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Unknown (Indian), Ascetic Enduring a Thunderstorm, ca. 1700, Gouache and gilt on paper, Image: 9 1/2 × 7 7/8 inches (24.1 × 20 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-indian-ascetic-enduring-a-thunderstorm-ca-1700-gouache-and-gilt-on-paper-image-9-12-7-78-inches-241-20-cm-image328732556.htmlRM2A2R1MC–Unknown (Indian), Ascetic Enduring a Thunderstorm, ca. 1700, Gouache and gilt on paper, Image: 9 1/2 × 7 7/8 inches (24.1 × 20 cm
Inspired by Trotting on the Mildam, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-trotting-on-the-mildam-winslow-homer-american-1836-1910-wood-engraving-1859-image-9-12-x-5-in-241-x-127-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248918.htmlRF2HK4GK2–Inspired by Trotting on the Mildam, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscape. Artist: Zou Zhilin (Chinese, 1574-ca. 1654). Culture: China. Dimensions: Image: 9 1/2 × 20 1/8 in. (24.1 × 51.1 cm). Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/landscape-artist-zou-zhilin-chinese-1574-ca-1654-culture-china-dimensions-image-9-12-20-18-in-241-511-cm-museum-metropolitan-museum-of-art-new-york-usa-image212849211.htmlRMPA839F–Landscape. Artist: Zou Zhilin (Chinese, 1574-ca. 1654). Culture: China. Dimensions: Image: 9 1/2 × 20 1/8 in. (24.1 × 51.1 cm). Museum: Metropolitan Museum of Art, New York, USA.
. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 386 Madan-Bhasma (Shiva Turns to Ashes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-date-1890-culture-india-medium-lithograph-dimensions-image-9-12-13-14-in-241-337-cm-sheet-12-16-in-305-406-cm-classification-prints-credit-line-purchase-anonymous-gift-2013-accession-number-20131-this-artwork-is-not-on-displa-1890-unkknown-386-madan-bhasma-shiva-turns-to-ashes-image188238991.htmlRMMX70N3–. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 386 Madan-Bhasma (Shiva Turns to Ashes)
9RD 1918 2 9 A1 Ukrainian Delegation 1918 1 Weltkrieg 1914 18 Peace negotiations in Brest Litowsk and separate peace of the Cent Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-9rd-1918-2-9-a1-ukrainian-delegation-1918-1-weltkrieg-1914-18-peace-20743011.htmlRMB5MWWR–9RD 1918 2 9 A1 Ukrainian Delegation 1918 1 Weltkrieg 1914 18 Peace negotiations in Brest Litowsk and separate peace of the Cent
Gathering at the Orchid Pavilion. Artist: Qian Gu (Chinese, 1508-ca. 1578). Culture: China. Dimensions: Image: 9 1/2 x 171 1/2 in. (24.1 x 435.6 cm) the renowned calligrapher Wang Xizhi (307-365) and his friends met at the Orchid Pavilion (at Shanyin, in modern Zhejiang Province) to celebrate the spring festival of purification Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gathering-at-the-orchid-pavilion-artist-qian-gu-chinese-1508-ca-1578-culture-china-dimensions-image-9-12-x-171-12-in-241-x-4356-cm-the-renowned-calligrapher-wang-xizhi-307-365-and-his-friends-met-at-the-orchid-pavilion-at-shanyin-in-modern-zhejiang-province-to-celebrate-the-spring-festival-of-purification-image490432063.htmlRM2KDW32R–Gathering at the Orchid Pavilion. Artist: Qian Gu (Chinese, 1508-ca. 1578). Culture: China. Dimensions: Image: 9 1/2 x 171 1/2 in. (24.1 x 435.6 cm) the renowned calligrapher Wang Xizhi (307-365) and his friends met at the Orchid Pavilion (at Shanyin, in modern Zhejiang Province) to celebrate the spring festival of purification
EUROPE - AUSTRIA: (left to right) 1. 9 kreuzer, 1850, 2. Newspaper stamp, 1867, 3. 1 gulden, 1896, 4. 50 heller, 1908, 5. 15 heller, 1917, 6. 5 heller newspaper express stamp, 1919, 7. 40 heller, 1919, 8. 7.5 kronen, postage due stamp, 1921, 9. 7.5 kronen, 1921, 10. 1000 kronen, 1922, 11. 5 + 2 groschen, Winter Relief, 1933, 12. 1 groschen, 1934, 13. 24 groschen, 1937, 14. 12 groschen, 1934, 13. 24 groschen, 1937, 14. 12 groschen, 1937, 15. 6 pfennigs, 1945, 16. 5 marks, 1945, 17. 20 groschen, 1945, 18. 10 groschen, 1945, 19. 2.40 schillings, 1951, 20. 1.50 schillings, 1955, 21. 1.50 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-austria-left-to-right-1-9-kreuzer-1850-2-newspaper-stamp-1867-3-1-gulden-1896-4-50-heller-1908-5-15-heller-1917-6-5-heller-newspaper-express-stamp-1919-7-40-heller-1919-8-75-kronen-postage-due-stamp-1921-9-75-kronen-1921-10-1000-kronen-1922-11-5-2-groschen-winter-relief-1933-12-1-groschen-1934-13-24-groschen-1937-14-12-groschen-1934-13-24-groschen-1937-14-12-groschen-1937-15-6-pfennigs-1945-16-5-marks-1945-17-20-groschen-1945-18-10-groschen-1945-19-240-schillings-1951-20-150-schillings-1955-21-150-image268811828.htmlRMWH9C6C–EUROPE - AUSTRIA: (left to right) 1. 9 kreuzer, 1850, 2. Newspaper stamp, 1867, 3. 1 gulden, 1896, 4. 50 heller, 1908, 5. 15 heller, 1917, 6. 5 heller newspaper express stamp, 1919, 7. 40 heller, 1919, 8. 7.5 kronen, postage due stamp, 1921, 9. 7.5 kronen, 1921, 10. 1000 kronen, 1922, 11. 5 + 2 groschen, Winter Relief, 1933, 12. 1 groschen, 1934, 13. 24 groschen, 1937, 14. 12 groschen, 1934, 13. 24 groschen, 1937, 14. 12 groschen, 1937, 15. 6 pfennigs, 1945, 16. 5 marks, 1945, 17. 20 groschen, 1945, 18. 10 groschen, 1945, 19. 2.40 schillings, 1951, 20. 1.50 schillings, 1955, 21. 1.50
Drawing, Mourning Picture, 1815; Unknown (American); USA; graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper; diam of image: 9-1/2 in. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/drawing-mourning-picture-1815-unknown-american-usa-graphite-brush-and-watercolor-brush-and-oil-paint-pen-and-ink-on-wove-paper-diam-of-image-9-12-in-image546236919.htmlRM2PMK6NB–Drawing, Mourning Picture, 1815; Unknown (American); USA; graphite, brush and watercolor, brush and oil paint, pen and ink on wove paper; diam of image: 9-1/2 in.
Trotting on the Mildam Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trotting-on-the-mildam-winslow-homer-american-1836-1910-1859-wood-engraving-image-9-12-x-5-in-241-x-127-cm-american-art-1859-image504727058.htmlRM2M948EA–Trotting on the Mildam Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859
Araceae or the Arum family, 1. Anthurium, 2. Zantedeschia, 3. Dracunculus, 4. Monstera, 5. Caladium, 6. Amorphophallus, 7. Calla Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-araceae-or-the-arum-family-1-anthurium-2-zantedeschia-3-dracunculus-72202417.htmlRFE5D2WN–Araceae or the Arum family, 1. Anthurium, 2. Zantedeschia, 3. Dracunculus, 4. Monstera, 5. Caladium, 6. Amorphophallus, 7. Calla
A new Omicron variant EG.5 alias XBB.1.9.2.5. Also known as Eris. White text on dark blue background with image of coronavirus. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-new-omicron-variant-eg5-alias-xbb1925-also-known-as-eris-white-text-on-dark-blue-background-with-image-of-coronavirus-image561053784.htmlRF2RGP5R4–A new Omicron variant EG.5 alias XBB.1.9.2.5. Also known as Eris. White text on dark blue background with image of coronavirus.
Logan Coles of Kentucky throws the hammer (206’ 10 1/2” / 63.06m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/logan-coles-of-kentucky-throws-the-hammer-206-10-12-6306m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119081.htmlRF2J3Y349–Logan Coles of Kentucky throws the hammer (206’ 10 1/2” / 63.06m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
BASA 980K 1 9 2 Feo Mustakova, Folies Bergère, 1934 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-basa-980k-1-9-2-feo-mustakova-folies-bergre-1934-114734513.htmlRMGJJH15–BASA 980K 1 9 2 Feo Mustakova, Folies Bergère, 1934
count de mirabeau Honoré Gabriel Riqueti 9 March 1749 – 2 April 1791 French writer popular orator statesman Revolution Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-count-de-mirabeau-honor-gabriel-riqueti-9-march-1749-2-april-1791-22614662.htmlRFB8P56E–count de mirabeau Honoré Gabriel Riqueti 9 March 1749 – 2 April 1791 French writer popular orator statesman Revolution
![Image taken from page 9 of 'Ἀθηναι. [Illustrated.] Τευχ. 1, 2' Stock Photo](https://c8.alamy.com/comp/J55AJ7/image-taken-from-page-9-of-illustrated-1-2-J55AJ7.jpg "Image taken from page 9 of 'Ἀθηναι. [Illustrated.] Τευχ. 1, 2' Stock Photo")
Image taken from page 9 of 'Ἀθηναι. [Illustrated.] Τευχ. 1, 2' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-9-of-illustrated-1-2-140874335.htmlRMJ55AJ7–Image taken from page 9 of 'Ἀθηναι. [Illustrated.] Τευχ. 1, 2'
7 1/2 to 9 ton, 6 wheel, 6 wheel drive, Qm. C. designed and constructed vehicle ca. Probably 1925-1935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/7-12-to-9-ton-6-wheel-6-wheel-drive-qm-c-designed-and-constructed-vehicle-ca-probably-1925-1935-image601159060.htmlRM2WX14EC–7 1/2 to 9 ton, 6 wheel, 6 wheel drive, Qm. C. designed and constructed vehicle ca. Probably 1925-1935
A photo showing the ATS (Auxiliary Territorial Service) in action. It was formed on 9 September 1938, initially as a women's voluntary service, and existed until 1 February 1949, when it was merged into the Women's Royal Army Corps. This image shows Mary Churchill with her father, the Prime Minister Winston Churchill. The photo was taken at the 1945 Potsdam conference and Mary is in the ATS uniform. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-photo-showing-the-ats-auxiliary-territorial-service-in-action-it-was-formed-on-9-september-1938-initially-as-a-womens-voluntary-service-and-existed-until-1-february-1949-when-it-was-merged-into-the-womens-royal-army-corps-this-image-shows-mary-churchill-with-her-father-the-prime-minister-winston-churchill-the-photo-was-taken-at-the-1945-potsdam-conference-and-mary-is-in-the-ats-uniform-image614372649.htmlRM2XKF2G9–A photo showing the ATS (Auxiliary Territorial Service) in action. It was formed on 9 September 1938, initially as a women's voluntary service, and existed until 1 February 1949, when it was merged into the Women's Royal Army Corps. This image shows Mary Churchill with her father, the Prime Minister Winston Churchill. The photo was taken at the 1945 Potsdam conference and Mary is in the ATS uniform.
