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Hyderabad deccan Stock Photos and Images
The Hyderabad Deccan Railway Station, popularly known as Nampally Railway Station,Telangana 500001 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-hyderabad-deccan-railway-station-popularly-known-as-nampally-railway-122083858.htmlRMH2HB5P–The Hyderabad Deccan Railway Station, popularly known as Nampally Railway Station,Telangana 500001
Hyderabad Deccan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hyderabad-deccan-170678201.htmlRMKWK1P1–Hyderabad Deccan
The drawing room, Basheer Bagh Palace, Hyderabad (Deccan). India. 1910 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-drawing-room-basheer-bagh-palace-hyderabad-deccan-india-1910-image611018409.htmlRF2XE2861–The drawing room, Basheer Bagh Palace, Hyderabad (Deccan). India. 1910
A princess with attendants on a terrace, c. 1720-1730. India, Hyderabad, Deccan, 18th century. Opaque watercolor with gold on paper; painting: 31.3 x 19.7 cm (12 5/16 x 7 3/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-princess-with-attendants-on-a-terrace-c-1720-1730-india-hyderabad-deccan-18th-century-opaque-watercolor-with-gold-on-paper-painting-313-x-197-cm-12-516-x-7-34-in-image240505706.htmlRMRY7YDE–A princess with attendants on a terrace, c. 1720-1730. India, Hyderabad, Deccan, 18th century. Opaque watercolor with gold on paper; painting: 31.3 x 19.7 cm (12 5/16 x 7 3/4 in
INDIA. The Royal Necropolis at Golconda, Hyderabad(Deccan) c1880 old print Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-the-royal-necropolis-at-golconda-hyderabaddeccan-c1880-old-print-image242601147.htmlRFT2KC6K–INDIA. The Royal Necropolis at Golconda, Hyderabad(Deccan) c1880 old print
Bulls or Nadias with Ornamental Carvings Side View, Warangal, Hyderabad, Deccan, Lala Deen Dayal (Indian, 1844 - 1905), Warangal, India, December 1887–February 1888, Albumen silver print, 18.6 × 26 cm (7 5/16 × 10 1/4 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulls-or-nadias-with-ornamental-carvings-side-view-warangal-hyderabad-deccan-lala-deen-dayal-indian-1844-1905-warangal-india-december-1887february-1888-albumen-silver-print-186-26-cm-7-516-10-14-in-image261305695.htmlRMW53E27–Bulls or Nadias with Ornamental Carvings Side View, Warangal, Hyderabad, Deccan, Lala Deen Dayal (Indian, 1844 - 1905), Warangal, India, December 1887–February 1888, Albumen silver print, 18.6 × 26 cm (7 5/16 × 10 1/4 in
Golden Coat of Arms His Exalted Highness The Nizams Government Early 20th century Hyderabad Deccan Andhra Pradesh India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golden-coat-of-arms-his-exalted-highness-the-nizams-government-early-image7212292.htmlRMAAG6T5–Golden Coat of Arms His Exalted Highness The Nizams Government Early 20th century Hyderabad Deccan Andhra Pradesh India
Artist: Hyderabad School, Portrait of an Unidentified Courtier, 18th century, Opaque watercolor and gold on paper, 5 5/8 × 8 1/4 in. (14.3 × 21 cm), Made in Hyderabad, Deccan, India, Indian, Islamic, Deccan, India, Mughal dynasty (1526–1857), Paintings Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/artist-hyderabad-school-portrait-of-an-unidentifiedcourtier-18thcentury-opaque-watercolor-and-gold-on-paper-5-58-8-14-in-143-21-cm-made-in-hyderabad-deccan-india-indian-islamicdeccan-india-mughal-dynasty15261857-paintings-image393272807.htmlRM2DRR3DB–Artist: Hyderabad School, Portrait of an Unidentified Courtier, 18th century, Opaque watercolor and gold on paper, 5 5/8 × 8 1/4 in. (14.3 × 21 cm), Made in Hyderabad, Deccan, India, Indian, Islamic, Deccan, India, Mughal dynasty (1526–1857), Paintings
Inspired by Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-raja-mahadji-sindhia-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-1116-x-11-34-in-500-x-298-cm-deccan-emeralds-gold-jama-paper-pearls-persian-raja-mahaji-sindhia-vaishnavite-watercolor-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256644.htmlRF2HK4XF0–Inspired by Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raja-mahadji-sindhia-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-1116-x-11-34-in-500-x-298-cm-deccan-emeralds-gold-jama-paper-pearls-persian-raja-mahaji-sindhia-vaishnavite-watercolor-image454277832.htmlRM2HB2408–Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor
WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-weld-1862-in-india-pg098-020-british-residency-at-hyderabad-deccan-74228173.htmlRME8NAP5–WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View)
Azizunisa Begum - Aziz Bagh, Hyderabad, Deccan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/azizunisa-begum-aziz-bagh-hyderabad-deccan-image217677620.htmlRMPJ420M–Azizunisa Begum - Aziz Bagh, Hyderabad, Deccan.
. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 390 Malkos Ragamala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alkos-ragamala-hyderabad-deccan-18th-c-18th-century-deccan-390-malkos-ragamala-image188120048.htmlRMMX1H14–. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 390 Malkos Ragamala
Hyderabad Deccan. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyderabad-deccan-image355938347.htmlRM2BK2AYR–Hyderabad Deccan.
HYDERABAD CAV: 20th Deccan horse Sikh 29th Lancers 30 Gordon Daffadar Jat, 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hyderabad-cav-20th-deccan-horse-sikh-29th-lancers-30-gordon-daffadar-103842788.htmlRFG0XCF0–HYDERABAD CAV: 20th Deccan horse Sikh 29th Lancers 30 Gordon Daffadar Jat, 1911
Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-24-october-2022-art-of-the-islamic-and-indian-worlds-including-oriental-rugs-and-carpets-takes-place-on-27-october-image-enamelled-and-diamond-set-pandan-tray-and-boxes-hyderabad-deccan-india-early-18th-century-estimate-250000-350000-credit-malcolm-parkalamy-live-news-image487220643.htmlRM2K8JPW7–Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News
Bulls or Nadias with Ornamental Carvings Side View, Warangal, Hyderabad, Deccan. Lala Deen Dayal (Indian, 1844 - 1905) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bulls-or-nadias-with-ornamental-carvings-side-view-warangal-hyderabad-deccan-lala-deen-dayal-indian-1844-1905-image416591869.htmlRM2F5NB51–Bulls or Nadias with Ornamental Carvings Side View, Warangal, Hyderabad, Deccan. Lala Deen Dayal (Indian, 1844 - 1905)
Photograph of a rocky hill with a single palm tree in Secunderabad, taken by Deen Dayal in the 1880s. One-Tree Hill, Secunderabad. 1880. This image is from the Curzon Collection: 'Views of HH the Nizam's Dominions, Hyderabad, Deccan, 1892'. In the foreground of this view is a rural scene of people washing clothes in a river at Secunderabad. Lala Deen Dayal (1844-1905) took up photography in the 1870s and in 1884 became official photographer to the Nizam of Hyderabad, with studios in Secunderabad and Indore. Source: Photo 430/6(28). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/photograph-of-a-rocky-hill-with-a-single-palm-tree-in-secunderabad-taken-by-deen-dayal-in-the-1880s-one-tree-hill-secunderabad-1880-this-image-is-from-the-curzon-collection-views-of-hh-the-nizams-dominions-hyderabad-deccan-1892-in-the-foreground-of-this-view-is-a-rural-scene-of-people-washing-clothes-in-a-river-at-secunderabad-lala-deen-dayal-1844-1905-took-up-photography-in-the-1870s-and-in-1884-became-official-photographer-to-the-nizam-of-hyderabad-with-studios-in-secunderabad-and-indore-source-photo-430628-image226956447.htmlRMR56N7B–Photograph of a rocky hill with a single palm tree in Secunderabad, taken by Deen Dayal in the 1880s. One-Tree Hill, Secunderabad. 1880. This image is from the Curzon Collection: 'Views of HH the Nizam's Dominions, Hyderabad, Deccan, 1892'. In the foreground of this view is a rural scene of people washing clothes in a river at Secunderabad. Lala Deen Dayal (1844-1905) took up photography in the 1870s and in 1884 became official photographer to the Nizam of Hyderabad, with studios in Secunderabad and Indore. Source: Photo 430/6(28).
