Illuminated manuscript border Stock Photos and Images
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Illuminated manuscript border Stock Photos and Images
Illuminated manuscript floral border, vines and leaves Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-floral-border-vines-and-leaves-image556395295.htmlRF2R95YTF–Illuminated manuscript floral border, vines and leaves
Illuminated manuscript page containing text with an ornate border and the first letter illuminated, from a c, 1450. 15th century manuscript. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-containing-text-with-an-ornate-border-image156740590.htmlRMK30466–Illuminated manuscript page containing text with an ornate border and the first letter illuminated, from a c, 1450. 15th century manuscript.
Prayer Book (Use of Rome), Initial, This late fifteenth-century prayer book was made for the use of Rome and is illuminated by followers of Willem Vrelant of Bruges. The manuscript was probably created for the couple depicted in two full-page miniatures. The representation of the bride in the full-page miniatures, as well as references to her in suppliant prayers, indicates that the manuscript was commissioned primarily for the bride’s use Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prayer-book-use-of-rome-initial-this-late-fifteenth-century-prayer-book-was-made-for-the-use-of-rome-and-is-illuminated-by-followers-of-willem-vrelant-of-bruges-the-manuscript-was-probably-created-for-the-couple-depicted-in-two-full-page-miniatures-the-representation-of-the-bride-in-the-full-page-miniatures-as-well-as-references-to-her-in-suppliant-prayers-indicates-that-the-manuscript-was-commissioned-primarily-for-the-brides-use-image573462113.htmlRM2T8YCNN–Prayer Book (Use of Rome), Initial, This late fifteenth-century prayer book was made for the use of Rome and is illuminated by followers of Willem Vrelant of Bruges. The manuscript was probably created for the couple depicted in two full-page miniatures. The representation of the bride in the full-page miniatures, as well as references to her in suppliant prayers, indicates that the manuscript was commissioned primarily for the bride’s use
'Illuminated manuscript to illustrate Walter Scott's The Talisman', c1830. Artist: Sangorski and Sutcliffe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-illuminated-manuscript-to-illustrate-walter-scotts-the-talisman-c1830-135270900.htmlRMHT23BG–'Illuminated manuscript to illustrate Walter Scott's The Talisman', c1830. Artist: Sangorski and Sutcliffe.
Initials, calligraphy and decorative illuminated borders. Illuminations from the Froissart manuscript in the Bibliotheque Royale Paris. Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's 'Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV,' George Routledge, London, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initials-calligraphy-and-decorative-illuminated-borders-illuminations-from-the-froissart-manuscript-in-the-bibliotheque-royale-paris-handcoloured-lithograph-after-an-illuminated-manuscript-from-sir-john-froissarts-chronicles-of-england-france-spain-and-the-adjoining-countries-from-the-latter-part-of-the-reign-of-edward-ii-to-the-coronation-of-henry-iv-george-routledge-london-1868-image210567567.htmlRMP6G527–Initials, calligraphy and decorative illuminated borders. Illuminations from the Froissart manuscript in the Bibliotheque Royale Paris. Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's 'Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV,' George Routledge, London, 1868.
The Battle of Otterburn (5th or 19th August 1388), part of the continuing border skirmishes between the Scots and English in the 14th Century Anglo-Scottish Wars. Illuminated manuscript painting by Jean Froissart, before 1499 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-battle-of-otterburn-5th-or-19th-august-1388-part-of-the-continuing-border-skirmishes-between-the-scots-and-english-in-the-14th-century-anglo-scottish-wars-illuminated-manuscript-painting-by-jean-froissart-before-1499-image598703884.htmlRM2WP18WG–The Battle of Otterburn (5th or 19th August 1388), part of the continuing border skirmishes between the Scots and English in the 14th Century Anglo-Scottish Wars. Illuminated manuscript painting by Jean Froissart, before 1499
Image of mallow and China pink flowers from an illuminated manuscript, and its applications in pottery, wallpaper border, carved and painted wood, jewelry. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-mallow-and-china-pink-flowers-from-an-illuminated-manuscript-and-its-applications-in-pottery-wallpaper-border-carved-and-painted-wood-jewelry-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-his-flowers-after-nature-and-ornamental-flowers-fleurs-d`apres-nature-et-fleurs-ornementales-paris-1890-image383071268.htmlRM2D76B8M–Image of mallow and China pink flowers from an illuminated manuscript, and its applications in pottery, wallpaper border, carved and painted wood, jewelry. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890.
Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iran-page-from-an-illuminated-copy-of-tufat-al-irqayn-by-afzal-al-dn-shirvn-khqn-1126-1198-1604-this-manuscript-of-persian-poems-is-written-in-nastaliq-script-the-page-borders-represent-birds-and-animals-in-various-colours-outlined-in-gold-the-manuscript-was-produced-in-1604-by-shh-qsim-and-is-a-copy-of-the-original-collection-of-poetry-by-khqn-from-the-end-of-the-12th-century-image344237711.htmlRM2B01AKY–Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century.
Initials and border design from an illuminated manuscript, and fleurons from a book of hours, 15th century. Bordure d’un manuscrit de la Bib. Nat. Franc. 54, Details de Bordures des heures de MD, Latin 1166, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initials-and-border-design-from-an-illuminated-manuscript-and-fleurons-from-a-book-of-hours-15th-century-bordure-dun-manuscrit-de-la-bib-nat-franc-54-details-de-bordures-des-heures-de-md-latin-1166-bib-nat-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383096852.htmlRM2D77FXC–Initials and border design from an illuminated manuscript, and fleurons from a book of hours, 15th century. Bordure d’un manuscrit de la Bib. Nat. Franc. 54, Details de Bordures des heures de MD, Latin 1166, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Page of 'Bible' printed by Gutenberg, 1456. Illuminated border typical of a manuscript. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-page-of-bible-printed-by-gutenberg-1456-illuminated-border-typical-57292461.htmlRMD95W39–Page of 'Bible' printed by Gutenberg, 1456. Illuminated border typical of a manuscript.
Images of carnations, hawthorn and palm leaves from an illuminated manuscript, and their applications in Italian pottery, cloisonne enamel, damascening, etc. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/images-of-carnations-hawthorn-and-palm-leaves-from-an-illuminated-manuscript-and-their-applications-in-italian-pottery-cloisonne-enamel-damascening-etc-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-his-flowers-after-nature-and-ornamental-flowers-fleurs-d`apres-nature-et-fleurs-ornementales-paris-1890-image383071269.htmlRM2D76B8N–Images of carnations, hawthorn and palm leaves from an illuminated manuscript, and their applications in Italian pottery, cloisonne enamel, damascening, etc. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890.
