Quick filters:
Human physiognomy Stock Photos and Images
Photograph from the book The Mechanism of Human Physiognomy (1862), taken by its author, Guillaume-Benjamin-Armand Duchenne (who is also known as Duchenne de Boulogne). Duchenne (1806-1875), a French neurologist, stimulated the muscles of live subjects wi Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-photograph-from-the-book-the-mechanism-of-human-physiognomy-1862-taken-103996468.htmlRMG15CFG–Photograph from the book The Mechanism of Human Physiognomy (1862), taken by its author, Guillaume-Benjamin-Armand Duchenne (who is also known as Duchenne de Boulogne). Duchenne (1806-1875), a French neurologist, stimulated the muscles of live subjects wi
PHYSIOGNOMY Human faces compared with the heads of animals - in this case, with a monkey and a bull. From John Caspar Lavater, Essays on Physiognomy, Desgined to Promote the Knowledge and the Love of Mankind, (Thomas Holcroft trans.), 1850. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-human-faces-compared-with-the-heads-of-animals-in-this-case-with-a-monkey-and-a-bull-from-john-caspar-lavater-essays-on-physiognomy-desgined-to-promote-the-knowledge-and-the-love-of-mankind-thomas-holcroft-trans-1850-image179622565.htmlRMMC6EBH–PHYSIOGNOMY Human faces compared with the heads of animals - in this case, with a monkey and a bull. From John Caspar Lavater, Essays on Physiognomy, Desgined to Promote the Knowledge and the Love of Mankind, (Thomas Holcroft trans.), 1850.
medicine, anatomy, physiognomy, analogy of pig and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medicine-anatomy-physiognomy-analogy-of-pig-and-human-after-giambattista-image60219736.htmlRMDDY6TT–medicine, anatomy, physiognomy, analogy of pig and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available
The human ear : its identification and physiognomy : Ellis, Miriam Anne Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-human-ear-its-identification-and-physiognomy-ellis-miriam-anne-image261419417.htmlRMW58K3N–The human ear : its identification and physiognomy : Ellis, Miriam Anne
The relation between the human physiognomy and that of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-relation-between-the-human-physiognomy-and-that-of-the-image449988760.htmlRM2H42N74–The relation between the human physiognomy and that of the
hand mouth face human human being upper part of the body gesturing physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-mouth-face-human-human-being-upper-part-of-the-body-gesturing-141181285.htmlRFJ5KA4N–hand mouth face human human being upper part of the body gesturing physiognomy
Outer ear. From JC Lavater Essays in Physiognomy, London, 1789-98. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/outer-ear-from-jc-lavater-essays-in-physiognomy-london-1789-98-image481927348.htmlRM2K01K70–Outer ear. From JC Lavater Essays in Physiognomy, London, 1789-98.
Lavater Physiognomy, drawings by Louis Alexandre Eustache Lorsay, 1822-1871 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lavater-physiognomy-drawings-by-louis-alexandre-eustache-lorsay-1822-122727411.htmlRMH3JM1R–Lavater Physiognomy, drawings by Louis Alexandre Eustache Lorsay, 1822-1871
1874 Antique German Encyclopedia Atlas Print: World Map Showing Ethnographic Distribution of Races with Various Human Skull Types Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-1874-antique-german-encyclopedia-atlas-print-world-map-showing-ethnographic-143688677.htmlRFJ9NGAD–1874 Antique German Encyclopedia Atlas Print: World Map Showing Ethnographic Distribution of Races with Various Human Skull Types
Comparison of Germanic and African skulls, early 19th century. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/comparison-of-germanic-and-african-skulls-early-19th-century-artist-unknown-image262742481.htmlRMW7CXM1–Comparison of Germanic and African skulls, early 19th century. Artist: Unknown
1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a plants with roots resembling the human hand from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - ASTROLOGIA - ASTROLOGIST - ASTROLOGY - O Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1588-italy-the-celebrated-italian-philosopher-polymath-occultist-dramatist-and-alchemist-giovanni-battista-della-porta-vico-equense-1535-ca-napoli-1615-engraved-of-a-plants-with-roots-resembling-the-human-hand-from-book-phytognomonica-printed-in-napoli-1588-fisiognomica-physiognomy-filosofo-filosofia-alchemy-alchimia-alchimista-philosophy-teatro-theatre-commediografo-drammaturgo-playwrighter-giambattista-giovambattista-matematico-matematica-meteorologia-meteorologo-meteorology-astrologo-astrologia-astrologist-astrology-o-image343491511.htmlRM2AXRAWY–1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a plants with roots resembling the human hand from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - ASTROLOGIA - ASTROLOGIST - ASTROLOGY - O
The Knave. Physiognomy engraving by Barlow after Lavater. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-knave-physiognomy-engraving-by-barlow-after-lavater-31850970.htmlRMBRPX6J–The Knave. Physiognomy engraving by Barlow after Lavater.
Middle-aged Indian Hindu holy man (sadhu, baba, guru) with black beard and long dishevelled hair poses for the camera during Shivratri Mela festival. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/middle-aged-indian-hindu-holy-man-sadhu-baba-guru-with-black-beard-and-long-dishevelled-hair-poses-for-the-camera-during-shivratri-mela-festival-image387392018.htmlRF2DE76D6–Middle-aged Indian Hindu holy man (sadhu, baba, guru) with black beard and long dishevelled hair poses for the camera during Shivratri Mela festival.
![. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo](https://c8.alamy.com/comp/MX8DF4/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-MX8DF4.jpg ". English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo")
. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-image188270968.htmlRMMX8DF4–. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon
Head of the Person from a 3d Grid. Face Scanning. View of Human Head. 3D Geometric Face Design. Geometry Man Portrait. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/head-of-the-person-from-a-3d-grid-face-scanning-view-of-human-head-3d-geometric-face-design-geometry-man-portrait-image247569249.htmlRFTANN2W–Head of the Person from a 3d Grid. Face Scanning. View of Human Head. 3D Geometric Face Design. Geometry Man Portrait.
