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Set of two robotics horizontal banners with flat image compositions editable text and learn more button vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-two-robotics-horizontal-banners-with-flat-image-compositions-editable-text-and-learn-more-button-vector-illustration-image471641398.htmlRF2JB93BJ–Set of two robotics horizontal banners with flat image compositions editable text and learn more button vector illustration
Eiffel Tower under water, symbolic image for future sea level rise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-eiffel-tower-under-water-symbolic-image-for-future-sea-level-rise-34635901.htmlRMC09PCD–Eiffel Tower under water, symbolic image for future sea level rise
Scholarly Retreat Beneath Rocks and Cataracts, 19th century, Rai San'yō, Japanese, 1781 - 1832, 52 3/16 x 17 3/4 in. (132.56 x 45.09 cm) (image), Ink on paper, Japan, 19th century, Rai San'yo was the headmaster of a Confucian academy in Kyoto in the early nineteenth century. In true literati fashion, he began painting purely for personal enjoyment. While he came into contact with many paintings from China, he developed a distinctive style of his own characterized by a bold use of the brush within rather orthodox compositions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/scholarly-retreat-beneath-rocks-and-cataracts-19th-century-rai-sany-japanese-1781-1832-52-316-x-17-34-in-13256-x-4509-cm-image-ink-on-paper-japan-19th-century-rai-sanyo-was-the-headmaster-of-a-confucian-academy-in-kyoto-in-the-early-nineteenth-century-in-true-literati-fashion-he-began-painting-purely-for-personal-enjoyment-while-he-came-into-contact-with-many-paintings-from-china-he-developed-a-distinctive-style-of-his-own-characterized-by-a-bold-use-of-the-brush-within-rather-orthodox-compositions-image573507775.htmlRM2T91F0F–Scholarly Retreat Beneath Rocks and Cataracts, 19th century, Rai San'yō, Japanese, 1781 - 1832, 52 3/16 x 17 3/4 in. (132.56 x 45.09 cm) (image), Ink on paper, Japan, 19th century, Rai San'yo was the headmaster of a Confucian academy in Kyoto in the early nineteenth century. In true literati fashion, he began painting purely for personal enjoyment. While he came into contact with many paintings from China, he developed a distinctive style of his own characterized by a bold use of the brush within rather orthodox compositions.
Art inspired by Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8 cm); trimmed to image, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-three-muses-and-a-putto-with-cymbals-from-a-series-of-eight-compositions-after-francesco-primaticcios-designs-for-the-ceiling-of-the-ulysses-gallery-destroyed-1738-39-at-fontainebleau-1560s-engraving-plate-11-34-x-6-58-in-298-x-168-cm-trimmed-to-image-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image463004870.htmlRF2HW7KC6–Art inspired by Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau, 1560s, Engraving, plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8 cm); trimmed to image, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8 cm); trimmed to image. Date: 1560s. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/three-muses-and-a-putto-with-cymbals-from-a-series-of-eight-compositions-after-francesco-primaticcios-designs-for-the-ceiling-of-the-ulysses-gallery-destroyed-1738-39-at-fontainebleau-artist-after-francesco-primaticcio-italian-bologna-15045-1570-paris-giorgio-ghisi-italian-mantua-ca-1520-1582-mantua-dimensions-plate-11-34-x-6-58-in-298-x-168-cm-trimmed-to-image-date-1560s-museum-metropolitan-museum-of-art-new-york-usa-image213416664.htmlRMPB5Y3M–Three Muses and a Putto with Cymbals, from a series of eight compositions after Francesco Primaticcio's designs for the ceiling of the Ulysses Gallery (destroyed 1738-39) at Fontainebleau. Artist: After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: plate: 11 3/4 x 6 5/8 in. (29.8 x 16.8 cm); trimmed to image. Date: 1560s. Museum: Metropolitan Museum of Art, New York, USA.
Set of two horizontal isometric homeless people banners with editable text more button and image compositions vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-two-horizontal-isometric-homeless-people-banners-with-editable-text-more-button-and-image-compositions-vector-illustration-image412429091.htmlRF2EXYNEB–Set of two horizontal isometric homeless people banners with editable text more button and image compositions vector illustration
Vintage sheet music book cover for piano duets, featuring classic compositions. image only. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vintage-sheet-music-book-cover-for-piano-duets-featuring-classic-compositions-image-only-image574047845.htmlRF2T9X3TN–Vintage sheet music book cover for piano duets, featuring classic compositions. image only.
