories from 1796-1824, where he is identified as a 'portrait painter.' Little is known conclusively about Johnson since according to Census records he moved frequently throughout Baltimore. Scholar J. Hall Pleasants surmises that Johnson was probably once a slave, or a house servant of a portrait painter. Johnson's style contrasts with that of his co
Vintage photograph of a house servant in the 1870s Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vintage-photograph-of-a-house-servant-in-the-1870s-143453817.html
RMJ9ATPH–Vintage photograph of a house servant in the 1870s
Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servant-bells-at-speke-hall-grade-i-listed-national-trust-tudor-manor-house-liverpool-england-uk-image604530202.html
RM2X3EMCA–Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK.
Toronto Mackenzie House servant room Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-toronto-mackenzie-house-servant-room-134240254.html
RMHPB4PP–Toronto Mackenzie House servant room
Woman house servant, Chinatown, San Francisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-image330874732.html
RM2A68J2M–Woman house servant, Chinatown, San Francisco
SCENES ROBOT ACTS AS HOUSE SERVANT VIENNA 6 JANUARY 1961 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scenes-robot-acts-as-house-servant-vienna-6-january-1961-image623271747.html
RM2Y60DD7–SCENES ROBOT ACTS AS HOUSE SERVANT VIENNA 6 JANUARY 1961
Engraving of a domestic servant preparing food for the master of the house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-a-domestic-servant-preparing-food-for-the-master-of-the-house-image389768350.html
RM2DJ3DE6–Engraving of a domestic servant preparing food for the master of the house
c.1880s India - Indian servant - house maid Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/c1880s-india-indian-servant-house-maid-image485668225.html
RM2K642NN–c.1880s India - Indian servant - house maid
THE TONKIN EXPEDITION, NOTES AT SAIGON, THE CAPITAL OF THE FRENCH COLONY OF LOWER COCHIN CHINA: 1. An Annamese House Servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-tonkin-expedition-notes-at-saigon-the-capital-of-the-french-colony-77355687.html
RMEDRRY3–THE TONKIN EXPEDITION, NOTES AT SAIGON, THE CAPITAL OF THE FRENCH COLONY OF LOWER COCHIN CHINA: 1. An Annamese House Servant
Lord and Lady Palmer their butler and Manderston House their home Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lord-and-lady-palmer-their-butler-and-manderston-house-their-home-20930979.html
RMB61DJY–Lord and Lady Palmer their butler and Manderston House their home
Illustration depicting a domestic servant with the woman of the house. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-depicting-a-domestic-servant-with-the-woman-of-the-house-dated-19th-century-image481816580.html
RM2JYTHY0–Illustration depicting a domestic servant with the woman of the house. Dated 19th Century
The bells, the bells. Servant bells in the kitchen at Palace House, Beaulieu, Hampshire, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bells-the-bells-servant-bells-in-the-kitchen-at-palace-house-beaulieu-hampshire-uk-image553289369.html
RF2R44E6H–The bells, the bells. Servant bells in the kitchen at Palace House, Beaulieu, Hampshire, UK
CARLTON HOUSE,London. The Grand staircase in 1819. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/carlton-houselondon-the-grand-staircase-in-1819-image178061257.html
RMM9KAXH–CARLTON HOUSE,London. The Grand staircase in 1819.
Actors playing historic staff and servant roles at Audley End House, Essex, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-playing-historic-staff-and-servant-roles-at-audley-end-house-essex-uk-image341741262.html
RM2ARYJD2–Actors playing historic staff and servant roles at Audley End House, Essex, UK
1860's Japan - portrait of a samurai group being served by a tea house servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1860s-japan-portrait-of-a-samurai-group-being-served-by-a-tea-house-174088935.html
RMM36C5Y–1860's Japan - portrait of a samurai group being served by a tea house servant
(left to right) Michael Mulholland, Regional Organiser for the GMB in Northern Ireland, Barry Reid, steelworker, Joe Passmore Unite shop steward, and Susan Fitzgerald regional organiser for Unite after delivering a letter from steelworkers to a senior civil servant at Stormont House in Belfast. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/left-to-right-michael-mulholland-regional-organiser-for-the-gmb-in-northern-ireland-barry-reid-steelworker-joe-passmore-unite-shop-steward-and-susan-fitzgerald-regional-organiser-for-unite-after-delivering-a-letter-from-steelworkers-to-a-senior-civil-servant-at-stormont-house-in-belfast-image261970055.html
RMW65NDB–(left to right) Michael Mulholland, Regional Organiser for the GMB in Northern Ireland, Barry Reid, steelworker, Joe Passmore Unite shop steward, and Susan Fitzgerald regional organiser for Unite after delivering a letter from steelworkers to a senior civil servant at Stormont House in Belfast.
VICTORY JORY as Jonas Wilkerson BARBARA O'NEIL as Ellen O'Hara and OSCAR POLK as Pork the House Servant at Tara in GONE WITH THE WIND 1939 director Victor Fleming novel Margaret Mitchell producer David O. Selznick Selznick International Pictures / Metro Goldwyn Mayer Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victory-jory-as-jonas-wilkerson-barbara-oneil-as-ellen-ohara-and-oscar-polk-as-pork-the-house-servant-at-tara-in-gone-with-the-wind-1939-director-victor-fleming-novel-margaret-mitchell-producer-david-o-selznick-selznick-international-pictures-metro-goldwyn-mayer-image331569207.html
RM2A7C7WB–VICTORY JORY as Jonas Wilkerson BARBARA O'NEIL as Ellen O'Hara and OSCAR POLK as Pork the House Servant at Tara in GONE WITH THE WIND 1939 director Victor Fleming novel Margaret Mitchell producer David O. Selznick Selznick International Pictures / Metro Goldwyn Mayer
Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caroline-herschel-aged-92-stipple-engraving-by-joseph-brown-caroline-lucretia-herschel-march-16-1750-january-9-1848-was-a-german-astronomer-at-the-age-of-ten-caroline-was-struck-with-typhus-and-suffered-vision-loss-in-her-left-eye-as-a-result-of-her-illness-her-mother-felt-it-was-best-for-her-to-train-to-be-a-house-servant-rather-than-becoming-educated-in-accordance-with-her-fathers-wishes-image246625063.html
RMT96MNY–Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes.