Biscuit numbers from 0 to 10 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/biscuit-numbers-from-0-to-10-image216071985.htmlRMPFEX0H–Biscuit numbers from 0 to 10
Arabia: A view from space of sand dunes in Rub' al Khali, ‘the Empty Quarter’ in Arabic, a vast and arid desert encompassing most of the southern third of the Arabian Peninsula. The image, acquired by the Advanced Spaceborne Thermal Emission and Reflection Radiometer (ASTER) aboard NASA's Terra satellite, shows dunes as brown with gray regions being the underlying gravel plains. The distance between parallel dunes, which can reach 330 metres (1,080 ft) in height, is roughly 1.5 to 2.5 km (0.9 to 1.6 miles). The area is neither inhabited nor traversed by humans, although some life does exist. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/arabia-a-view-from-space-of-sand-dunes-in-rub-al-khali-the-empty-quarter-in-arabic-a-vast-and-arid-desert-encompassing-most-of-the-southern-third-of-the-arabian-peninsula-the-image-acquired-by-the-advanced-spaceborne-thermal-emission-and-reflection-radiometer-aster-aboard-nasas-terra-satellite-shows-dunes-as-brown-with-gray-regions-being-the-underlying-gravel-plains-the-distance-between-parallel-dunes-which-can-reach-330-metres-1080-ft-in-height-is-roughly-15-to-25-km-09-to-16-miles-the-area-is-neither-inhabited-nor-traversed-by-humans-although-some-life-does-exist-image344225564.htmlRM2B00R64–Arabia: A view from space of sand dunes in Rub' al Khali, ‘the Empty Quarter’ in Arabic, a vast and arid desert encompassing most of the southern third of the Arabian Peninsula. The image, acquired by the Advanced Spaceborne Thermal Emission and Reflection Radiometer (ASTER) aboard NASA's Terra satellite, shows dunes as brown with gray regions being the underlying gravel plains. The distance between parallel dunes, which can reach 330 metres (1,080 ft) in height, is roughly 1.5 to 2.5 km (0.9 to 1.6 miles). The area is neither inhabited nor traversed by humans, although some life does exist.
Sir Francis Bedford, English, 1816-1894, The Glen of Barada, 1862, albumen print, Image: 9 1/2 × 11 1/4 inches (24.1 × 28.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/sir-francis-bedford-english-1816-1894-the-glen-of-barada-1862-albumen-print-image-9-12-11-14-inches-241-286-cm-image328715836.htmlRM2A2P8B8–Sir Francis Bedford, English, 1816-1894, The Glen of Barada, 1862, albumen print, Image: 9 1/2 × 11 1/4 inches (24.1 × 28.6 cm
Inspired by A Boston Watering Cart, Winslow Homer, American, 1836-1910, Wood engraving, 1857, image: 9 1/2 x 6 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-a-boston-watering-cart-winslow-homer-american-1836-1910-wood-engraving-1857-image-9-12-x-6-in-241-x-127-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248859.htmlRF2HK4GGY–Inspired by A Boston Watering Cart, Winslow Homer, American, 1836-1910, Wood engraving, 1857, image: 9 1/2 x 6 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Yung-foo. Artist: Attributed to Tung Hing (Chinese, active 1870s). Dimensions: Image: 9 1/2 × 11 1/4 in. (24.1 × 28.6 cm). Date: ca. 1869. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yung-foo-artist-attributed-to-tung-hing-chinese-active-1870s-dimensions-image-9-12-11-14-in-241-286-cm-date-ca-1869-museum-metropolitan-museum-of-art-new-york-usa-image213149584.htmlRMPANPD4–Yung-foo. Artist: Attributed to Tung Hing (Chinese, active 1870s). Dimensions: Image: 9 1/2 × 11 1/4 in. (24.1 × 28.6 cm). Date: ca. 1869. Museum: Metropolitan Museum of Art, New York, USA.
. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 336 Madan-Bhasma (Shiva Turns to Ashes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-date-1890-culture-india-medium-lithograph-dimensions-image-9-12-13-14-in-241-337-cm-sheet-12-16-in-305-406-cm-classification-prints-credit-line-purchase-anonymous-gift-2013-accession-number-20131-this-artwork-is-not-on-displa-1890-unkknown-336-madan-bhasma-shiva-turns-to-ashes-image188947736.htmlRMMYB8NC–. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 336 Madan-Bhasma (Shiva Turns to Ashes)
9RD 1918 2 9 A1 B Peace with Ukraine 1918 Ukr Delegation World War 1 Separate peace of the Central Powers wi th the Ukraine in B Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-9rd-1918-2-9-a1-b-peace-with-ukraine-1918-ukr-delegation-world-war-20743006.htmlRMB5MWWJ–9RD 1918 2 9 A1 B Peace with Ukraine 1918 Ukr Delegation World War 1 Separate peace of the Central Powers wi th the Ukraine in B
![Felicjan Sławoj Składkowski (Polish pronunciation: [fɛˈlit͡sjan ˈswavɔj skwatˈkɔfskʲi]; 9 June 1885,[1] Gąbin – 31 August 1962[2] London) was a Polish physician, general, and politician who served as Minister of Internal Affairs and as the 28th Prime Minister of Poland before and at the outbreak of World War II.[3][4] Stock Photo](https://c8.alamy.com/comp/2YPHTDK/felicjan-sawoj-skadkowski-polish-pronunciation-flitsjan-swavj-skwatkfski-9-june-1885-1-gbin-31-august-1962-2-london-was-a-polish-physician-general-and-politician-who-served-as-minister-of-internal-affairs-and-as-the-28th-prime-minister-of-poland-before-and-at-the-outbreak-of-world-war-ii-3-4-2YPHTDK.jpg "Felicjan Sławoj Składkowski (Polish pronunciation: [fɛˈlit͡sjan ˈswavɔj skwatˈkɔfskʲi]; 9 June 1885,[1] Gąbin – 31 August 1962[2] London) was a Polish physician, general, and politician who served as Minister of Internal Affairs and as the 28th Prime Minister of Poland before and at the outbreak of World War II.[3][4] Stock Photo")
Felicjan Sławoj Składkowski (Polish pronunciation: [fɛˈlit͡sjan ˈswavɔj skwatˈkɔfskʲi]; 9 June 1885,[1] Gąbin – 31 August 1962[2] London) was a Polish physician, general, and politician who served as Minister of Internal Affairs and as the 28th Prime Minister of Poland before and at the outbreak of World War II.[3][4] Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/felicjan-sawoj-skadkowski-polish-pronunciation-flitsjan-swavj-skwatkfski-9-june-1885-1-gbin-31-august-1962-2-london-was-a-polish-physician-general-and-politician-who-served-as-minister-of-internal-affairs-and-as-the-28th-prime-minister-of-poland-before-and-at-the-outbreak-of-world-war-ii-3-4-image633488063.htmlRM2YPHTDK–Felicjan Sławoj Składkowski (Polish pronunciation: [fɛˈlit͡sjan ˈswavɔj skwatˈkɔfskʲi]; 9 June 1885,[1] Gąbin – 31 August 1962[2] London) was a Polish physician, general, and politician who served as Minister of Internal Affairs and as the 28th Prime Minister of Poland before and at the outbreak of World War II.[3][4]
EUROPE - GERMAN STATES: (left to right) 1. Baden, 9 kreuzer, 1851, 2. Baden, 30 kreuzer, 1862, 3. Bergedorf, 4 schillings, 1861, 4. Brunswick, 1 gutegroschen, 1857, 5. Brunswick, 1 groschen, 1865, 6. Bremen, 3 grote, 1855, 7. Bavaria, 1 kreuzer, 1867, 8. Bavaria, 10 pfennigs, 1911, 9. Bavaria, 40 pfennigs, 1919, 10. Bavaria, 10 pfennigs, 1919, 11. Bavaria, 5 pfennigs, 1920, 12. Hamburg, 2.5 schillings, 1864, 13. Hanover, 1/15 thaler, 1851, 14. Lubeck, 4 schillings, 1859, 15. Lubeck, 0.5 schilling, 1863, 16. Mecklenburg-Schwerin, 1 schilling, 1864, 17. mecklenburg-Strelitz, 2 silbergroschen, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-german-states-left-to-right-1-baden-9-kreuzer-1851-2-baden-30-kreuzer-1862-3-bergedorf-4-schillings-1861-4-brunswick-1-gutegroschen-1857-5-brunswick-1-groschen-1865-6-bremen-3-grote-1855-7-bavaria-1-kreuzer-1867-8-bavaria-10-pfennigs-1911-9-bavaria-40-pfennigs-1919-10-bavaria-10-pfennigs-1919-11-bavaria-5-pfennigs-1920-12-hamburg-25-schillings-1864-13-hanover-115-thaler-1851-14-lubeck-4-schillings-1859-15-lubeck-05-schilling-1863-16-mecklenburg-schwerin-1-schilling-1864-17-mecklenburg-strelitz-2-silbergroschen-image268811761.htmlRMWH9C41–EUROPE - GERMAN STATES: (left to right) 1. Baden, 9 kreuzer, 1851, 2. Baden, 30 kreuzer, 1862, 3. Bergedorf, 4 schillings, 1861, 4. Brunswick, 1 gutegroschen, 1857, 5. Brunswick, 1 groschen, 1865, 6. Bremen, 3 grote, 1855, 7. Bavaria, 1 kreuzer, 1867, 8. Bavaria, 10 pfennigs, 1911, 9. Bavaria, 40 pfennigs, 1919, 10. Bavaria, 10 pfennigs, 1919, 11. Bavaria, 5 pfennigs, 1920, 12. Hamburg, 2.5 schillings, 1864, 13. Hanover, 1/15 thaler, 1851, 14. Lubeck, 4 schillings, 1859, 15. Lubeck, 0.5 schilling, 1863, 16. Mecklenburg-Schwerin, 1 schilling, 1864, 17. mecklenburg-Strelitz, 2 silbergroschen,
This look back at a dune that NASA's Curiosity Mars rover drove across was taken by the rover's Mast Camera (Mastcam) during the 538th Martian day, or sol, of Curiosity's work on Mars (Feb. 9, 2014). The rover had driven over the dune three days earlier. For scale, the distance between the parallel wheel tracks is about 9 feet (2.7 meters). The dune is about 3 feet (1 meter) tall in the middle of its span across an opening called 'Dingo Gap.' This view is looking eastward. The image has been white balanced to show what the Martian surface materials would look like if under the light of Earth' Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-look-back-at-a-dune-that-nasas-curiosity-mars-rover-drove-across-was-taken-by-the-rovers-mast-camera-mastcam-during-the-538th-martian-day-or-sol-of-curiositys-work-on-mars-feb-9-2014-the-rover-had-driven-over-the-dune-three-days-earlier-for-scale-the-distance-between-the-parallel-wheel-tracks-is-about-9-feet-27-meters-the-dune-is-about-3-feet-1-meter-tall-in-the-middle-of-its-span-across-an-opening-called-dingo-gap-this-view-is-looking-eastward-the-image-has-been-white-balanced-to-show-what-the-martian-surface-materials-would-look-like-if-under-the-light-of-earth-image218919668.htmlRMPM4J7G–This look back at a dune that NASA's Curiosity Mars rover drove across was taken by the rover's Mast Camera (Mastcam) during the 538th Martian day, or sol, of Curiosity's work on Mars (Feb. 9, 2014). The rover had driven over the dune three days earlier. For scale, the distance between the parallel wheel tracks is about 9 feet (2.7 meters). The dune is about 3 feet (1 meter) tall in the middle of its span across an opening called 'Dingo Gap.' This view is looking eastward. The image has been white balanced to show what the Martian surface materials would look like if under the light of Earth'