A series of human heads from difference races and ethnicities progressively develop from an idealized Caucasian profile to Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-series-of-human-heads-from-difference-races-and-ethnicities-progressively-50048318.htmlRMCWBW3X–A series of human heads from difference races and ethnicities progressively develop from an idealized Caucasian profile to
Portrait of a Young Man. Artist: Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall 15 3/4 x 11 3/8 in. (40 x 29 cm); painted surface 15 1/8 x 10 3/4 in. (38.3 x 27.3 cm). Date: ca. 1472-75. One of the most sought-after Netherlandish portrait painters of his time, Memling's meticulous attention to detail is notable in the remarkable naturalism of the sitter's physiognomy and the texture of his velvet, fur-trimmed tunic. The young man was likely one of the many Florentine visitors to, or residents of, Bruges, several of whom commissioned portraits Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-young-man-artist-hans-memling-netherlandish-seligenstadt-active-by-1465-died-1494-bruges-dimensions-overall-15-34-x-11-38-in-40-x-29-cm-painted-surface-15-18-x-10-34-in-383-x-273-cm-date-ca-1472-75-one-of-the-most-sought-after-netherlandish-portrait-painters-of-his-time-memlings-meticulous-attention-to-detail-is-notable-in-the-remarkable-naturalism-of-the-sitters-physiognomy-and-the-texture-of-his-velvet-fur-trimmed-tunic-the-young-man-was-likely-one-of-the-many-florentine-visitors-to-or-residents-of-bruges-several-of-whom-commissioned-portraits-image213259015.htmlRMPAXP1B–Portrait of a Young Man. Artist: Hans Memling (Netherlandish, Seligenstadt, active by 1465-died 1494 Bruges). Dimensions: Overall 15 3/4 x 11 3/8 in. (40 x 29 cm); painted surface 15 1/8 x 10 3/4 in. (38.3 x 27.3 cm). Date: ca. 1472-75. One of the most sought-after Netherlandish portrait painters of his time, Memling's meticulous attention to detail is notable in the remarkable naturalism of the sitter's physiognomy and the texture of his velvet, fur-trimmed tunic. The young man was likely one of the many Florentine visitors to, or residents of, Bruges, several of whom commissioned portraits
Johann Höchle. Lion with Cubs. 1831. Germany. Lithograph on cream wove paper Other 19th-century European artists found wild animal imagery as irresistible as did Delacroix. While lacking the raw power of Delacroix’s velvety and incised lithographs, this image of a lioness and her cub must be indebted to his 1831 Young Tiger Playing with Its Mother (1922.4476). While Delacroix sought to find the human in feline physiognomy, Höchle’s slightly caricatured rendition succeeds, though losing something of the grandeur found in Delacroix’s work. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johann-hchle-lion-with-cubs-1831-germany-lithograph-on-cream-wove-paper-other-19th-century-european-artists-found-wild-animal-imagery-as-irresistible-as-did-delacroix-while-lacking-the-raw-power-of-delacroixs-velvety-and-incised-lithographs-this-image-of-a-lioness-and-her-cub-must-be-indebted-to-his-1831-young-tiger-playing-with-its-mother-19224476-while-delacroix-sought-to-find-the-human-in-feline-physiognomy-hchles-slightly-caricatured-rendition-succeeds-though-losing-something-of-the-grandeur-found-in-delacroixs-work-image337935338.htmlRM2AHP7Y6–Johann Höchle. Lion with Cubs. 1831. Germany. Lithograph on cream wove paper Other 19th-century European artists found wild animal imagery as irresistible as did Delacroix. While lacking the raw power of Delacroix’s velvety and incised lithographs, this image of a lioness and her cub must be indebted to his 1831 Young Tiger Playing with Its Mother (1922.4476). While Delacroix sought to find the human in feline physiognomy, Höchle’s slightly caricatured rendition succeeds, though losing something of the grandeur found in Delacroix’s work.
A practical treatise on the technics and principles of dental orthopedia and prosthetic correction of cleft palate . ched to a slipper crown on the cuspid,which is not distinctly shown by the picture. This peculiarity is worthy of mentionat this time, because it is one of the many instances which proves what has beenmentioned elsewhere, i. e., that the mandible and other bones which characterize 322 PART VI. DENTO-FACIAL MALOCCLUSIOXS the human physiognomy do not always show inherited disharmonies of size andform in relation to adjoining bones, until sometime after the beginning of adoles-cenc Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-practical-treatise-on-the-technics-and-principles-of-dental-orthopedia-and-prosthetic-correction-of-cleft-palate-ched-to-a-slipper-crown-on-the-cuspidwhich-is-not-distinctly-shown-by-the-picture-this-peculiarity-is-worthy-of-mentionat-this-time-because-it-is-one-of-the-many-instances-which-proves-what-has-beenmentioned-elsewhere-i-e-that-the-mandible-and-other-bones-which-characterize-322-part-vi-dento-facial-malocclusioxs-the-human-physiognomy-do-not-always-show-inherited-disharmonies-of-size-andform-in-relation-to-adjoining-bones-until-sometime-after-the-beginning-of-adoles-cenc-image343125422.htmlRM2AX6KYA–A practical treatise on the technics and principles of dental orthopedia and prosthetic correction of cleft palate . ched to a slipper crown on the cuspid,which is not distinctly shown by the picture. This peculiarity is worthy of mentionat this time, because it is one of the many instances which proves what has beenmentioned elsewhere, i. e., that the mandible and other bones which characterize 322 PART VI. DENTO-FACIAL MALOCCLUSIOXS the human physiognomy do not always show inherited disharmonies of size andform in relation to adjoining bones, until sometime after the beginning of adoles-cenc
Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. The era of modern neurology progressed from Duchenne's understanding of the conductivity of neural pathways, his revelations of the effect of lesions on these structures and his diagnostic innovations including deep tissue biopsy, nerve conduction tests (NCS), and clinical photography. His Mécanisme de la physionomie humaine (Mechanism of Human Physiognomy) was the first study on the physiology of emotion and was highly influential on D Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-benjamin-amand-duchenne-de-boulogne-september-17-1806-september-15-1875-was-a-french-neurologist-who-advanced-the-science-of-electrophysiology-the-era-of-modern-neurology-progressed-from-duchennes-understanding-of-the-conductivity-of-neural-pathways-his-revelations-of-the-effect-of-lesions-on-these-structures-and-his-diagnostic-innovations-including-deep-tissue-biopsy-nerve-conduction-tests-ncs-and-clinical-photography-his-mcanisme-de-la-physionomie-humaine-mechanism-of-human-physiognomy-was-the-first-study-on-the-physiology-of-emotion-and-was-highly-influential-on-d-image352834461.htmlRM2BE0YXN–Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. The era of modern neurology progressed from Duchenne's understanding of the conductivity of neural pathways, his revelations of the effect of lesions on these structures and his diagnostic innovations including deep tissue biopsy, nerve conduction tests (NCS), and clinical photography. His Mécanisme de la physionomie humaine (Mechanism of Human Physiognomy) was the first study on the physiology of emotion and was highly influential on D
PHYSIOGNOMY - COMPARISON WITH ANIMALS Two human heads compared with animals of similar facial configurations. The conclusion drawn is that the man at the top is bovine - that is, placid, but not particularly bright. The girl at the bottom is in some way porcine in nature. Lithograph, from Collin de Plancy Dictionnaire Infernale, 1863. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-comparison-with-animals-two-human-heads-compared-with-animals-of-similar-facial-configurations-the-conclusion-drawn-is-that-the-man-at-the-top-is-bovine-that-is-placid-but-not-particularly-bright-the-girl-at-the-bottom-is-in-some-way-porcine-in-nature-lithograph-from-collin-de-plancy-dictionnaire-infernale-1863-image179624859.htmlRMMC6H9F–PHYSIOGNOMY - COMPARISON WITH ANIMALS Two human heads compared with animals of similar facial configurations. The conclusion drawn is that the man at the top is bovine - that is, placid, but not particularly bright. The girl at the bottom is in some way porcine in nature. Lithograph, from Collin de Plancy Dictionnaire Infernale, 1863.