Border from Latin Service Book. 1623-1644. London. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-from-latin-service-book-1623-1644-london-1833-image626139259.htmlRM2YAK30B–Border from Latin Service Book. 1623-1644. London. 1833
Alphabet of initial letters, fleurons and design elements taken from Heures de Charles d'Angoulême, 15th century illuminated manuscript. D’apres des heures illuminees Latin 1173 Bibl. Nat., Musee de Cluny a Paris. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alphabet-of-initial-letters-fleurons-and-design-elements-taken-from-heures-de-charles-dangoulme-15th-century-illuminated-manuscript-dapres-des-heures-illuminees-latin-1173-bibl-nat-musee-de-cluny-a-paris-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383096848.htmlRM2D77FX8–Alphabet of initial letters, fleurons and design elements taken from Heures de Charles d'Angoulême, 15th century illuminated manuscript. D’apres des heures illuminees Latin 1173 Bibl. Nat., Musee de Cluny a Paris. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Almeida do Sul Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/almeida-do-sul-castle-image599622075.htmlRM2WRF423–Almeida do Sul Castle
A fragmentary leaf from a Qur'an manuscript from 1137 AD in Persia, modern-day Iran. The calligraphic text is illuminated with gold and pigments of different colors. The border decoration of interlacing circles in gold filled with blue set against the bac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fragmentary-leaf-from-a-quran-manuscript-from-1137-ad-in-persia-104000717.htmlRMG15HY9–A fragmentary leaf from a Qur'an manuscript from 1137 AD in Persia, modern-day Iran. The calligraphic text is illuminated with gold and pigments of different colors. The border decoration of interlacing circles in gold filled with blue set against the bac
Inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript with opaque watercolor and ink with gold, ca.1460, 4 × 3 × 1 in., 10.2 × 7.6 × 2.5 cm, Biblical, blue, border, calligraphy, Christian, embossed, gold, illuminated, letter, manuscript, ornate, red, religion, script, scripture, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-horae-beatae-mariae-virginis-flemish-manuscript-with-opaque-watercolor-and-ink-with-gold-ca1460-4-3-1-in-102-76-25-cm-biblical-blue-border-calligraphy-christian-embossed-gold-illuminated-letter-manuscript-ornate-red-religion-script-scripture-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244908.htmlRF2HK4BFT–Inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript with opaque watercolor and ink with gold, ca.1460, 4 × 3 × 1 in., 10.2 × 7.6 × 2.5 cm, Biblical, blue, border, calligraphy, Christian, embossed, gold, illuminated, letter, manuscript, ornate, red, religion, script, scripture, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Illuminated Letter 'D' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-letter-d-image184217604.htmlRMMKKRC4–Illuminated Letter 'D'
An illuminated manuscript, known as Codex D, was created between 1335 and 1345 is displayed during a repatriation ceremony held at the Italian Embassy in Washington, D.C. December 9, 2016. U.S. Customs and Border Protection Photo by Glenn Fawcett Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-an-illuminated-manuscript-known-as-codex-d-was-created-between-1335-139592025.htmlRMJ32Y1D–An illuminated manuscript, known as Codex D, was created between 1335 and 1345 is displayed during a repatriation ceremony held at the Italian Embassy in Washington, D.C. December 9, 2016. U.S. Customs and Border Protection Photo by Glenn Fawcett
Illuminated Calligraphic Folio Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-calligraphic-folio-image184233424.htmlRMMKMFH4–Illuminated Calligraphic Folio
Medieval style birds illuminated manuscript border, swallows flying, plants, flowers and vines Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-style-birds-illuminated-manuscript-border-swallows-flying-plants-flowers-and-vines-image558466322.htmlRF2RCG9DP–Medieval style birds illuminated manuscript border, swallows flying, plants, flowers and vines
Illuminated manuscript page containing text, an ornate abstract floral border, and an illustration of kneeling praying figures from a 15th century Latin book of hours, 1450. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-containing-text-an-ornate-abstract-floral-image156740311.htmlRMK303T7–Illuminated manuscript page containing text, an ornate abstract floral border, and an illustration of kneeling praying figures from a 15th century Latin book of hours, 1450.
Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf on vellum, 58 × 129 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-grotesques-and-flora-from-a-manuscript-15th-or-early-16th-century-french-france-manuscript-cutting-in-tempera-and-gold-leaf-on-vellum-58-129-mm-image328619440.htmlRM2A2HWCG–Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf on vellum, 58 × 129 mm
Illuminated manuscript page containing text, an ornate border, and an illustration of a scribe at work, from la ate 14th century Latin manuscript book written in Italy, 1380. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-containing-text-an-ornate-border-and-an-image156740325.htmlRMK303TN–Illuminated manuscript page containing text, an ornate border, and an illustration of a scribe at work, from la ate 14th century Latin manuscript book written in Italy, 1380.
Illuminated title page with calligraphy and decorative border of foliage and heraldic shields. Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's 'Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV,' George Routledge, London, 1868. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-title-page-with-calligraphy-and-decorative-border-of-foliage-and-heraldic-shields-handcoloured-lithograph-after-an-illuminated-manuscript-from-sir-john-froissarts-chronicles-of-england-france-spain-and-the-adjoining-countries-from-the-latter-part-of-the-reign-of-edward-ii-to-the-coronation-of-henry-iv-george-routledge-london-1868-image210566905.htmlRMP6G46H–Illuminated title page with calligraphy and decorative border of foliage and heraldic shields. Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's 'Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV,' George Routledge, London, 1868.
Illuminated manuscript page displaying text surrounded by an ornate border, from a Latin manuscript compiled in Spain in the 18th century, 1715. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-displaying-text-surrounded-by-an-ornate-image156740614.htmlRMK30472–Illuminated manuscript page displaying text surrounded by an ornate border, from a Latin manuscript compiled in Spain in the 18th century, 1715.
Leaf from Qur'an . English: This folio from Walters manuscript W.559 is decorated with a gold border, illuminated verse markers and rosettes. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Leaf from Qur'an - Walters W5593B - Full Page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-quran-english-this-folio-from-walters-manuscript-w559-is-decorated-with-a-gold-border-illuminated-verse-markers-and-rosettes-1323-ad-hijri723-909-mubarakshah-ibn-qutb-leaf-from-quran-walters-w5593b-full-page-image185866957.htmlRMMPAY5H–Leaf from Qur'an . English: This folio from Walters manuscript W.559 is decorated with a gold border, illuminated verse markers and rosettes. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Leaf from Qur'an - Walters W5593B - Full Page
Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iran-page-from-an-illuminated-copy-of-tufat-al-irqayn-by-afzal-al-dn-shirvn-khqn-1126-1198-1604-this-manuscript-of-persian-poems-is-written-in-nastaliq-script-the-page-borders-represent-birds-and-animals-in-various-colours-outlined-in-gold-the-manuscript-was-produced-in-1604-by-shh-qsim-and-is-a-copy-of-the-original-collection-of-poetry-by-khqn-from-the-end-of-the-12th-century-image344237719.htmlRM2B01AM7–Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century.
Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 16v, Short Border with Strewn Violets, c. 1500. This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies. This prayer book, called a book of hours, was intend Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hours-of-queen-isabella-the-catholic-queen-of-spain-fol-16v-short-border-with-strewn-violets-c-1500-this-manuscript-was-illuminated-by-a-circle-of-at-least-five-highly-organized-manuscript-painters-active-in-the-flemish-cities-of-ghent-and-bruges-the-principal-illuminator-was-alexander-bening-who-painted-the-majority-of-the-books-miniatures-manuscripts-produced-by-this-circle-of-artists-are-renowned-for-the-decoration-of-their-borders-which-typically-feature-a-rich-variety-of-realistically-painted-flowers-birds-and-butterflies-this-prayer-book-called-a-book-of-hours-was-intend-image330136522.htmlRM2A530E2–Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 16v, Short Border with Strewn Violets, c. 1500. This manuscript was illuminated by a circle of at least five highly organized manuscript painters active in the Flemish cities of Ghent and Bruges. The principal illuminator was Alexander Bening, who painted the majority of the book's miniatures. Manuscripts produced by this circle of artists are renowned for the decoration of their borders, which typically feature a rich variety of realistically-painted flowers, birds, and butterflies. This prayer book, called a book of hours, was intend
Compendium, manuscript, USA, Chicago, Newberry Library Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-compendium-manuscript-usa-chicago-newberry-library-29496118.htmlRMBKYJGP–Compendium, manuscript, USA, Chicago, Newberry Library
Title page of Kalendarium (Calendarium), 1476. By Regiomontanus (1436-1476). Johannes Müller von Königsberg (1436-1476), better known as Regiomontanus (1436-1476), was a mathematician, astrologer and astronomer. In 1475 he was called to Rome by Pope Sixtus IV to work on calendar reform. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/title-page-of-kalendarium-calendarium-1476-by-regiomontanus-1436-1476-johannes-mller-von-knigsberg-1436-1476-better-known-as-regiomontanus-1436-1476-was-a-mathematician-astrologer-and-astronomer-in-1475-he-was-called-to-rome-by-pope-sixtus-iv-to-work-on-calendar-reform-image357272308.htmlRM2BN74D8–Title page of Kalendarium (Calendarium), 1476. By Regiomontanus (1436-1476). Johannes Müller von Königsberg (1436-1476), better known as Regiomontanus (1436-1476), was a mathematician, astrologer and astronomer. In 1475 he was called to Rome by Pope Sixtus IV to work on calendar reform.