Art inspired by Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable, Harry Stephens was a former house servant of Alexander Hamilton Stephens, vice-president of the Confederacy and, after the war, U.S. senator, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-summer-scene-1866-albumen-silver-print-from-glass-negative-image-57-x-92-cm-2-14-x-3-58-in-photographs-g-gable-harry-stephens-was-a-former-house-servant-of-alexander-hamilton-stephens-vice-president-of-the-confederacy-and-after-the-war-us-senator-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462793142.html
RF2HTX1AE–Art inspired by Summer Scene, 1866, Albumen silver print from glass negative, Image: 5.7 x 9.2 cm (2 1/4 x 3 5/8 in.), Photographs, G. Gable, Harry Stephens was a former house servant of Alexander Hamilton Stephens, vice-president of the Confederacy and, after the war, U.S. senator, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Portrait of 'Uncle Alfred'. The painting depicts 'Uncle Alfred,' who was a house servant at The Hermitage and lived there until 1901. Uncle Alfred had been born a slave at The Hermitage, and spent his entire life on the property. He was the first tour guide of the house after the Jacksons departed, and he was later buried at The Hermitage, where his grave can be seen today. The portrait of him seated, with a cane, was purchased from a descendant for $25 in about 1960. From a private collection. Image courtesy of the Tennessee Portrait Project. . between circa 1885 and circa 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-portrait-of-uncle-alfred-the-painting-depicts-uncle-alfred-who-was-a-house-servant-at-the-hermitage-and-lived-there-until-1901-uncle-alfred-had-been-born-a-slave-at-the-hermitage-and-spent-his-entire-life-on-the-property-he-was-the-first-tour-guide-of-the-house-after-the-jacksons-departed-and-he-was-later-buried-at-the-hermitage-where-his-grave-can-be-seen-today-the-portrait-of-him-seated-with-a-cane-was-purchased-from-a-descendant-for-25-in-about-1960-from-a-private-collection-image-courtesy-of-the-tennessee-portrait-project-between-circa-1885-and-circa-1890-image185744504.html
RMMP5B08–. English: Portrait of 'Uncle Alfred'. The painting depicts 'Uncle Alfred,' who was a house servant at The Hermitage and lived there until 1901. Uncle Alfred had been born a slave at The Hermitage, and spent his entire life on the property. He was the first tour guide of the house after the Jacksons departed, and he was later buried at The Hermitage, where his grave can be seen today. The portrait of him seated, with a cane, was purchased from a descendant for $25 in about 1960. From a private collection. Image courtesy of the Tennessee Portrait Project. . between circa 1885 and circa 1890.
Circa 1880s cabinet card photograph, house maid in Taunton, Massachusetts. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-circa-1880s-cabinet-card-photograph-house-maid-in-taunton-massachusetts-49253052.html
RMCT3JNG–Circa 1880s cabinet card photograph, house maid in Taunton, Massachusetts.
Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servant-bells-at-speke-hall-grade-i-listed-national-trust-tudor-manor-house-liverpool-england-uk-image604530207.html
RM2X3EMCF–Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK.
Servant showing a bouquet of flowers to the lady of the house 1800s. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-servant-showing-a-bouquet-of-flowers-to-the-lady-of-the-house-1800s-21568715.html
RMB72F37–Servant showing a bouquet of flowers to the lady of the house 1800s. Hand-colored woodcut
Woman house servant, Chinatown, San Francisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-image330874716.html
RM2A68J24–Woman house servant, Chinatown, San Francisco
Servant kept prisoner in house by mistress for thirteen years . Allegations that a young woman was kept by her mistress practically in solitary confinement in a lumber room of a London house for thirteen years and treated as a slave were made and denied in a remarkable lawsuit at the London Law Courts . The woman , Miss Sarah Laura Turner , sued Miss Emma Torr Smith of Oak Lawn , Beulah Hill , Upper Norwood , claiming damages for imprisonment and assault . Miss Sarah Turner attempting to evade photographers by covering herself with a large umbrella , as she left her solicitors in London . 2 Fe Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servant-kept-prisoner-in-house-by-mistress-for-thirteen-years-allegations-that-a-young-woman-was-kept-by-her-mistress-practically-in-solitary-confinement-in-a-lumber-room-of-a-london-house-for-thirteen-years-and-treated-as-a-slave-were-made-and-denied-in-a-remarkable-lawsuit-at-the-london-law-courts-the-woman-miss-sarah-laura-turner-sued-miss-emma-torr-smith-of-oak-lawn-beulah-hill-upper-norwood-claiming-damages-for-imprisonment-and-assault-miss-sarah-turner-attempting-to-evade-photographers-by-covering-herself-with-a-large-umbrella-as-she-left-her-solicitors-in-london-2-fe-image359641871.html
RM2BW32TF–Servant kept prisoner in house by mistress for thirteen years . Allegations that a young woman was kept by her mistress practically in solitary confinement in a lumber room of a London house for thirteen years and treated as a slave were made and denied in a remarkable lawsuit at the London Law Courts . The woman , Miss Sarah Laura Turner , sued Miss Emma Torr Smith of Oak Lawn , Beulah Hill , Upper Norwood , claiming damages for imprisonment and assault . Miss Sarah Turner attempting to evade photographers by covering herself with a large umbrella , as she left her solicitors in London . 2 Fe
Engraving of a domestic servant preparing food for the master of the house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-a-domestic-servant-preparing-food-for-the-master-of-the-house-image389768383.html
RM2DJ3DFB–Engraving of a domestic servant preparing food for the master of the house
1860's Japan - portrait of a samurai group being served by a tea house servant Felice or Felix Beato (1832 - 29 January 1909), Italian-British photographer working mostly in India, Japan, China Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1860s-japan-portrait-of-a-samurai-group-being-served-by-a-tea-house-servant-felice-or-felix-beato-1832-29-january-1909-italian-british-photographer-working-mostly-in-india-japan-china-image560809719.html
RM2RGB2EF–1860's Japan - portrait of a samurai group being served by a tea house servant Felice or Felix Beato (1832 - 29 January 1909), Italian-British photographer working mostly in India, Japan, China
Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-charivari-les-beaux-jours-de-la-vie-ca-1845-1850-no-68-un-habit-la-mod-cartoon-on-mens-fashion-of-1845-1850-a-tailor-or-salesman-is-praising-a-jacket-in-which-the-man-however-according-to-the-caption-could-pass-for-his-house-servant-opening-the-door-print-maker-honor-daumier-possibly-publisher-aubert-cie-mentioned-on-object-printer-aubert-cie-mentioned-on-object-paris-c-1845-c-1850-paper-height-309-mm-width-246-mm-image473261358.html