medicine, anatomy, physiognomy, analogy of monkey and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medicine-anatomy-physiognomy-analogy-of-monkey-and-human-after-giambattista-image60219629.htmlRMDDY6N1–medicine, anatomy, physiognomy, analogy of monkey and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available
Physiognomy according to Fuessli, Text page from Lavater's fourth volume of 'Physiognomic Fragments, for the Promotion of Human Knowledge and Philanthropy' from the 18th century, Fig. 1., P. 350, 1775, Johann Caspar Lavater: Physiognomische Fragmente, zur Beförderung der Menschenkenntnisze und Menschenliebe. Leipzig und Winterthur: Weidmanns Erben, 1775 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-according-to-fuessli-text-page-from-lavaters-fourth-volume-of-physiognomic-fragments-for-the-promotion-of-human-knowledge-and-philanthropy-from-the-18th-century-fig-1-p-350-1775-johann-caspar-lavater-physiognomische-fragmente-zur-befrderung-der-menschenkenntnisze-und-menschenliebe-leipzig-und-winterthur-weidmanns-erben-1775-image328762092.htmlRM2A2TBB8–Physiognomy according to Fuessli, Text page from Lavater's fourth volume of 'Physiognomic Fragments, for the Promotion of Human Knowledge and Philanthropy' from the 18th century, Fig. 1., P. 350, 1775, Johann Caspar Lavater: Physiognomische Fragmente, zur Beförderung der Menschenkenntnisze und Menschenliebe. Leipzig und Winterthur: Weidmanns Erben, 1775
The relation between the human physiognomy and that of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-relation-between-the-human-physiognomy-and-that-of-the-image449988698.htmlRM2H42N4X–The relation between the human physiognomy and that of the
hand mouth face human human being upper part of the body gesturing physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hand-mouth-face-human-human-being-upper-part-of-the-body-gesturing-141189331.htmlRFJ5KMC3–hand mouth face human human being upper part of the body gesturing physiognomy
Variations of the outer ear. From JC Lavater Essays in Physiognomy, London, 1789-98. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/variations-of-the-outer-ear-from-jc-lavater-essays-in-physiognomy-london-1789-98-image481927331.htmlRM2K01K6B–Variations of the outer ear. From JC Lavater Essays in Physiognomy, London, 1789-98.
Chiromancy Chart of a Palm: lines and ways Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chiromancy-chart-of-a-palm-lines-and-ways-36109363.htmlRFC2MWT3–Chiromancy Chart of a Palm: lines and ways
blonde woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blonde-woman-58234198.htmlRMDAMP8P–blonde woman
Bajo's Native Kid Smile Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bajos-native-kid-smile-image217489867.htmlRFPHREF7–Bajo's Native Kid Smile
1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a fruit ( pomegranate ) resembling the human jaw, from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - ASTROLOGIA - ASTROLOGIST - ASTROLOGY Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1588-italy-the-celebrated-italian-philosopher-polymath-occultist-dramatist-and-alchemist-giovanni-battista-della-porta-vico-equense-1535-ca-napoli-1615-engraved-of-a-fruit-pomegranate-resembling-the-human-jaw-from-book-phytognomonica-printed-in-napoli-1588-fisiognomica-physiognomy-filosofo-filosofia-alchemy-alchimia-alchimista-philosophy-teatro-theatre-commediografo-drammaturgo-playwrighter-giambattista-giovambattista-matematico-matematica-meteorologia-meteorologo-meteorology-astrologo-astrologia-astrologist-astrology-image343491524.htmlRM2AXRAXC–1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a fruit ( pomegranate ) resembling the human jaw, from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - ASTROLOGIA - ASTROLOGIST - ASTROLOGY
Physiognomy. A portrait by Lavater engraved by Barlow Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-physiognomy-a-portrait-by-lavater-engraved-by-barlow-31849470.htmlRMBRPT92–Physiognomy. A portrait by Lavater engraved by Barlow
Elderly Indian Adivasi woman with three golden nose rings poses for the camera. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-indian-adivasi-woman-with-three-golden-nose-rings-poses-for-image155067419.htmlRFK07X23–Elderly Indian Adivasi woman with three golden nose rings poses for the camera.
![. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo](https://c8.alamy.com/comp/MX8DF0/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-MX8DF0.jpg ". English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo")
. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-image188270964.htmlRMMX8DF0–. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon
Head of the Person from a 3d Grid. Human Head Wire Model. Human Polygon Head. Face Scanning. View of Human Head. 3D Geometric Face Design. 3d Polygona Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-of-the-person-from-a-3d-grid-human-head-wire-model-human-polygon-164873460.htmlRFKG6HNT–Head of the Person from a 3d Grid. Human Head Wire Model. Human Polygon Head. Face Scanning. View of Human Head. 3D Geometric Face Design. 3d Polygona
RoboCup 2009, Graz, robot world championship, robotics, humanoid, Nao-robot Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-robocup-2009-graz-robot-world-championship-robotics-humanoid-nao-robot-26620891.htmlRMBF8K63–RoboCup 2009, Graz, robot world championship, robotics, humanoid, Nao-robot
Graphite illustration portraying a woman in profile with the fusion of an eagle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/graphite-illustration-portraying-a-woman-in-profile-with-the-fusion-of-an-eagle-image619658254.htmlRF2Y03TBX–Graphite illustration portraying a woman in profile with the fusion of an eagle
Face with cones Luxembourg june 2006 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-face-with-cones-luxembourg-june-2006-20686010.htmlRFB5J962–Face with cones Luxembourg june 2006
The author in searches of new idea for a detective Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-author-in-searches-of-new-idea-for-a-detective-70101685.htmlRFE21BBH–The author in searches of new idea for a detective
Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. The era of modern neurology progressed from Duchenne's understanding of the conductivity of neural pathways, his revelations of the effect of lesions on these structures and his diagnostic innovations including deep tissue biopsy, nerve conduction tests (NCS), and clinical photography. His Mécanisme de la physionomie humaine (Mechanism of Human Physiognomy) was the first study on the physiology of emotion and was highly influential on D Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-benjamin-amand-duchenne-de-boulogne-september-17-1806-september-15-1875-was-a-french-neurologist-who-advanced-the-science-of-electrophysiology-the-era-of-modern-neurology-progressed-from-duchennes-understanding-of-the-conductivity-of-neural-pathways-his-revelations-of-the-effect-of-lesions-on-these-structures-and-his-diagnostic-innovations-including-deep-tissue-biopsy-nerve-conduction-tests-ncs-and-clinical-photography-his-mcanisme-de-la-physionomie-humaine-mechanism-of-human-physiognomy-was-the-first-study-on-the-physiology-of-emotion-and-was-highly-influential-on-d-image352825717.htmlRM2BE0GPD–Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. The era of modern neurology progressed from Duchenne's understanding of the conductivity of neural pathways, his revelations of the effect of lesions on these structures and his diagnostic innovations including deep tissue biopsy, nerve conduction tests (NCS), and clinical photography. His Mécanisme de la physionomie humaine (Mechanism of Human Physiognomy) was the first study on the physiology of emotion and was highly influential on D
Physiognomy. Location of the planetary parts on the human face. From Jean Belot's 'Oeuvres' 1649. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-location-of-the-planetary-parts-on-the-human-face-from-jean-belots-oeuvres-1649-image179152911.htmlRMMBD3A7–Physiognomy. Location of the planetary parts on the human face. From Jean Belot's 'Oeuvres' 1649.
medicine, anatomy, physiognomy, analogy of dog and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medicine-anatomy-physiognomy-analogy-of-dog-and-human-after-giambattista-image60219733.htmlRMDDY6TN–medicine, anatomy, physiognomy, analogy of dog and human, after Giambattista della Porta (1535 - 1615), 'De Humana Physiognomia', 1586, wood engraving, from: 'Grosser Brockhaus', circa 1900, Additional-Rights-Clearences-Not Available
Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homo-sapiens-print-homo-sapiens-is-the-only-extant-human-species-the-name-is-latin-for-wise-man-and-was-introduced-in-1758-by-carl-linnaeus-who-is-himself-the-lectotype-for-the-species-physiognomy-image328684405.htmlRM2A2MT8N–Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy
The relation between the human physiognomy and that of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-relation-between-the-human-physiognomy-and-that-of-the-image449987979.htmlRM2H42M77–The relation between the human physiognomy and that of the
guy ok face portrait human human being friendly kind mimic art physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-guy-ok-face-portrait-human-human-being-friendly-kind-mimic-art-physiognomy-141156970.htmlRFJ5J74A–guy ok face portrait human human being friendly kind mimic art physiognomy
'The Symbolical Head, Illustrating All the Phrenological Developments of the Human Head,' was created by the leading American Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-symbolical-head-illustrating-all-the-phrenological-developments-50048294.htmlRMCWBW32–'The Symbolical Head, Illustrating All the Phrenological Developments of the Human Head,' was created by the leading American
Geography of a Palm: lines, ways, mounts and valleys / Chiromancy Chart Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geography-of-a-palm-lines-ways-mounts-and-valleys-chiromancy-chart-36231568.htmlRFC2XDMG–Geography of a Palm: lines, ways, mounts and valleys / Chiromancy Chart
blonde woman Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-blonde-woman-58234619.htmlRMDAMPRR–blonde woman
In this drawing from around 1789, Christ is depicted conversing intimately with two men who exhibit physiognomic traits associated with sensuality, as noted by Lavater. The men's expressions and attire suggest a significant moment of interaction, highlighting the thematic exploration of character through physical appearance. The artwork draws upon the style of Hans Holbein, reflecting the artist's interest in the subtleties of human expression and moral character. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/in-this-drawing-from-around-1789-christ-is-depicted-conversing-intimately-with-two-men-who-exhibit-physiognomic-traits-associated-with-sensuality-as-noted-by-lavater-the-mens-expressions-and-attire-suggest-a-significant-moment-of-interaction-highlighting-the-thematic-exploration-of-character-through-physical-appearance-the-artwork-draws-upon-the-style-of-hans-holbein-reflecting-the-artists-interest-in-the-subtleties-of-human-expression-and-moral-character-image614946772.htmlRM2XMD6TM–In this drawing from around 1789, Christ is depicted conversing intimately with two men who exhibit physiognomic traits associated with sensuality, as noted by Lavater. The men's expressions and attire suggest a significant moment of interaction, highlighting the thematic exploration of character through physical appearance. The artwork draws upon the style of Hans Holbein, reflecting the artist's interest in the subtleties of human expression and moral character.