This elegant border is from a service book in the Harleian collection, written and illuminated in France, about the year 1420. In the manuscript which follows, some portions of smaller pattern for borders, which evince great elegance of design, and to these are added some similar patterns from a contemporary volume of prayers. London. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-elegant-border-is-from-a-service-book-in-the-harleian-collection-written-and-illuminated-in-france-about-the-year-1420-in-the-manuscript-which-follows-some-portions-of-smaller-pattern-for-borders-which-evince-great-elegance-of-design-and-to-these-are-added-some-similar-patterns-from-a-contemporary-volume-of-prayers-london-1833-image626139210.htmlRF2YAK2XJ–This elegant border is from a service book in the Harleian collection, written and illuminated in France, about the year 1420. In the manuscript which follows, some portions of smaller pattern for borders, which evince great elegance of design, and to these are added some similar patterns from a contemporary volume of prayers. London. 1833
Initial letter P with face, border with foliage, and design elements from illuminated manuscripts and a Book of Hours, 15th century. TIre du Livre d’Heures du Duc de Berry, 1.2 Bordure d’un manuscrit de la Bib. Nat. Franc. 54, 3 Initiale du manuscrit Franc. 145, Bib. Nat, 4 Angle de Bordure tire du manuscrit Franc. 20.072 Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/initial-letter-p-with-face-border-with-foliage-and-design-elements-from-illuminated-manuscripts-and-a-book-of-hours-15th-century-tire-du-livre-dheures-du-duc-de-berry-12-bordure-dun-manuscrit-de-la-bib-nat-franc-54-3-initiale-du-manuscrit-franc-145-bib-nat-4-angle-de-bordure-tire-du-manuscrit-franc-20072-bib-nat-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383097035.htmlRM2D77G4Y–Initial letter P with face, border with foliage, and design elements from illuminated manuscripts and a Book of Hours, 15th century. TIre du Livre d’Heures du Duc de Berry, 1.2 Bordure d’un manuscrit de la Bib. Nat. Franc. 54, 3 Initiale du manuscrit Franc. 145, Bib. Nat, 4 Angle de Bordure tire du manuscrit Franc. 20.072 Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Vinhaes do Noroeste Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vinhaes-do-noroeste-castle-image599622772.htmlRM2WRF4Y0–Vinhaes do Noroeste Castle
A fragmentary leaf from a Qur'an manuscript from 1137 AD in Persia, modern-day Iran. The calligraphic text is illuminated with gold and pigments of different colors. The border decoration of interlacing circles in gold filled with blue set against the bac Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-a-fragmentary-leaf-from-a-quran-manuscript-from-1137-ad-in-persia-104000703.htmlRMG15HXR–A fragmentary leaf from a Qur'an manuscript from 1137 AD in Persia, modern-day Iran. The calligraphic text is illuminated with gold and pigments of different colors. The border decoration of interlacing circles in gold filled with blue set against the bac
Inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript in opaque watercolor and ink with gold, 16th century, 3 3/4 × 2 7/8 × 1 1/8 in., 9.5 × 7.3 × 2.9 cm, animals, Biblical, birds, blue, border, butterflies, butterfly, calligraphy, Christian, colorful, cow, flowers, illuminated, Joseph, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-horae-beatae-mariae-virginis-flemish-manuscript-in-opaque-watercolor-and-ink-with-gold-16th-century-3-34-2-78-1-18-in-95-73-29-cm-animals-biblical-birds-blue-border-butterflies-butterfly-calligraphy-christian-colorful-cow-flowers-illuminated-joseph-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244885.htmlRF2HK4BF1–Inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript in opaque watercolor and ink with gold, 16th century, 3 3/4 × 2 7/8 × 1 1/8 in., 9.5 × 7.3 × 2.9 cm, animals, Biblical, birds, blue, border, butterflies, butterfly, calligraphy, Christian, colorful, cow, flowers, illuminated, Joseph, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Saint Matthew, from the Cadmug Gospel, 8th century. The Cadmug Gospel (Codex Bonifatianus III) is an early medieval codex of religious texts, now in Fulda in Germany, which is closely associated with Saint Boniface (d754). The Cadmug Gospel (Codex Bonifatianus III) is one of three 'Bonifatian' books, a set of three manuscripts traditionally considered to have been in the possession of Saint Boniface. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/saint-matthew-from-the-cadmug-gospel-8th-century-the-cadmug-gospel-codex-bonifatianus-iii-is-an-early-medieval-codex-of-religious-texts-now-in-fulda-in-germany-which-is-closely-associated-with-saint-boniface-d754-the-cadmug-gospel-codex-bonifatianus-iii-is-one-of-three-bonifatian-books-a-set-of-three-manuscripts-traditionally-considered-to-have-been-in-the-possession-of-saint-boniface-image348185288.htmlRM2B6D5TT–Saint Matthew, from the Cadmug Gospel, 8th century. The Cadmug Gospel (Codex Bonifatianus III) is an early medieval codex of religious texts, now in Fulda in Germany, which is closely associated with Saint Boniface (d754). The Cadmug Gospel (Codex Bonifatianus III) is one of three 'Bonifatian' books, a set of three manuscripts traditionally considered to have been in the possession of Saint Boniface.
Unknown illuminator. Illuminated Border. 1300–1500. Europe. Manuscript cutting in tempera, colored inks and gold leaf on vellum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-illuminator-illuminated-border-13001500-europe-manuscript-cutting-in-tempera-colored-inks-and-gold-leaf-on-vellum-image337944630.htmlRM2AHPKR2–Unknown illuminator. Illuminated Border. 1300–1500. Europe. Manuscript cutting in tempera, colored inks and gold leaf on vellum
The vision of Robert L'Ermite during a sea voyage in which he was told to demand peace between Charles VI and King Richard II Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-vision-of-robert-lermite-during-a-sea-voyage-in-which-he-was-told-114918316.htmlRMGJXYDG–The vision of Robert L'Ermite during a sea voyage in which he was told to demand peace between Charles VI and King Richard II
Medieval illuminated manuscript style frame border with arched copy space and small bird in corner. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/medieval-illuminated-manuscript-style-frame-border-with-arched-copy-space-and-small-bird-in-corner-image558463716.htmlRF2RCG64M–Medieval illuminated manuscript style frame border with arched copy space and small bird in corner.
Radiant Faith: Stained Glass of Ghent Cathedral Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/radiant-faith-stained-glass-of-ghent-cathedral-image592645618.htmlRF2WC59EX–Radiant Faith: Stained Glass of Ghent Cathedral
Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf on vellum, 181 × 57 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-grotesques-and-flora-from-a-manuscript-15th-or-early-16th-century-french-france-manuscript-cutting-in-tempera-and-gold-leaf-on-vellum-181-57-mm-image328619439.htmlRM2A2HWCF–Illuminated Border with Grotesques and Flora from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf on vellum, 181 × 57 mm
Mt. Varro De Rerustica. Illuminated manuscript with rural scenes, and two figures, Bachus and Ariadne in a wagon drawn by snakes. . Border of people engaged in agricultural tasks and a vignette of Bachus and Ariadne in a wagon drawn by snakes. Italy. Last quarter of the 15th century or 1st quarter of the 16th century. Source: Harley 2702 f.2. Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mt-varro-de-rerustica-illuminated-manuscript-with-rural-scenes-and-two-figures-bachus-and-ariadne-in-a-wagon-drawn-by-snakes-border-of-people-engaged-in-agricultural-tasks-and-a-vignette-of-bachus-and-ariadne-in-a-wagon-drawn-by-snakes-italy-last-quarter-of-the-15th-century-or-1st-quarter-of-the-16th-century-source-harley-2702-f2-language-latin-image226829416.htmlRMR50Y6G–Mt. Varro De Rerustica. Illuminated manuscript with rural scenes, and two figures, Bachus and Ariadne in a wagon drawn by snakes. . Border of people engaged in agricultural tasks and a vignette of Bachus and Ariadne in a wagon drawn by snakes. Italy. Last quarter of the 15th century or 1st quarter of the 16th century. Source: Harley 2702 f.2. Language: Latin.