A Drawing Of The Falls In Tanzania, In The Style Of Fine And Detailed, Monochromatic Compositions, Detailed Comic Book Art, Detailed Skies, Storybook- Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-drawing-of-the-falls-in-tanzania-in-the-style-of-fine-and-detailed-monochromatic-compositions-detailed-comic-book-art-detailed-skies-storybook-image563920503.htmlRF2RNCP9Y–A Drawing Of The Falls In Tanzania, In The Style Of Fine And Detailed, Monochromatic Compositions, Detailed Comic Book Art, Detailed Skies, Storybook-
'studies for compositions no.4' by bart van der leck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-studies-for-compositions-no4-by-bart-van-der-leck-136050902.htmlRMHW9J8P–'studies for compositions no.4' by bart van der leck
Elementary school student essays decorated with colorful art are exhibited on the wall of an Irvine, CA, school classroom. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-elementary-school-student-essays-decorated-with-colorful-art-are-exhibited-78285003.htmlRFEFA58Y–Elementary school student essays decorated with colorful art are exhibited on the wall of an Irvine, CA, school classroom.
Image taken from page 195 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-195-of-la-seine-a-travers-paris-illustree-de-140805151.htmlRMJ526BB–Image taken from page 195 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont'
Stanisław Ignacy Witkiewicz - Witkacy - Nitrogen, Phosphorous and Arsenic - 1918 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stanisaw-ignacy-witkiewicz-witkacy-nitrogen-phosphorous-and-arsenic-1918-image470545613.htmlRF2J9F5MD–Stanisław Ignacy Witkiewicz - Witkacy - Nitrogen, Phosphorous and Arsenic - 1918
![Monk Mending Clothes in the Morning Sun (Choyo Hotetsu), c. 1350 or earlier. This painting illustrates the Zen ideal of cultivating one’s spirit through all moments of life, from the mundane to the marvelous. The monk pictured is simply mending his robes, but it is a meditative activity. A "mending clothes" image would typically form a pair with another on the theme of "reading by moonlight." While the seals on the painting were added at a later date, similar seals appear on other ink figures and bird-and-flower compositions. Stock Photo](https://c8.alamy.com/comp/2A51KA2/monk-mending-clothes-in-the-morning-sun-choyo-hotetsu-c-1350-or-earlier-this-painting-illustrates-the-zen-ideal-of-cultivating-onex2019s-spirit-through-all-moments-of-life-from-the-mundane-to-the-marvelous-the-monk-pictured-is-simply-mending-his-robes-but-it-is-a-meditative-activity-a-quotmending-clothesquot-image-would-typically-form-a-pair-with-another-on-the-theme-of-quotreading-by-moonlightquot-while-the-seals-on-the-painting-were-added-at-a-later-date-similar-seals-appear-on-other-ink-figures-and-bird-and-flower-compositions-2A51KA2.jpg "Monk Mending Clothes in the Morning Sun (Choyo Hotetsu), c. 1350 or earlier. This painting illustrates the Zen ideal of cultivating one’s spirit through all moments of life, from the mundane to the marvelous. The monk pictured is simply mending his robes, but it is a meditative activity. A "mending clothes" image would typically form a pair with another on the theme of "reading by moonlight." While the seals on the painting were added at a later date, similar seals appear on other ink figures and bird-and-flower compositions. Stock Photo")
Monk Mending Clothes in the Morning Sun (Choyo Hotetsu), c. 1350 or earlier. This painting illustrates the Zen ideal of cultivating one’s spirit through all moments of life, from the mundane to the marvelous. The monk pictured is simply mending his robes, but it is a meditative activity. A "mending clothes" image would typically form a pair with another on the theme of "reading by moonlight." While the seals on the painting were added at a later date, similar seals appear on other ink figures and bird-and-flower compositions. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/monk-mending-clothes-in-the-morning-sun-choyo-hotetsu-c-1350-or-earlier-this-painting-illustrates-the-zen-ideal-of-cultivating-onex2019s-spirit-through-all-moments-of-life-from-the-mundane-to-the-marvelous-the-monk-pictured-is-simply-mending-his-robes-but-it-is-a-meditative-activity-a-quotmending-clothesquot-image-would-typically-form-a-pair-with-another-on-the-theme-of-quotreading-by-moonlightquot-while-the-seals-on-the-painting-were-added-at-a-later-date-similar-seals-appear-on-other-ink-figures-and-bird-and-flower-compositions-image330107402.htmlRM2A51KA2–Monk Mending Clothes in the Morning Sun (Choyo Hotetsu), c. 1350 or earlier. This painting illustrates the Zen ideal of cultivating one’s spirit through all moments of life, from the mundane to the marvelous. The monk pictured is simply mending his robes, but it is a meditative activity. A "mending clothes" image would typically form a pair with another on the theme of "reading by moonlight." While the seals on the painting were added at a later date, similar seals appear on other ink figures and bird-and-flower compositions.