Indian city stricken with cholera as a result of the floods . Hyderabad , Sind . A general view . Note the remarkable wind catchers on the roofs of almost all the houses . 6 September 1929 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indian-city-stricken-with-cholera-as-a-result-of-the-floods-hyderabad-sind-a-general-view-note-the-remarkable-wind-catchers-on-the-roofs-of-almost-all-the-houses-6-september-1929-image359761958.htmlRM2BW8G1A–Indian city stricken with cholera as a result of the floods . Hyderabad , Sind . A general view . Note the remarkable wind catchers on the roofs of almost all the houses . 6 September 1929
A princess with attendants on a terrace, c. 1720-1730. India, Hyderabad, Deccan, 18th century. Opaque watercolor with gold on paper; painting: 31.3 x 19.7 cm (12 5/16 x 7 3/4 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-princess-with-attendants-on-a-terrace-c-1720-1730-india-hyderabad-deccan-18th-century-opaque-watercolor-with-gold-on-paper-painting-313-x-197-cm-12-516-x-7-34-in-image448064368.htmlRM2H0Y2JT–A princess with attendants on a terrace, c. 1720-1730. India, Hyderabad, Deccan, 18th century. Opaque watercolor with gold on paper; painting: 31.3 x 19.7 cm (12 5/16 x 7 3/4 in.).
Hyderabad Deccan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-hyderabad-deccan-147562140.htmlRMJG210C–Hyderabad Deccan
Yusuf Pathan Rajasthan Royals celebrates his half century during the match against Hyderabad Deccan Chargers at the IPL T20 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-yusuf-pathan-rajasthan-royals-celebrates-his-half-century-during-the-34737180.htmlRMC0EBHG–Yusuf Pathan Rajasthan Royals celebrates his half century during the match against Hyderabad Deccan Chargers at the IPL T20
Azizunisa Begum Aziz Bagh, Hyderabad, Deccan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-azizunisa-begum-aziz-bagh-hyderabad-deccan-166293243.htmlRMKJF8MB–Azizunisa Begum Aziz Bagh, Hyderabad, Deccan
Daulatabad Fort in the Deccan in the possession of the Nizam of Hyderabad ; Maharashtra ; India ; old vintage 1800s picture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-daulatabad-fort-in-the-deccan-in-the-possession-of-the-nizam-of-hyderabad-83597699.htmlRMET05M3–Daulatabad Fort in the Deccan in the possession of the Nizam of Hyderabad ; Maharashtra ; India ; old vintage 1800s picture
Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qutub-shahi-tombs-they-are-located-in-the-ibrahim-bagh-close-to-the-famous-golconda-fort-in-hyderabad-india-image332464945.htmlRF2A8W2C1–Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India.
India: A miniature painting of Mir Qamar-ud-Din Siddiqi, the founder of the Nizams, adorned in pearls. The Nizams were the rulers of Hyderabad under the Asaf Jahi dynasty from c. 1719 until its integration into the Indian Union in September 1948 following independence from the British. The Nizams were renowned as great patrons of literature, art, architecture, culture, jewellery collection and rich food. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-a-miniature-painting-of-mir-qamar-ud-din-siddiqi-the-founder-of-the-nizams-adorned-in-pearls-the-nizams-were-the-rulers-of-hyderabad-under-the-asaf-jahi-dynasty-from-c-1719-until-its-integration-into-the-indian-union-in-september-1948-following-independence-from-the-british-the-nizams-were-renowned-as-great-patrons-of-literature-art-architecture-culture-jewellery-collection-and-rich-food-image344226982.htmlRM2B00W0P–India: A miniature painting of Mir Qamar-ud-Din Siddiqi, the founder of the Nizams, adorned in pearls. The Nizams were the rulers of Hyderabad under the Asaf Jahi dynasty from c. 1719 until its integration into the Indian Union in September 1948 following independence from the British. The Nizams were renowned as great patrons of literature, art, architecture, culture, jewellery collection and rich food.
Siddiamber Bazar Hyderabad India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/siddiamber-bazar-hyderabad-india-image65789736.htmlRMDR0YDC–Siddiamber Bazar Hyderabad India
Inspired by The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur'an, script, symbol, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-the-bismillah-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-58-x-11-1316-in-498-x-300-cm-19th-century-arabic-bismillah-blue-calligraphic-calligraphy-deccan-gold-hyderabad-india-mirror-writing-paper-quran-script-symbol-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256654.htmlRF2HK4XFA–Inspired by The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur'an, script, symbol, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Iraj Khan, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, bearded man, Deccan, flowering tree, flowers, gold, Hyderbad, Indian painting, Iraj Khan, man, Paper, Portrait, skirt, sword, watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iraj-khan-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-58-x-11-1316-in-498-x-300-cm-bearded-man-deccan-flowering-tree-flowers-gold-hyderbad-indian-painting-iraj-khan-man-paper-portrait-skirt-sword-watercolor-image454277738.htmlRM2HB23TX–Iraj Khan, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, bearded man, Deccan, flowering tree, flowers, gold, Hyderbad, Indian painting, Iraj Khan, man, Paper, Portrait, skirt, sword, watercolor
Art inspired by Fragment of a Processional Standard ('Alam), late 16th century, Country of Origin India, probably Hyderabad, Deccan, Brass with relief and pierced decoration, H. 40 in (101.6 cm), Metal, Although it has lost its surrounding edge and crest of splayed finials, the heart, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-fragment-of-a-processional-standard-alam-late-16th-century-country-of-origin-india-probably-hyderabad-deccan-brass-with-relief-and-pierced-decoration-h-40-in-1016-cm-metal-although-it-has-lost-its-surrounding-edge-and-crest-of-splayed-finials-the-heart-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029582.htmlRF2HW8PXP–Art inspired by Fragment of a Processional Standard ('Alam), late 16th century, Country of Origin India, probably Hyderabad, Deccan, Brass with relief and pierced decoration, H. 40 in (101.6 cm), Metal, Although it has lost its surrounding edge and crest of splayed finials, the heart, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-weld-1862-in-india-pg098-020-british-residency-at-hyderabad-deccan-76871698.htmlRMED1PHP–WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View)