Image of mallow and China pink flowers from an illuminated manuscript, and its applications in pottery, wallpaper border, carved and painted wood, jewelry. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/image-of-mallow-and-china-pink-flowers-from-an-illuminated-manuscript-and-its-applications-in-pottery-wallpaper-border-carved-and-painted-wood-jewelry-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-his-flowers-after-nature-and-ornamental-flowers-fleurs-d`apres-nature-et-fleurs-ornementales-paris-1890-image571831656.htmlRM2T69534–Image of mallow and China pink flowers from an illuminated manuscript, and its applications in pottery, wallpaper border, carved and painted wood, jewelry. Chromolithograph designed and lithographed by Ernst Guillot from his Flowers After Nature and Ornamental Flowers, Fleurs d`apres Nature et fleurs ornementales, Paris, 1890.
Illuminated manuscript page displaying text surrounded by an ornate border, from a Latin manuscript compiled in Spain in the 18th century, 1715. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-displaying-text-surrounded-by-an-ornate-image156740489.htmlRMK3042H–Illuminated manuscript page displaying text surrounded by an ornate border, from a Latin manuscript compiled in Spain in the 18th century, 1715.
Right Side of a Double-page Illuminated Frontispiece . English: This double-page illuminated frontispiece from Walters manuscript W.559 is comprised of two rectangles surrounded by a trefoil border in grisaille. The inner border is gold strapwork with blue squares. The central area is an intricate design of geometric forms and arabesques in blue, black, gold, and green. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Right Side of a Double-page Illuminated Frontispiece - Walters W5591B - Full Page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/right-side-of-a-double-page-illuminated-frontispiece-english-this-double-page-illuminated-frontispiece-from-walters-manuscript-w559-is-comprised-of-two-rectangles-surrounded-by-a-trefoil-border-in-grisaille-the-inner-border-is-gold-strapwork-with-blue-squares-the-central-area-is-an-intricate-design-of-geometric-forms-and-arabesques-in-blue-black-gold-and-green-1323-ad-hijri723-909-mubarakshah-ibn-qutb-right-side-of-a-double-page-illuminated-frontispiece-walters-w5591b-full-page-image185866961.htmlRMMPAY5N–Right Side of a Double-page Illuminated Frontispiece . English: This double-page illuminated frontispiece from Walters manuscript W.559 is comprised of two rectangles surrounded by a trefoil border in grisaille. The inner border is gold strapwork with blue squares. The central area is an intricate design of geometric forms and arabesques in blue, black, gold, and green. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Right Side of a Double-page Illuminated Frontispiece - Walters W5591B - Full Page
Illuminated manuscript page from 'Tenere et credere me faciat' with illustration of a baby with four adults with a decorative border, book of hours manuscript printed in Latin in 15th century, 1400. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-from-tenere-et-credere-me-faciat-with-image156741995.htmlRMK3060B–Illuminated manuscript page from 'Tenere et credere me faciat' with illustration of a baby with four adults with a decorative border, book of hours manuscript printed in Latin in 15th century, 1400.
Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iran-page-from-an-illuminated-copy-of-tufat-al-irqayn-by-afzal-al-dn-shirvn-khqn-1126-1198-1604-this-manuscript-of-persian-poems-is-written-in-nastaliq-script-the-page-borders-represent-birds-and-animals-in-various-colours-outlined-in-gold-the-manuscript-was-produced-in-1604-by-shh-qsim-and-is-a-copy-of-the-original-collection-of-poetry-by-khqn-from-the-end-of-the-12th-century-image344237722.htmlRM2B01AMA–Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century.
Illuminated Capitals and Border. Artist: Unknown Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-capitals-and-border-artist-unknown-image60055866.htmlRMDDKNTA–Illuminated Capitals and Border. Artist: Unknown
'Illuminated manuscript to illustrate Walter Scott's The Talisman', c1830. Artist: Sangorski and Sutcliffe. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-to-illustrate-walter-scotts-the-talisman-c1830-artist-sangorski-and-sutcliffe-image262783781.htmlRMW7ERB1–'Illuminated manuscript to illustrate Walter Scott's The Talisman', c1830. Artist: Sangorski and Sutcliffe.
Specimens with an arabesque border and initial letter from a splendid Italian manuscript containing the Filocopo of Bocaccio. c. 1464 ; Italian, Mantua or possibly Ferrara. London. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/specimens-with-an-arabesque-border-and-initial-letter-from-a-splendid-italian-manuscript-containing-the-filocopo-of-bocaccio-c-1464-italian-mantua-or-possibly-ferrara-london-1833-image626139183.htmlRF2YAK2WK–Specimens with an arabesque border and initial letter from a splendid Italian manuscript containing the Filocopo of Bocaccio. c. 1464 ; Italian, Mantua or possibly Ferrara. London. 1833
Page from a Book of Hours, and fragment of a border from a manuscript, 15th century. Reproduction d’une page tiree des heures du XV Siecle (Bib. Nat. Latin 9471), Fragment de Bordure tire du manuscrit Franc. 54, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-book-of-hours-and-fragment-of-a-border-from-a-manuscript-15th-century-reproduction-dune-page-tiree-des-heures-du-xv-siecle-bib-nat-latin-9471-fragment-de-bordure-tire-du-manuscrit-franc-54-bib-nat-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383097434.htmlRM2D77GK6–Page from a Book of Hours, and fragment of a border from a manuscript, 15th century. Reproduction d’une page tiree des heures du XV Siecle (Bib. Nat. Latin 9471), Fragment de Bordure tire du manuscrit Franc. 54, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Elvas Aparte do Norte Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/elvas-aparte-do-norte-castle-image599622284.htmlRM2WRF49G–Elvas Aparte do Norte Castle
Closing of the border between pakistan and India, Amritsar, Punjab, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closing-of-the-border-between-pakistan-and-india-amritsar-punjab-india-26443426.htmlRMBF0GT2–Closing of the border between pakistan and India, Amritsar, Punjab, India.
Art inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript with opaque watercolor and ink with gold, ca.1460, 4 × 3 × 1 in., 10.2 × 7.6 × 2.5 cm, Biblical, blue, border, calligraphy, Christian, embossed, gold, illuminated, letter, manuscript, ornate, red, religion, script, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-horae-beatae-mariae-virginis-flemish-manuscript-with-opaque-watercolor-and-ink-with-gold-ca1460-4-3-1-in-102-76-25-cm-biblical-blue-border-calligraphy-christian-embossed-gold-illuminated-letter-manuscript-ornate-red-religion-script-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562417.htmlRF2HKJTFD–Art inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript with opaque watercolor and ink with gold, ca.1460, 4 × 3 × 1 in., 10.2 × 7.6 × 2.5 cm, Biblical, blue, border, calligraphy, Christian, embossed, gold, illuminated, letter, manuscript, ornate, red, religion, script, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Celtic Knotwork Round Decorative Ornamental Border Frame Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/celtic-knotwork-round-decorative-ornamental-border-frame-image341681139.htmlRF2ARTWNR–Celtic Knotwork Round Decorative Ornamental Border Frame
Illuminated Border with Grotesques and Flora from a Manuscript. 1401–1530. France. Manuscript cutting in tempera and gold leaf on vellum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-grotesques-and-flora-from-a-manuscript-14011530-france-manuscript-cutting-in-tempera-and-gold-leaf-on-vellum-image337990669.htmlRM2AHTPF9–Illuminated Border with Grotesques and Flora from a Manuscript. 1401–1530. France. Manuscript cutting in tempera and gold leaf on vellum
Collection of Knotwork Decorative Ornamental Border Frames. Ideal for label designs. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/collection-of-knotwork-decorative-ornamental-border-frames-ideal-for-label-designs-image341681128.htmlRF2ARTWNC–Collection of Knotwork Decorative Ornamental Border Frames. Ideal for label designs.