1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a plant with seed-pods resembling the human womb, and (below) a foetus in the womb, from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - AS Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1588-italy-the-celebrated-italian-philosopher-polymath-occultist-dramatist-and-alchemist-giovanni-battista-della-porta-vico-equense-1535-ca-napoli-1615-engraved-of-a-plant-with-seed-pods-resembling-the-human-womb-and-below-a-foetus-in-the-womb-from-book-phytognomonica-printed-in-napoli-1588-fisiognomica-physiognomy-filosofo-filosofia-alchemy-alchimia-alchimista-philosophy-teatro-theatre-commediografo-drammaturgo-playwrighter-giambattista-giovambattista-matematico-matematica-meteorologia-meteorologo-meteorology-astrologo-as-image343491513.htmlRM2AXRAX1–1588, ITALY : The celebrated italian philosopher , polymath , occultist , dramatist and alchemist GIOVANNI BATTISTA DELLA PORTA ( Vico Equense , 1535 ca - Napoli, 1615 ). Engraved of a plant with seed-pods resembling the human womb, and (below) a foetus in the womb, from book PHYTOGNOMONICA, printed in Napoli, 1588 . - FISIOGNOMICA - PHYSIOGNOMY - FILOSOFO - FILOSOFIA - ALCHEMY - ALCHIMIA - ALCHIMISTA - PHILOSOPHY - TEATRO - THEATRE - commediografo - drammaturgo - playwrighter - Giambattista - Giovambattista - MATEMATICO - MATEMATICA - METEOROLOGIA - METEOROLOGO - METEOROLOGY - ASTROLOGO - AS
Indolence and drunkenness. Physiognomy engraving by Barlow after Lavater. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-indolence-and-drunkenness-physiognomy-engraving-by-barlow-after-lavater-31851269.htmlRMBRPXH9–Indolence and drunkenness. Physiognomy engraving by Barlow after Lavater.
Elderly Indian Muslim man with Islamic beard, tooth gap and Muslim prayer bump (zebibah) on his forehead smiles for the camera. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-indian-muslim-man-with-islamic-beard-tooth-gap-and-muslim-image159822217.htmlRFK80ET9–Elderly Indian Muslim man with Islamic beard, tooth gap and Muslim prayer bump (zebibah) on his forehead smiles for the camera.
![. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo](https://c8.alamy.com/comp/MWBWTC/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-MWBWTC.jpg ". English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo")
. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-image187731836.htmlRMMWBWTC–. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon
Frontispiece of Inquiries into Human Faculty and its Development, 1883. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frontispiece-of-inquiries-into-human-faculty-and-its-development-1883-image368402918.htmlRM2CBA5K2–Frontispiece of Inquiries into Human Faculty and its Development, 1883.
New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-physiognomy-or-signs-of-character-as-manifested-through-temperament-97277499.htmlRMFJ7ACB–New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889)
A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Tiger Skeleton, Lateral View (Finished Study for Table IV). Date/Period: Between 1795 and 1806. Drawing. Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper. Height: 400 mm (15.74 in); Width: 540 mm (21.25 in). Author: George Stubbs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-comparative-anatomical-exposition-of-the-structure-of-the-human-body-with-that-of-a-tiger-and-a-common-fowl-tiger-skeleton-lateral-view-finished-study-for-table-iv-dateperiod-between-1795-and-1806-drawing-graphite-on-moderately-thick-slightly-textured-cream-wove-paper-lined-with-japanese-paper-height-400-mm-1574-in-width-540-mm-2125-in-author-george-stubbs-image233251305.htmlRMRFDEBN–A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Tiger Skeleton, Lateral View (Finished Study for Table IV). Date/Period: Between 1795 and 1806. Drawing. Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper. Height: 400 mm (15.74 in); Width: 540 mm (21.25 in). Author: George Stubbs.
Physiognomy according to Fuessli, Text page from Lavater's fourth volume of 'Physiognomic Fragments, for the Promotion of Human Knowledge and Philanthropy' from the 18th century, Fig. 1., P. 350, 1775, Johann Caspar Lavater: Physiognomische Fragmente, zur Beförderung der Menschenkenntnisze und Menschenliebe. Leipzig und Winterthur: Weidmanns Erben, 1775, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-according-to-fuessli-text-page-from-lavaters-fourth-volume-of-physiognomic-fragments-for-the-promotion-of-human-knowledge-and-philanthropy-from-the-18th-century-fig-1-p-350-1775-johann-caspar-lavater-physiognomische-fragmente-zur-befrderung-der-menschenkenntnisze-und-menschenliebe-leipzig-und-winterthur-weidmanns-erben-1775-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolu-image349825990.htmlRF2B93XHA–Physiognomy according to Fuessli, Text page from Lavater's fourth volume of 'Physiognomic Fragments, for the Promotion of Human Knowledge and Philanthropy' from the 18th century, Fig. 1., P. 350, 1775, Johann Caspar Lavater: Physiognomische Fragmente, zur Beförderung der Menschenkenntnisze und Menschenliebe. Leipzig und Winterthur: Weidmanns Erben, 1775, Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolu
Digitized Model of a female human head. Science fiction robot concept - cyborg, artificial intelligence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digitized-model-of-a-female-human-head-science-fiction-robot-concept-cyborg-artificial-intelligence-image387312782.htmlRF2DE3HBA–Digitized Model of a female human head. Science fiction robot concept - cyborg, artificial intelligence.
Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/guillaume-benjamin-amand-duchenne-de-boulogne-september-17-1806-september-15-1875-was-a-french-neurologist-who-advanced-the-science-of-electrophysiology-influenced-by-the-beliefs-of-physiognomy-duchenne-wanted-to-determine-how-the-muscles-in-the-human-face-produce-facial-expressions-which-he-believed-to-be-directly-linked-to-the-soul-of-man-image246621998.htmlRMT96GTE–Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man.
Chinese Physiognomy. Double page showing various readings for parts of the human face.From an ancient Chinese almanac. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chinese-physiognomy-double-page-showing-various-readings-for-parts-of-the-human-facefrom-an-ancient-chinese-almanac-image179152939.htmlRMMBD3B7–Chinese Physiognomy. Double page showing various readings for parts of the human face.From an ancient Chinese almanac.
superstition, physiognomy, raven head and raven face, colour woodcut, from 'Magia naturalis sive mirakulis verum naturalium libri IV', by Giovanni Battista Della Porta, (1535 - 1616), 1598, , Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-superstition-physiognomy-raven-head-and-raven-face-colour-woodcut-10880419.htmlRMA3Y4TM–superstition, physiognomy, raven head and raven face, colour woodcut, from 'Magia naturalis sive mirakulis verum naturalium libri IV', by Giovanni Battista Della Porta, (1535 - 1616), 1598, ,
Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homo-sapiens-print-homo-sapiens-is-the-only-extant-human-species-the-name-is-latin-for-wise-man-and-was-introduced-in-1758-by-carl-linnaeus-who-is-himself-the-lectotype-for-the-species-physiognomy-image328684402.htmlRM2A2MT8J–Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy
The relation between the human physiognomy and that of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-relation-between-the-human-physiognomy-and-that-of-the-image449991440.htmlRM2H42TJT–The relation between the human physiognomy and that of the
young man Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-man-image225399398.htmlRFR2KR6E–young man
A series of primate heads progressively develop to more human-like features. From Ernest Haeckel's 1868 popular illustrated Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-series-of-primate-heads-progressively-develop-to-more-human-like-50048317.htmlRMCWBW3W–A series of primate heads progressively develop to more human-like features. From Ernest Haeckel's 1868 popular illustrated
Head of the Person from a 3d Grid. Geometric Face Design. Polygonal Covering Skin. Vector Illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-head-of-the-person-from-a-3d-grid-geometric-face-design-polygonal-164971212.htmlRFKGB2D0–Head of the Person from a 3d Grid. Geometric Face Design. Polygonal Covering Skin. Vector Illustration.