Peter Paul Rubens, 1577–1640, Flemish artist in the Baroque tradition Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-peter-paul-rubens-15771640-flemish-artist-in-the-baroque-tradition-176605175.htmlRMM791KK–Peter Paul Rubens, 1577–1640, Flemish artist in the Baroque tradition
Image of violent death Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-of-violent-death-10753088.htmlRFA3DHWN–Image of violent death
Twelve types of fruits isolated on white. No gradient vector. Very easy to customize colors and to create compositions. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/twelve-types-of-fruits-isolated-on-white-no-gradient-vector-very-easy-to-customize-colors-and-to-create-compositions-image554812878.htmlRF2R6HWDJ–Twelve types of fruits isolated on white. No gradient vector. Very easy to customize colors and to create compositions.
Oriental red and golden tassel decoration Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-oriental-red-and-golden-tassel-decoration-91433941.htmlRFF8N4WW–Oriental red and golden tassel decoration
The triumph over Jülich OIL SKETCH FOR THE MEDICI CYCLE 1621 Peter Paul Rubens (1577–1640) Flemish Belgian Belgium Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-triumph-over-jlich-oil-sketch-for-the-medici-cycle-1621-peter-image64111737.htmlRMDM8F4W–The triumph over Jülich OIL SKETCH FOR THE MEDICI CYCLE 1621 Peter Paul Rubens (1577–1640) Flemish Belgian Belgium
isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isolated-iron-suspension-bridge-old-with-misty-mountain-background-at-morning-image-is-taken-at-nongjrong-meghalaya-india-image469172683.htmlRF2J78JF7–isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india.
Set of two horizontal travel banners with flat image compositions of german and spanish national characters vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-two-horizontal-travel-banners-with-flat-image-compositions-of-german-and-spanish-national-characters-vector-illustration-image471483534.htmlRF2JB1X1J–Set of two horizontal travel banners with flat image compositions of german and spanish national characters vector illustration
Leaning Tower of Pisa under water, symbolic image for future sea level rise Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-leaning-tower-of-pisa-under-water-symbolic-image-for-future-sea-level-34635905.htmlRMC09PCH–Leaning Tower of Pisa under water, symbolic image for future sea level rise
Landscape with River View, c. 1770, Ike Taiga, Japanese, 1723 - 1776, 56 3/8 × 31 1/4 in. (143.19 × 79.38 cm) (image)87 1/4 × 38 1/4 in. (221.62 × 97.16 cm) (mount, without roller), Ink and light color on paper, Japan, 18th century, This painting, with its clusters of pine needles and profuse twigs on leafless trees, exhibits Ike Taiga’s penchant for decoratively patterned brushwork. Typical of his playfully eccentric compositions are the impossibly tall pines and curiously bulging foreground rocks Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/landscape-with-river-view-c-1770-ike-taiga-japanese-1723-1776-56-38-31-14-in-14319-7938-cm-image87-14-38-14-in-22162-9716-cm-mount-without-roller-ink-and-light-color-on-paper-japan-18th-century-this-painting-with-its-clusters-of-pine-needles-and-profuse-twigs-on-leafless-trees-exhibits-ike-taigas-penchant-for-decoratively-patterned-brushwork-typical-of-his-playfully-eccentric-compositions-are-the-impossibly-tall-pines-and-curiously-bulging-foreground-rocks-image573518373.htmlRM2T920F1–Landscape with River View, c. 1770, Ike Taiga, Japanese, 1723 - 1776, 56 3/8 × 31 1/4 in. (143.19 × 79.38 cm) (image)87 1/4 × 38 1/4 in. (221.62 × 97.16 cm) (mount, without roller), Ink and light color on paper, Japan, 18th century, This painting, with its clusters of pine needles and profuse twigs on leafless trees, exhibits Ike Taiga’s penchant for decoratively patterned brushwork. Typical of his playfully eccentric compositions are the impossibly tall pines and curiously bulging foreground rocks