Red poppy flower and vine medieval style illuminated manuscript border Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-poppy-flower-and-vine-medieval-style-illuminated-manuscript-border-image558576064.htmlRF2RCN9D4–Red poppy flower and vine medieval style illuminated manuscript border
Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the foliage extensions, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.). Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/fol-ir-prologue-st-jerome-large-historiated-initial-i-the-saint-in-a-brown-habit-writing-at-a-desk-in-a-gothic-architectural-frame-with-full-length-border-of-foliage-and-small-hybrids-a-hare-a-dog-and-a-grotesque-perched-on-the-foliage-extensions-c-1275-1300-southern-france-toulouse-13th-century-bound-illuminated-manuscript-in-latin-brown-morocco-binding-ink-tempera-and-gold-on-vellum-533-leaves-overall-356-x-242-cm-14-x-9-12-in-image448104968.htmlRM2H10XCT–Fol. ir: Prologue, St. Jerome, large historiated initial I, the saint in a brown habit writing at a desk in a gothic architectural frame, with full-length border of foliage and small hybrids, a hare, a dog and a grotesque perched on the foliage extensions, c. 1275-1300. Southern France, Toulouse(?), 13th century. Bound illuminated manuscript in Latin; brown morocco binding; ink, tempera and gold on vellum; 533 leaves ; overall: 35.6 x 24.2 cm (14 x 9 1/2 in.).
Illuminated Border with Flora and Grotesques from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf, with Latin inscription in humanistic script in black ink, on vellum, 342 × 65 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-flora-and-grotesques-from-a-manuscript-15th-or-early-16th-century-french-france-manuscript-cutting-in-tempera-and-gold-leaf-with-latin-inscription-in-humanistic-script-in-black-ink-on-vellum-342-65-mm-image328619438.htmlRM2A2HWCE–Illuminated Border with Flora and Grotesques from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf, with Latin inscription in humanistic script in black ink, on vellum, 342 × 65 mm
An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (verso), 1607–8. Mughal India, court of Jahangir (1605–1627). Ink, opaque watercolor, and gold on paper (red border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in.). Farhang-i Jah?ng?r?, one of the most complete and authoritative dictionaries of the Persian language, was compiled by Mir Jamal al-Din Husayn Inju. It took him 12 years to compile over 9,000 words with definitions and examples from verses by Persian poets. He was born in Shiraz, Iran, but lived most of his life in A Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illuminated-folio-from-the-royal-manuscript-of-the-farhang-i-jahangiri-verso-16078-mughal-india-court-of-jahangir-16051627-ink-opaque-watercolor-and-gold-on-paper-red-border-page-337-x-219-cm-13-14-x-8-58-in-text-field-212-x-11-cm-8-38-x-4-516-in-farhang-i-jahngr-one-of-the-most-complete-and-authoritative-dictionaries-of-the-persian-language-was-compiled-by-mir-jamal-al-din-husayn-inju-it-took-him-12-years-to-compile-over-9000-words-with-definitions-and-examples-from-verses-by-persian-poets-he-was-born-in-shiraz-iran-but-lived-most-of-his-life-in-a-image448072203.htmlRM2H0YCJK–An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (verso), 1607–8. Mughal India, court of Jahangir (1605–1627). Ink, opaque watercolor, and gold on paper (red border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in.). Farhang-i Jah?ng?r?, one of the most complete and authoritative dictionaries of the Persian language, was compiled by Mir Jamal al-Din Husayn Inju. It took him 12 years to compile over 9,000 words with definitions and examples from verses by Persian poets. He was born in Shiraz, Iran, but lived most of his life in A
Mythical creature kneeling behind shield (manuscript in the Bibliotheque de Laon), miniature painting depicting the life of St. Louis (Bibliotheque Nationale de France 5716), and illuminated border.. . Ernest Guillot 'Ornementation des Manuscrits au Moyen-Age' (Ornamentation from Manuscripts of the Middle Ages, 14th century), 1897, chromolithograph. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/mythical-creature-kneeling-behind-shield-manuscript-in-the-bibliotheque-de-laon-miniature-painting-depicting-the-life-of-st-louis-bibliotheque-nationale-de-france-5716-and-illuminated-border-ernest-guillot-ornementation-des-manuscrits-au-moyen-age-ornamentation-from-manuscripts-of-the-middle-ages-14th-century-1897-chromolithograph-image231221889.htmlRMRC51TH–Mythical creature kneeling behind shield (manuscript in the Bibliotheque de Laon), miniature painting depicting the life of St. Louis (Bibliotheque Nationale de France 5716), and illuminated border.. . Ernest Guillot 'Ornementation des Manuscrits au Moyen-Age' (Ornamentation from Manuscripts of the Middle Ages, 14th century), 1897, chromolithograph.
An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (recto), 1607–8. Mughal India, court of Jahangir (1605–1627). Ink, opaque watercolor, and gold on paper (blue border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in.). Farhang-E Jah?ng?r?, one of the most complete and authoritative dictionaries of the Persian language, was compiled by Mir Jamal al-Din Husayn Inju. It took him twelve years to compile over 9,000 words with definitions and examples from verses by Persian poets. He was born in Shiraz, Iran, but lived most of his life Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illuminated-folio-from-the-royal-manuscript-of-the-farhang-i-jahangiri-recto-16078-mughal-india-court-of-jahangir-16051627-ink-opaque-watercolor-and-gold-on-paper-blue-border-page-337-x-219-cm-13-14-x-8-58-in-text-field-212-x-11-cm-8-38-x-4-516-in-farhang-e-jahngr-one-of-the-most-complete-and-authoritative-dictionaries-of-the-persian-language-was-compiled-by-mir-jamal-al-din-husayn-inju-it-took-him-twelve-years-to-compile-over-9000-words-with-definitions-and-examples-from-verses-by-persian-poets-he-was-born-in-shiraz-iran-but-lived-most-of-his-life-image448064798.htmlRM2H0Y366–An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (recto), 1607–8. Mughal India, court of Jahangir (1605–1627). Ink, opaque watercolor, and gold on paper (blue border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in.). Farhang-E Jah?ng?r?, one of the most complete and authoritative dictionaries of the Persian language, was compiled by Mir Jamal al-Din Husayn Inju. It took him twelve years to compile over 9,000 words with definitions and examples from verses by Persian poets. He was born in Shiraz, Iran, but lived most of his life
Left Side of a Double-page Illuminated Frontispiece . English: This double-page illuminated frontispiece from Walters manuscript W.559 is comprised of two rectangles surrounded by a trefoil border in grisaille. The inner border is gold strapwork with blue squares. The central area is an intricate design of geometric forms and arabesques in blue, black, gold, and green. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Left Side of a Double-page Illuminated Frontispiece - Walters W5592A - Full Page Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/left-side-of-a-double-page-illuminated-frontispiece-english-this-double-page-illuminated-frontispiece-from-walters-manuscript-w559-is-comprised-of-two-rectangles-surrounded-by-a-trefoil-border-in-grisaille-the-inner-border-is-gold-strapwork-with-blue-squares-the-central-area-is-an-intricate-design-of-geometric-forms-and-arabesques-in-blue-black-gold-and-green-1323-ad-hijri723-909-mubarakshah-ibn-qutb-left-side-of-a-double-page-illuminated-frontispiece-walters-w5592a-full-page-image185866960.htmlRMMPAY5M–Left Side of a Double-page Illuminated Frontispiece . English: This double-page illuminated frontispiece from Walters manuscript W.559 is comprised of two rectangles surrounded by a trefoil border in grisaille. The inner border is gold strapwork with blue squares. The central area is an intricate design of geometric forms and arabesques in blue, black, gold, and green. . 1323 AD (Hijri历723). 909 Mubarakshah ibn Qutb - Left Side of a Double-page Illuminated Frontispiece - Walters W5592A - Full Page
Illuminated manuscript page from 'Initium sancti euangelii secundum iohannem : gloria tibi domine' book of hours manuscript printed in Latin in 15th century with illuminated initials and border ornamentation, 1400. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-from-initium-sancti-euangelii-secundum-image156742070.htmlRMK30632–Illuminated manuscript page from 'Initium sancti euangelii secundum iohannem : gloria tibi domine' book of hours manuscript printed in Latin in 15th century with illuminated initials and border ornamentation, 1400.
Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iran-page-from-an-illuminated-copy-of-tufat-al-irqayn-by-afzal-al-dn-shirvn-khqn-1126-1198-1604-this-manuscript-of-persian-poems-is-written-in-nastaliq-script-the-page-borders-represent-birds-and-animals-in-various-colours-outlined-in-gold-the-manuscript-was-produced-in-1604-by-shh-qsim-and-is-a-copy-of-the-original-collection-of-poetry-by-khqn-from-the-end-of-the-12th-century-image344237717.htmlRM2B01AM5–Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century.