A Boston Watering Cart Winslow Homer (American, 1836-1910). , 1857. Wood engraving, image: 9 1/2 x 6 in. (24.1 x 12.7 cm);. American Art 1857 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-boston-watering-cart-winslow-homer-american-1836-1910-1857-wood-engraving-image-9-12-x-6-in-241-x-127-cm-american-art-1857-image504727080.htmlRM2M948F4–A Boston Watering Cart Winslow Homer (American, 1836-1910). , 1857. Wood engraving, image: 9 1/2 x 6 in. (24.1 x 12.7 cm);. American Art 1857
Priam's treasure. Excavated by Heinrich Schliemann. 1 Golden headband, 2 Silver bowl, 3 Double-edged dagger of copper, 4 Terracotta vase, 5 Vase with the image of the Ilirian Minerva, 6 Golden earring, 7 Silver cup, 8 Large silver vase with handle, 9 Two amber cups, 10 Golden drinking bowl, 11 Golden buttons, 12 Golden earring., , (art history book, 1887) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/priams-treasure-excavated-by-heinrich-schliemann-1-golden-headband-2-silver-bowl-3-double-edged-dagger-of-copper-4-terracotta-vase-5-vase-with-the-image-of-the-ilirian-minerva-6-golden-earring-7-silver-cup-8-large-silver-vase-with-handle-9-two-amber-cups-10-golden-drinking-bowl-11-golden-buttons-12-golden-earring-art-history-book-1887-image264732653.htmlRMWAKH5H–Priam's treasure. Excavated by Heinrich Schliemann. 1 Golden headband, 2 Silver bowl, 3 Double-edged dagger of copper, 4 Terracotta vase, 5 Vase with the image of the Ilirian Minerva, 6 Golden earring, 7 Silver cup, 8 Large silver vase with handle, 9 Two amber cups, 10 Golden drinking bowl, 11 Golden buttons, 12 Golden earring., , (art history book, 1887)
Basse Égypte. 1.2. Plan et élévation d'un okel d'Alexandrie; 3.4. Plan d'un okel de Damiette; 5-7. Plans d'un appartement d'okel; 8. Coupe d'okel; 9.10. Okels de Rosette Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/basse-gypte-12-plan-et-lvation-dun-okel-dalexandrie-34-plan-dun-okel-de-damiette-5-7-plans-dun-appartement-dokel-8-coupe-dokel-910-okels-de-rosette-image218124515.htmlRMPJTC17–Basse Égypte. 1.2. Plan et élévation d'un okel d'Alexandrie; 3.4. Plan d'un okel de Damiette; 5-7. Plans d'un appartement d'okel; 8. Coupe d'okel; 9.10. Okels de Rosette
Josh Sobota of Kentucky throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/josh-sobota-of-kentucky-throws-the-shot-put-65-2-14-1987m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119084.htmlRF2J3Y34C–Josh Sobota of Kentucky throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
It is a perennial herbaceous plant with stout stems growing to 1.5 metres (4 ft 11 in) tall. The leaves are palmately compound with (5-) 9-17 leaflets 3–15 centimetres (1.2–5.9 in) long. The flowers are produced on a tall spike, each flower 1–1.5 centimetres (0.39–0.59 in) long, most commonly blue to purple in wild plants Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-it-is-a-perennial-herbaceous-plant-with-stout-stems-growing-to-15-129642307.htmlRMHEWM2B–It is a perennial herbaceous plant with stout stems growing to 1.5 metres (4 ft 11 in) tall. The leaves are palmately compound with (5-) 9-17 leaflets 3–15 centimetres (1.2–5.9 in) long. The flowers are produced on a tall spike, each flower 1–1.5 centimetres (0.39–0.59 in) long, most commonly blue to purple in wild plants
Geo: Washington / Edwin sc. Abstract/medium: 1 print : stipple engraving 16.2 x 9.7 cm (image), 21.8 x 13 .2 cm (sheet) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/geo-washington-edwin-sc-abstractmedium-1-print-stipple-engraving-162-x-97-cm-image-218-x-13-2-cm-sheet-image266505380.htmlRMWDGA98–Geo: Washington / Edwin sc. Abstract/medium: 1 print : stipple engraving 16.2 x 9.7 cm (image), 21.8 x 13 .2 cm (sheet)
![Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 8/13/01 Time: 9:46:41 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [175] Shutter: 1/1000 Aperture: f5.6 ISO Speed: 160 Max Aperture: f4.0 Min Aperture: f32 Focal Length: 70 Exposure Mode: Manual (M) Meter Mode: Spot Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:46:41.951 Helios cthomas Stock Photo](https://c8.alamy.com/comp/KRDDTE/camera-dcs660c-serial-k660c-01120-width-3040-height-2008-date-81301-KRDDTE.jpg "Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 8/13/01 Time: 9:46:41 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [175] Shutter: 1/1000 Aperture: f5.6 ISO Speed: 160 Max Aperture: f4.0 Min Aperture: f32 Focal Length: 70 Exposure Mode: Manual (M) Meter Mode: Spot Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:46:41.951 Helios cthomas Stock Photo")
Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 8/13/01 Time: 9:46:41 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [175] Shutter: 1/1000 Aperture: f5.6 ISO Speed: 160 Max Aperture: f4.0 Min Aperture: f32 Focal Length: 70 Exposure Mode: Manual (M) Meter Mode: Spot Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:46:41.951 Helios cthomas Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-camera-dcs660c-serial-k660c-01120-width-3040-height-2008-date-81301-169326654.htmlRMKRDDTE–Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 8/13/01 Time: 9:46:41 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [175] Shutter: 1/1000 Aperture: f5.6 ISO Speed: 160 Max Aperture: f4.0 Min Aperture: f32 Focal Length: 70 Exposure Mode: Manual (M) Meter Mode: Spot Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:46:41.951 Helios cthomas
7 1/2 to 9 ton, 6 wheel, 6 wheel drive, Qm. C. designed and constructed vehicle ca. Probably 1925-1935 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/7-12-to-9-ton-6-wheel-6-wheel-drive-qm-c-designed-and-constructed-vehicle-ca-probably-1925-1935-image601564648.htmlRM2WXKHRM–7 1/2 to 9 ton, 6 wheel, 6 wheel drive, Qm. C. designed and constructed vehicle ca. Probably 1925-1935
This 1907 image shows Peruvian artifacts from the time of the Inca. They are, from left to right, top to bottom: 1) Decorated border of woven cotton garment; 2-3) belts made of reed-lined fabric with ribbon to be placed around shoulder; 4-5) painted gravestones with cotton covering most likely a filigree of human figure – perhaps just adornment or a figure meant to subdue evil spirits; 6) dress robe fashioned as tapestry design; 7) ornamented garment; 8-9) ornamented braids placed in graces of those who died; 10-11) grave tablets made of reeds; 12-13) urns; 14-15) vessels with human figures fo Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/this-1907-image-shows-peruvian-artifacts-from-the-time-of-the-inca-they-are-from-left-to-right-top-to-bottom-1-decorated-border-of-woven-cotton-garment-2-3-belts-made-of-reed-lined-fabric-with-ribbon-to-be-placed-around-shoulder-4-5-painted-gravestones-with-cotton-covering-most-likely-a-filigree-of-human-figure-perhaps-just-adornment-or-a-figure-meant-to-subdue-evil-spirits-6-dress-robe-fashioned-as-tapestry-design-7-ornamented-garment-8-9-ornamented-braids-placed-in-graces-of-those-who-died-10-11-grave-tablets-made-of-reeds-12-13-urns-14-15-vessels-with-human-figures-fo-image574621733.htmlRF2TAT7TN–This 1907 image shows Peruvian artifacts from the time of the Inca. They are, from left to right, top to bottom: 1) Decorated border of woven cotton garment; 2-3) belts made of reed-lined fabric with ribbon to be placed around shoulder; 4-5) painted gravestones with cotton covering most likely a filigree of human figure – perhaps just adornment or a figure meant to subdue evil spirits; 6) dress robe fashioned as tapestry design; 7) ornamented garment; 8-9) ornamented braids placed in graces of those who died; 10-11) grave tablets made of reeds; 12-13) urns; 14-15) vessels with human figures fo
(230612) -- HANGZHOU, June 12, 2023 (Xinhua) -- People have tea at a teahouse beside the Baima Lake in Yiting Town of Shaoxing, east China's Zhejiang Province, June 9, 2023. In June 2003, Zhejiang launched the Green Rural Revival Program, which plans to renovate about 10,000 incorporated villages and transform about 1,000 central villages among them into examples of moderate prosperity in all respects. Thanks to the program, the image of the countryside has been comprehensively lifted in Zhejiang Province. A total of 2,170 featured villages and over 3 million beautiful rural courtyards have Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/230612-hangzhou-june-12-2023-xinhua-people-have-tea-at-a-teahouse-beside-the-baima-lake-in-yiting-town-of-shaoxing-east-chinas-zhejiang-province-june-9-2023-in-june-2003-zhejiang-launched-the-green-rural-revival-program-which-plans-to-renovate-about-10000-incorporated-villages-and-transform-about-1000-central-villages-among-them-into-examples-of-moderate-prosperity-in-all-respects-thanks-to-the-program-the-image-of-the-countryside-has-been-comprehensively-lifted-in-zhejiang-province-a-total-of-2170-featured-villages-and-over-3-million-beautiful-rural-courtyards-have-image555071199.htmlRM2R71JYB–(230612) -- HANGZHOU, June 12, 2023 (Xinhua) -- People have tea at a teahouse beside the Baima Lake in Yiting Town of Shaoxing, east China's Zhejiang Province, June 9, 2023. In June 2003, Zhejiang launched the Green Rural Revival Program, which plans to renovate about 10,000 incorporated villages and transform about 1,000 central villages among them into examples of moderate prosperity in all respects. Thanks to the program, the image of the countryside has been comprehensively lifted in Zhejiang Province. A total of 2,170 featured villages and over 3 million beautiful rural courtyards have
NUMBER FROM 0 TO 10, VECTOR FORM EPS FILE TRENDY 2021 DIGITS, LINE ART, FINGER PRINT, TEMPLATE VECTOR IMAGE, LUXURY. Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/number-from-0-to-10-vector-form-eps-file-trendy-2021-digits-line-art-finger-print-template-vector-image-luxury-image395699607.htmlRF2DYNJTR–NUMBER FROM 0 TO 10, VECTOR FORM EPS FILE TRENDY 2021 DIGITS, LINE ART, FINGER PRINT, TEMPLATE VECTOR IMAGE, LUXURY.