Art inspired by The Open Door, before May 1844, Salted paper print from paper negative, Image: 14.3 x 19.4 cm (5 5/8 x 7 5/8 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Among the most widely admired of Talbot's compositions, The Open Door is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-open-door-before-may-1844-salted-paper-print-from-paper-negative-image-143-x-194-cm-5-58-x-7-58-in-photographs-william-henry-fox-talbot-british-dorset-18001877-lacock-among-the-most-widely-admired-of-talbots-compositions-the-open-door-is-a-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938581.htmlRF2HW4JTN–Art inspired by The Open Door, before May 1844, Salted paper print from paper negative, Image: 14.3 x 19.4 cm (5 5/8 x 7 5/8 in. ), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock), Among the most widely admired of Talbot's compositions, The Open Door is a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Circumcision. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm). Date: n.d.. The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece--by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Lif Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-circumcision-artist-hendrick-goltzius-netherlandish-mhlbracht-1558-1617-haarlem-dimensions-image-18-14-x-13-1316-in-464-x-351-cm-date-nd-the-series-to-which-this-engraving-belongs-is-commonly-known-as-goltziuss-meisterstiche-or-masterpiece-by-analogy-with-the-three-famous-meisterstiche-by-his-great-predecessor-albrecht-drer-in-a-remarkable-demonstration-of-virtuosity-in-the-series-goltzius-imitated-the-styles-of-various-masters-in-compositions-of-his-own-invention-in-this-case-he-looked-to-the-composition-of-drers-woodcut-circumcision-from-the-series-the-lif-image233189600.htmlRMRFAKM0–The Circumcision. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm). Date: n.d.. The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or masterpiece--by analogy with the three famous Meisterstiche by his great predecessor Albrecht Dürer. In a remarkable demonstration of virtuosity in the series, Goltzius imitated the styles of various masters in compositions of his own invention. In this case, he looked to the composition of Dürer's woodcut Circumcision from the series The Lif
Set of two construction isometric banners with read more button text and building related image compositions vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-two-construction-isometric-banners-with-read-more-button-text-and-building-related-image-compositions-vector-illustration-image411779855.htmlRF2EWX5BB–Set of two construction isometric banners with read more button text and building related image compositions vector illustration
A detailed false color image of Saturn is seen in a combination of three images taken by the Hubble Space Telescope in January 1998. Different colors, in reflected infrared light, indicate varying heights and compositions of cloud layers generally thought to consist of ammonia ice crystals. Two of Saturn's many moons also appear, Tethys is at the upper right and Dione is at the lower left. (UPI Photo/ NASA/E. Karkoschka/University of Arizona) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-detailed-false-color-image-of-saturn-is-seen-in-a-combination-of-three-images-taken-by-the-hubble-space-telescope-in-january-1998-different-colors-in-reflected-infrared-light-indicate-varying-heights-and-compositions-of-cloud-layers-generally-thought-to-consist-of-ammonia-ice-crystals-two-of-saturns-many-moons-also-appear-tethys-is-at-the-upper-right-and-dione-is-at-the-lower-left-upi-photo-nasae-karkoschkauniversity-of-arizona-image258602909.htmlRMW0MAJ5–A detailed false color image of Saturn is seen in a combination of three images taken by the Hubble Space Telescope in January 1998. Different colors, in reflected infrared light, indicate varying heights and compositions of cloud layers generally thought to consist of ammonia ice crystals. Two of Saturn's many moons also appear, Tethys is at the upper right and Dione is at the lower left. (UPI Photo/ NASA/E. Karkoschka/University of Arizona)
Kids With Lanterns Under Moon Image, In The Style Of Light Navy, Lively Group Compositions, Traditional Costumes, Rinpa School, Light Indigo And Dark Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/kids-with-lanterns-under-moon-image-in-the-style-of-light-navy-lively-group-compositions-traditional-costumes-rinpa-school-light-indigo-and-dark-image563917615.htmlRF2RNCJJR–Kids With Lanterns Under Moon Image, In The Style Of Light Navy, Lively Group Compositions, Traditional Costumes, Rinpa School, Light Indigo And Dark
'studies for compositions no.4' by bart van der leck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-studies-for-compositions-no4-by-bart-van-der-leck-136050906.htmlRMHW9J8X–'studies for compositions no.4' by bart van der leck
Image from page 142 of 'Les Environs de Bruxelles. Nombreuses illustrations-compositions inédites de H. Cassiers et A. Ronner, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-142-of-les-environs-de-bruxelles-nombreuses-illustrations-compositions-inedites-de-h-cassiers-et-a-ronner-etc-image218046614.htmlRMPJMTK2–Image from page 142 of 'Les Environs de Bruxelles. Nombreuses illustrations-compositions inédites de H. Cassiers et A. Ronner, etc' .