Art inspired by Processional Standard ('Alam), late 17th–early 18th century, Made in India, probably Hyderabad, Deccan, Brass, H. 38 in. (96.5 cm), Metal, Standards are used in many parts of the Muslim world by the Shi'a community in processions marking the martyrdom of Imam Husain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-processional-standard-alam-late-17thearly-18th-century-made-in-india-probably-hyderabad-deccan-brass-h-38-in-965-cm-metal-standards-are-used-in-many-parts-of-the-muslim-world-by-the-shia-community-in-processions-marking-the-martyrdom-of-imam-husain-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463029577.htmlRF2HW8PXH–Art inspired by Processional Standard ('Alam), late 17th–early 18th century, Made in India, probably Hyderabad, Deccan, Brass, H. 38 in. (96.5 cm), Metal, Standards are used in many parts of the Muslim world by the Shi'a community in processions marking the martyrdom of Imam Husain, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 340 Malkos Ragamala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alkos-ragamala-hyderabad-deccan-18th-c-18th-century-deccan-340-malkos-ragamala-image188835478.htmlRMMY65G6–. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 340 Malkos Ragamala
Inspired by Iraj Khan, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, bearded man, Deccan, flowering tree, flowers, gold, Hyderbad, Indian painting, Iraj Khan, man, Paper, Portrait, skirt, sword, watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-iraj-khan-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-58-x-11-1316-in-498-x-300-cm-bearded-man-deccan-flowering-tree-flowers-gold-hyderbad-indian-painting-iraj-khan-man-paper-portrait-skirt-sword-watercolor-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256548.htmlRF2HK4XBG–Inspired by Iraj Khan, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, bearded man, Deccan, flowering tree, flowers, gold, Hyderbad, Indian painting, Iraj Khan, man, Paper, Portrait, skirt, sword, watercolor, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Book Cover of Glimpses of The Nizams Dominions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-of-glimpses-of-the-nizams-dominions-119900637.htmlRMGY1XDH–Book Cover of Glimpses of The Nizams Dominions
Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-24-october-2022-art-of-the-islamic-and-indian-worlds-including-oriental-rugs-and-carpets-takes-place-on-27-october-image-enamelled-and-diamond-set-pandan-tray-and-boxes-hyderabad-deccan-india-early-18th-century-estimate-250000-350000-credit-malcolm-parkalamy-live-news-image487220631.htmlRM2K8JPTR–Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News
'Chudder Ghat', the British Residency at Hyderabad (Deccan). A view of the main façade of the Residency from the garden. Photograph album of 'Our Indian Trip 1887-88'. 1880s. Photograph. Source: Photo 403/(46). Language: English. Author: UNKNOWN. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/chudder-ghat-the-british-residency-at-hyderabad-deccan-a-view-of-the-main-faade-of-the-residency-from-the-garden-photograph-album-of-our-indian-trip-1887-88-1880s-photograph-source-photo-40346-language-english-author-unknown-image227130598.htmlRMR5EKB2–'Chudder Ghat', the British Residency at Hyderabad (Deccan). A view of the main façade of the Residency from the garden. Photograph album of 'Our Indian Trip 1887-88'. 1880s. Photograph. Source: Photo 403/(46). Language: English. Author: UNKNOWN.
Dagger. Culture: Indian, Deccan, possibly Hyderabad. Dimensions: H. 13 13/16 in. (35.1 cm); H. of blade 9 in. (22.9 cm); W. 2 13/16 in. (7.1 cm); Wt. 13.1 oz. (371.4 g). Date: 17th to 18th century. Daggers with curled 'pistol-grip' pommels became popular in the court of Mughal emperor Aurangzeb (r. 1658-1707) around 1660 and regularly appeared in the portraits of Mughal and Deccani officials thereafter. The jade grip of this dagger is inlaid with silver foliate motifs set flush with the surface, a technique that recalls contemporary Bidri ware (from Bidar, in the Deccan), cast zinc vessels th Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dagger-culture-indian-deccan-possibly-hyderabad-dimensions-h-13-1316-in-351-cm-h-of-blade-9-in-229-cm-w-2-1316-in-71-cm-wt-131-oz-3714-g-date-17th-to-18th-century-daggers-with-curled-pistol-grip-pommels-became-popular-in-the-court-of-mughal-emperor-aurangzeb-r-1658-1707-around-1660-and-regularly-appeared-in-the-portraits-of-mughal-and-deccani-officials-thereafter-the-jade-grip-of-this-dagger-is-inlaid-with-silver-foliate-motifs-set-flush-with-the-surface-a-technique-that-recalls-contemporary-bidri-ware-from-bidar-in-the-deccan-cast-zinc-vessels-th-image213207192.htmlRMPATBXG–Dagger. Culture: Indian, Deccan, possibly Hyderabad. Dimensions: H. 13 13/16 in. (35.1 cm); H. of blade 9 in. (22.9 cm); W. 2 13/16 in. (7.1 cm); Wt. 13.1 oz. (371.4 g). Date: 17th to 18th century. Daggers with curled 'pistol-grip' pommels became popular in the court of Mughal emperor Aurangzeb (r. 1658-1707) around 1660 and regularly appeared in the portraits of Mughal and Deccani officials thereafter. The jade grip of this dagger is inlaid with silver foliate motifs set flush with the surface, a technique that recalls contemporary Bidri ware (from Bidar, in the Deccan), cast zinc vessels th
Buddha statue Hussainsagar, Hyderabad Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-buddha-statue-hussainsagar-hyderabad-18714565.htmlRMB2CEH9–Buddha statue Hussainsagar, Hyderabad
Golconda lay on the south east side of the Deccan in Hyderabad district, Telangana. With rich and fertile farmland, Golconda was very attractive for European traders. The art of Golonconda tells us a lot about the traditional culture of the Deccan. We see many figures, flowers, and animal creations in decorative mortars, vessels, calligraphies (Alams) and hanging kalamkaris, or textiles of the Deccan made for courtly patrons. This painting of a 'Dancing Girl' represents a classical Indian maiden dancing, wearing Indian clothes with traditional imperial jewellery. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/golconda-lay-on-the-south-east-side-of-the-deccan-in-hyderabad-district-telangana-with-rich-and-fertile-farmland-golconda-was-very-attractive-for-european-traders-the-art-of-golonconda-tells-us-a-lot-about-the-traditional-culture-of-the-deccan-we-see-many-figures-flowers-and-animal-creations-in-decorative-mortars-vessels-calligraphies-alams-and-hanging-kalamkaris-or-textiles-of-the-deccan-made-for-courtly-patrons-this-painting-of-a-dancing-girl-represents-a-classical-indian-maiden-dancing-wearing-indian-clothes-with-traditional-imperial-jewellery-image344277475.htmlRM2B035C3–Golconda lay on the south east side of the Deccan in Hyderabad district, Telangana. With rich and fertile farmland, Golconda was very attractive for European traders. The art of Golonconda tells us a lot about the traditional culture of the Deccan. We see many figures, flowers, and animal creations in decorative mortars, vessels, calligraphies (Alams) and hanging kalamkaris, or textiles of the Deccan made for courtly patrons. This painting of a 'Dancing Girl' represents a classical Indian maiden dancing, wearing Indian clothes with traditional imperial jewellery.