Albrecht Dürer, German, 1471–1528, Melencolia I, 1514, Engraving on paper, Image: 9 1/2 x 7 5/16 in. (24.1 x 18.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/albrecht-drer-german-14711528-melencolia-i-1514-engraving-on-paper-image-9-12-x-7-516-in-241-x-186-cm-image344576808.htmlRM2B0GR6G–Albrecht Dürer, German, 1471–1528, Melencolia I, 1514, Engraving on paper, Image: 9 1/2 x 7 5/16 in. (24.1 x 18.6 cm
Inspired by Evening Scene at the Skating Park, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-evening-scene-at-the-skating-park-winslow-homer-american-1836-1910-wood-engraving-1859-image-9-12-x-5-in-241-x-127-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248987.htmlRF2HK4GNF–Inspired by Evening Scene at the Skating Park, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Winter Landscape. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 9 1/2 × 9 3/4 in. (24.1 × 24.8 cm) Mat: 17 15/16 in. × 18 in. (45.6 × 45.7 cm). Date: 13th century. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/winter-landscape-artist-unidentified-artist-culture-china-dimensions-image-9-12-9-34-in-241-248-cm-mat-17-1516-in-18-in-456-457-cm-date-13th-century-museum-metropolitan-museum-of-art-new-york-usa-image212862399.htmlRMPA8M4F–Winter Landscape. Artist: Unidentified Artist. Culture: China. Dimensions: Image: 9 1/2 × 9 3/4 in. (24.1 × 24.8 cm) Mat: 17 15/16 in. × 18 in. (45.6 × 45.7 cm). Date: 13th century. Museum: Metropolitan Museum of Art, New York, USA.
. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 385 Madan-Bhasma (Shiva Turns to Ashes) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/english-date-1890-culture-india-medium-lithograph-dimensions-image-9-12-13-14-in-241-337-cm-sheet-12-16-in-305-406-cm-classification-prints-credit-line-purchase-anonymous-gift-2013-accession-number-20131-this-artwork-is-not-on-displa-1890-unkknown-385-madan-bhasma-shiva-turns-to-ashes-image187652352.htmlRMMW88DM–. English: Date: 1890 Culture: India Medium: Lithograph Dimensions: Image: 9 1/2 × 13 1/4 in. (24.1 × 33.7 cm) Sheet: 12 × 16 in. (30.5 × 40.6 cm) Classification: Prints Credit Line: Purchase, Anonymous Gift, 2013 Accession Number: 2013.1 This artwork is not on displa . 1890. unkknown 385 Madan-Bhasma (Shiva Turns to Ashes)
Nuernberg, Deutschland. 20th Jan, 2024. v. l. Kai Proeger (FC Hansa Rostock, 9) und Jannes Horn (1.FC Nuernberg, 38). 20.01.2024, Fussball, 2. Bundesliga, 1. FC N?rnberg - F.C. Hansa Rostock, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuernberg-deutschland-20th-jan-2024-v-l-kai-proeger-fc-hansa-rostock-9-und-jannes-horn-1fc-nuernberg-38-20012024-fussball-2-bundesliga-1-fc-nrnberg-fc-hansa-rostock-ger-nuernberg-max-morlock-stadion-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image593493860.htmlRM2WDFYD8–Nuernberg, Deutschland. 20th Jan, 2024. v. l. Kai Proeger (FC Hansa Rostock, 9) und Jannes Horn (1.FC Nuernberg, 38). 20.01.2024, Fussball, 2. Bundesliga, 1. FC N?rnberg - F.C. Hansa Rostock, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Chinese Woman with a Mandolin; Unknown maker, American; 1860; Daguerreotype, hand-colored; 1/4 plate, Image: 9 x 6.5 cm (3 9/16 x 2 9/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-chinese-woman-with-a-mandolin-unknown-maker-american-1860-daguerreotype-76541901.htmlRMECENY9–Chinese Woman with a Mandolin; Unknown maker, American; 1860; Daguerreotype, hand-colored; 1/4 plate, Image: 9 x 6.5 cm (3 9/16 x 2 9/16 in.)
EUROPE - FRANCE: (left to right) 1. 20 centimes, 1849, 2. 1 centime, 1862, 3. 2 centimes, 1862, 4. 10 centimes, 1873, 5. 20 centimes, 1900, 6. 75 centimes, 1926, 7. 2 francs, 1900, 8. 30 centimes, 1926, 9. 1.50 francs, 1931, 10. 1.75 francs, 1938, 11. 50 + 10 centimes, 1937, 12. 75 centimes, 1937. 13. 55 centimes, 1937, 14. 1 franc, 1941, 15. 15 francs, 1951, 16. 10 centimes, 1944, 17. 10 centimes, 1945, 18. 6 + 4 francs, 1947, 19. 5 francs, 1954, 20. 15 francs, 1955, 21. 1 franc, 1961, 22. 1 franc, 1960, 23. 50 centimes, 1962. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-france-left-to-right-1-20-centimes-1849-2-1-centime-1862-3-2-centimes-1862-4-10-centimes-1873-5-20-centimes-1900-6-75-centimes-1926-7-2-francs-1900-8-30-centimes-1926-9-150-francs-1931-10-175-francs-1938-11-50-10-centimes-1937-12-75-centimes-1937-13-55-centimes-1937-14-1-franc-1941-15-15-francs-1951-16-10-centimes-1944-17-10-centimes-1945-18-6-4-francs-1947-19-5-francs-1954-20-15-francs-1955-21-1-franc-1961-22-1-franc-1960-23-50-centimes-1962-image268811401.htmlRMWH9BK5–EUROPE - FRANCE: (left to right) 1. 20 centimes, 1849, 2. 1 centime, 1862, 3. 2 centimes, 1862, 4. 10 centimes, 1873, 5. 20 centimes, 1900, 6. 75 centimes, 1926, 7. 2 francs, 1900, 8. 30 centimes, 1926, 9. 1.50 francs, 1931, 10. 1.75 francs, 1938, 11. 50 + 10 centimes, 1937, 12. 75 centimes, 1937. 13. 55 centimes, 1937, 14. 1 franc, 1941, 15. 15 francs, 1951, 16. 10 centimes, 1944, 17. 10 centimes, 1945, 18. 6 + 4 francs, 1947, 19. 5 francs, 1954, 20. 15 francs, 1955, 21. 1 franc, 1961, 22. 1 franc, 1960, 23. 50 centimes, 1962.
Vertical image of the Lincoln Monument is a bust of Abraham Lincoln by Robert Russin, 12 1⁄2 feet (3.8 m) high and resting on a 30-foot-tall (9.1 m) g Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-vertical-image-of-the-lincoln-monument-is-a-bust-of-abraham-lincoln-175159131.htmlRFM4Y577–Vertical image of the Lincoln Monument is a bust of Abraham Lincoln by Robert Russin, 12 1⁄2 feet (3.8 m) high and resting on a 30-foot-tall (9.1 m) g
Evening Scene at the Skating Park Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/evening-scene-at-the-skating-park-winslow-homer-american-1836-1910-1859-wood-engraving-image-9-12-x-5-in-241-x-127-cm-american-art-1859-image504727057.htmlRM2M948E9–Evening Scene at the Skating Park Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859
John Meyer of LSU throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-meyer-of-lsu-throws-the-shot-put-65-2-14-1987m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119097.htmlRF2J3Y34W–John Meyer of LSU throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
Kaiapoi is a town of 9,255 people (2001 Census) situated on the banks of the Kaiapoi River and is a tributary of the Waimakariri River, a substantial river which has its origins deep in the Southern Alps of New Zealand's South Island. This flows out into the Pacific Ocean on the east coast and has a Bar at the entrance which frequently alters in depth and position. This restricted the Port to high-tide operation only and to vessels of approximately 7-foot draught. The wharf at Kaiapoi was 2 1/2 miles from the entrance. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-kaiapoi-is-a-town-of-9255-people-2001-census-situated-on-the-banks-129641741.htmlRMHEWKA5–Kaiapoi is a town of 9,255 people (2001 Census) situated on the banks of the Kaiapoi River and is a tributary of the Waimakariri River, a substantial river which has its origins deep in the Southern Alps of New Zealand's South Island. This flows out into the Pacific Ocean on the east coast and has a Bar at the entrance which frequently alters in depth and position. This restricted the Port to high-tide operation only and to vessels of approximately 7-foot draught. The wharf at Kaiapoi was 2 1/2 miles from the entrance.