Image taken from page 50 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-50-of-la-seine-a-travers-paris-illustree-de-140858817.htmlRMJ54JT1–Image taken from page 50 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont'
Edvard Munch. The Girl by the Window. 1893. Norway. Oil on canvas Edvard Munch’s life and art?—?particularly his iconic work The Scream (1893; National Museum, Oslo)?—?have come to epitomize modern notions of anxiety. Yet the same year he painted his radical image, Munch was experimenting with other styles and themes. Frequent visits to Paris and Berlin between 1889 and 1893 brought the Norwegian artist into direct contact with the Impressionists and Symbolists. These travels encouraged him to adopt their bold brushwork, daring compositions, and imagery. But he nonetheless continued to incorpo Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/edvard-munch-the-girl-by-the-window-1893-norway-oil-on-canvas-edvard-munchs-life-and-artparticularly-his-iconic-work-the-scream-1893-national-museum-oslohave-come-to-epitomize-modern-notions-of-anxiety-yet-the-same-year-he-painted-his-radical-image-munch-was-experimenting-with-other-styles-and-themes-frequent-visits-to-paris-and-berlin-between-1889-and-1893-brought-the-norwegian-artist-into-direct-contact-with-the-impressionists-and-symbolists-these-travels-encouraged-him-to-adopt-their-bold-brushwork-daring-compositions-and-imagery-but-he-nonetheless-continued-to-incorpo-image337945028.htmlRM2AHPM98–Edvard Munch. The Girl by the Window. 1893. Norway. Oil on canvas Edvard Munch’s life and art?—?particularly his iconic work The Scream (1893; National Museum, Oslo)?—?have come to epitomize modern notions of anxiety. Yet the same year he painted his radical image, Munch was experimenting with other styles and themes. Frequent visits to Paris and Berlin between 1889 and 1893 brought the Norwegian artist into direct contact with the Impressionists and Symbolists. These travels encouraged him to adopt their bold brushwork, daring compositions, and imagery. But he nonetheless continued to incorpo
Stanisław Ignacy Witkiewicz - Witkacy - Fantastic Composition - After-Image of the Sun - 1920 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stanisaw-ignacy-witkiewicz-witkacy-fantastic-composition-after-image-of-the-sun-1920-image470537680.htmlRF2J9ERH4–Stanisław Ignacy Witkiewicz - Witkacy - Fantastic Composition - After-Image of the Sun - 1920
THE IDOLS ARE BROUGHT OUT. Judges xviii. 18. And these went into Micah’s house, and fetched the carved image, the ephod, and the teraphim, and the molten image. From the book ' The Old Testament : three hundred and ninety-six compositions illustrating the Old Testament ' Part II by J. James Tissot Published by M. de Brunoff in Paris, London and New York in 1904 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-idols-are-brought-out-judges-xviii-18-and-these-went-into-micahs-house-and-fetched-the-carved-image-the-ephod-and-the-teraphim-and-the-molten-image-from-the-book-the-old-testament-three-hundred-and-ninety-six-compositions-illustrating-the-old-testament-part-ii-by-j-james-tissot-published-by-m-de-brunoff-in-paris-london-and-new-york-in-1904-image439012157.htmlRM2GE6MDH–THE IDOLS ARE BROUGHT OUT. Judges xviii. 18. And these went into Micah’s house, and fetched the carved image, the ephod, and the teraphim, and the molten image. From the book ' The Old Testament : three hundred and ninety-six compositions illustrating the Old Testament ' Part II by J. James Tissot Published by M. de Brunoff in Paris, London and New York in 1904
Like Sherlock Holmess magnifying glass writ large, the NASA/ESA Hubble Space Telescope has been used to peer into an astronomical mystery in search of clues. The enigma in question concerns the globular cluster Ruprecht 106, which is pictured in this image. While the constituent stars of globular clusters all formed at approximately the same location and time, it turns out that almost all globular clusters contain groups of stars with distinct chemical compositions. These distinct chemical fingerprints are left by groups of stars with very slightly different ages or compositions from the rest Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/like-sherlock-holmess-magnifying-glass-writ-large-the-nasaesa-hubble-space-telescope-has-been-used-to-peer-into-an-astronomical-mystery-in-search-of-clues-the-enigma-in-question-concerns-the-globular-cluster-ruprecht-106-which-is-pictured-in-this-image-while-the-constituent-stars-of-globular-clusters-all-formed-at-approximately-the-same-location-and-time-it-turns-out-that-almost-all-globular-clusters-contain-groups-of-stars-with-distinct-chemical-compositions-these-distinct-chemical-fingerprints-are-left-by-groups-of-stars-with-very-slightly-different-ages-or-compositions-from-the-rest-image472528529.htmlRM2JCNEXW–Like