Shane Watson Rajasthan Royals bowls during the match against Hyderabad Deccan Chargers at the IPL T20 match at Sawai Mansingh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shane-watson-rajasthan-royals-bowls-during-the-match-against-hyderabad-34737260.htmlRMC0EBMC–Shane Watson Rajasthan Royals bowls during the match against Hyderabad Deccan Chargers at the IPL T20 match at Sawai Mansingh
Fruit Vendor in Hyderabad, Deccan India 1928 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-fruit-vendor-in-hyderabad-deccan-india-1928-166237981.htmlRMKJCP6N–Fruit Vendor in Hyderabad, Deccan India 1928
The Nizam of Hyderabad, was a former monarchy of Hyderabad State, now divided into the states of Andhra Pradesh, Karnataka and Maharashtra on a linguistic basis. From 1724, Nizam, shortened from Nizam-ul-Mulk, meaning Administrator of the Realm, was the title of the native sovereigns of Hyderabad State who belonged to the Asaf Jah dynasty. The dynasty was founded by Mir Qamar-ud-Din Siddiqi, a viceroy of the Deccan under the Mughal emperors from 1713 to 1721. He intermittently ruled after Aurangzeb's death in 1707 and under the title Asaf Jah in 1724, the Mughal Empire crumbled and the vicero Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nizam-of-hyderabad-was-a-former-monarchy-of-hyderabad-state-now-divided-into-the-states-of-andhra-pradesh-karnataka-and-maharashtra-on-a-linguistic-basis-from-1724-nizam-shortened-from-nizam-ul-mulk-meaning-administrator-of-the-realm-was-the-title-of-the-native-sovereigns-of-hyderabad-state-who-belonged-to-the-asaf-jah-dynasty-the-dynasty-was-founded-by-mir-qamar-ud-din-siddiqi-a-viceroy-of-the-deccan-under-the-mughal-emperors-from-1713-to-1721-he-intermittently-ruled-after-aurangzebs-death-in-1707-and-under-the-title-asaf-jah-in-1724-the-mughal-empire-crumbled-and-the-vicero-image344256902.htmlRM2B0275A–The Nizam of Hyderabad, was a former monarchy of Hyderabad State, now divided into the states of Andhra Pradesh, Karnataka and Maharashtra on a linguistic basis. From 1724, Nizam, shortened from Nizam-ul-Mulk, meaning Administrator of the Realm, was the title of the native sovereigns of Hyderabad State who belonged to the Asaf Jah dynasty. The dynasty was founded by Mir Qamar-ud-Din Siddiqi, a viceroy of the Deccan under the Mughal emperors from 1713 to 1721. He intermittently ruled after Aurangzeb's death in 1707 and under the title Asaf Jah in 1724, the Mughal Empire crumbled and the vicero
Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qutub-shahi-tombs-they-are-located-in-the-ibrahim-bagh-close-to-the-famous-golconda-fort-in-hyderabad-india-image332464940.htmlRF2A8W2BT–Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India.
The Nizam of Hyderabad, was a former monarchy of Hyderabad State, now divided into the states of Andhra Pradesh, Karnataka and Maharashtra on a linguistic basis. From 1724, Nizam, shortened from Nizam-ul-Mulk, meaning Administrator of the Realm, was the title of the native sovereigns of Hyderabad State who belonged to the Asaf Jah dynasty. The dynasty was founded by Mir Qamar-ud-Din Siddiqi, a viceroy of the Deccan under the Mughal emperors from 1713 to 1721. He intermittently ruled after Aurangzeb's death in 1707 and under the title Asaf Jah in 1724, the Mughal Empire crumbled and the vicero Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-nizam-of-hyderabad-was-a-former-monarchy-of-hyderabad-state-now-divided-into-the-states-of-andhra-pradesh-karnataka-and-maharashtra-on-a-linguistic-basis-from-1724-nizam-shortened-from-nizam-ul-mulk-meaning-administrator-of-the-realm-was-the-title-of-the-native-sovereigns-of-hyderabad-state-who-belonged-to-the-asaf-jah-dynasty-the-dynasty-was-founded-by-mir-qamar-ud-din-siddiqi-a-viceroy-of-the-deccan-under-the-mughal-emperors-from-1713-to-1721-he-intermittently-ruled-after-aurangzebs-death-in-1707-and-under-the-title-asaf-jah-in-1724-the-mughal-empire-crumbled-and-the-vicero-image344257418.htmlRM2B027RP–The Nizam of Hyderabad, was a former monarchy of Hyderabad State, now divided into the states of Andhra Pradesh, Karnataka and Maharashtra on a linguistic basis. From 1724, Nizam, shortened from Nizam-ul-Mulk, meaning Administrator of the Realm, was the title of the native sovereigns of Hyderabad State who belonged to the Asaf Jah dynasty. The dynasty was founded by Mir Qamar-ud-Din Siddiqi, a viceroy of the Deccan under the Mughal emperors from 1713 to 1721. He intermittently ruled after Aurangzeb's death in 1707 and under the title Asaf Jah in 1724, the Mughal Empire crumbled and the vicero
Golconda Fort Hyderabad Andhra Pradesh India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-golconda-fort-hyderabad-andhra-pradesh-india-47541116.htmlRMCN9K50–Golconda Fort Hyderabad Andhra Pradesh India
Ing Solomon and His Court India (Deccan, Hyderabad),. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ing-solomon-and-his-court-india-deccan-hyderabad-image364562923.htmlRM2C537MB–Ing Solomon and His Court India (Deccan, Hyderabad),.
The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur’an, script, symbol, Tughra, watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-bismillah-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-58-x-11-1316-in-498-x-300-cm-19th-century-arabic-bismillah-blue-calligraphic-calligraphy-deccan-gold-hyderabad-india-mirror-writing-paper-quran-script-symbol-tughra-watercolor-image454277845.htmlRM2HB240N–The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur’an, script, symbol, Tughra, watercolor
Shopping in Lad Bazaar, Hyderabad, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-shopping-in-lad-bazaar-hyderabad-india-16200359.htmlRMAT4J0T–Shopping in Lad Bazaar, Hyderabad, India
WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-weld-1862-in-india-pg234-054-portrait-of-nawaub-mooktiar-ool-moolk-74228208.htmlRME8NARC–WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan)
Hyderabad on the Deccan (Baedeker, 1914). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyderabad-on-the-deccan-baedeker-1914-image355938446.htmlRM2BK2B3A–Hyderabad on the Deccan (Baedeker, 1914).
. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 389 Malkos Ragamala Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-alkos-ragamala-hyderabad-deccan-18th-c-18th-century-deccan-389-malkos-ragamala-image187565498.htmlRMMW49KP–. English: alkos Ragamala Hyderabad, Deccan, 18th c. 18th century. Deccan 389 Malkos Ragamala
Inspired by King Solomon and His Court, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 7/8 in., 50.0 x 30.2 cm, 19th, angels, animals, busy, Century, creatures, Deccan, Flower, gilded, gold, group, Hyderabad, IMLS, India, Indian, King, King, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-king-solomon-and-his-court-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-1116-x-11-78-in-500-x-302-cm-19th-angels-animals-busy-century-creatures-deccan-flower-gilded-gold-group-hyderabad-imls-india-indian-king-king-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459256636.htmlRF2HK4XEM–Inspired by King Solomon and His Court, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 7/8 in., 50.0 x 30.2 cm, 19th, angels, animals, busy, Century, creatures, Deccan, Flower, gilded, gold, group, Hyderabad, IMLS, India, Indian, King, King, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 310 Ladies on a Terrace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ladies-on-a-terrace-hyderabad-deccan-india-18th-century-18th-century-unknown-310-ladies-on-a-terrace-image188835658.htmlRMMY65PJ–. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 310 Ladies on a Terrace
Book Cover of Glimpses of The Nizams Dominions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-of-glimpses-of-the-nizams-dominions-119900630.htmlRMGY1XDA–Book Cover of Glimpses of The Nizams Dominions
Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-24-october-2022-art-of-the-islamic-and-indian-worlds-including-oriental-rugs-and-carpets-takes-place-on-27-october-image-enamelled-and-diamond-set-pandan-tray-and-boxes-hyderabad-deccan-india-early-18th-century-estimate-250000-350000-credit-malcolm-parkalamy-live-news-image487220630.htmlRM2K8JPTP–Christie’s, London, UK. 24 October 2022. Art of the Islamic and Indian Worlds including Oriental Rugs and Carpets takes place on 27 October. Image: Enamelled and Diamond Set Pandan Tray and Boxes, Hyderabad, Deccan, India, early 18th Century. Estimate £250,000-350,000. Credit: Malcolm Park/Alamy Live News
Nawab Siander Jah, Nizam of Hyderabad, giving audience to Ministers. Gouache on paper; Deccan, India; around 1810. Museum: Victoria & Albert Museum, LONDRES, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nawab-siander-jah-nizam-of-hyderabad-giving-audience-to-ministers-gouache-on-paper-deccan-india-around-1810-museum-victoria-albert-museum-londres-uk-image630906585.htmlRM2YJC7P1–Nawab Siander Jah, Nizam of Hyderabad, giving audience to Ministers. Gouache on paper; Deccan, India; around 1810. Museum: Victoria & Albert Museum, LONDRES, UK.