Gettysburg. Repulse of Longstreet's assault / painted by James Walker engraved by H.B. Hall, Jr. Abstract/medium: 1 print on chine collé : engraving 36.6 x 89.9 cm (image), 63.7 x 116.2 cm (sheet) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/gettysburg-repulse-of-longstreets-assault-painted-by-james-walker-engraved-by-hb-hall-jr-abstractmedium-1-print-on-chine-coll-engraving-366-x-899-cm-image-637-x-1162-cm-sheet-image266548946.htmlRMWDJ9W6–Gettysburg. Repulse of Longstreet's assault / painted by James Walker engraved by H.B. Hall, Jr. Abstract/medium: 1 print on chine collé : engraving 36.6 x 89.9 cm (image), 63.7 x 116.2 cm (sheet)
![Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 6/7/03 Time: 9:28:47 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [730] Shutter: 1/500 Aperture: f7.1 ISO Speed: 125 Max Aperture: f4.2 Min Aperture: f34 Focal Length: 135 Exposure Mode: Program AE (P) Meter Mode: Color Matrix Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:28:47.127 Helios in flight2 Stock Photo](https://c8.alamy.com/comp/KRHKBA/camera-dcs660c-serial-k660c-01120-width-3040-height-2008-date-6703-KRHKBA.jpg "Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 6/7/03 Time: 9:28:47 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [730] Shutter: 1/500 Aperture: f7.1 ISO Speed: 125 Max Aperture: f4.2 Min Aperture: f34 Focal Length: 135 Exposure Mode: Program AE (P) Meter Mode: Color Matrix Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:28:47.127 Helios in flight2 Stock Photo")
Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 6/7/03 Time: 9:28:47 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [730] Shutter: 1/500 Aperture: f7.1 ISO Speed: 125 Max Aperture: f4.2 Min Aperture: f34 Focal Length: 135 Exposure Mode: Program AE (P) Meter Mode: Color Matrix Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:28:47.127 Helios in flight2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-camera-dcs660c-serial-k660c-01120-width-3040-height-2008-date-6703-169418798.htmlRMKRHKBA–Camera: DCS660C Serial #: K660C-01120 Width: 3040 Height: 2008 Date: 6/7/03 Time: 9:28:47 DCS6XX Image FW Ver: 3.2.3 TIFF Image Look: Product Antialiasing Filter: Installed Counter: [730] Shutter: 1/500 Aperture: f7.1 ISO Speed: 125 Max Aperture: f4.2 Min Aperture: f34 Focal Length: 135 Exposure Mode: Program AE (P) Meter Mode: Color Matrix Drive Mode: Single Focus Mode: Manual (AF-M) Focus Point: Center Flash Mode: Normal Sync Compensation: +0.0 Flash Compensation: +0.0 Self Timer Time: 10s White balance: Preset (Daylight) Time: 09:28:47.127 Helios in flight2
(230612) -- HANGZHOU, June 12, 2023 (Xinhua) -- Farmers pick tomatoes in Deqing County of Huzhou, east China's Zhejiang Province, May 9, 2023. In June 2003, Zhejiang launched the Green Rural Revival Program, which plans to renovate about 10,000 incorporated villages and transform about 1,000 central villages among them into examples of moderate prosperity in all respects. Thanks to the program, the image of the countryside has been comprehensively lifted in Zhejiang Province. A total of 2,170 featured villages and over 3 million beautiful rural courtyards have been built. (Xinhua/Huang Zong Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/230612-hangzhou-june-12-2023-xinhua-farmers-pick-tomatoes-in-deqing-county-of-huzhou-east-chinas-zhejiang-province-may-9-2023-in-june-2003-zhejiang-launched-the-green-rural-revival-program-which-plans-to-renovate-about-10000-incorporated-villages-and-transform-about-1000-central-villages-among-them-into-examples-of-moderate-prosperity-in-all-respects-thanks-to-the-program-the-image-of-the-countryside-has-been-comprehensively-lifted-in-zhejiang-province-a-total-of-2170-featured-villages-and-over-3-million-beautiful-rural-courtyards-have-been-built-xinhuahuang-zong-image555071357.htmlRM2R71K51–(230612) -- HANGZHOU, June 12, 2023 (Xinhua) -- Farmers pick tomatoes in Deqing County of Huzhou, east China's Zhejiang Province, May 9, 2023. In June 2003, Zhejiang launched the Green Rural Revival Program, which plans to renovate about 10,000 incorporated villages and transform about 1,000 central villages among them into examples of moderate prosperity in all respects. Thanks to the program, the image of the countryside has been comprehensively lifted in Zhejiang Province. A total of 2,170 featured villages and over 3 million beautiful rural courtyards have been built. (Xinhua/Huang Zong
Cornelius M. Battey, American, 1873-1927, Portrait of a Trumpeter, 1918, gelatin silver print, Image: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cornelius-m-battey-american-1873-1927-portrait-of-a-trumpeter-1918-gelatin-silver-print-image-9-12-7-12-inches-241-191-cm-image328739481.htmlRM2A2RAFN–Cornelius M. Battey, American, 1873-1927, Portrait of a Trumpeter, 1918, gelatin silver print, Image: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm
Inspired by Cricket Players on the Boston Common, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 6 in., 24.1 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-cricket-players-on-the-boston-common-winslow-homer-american-1836-1910-wood-engraving-1859-image-9-12-x-6-in-241-x-152-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248850.htmlRF2HK4GGJ–Inspired by Cricket Players on the Boston Common, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 6 in., 24.1 x 15.2 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
The Magic Lantern. Artist: Auguste Edouart (French, 1789-1861). Dimensions: image: 9 1/2 x 13 3/8 in. (24.2 x 33.9 cm) sheet: 10 1/4 x 13 1/2 in. (26 x 34.3 cm). Date: 1826-61. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/the-magic-lantern-artist-auguste-edouart-french-1789-1861-dimensions-image-9-12-x-13-38-in-242-x-339-cm-sheet-10-14-x-13-12-in-26-x-343-cm-date-1826-61-museum-metropolitan-museum-of-art-new-york-usa-image213259108.htmlRMPAXP4M–The Magic Lantern. Artist: Auguste Edouart (French, 1789-1861). Dimensions: image: 9 1/2 x 13 3/8 in. (24.2 x 33.9 cm) sheet: 10 1/4 x 13 1/2 in. (26 x 34.3 cm). Date: 1826-61. Museum: Metropolitan Museum of Art, New York, USA.
. Australian War Memorial image 089617. PRIVATE K. FREE, 2/24 INFANTRY BATTALION, (1), LEADS INHABITANTS OF JUATA VILLAGE SOUTHWARD ALONG THE ANZAC HIGHWAY, WHERE THEY WILL BE HANDED OVER TO NICA (NETHERLANDS INDIES CIVIL ADMINISTRATION) UNTIL THEY WILL BE FREE TO RETURN TO THEIR VILLAGES. 9 May 1945. not stated 45 Residents of Juata Village Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/australian-war-memorial-image-089617-private-k-free-224-infantry-battalion-1-leads-inhabitants-of-juata-village-southward-along-the-anzac-highway-where-they-will-be-handed-over-to-nica-netherlands-indies-civil-administration-until-they-will-be-free-to-return-to-their-villages-9-may-1945-not-stated-45-residents-of-juata-village-image208066265.htmlRMP2E6J1–. Australian War Memorial image 089617. PRIVATE K. FREE, 2/24 INFANTRY BATTALION, (1), LEADS INHABITANTS OF JUATA VILLAGE SOUTHWARD ALONG THE ANZAC HIGHWAY, WHERE THEY WILL BE HANDED OVER TO NICA (NETHERLANDS INDIES CIVIL ADMINISTRATION) UNTIL THEY WILL BE FREE TO RETURN TO THEIR VILLAGES. 9 May 1945. not stated 45 Residents of Juata Village
Nuernberg, Deutschland. 20th Jan, 2024. v.li. Jannes Horn (1.FC Nuernberg, 38) und Kai Proeger (FC Hansa Rostock, 9). 20.01.2024, Fussball, 2. Bundesliga, 1. FC N?rnberg - F.C. Hansa Rostock, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuernberg-deutschland-20th-jan-2024-vli-jannes-horn-1fc-nuernberg-38-und-kai-proeger-fc-hansa-rostock-9-20012024-fussball-2-bundesliga-1-fc-nrnberg-fc-hansa-rostock-ger-nuernberg-max-morlock-stadion-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image593493824.htmlRM2WDFYC0–Nuernberg, Deutschland. 20th Jan, 2024. v.li. Jannes Horn (1.FC Nuernberg, 38) und Kai Proeger (FC Hansa Rostock, 9). 20.01.2024, Fussball, 2. Bundesliga, 1. FC N?rnberg - F.C. Hansa Rostock, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Portrait of a Young Girl; Southworth & Hawes, American, active 1844 - 1862; about 1852; Daguerreotype; 1/2 plate, Image: 9.5 x 7.7 cm (3 3/4 x 3 1/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-young-girl-southworth-hawes-american-active-1844-1862-76541892.htmlRMECENY0–Portrait of a Young Girl; Southworth & Hawes, American, active 1844 - 1862; about 1852; Daguerreotype; 1/2 plate, Image: 9.5 x 7.7 cm (3 3/4 x 3 1/16 in.)
EUROPE - ALBANIA: (left to right) 1. 2 paras, 1913, 2. 5 grosch, 1913, 3.10 paras, 1914, 4. 40 paras, 1915, 5. 5 centimes, 1917, 6. 15 qindar, 1919, 7. 25 qintar, 1920, 8. 5 qindar, 1925, 9. 5 qindar, 1925, 10. 1 qindar, 1925, 11. 1 qindar, 1928, 12. 5 qindar, 1940, 13. 25 qindar, 1944, 14. 3 fanka, 1945, 15. 20 qindar, 1946, 16. 8 lek, 1957, 17. 1 lek, 1967, 18. 15 qindar, 1969, 19. Italian Post Offices in Albania, 10 paras, 1902, 20. Durazzo, 10 paras, 1909, 21. Janina, 20 paras, 1909, 22. Scutari, 4 paras, 1915, 23. Valona, 1 piastre, 1909, 24. Epirus, 25 lepta, 1914, 25. Northern Epirus, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-albania-left-to-right-1-2-paras-1913-2-5-grosch-1913-310-paras-1914-4-40-paras-1915-5-5-centimes-1917-6-15-qindar-1919-7-25-qintar-1920-8-5-qindar-1925-9-5-qindar-1925-10-1-qindar-1925-11-1-qindar-1928-12-5-qindar-1940-13-25-qindar-1944-14-3-fanka-1945-15-20-qindar-1946-16-8-lek-1957-17-1-lek-1967-18-15-qindar-1969-19-italian-post-offices-in-albania-10-paras-1902-20-durazzo-10-paras-1909-21-janina-20-paras-1909-22-scutari-4-paras-1915-23-valona-1-piastre-1909-24-epirus-25-lepta-1914-25-northern-epirus-image268811771.htmlRMWH9C4B–EUROPE - ALBANIA: (left to right) 1. 2 paras, 1913, 2. 5 grosch, 1913, 3.10 paras, 1914, 4. 40 paras, 1915, 5. 5 centimes, 1917, 6. 15 qindar, 1919, 7. 25 qintar, 1920, 8. 5 qindar, 1925, 9. 5 qindar, 1925, 10. 1 qindar, 1925, 11. 1 qindar, 1928, 12. 5 qindar, 1940, 13. 25 qindar, 1944, 14. 3 fanka, 1945, 15. 20 qindar, 1946, 16. 8 lek, 1957, 17. 1 lek, 1967, 18. 15 qindar, 1969, 19. Italian Post Offices in Albania, 10 paras, 1902, 20. Durazzo, 10 paras, 1909, 21. Janina, 20 paras, 1909, 22. Scutari, 4 paras, 1915, 23. Valona, 1 piastre, 1909, 24. Epirus, 25 lepta, 1914, 25. Northern Epirus,
Cricket Players on the Boston Common Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 6 in. (24.1 x 15.2 cm);. American Art 1859 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/cricket-players-on-the-boston-common-winslow-homer-american-1836-1910-1859-wood-engraving-image-9-12-x-6-in-241-x-152-cm-american-art-1859-image504727071.htmlRM2M948ER–Cricket Players on the Boston Common Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 6 in. (24.1 x 15.2 cm);. American Art 1859
Johnny Howell of Houston throws the shot put (48’ 6 1/2” / 14.80m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/johnny-howell-of-houston-throws-the-shot-put-48-6-12-1480m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119137.htmlRF2J3Y369–Johnny Howell of Houston throws the shot put (48’ 6 1/2” / 14.80m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
![The February 2011 Christchurch earthquake was a powerful natural event that severely damaged New Zealand's second-largest city, killing 185 people in one of the nation's deadliest peacetime disasters. The magnitude 6.3 (ML) earthquake[1] struck the Canterbury region in New Zealand's South Island at 12:51 pm on Tuesday, 22 February 2011 local time (23:51 21 February UTC).[1][9] The earthquake was centred 2 kilometres (1.2 mi) west of the port town of Lyttelton, and 10 kilometres (6 mi) south-east of the centre of Christchurch, New Zealand's second-most populous city Stock Photo](https://c8.alamy.com/comp/HEWKP5/the-february-2011-christchurch-earthquake-was-a-powerful-natural-event-HEWKP5.jpg "The February 2011 Christchurch earthquake was a powerful natural event that severely damaged New Zealand's second-largest city, killing 185 people in one of the nation's deadliest peacetime disasters. The magnitude 6.3 (ML) earthquake[1] struck the Canterbury region in New Zealand's South Island at 12:51 pm on Tuesday, 22 February 2011 local time (23:51 21 February UTC).[1][9] The earthquake was centred 2 kilometres (1.2 mi) west of the port town of Lyttelton, and 10 kilometres (6 mi) south-east of the centre of Christchurch, New Zealand's second-most populous city Stock Photo")
The February 2011 Christchurch earthquake was a powerful natural event that severely damaged New Zealand's second-largest city, killing 185 people in one of the nation's deadliest peacetime disasters. The magnitude 6.3 (ML) earthquake[1] struck the Canterbury region in New Zealand's South Island at 12:51 pm on Tuesday, 22 February 2011 local time (23:51 21 February UTC).[1][9] The earthquake was centred 2 kilometres (1.2 mi) west of the port town of Lyttelton, and 10 kilometres (6 mi) south-east of the centre of Christchurch, New Zealand's second-most populous city Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-february-2011-christchurch-earthquake-was-a-powerful-natural-event-129642077.htmlRMHEWKP5–The February 2011 Christchurch earthquake was a powerful natural event that severely damaged New Zealand's second-largest city, killing 185 people in one of the nation's deadliest peacetime disasters. The magnitude 6.3 (ML) earthquake[1] struck the Canterbury region in New Zealand's South Island at 12:51 pm on Tuesday, 22 February 2011 local time (23:51 21 February UTC).[1][9] The earthquake was centred 2 kilometres (1.2 mi) west of the port town of Lyttelton, and 10 kilometres (6 mi) south-east of the centre of Christchurch, New Zealand's second-most populous city
F. Basham, modeller, plaster, cement & scagliola worker No. 408 Broadway, New York / F.J. Palmer. Abstract/medium: first copy: 1 print : lithograph ; image 36.4 x 27.8 cm, on sheet 53.4 x 34.9 cm.; second copy: 1 print : lithograph, tinted ; image 36.4 x 27.8 cm, on sheet 53.2 x 34.5 cm. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/f-basham-modeller-plaster-cement-scagliola-worker-no-408-broadway-new-york-fj-palmer-abstractmedium-first-copy-1-print-lithograph-image-364-x-278-cm-on-sheet-534-x-349-cm-second-copy-1-print-lithograph-tinted-image-364-x-278-cm-on-sheet-532-x-345-cm-image265058461.htmlRMWB6CNH–F. Basham, modeller, plaster, cement & scagliola worker No. 408 Broadway, New York / F.J. Palmer. Abstract/medium: first copy: 1 print : lithograph ; image 36.4 x 27.8 cm, on sheet 53.4 x 34.9 cm.; second copy: 1 print : lithograph, tinted ; image 36.4 x 27.8 cm, on sheet 53.2 x 34.5 cm.