Sherlock Holmess magnifying glass writ large, the NASA/ESA Hubble Space Telescope has been used to peer into an astronomical mystery in search of clues. The enigma in question concerns the globular cluster Ruprecht 106, which is pictured in this image. While the constituent stars of globular clusters all formed at approximately the same location and time, it turns out that almost all globular clusters contain groups of stars with distinct chemical compositions. These distinct chemical fingerprints are left by groups of stars with very slightly different ages or compositions from the rest
Green Waves Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-green-waves-103275750.htmlRMG00H7J–Green Waves
Watercolour illustrations of sand surfaces for creating compositions. A set of pieces of earth for the design. Image isolated on a white background. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/watercolour-illustrations-of-sand-surfaces-for-creating-compositions-a-set-of-pieces-of-earth-for-the-design-image-isolated-on-a-white-background-image517125681.htmlRF2N19329–Watercolour illustrations of sand surfaces for creating compositions. A set of pieces of earth for the design. Image isolated on a white background.
Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happy-womens-day-cartoon-image-doodle-designs-set-colorful-detailed-compositions-with-lot-of-spring-holiday-objects-and-symbols-isolated-on-white-il-image453180577.htmlRF2H984CH–Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il
isolated iron suspension bridge old with blue sky background at morning image is taken at nongjrong meghalaya india. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isolated-iron-suspension-bridge-old-with-blue-sky-background-at-morning-image-is-taken-at-nongjrong-meghalaya-india-image469172754.htmlRF2J78JHP–isolated iron suspension bridge old with blue sky background at morning image is taken at nongjrong meghalaya india.
Travel banners with flat image compositions of russian and italian sights and food with read more button vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/travel-banners-with-flat-image-compositions-of-russian-and-italian-sights-and-food-with-read-more-button-vector-illustration-image471487495.htmlRF2JB2333–Travel banners with flat image compositions of russian and italian sights and food with read more button vector illustration
Symbolic image, dead end street, cul-de-sac, Drogen, German for 'drugs' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-symbolic-image-dead-end-street-cul-de-sac-drogen-german-for-drugs-48624370.htmlRMCR30TJ–Symbolic image, dead end street, cul-de-sac, Drogen, German for 'drugs'
The Seven Sages of the Bamboo Grove, c. 1840, Su Renshan, Chinese, 1814 - 1850, 55 1/2 x 32 1/8 in. (140.97 x 81.6 cm) (image)89 3/8 x 40 1/4 in. (227.01 x 102.24 cm) (without roller), Ink on paper, China, 19th century, Although Su Renshan led a tragic life, he was one of the most modern, inspired, and unique artists of the nineteenth century. He broke the traditional mold of literati painting using completely new techniques, compositions, and visions. While precociously gifted in painting and calligraphy from youth, he failed the civil examinations twice, was anti-social Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-seven-sages-of-the-bamboo-grove-c-1840-su-renshan-chinese-1814-1850-55-12-x-32-18-in-14097-x-816-cm-image89-38-x-40-14-in-22701-x-10224-cm-without-roller-ink-on-paper-china-19th-century-although-su-renshan-led-a-tragic-life-he-was-one-of-the-most-modern-inspired-and-unique-artists-of-the-nineteenth-century-he-broke-the-traditional-mold-of-literati-painting-using-completely-new-techniques-compositions-and-visions-while-precociously-gifted-in-painting-and-calligraphy-from-youth-he-failed-the-civil-examinations-twice-was-anti-social-image573481258.htmlRM2T9095E–The Seven Sages of the Bamboo Grove, c. 1840, Su Renshan, Chinese, 1814 - 1850, 55 1/2 x 32 1/8 in. (140.97 x 81.6 cm) (image)89 3/8 x 40 1/4 in. (227.01 x 102.24 cm) (without roller), Ink on paper, China, 19th century, Although Su Renshan led a tragic life, he was one of the most modern, inspired, and unique artists of the nineteenth century. He broke the traditional mold of literati painting using completely new techniques, compositions, and visions. While precociously gifted in painting and calligraphy from youth, he failed the civil examinations twice, was anti-social
