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Hypatia teaching Stock Photos and Images
Hypatia teaching at Alexandria, painting by Robert Trewick Bone, before 1840 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hypatia-teaching-at-alexandria-painting-by-robert-trewick-bone-before-1840-image386062403.htmlRM2DC2JEY–Hypatia teaching at Alexandria, painting by Robert Trewick Bone, before 1840
Hypatia Teaching at Alexandria, Robert Trewick Bone, 1790–1840, British, undated, Watercolor and brown ink on medium, moderately textured, cream, wove paper mounted on mediuim, moderately textured, cream, wove paper, Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm), Contemporary drawn border: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm), and Sheet: 11 7/16 × 17 9/16 inches (29.1 × 44.6 cm), ancient, architectural subject, columns, crowd, Greek, historical subject, instruction, student, teaching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hypatia-teaching-at-alexandria-robert-trewick-bone-17901840-british-undated-watercolor-and-brown-ink-on-medium-moderately-textured-cream-wove-paper-mounted-on-mediuim-moderately-textured-cream-wove-paper-mount-13-34-19-1316-inches-349-503-cm-contemporary-drawn-border-12-14-18-14-inches-311-464-cm-and-sheet-11-716-17-916-inches-291-446-cm-ancient-architectural-subject-columns-crowd-greek-historical-subject-instruction-student-teaching-image389618257.htmlRM2DHTJ1N–Hypatia Teaching at Alexandria, Robert Trewick Bone, 1790–1840, British, undated, Watercolor and brown ink on medium, moderately textured, cream, wove paper mounted on mediuim, moderately textured, cream, wove paper, Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm), Contemporary drawn border: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm), and Sheet: 11 7/16 × 17 9/16 inches (29.1 × 44.6 cm), ancient, architectural subject, columns, crowd, Greek, historical subject, instruction, student, teaching
Robert Trewick Bone, 1790–1840, British, Hypatia Teaching at Alexandria, undated. Watercolor and brown ink on medium, moderately textured, cream, wove paper mounted on mediuim, moderately textured, cream, wove paper. ancient , architectural subject , columns , crowd , Greek , historical subject , instruction , student , teaching Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/robert-trewick-bone-17901840-british-hypatia-teaching-at-alexandria-undated-watercolor-and-brown-ink-on-medium-moderately-textured-cream-wove-paper-mounted-on-mediuim-moderately-textured-cream-wove-paper-ancient-architectural-subject-columns-crowd-greek-historical-subject-instruction-student-teaching-image398450440.htmlRM2E46YGT–Robert Trewick Bone, 1790–1840, British, Hypatia Teaching at Alexandria, undated. Watercolor and brown ink on medium, moderately textured, cream, wove paper mounted on mediuim, moderately textured, cream, wove paper. ancient , architectural subject , columns , crowd , Greek , historical subject , instruction , student , teaching
Raphael / 'The School of Athens', c. 1510, Fresco. Museum: MUSEI VATICANI, ROMA, ITALIA. PLATO. Aristotle. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/raphael-the-school-of-athens-c-1510-fresco-museum-musei-vaticani-roma-italia-plato-aristotle-image630861366.htmlRM2YJA632–Raphael / 'The School of Athens', c. 1510, Fresco. Museum: MUSEI VATICANI, ROMA, ITALIA. PLATO. Aristotle.
Little journeys to the homes of great teachers : Hypatia . d and Seventy anddied in Four Hundred and Thirty.She exerted an influence inAlexandria not unlike that whichMrs. Eddy has exerted in Boston.She was a person who dividedsociety into two parts—thosewho regarded her as an oracleof light, aM those who lookedupon her as an emissary ofdarkness. Q Strong men paid herthe compliment of using immoderate language concerningher teaching. But whether they spoke ill or well of hermatters little now ^ The point is this, they screeched,sneezed, or smiled on those who refused to acknowledgethe power of Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/little-journeys-to-the-homes-of-great-teachers-hypatia-d-and-seventy-anddied-in-four-hundred-and-thirtyshe-exerted-an-influence-inalexandria-not-unlike-that-whichmrs-eddy-has-exerted-in-bostonshe-was-a-person-who-dividedsociety-into-two-partsthosewho-regarded-her-as-an-oracleof-light-am-those-who-lookedupon-her-as-an-emissary-ofdarkness-q-strong-men-paid-herthe-compliment-of-using-immoderate-language-concerningher-teaching-but-whether-they-spoke-ill-or-well-of-hermatters-little-now-the-point-is-this-they-screechedsneezed-or-smiled-on-those-who-refused-to-acknowledgethe-power-of-image339948077.htmlRM2AN1Y6N–Little journeys to the homes of great teachers : Hypatia . d and Seventy anddied in Four Hundred and Thirty.She exerted an influence inAlexandria not unlike that whichMrs. Eddy has exerted in Boston.She was a person who dividedsociety into two parts—thosewho regarded her as an oracleof light, aM those who lookedupon her as an emissary ofdarkness. Q Strong men paid herthe compliment of using immoderate language concerningher teaching. But whether they spoke ill or well of hermatters little now ^ The point is this, they screeched,sneezed, or smiled on those who refused to acknowledgethe power of