RM2JDXWKA–Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm
Victorian Carte de Visite of Victorian Parlour Maid, Victorian servant, carrying a tray, with a teacup on it, William Hull studio, Upper Clapton, London, dated Sept.1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/victorian-carte-de-visite-of-victorian-parlour-maid-victorian-servant-carrying-a-tray-with-a-teacup-on-it-william-hull-studio-upper-clapton-london-dated-sept1894-image234765368.html
RMRHXDHC–Victorian Carte de Visite of Victorian Parlour Maid, Victorian servant, carrying a tray, with a teacup on it, William Hull studio, Upper Clapton, London, dated Sept.1894
Illustration depicting a servant taking down instructions from the lady of the house. Dated 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-depicting-a-servant-taking-down-instructions-from-the-lady-of-the-house-dated-19th-century-image186318692.html
RMMR3FB0–Illustration depicting a servant taking down instructions from the lady of the house. Dated 19th century
The bells, the bells. Servant bells in the kitchen at Palace House, Beaulieu, Hampshire, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bells-the-bells-servant-bells-in-the-kitchen-at-palace-house-beaulieu-hampshire-uk-image553289366.html
RF2R44E6E–The bells, the bells. Servant bells in the kitchen at Palace House, Beaulieu, Hampshire, UK
Reconstruction of servants' quarters in basement of Dr. Samuel Johnson's house in Lichfield, Staffordshire, England, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/reconstruction-of-servants-quarters-in-basement-of-dr-samuel-johnsons-house-in-lichfield-staffordshire-england-uk-image467026239.html
RM2J3PTMF–Reconstruction of servants' quarters in basement of Dr. Samuel Johnson's house in Lichfield, Staffordshire, England, UK
Thailand: A young prince is attended by a servant during the reign of King Mongkut (1851—1868), John Thomson. Rama IV, known in foreign countries as King Mongkut (1804 –68), was the fourth monarch of Siam under the House of Chakri, and ruled from 1851 to his death in 1868. He was one of the most revered monarchs of the country. Outside of Thailand, he is best-known as the King in the 1951 play and 1956 film The King and I. During his reign, the pressure of Western expansionism was felt for the first time in Siam. Mongkut embraced Western innovations and initiated the modernisation of Siam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thailand-a-young-prince-is-attended-by-a-servant-during-the-reign-of-king-mongkut-18511868-john-thomson-rama-iv-known-in-foreign-countries-as-king-mongkut-1804-68-was-the-fourth-monarch-of-siam-under-the-house-of-chakri-and-ruled-from-1851-to-his-death-in-1868-he-was-one-of-the-most-revered-monarchs-of-the-country-outside-of-thailand-he-is-best-known-as-the-king-in-the-1951-play-and-1956-film-the-king-and-i-during-his-reign-the-pressure-of-western-expansionism-was-felt-for-the-first-time-in-siam-mongkut-embraced-western-innovations-and-initiated-the-modernisation-of-siam-image344230485.html
RM2B011DW–Thailand: A young prince is attended by a servant during the reign of King Mongkut (1851—1868), John Thomson. Rama IV, known in foreign countries as King Mongkut (1804 –68), was the fourth monarch of Siam under the House of Chakri, and ruled from 1851 to his death in 1868. He was one of the most revered monarchs of the country. Outside of Thailand, he is best-known as the King in the 1951 play and 1956 film The King and I. During his reign, the pressure of Western expansionism was felt for the first time in Siam. Mongkut embraced Western innovations and initiated the modernisation of Siam.
bedroom of maid or house servant from the early 20th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bedroom-of-maid-or-house-servant-from-the-early-20th-century-57988023.html
RMDA9G8R–bedroom of maid or house servant from the early 20th century
The house of John Milton in the Barbican, London, England, seen here in the 19th century, the house was demolished in 1864. John Milton, 1608 –1674. English poet, polemicist, man of letters, and civil servant. From London Pictures, published 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-house-of-john-milton-in-the-barbican-london-england-seen-here-in-the-19th-century-the-house-was-demolished-in-1864-john-milton-1608-1674-english-poet-polemicist-man-of-letters-and-civil-servant-from-london-pictures-published-1890-image243756461.html
RMT4G1RW–The house of John Milton in the Barbican, London, England, seen here in the 19th century, the house was demolished in 1864. John Milton, 1608 –1674. English poet, polemicist, man of letters, and civil servant. From London Pictures, published 1890
Feb. 24, 2012 - A liveried servant brings the daily newspapers to the President as he relaxes on the terrace of the Presidential Palace in New Delhi. Interview with India's President. The rarely photographed President of India granted a photographic interview to Keystone's photographer Horace Abrahams at the Rashtrapati Bhavan (White House), formerly the Viceregal Palace in New Delhi, and now the official residence of the President of India. Greatly loved and respected, the President, the Hon. Dr. Rajendra Prasad, M.A. M.L., LL.D. was born 1884 and has been President of his country since 1950 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/feb-24-2012-a-liveried-servant-brings-the-daily-newspapers-to-the-image69517108.html
RME12NNT–Feb. 24, 2012 - A liveried servant brings the daily newspapers to the President as he relaxes on the terrace of the Presidential Palace in New Delhi. Interview with India's President. The rarely photographed President of India granted a photographic interview to Keystone's photographer Horace Abrahams at the Rashtrapati Bhavan (White House), formerly the Viceregal Palace in New Delhi, and now the official residence of the President of India. Greatly loved and respected, the President, the Hon. Dr. Rajendra Prasad, M.A. M.L., LL.D. was born 1884 and has been President of his country since 1950
Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/caroline-herschel-aged-92-stipple-engraving-by-joseph-brown-caroline-lucretia-herschel-march-16-1750-january-9-1848-was-a-german-astronomer-at-the-age-of-ten-caroline-was-struck-with-typhus-and-suffered-vision-loss-in-her-left-eye-as-a-result-of-her-illness-her-mother-felt-it-was-best-for-her-to-train-to-be-a-house-servant-rather-than-becoming-educated-in-accordance-with-her-fathers-wishes-image246624458.html
RMT96M0A–Caroline Herschel, aged 92. Stipple engraving by Joseph Brown. Caroline Lucretia Herschel (March 16, 1750 - January 9, 1848) was a German astronomer. At the age of ten, Caroline was struck with typhus and suffered vision loss in her left eye as a result of her illness. Her mother felt it was best for her to train to be a house servant rather than becoming educated in accordance with her father's wishes.