Chiromancy Chart of the Palms lines and ways. Vector line illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chiromancy-chart-of-the-palms-lines-and-ways-vector-line-illustration-image408323963.htmlRF2EM8NAK–Chiromancy Chart of the Palms lines and ways. Vector line illustration
Handwritten letter to Johann Caspar Lavater, 1776, Johann Wolfgang von Goethe, 1749 - 1832, a German poet, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/handwritten-letter-to-johann-caspar-lavater-1776-johann-wolfgang-von-image69800870.htmlRME1FKM6–Handwritten letter to Johann Caspar Lavater, 1776, Johann Wolfgang von Goethe, 1749 - 1832, a German poet,
A series of human heads from difference races and ethnicities progressively develop from an idealized Caucasian profile to stereotypes of non-Europeans. From Ernest Haeckel's 1868 popular illustrated book titled NATURLICHE SCHOPFUNGSGESCHICHTE (English title, HISTORY OF CREATION). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-series-of-human-heads-from-difference-races-and-ethnicities-progressively-32392667.htmlRMBTKH4Y–A series of human heads from difference races and ethnicities progressively develop from an idealized Caucasian profile to stereotypes of non-Europeans. From Ernest Haeckel's 1868 popular illustrated book titled NATURLICHE SCHOPFUNGSGESCHICHTE (English title, HISTORY OF CREATION).
Character sketches by William Hogarth. They relate to his interest in physiognomy. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-character-sketches-by-william-hogarth-they-relate-to-his-interest-31849685.htmlRMBRPTGN–Character sketches by William Hogarth. They relate to his interest in physiognomy.
Elderly Indian Hindu devotee and pilgrim with thick full beard and pink turban frowns at the camera during the Shivratri Mela (Bhavnath Fair). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elderly-indian-hindu-devotee-and-pilgrim-with-thick-full-beard-and-pink-turban-frowns-at-the-camera-during-the-shivratri-mela-bhavnath-fair-image387391640.htmlRF2DE75YM–Elderly Indian Hindu devotee and pilgrim with thick full beard and pink turban frowns at the camera during the Shivratri Mela (Bhavnath Fair).
![. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo](https://c8.alamy.com/comp/MX8DEW/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-MX8DEW.jpg ". English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo")
. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-image188270961.htmlRMMX8DEW–. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon
Shaanxi qinling taibai mountain snow village Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaanxi-qinling-taibai-mountain-snow-village-image264332325.htmlRFWA1AG5–Shaanxi qinling taibai mountain snow village
New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-physiognomy-or-signs-of-character-as-manifested-through-temperament-97277501.htmlRMFJ7ACD–New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889)
A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Tiger Body, Lateral View. Date/Period: 1795 to 1806. Drawing. Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper laid down on cream, moderately thick, moderately textured, laid paper; mounted on two sheets of heavy wove paper. Height: 337 mm (13.26 in); Width: 451 mm (17.75 in). Author: George Stubbs. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-comparative-anatomical-exposition-of-the-structure-of-the-human-body-with-that-of-a-tiger-and-a-common-fowl-tiger-body-lateral-view-dateperiod-1795-to-1806-drawing-red-chalk-and-pen-with-iron-gall-ink-on-thin-slightly-textured-cream-wove-paper-laid-down-on-cream-moderately-thick-moderately-textured-laid-paper-mounted-on-two-sheets-of-heavy-wove-paper-height-337-mm-1326-in-width-451-mm-1775-in-author-george-stubbs-image233249753.htmlRMRFDCC9–A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Tiger Body, Lateral View. Date/Period: 1795 to 1806. Drawing. Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper laid down on cream, moderately thick, moderately textured, laid paper; mounted on two sheets of heavy wove paper. Height: 337 mm (13.26 in); Width: 451 mm (17.75 in). Author: George Stubbs.
Anatomical drawing. Pelvic floor. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles. Paris France 1826. Anatomical print of the human body with natural dimensions. Pelvic floor. . Source: 1899.h.24 Tab.48 fig. 7. Language: French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anatomical-drawing-pelvic-floor-planches-anatomiques-du-corps-humain-executees-dapres-les-dimensions-naturelles-paris-france-1826-anatomical-print-of-the-human-body-with-natural-dimensions-pelvic-floor-source-1899h24-tab48-fig-7-language-french-image227192886.htmlRMR5HERJ–Anatomical drawing. Pelvic floor. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles. Paris France 1826. Anatomical print of the human body with natural dimensions. Pelvic floor. . Source: 1899.h.24 Tab.48 fig. 7. Language: French.
Digitized Model of a male human head. Science fiction robot concept - cyborg, artificial intelligence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digitized-model-of-a-male-human-head-science-fiction-robot-concept-cyborg-artificial-intelligence-image387312785.htmlRF2DE3HBD–Digitized Model of a male human head. Science fiction robot concept - cyborg, artificial intelligence.
The facial expression of fright on the human face being induced by electrical currents. Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-facial-expression-of-fright-on-the-human-face-being-induced-by-electrical-currents-guillaume-benjamin-amand-duchenne-de-boulogne-september-17-1806-september-15-1875-was-a-french-neurologist-who-advanced-the-science-of-electrophysiology-influenced-by-the-beliefs-of-physiognomy-duchenne-wanted-to-determine-how-the-muscles-in-the-human-face-produce-facial-expressions-which-he-believed-to-be-directly-linked-to-the-soul-of-man-image246621958.htmlRMT96GR2–The facial expression of fright on the human face being induced by electrical currents. Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man.