Page from a manuscript in Nasta'liq with an illuminated border, Safavid dynasty (1501-1722), 16th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-manuscript-in-nastaliq-with-an-illuminated-border-safavid-dynasty-1501-1722-16th-century-image453136127.htmlRM2H963N3–Page from a manuscript in Nasta'liq with an illuminated border, Safavid dynasty (1501-1722), 16th century.
Illuminated border and initial 'Q'(uoniam) with heraldic decoration. Antidotarium. England; 2nd quarter of the 15th century. Source: Sloane 248, f.3. Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-and-initial-quoniam-with-heraldic-decoration-antidotarium-england-2nd-quarter-of-the-15th-century-source-sloane-248-f3-language-latin-image227167101.htmlRMR5G9XN–Illuminated border and initial 'Q'(uoniam) with heraldic decoration. Antidotarium. England; 2nd quarter of the 15th century. Source: Sloane 248, f.3. Language: Latin.
The manuscript supplies the examples of a letter and border here given is rendered from its having been composed and written by order of William Curteys, abbot of St. Edmundsbury in the year 1433. It contains the legend of St. Edmund and St. Fremund, tanslated from the Latin into English verse. London. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-manuscript-supplies-the-examples-of-a-letter-and-border-here-given-is-rendered-from-its-having-been-composed-and-written-by-order-of-william-curteys-abbot-of-st-edmundsbury-in-the-year-1433-it-contains-the-legend-of-st-edmund-and-st-fremund-tanslated-from-the-latin-into-english-verse-london-1833-image626139199.htmlRF2YAK2X7–The manuscript supplies the examples of a letter and border here given is rendered from its having been composed and written by order of William Curteys, abbot of St. Edmundsbury in the year 1433. It contains the legend of St. Edmund and St. Fremund, tanslated from the Latin into English verse. London. 1833
Borders from an illuminated book of hours and manuscripts, 15th century. Border from Heures de Charles d'Angoulême. 1-4 Details de Bordures tires d’un manuscrit de la Bib. Nat Franc. No. 54, Bordures des heures illuminees Latin 1173, Bib. Nat., tire du manuscrit Franc. 20.072, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/borders-from-an-illuminated-book-of-hours-and-manuscripts-15th-century-border-from-heures-de-charles-dangoulme-1-4-details-de-bordures-tires-dun-manuscrit-de-la-bib-nat-franc-no-54-bordures-des-heures-illuminees-latin-1173-bib-nat-tire-du-manuscrit-franc-20072-bib-nat-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383097032.htmlRM2D77G4T–Borders from an illuminated book of hours and manuscripts, 15th century. Border from Heures de Charles d'Angoulême. 1-4 Details de Bordures tires d’un manuscrit de la Bib. Nat Franc. No. 54, Bordures des heures illuminees Latin 1173, Bib. Nat., tire du manuscrit Franc. 20.072, Bib. Nat. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Sabugal do Este Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sabugal-do-este-castle-image599622669.htmlRM2WRF4R9–Sabugal do Este Castle
Closing of the border between pakistan and India, Amritsar, Punjab, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closing-of-the-border-between-pakistan-and-india-amritsar-punjab-india-26443670.htmlRMBF0H4P–Closing of the border between pakistan and India, Amritsar, Punjab, India.
Art inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript in opaque watercolor and ink with gold, 16th century, 3 3/4 × 2 7/8 × 1 1/8 in., 9.5 × 7.3 × 2.9 cm, animals, Biblical, birds, blue, border, butterflies, butterfly, calligraphy, Christian, colorful, cow, flowers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-horae-beatae-mariae-virginis-flemish-manuscript-in-opaque-watercolor-and-ink-with-gold-16th-century-3-34-2-78-1-18-in-95-73-29-cm-animals-biblical-birds-blue-border-butterflies-butterfly-calligraphy-christian-colorful-cow-flowers-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459562420.htmlRF2HKJTFG–Art inspired by Horae Beatae Mariae Virginis, Flemish, Manuscript in opaque watercolor and ink with gold, 16th century, 3 3/4 × 2 7/8 × 1 1/8 in., 9.5 × 7.3 × 2.9 cm, animals, Biblical, birds, blue, border, butterflies, butterfly, calligraphy, Christian, colorful, cow, flowers, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Illuminated page, with bordering, c1480 (1905). Artist: Unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-page-with-bordering-c1480-1905-artist-unknown-image262783368.htmlRMW7EPT8–Illuminated page, with bordering, c1480 (1905). Artist: Unknown.
Islamic. Page from a manuscript in Nasta'liq with an illuminated border. 1501–1600. Iran. Ink, opaque watercolor, and gold on paper Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/islamic-page-from-a-manuscript-in-nastaliq-with-an-illuminated-border-15011600-iran-ink-opaque-watercolor-and-gold-on-paper-image337923539.htmlRM2AHNMWR–Islamic. Page from a manuscript in Nasta'liq with an illuminated border. 1501–1600. Iran. Ink, opaque watercolor, and gold on paper
19th century design, Initial letter A. Old 19th century engraved illustration, El Mundo Ilustrado 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-design-initial-letter-a-old-19th-century-engraved-illustration-el-mundo-ilustrado-1880-image363057144.htmlRM2C2JK2G–19th century design, Initial letter A. Old 19th century engraved illustration, El Mundo Ilustrado 1880
Illuminated manuscript style vine and floral border Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-style-vine-and-floral-border-image554276470.htmlRF2R5ND86–Illuminated manuscript style vine and floral border
![Italian Renaissance illumination, weaving, and marble-mosaic, (1898). 'Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 8: Border from a silk-stuff. Fig 9: Marble-mosaic from a table in the National Museum at Munich'. Plate 54 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo](https://c8.alamy.com/comp/2AG0HN5/italian-renaissance-illumination-weaving-and-marble-mosaic-1898-figs-1-6-paintings-from-divers-manuscripts-fig-7-velvet-stuff-in-the-museum-vaterlxe4ndischer-altertxfcmer-at-stuttgart-fig-8-border-from-a-silk-stuff-fig-9-marble-mosaic-from-a-table-in-the-national-museum-at-munich-plate-54-from-quotthe-historic-styles-of-ornamentquot-translated-from-the-german-of-h-dolmetsch-bt-batford-london-1898-2AG0HN5.jpg "Italian Renaissance illumination, weaving, and marble-mosaic, (1898). 'Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 8: Border from a silk-stuff. Fig 9: Marble-mosaic from a table in the National Museum at Munich'. Plate 54 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photo")
Italian Renaissance illumination, weaving, and marble-mosaic, (1898). 'Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 8: Border from a silk-stuff. Fig 9: Marble-mosaic from a table in the National Museum at Munich'. Plate 54 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/italian-renaissance-illumination-weaving-and-marble-mosaic-1898-figs-1-6-paintings-from-divers-manuscripts-fig-7-velvet-stuff-in-the-museum-vaterlxe4ndischer-altertxfcmer-at-stuttgart-fig-8-border-from-a-silk-stuff-fig-9-marble-mosaic-from-a-table-in-the-national-museum-at-munich-plate-54-from-quotthe-historic-styles-of-ornamentquot-translated-from-the-german-of-h-dolmetsch-bt-batford-london-1898-image336845409.htmlRM2AG0HN5–Italian Renaissance illumination, weaving, and marble-mosaic, (1898). 'Figs 1-6: Paintings from divers manuscripts. Fig 7: Velvet-stuff in the 'Museum vaterländischer Altertümer' at Stuttgart. Fig 8: Border from a silk-stuff. Fig 9: Marble-mosaic from a table in the National Museum at Munich'. Plate 54 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. [B.T. Batford, London, 1898]
Illuminated Border with Snail, Insect, Bird, Grotesques and Flowers from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic in red ink, on vellum, 139 × 318 mm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-snail-insect-bird-grotesques-and-flowers-from-a-manuscript-15th-or-early-16th-century-french-france-manuscript-cutting-in-tempera-and-gold-leaf-with-latin-inscriptions-in-gothic-in-red-ink-on-vellum-139-318-mm-image328619437.htmlRM2A2HWCD–Illuminated Border with Snail, Insect, Bird, Grotesques and Flowers from a Manuscript, 15th or early 16th century, French, France, Manuscript cutting in tempera and gold leaf, with Latin inscriptions in gothic in red ink, on vellum, 139 × 318 mm
Orthodox Christian priest displaying an illuminated manuscript inside Abuna Aregawi Church at Debre Damo in Tigray, Ethiopia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-orthodox-christian-priest-displaying-an-illuminated-manuscript-inside-53018704.htmlRMD275W4–Orthodox Christian priest displaying an illuminated manuscript inside Abuna Aregawi Church at Debre Damo in Tigray, Ethiopia.