Sir Afsar-ul-mulk Bahadur. Indian Commander-in-Chief of the H.E.H. the Nizam of Hyderabad and Deccan in 1897. Apppointed Major Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-sir-afsar-ul-mulk-bahadur-indian-commander-in-chief-of-the-heh-the-83343274.htmlRMERGH5E–Sir Afsar-ul-mulk Bahadur. Indian Commander-in-Chief of the H.E.H. the Nizam of Hyderabad and Deccan in 1897. Apppointed Major
Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-22nd-apr-2024-art-of-the-islamic-and-indian-worlds-including-rugs-and-carpets-sale-takes-place-on-25-april-highlights-include-a-rare-mughal-silk-rug-probably-hyderabad-or-warangel-the-deccan-south-india-18th-c-estimate-120000-160000-credit-malcolm-parkalamy-live-news-image603910678.htmlRM2X2EE6E–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News
Munaf Patel Rajasthan Royals celebrates with teammates wicket of Hyderabad Deccan Chargers player during the their match at the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-munaf-patel-rajasthan-royals-celebrates-with-teammates-wicket-of-hyderabad-34737309.htmlRMC0EBP5–Munaf Patel Rajasthan Royals celebrates with teammates wicket of Hyderabad Deccan Chargers player during the their match at the
Azizunisa Begum Aziz Bagh, Hyderabad, Deccan Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/azizunisa-begum-aziz-bagh-hyderabad-deccan-image155581561.htmlRMK139T9–Azizunisa Begum Aziz Bagh, Hyderabad, Deccan
The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-majestic-golkonda-fort-in-hyderabad-the-capital-of-the-ancient-hyderabad-state-that-existed-from-the-14th-to-16th-century-the-fort-is-the-biggest-fortress-on-the-deccan-plateau-of-india-hyderabad-andhra-pradesh-india-august-2006-image260461759.htmlRMW3N1HK–The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006..
Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qutub-shahi-tombs-they-are-located-in-the-ibrahim-bagh-close-to-the-famous-golconda-fort-in-hyderabad-india-image332464943.htmlRF2A8W2BY–Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India.
INDIA: 94th Russell; 95th; 96th Berar Jat; 97th Deccan; 98th Ahir Inf. Rgt, 1911 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-india-94th-russell-95th-96th-berar-jat-97th-deccan-98th-ahir-inf-rgt-103842970.htmlRFG0XCNE–INDIA: 94th Russell; 95th; 96th Berar Jat; 97th Deccan; 98th Ahir Inf. Rgt, 1911
Golconda Fort Hyderabad Andhra Pradesh India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-golconda-fort-hyderabad-andhra-pradesh-india-47541022.htmlRMCN9K1J–Golconda Fort Hyderabad Andhra Pradesh India
A European group, Hyderabad. This is most likely Hyderabad in Sindh, not the Deccan. Lieut-Colonel Reilly is sitting in a rattan chair right of centre . 1889. Photograph. Source: Photo 639/3(55). Author: Bremner, Frederick. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-european-group-hyderabad-this-is-most-likely-hyderabad-in-sindh-not-the-deccan-lieut-colonel-reilly-is-sitting-in-a-rattan-chair-right-of-centre-1889-photograph-source-photo-639355-author-bremner-frederick-image227158335.htmlRMR5FXNK–A European group, Hyderabad. This is most likely Hyderabad in Sindh, not the Deccan. Lieut-Colonel Reilly is sitting in a rattan chair right of centre . 1889. Photograph. Source: Photo 639/3(55). Author: Bremner, Frederick.
King Solomon and His Court, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 7/8 in., 50.0 x 30.2 cm, 19th, angels, animals, busy, Century, creatures, Deccan, Flower, gilded, gold, group, Hyderabad, IMLS, India, Indian, King, King Solomon, ornate, Ottoman, Paper, Peacocks, Religious, ruler, Solomon, throne, watercolor Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/king-solomon-and-his-court-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-1116-x-11-78-in-500-x-302-cm-19th-angels-animals-busy-century-creatures-deccan-flower-gilded-gold-group-hyderabad-imls-india-indian-king-king-solomon-ornate-ottoman-paper-peacocks-religious-ruler-solomon-throne-watercolor-image454277743.htmlRM2HB23W3–King Solomon and His Court, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 7/8 in., 50.0 x 30.2 cm, 19th, angels, animals, busy, Century, creatures, Deccan, Flower, gilded, gold, group, Hyderabad, IMLS, India, Indian, King, King Solomon, ornate, Ottoman, Paper, Peacocks, Religious, ruler, Solomon, throne, watercolor
Fruit Vendors in market near Charminar, Hyderabad, India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-fruit-vendors-in-market-near-charminar-hyderabad-india-16200045.htmlRMAT4H2P–Fruit Vendors in market near Charminar, Hyderabad, India
WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-weld-1862-in-india-pg234-054-portrait-of-nawaub-mooktiar-ool-moolk-76871770.htmlRMED1PMA–WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan)
The former ' Hyderabad Contingent ' Infantry; 94th Russell's Infantry Dekhani Musalman; 95th Russell's Infantry Hindustani Musalman; 96th Berar Infantry Jat; 97th Deccan Infantry Rajput; 98th Infantry Ahir of the Eastern Punjab. painted by Major Alfred Crowdy Lovett, (1862-1919) from the book ' The armies of India ' by Major George Fletcher MacMunn, (1869-1952) Publication date 1911 Publisher London, Adam and Charles Black Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-former-hyderabad-contingent-infantry-94th-russells-infantry-dekhani-musalman-95th-russells-infantry-hindustani-musalman-96th-berar-infantry-jat-97th-deccan-infantry-rajput-98th-infantry-ahir-of-the-eastern-punjab-painted-by-major-alfred-crowdy-lovett-1862-1919-from-the-book-the-armies-of-india-by-major-george-fletcher-macmunn-1869-1952-publication-date-1911-publisher-london-adam-and-charles-black-image552793334.htmlRF2R39WF2–The former ' Hyderabad Contingent ' Infantry; 94th Russell's Infantry Dekhani Musalman; 95th Russell's Infantry Hindustani Musalman; 96th Berar Infantry Jat; 97th Deccan Infantry Rajput; 98th Infantry Ahir of the Eastern Punjab. painted by Major Alfred Crowdy Lovett, (1862-1919) from the book ' The armies of India ' by Major George Fletcher MacMunn, (1869-1952) Publication date 1911 Publisher London, Adam and Charles Black
India and the future . of conquered provinces, even that must havesprung ultimately from the soil. Any neglect of economythat could ever be laid to the charge of the British Govern-ment shrinks into insignificance when compared with theimperial exorbitancies of the Moguls.f But at least,it may be said, the wealth which they extracted from theirsubjects remained in India, and was not drained away.It did, no doubt ; but how much of it carrre back to the * Elphinstone: History of India, p. 536. Those who have seen theLungar parade at Hyderabad, Deccan, can form some conception of thegorgeousness Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/india-and-the-future-of-conquered-provinces-even-that-must-havesprung-ultimately-from-the-soil-any-neglect-of-economythat-could-ever-be-laid-to-the-charge-of-the-british-govern-ment-shrinks-into-insignificance-when-compared-with-theimperial-exorbitancies-of-the-mogulsf-but-at-leastit-may-be-said-the-wealth-which-they-extracted-from-theirsubjects-remained-in-india-and-was-not-drained-awayit-did-no-doubt-but-how-much-of-it-carrre-back-to-the-elphinstone-history-of-india-p-536-those-who-have-seen-thelungar-parade-at-hyderabad-deccan-can-form-some-conception-of-thegorgeousness-image342949574.htmlRM2AWXKK2–India and the future . of conquered provinces, even that must havesprung ultimately from the soil. Any neglect of economythat could ever be laid to the charge of the British Govern-ment shrinks into insignificance when compared with theimperial exorbitancies of the Moguls.f But at least,it may be said, the wealth which they extracted from theirsubjects remained in India, and was not drained away.It did, no doubt ; but how much of it carrre back to the * Elphinstone: History of India, p. 536. Those who have seen theLungar parade at Hyderabad, Deccan, can form some conception of thegorgeousness
Art inspired by Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-raja-mahadji-sindhia-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-1116-x-11-34-in-500-x-298-cm-deccan-emeralds-gold-jama-paper-pearls-persian-raja-mahaji-sindhia-vaishnavite-watercolor-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569730.htmlRF2HKK5TJ–Art inspired by Raja Mahadji Sindhia, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 11/16 x 11 3/4 in., 50.0 x 29.8 cm, Deccan, Emeralds, Gold, Jama, Paper, Pearls, Persian, Raja Mahaji Sindhia, Vaishnavite, Watercolor, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 356 Ladies on a Terrace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ladies-on-a-terrace-hyderabad-deccan-india-18th-century-18th-century-unknown-356-ladies-on-a-terrace-image187565673.htmlRMMW49X1–. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 356 Ladies on a Terrace
Book Cover of Glimpses of The Nizams Dominions Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-book-cover-of-glimpses-of-the-nizams-dominions-119900659.htmlRMGY1XEB–Book Cover of Glimpses of The Nizams Dominions
Hyderabad on the Deccan (Baedeker, 1914). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hyderabad-on-the-deccan-baedeker-1914-image573391358.htmlRM2T8T6EP–Hyderabad on the Deccan (Baedeker, 1914).