Inspired by Residential house, A residential house with garden. In front of the house are some European children and an Indian servant. Part of the photo album presented to J.M. Pijnacker Hordijk upon his departure from Yogyakarta in 1886., Kassian Céphas, Jogjakarta, 1886, albumen print, height 150, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-residential-house-a-residential-house-with-garden-in-front-of-the-house-are-some-european-children-and-an-indian-servant-part-of-the-photo-album-presented-to-jm-pijnacker-hordijk-upon-his-departure-from-yogyakarta-in-1886-kassian-cphas-jogjakarta-1886-albumen-print-height-150-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459397698.html
RF2HKBACJ–Inspired by Residential house, A residential house with garden. In front of the house are some European children and an Indian servant. Part of the photo album presented to J.M. Pijnacker Hordijk upon his departure from Yogyakarta in 1886., Kassian Céphas, Jogjakarta, 1886, albumen print, height 150, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vivien Leigh & Hattie Mcdaniel Film: Gone With The Wind (USA 1939) Characters: Scarlett O'Hara - Their Daughter, Mammy - O'Hara House Servant Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Com Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vivien-leigh-hattie-mcdaniel-film-gone-with-the-wind-usa-1939-characters-scarlett-ohara-their-daughter-mammy-ohara-house-servant-director-victor-fleming-15-december-1939-warning-this-photograph-is-for-editorial-use-only-and-is-the-copyright-of-mgm-andor-the-photographer-assigned-by-the-film-or-production-company-and-can-only-be-reproduced-by-publications-in-conjunction-with-the-promotion-of-the-above-film-a-mandatory-credit-to-mgm-is-required-the-photographer-should-also-be-credited-when-known-no-commercial-use-can-be-granted-without-written-authority-from-the-film-com-image486863741.html
RM2K82FJN–Vivien Leigh & Hattie Mcdaniel Film: Gone With The Wind (USA 1939) Characters: Scarlett O'Hara - Their Daughter, Mammy - O'Hara House Servant Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the Film Com
Servants from a wealthy Hittite house. Photo from the mid-20th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servants-from-a-wealthy-hittite-house-photo-from-the-mid-20th-century-image604647537.html
RM2X3M22W–Servants from a wealthy Hittite house. Photo from the mid-20th century.
Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/servant-bells-at-speke-hall-grade-i-listed-national-trust-tudor-manor-house-liverpool-england-uk-image604530194.html
RM2X3EMC2–Servant bells at Speke Hall, Grade I listed National Trust Tudor manor house, Liverpool, England, UK.
Plantation house in Georgia. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plantation-house-in-georgia-hand-colored-woodcut-image4071221.html
RMA9YY36–Plantation house in Georgia. Hand-colored woodcut
Woman house servant, Chinatown, San Francisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-image330874738.html
RM2A68J2X–Woman house servant, Chinatown, San Francisco
Viennese scenes and popular employment ', sheet 41:' Une fruitere de la Ville, et une venduse des limaçons, un valet de cuisine et une servante á vienne. / The Stadt öbstlerin, a Schnekenweib, along with a house servant and a maid in Vienna. ' (1760-1835), publishing house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/viennese-scenes-and-popular-employment-sheet-41-une-fruitere-de-la-ville-et-une-venduse-des-limaons-un-valet-de-cuisine-et-une-servante-vienne-the-stadt-bstlerin-a-schnekenweib-along-with-a-house-servant-and-a-maid-in-vienna-1760-1835-publishing-house-image471126843.html
RM2JADK2K–Viennese scenes and popular employment ', sheet 41:' Une fruitere de la Ville, et une venduse des limaçons, un valet de cuisine et une servante á vienne. / The Stadt öbstlerin, a Schnekenweib, along with a house servant and a maid in Vienna. ' (1760-1835), publishing house
Camille Pissaro French school The Little Country Maid - Domestic interior with young girl sweeping the floor beneath a dining table with a broom. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/camille-pissaro-french-school-the-little-country-maid-domestic-interior-with-young-girl-sweeping-the-floor-beneath-a-dining-table-with-a-broom-image257303077.html
RMTXH4KH–Camille Pissaro French school The Little Country Maid - Domestic interior with young girl sweeping the floor beneath a dining table with a broom.
Girl with nanny, nurse or servant outside a house. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/girl-with-nanny-nurse-or-servant-outside-a-house-image504849103.html
RM2M99T53–Girl with nanny, nurse or servant outside a house.
Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-charivari-les-beaux-jours-de-la-vie-ca-1845-1850-no-68-un-habit-la-mod-cartoon-on-mens-fashion-of-1845-1850-a-tailor-or-salesman-is-praising-a-jacket-in-which-the-man-however-according-to-the-caption-could-pass-for-his-house-servant-opening-the-door-print-maker-honor-daumier-possibly-publisher-aubert-cie-mentioned-on-object-printer-aubert-cie-mentioned-on-object-paris-c-1845-c-1850-paper-height-309-mm-width-246-mm-image473332202.html
RM2JE241E–Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm
Original typical charming Victorian 1890's cabinet card of young children on a donkey and a pony outside a country house with the parlour maids, Victorian maids, Victorian servants, Worksop, Nottinghamshire, England, U.K. circa 1894 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-typical-charming-victorian-1890s-cabinet-card-of-young-children-on-a-donkey-and-a-pony-outside-a-country-house-with-the-parlour-maids-victorian-maids-victorian-servants-worksop-nottinghamshire-england-uk-circa-1894-image381947127.html
RM2D5B5CR–Original typical charming Victorian 1890's cabinet card of young children on a donkey and a pony outside a country house with the parlour maids, Victorian maids, Victorian servants, Worksop, Nottinghamshire, England, U.K. circa 1894
Portrait of a Venetian Family with a Manservant Serving Coffee by Pietro longhi (1702-1785) oil on canvas, c1752. In his paintings, Longhi usually poked gentle fun at the everyday activities of the Venetian elite. This is not, however the case here. It is simply a portrait of a family drinking coffee, with the lady of the house taking centre stage. The conspicuous inclusion of the servant is noteworthy. He must have been a valued member of the household. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-venetian-family-with-a-manservant-serving-coffee-by-image68542474.html
RMDYEAHE–Portrait of a Venetian Family with a Manservant Serving Coffee by Pietro longhi (1702-1785) oil on canvas, c1752. In his paintings, Longhi usually poked gentle fun at the everyday activities of the Venetian elite. This is not, however the case here. It is simply a portrait of a family drinking coffee, with the lady of the house taking centre stage. The conspicuous inclusion of the servant is noteworthy. He must have been a valued member of the household.