Unknown (French), Juan Laurent, French, 1816-1892, Charcoal Seller, Valencia, ca. 1885, albumen print, Image: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/unknown-french-juan-laurent-french-1816-1892-charcoal-seller-valencia-ca-1885-albumen-print-image-9-12-13-12-inches-241-343-cm-image328739521.htmlRM2A2RAH5–Unknown (French), Juan Laurent, French, 1816-1892, Charcoal Seller, Valencia, ca. 1885, albumen print, Image: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm
Inspired by Scene on the Back Bay Lands, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm;, figures, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-scene-on-the-back-bay-lands-winslow-homer-american-1836-1910-wood-engraving-1859-image-9-12-x-5-in-241-x-127-cm-figures-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459248928.htmlRF2HK4GKC–Inspired by Scene on the Back Bay Lands, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm;, figures, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Vallée et chapelle d'Héas, St-Sauveur. Artist: Joseph Vigier (French, 1821-1862). Dimensions: Image: 9 1/2 × 14 1/2 in. (24.1 × 36.8 cm) Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/valle-et-chapelle-dhas-st-sauveur-artist-joseph-vigier-french-1821-1862-dimensions-image-9-12-14-12-in-241-368-cm-sheet-12-in-18-916-in-305-472-cm-date-1853-museum-metropolitan-museum-of-art-new-york-usa-image213211817.htmlRMPATHRN–Vallée et chapelle d'Héas, St-Sauveur. Artist: Joseph Vigier (French, 1821-1862). Dimensions: Image: 9 1/2 × 14 1/2 in. (24.1 × 36.8 cm) Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA.
. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 278 John Beale Bordley 1999.27.42 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-beale-bordley-1821-joseph-robinson-watercolor-on-ivory-image-oval-2-78-x-2-14-in-73-x-59-cm-smithsonian-american-art-museum-bequest-of-mary-elizabeth-spencer-19992742-smithsonian-american-art-museum-3rd-floor-luce-foundation-center-1-march-2009-164748-pohick2-278-john-beale-bordley-19992742-image189076262.htmlRMMYH4KJ–. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 278 John Beale Bordley 1999.27.42
Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Kopfballduell zwischen Nick Seidel (1.FC Nuernberg, 33) l. und Joel Grodowski (Preussen Muenster, 9), 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuernberg-deutschland-05th-oct-2024-im-bild-kopfballduell-zwischen-nick-seidel-1fc-nuernberg-33-l-und-joel-grodowski-preussen-muenster-9-05102024-fussball-2-bundesliga-1-fc-nuernberg-sc-preussen-muenster-ger-nuernberg-max-morlock-stadion-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image624846604.htmlRM2Y8G664–Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Kopfballduell zwischen Nick Seidel (1.FC Nuernberg, 33) l. und Joel Grodowski (Preussen Muenster, 9), 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Portrait of Victor Striedbeck; Charles H. Winter, French, 1821 - 1904; about 1852; Daguerreotype; 1/2 plate, Image: 11.4 x 8.9 cm (4 1/2 x 3 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-victor-striedbeck-charles-h-winter-french-1821-1904-about-76531008.htmlRMECE828–Portrait of Victor Striedbeck; Charles H. Winter, French, 1821 - 1904; about 1852; Daguerreotype; 1/2 plate, Image: 11.4 x 8.9 cm (4 1/2 x 3 1/2 in.)
EUROPE - FOREIGN POST OFFICES IN CRETE AND GREECE: (left to right) 1. Crete (Austrian Post Office), 25 centimes, 1903, 2. Crete (Austrian Post Office), 10 centimes, 1908, 3. Crete (French Administration), 3 centimes, 1902, 4. Crete (French Administration), 40 centimes, 1902, 5. Crete (French Administration), 1 piastre, 1902, 6. Crete (British Administration), 10 parades, 1898, 7. Crete (Italian Administration), 1 piastre, 1900, 8. Crete (Italian Administration), 1 centesimo, 1906, 9. Crete (Russian Administration), 1 metalik, 1899, 10. Crete (Russian Administration), 2 metaliks, 1899, 11. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/europe-foreign-post-offices-in-crete-and-greece-left-to-right-1-crete-austrian-post-office-25-centimes-1903-2-crete-austrian-post-office-10-centimes-1908-3-crete-french-administration-3-centimes-1902-4-crete-french-administration-40-centimes-1902-5-crete-french-administration-1-piastre-1902-6-crete-british-administration-10-parades-1898-7-crete-italian-administration-1-piastre-1900-8-crete-italian-administration-1-centesimo-1906-9-crete-russian-administration-1-metalik-1899-10-crete-russian-administration-2-metaliks-1899-11-image268811810.htmlRMWH9C5P–EUROPE - FOREIGN POST OFFICES IN CRETE AND GREECE: (left to right) 1. Crete (Austrian Post Office), 25 centimes, 1903, 2. Crete (Austrian Post Office), 10 centimes, 1908, 3. Crete (French Administration), 3 centimes, 1902, 4. Crete (French Administration), 40 centimes, 1902, 5. Crete (French Administration), 1 piastre, 1902, 6. Crete (British Administration), 10 parades, 1898, 7. Crete (Italian Administration), 1 piastre, 1900, 8. Crete (Italian Administration), 1 centesimo, 1906, 9. Crete (Russian Administration), 1 metalik, 1899, 10. Crete (Russian Administration), 2 metaliks, 1899, 11.
Scene on the Back Bay Lands Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/scene-on-the-back-bay-lands-winslow-homer-american-1836-1910-1859-wood-engraving-image-9-12-x-5-in-241-x-127-cm-american-art-1859-image504727066.htmlRM2M948EJ–Scene on the Back Bay Lands Winslow Homer (American, 1836-1910). , 1859. Wood engraving, image: 9 1/2 x 5 in. (24.1 x 12.7 cm);. American Art 1859
Lisa Gunnarson of LSU wins with a clearance of (14’ 5 1/2” / 4.41m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/lisa-gunnarson-of-lsu-wins-with-a-clearance-of-14-5-12-441m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119381.htmlRF2J3Y3F1–Lisa Gunnarson of LSU wins with a clearance of (14’ 5 1/2” / 4.41m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
Lupinus polyphyllus (large-leaved lupine, big-leaved lupine, many-leaved lupine or, primarily in cultivation, garden lupin) is a species of lupine (lupin) native to western North America from southern Alaska and British Columbia east to Quebec, and western Wyoming, and south to Utah and California. It commonly grows along streams and creeks, preferring moist habitats. It is a perennial herbaceous plant with stout stems growing to 1.5 metres (4 ft 11 in) tall. The leaves are palmately compound with (5-) 9-17 leaflets 3–15 centimetres (1.2–5.9 in) long. The flowers are produced on a tall spike, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-lupinus-polyphyllus-large-leaved-lupine-big-leaved-lupine-many-leaved-129642181.htmlRMHEWKWW–Lupinus polyphyllus (large-leaved lupine, big-leaved lupine, many-leaved lupine or, primarily in cultivation, garden lupin) is a species of lupine (lupin) native to western North America from southern Alaska and British Columbia east to Quebec, and western Wyoming, and south to Utah and California. It commonly grows along streams and creeks, preferring moist habitats. It is a perennial herbaceous plant with stout stems growing to 1.5 metres (4 ft 11 in) tall. The leaves are palmately compound with (5-) 9-17 leaflets 3–15 centimetres (1.2–5.9 in) long. The flowers are produced on a tall spike,
Eugène Delacroix, French, 1798-1863, Cheval sauvage, 1828, lithograph printed in color on wove paper, Image: 9 1/2 × 9 3/8 inches (24.1 × 23.8 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/eugne-delacroix-french-1798-1863-cheval-sauvage-1828-lithograph-printed-in-color-on-wove-paper-image-9-12-9-38-inches-241-238-cm-image328733290.htmlRM2A2R2JJ–Eugène Delacroix, French, 1798-1863, Cheval sauvage, 1828, lithograph printed in color on wove paper, Image: 9 1/2 × 9 3/8 inches (24.1 × 23.8 cm
Inspired by Three Figures, Brush sketch, ink on paper, Japan, 19th-20th century, Meiji Period, Image: 9 1/2 x 14 1/2 in., 24.1 x 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-three-figures-brush-sketch-ink-on-paper-japan-19th-20th-century-meiji-period-image-9-12-x-14-12-in-241-x-368-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459261503.htmlRF2HK54MF–Inspired by Three Figures, Brush sketch, ink on paper, Japan, 19th-20th century, Meiji Period, Image: 9 1/2 x 14 1/2 in., 24.1 x 36.8 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Bains de la Raillière à Cauterets. Artist: Joseph Vigier (French, 1821-1862). Dimensions: Image: 9 1/2 × 14 7/16 in. (24.1 × 36.7 cm) Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bains-de-la-raillire-cauterets-artist-joseph-vigier-french-1821-1862-dimensions-image-9-12-14-716-in-241-367-cm-sheet-12-in-18-916-in-305-472-cm-date-1853-museum-metropolitan-museum-of-art-new-york-usa-image213315093.htmlRMPB19G5–Bains de la Raillière à Cauterets. Artist: Joseph Vigier (French, 1821-1862). Dimensions: Image: 9 1/2 × 14 7/16 in. (24.1 × 36.7 cm) Sheet: 12 in. × 18 9/16 in. (30.5 × 47.2 cm). Date: 1853. Museum: Metropolitan Museum of Art, New York, USA.
. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 320 John Beale Bordley 1999.27.42 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-beale-bordley-1821-joseph-robinson-watercolor-on-ivory-image-oval-2-78-x-2-14-in-73-x-59-cm-smithsonian-american-art-museum-bequest-of-mary-elizabeth-spencer-19992742-smithsonian-american-art-museum-3rd-floor-luce-foundation-center-1-march-2009-164748-pohick2-320-john-beale-bordley-19992742-image187819672.htmlRMMWFWWC–. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 320 John Beale Bordley 1999.27.42
Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Kopfballduell zwischen Nick Seidel (1.FC Nuernberg, 33) l. und Joel Grodowski (Preussen Muenster, 9), 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuernberg-deutschland-05th-oct-2024-im-bild-kopfballduell-zwischen-nick-seidel-1fc-nuernberg-33-l-und-joel-grodowski-preussen-muenster-9-05102024-fussball-2-bundesliga-1-fc-nuernberg-sc-preussen-muenster-ger-nuernberg-max-morlock-stadion-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image624901595.htmlRM2Y8JMA3–Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Kopfballduell zwischen Nick Seidel (1.FC Nuernberg, 33) l. und Joel Grodowski (Preussen Muenster, 9), 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Self-Portrait; Jean-Gabriel Eynard, Swiss, 1775 - 1863; June 18, 1853; Daguerreotype; 1/4 plate, Image: 8.9 x 6.7 cm (3 1/2 x 2 5/8 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-self-portrait-jean-gabriel-eynard-swiss-1775-1863-june-18-1853-daguerreotype-76530903.htmlRMECE7XF–Self-Portrait; Jean-Gabriel Eynard, Swiss, 1775 - 1863; June 18, 1853; Daguerreotype; 1/4 plate, Image: 8.9 x 6.7 cm (3 1/2 x 2 5/8 in.)
AMERICA - CONFEDERATE STATES AND UNITED NATIONS: (left to right) 1. Confederate Postmaster's Stamps (Memphis), 2 cents, 1861, 2. Confederate States, 5 cents, 1861, 3. Confederate States, 5 cents, 1862, 4. Confederate States, 1 cent, 1862, 5. Confederate States, 10 cents, 1863, 6. Confederate States, 20 cents, 1863, 7. United Nations, 15 cents, 1951, 8. United Nations, 5 cents, 1952, 9. United Nations, 8 cents, 1958, 10. United Nations, 5 cents, 1959, 11. United Nations, 8 cents, 1958, 12. United Nations, 8 cents, 1959, 13. United Nations, 7 cents, 1959, 14. United Nations, 8 cents, 1960, 15. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/america-confederate-states-and-united-nations-left-to-right-1-confederate-postmasters-stamps-memphis-2-cents-1861-2-confederate-states-5-cents-1861-3-confederate-states-5-cents-1862-4-confederate-states-1-cent-1862-5-confederate-states-10-cents-1863-6-confederate-states-20-cents-1863-7-united-nations-15-cents-1951-8-united-nations-5-cents-1952-9-united-nations-8-cents-1958-10-united-nations-5-cents-1959-11-united-nations-8-cents-1958-12-united-nations-8-cents-1959-13-united-nations-7-cents-1959-14-united-nations-8-cents-1960-15-image268811642.htmlRMWH9BYP–AMERICA - CONFEDERATE STATES AND UNITED NATIONS: (left to right) 1. Confederate Postmaster's Stamps (Memphis), 2 cents, 1861, 2. Confederate States, 5 cents, 1861, 3. Confederate States, 5 cents, 1862, 4. Confederate States, 1 cent, 1862, 5. Confederate States, 10 cents, 1863, 6. Confederate States, 20 cents, 1863, 7. United Nations, 15 cents, 1951, 8. United Nations, 5 cents, 1952, 9. United Nations, 8 cents, 1958, 10. United Nations, 5 cents, 1959, 11. United Nations, 8 cents, 1958, 12. United Nations, 8 cents, 1959, 13. United Nations, 7 cents, 1959, 14. United Nations, 8 cents, 1960, 15.
Bishop's Walk, Ancon Hill, Panama Joseph Pennell (American, 1860-1926). , 1912. Etching, Image: 9 1/2 x 12 3/8 in. (24.1 x 31.4 cm). American Art 1912 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/bishops-walk-ancon-hill-panama-joseph-pennell-american-1860-1926-1912-etching-image-9-12-x-12-38-in-241-x-314-cm-american-art-1912-image504720554.htmlRM2M94062–Bishop's Walk, Ancon Hill, Panama Joseph Pennell (American, 1860-1926). , 1912. Etching, Image: 9 1/2 x 12 3/8 in. (24.1 x 31.4 cm). American Art 1912
John Meyer of LSU throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-meyer-of-lsu-throws-the-shot-put-65-2-14-1987m-saturday-april-9-2022-in-baton-rouge-louisiana-kirk-mecheimage-of-sport-image467119064.htmlRF2J3Y33M–John Meyer of LSU throws the shot put (65’ 2 1/4” / 19.87m), Saturday, April 9, 2022, in Baton Rouge, Louisiana. (Kirk Meche/Image of Sport)
General characteristics Class and type: Cargo Type: Iron hull,Barque rig Tonnage: 678 gross Length: Hull:192.2 ft (58.6 m)LOA:230 ft (70 m) Beam: 30.15 ft (9.19 m) Height: 108 ft (33 m)(mainmast) Draught: 14 ft (4.3 m) Propulsion: Sails Speed: 14 kt Capacity: 1,100 tons Complement: less than 15 Polly Woodside is a Belfast-built, three-masted, iron-hulled barque, preserved in Melbourne, Australia, and forming the central feature of the South Wharf precinct. The ship was originally built in Belfast by William J. Woodside and was launched in 1885. Polly Woodside is typical of thousands of smalle Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-general-characteristics-class-and-type-cargo-type-iron-hullbarque-129641726.htmlRMHEWK9J–General characteristics Class and type: Cargo Type: Iron hull,Barque rig Tonnage: 678 gross Length: Hull:192.2 ft (58.6 m)LOA:230 ft (70 m) Beam: 30.15 ft (9.19 m) Height: 108 ft (33 m)(mainmast) Draught: 14 ft (4.3 m) Propulsion: Sails Speed: 14 kt Capacity: 1,100 tons Complement: less than 15 Polly Woodside is a Belfast-built, three-masted, iron-hulled barque, preserved in Melbourne, Australia, and forming the central feature of the South Wharf precinct. The ship was originally built in Belfast by William J. Woodside and was launched in 1885. Polly Woodside is typical of thousands of smalle
Ruth Chaney, American, 1908-1973, The Writer, 1939, lithograph printed in color ink on wove paper, Image: 9 1/2 × 13 1/8 inches (24.1 × 33.3 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/ruth-chaney-american-1908-1973-the-writer-1939-lithograph-printed-in-color-ink-on-wove-paper-image-9-12-13-18-inches-241-333-cm-image328725630.htmlRM2A2PMW2–Ruth Chaney, American, 1908-1973, The Writer, 1939, lithograph printed in color ink on wove paper, Image: 9 1/2 × 13 1/8 inches (24.1 × 33.3 cm
Inspired by Bishop's Walk, Ancon Hill, Panama, Joseph Pennell, American, 1860-1926, Etching, 1912, Image: 9 1/2 x 12 3/8 in., 24.1 x 31.4 cm, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/inspired-by-bishops-walk-ancon-hill-panama-joseph-pennell-american-1860-1926-etching-1912-image-9-12-x-12-38-in-241-x-314-cm-trees-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459244102.htmlRF2HK4AF2–Inspired by Bishop's Walk, Ancon Hill, Panama, Joseph Pennell, American, 1860-1926, Etching, 1912, Image: 9 1/2 x 12 3/8 in., 24.1 x 31.4 cm, trees, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Yellow House, Lannion. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 9 1/2 × 6 3/8 in. (24.2 × 16.2 cm) Sheet: 12 1/2 × 8 1/16 in. (31.8 × 20.4 cm). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/yellow-house-lannion-artist-james-mcneill-whistler-american-lowell-massachusetts-1834-1903-london-dimensions-image-9-12-6-38-in-242-162-cm-sheet-12-12-8-116-in-318-204-cm-date-1893-museum-metropolitan-museum-of-art-new-york-usa-image233764429.htmlRMRG8TWH–Yellow House, Lannion. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 9 1/2 × 6 3/8 in. (24.2 × 16.2 cm) Sheet: 12 1/2 × 8 1/16 in. (31.8 × 20.4 cm). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.
. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 321 John Beale Bordley 1999.27.42 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/john-beale-bordley-1821-joseph-robinson-watercolor-on-ivory-image-oval-2-78-x-2-14-in-73-x-59-cm-smithsonian-american-art-museum-bequest-of-mary-elizabeth-spencer-19992742-smithsonian-american-art-museum-3rd-floor-luce-foundation-center-1-march-2009-164748-pohick2-321-john-beale-bordley-19992742-image188323746.htmlRMMXATT2–. John Beale Bordley 1821 Joseph Robinson watercolor on ivory image (oval): 2 7/8 x 2 1/4 in. (7.3 x 5.9 cm) Smithsonian American Art Museum Bequest of Mary Elizabeth Spencer 1999.27.42 Smithsonian American Art Museum 3rd Floor, Luce Foundation Center . 1 March 2009, 16:47:48. pohick2 321 John Beale Bordley 1999.27.42
Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Torschuetze Stefanos Tzimas (1.FC Nuernberg, 9) l. Jubel nach dem Tor zum 1;0, jubelnd, bejubelt, jubelt, jubeln, emotionen 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/nuernberg-deutschland-05th-oct-2024-im-bild-torschuetze-stefanos-tzimas-1fc-nuernberg-9-l-jubel-nach-dem-tor-zum-10-jubelnd-bejubelt-jubelt-jubeln-emotionen-05102024-fussball-2-bundesliga-1-fc-nuernberg-sc-preussen-muenster-ger-nuernberg-max-morlock-stadion-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image624901581.htmlRM2Y8JM9H–Nuernberg, Deutschland. 05th Oct, 2024. Im Bild: Torschuetze Stefanos Tzimas (1.FC Nuernberg, 9) l. Jubel nach dem Tor zum 1;0, jubelnd, bejubelt, jubelt, jubeln, emotionen 05.10.2024, Fussball, 2. Bundesliga, 1. FC Nuernberg - SC Preussen Muenster, GER, Nuernberg, Max-Morlock-Stadion, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Portrait of Edgar Allan Poe; Unknown maker, American; late May - early June 1849; Daguerreotype; 1/2 plate, Image: 12.2 x 8.9 cm (4 13/16 x 3 1/2 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-edgar-allan-poe-unknown-maker-american-late-may-early-76530901.htmlRMECE7XD–Portrait of Edgar Allan Poe; Unknown maker, American; late May - early June 1849; Daguerreotype; 1/2 plate, Image: 12.2 x 8.9 cm (4 13/16 x 3 1/2 in.)