Byzantine Empress, 9th century, in a robe with gilt border encrusted with gems, matching the throne. From an illuminated manuscript by Gregory of Nazianzus. Imperatrice de Constantinople, MS 510. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/byzantine-empress-9th-century-in-a-robe-with-gilt-border-encrusted-with-gems-matching-the-throne-from-an-illuminated-manuscript-by-gregory-of-nazianzus-imperatrice-de-constantinople-ms-510-handcoloured-lithograph-by-villain-after-an-illustration-by-horace-de-viel-castel-from-his-collection-des-costumes-armes-et-meubles-pour-servir-lhistoire-de-la-france-collection-of-costumes-weapons-and-furniture-to-be-used-in-the-history-of-france-treuttel-wurtz-bossange-1827-image571911880.htmlRM2T6CRC8–Byzantine Empress, 9th century, in a robe with gilt border encrusted with gems, matching the throne. From an illuminated manuscript by Gregory of Nazianzus. Imperatrice de Constantinople, MS 510. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.
Madonna and Child Insert Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/madonna-and-child-insert-image184187656.htmlRMMKJD6G–Madonna and Child Insert
Incipit Page with Illuminated Headpiece . English: This incipit page from Walters manuscript W.646 has an illuminated headpiece inscribed with the doxological formula (basmalah) in white ink. The page is also decorated with cloud-bands and a decorated border. . late 18th century AD (Mughal period (1526-1858)). Jami (1414–1492) Alternative names Nur ad-Dīn Abd ar-Rahmān Jāmī, Nur al-Din `Abd al-Rahman ibn Ahmad Jami, DJāmī, Mawlanā Nūr al-Dīn 'Abd al-Rahmān, Abd-Al-Rahmān Nur-Al-Din Muhammad Dashti فارسی: نورالدین عبدالرحمن جامی Description Persian mystic, poet, historian and theol Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/incipit-page-with-illuminated-headpiece-english-this-incipit-page-from-walters-manuscript-w646-has-an-illuminated-headpiece-inscribed-with-the-doxological-formula-basmalah-in-white-ink-the-page-is-also-decorated-with-cloud-bands-and-a-decorated-border-late-18th-century-ad-mughal-period-1526-1858-jami-14141492-alternative-names-nur-ad-dn-abd-ar-rahmn-jm-nur-al-din-`abd-al-rahman-ibn-ahmad-jami-djm-mawlan-nr-al-dn-abd-al-rahmn-abd-al-rahmn-nur-al-din-muhammad-dashti-description-persian-mystic-poet-historian-and-theol-image185881919.htmlRMMPBJ7Y–Incipit Page with Illuminated Headpiece . English: This incipit page from Walters manuscript W.646 has an illuminated headpiece inscribed with the doxological formula (basmalah) in white ink. The page is also decorated with cloud-bands and a decorated border. . late 18th century AD (Mughal period (1526-1858)). Jami (1414–1492) Alternative names Nur ad-Dīn Abd ar-Rahmān Jāmī, Nur al-Din `Abd al-Rahman ibn Ahmad Jami, DJāmī, Mawlanā Nūr al-Dīn 'Abd al-Rahmān, Abd-Al-Rahmān Nur-Al-Din Muhammad Dashti فارسی: نورالدین عبدالرحمن جامی Description Persian mystic, poet, historian and theol
Illuminated manuscript page from 'Initium sancti euangelii secundum iohannem : gloria tibi domine' with religious illustration of angels and a man blessing a woman with a decorative border, book of hours manuscript printed in Latin in 15th century, 1400. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-manuscript-page-from-initium-sancti-euangelii-secundum-image156741992.htmlRMK30608–Illuminated manuscript page from 'Initium sancti euangelii secundum iohannem : gloria tibi domine' with religious illustration of angels and a man blessing a woman with a decorative border, book of hours manuscript printed in Latin in 15th century, 1400.
Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/iran-page-from-an-illuminated-copy-of-tufat-al-irqayn-by-afzal-al-dn-shirvn-khqn-1126-1198-1604-this-manuscript-of-persian-poems-is-written-in-nastaliq-script-the-page-borders-represent-birds-and-animals-in-various-colours-outlined-in-gold-the-manuscript-was-produced-in-1604-by-shh-qsim-and-is-a-copy-of-the-original-collection-of-poetry-by-khqn-from-the-end-of-the-12th-century-image344237709.htmlRM2B01AKW–Iran: Page from an illuminated copy of Tuḥfat al-ʻIrāqayn by Afzal al-Dīn Shirvānī Khāqānī (1126-1198), 1604. This manuscript of Persian poems is written in nastaliq script. The page-borders represent birds and animals in various colours outlined in gold. The manuscript was produced in 1604 by Shāh Qāsim and is a copy of the original collection of poetry by Khāqānī from the end of the 12th century.
![Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit), 1430s. The Master of Guillebert de Mets (probably Jean de Pestivien) is named after the scribe who recorded his name in an illuminated copy of the Decameron (a collection of stories by Giovanni Boccaccio, written 1351-53) made for Duke Philip the Good of Burgundy, and for which the artist contributed several miniatures. The Master of Guillebert de Mets was active from about 1410 to 1445. So far there is no proof that allows us to follow his career or to know precisely where Stock Photo](https://c8.alamy.com/comp/2A51DGX/leaf-from-a-book-of-hours-decorated-initial-d-eus-with-foliated-border-opening-of-terce-hours-of-the-holy-spirit-1430s-the-master-of-guillebert-de-mets-probably-jean-de-pestivien-is-named-after-the-scribe-who-recorded-his-name-in-an-illuminated-copy-of-the-decameron-a-collection-of-stories-by-giovanni-boccaccio-written-1351-53-made-for-duke-philip-the-good-of-burgundy-and-for-which-the-artist-contributed-several-miniatures-the-master-of-guillebert-de-mets-was-active-from-about-1410-to-1445-so-far-there-is-no-proof-that-allows-us-to-follow-his-career-or-to-know-precisely-where-2A51DGX.jpg "Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit), 1430s. The Master of Guillebert de Mets (probably Jean de Pestivien) is named after the scribe who recorded his name in an illuminated copy of the Decameron (a collection of stories by Giovanni Boccaccio, written 1351-53) made for Duke Philip the Good of Burgundy, and for which the artist contributed several miniatures. The Master of Guillebert de Mets was active from about 1410 to 1445. So far there is no proof that allows us to follow his career or to know precisely where Stock Photo")
Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit), 1430s. The Master of Guillebert de Mets (probably Jean de Pestivien) is named after the scribe who recorded his name in an illuminated copy of the Decameron (a collection of stories by Giovanni Boccaccio, written 1351-53) made for Duke Philip the Good of Burgundy, and for which the artist contributed several miniatures. The Master of Guillebert de Mets was active from about 1410 to 1445. So far there is no proof that allows us to follow his career or to know precisely where Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leaf-from-a-book-of-hours-decorated-initial-d-eus-with-foliated-border-opening-of-terce-hours-of-the-holy-spirit-1430s-the-master-of-guillebert-de-mets-probably-jean-de-pestivien-is-named-after-the-scribe-who-recorded-his-name-in-an-illuminated-copy-of-the-decameron-a-collection-of-stories-by-giovanni-boccaccio-written-1351-53-made-for-duke-philip-the-good-of-burgundy-and-for-which-the-artist-contributed-several-miniatures-the-master-of-guillebert-de-mets-was-active-from-about-1410-to-1445-so-far-there-is-no-proof-that-allows-us-to-follow-his-career-or-to-know-precisely-where-image330102890.htmlRM2A51DGX–Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit), 1430s. The Master of Guillebert de Mets (probably Jean de Pestivien) is named after the scribe who recorded his name in an illuminated copy of the Decameron (a collection of stories by Giovanni Boccaccio, written 1351-53) made for Duke Philip the Good of Burgundy, and for which the artist contributed several miniatures. The Master of Guillebert de Mets was active from about 1410 to 1445. So far there is no proof that allows us to follow his career or to know precisely where
Illuminated initial 'H'(enricus) combined with a partial bar border, acanthus leaves and foliate feathering. Registrum brevium. England; 1st half of the 15th century. Source: Harley 4021, f.6. Language: Latin. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-initial-henricus-combined-with-a-partial-bar-border-acanthus-leaves-and-foliate-feathering-registrum-brevium-england-1st-half-of-the-15th-century-source-harley-4021-f6-language-latin-image227084979.htmlRMR5CH5R–Illuminated initial 'H'(enricus) combined with a partial bar border, acanthus leaves and foliate feathering. Registrum brevium. England; 1st half of the 15th century. Source: Harley 4021, f.6. Language: Latin.