Spanish Literature. 'The Ingenious Gentleman Don Quixote of La Mancha' (El Ingenioso hidalgo Don Quijote de La Mancha) by Miguel de Cervantes Saavedra (1547-1616). Don Quixote at the Dukes' house. The story of Sancho Panza. Engraving by Tomás Carlos Capuz (1834-1899) after a painting by Germán Gómez y Niederleytner (1847-1895) signed in 1883. La Ilustración Española y Americana (The Spanish and American Illustration), April 22, 1884. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/spanish-literature-the-ingenious-gentleman-don-quixote-of-la-mancha-el-ingenioso-hidalgo-don-quijote-de-la-mancha-by-miguel-de-cervantes-saavedra-1547-1616-don-quixote-at-the-dukes-house-the-story-of-sancho-panza-engraving-by-toms-carlos-capuz-1834-1899-after-a-painting-by-germn-gmez-y-niederleytner-1847-1895-signed-in-1883-la-ilustracin-espaola-y-americana-the-spanish-and-american-illustration-april-22-1884-image623861137.html
RM2Y6Y96W–Spanish Literature. 'The Ingenious Gentleman Don Quixote of La Mancha' (El Ingenioso hidalgo Don Quijote de La Mancha) by Miguel de Cervantes Saavedra (1547-1616). Don Quixote at the Dukes' house. The story of Sancho Panza. Engraving by Tomás Carlos Capuz (1834-1899) after a painting by Germán Gómez y Niederleytner (1847-1895) signed in 1883. La Ilustración Española y Americana (The Spanish and American Illustration), April 22, 1884.
A family group poses with dog, Indian domestic and young children outside a log cabin in New Mexico Territory. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-family-group-poses-with-dog-indian-domestic-and-young-children-outside-105249097.html
RMG36E89–A family group poses with dog, Indian domestic and young children outside a log cabin in New Mexico Territory.
Visit to a New Mother, by Moritz Calisch, 1835. Dutch painting, oil on canvas. Mother and father with new baby sitting with a visiting woman. The painting features rich detail of a comfortable home including a clock and a house servant. (BSLOC 2016 1 81) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-visit-to-a-new-mother-by-moritz-calisch-1835-dutch-painting-oil-on-115904904.html
RMGMFWTT–Visit to a New Mother, by Moritz Calisch, 1835. Dutch painting, oil on canvas. Mother and father with new baby sitting with a visiting woman. The painting features rich detail of a comfortable home including a clock and a house servant. (BSLOC 2016 1 81)
Thune Chin Sin, a Chinese house servant and errand boy, holding feather duster at main entrance to Dom Smith, Vladivostok, Russia, 1899. In: Photograph album of Pray family expatriate life in Vladivostok, Russia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thune-chin-sin-a-chinese-house-servant-and-errand-boy-holding-feather-duster-at-main-entrance-to-dom-smith-vladivostok-russia-1899-in-photograph-album-of-pray-family-expatriate-life-in-vladivostok-russia-image595009384.html
RM2WG10F4–Thune Chin Sin, a Chinese house servant and errand boy, holding feather duster at main entrance to Dom Smith, Vladivostok, Russia, 1899. In: Photograph album of Pray family expatriate life in Vladivostok, Russia.
Thailand: Dressed in a gold embroidered robe, a prince is attended by a servant during the reign of King Mongkut (1851-1868). Rama IV, known in foreign countries as King Mongkut (1804-1868), was the fourth monarch of Siam under the House of Chakri, and ruled from 1851 to his death in 1868. He was one of the most revered monarchs of the country. Outside of Thailand, he is best-known as the King in the 1951 play and 1956 film The King and I. During his reign, the pressure of Western expansionism was felt for the first time in Siam. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/thailand-dressed-in-a-gold-embroidered-robe-a-prince-is-attended-by-a-servant-during-the-reign-of-king-mongkut-1851-1868-rama-iv-known-in-foreign-countries-as-king-mongkut-1804-1868-was-the-fourth-monarch-of-siam-under-the-house-of-chakri-and-ruled-from-1851-to-his-death-in-1868-he-was-one-of-the-most-revered-monarchs-of-the-country-outside-of-thailand-he-is-best-known-as-the-king-in-the-1951-play-and-1956-film-the-king-and-i-during-his-reign-the-pressure-of-western-expansionism-was-felt-for-the-first-time-in-siam-image344230497.html
RM2B011E9–Thailand: Dressed in a gold embroidered robe, a prince is attended by a servant during the reign of King Mongkut (1851-1868). Rama IV, known in foreign countries as King Mongkut (1804-1868), was the fourth monarch of Siam under the House of Chakri, and ruled from 1851 to his death in 1868. He was one of the most revered monarchs of the country. Outside of Thailand, he is best-known as the King in the 1951 play and 1956 film The King and I. During his reign, the pressure of Western expansionism was felt for the first time in Siam.