Art inspired by Study of Leaves on a Background of Floral Lace, 1864, Albumen silver print from glass negative, Image: 46.7 x 36.7 cm (18 3/8 x 14 7/16 in.), Photographs, Charles Hippolyte Aubry (French, 1811–1877), In addition to more traditional floral compositions, Aubry produced, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-study-of-leaves-on-a-background-of-floral-lace-1864-albumen-silver-print-from-glass-negative-image-467-x-367-cm-18-38-x-14-716-in-photographs-charles-hippolyte-aubry-french-18111877-in-addition-to-more-traditional-floral-compositions-aubry-produced-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938856.htmlRF2HW4K6G–Art inspired by Study of Leaves on a Background of Floral Lace, 1864, Albumen silver print from glass negative, Image: 46.7 x 36.7 cm (18 3/8 x 14 7/16 in.), Photographs, Charles Hippolyte Aubry (French, 1811–1877), In addition to more traditional floral compositions, Aubry produced, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Open Door. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Image: 14.3 x 19.4 cm (5 5/8 x 7 5/8 in. ). Date: before May 1844. Among the most widely admired of Talbot's compositions, The Open Door is a conscious attempt to create a photographic image in accord with the renewed British taste for Dutch genre painting of the seventeenth century. In his commentary in The Pencil of Nature, where this image appeared as plate 6, Talbot wrote, 'We have sufficient authority in the Dutch school of art, for taking as subjects of representation scenes of daily and fami Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-open-door-artist-william-henry-fox-talbot-british-dorset-1800-1877-lacock-dimensions-image-143-x-194-cm-5-58-x-7-58-in-date-before-may-1844-among-the-most-widely-admired-of-talbots-compositions-the-open-door-is-a-conscious-attempt-to-create-a-photographic-image-in-accord-with-the-renewed-british-taste-for-dutch-genre-painting-of-the-seventeenth-century-in-his-commentary-in-the-pencil-of-nature-where-this-image-appeared-as-plate-6-talbot-wrote-we-have-sufficient-authority-in-the-dutch-school-of-art-for-taking-as-subjects-of-representation-scenes-of-daily-and-fami-image233291281.htmlRMRFF9BD–The Open Door. Artist: William Henry Fox Talbot (British, Dorset 1800-1877 Lacock). Dimensions: Image: 14.3 x 19.4 cm (5 5/8 x 7 5/8 in. ). Date: before May 1844. Among the most widely admired of Talbot's compositions, The Open Door is a conscious attempt to create a photographic image in accord with the renewed British taste for Dutch genre painting of the seventeenth century. In his commentary in The Pencil of Nature, where this image appeared as plate 6, Talbot wrote, 'We have sufficient authority in the Dutch school of art, for taking as subjects of representation scenes of daily and fami
Coffee industry production isometric 2x2 design concept with text captions and image compositions of coffee production vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/coffee-industry-production-isometric-2x2-design-concept-with-text-captions-and-image-compositions-of-coffee-production-vector-illustration-image412628515.htmlRF2EY8RTK–Coffee industry production isometric 2x2 design concept with text captions and image compositions of coffee production vector illustration
warm red and yellow colours make up an ideal background image Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-warm-red-and-yellow-colours-make-up-an-ideal-background-image-15965134.htmlRFAR7HXR–warm red and yellow colours make up an ideal background image
3D image of majantol skeletal formula - molecular chemical structure of perfumery component Trimethylbenzenepropanol isolated on white background Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/3d-image-of-majantol-skeletal-formula-molecular-chemical-structure-of-perfumery-component-trimethylbenzenepropanol-isolated-on-white-background-image476649105.htmlRF2JKD6P9–3D image of majantol skeletal formula - molecular chemical structure of perfumery component Trimethylbenzenepropanol isolated on white background
'studies for compositions no.4' by bart van der leck Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-studies-for-compositions-no4-by-bart-van-der-leck-136050904.htmlRMHW9J8T–'studies for compositions no.4' by bart van der leck
Image from page 55 of 'Les Environs de Bruxelles. Nombreuses illustrations-compositions inédites de H. Cassiers et A. Ronner, etc' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-55-of-les-environs-de-bruxelles-nombreuses-illustrations-compositions-inedites-de-h-cassiers-et-a-ronner-etc-image216923889.htmlRMPGWMHN–Image from page 55 of 'Les Environs de Bruxelles. Nombreuses illustrations-compositions inédites de H. Cassiers et A. Ronner, etc' .