AUSTRALIA AND POLYNESIA - FRENCH PACIFIC ISLANDS: (left to right) 1. Tahiti, 10 centimes, 1903, 2. French Oceania, 5 centimes, 1913, 3. French Oceania, 5 centimes, 1942, 4. French Oceania, 10 centimes, 1948, 5. French Polynesia, 10 centimes, 1958, 6. French Polynesia, 20 francs, 1964, 7. French Polynesia, 10 francs, 1966, 8. New Caledonia, 1 centime, 1892, 9. New Calidonia, 2 centimes, 1928, 10. New Caledonia, 40 centimes, 1942, 11. New Caledonia, 37 francs, 1963, 12. New Caledonia, 10 francs, 1964, 13. Wallis and Futuna Islands, 15 centimes, 1920, 14. Wallis and Futuna Islands, 2 centimes, Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/australia-and-polynesia-french-pacific-islands-left-to-right-1-tahiti-10-centimes-1903-2-french-oceania-5-centimes-1913-3-french-oceania-5-centimes-1942-4-french-oceania-10-centimes-1948-5-french-polynesia-10-centimes-1958-6-french-polynesia-20-francs-1964-7-french-polynesia-10-francs-1966-8-new-caledonia-1-centime-1892-9-new-calidonia-2-centimes-1928-10-new-caledonia-40-centimes-1942-11-new-caledonia-37-francs-1963-12-new-caledonia-10-francs-1964-13-wallis-and-futuna-islands-15-centimes-1920-14-wallis-and-futuna-islands-2-centimes-image268811698.htmlRMWH9C1P–AUSTRALIA AND POLYNESIA - FRENCH PACIFIC ISLANDS: (left to right) 1. Tahiti, 10 centimes, 1903, 2. French Oceania, 5 centimes, 1913, 3. French Oceania, 5 centimes, 1942, 4. French Oceania, 10 centimes, 1948, 5. French Polynesia, 10 centimes, 1958, 6. French Polynesia, 20 francs, 1964, 7. French Polynesia, 10 francs, 1966, 8. New Caledonia, 1 centime, 1892, 9. New Calidonia, 2 centimes, 1928, 10. New Caledonia, 40 centimes, 1942, 11. New Caledonia, 37 francs, 1963, 12. New Caledonia, 10 francs, 1964, 13. Wallis and Futuna Islands, 15 centimes, 1920, 14. Wallis and Futuna Islands, 2 centimes,
Three Figures Three Figures, 19th-20th century. Brush sketch, ink on paper, Image: 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm). Asian Art 19th-20th century Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/three-figures-three-figures-19th-20th-century-brush-sketch-ink-on-paper-image-9-12-x-14-12-in-241-x-368-cm-asian-art-19th-20th-century-image504719971.htmlRM2M93YD7–Three Figures Three Figures, 19th-20th century. Brush sketch, ink on paper, Image: 9 1/2 x 14 1/2 in. (24.1 x 36.8 cm). Asian Art 19th-20th century
Leyanis Perez Hernandez (CUB) places second in the women's triple jump at 48-9 1/2 (14.87m) during the Bislett Games, Thursday, June 15, 2023, in Oslo, Norway. (Jiro Mochizuki/Image of Sport) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/leyanis-perez-hernandez-cub-places-second-in-the-womens-triple-jump-at-48-9-12-1487m-during-the-bislett-games-thursday-june-15-2023-in-oslo-norway-jiro-mochizukiimage-of-sport-image555686737.htmlRF2R81M2W–Leyanis Perez Hernandez (CUB) places second in the women's triple jump at 48-9 1/2 (14.87m) during the Bislett Games, Thursday, June 15, 2023, in Oslo, Norway. (Jiro Mochizuki/Image of Sport)
2 St. 15cm M.99-9 Ekrasit-Granaten 1 St. 15cm M.14. Granat-Schrapnell 15722954) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-2-st-15cm-m99-9-ekrasit-granaten-1-st-15cm-m14-granat-schrapnell-15722954-129857757.htmlRMHF7EW1–2 St. 15cm M.99-9 Ekrasit-Granaten 1 St. 15cm M.14. Granat-Schrapnell 15722954)
Maxime François Antoine Lalanne, French, 1827-1886, Diva, between 1827 and 1886, pencil on off-white wove paper, Image: 9 1/2 × 16 inches (24.1 × 40.6 cm Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/maxime-franois-antoine-lalanne-french-1827-1886-diva-between-1827-and-1886-pencil-on-off-white-wove-paper-image-9-12-16-inches-241-406-cm-image328710944.htmlRM2A2P24G–Maxime François Antoine Lalanne, French, 1827-1886, Diva, between 1827 and 1886, pencil on off-white wove paper, Image: 9 1/2 × 16 inches (24.1 × 40.6 cm
Art inspired by Trotting on the Mildam, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/art-inspired-by-trotting-on-the-mildam-winslow-homer-american-1836-1910-wood-engraving-1859-image-9-12-x-5-in-241-x-127-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566280.htmlRF2HKK1DC–Art inspired by Trotting on the Mildam, Winslow Homer, American, 1836-1910, Wood engraving, 1859, image: 9 1/2 x 5 in., 24.1 x 12.7 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Salome with the Head of John the Baptist. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: image: 9 1/2 x 6 7/8 in. (24.1 x 17.4 cm) image with border, trimmed to block line: 13 13/16 x 8 15/16 in. (35.1 x 22.7 cm). Date: ca. 1517. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/salome-with-the-head-of-john-the-baptist-artist-lucas-van-leyden-netherlandish-leiden-ca-1494-1533-leiden-dimensions-image-9-12-x-6-78-in-241-x-174-cm-image-with-border-trimmed-to-block-line-13-1316-x-8-1516-in-351-x-227-cm-date-ca-1517-museum-metropolitan-museum-of-art-new-york-usa-image213109991.htmlRMPAKYY3–Salome with the Head of John the Baptist. Artist: Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). Dimensions: image: 9 1/2 x 6 7/8 in. (24.1 x 17.4 cm) image with border, trimmed to block line: 13 13/16 x 8 15/16 in. (35.1 x 22.7 cm). Date: ca. 1517. Museum: Metropolitan Museum of Art, New York, USA.
PRB01-864155859 002, 10-08-2005, 08:10, 8C, 6000x3836 (0+2252), 100%%%%, MUSEONbasis, 1/120 s, R46.9, G29.4, B36.1 278 Robinson Crusoë - PPN 864155859 - Image 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/prb01-864155859-002-10-08-2005-0810-8c-6000x3836-02252-100-museonbasis-1120-s-r469-g294-b361-278-robinson-cruso-ppn-864155859-image-2-image207712629.htmlRMP1X3G5–PRB01-864155859 002, 10-08-2005, 08:10, 8C, 6000x3836 (0+2252), 100%%%%, MUSEONbasis, 1/120 s, R46.9, G29.4, B36.1 278 Robinson Crusoë - PPN 864155859 - Image 2
Stuttgart, Deutschland. 22nd Sep, 2024. im Bild: Jubel nach dem Tor zum 2.0, jubelnd, bejubelt, jubelt, jubeln, emotionen um den Torschuetze Ermedin Demirovic (VFB Stuttgart, 9) 2. v. r. 22.09.2024, Fussball, 1. Bundesliga, 4. Spieltag, VfB Stuttgart - Borussia Dortmund, GER, Stuttgart, MHPArena, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stuttgart-deutschland-22nd-sep-2024-im-bild-jubel-nach-dem-tor-zum-20-jubelnd-bejubelt-jubelt-jubeln-emotionen-um-den-torschuetze-ermedin-demirovic-vfb-stuttgart-9-2-v-r-22092024-fussball-1-bundesliga-4-spieltag-vfb-stuttgart-borussia-dortmund-ger-stuttgart-mhparena-dfl-regulations-prohibit-any-use-of-photographs-as-image-sequences-andor-quasi-video-credit-dpaalamy-live-news-image623064319.htmlRM2Y5K0W3–Stuttgart, Deutschland. 22nd Sep, 2024. im Bild: Jubel nach dem Tor zum 2.0, jubelnd, bejubelt, jubelt, jubeln, emotionen um den Torschuetze Ermedin Demirovic (VFB Stuttgart, 9) 2. v. r. 22.09.2024, Fussball, 1. Bundesliga, 4. Spieltag, VfB Stuttgart - Borussia Dortmund, GER, Stuttgart, MHPArena, DFL REGULATIONS PROHIBIT ANY USE OF PHOTOGRAPHS AS IMAGE SEQUENCES AND/OR QUASI-VIDEO. Credit: dpa/Alamy Live News
Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-portrait-of-a-girl-with-her-deer-unknown-maker-american-about-1854-76531031.htmlRMECE833–Portrait of a Girl with her Deer; Unknown maker, American; about 1854; Daguerreotype; 1/4 plate, Image: 6.9 x 9 cm (2 11/16 x 3 9/16 in.), Plate: 8.1 x 10.7 cm (3 3/16 x 4 3/16 in.)
AMERICA - FALKLAND ISLAND AND DEPENDENCIES: (left to right) 1. Falkland Islands, 2.5 pence, 1891, 2. Falkland Islands, 1 penny, 1912, 3. Falkland Islands, 6 pence, 1929, 4. Falkland Islands, 1 pound, 1933, 5. Falkland Islands, 3 pence, 1941, 6. Falkland Islands, 2 pence, 1956, 7. Falkland Islands, 2 shillings, 1962, 8. Falkland Islands, 4 pence, 1960, 9. Falkland Islands, 2 shillings, 1964, 10. Falkland Islands, 6 pence, 1969, 11. Falkland Islands, 2 shillings, 1970, 12. Falkland Islands, 1 pound, 1968, 13. Graham Land, 1 penny, 1944, 14. South Orkneys, 2 pence, 1944, 15. South Orkneys, 2 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/america-falkland-island-and-dependencies-left-to-right-1-falkland-islands-25-pence-1891-2-falkland-islands-1-penny-1912-3-falkland-islands-6-pence-1929-4-falkland-islands-1-pound-1933-5-falkland-islands-3-pence-1941-6-falkland-islands-2-pence-1956-7-falkland-islands-2-shillings-1962-8-falkland-islands-4-pence-1960-9-falkland-islands-2-shillings-1964-10-falkland-islands-6-pence-1969-11-falkland-islands-2-shillings-1970-12-falkland-islands-1-pound-1968-13-graham-land-1-penny-1944-14-south-orkneys-2-pence-1944-15-south-orkneys-2-image268811724.htmlRMWH9C2M–AMERICA - FALKLAND ISLAND AND DEPENDENCIES: (left to right) 1. Falkland Islands, 2.5 pence, 1891, 2. Falkland Islands, 1 penny, 1912, 3. Falkland Islands, 6 pence, 1929, 4. Falkland Islands, 1 pound, 1933, 5. Falkland Islands, 3 pence, 1941, 6. Falkland Islands, 2 pence, 1956, 7. Falkland Islands, 2 shillings, 1962, 8. Falkland Islands, 4 pence, 1960, 9. Falkland Islands, 2 shillings, 1964, 10. Falkland Islands, 6 pence, 1969, 11. Falkland Islands, 2 shillings, 1970, 12. Falkland Islands, 1 pound, 1968, 13. Graham Land, 1 penny, 1944, 14. South Orkneys, 2 pence, 1944, 15. South Orkneys, 2