Woman house servant, Chinatown, San Francisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-image590583439.html
RM2W8RB5K–Woman house servant, Chinatown, San Francisco
Charleston slave badge from 1800 for House Servant No. 354 1800 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/charleston-slave-badge-from-1800-for-house-servant-no-354-1800-image567275934.html
RM2RXWJ6P–Charleston slave badge from 1800 for House Servant No. 354 1800
Inspired by Residential house, Two men sitting on the veranda of a residential house. In the foreground an Indian servant with a horse. Part of the photo album presented to J.M. Pijnacker Hordijk on his departure from Yogyakarta in 1886., Kassian Céphas, Jogjakarta, 1886, albumen print, height 150 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-residential-house-two-men-sitting-on-the-veranda-of-a-residential-house-in-the-foreground-an-indian-servant-with-a-horse-part-of-the-photo-album-presented-to-jm-pijnacker-hordijk-on-his-departure-from-yogyakarta-in-1886-kassian-cphas-jogjakarta-1886-albumen-print-height-150-mm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459397528.html
RF2HKBA6G–Inspired by Residential house, Two men sitting on the veranda of a residential house. In the foreground an Indian servant with a horse. Part of the photo album presented to J.M. Pijnacker Hordijk on his departure from Yogyakarta in 1886., Kassian Céphas, Jogjakarta, 1886, albumen print, height 150 mm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hattie Mcdaniel & Clark Gable Film: Gone With The Wind (USA 1939) Characters: Mammy - O'Hara House Servant, Rhett Butler - a Visitor from Charleston Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the F Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hattie-mcdaniel-clark-gable-film-gone-with-the-wind-usa-1939-characters-mammy-ohara-house-servant-rhett-butler-a-visitor-from-charleston-director-victor-fleming-15-december-1939-warning-this-photograph-is-for-editorial-use-only-and-is-the-copyright-of-mgm-andor-the-photographer-assigned-by-the-film-or-production-company-and-can-only-be-reproduced-by-publications-in-conjunction-with-the-promotion-of-the-above-film-a-mandatory-credit-to-mgm-is-required-the-photographer-should-also-be-credited-when-known-no-commercial-use-can-be-granted-without-written-authority-from-the-f-image486863844.html
RM2K82FPC–Hattie Mcdaniel & Clark Gable Film: Gone With The Wind (USA 1939) Characters: Mammy - O'Hara House Servant, Rhett Butler - a Visitor from Charleston Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted without written authority from the F
Performance by Siem Nieuwenhuizen in the Kurzaal in Scheveningen for the Princess Beatrix Polio Fund Siem Nieuwenhuizen in the role of house servant, October 10, 1960, Performance, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/performance-by-siem-nieuwenhuizen-in-the-kurzaal-in-scheveningen-for-the-princess-beatrix-polio-fund-siem-nieuwenhuizen-in-the-role-of-house-servant-october-10-1960-performance-the-netherlands-20th-century-press-agency-photo-news-to-remember-documentary-historic-photography-1945-1990-visual-stories-human-history-of-the-twentieth-century-capturing-moments-in-time-image429070770.html
RM2FX1T42–Performance by Siem Nieuwenhuizen in the Kurzaal in Scheveningen for the Princess Beatrix Polio Fund Siem Nieuwenhuizen in the role of house servant, October 10, 1960, Performance, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time
Engraving of the mistress of the house handing a letter to a servant, circa 1890 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/engraving-of-the-mistress-of-the-house-handing-a-letter-to-a-servant-circa-1890-image438132118.html
RM2GCPHYJ–Engraving of the mistress of the house handing a letter to a servant, circa 1890
African-American slave in the role of personal servant holding an umbrella over a lady in Baltimore Maryland 1861. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-american-slave-in-the-role-of-personal-servant-holding-an-12908317.html
RMABJM7X–African-American slave in the role of personal servant holding an umbrella over a lady in Baltimore Maryland 1861. Hand-colored woodcut
President Hoover receives huge codfish from members of Chamber of Commerce of Boston. Members of the Boston, Mass. Chamber of Commerce, who are in Washington, on their way home from a cruise to the Pacific Coast, presented President Hoover with a huge cod when they called on him at the White House today. In the picture President Hoover and Senator David I. Walsh, of Massachusetts, can be seen inspecting the fish held by a White House servant Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/president-hoover-receives-huge-codfish-from-members-of-chamber-of-commerce-of-boston-members-of-the-boston-mass-chamber-of-commerce-who-are-in-washington-on-their-way-home-from-a-cruise-to-the-pacific-coast-presented-president-hoover-with-a-huge-cod-when-they-called-on-him-at-the-white-house-today-in-the-picture-president-hoover-and-senator-david-i-walsh-of-massachusetts-can-be-seen-inspecting-the-fish-held-by-a-white-house-servant-image328396243.html
RM2A27MN7–President Hoover receives huge codfish from members of Chamber of Commerce of Boston. Members of the Boston, Mass. Chamber of Commerce, who are in Washington, on their way home from a cruise to the Pacific Coast, presented President Hoover with a huge cod when they called on him at the White House today. In the picture President Hoover and Senator David I. Walsh, of Massachusetts, can be seen inspecting the fish held by a White House servant
Woman house servant, Chinatown, San Francisco. Genthe photograph collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-genthe-photograph-collection-image610605457.html
RM2XDBDDN–Woman house servant, Chinatown, San Francisco. Genthe photograph collection.