This elegant border is from a service book in the Harleian collection, written and illuminated in France, about the year 1420. A calendar is prefixed, as usual, after which appears the portrait of a nobleman kneeling at an altar, habited in a scarlet gown turned up with fur, and embroidered with gold. London. 1833 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-elegant-border-is-from-a-service-book-in-the-harleian-collection-written-and-illuminated-in-france-about-the-year-1420-a-calendar-is-prefixed-as-usual-after-which-appears-the-portrait-of-a-nobleman-kneeling-at-an-altar-habited-in-a-scarlet-gown-turned-up-with-fur-and-embroidered-with-gold-london-1833-image626139196.htmlRF2YAK2X4–This elegant border is from a service book in the Harleian collection, written and illuminated in France, about the year 1420. A calendar is prefixed, as usual, after which appears the portrait of a nobleman kneeling at an altar, habited in a scarlet gown turned up with fur, and embroidered with gold. London. 1833
Border from a manuscript, border and medallions from the Heures de Charles d'Angoulême, and fleurons from Golden Fleece, 15th century. Tire d’un manuscrit de la Bibl. de l’Arsenal, No. 639, Bordure et medallions tires des Heures illuminees, Bib. Nat. Latin 1173, 1,2,3 Fleurons tires de la Toison d’or Bib. Nat. Franc. 331. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/border-from-a-manuscript-border-and-medallions-from-the-heures-de-charles-dangoulme-and-fleurons-from-golden-fleece-15th-century-tire-dun-manuscrit-de-la-bibl-de-larsenal-no-639-bordure-et-medallions-tires-des-heures-illuminees-bib-nat-latin-1173-123-fleurons-tires-de-la-toison-dor-bib-nat-franc-331-chromolithograph-designed-and-lithographed-by-ernst-guillot-from-ornementation-des-manuscrits-au-moyen-age-xve-siecleornamentation-from-manuscripts-of-the-middle-ages-15th-century-paris-1890-image383097438.htmlRM2D77GKA–Border from a manuscript, border and medallions from the Heures de Charles d'Angoulême, and fleurons from Golden Fleece, 15th century. Tire d’un manuscrit de la Bibl. de l’Arsenal, No. 639, Bordure et medallions tires des Heures illuminees, Bib. Nat. Latin 1173, 1,2,3 Fleurons tires de la Toison d’or Bib. Nat. Franc. 331. Chromolithograph designed and lithographed by Ernst Guillot from Ornementation des Manuscrits au Moyen-Age, XVe Siecle(Ornamentation from Manuscripts of the Middle Ages, 15th century), Paris, 1890.
Penagracia Leste Castle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/penagracia-leste-castle-image599622630.htmlRM2WRF4NX–Penagracia Leste Castle
Closing of the border between pakistan and India, Amritsar, Punjab, India. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-closing-of-the-border-between-pakistan-and-india-amritsar-punjab-india-26423876.htmlRMBEYKWT–Closing of the border between pakistan and India, Amritsar, Punjab, India.
Page from a manuscript in Nasta’liq with an illuminated border, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Ink, opaque watercolor, and gold on paper, 25.8 x 15.7 cm (10 1/8 x 6 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-manuscript-in-nastaliq-with-an-illuminated-border-safavid-dynasty-15011722-16th-century-iran-iran-ink-opaque-watercolor-and-gold-on-paper-258-x-157-cm-10-18-x-6-316-in-reimagined-by-gibon-design-of-warm-cheerful-glowing-of-brightness-and-light-rays-radiance-classic-art-reinvented-with-a-modern-twist-photography-inspired-by-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image349686397.htmlRF2B8WGFW–Page from a manuscript in Nasta’liq with an illuminated border, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Ink, opaque watercolor, and gold on paper, 25.8 x 15.7 cm (10 1/8 x 6 3/16 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
Louis Ix King Of France Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-louis-ix-king-of-france-56685340.htmlRMD866MC–Louis Ix King Of France
Illuminated Border with Grotesques and Flora from a Manuscript. 1401–1530. France. Manuscript cutting in tempera and gold leaf on vellum Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/illuminated-border-with-grotesques-and-flora-from-a-manuscript-14011530-france-manuscript-cutting-in-tempera-and-gold-leaf-on-vellum-image337990621.htmlRM2AHTPDH–Illuminated Border with Grotesques and Flora from a Manuscript. 1401–1530. France. Manuscript cutting in tempera and gold leaf on vellum
19th century design, Initial letter S. Old 19th century engraved illustration, El Mundo Ilustrado 1880 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/19th-century-design-initial-letter-s-old-19th-century-engraved-illustration-el-mundo-ilustrado-1880-image363057404.htmlRM2C2JKBT–19th century design, Initial letter S. Old 19th century engraved illustration, El Mundo Ilustrado 1880
Vector of a medieval illuminated manuscript style border, three birds on flower vines Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/vector-of-a-medieval-illuminated-manuscript-style-border-three-birds-on-flower-vines-image556585970.htmlRF2R9EK2A–Vector of a medieval illuminated manuscript style border, three birds on flower vines
Page from a Troubadour poem Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-page-from-a-troubadour-poem-105254833.htmlRMG36NH5–Page from a Troubadour poem
Page from a manuscript in Nasta’liq with an illuminated border, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Ink, opaque watercolor, and gold on paper, 25.8 x 15.7 cm (10 1/8 x 6 3/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/page-from-a-manuscript-in-nastaliq-with-an-illuminated-border-safavid-dynasty-15011722-16th-century-iran-iran-ink-opaque-watercolor-and-gold-on-paper-258-x-157-cm-10-18-x-6-316-in-image328625622.htmlRM2A2J59A–Page from a manuscript in Nasta’liq with an illuminated border, Safavid dynasty (1501–1722), 16th century, Iran, Iran, Ink, opaque watercolor, and gold on paper, 25.8 x 15.7 cm (10 1/8 x 6 3/16 in
Orthodox Christian priests displaying an illuminated manuscript inside Abuna Aregawi Church at Debre Damo in Tigray, Ethiopia. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-orthodox-christian-priests-displaying-an-illuminated-manuscript-inside-40093658.htmlRMC96BTA–Orthodox Christian priests displaying an illuminated manuscript inside Abuna Aregawi Church at Debre Damo in Tigray, Ethiopia.
An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (recto), 1607-1608. India, Mughal, early 17th century. Ink, opaque watercolor and gold on paper (blue border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/an-illuminated-folio-from-the-royal-manuscript-of-the-farhang-i-jahangiri-recto-1607-1608-india-mughal-early-17th-century-ink-opaque-watercolor-and-gold-on-paper-blue-border-page-337-x-219-cm-13-14-x-8-58-in-text-field-212-x-11-cm-8-38-x-4-516-in-image240505799.htmlRMRY7YGR–An Illuminated Folio from the Royal Manuscript of the Farhang-i Jahangiri (recto), 1607-1608. India, Mughal, early 17th century. Ink, opaque watercolor and gold on paper (blue border); page: 33.7 x 21.9 cm (13 1/4 x 8 5/8 in.); text field: 21.2 x 11 cm (8 3/8 x 4 5/16 in