PHYSIOGNOMY - MERMAIDS The physiognomy and appearance of the sub-human monster Caliban, in this illustration by Robert Anning Bell (1863-1933) for Shakespeare's play, The Tempest (1901) fits all the requirements of the traditions attached to art of Physiognomy, but probably also owes something to the teaching of Darwin. The ape-like subhuman quality of Caliban is contrasted with the delicate semi-human mermaids, thus reflecting the dichotomy of Shakespeare's own Island theme. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-mermaids-the-physiognomy-and-appearance-of-the-sub-human-monster-caliban-in-this-illustration-by-robert-anning-bell-1863-1933-for-shakespeares-play-the-tempest-1901-fits-all-the-requirements-of-the-traditions-attached-to-art-of-physiognomy-but-probably-also-owes-something-to-the-teaching-of-darwin-the-ape-like-subhuman-quality-of-caliban-is-contrasted-with-the-delicate-semi-human-mermaids-thus-reflecting-the-dichotomy-of-shakespeares-own-island-theme-image179624875.htmlRMMC6HA3–PHYSIOGNOMY - MERMAIDS The physiognomy and appearance of the sub-human monster Caliban, in this illustration by Robert Anning Bell (1863-1933) for Shakespeare's play, The Tempest (1901) fits all the requirements of the traditions attached to art of Physiognomy, but probably also owes something to the teaching of Darwin. The ape-like subhuman quality of Caliban is contrasted with the delicate semi-human mermaids, thus reflecting the dichotomy of Shakespeare's own Island theme.
Chiromancy Chart of the Palms: lines and ways. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chiromancy-chart-of-the-palms-lines-and-ways-41594111.htmlRFCBJNKY–Chiromancy Chart of the Palms: lines and ways.
Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homo-sapiens-print-homo-sapiens-is-the-only-extant-human-species-the-name-is-latin-for-wise-man-and-was-introduced-in-1758-by-carl-linnaeus-who-is-himself-the-lectotype-for-the-species-physiognomy-image328684401.htmlRM2A2MT8H–Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy
The relation between the human physiognomy and that of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-relation-between-the-human-physiognomy-and-that-of-the-image449987500.htmlRM2H42KJ4–The relation between the human physiognomy and that of the
young man with stinkefinger Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/young-man-with-stinkefinger-image225399399.htmlRFR2KR6F–young man with stinkefinger
RoboCup 2009, Graz, robot world championship, robotics, Human-Robot-Interaction Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-robocup-2009-graz-robot-world-championship-robotics-human-robot-interaction-26616645.htmlRMBF8DPD–RoboCup 2009, Graz, robot world championship, robotics, Human-Robot-Interaction
Face front view. Head of the Person. 3D Geometric Design. Vector Illustration. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-face-front-view-head-of-the-person-3d-geometric-design-vector-illustration-164713637.htmlRFKFY9WW–Face front view. Head of the Person. 3D Geometric Design. Vector Illustration.
Chiromancy Chart of the Palms lines and ways. Vector line illustration Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chiromancy-chart-of-the-palms-lines-and-ways-vector-line-illustration-image408323848.htmlRF2EM8N6G–Chiromancy Chart of the Palms lines and ways. Vector line illustration
Physiognomony and craniology, 19th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomony-and-craniology-19th-century-image558062437.htmlRM2RBWX99–Physiognomony and craniology, 19th century
Family of cute raspberry characters with joyful emotions, smile, happy eyes, face, arms and legs. Mom is happy, dad is wearing a hat, and the child is dancing. Sweet berry in the form of a human Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/family-of-cute-raspberry-characters-with-joyful-emotions-smile-happy-eyes-face-arms-and-legs-mom-is-happy-dad-is-wearing-a-hat-and-the-child-is-dancing-sweet-berry-in-the-form-of-a-human-image441101514.htmlRF2GHHWDE–Family of cute raspberry characters with joyful emotions, smile, happy eyes, face, arms and legs. Mom is happy, dad is wearing a hat, and the child is dancing. Sweet berry in the form of a human
Physiognomy. The brute. Engraved by Barlow after a drawing by Lavater. Late 18th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-physiognomy-the-brute-engraved-by-barlow-after-a-drawing-by-lavater-31851377.htmlRMBRPXN5–Physiognomy. The brute. Engraved by Barlow after a drawing by Lavater. Late 18th century.
Frail old toothless Indian Rabari man with golden tribal earrings and wrinkled face wears a traditional turban and looks at the viewer. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/frail-old-toothless-indian-rabari-man-with-golden-tribal-earrings-and-wrinkled-face-wears-a-traditional-turban-and-looks-at-the-viewer-image387392418.htmlRF2DE76YE–Frail old toothless Indian Rabari man with golden tribal earrings and wrinkled face wears a traditional turban and looks at the viewer.
![. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo](https://c8.alamy.com/comp/MYDKDX/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-MYDKDX.jpg ". English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photo")
. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-anonymous-tise-on-physiognomy-netherlands-ca-1790-physiognomy-is-the-science-of-relating-an-individuals-character-personality-and-temperament-to-the-shape-of-his-or-her-face-head-andor-body-the-theories-behind-it-go-back-to-hippocrates-who-believed-that-physical-characteristics-of-the-human-body-revealed-personality-traits-aristotle-performed-studies-on-how-hair-limbs-and-facial-features-predicted-personality-and-temperament-such-theories-thrived-throughout-the-middle-ages-and-the-renaissance-and-the-noted-girolamo-cardano-1501-1576-was-one-of-its-main-propon-image189000054.htmlRMMYDKDX–. English: Anonymous. [tise on physiognomy. (Netherlands?, ca. 1790)]. Physiognomy is the science of relating an individual's character, personality, and temperament to the shape of his or her face, head, and/or body. The theories behind it go back to Hippocrates, who believed that physical characteristics of the human body revealed personality traits; Aristotle performed studies on how hair, limbs and facial features predicted personality and temperament. Such theories thrived throughout the Middle Ages and the Renaissance, and the noted Girolamo Cardano (1501-1576) was one of its main propon
Shaanxi qinling taibai mountain snow village Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaanxi-qinling-taibai-mountain-snow-village-image264332342.htmlRFWA1AGP–Shaanxi qinling taibai mountain snow village
New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-new-physiognomy-or-signs-of-character-as-manifested-through-temperament-101169723.htmlRMFTGK0B–New Physiognomy - or signs of character, as manifested through temperament and external forms, and especially in the the human face divine. (1889)
Portrait of a Young Woman with a Fan. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 49 1/2 x 39 3/4 in. (125.7 x 101 cm). Date: 1633. This animated portrait has a pendant showing the sitter's husband rising from a chair (Taft Museum, Cincinnati). When seen together, husband and wife seem to respond to each other, making these among Rembrandt's most inventive compositions of the early 1630s. Rembrandt's early experience as a painter of dramatic history scenes and his close study of physiognomy and character during the time he spent in Leiden prepared h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-a-young-woman-with-a-fan-artist-rembrandt-rembrandt-van-rijn-dutch-leiden-1606-1669-amsterdam-dimensions-49-12-x-39-34-in-1257-x-101-cm-date-1633-this-animated-portrait-has-a-pendant-showing-the-sitters-husband-rising-from-a-chair-taft-museum-cincinnati-when-seen-together-husband-and-wife-seem-to-respond-to-each-other-making-these-among-rembrandts-most-inventive-compositions-of-the-early-1630s-rembrandts-early-experience-as-a-painter-of-dramatic-history-scenes-and-his-close-study-of-physiognomy-and-character-during-the-time-he-spent-in-leiden-prepared-h-image213397297.htmlRMPB52C1–Portrait of a Young Woman with a Fan. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 49 1/2 x 39 3/4 in. (125.7 x 101 cm). Date: 1633. This animated portrait has a pendant showing the sitter's husband rising from a chair (Taft Museum, Cincinnati). When seen together, husband and wife seem to respond to each other, making these among Rembrandt's most inventive compositions of the early 1630s. Rembrandt's early experience as a painter of dramatic history scenes and his close study of physiognomy and character during the time he spent in Leiden prepared h
Anatomical drawing. Anatomical prints of the human body with natural dimensions. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles. Paris France 1826. ANTOMMARCHI, C. Francesco. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles, accompagneÌes d’un texte explicatif ... PublieÌes par le cte de Lasteyrie. (Explication des planches anatomiques, etc.). Source: 1899.h.24 Tab.43 fig. 5. Language: French. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/anatomical-drawing-anatomical-prints-of-the-human-body-with-natural-dimensions-planches-anatomiques-du-corps-humain-executees-dapres-les-dimensions-naturelles-paris-france-1826-antommarchi-c-francesco-planches-anatomiques-du-corps-humain-executees-dapres-les-dimensions-naturelles-accompagnees-dun-texte-explicatif-publiees-par-le-cte-de-lasteyrie-explication-des-planches-anatomiques-etc-source-1899h24-tab43-fig-5-language-french-image227076944.htmlRMR5C6XT–Anatomical drawing. Anatomical prints of the human body with natural dimensions. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles. Paris France 1826. ANTOMMARCHI, C. Francesco. Planches anatomiques du corps humain executeÌes d’apreÌ€s les dimensions naturelles, accompagneÌes d’un texte explicatif ... PublieÌes par le cte de Lasteyrie. (Explication des planches anatomiques, etc.). Source: 1899.h.24 Tab.43 fig. 5. Language: French.
Digitized Model of a male human head. Science fiction robot concept - cyborg, artificial intelligence. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/digitized-model-of-a-male-human-head-science-fiction-robot-concept-cyborg-artificial-intelligence-image387312789.htmlRF2DE3HBH–Digitized Model of a male human head. Science fiction robot concept - cyborg, artificial intelligence.
The facial expression of terror on the human face being induced by electrical currents. Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-facial-expression-of-terror-on-the-human-face-being-induced-by-electrical-currents-guillaume-benjamin-amand-duchenne-de-boulogne-september-17-1806-september-15-1875-was-a-french-neurologist-who-advanced-the-science-of-electrophysiology-influenced-by-the-beliefs-of-physiognomy-duchenne-wanted-to-determine-how-the-muscles-in-the-human-face-produce-facial-expressions-which-he-believed-to-be-directly-linked-to-the-soul-of-man-image246621840.htmlRMT96GJT–The facial expression of terror on the human face being induced by electrical currents. Guillaume-Benjamin-Amand Duchenne de Boulogne (September 17, 1806 - September 15, 1875) was a French neurologist who advanced the science of electrophysiology. Influenced by the beliefs of physiognomy, Duchenne wanted to determine how the muscles in the human face produce facial expressions which he believed to be directly linked to the soul of man.
PHYSIOGNOMY - LAVATER Twelve 'physiognomic' examples of heads from a plate in the 1790 edition of Johann Kaspar Lavater (1741-1801) Physiognomische Fragmente, which he wrote with the assistance of Goethe. This plate relates to page 181 of Volume III of the English translation, wherein the twelve heads are discussed. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/physiognomy-lavater-twelve-physiognomic-examples-of-heads-from-a-plate-in-the-1790-edition-of-johann-kaspar-lavater-1741-1801-physiognomische-fragmente-which-he-wrote-with-the-assistance-of-goethe-this-plate-relates-to-page-181-of-volume-iii-of-the-english-translation-wherein-the-twelve-heads-are-discussed-image179624858.htmlRMMC6H9E–PHYSIOGNOMY - LAVATER Twelve 'physiognomic' examples of heads from a plate in the 1790 edition of Johann Kaspar Lavater (1741-1801) Physiognomische Fragmente, which he wrote with the assistance of Goethe. This plate relates to page 181 of Volume III of the English translation, wherein the twelve heads are discussed.
Geography of a Palm: lines, ways, mounts and valleys (Chiromancy Chart) EPS-8 Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-geography-of-a-palm-lines-ways-mounts-and-valleys-chiromancy-chart-124453804.htmlRFH6DA2M–Geography of a Palm: lines, ways, mounts and valleys (Chiromancy Chart) EPS-8
Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/homo-sapiens-print-homo-sapiens-is-the-only-extant-human-species-the-name-is-latin-for-wise-man-and-was-introduced-in-1758-by-carl-linnaeus-who-is-himself-the-lectotype-for-the-species-physiognomy-image328684406.htmlRM2A2MT8P–Homo sapiens, Print, Homo sapiens is the only extant human species. The name is Latin for 'wise man' and was introduced in 1758 by Carl Linnaeus (who is himself the lectotype for the species)., physiognomy