Actors playing historic staff and servant roles at Audley End House, Essex, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-playing-historic-staff-and-servant-roles-at-audley-end-house-essex-uk-image341741263.html
RM2ARYJD3–Actors playing historic staff and servant roles at Audley End House, Essex, UK
Arthur Balfour leaving his London house Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-arthur-balfour-leaving-his-london-house-169316966.html
RMKRD1EE–Arthur Balfour leaving his London house
Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/le-charivari-les-beaux-jours-de-la-vie-ca-1845-1850-no-68-un-habit-la-mod-cartoon-on-mens-fashion-of-1845-1850-a-tailor-or-salesman-is-praising-a-jacket-in-which-the-man-however-according-to-the-caption-could-pass-for-his-house-servant-opening-the-door-print-maker-honor-daumier-possibly-publisher-aubert-cie-mentioned-on-object-printer-aubert-cie-mentioned-on-object-paris-c-1845-c-1850-paper-height-309-mm-width-246-mm-image473297089.html
RM2JE0F7D–Le Charivari, Les Beaux Jours de la vie, ca. 1845 - 1850, No. 68 : Un habit à la mod (...), Cartoon on men's fashion of 1845-1850. A tailor or salesman is praising a jacket in which the man, however, according to the caption, could pass for his house servant opening the door., print maker: Honoré Daumier, (possibly), publisher: Aubert & Cie., (mentioned on object), printer: Aubert & Cie., (mentioned on object), Paris, c. 1845 - c. 1850, paper, height 309 mm × width 246 mm
Original and clear Victorian CDV (Carte de Visite or visiting card) of 2 / two attractive, Victorian maids, Victorian servant, wearing starched white aprons, caps, blouses with the 'leg of mutton sleeves' fashionable in the mid 1890's. From the photographic studio of Archibald Rogers, Lanark, South Lanarkshire (Clydesdale) Scotland, U.K. Circa 1895 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-and-clear-victorian-cdv-carte-de-visite-or-visiting-card-of-2-two-attractive-victorian-maids-victorian-servant-wearing-starched-white-aprons-caps-blouses-with-the-leg-of-mutton-sleeves-fashionable-in-the-mid-1890s-from-the-photographic-studio-of-archibald-rogers-lanark-south-lanarkshire-clydesdale-scotland-uk-circa-1895-image466993947.html
RM2J3NBF7–Original and clear Victorian CDV (Carte de Visite or visiting card) of 2 / two attractive, Victorian maids, Victorian servant, wearing starched white aprons, caps, blouses with the 'leg of mutton sleeves' fashionable in the mid 1890's. From the photographic studio of Archibald Rogers, Lanark, South Lanarkshire (Clydesdale) Scotland, U.K. Circa 1895
Settler in front of a manor house in East Prussia, 1935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-settler-in-front-of-a-manor-house-in-east-prussia-1935-48345709.html
RMCPJ9CD–Settler in front of a manor house in East Prussia, 1935
Peace Corps Director Mark Gearan looks on as U.S. President Bill Clinton delivers remarks during an event marking the 35th Anniversary of the Peace Corps in the Rose Garden of the White House, June 8, 1996 in Washington, D.C. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/peace-corps-director-mark-gearan-looks-on-as-us-president-bill-clinton-delivers-remarks-during-an-event-marking-the-35th-anniversary-of-the-peace-corps-in-the-rose-garden-of-the-white-house-june-8-1996-in-washington-dc-image474722327.html
RM2JG9D4R–Peace Corps Director Mark Gearan looks on as U.S. President Bill Clinton delivers remarks during an event marking the 35th Anniversary of the Peace Corps in the Rose Garden of the White House, June 8, 1996 in Washington, D.C.
Completion of a building, house servant throwing rice balls at passersby, Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/completion-of-a-building-house-servant-throwing-rice-balls-at-passersby-japan-old-19th-century-engraved-illustration-travel-to-japan-by-aime-humbert-from-el-mundo-en-la-mano-1879-image387550506.html
RM2DEECHE–Completion of a building, house servant throwing rice balls at passersby, Japan. Old 19th century engraved illustration Travel to Japan by Aime Humbert from El Mundo en La Mano 1879
Servants. August 1937 P009171 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-servants-august-1937-p009171-20430371.html
RMB56K43–Servants. August 1937 P009171
Illustration depicting the woman of the house and the maid. Dated 19th Century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illustration-depicting-the-woman-of-the-house-and-the-maid-dated-19th-century-image481813723.html
RM2JYTE8Y–Illustration depicting the woman of the house and the maid. Dated 19th Century
Queen Victoria at Osborne House, Isle of Wight, England, 1865. Victoria, 1819 – 1901, Queen of the United Kingdom of Great Britain and Ireland. She is seated on her pony Flora which is held by her ghillie John Brown. After the painting by Sir Edwin Landseer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-queen-victoria-at-osborne-house-isle-of-wight-england-1865-victoria-90860390.html
RMF7R19X–Queen Victoria at Osborne House, Isle of Wight, England, 1865. Victoria, 1819 – 1901, Queen of the United Kingdom of Great Britain and Ireland. She is seated on her pony Flora which is held by her ghillie John Brown. After the painting by Sir Edwin Landseer.
Woman house servant, Chinatown, San Francisco Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-image590583431.html
RM2W8RB5B–Woman house servant, Chinatown, San Francisco
Young woman demands to see the master of the house, servant opens the door with a critical look, furniture, umbrella, hat, long skirt, jacket, stairca Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-woman-demands-to-see-the-master-of-the-house-servant-opens-the-door-with-a-critical-look-furniture-umbrella-hat-long-skirt-jacket-stairca-image622034569.html
RM2Y403C9–Young woman demands to see the master of the house, servant opens the door with a critical look, furniture, umbrella, hat, long skirt, jacket, stairca
Inspired by At the meal, Andries Boom and Dr. C.J.J. van Hall at the meal, August 1908. Behind them servant Willem fills the glasses. In the house of Dr. Van Hall in Paramaribo. Part of the photo album of the Boom-Gonggrijp family in Suriname and Curaçao., Andries Augustus Boom, Paramaribo, 1908, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-at-the-meal-andries-boom-and-dr-cjj-van-hall-at-the-meal-august-1908-behind-them-servant-willem-fills-the-glasses-in-the-house-of-dr-van-hall-in-paramaribo-part-of-the-photo-album-of-the-boom-gonggrijp-family-in-suriname-and-curaao-andries-augustus-boom-paramaribo-1908-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459402177.html
RF2HKBG4H–Inspired by At the meal, Andries Boom and Dr. C.J.J. van Hall at the meal, August 1908. Behind them servant Willem fills the glasses. In the house of Dr. Van Hall in Paramaribo. Part of the photo album of the Boom-Gonggrijp family in Suriname and Curaçao., Andries Augustus Boom, Paramaribo, 1908, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Hattie Mcdaniel, Olivia De Havilland & Vivien Leigh Film: Gone With The Wind (USA 1939) Characters: Mammy - O'Hara House Servant, Melanie Hamilton, Scarlett O'Hara - Their Daughter Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted with Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hattie-mcdaniel-olivia-de-havilland-vivien-leigh-film-gone-with-the-wind-usa-1939-characters-mammy-ohara-house-servant-melanie-hamilton-scarlett-ohara-their-daughter-director-victor-fleming-15-december-1939-warning-this-photograph-is-for-editorial-use-only-and-is-the-copyright-of-mgm-andor-the-photographer-assigned-by-the-film-or-production-company-and-can-only-be-reproduced-by-publications-in-conjunction-with-the-promotion-of-the-above-film-a-mandatory-credit-to-mgm-is-required-the-photographer-should-also-be-credited-when-known-no-commercial-use-can-be-granted-with-image486863759.html