Plate. Dimensions: H. 1/2 in. (1.3 cm) Diam. 9 in. (22.9 cm) Wt. 7.4 oz. (209.8 g). Date: 18th century. This pan plate is attributed to the city of Karimnagar known for its production of filigreed pieces located one hundred miles north of Hyderabad. A similarly filigreed pan box would most likely have accompanied this tray. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-dimensions-h-12-in-13-cm-diam-9-in-229-cm-wt-74-oz-2098-g-date-18th-century-this-pan-plate-is-attributed-to-the-city-of-karimnagar-known-for-its-production-of-filigreed-pieces-located-one-hundred-miles-north-of-hyderabad-a-similarly-filigreed-pan-box-would-most-likely-have-accompanied-this-tray-museum-metropolitan-museum-of-art-new-york-usa-image212877862.htmlRMPA9BTP–Plate. Dimensions: H. 1/2 in. (1.3 cm) Diam. 9 in. (22.9 cm) Wt. 7.4 oz. (209.8 g). Date: 18th century. This pan plate is attributed to the city of Karimnagar known for its production of filigreed pieces located one hundred miles north of Hyderabad. A similarly filigreed pan box would most likely have accompanied this tray. Museum: Metropolitan Museum of Art, New York, USA.
An illustration from Mirza Muhammad Rafi’ Badhil’s Hamla-yi Haidari, 'Amr ibn Umayyah al-Damri kills two men from the Banu 'Amir tribe, India, Deccan, probably Hyderabad, circa 1820. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illustration-from-mirza-muhammad-rafi-badhils-hamla-yi-haidari-amr-ibn-umayyah-al-damri-kills-two-men-from-the-banu-amir-tribe-india-deccan-probably-hyderabad-circa-1820-image594357712.htmlRM2WEY994–An illustration from Mirza Muhammad Rafi’ Badhil’s Hamla-yi Haidari, 'Amr ibn Umayyah al-Damri kills two men from the Banu 'Amir tribe, India, Deccan, probably Hyderabad, circa 1820.
Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-22nd-apr-2024-art-of-the-islamic-and-indian-worlds-including-rugs-and-carpets-sale-takes-place-on-25-april-highlights-include-a-rare-mughal-silk-rug-probably-hyderabad-or-warangel-the-deccan-south-india-18th-c-estimate-120000-160000-credit-malcolm-parkalamy-live-news-image603910677.htmlRM2X2EE6D–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News
Siddharth Trivedi Rajasthan Royals (R) celebrates with teammates the wicket of Hyderabad Deccan Chargers player during the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-siddharth-trivedi-rajasthan-royals-r-celebrates-with-teammates-the-34737043.htmlRMC0EBCK–Siddharth Trivedi Rajasthan Royals (R) celebrates with teammates the wicket of Hyderabad Deccan Chargers player during the
WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weld-1862-in-india-pg098-020-british-residency-at-hyderabad-deccan-image154724602.htmlRMJYM8PJ–WELD 1862 in India pg098 (020 British Residency at Hyderabad (Deccan), front View)
The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-majestic-golkonda-fort-in-hyderabad-the-capital-of-the-ancient-hyderabad-state-that-existed-from-the-14th-to-16th-century-the-fort-is-the-biggest-fortress-on-the-deccan-plateau-of-india-hyderabad-andhra-pradesh-india-august-2006-image260461851.htmlRMW3N1MY–The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006..
Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/qutub-shahi-tombs-they-are-located-in-the-ibrahim-bagh-close-to-the-famous-golconda-fort-in-hyderabad-india-image332464903.htmlRF2A8W2AF–Qutub Shahi Tombs : They are located in the Ibrahim Bagh, close to the famous Golconda Fort in Hyderabad, India.
Plate 18th century This pan plate is attributed to the city of Karimnagar known for its production of filigreed pieces located one hundred miles north of Hyderabad. A similarly filigreed pan box would most likely have accompanied this tray.. Plate. 18th century. Silver; cast, pierced, engraved. Attributed to India, Deccan, Karimnagar. Metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/plate-18th-century-this-pan-plate-is-attributed-to-the-city-of-karimnagar-known-for-its-production-of-filigreed-pieces-located-one-hundred-miles-north-of-hyderabad-a-similarly-filigreed-pan-box-would-most-likely-have-accompanied-this-tray-plate-18th-century-silver-cast-pierced-engraved-attributed-to-india-deccan-karimnagar-metal-image458437623.htmlRM2HHRHT7–Plate 18th century This pan plate is attributed to the city of Karimnagar known for its production of filigreed pieces located one hundred miles north of Hyderabad. A similarly filigreed pan box would most likely have accompanied this tray.. Plate. 18th century. Silver; cast, pierced, engraved. Attributed to India, Deccan, Karimnagar. Metal
Golconda Fort Hyderabad Andhra Pradesh India Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-golconda-fort-hyderabad-andhra-pradesh-india-47540969.htmlRMCN9JYN–Golconda Fort Hyderabad Andhra Pradesh India
Fish-Shaped Box 19th century Although the technique of inlaying metal known as bidri was invented in the Deccan in the seventeenth century, and Hyderabad remained a center for this type of metalwork into the 1800s, Lucknow, in northeastern India, also became an important center for production of bidri ware in the eighteenth and nineteenth centuries.. Fish-Shaped Box. 19th century. Zinc alloy; cast, engraved, inlaid with silver and brass (bidri ware). Probably made in India, Lucknow or Hyderabad. Metal Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fish-shaped-box-19th-century-although-the-technique-of-inlaying-metal-known-as-bidri-was-invented-in-the-deccan-in-the-seventeenth-century-and-hyderabad-remained-a-center-for-this-type-of-metalwork-into-the-1800s-lucknow-in-northeastern-india-also-became-an-important-center-for-production-of-bidri-ware-in-the-eighteenth-and-nineteenth-centuries-fish-shaped-box-19th-century-zinc-alloy-cast-engraved-inlaid-with-silver-and-brass-bidri-ware-probably-made-in-india-lucknow-or-hyderabad-metal-image458113742.htmlRM2HH8TN2–Fish-Shaped Box 19th century Although the technique of inlaying metal known as bidri was invented in the Deccan in the seventeenth century, and Hyderabad remained a center for this type of metalwork into the 1800s, Lucknow, in northeastern India, also became an important center for production of bidri ware in the eighteenth and nineteenth centuries.. Fish-Shaped Box. 19th century. Zinc alloy; cast, engraved, inlaid with silver and brass (bidri ware). Probably made in India, Lucknow or Hyderabad. Metal
Bell-Shaped Huqqa Base with Floral Design, 18th/19th century, India, Deccan, Hyderabad, Zinc alloy inlaid with copper and silver (bidriware), 16.1 x 15.8 x 15.8 cm (6 5/16 x 6 3/16 x 6 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bell-shaped-huqqa-base-with-floral-design-18th19th-century-india-deccan-hyderabad-zinc-alloy-inlaid-with-copper-and-silver-bidriware-161-x-158-x-158-cm-6-516-x-6-316-x-6-316-in-image328652147.htmlRM2A2KB4K–Bell-Shaped Huqqa Base with Floral Design, 18th/19th century, India, Deccan, Hyderabad, Zinc alloy inlaid with copper and silver (bidriware), 16.1 x 15.8 x 15.8 cm (6 5/16 x 6 3/16 x 6 3/16 in
Charminar at night Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-charminar-at-night-16206255.htmlRMAT57GG–Charminar at night
Ing Solomon and His Court India (Deccan, Hyderabad), Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ing-solomon-and-his-court-india-deccan-hyderabad-132456348.htmlRMHKDWBT–Ing Solomon and His Court India (Deccan, Hyderabad),
Dagger 17th–18th century Indian, Deccan, possibly Hyderabad Daggers with curled “pistol-grip” pommels became popular in the court of Mughal emperor Aurangzeb (r. 1658–1707) around 1660 and regularly appeared in the portraits of Mughal and Deccani officials thereafter. The jade grip of this dagger is inlaid with silver foliate motifs set flush with the surface, a technique that recalls contemporary Bidri ware (from Bidar, in the Deccan), cast zinc vessels that are similarly inlaid with silver and gold.. Dagger 31838 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/dagger-17th18th-century-indian-deccan-possibly-hyderabad-daggers-with-curled-pistol-grip-pommels-became-popular-in-the-court-of-mughal-emperor-aurangzeb-r-16581707-around-1660-and-regularly-appeared-in-the-portraits-of-mughal-and-deccani-officials-thereafter-the-jade-grip-of-this-dagger-is-inlaid-with-silver-foliate-motifs-set-flush-with-the-surface-a-technique-that-recalls-contemporary-bidri-ware-from-bidar-in-the-deccan-cast-zinc-vessels-that-are-similarly-inlaid-with-silver-and-gold-dagger-31838-image458433152.htmlRM2HHRC4G–Dagger 17th–18th century Indian, Deccan, possibly Hyderabad Daggers with curled “pistol-grip” pommels became popular in the court of Mughal emperor Aurangzeb (r. 1658–1707) around 1660 and regularly appeared in the portraits of Mughal and Deccani officials thereafter. The jade grip of this dagger is inlaid with silver foliate motifs set flush with the surface, a technique that recalls contemporary Bidri ware (from Bidar, in the Deccan), cast zinc vessels that are similarly inlaid with silver and gold.. Dagger 31838
Report . a bombof this kind which caused the death of Mrs. and Miss Kennedy. Asalready mentioned, a cyclostyled copy of a bomb manual was foundin these searches. The same manual in a typewritten form was dis-covered hidden in the eaves of the house of Ganesh Savarkar at Nasikii the Bombay Presidency in March 1909. The same formula wasfound in Hyderabad (Deccan) in 1910 and at Satara in the BombayPresidency in 1911. Secondly, there were the comparatively harmlesscocoanut bombs, such as were thrown into trains on several occasionsas already narrated. The third type of bomb which supplanted thesp Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/report-a-bombof-this-kind-which-caused-the-death-of-mrs-and-miss-kennedy-asalready-mentioned-a-cyclostyled-copy-of-a-bomb-manual-was-foundin-these-searches-the-same-manual-in-a-typewritten-form-was-dis-covered-hidden-in-the-eaves-of-the-house-of-ganesh-savarkar-at-nasikii-the-bombay-presidency-in-march-1909-the-same-formula-wasfound-in-hyderabad-deccan-in-1910-and-at-satara-in-the-bombaypresidency-in-1911-secondly-there-were-the-comparatively-harmlesscocoanut-bombs-such-as-were-thrown-into-trains-on-several-occasionsas-already-narrated-the-third-type-of-bomb-which-supplanted-thesp-image338300644.htmlRM2AJAWWT–Report . a bombof this kind which caused the death of Mrs. and Miss Kennedy. Asalready mentioned, a cyclostyled copy of a bomb manual was foundin these searches. The same manual in a typewritten form was dis-covered hidden in the eaves of the house of Ganesh Savarkar at Nasikii the Bombay Presidency in March 1909. The same formula wasfound in Hyderabad (Deccan) in 1910 and at Satara in the BombayPresidency in 1911. Secondly, there were the comparatively harmlesscocoanut bombs, such as were thrown into trains on several occasionsas already narrated. The third type of bomb which supplanted thesp
Art inspired by The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur'an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-the-bismillah-indian-opaque-watercolor-and-gold-on-paper-hyderabad-deccan-india-1875-1900-sheet-19-58-x-11-1316-in-498-x-300-cm-19th-century-arabic-bismillah-blue-calligraphic-calligraphy-deccan-gold-hyderabad-india-mirror-writing-paper-quran-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459569741.htmlRF2HKK5W1–Art inspired by The Bismillah, Indian, Opaque watercolor and gold on paper, Hyderabad, Deccan, India, 1875-1900, sheet: 19 5/8 x 11 13/16 in., 49.8 x 30.0 cm, 19th Century, arabic, Bismillah, blue, calligraphic, calligraphy, Deccan, gold, Hyderabad, India, Mirror writing, paper, Qur'an, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 357 Ladies on a Terrace Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-ladies-on-a-terrace-hyderabad-deccan-india-18th-century-18th-century-unknown-357-ladies-on-a-terrace-image188120388.htmlRMMX1HD8–. English: Ladies on a Terrace Hyderabad, Deccan, India, 18th century . 18th century. Unknown 357 Ladies on a Terrace