RM2K82FKB–Hattie Mcdaniel, Olivia De Havilland & Vivien Leigh Film: Gone With The Wind (USA 1939) Characters: Mammy - O'Hara House Servant, Melanie Hamilton, Scarlett O'Hara - Their Daughter Director: Victor Fleming 15 December 1939 **WARNING** This Photograph is for editorial use only and is the copyright of MGM and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To MGM is required. The Photographer should also be credited when known. No commercial use can be granted with
Performance by Siem Nieuwenhuizen in the Kurzaal in Scheveningen for the Prinses Beatrix Polio Fund Siem Nieuwenhuizen in the role of house servant, October 10, 1960, Performance, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/performance-by-siem-nieuwenhuizen-in-the-kurzaal-in-scheveningen-for-the-prinses-beatrix-polio-fund-siem-nieuwenhuizen-in-the-role-of-house-servant-october-10-1960-performance-the-netherlands-20th-century-press-agency-photo-news-to-remember-documentary-historic-photography-1945-1990-visual-stories-human-history-of-the-twentieth-century-capturing-moments-in-time-image429070575.html
RM2FX1RW3–Performance by Siem Nieuwenhuizen in the Kurzaal in Scheveningen for the Prinses Beatrix Polio Fund Siem Nieuwenhuizen in the role of house servant, October 10, 1960, Performance, The Netherlands, 20th century press agency photo, news to remember, documentary, historic photography 1945-1990, visual stories, human history of the Twentieth Century, capturing moments in time
African American servant or slave serving dinner. Hand-colored woodcut Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-african-american-servant-or-slave-serving-dinner-hand-colored-woodcut-12908268.html
RMABJM3W–African American servant or slave serving dinner. Hand-colored woodcut
Boscobel House is most famous for its role in the escape of Charles II after the Battle of Worcester in 1651. The building, in Shropshire was created around 1632, when landowner John Giffard of White Ladies Priory converted a timber-framed farmhouse into a hunting lodge. When Charles took refuge there, he was met by Colonel William Careless. He and the King spent all day hiding in a nearby oak tree (which became known as The Royal Oak), and later that night Charles hid in one of Boscobel’s priest holes. He eventually escaped the region disguised as the servant. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/boscobel-house-is-most-famous-for-its-role-in-the-escape-of-charles-ii-after-the-battle-of-worcester-in-1651-the-building-in-shropshire-was-created-around-1632-when-landowner-john-giffard-of-white-ladies-priory-converted-a-timber-framed-farmhouse-into-a-hunting-lodge-when-charles-took-refuge-there-he-was-met-by-colonel-william-careless-he-and-the-king-spent-all-day-hiding-in-a-nearby-oak-tree-which-became-known-as-the-royal-oak-and-later-that-night-charles-hid-in-one-of-boscobels-priest-holes-he-eventually-escaped-the-region-disguised-as-the-servant-image226769662.html
RMR4X70E–Boscobel House is most famous for its role in the escape of Charles II after the Battle of Worcester in 1651. The building, in Shropshire was created around 1632, when landowner John Giffard of White Ladies Priory converted a timber-framed farmhouse into a hunting lodge. When Charles took refuge there, he was met by Colonel William Careless. He and the King spent all day hiding in a nearby oak tree (which became known as The Royal Oak), and later that night Charles hid in one of Boscobel’s priest holes. He eventually escaped the region disguised as the servant.
Woman house servant, Chinatown, San Francisco. Genthe photograph collection. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/woman-house-servant-chinatown-san-francisco-genthe-photograph-collection-image610601242.html
RM2XDB836–Woman house servant, Chinatown, San Francisco. Genthe photograph collection.
Actors playing historic staff and servant roles at Audley End House, Essex, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/actors-playing-historic-staff-and-servant-roles-at-audley-end-house-essex-uk-image341741259.html
RM2ARYJCY–Actors playing historic staff and servant roles at Audley End House, Essex, UK
Group photo, downstairs servants of a country house. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/group-photo-downstairs-servants-of-a-country-house-image504849374.html
RM2M99TEP–Group photo, downstairs servants of a country house.
mw. Andres-Van Embden, Dollhouse doll, papier-mâché head with inlaid brown glass eyes, wooden forearms, fabric body and legs, dressed in black suit with black top hat, doll model papier maché wood glass leather plaster? cotton linen silk velvet metal, sewed textile sheet Doll house doll representing: house servant in liver Man with papier mache head and painted face with inlaid brown glass eyes. Long narrow hands of very light pink painted wood. The hair is painted and dull black in color 1868 Sibilla van Embden playing kitchen Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mw-andres-van-embden-dollhouse-doll-papier-mch-head-with-inlaid-brown-glass-eyes-wooden-forearms-fabric-body-and-legs-dressed-in-black-suit-with-black-top-hat-doll-model-papier-mach-wood-glass-leather-plaster-cotton-linen-silk-velvet-metal-sewed-textile-sheet-doll-house-doll-representing-house-servant-in-liver-man-with-papier-mache-head-and-painted-face-with-inlaid-brown-glass-eyes-long-narrow-hands-of-very-light-pink-painted-wood-the-hair-is-painted-and-dull-black-in-color-1868-sibilla-van-embden-playing-kitchen-image228061738.html
RMR71322–mw. Andres-Van Embden, Dollhouse doll, papier-mâché head with inlaid brown glass eyes, wooden forearms, fabric body and legs, dressed in black suit with black top hat, doll model papier maché wood glass leather plaster? cotton linen silk velvet metal, sewed textile sheet Doll house doll representing: house servant in liver Man with papier mache head and painted face with inlaid brown glass eyes. Long narrow hands of very light pink painted wood. The hair is painted and dull black in color 1868 Sibilla van Embden playing kitchen
Original Victorian Carte de Visite (CDV) of housemaid, wearing a starched white apron and cap, blouse with fashionable 'Italian Sleeves' W. Butts studio, Chesham, Buckinghamshire, U.K. circa 1890, 1891 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/original-victorian-carte-de-visite-cdv-of-housemaid-wearing-a-starched-white-apron-and-cap-blouse-with-fashionable-italian-sleeves-w-butts-studio-chesham-buckinghamshire-uk-circa-1890-1891-image226421635.html
RMR4AB2Y–Original Victorian Carte de Visite (CDV) of housemaid, wearing a starched white apron and cap, blouse with fashionable 'Italian Sleeves' W. Butts studio, Chesham, Buckinghamshire, U.K. circa 1890, 1891
Reporters outside the house of Bismarck in Friedrichsruh, 1895 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-reporters-outside-the-house-of-bismarck-in-friedrichsruh-1895-122455171.html
RMH368PY–Reporters outside the house of Bismarck in Friedrichsruh, 1895