Seven-Stranded Necklace (Satlari) 18th century This seven stranded necklace, or satlari, was made in the city of Hyderabad in the Deccan region of India. Each strand holds a central pendant composed of a pearl drop surrounded by red, green, and colorless stones and enamel. In the early nineteenth century, this type of necklace was adapted by the French jewelry company Cartier, which began producing satlaris for wealthy Indian patrons.. Seven-Stranded Necklace (Satlari). 18th century. Gold, enamel, pearls, rock crystal. Made in India, Hyderabad. Jewelry Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/seven-stranded-necklace-satlari-18th-century-this-seven-stranded-necklace-or-satlari-was-made-in-the-city-of-hyderabad-in-the-deccan-region-of-india-each-strand-holds-a-central-pendant-composed-of-a-pearl-drop-surrounded-by-red-green-and-colorless-stones-and-enamel-in-the-early-nineteenth-century-this-type-of-necklace-was-adapted-by-the-french-jewelry-company-cartier-which-began-producing-satlaris-for-wealthy-indian-patrons-seven-stranded-necklace-satlari-18th-century-gold-enamel-pearls-rock-crystal-made-in-india-hyderabad-jewelry-image458100754.htmlRM2HH8856–Seven-Stranded Necklace (Satlari) 18th century This seven stranded necklace, or satlari, was made in the city of Hyderabad in the Deccan region of India. Each strand holds a central pendant composed of a pearl drop surrounded by red, green, and colorless stones and enamel. In the early nineteenth century, this type of necklace was adapted by the French jewelry company Cartier, which began producing satlaris for wealthy Indian patrons.. Seven-Stranded Necklace (Satlari). 18th century. Gold, enamel, pearls, rock crystal. Made in India, Hyderabad. Jewelry
Staff and students of the Nizam's College (Hyderabad, Deccan), the only institute of higher education in the city at that time, reserved for sons of the local gentry. 1890 288 NizamCollegeHyderabad 1890StudentsStaff Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/staff-and-students-of-the-nizams-college-hyderabad-deccan-the-only-institute-of-higher-education-in-the-city-at-that-time-reserved-for-sons-of-the-local-gentry-1890-288-nizamcollegehyderabad-1890studentsstaff-image211447617.htmlRMP807GH–Staff and students of the Nizam's College (Hyderabad, Deccan), the only institute of higher education in the city at that time, reserved for sons of the local gentry. 1890 288 NizamCollegeHyderabad 1890StudentsStaff
Roundel with Repeated Inscription. Dimensions: Diam. 19 7/8 in. (50.5 cm). Date: late 16th century. This roundel is inscribed with two of the ninety-nine names of God, al-haqq (the truth), and al-qayyum (the everlasting). The remains of red, blue, yellow, and green paint on this example indicate an originally vibrant palette of decoration. Calligraphic roundels are found on the spandrels of the arched portals, niches, and interior walls of sixteenth- and seventeenth-century Deccani buildings, such as at the early seventeenth century Badshahi 'Ashurkhana in Hyderabad. Museum: Metropolitan Muse Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roundel-with-repeated-inscription-dimensions-diam-19-78-in-505-cm-date-late-16th-century-this-roundel-is-inscribed-with-two-of-the-ninety-nine-names-of-god-al-haqq-the-truth-and-al-qayyum-the-everlasting-the-remains-of-red-blue-yellow-and-green-paint-on-this-example-indicate-an-originally-vibrant-palette-of-decoration-calligraphic-roundels-are-found-on-the-spandrels-of-the-arched-portals-niches-and-interior-walls-of-sixteenth-and-seventeenth-century-deccani-buildings-such-as-at-the-early-seventeenth-century-badshahi-ashurkhana-in-hyderabad-museum-metropolitan-muse-image213133101.htmlRMPAN1CD–Roundel with Repeated Inscription. Dimensions: Diam. 19 7/8 in. (50.5 cm). Date: late 16th century. This roundel is inscribed with two of the ninety-nine names of God, al-haqq (the truth), and al-qayyum (the everlasting). The remains of red, blue, yellow, and green paint on this example indicate an originally vibrant palette of decoration. Calligraphic roundels are found on the spandrels of the arched portals, niches, and interior walls of sixteenth- and seventeenth-century Deccani buildings, such as at the early seventeenth century Badshahi 'Ashurkhana in Hyderabad. Museum: Metropolitan Muse
Roundel with Repeated Inscription late 16th century This carved wood roundel invokes two of the ninety-nine beautiful names of Allah (asma al-husna)—al-Haqq (the Truth) and al-Qayym (the Everlasting)—through its mesmerizing composition. The inscription is first written vertically and then in mirror image (muthanna), each pair repeating eight times. This Deccan example is related to a group affixed to the walls of a Shi‘i shrine in Hyderabad; such medallions were regarded as mirror reflections of the outer (zahir) and inner (batin) aspects of the Divine.. Roundel with Repeated Inscription. late Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/roundel-with-repeated-inscription-late-16th-century-this-carved-wood-roundel-invokes-two-of-the-ninety-nine-beautiful-names-of-allah-asma-al-husnaal-haqq-the-truth-and-al-qayym-the-everlastingthrough-its-mesmerizing-composition-the-inscription-is-first-written-vertically-and-then-in-mirror-image-muthanna-each-pair-repeating-eight-times-this-deccan-example-is-related-to-a-group-affixed-to-the-walls-of-a-shii-shrine-in-hyderabad-such-medallions-were-regarded-as-mirror-reflections-of-the-outer-zahir-and-inner-batin-aspects-of-the-divine-roundel-with-repeated-inscription-late-image458458999.htmlRM2HHTH3K–Roundel with Repeated Inscription late 16th century This carved wood roundel invokes two of the ninety-nine beautiful names of Allah (asma al-husna)—al-Haqq (the Truth) and al-Qayym (the Everlasting)—through its mesmerizing composition. The inscription is first written vertically and then in mirror image (muthanna), each pair repeating eight times. This Deccan example is related to a group affixed to the walls of a Shi‘i shrine in Hyderabad; such medallions were regarded as mirror reflections of the outer (zahir) and inner (batin) aspects of the Divine.. Roundel with Repeated Inscription. late
Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/christies-london-uk-22nd-apr-2024-art-of-the-islamic-and-indian-worlds-including-rugs-and-carpets-sale-takes-place-on-25-april-highlights-include-a-rare-mughal-silk-rug-probably-hyderabad-or-warangel-the-deccan-south-india-18th-c-estimate-120000-160000-credit-malcolm-parkalamy-live-news-image603910680.htmlRM2X2EE6G–Christie's, London, UK. 22nd Apr, 2024. Art of the Islamic and Indian Worlds including Rugs and Carpets sale takes place on 25 April. Highlights include: A rare Mughal Silk Rug, probably Hyderabad or Warangel, The Deccan, South India, 18th c. Estimate £120,000-160,000. Credit: Malcolm Park/Alamy Live News
Adam Gilchrist Hyderabad Deccan Chargers during the match against Rajasthan Royals at the IPL T20 match at Sawai Mansingh Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-adam-gilchrist-hyderabad-deccan-chargers-during-the-match-against-34737343.htmlRMC0EBRB–Adam Gilchrist Hyderabad Deccan Chargers during the match against Rajasthan Royals at the IPL T20 match at Sawai Mansingh
WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/weld-1862-in-india-pg234-054-portrait-of-nawaub-mooktiar-ool-moolk-image154724639.htmlRMJYM8RY–WELD 1862 in India pg234 (054 Portrait of Nawaub Mooktiar ool Moolk Salar Jung Bhadur, Minister at Hyderabad, Deccan)
The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006.. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-majestic-golkonda-fort-in-hyderabad-the-capital-of-the-ancient-hyderabad-state-that-existed-from-the-14th-to-16th-century-the-fort-is-the-biggest-fortress-on-the-deccan-plateau-of-india-hyderabad-andhra-pradesh-india-august-2006-image260461854.htmlRMW3N1N2–The majestic Golkonda fort in Hyderabad, the capital of the ancient Hyderabad state that existed from the 14th to 16th century. The fort is the biggest fortress on the Deccan plateau of India. Hyderabad, Andhra Pradesh, India. August, 2006..