Image taken from page 281 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-281-of-la-seine-a-travers-paris-illustree-de-140828372.htmlRMJ5380M–Image taken from page 281 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont'
Claude Lorrain. Study for a Scene with Brigands. 1628–1638. France. Etching on ivory laid paper Claude Lorrain, esteemed painter of the ideal landscape, also produced about 40 etchings. Many were made in his early years, perhaps as a way of creating a broader market for his paintings. Compared with other artists of his time, Lorrain used the etching plate in more experimental ways. Here, he produced several test plates in the process of developing his compositions. The lower image shows a preliminary sketch in reverse for the etching of Scene with Brigands, as well as several spirited rabbits. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/claude-lorrain-study-for-a-scene-with-brigands-16281638-france-etching-on-ivory-laid-paper-claude-lorrain-esteemed-painter-of-the-ideal-landscape-also-produced-about-40-etchings-many-were-made-in-his-early-years-perhaps-as-a-way-of-creating-a-broader-market-for-his-paintings-compared-with-other-artists-of-his-time-lorrain-used-the-etching-plate-in-more-experimental-ways-here-he-produced-several-test-plates-in-the-process-of-developing-his-compositions-the-lower-image-shows-a-preliminary-sketch-in-reverse-for-the-etching-of-scene-with-brigands-as-well-as-several-spirited-rabbits-image337987480.htmlRM2AHTJDC–Claude Lorrain. Study for a Scene with Brigands. 1628–1638. France. Etching on ivory laid paper Claude Lorrain, esteemed painter of the ideal landscape, also produced about 40 etchings. Many were made in his early years, perhaps as a way of creating a broader market for his paintings. Compared with other artists of his time, Lorrain used the etching plate in more experimental ways. Here, he produced several test plates in the process of developing his compositions. The lower image shows a preliminary sketch in reverse for the etching of Scene with Brigands, as well as several spirited rabbits.
Two compositions of the Załowiec, sketches for the NEC Mergitur image; Verso: Sketch of the ship in a slightly changed mouth and drawing of the frame profile; Ruszczyc, Ferdynand (1870-1936); 1904 (1904-00-00-1904-00-00);Partage Plus, purchase (provenance) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/two-compositions-of-the-zaowiec-sketches-for-the-nec-mergitur-image-verso-sketch-of-the-ship-in-a-slightly-changed-mouth-and-drawing-of-the-frame-profile-ruszczyc-ferdynand-1870-1936-1904-1904-00-00-1904-00-00partage-plus-purchase-provenance-image598950178.htmlRM2WPCF1P–Two compositions of the Załowiec, sketches for the NEC Mergitur image; Verso: Sketch of the ship in a slightly changed mouth and drawing of the frame profile; Ruszczyc, Ferdynand (1870-1936); 1904 (1904-00-00-1904-00-00);Partage Plus, purchase (provenance)
The Nili Fossae region, seen here in this February 5, 2016 image, is located on the northwest rim of the Isidis impact basin, is one of the most colorful regions of Mars. The colors over many regions of Mars are homogenized by the dust and regolith, but here the bedrock is very well exposed, except where there are sand dunes. The rocks also have diverse compositions, which produce different colors in HiRISE infrared-red-blue color images. This region is ancient and has had a complicated geologic history, leading to interesting structures like layered bedrock, as well as other compositions. NAS Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-nili-fossae-region-seen-here-in-this-february-5-2016-image-is-located-on-the-northwest-rim-of-the-isidis-impact-basin-is-one-of-the-most-colorful-regions-of-mars-the-colors-over-many-regions-of-mars-are-homogenized-by-the-dust-and-regolith-but-here-the-bedrock-is-very-well-exposed-except-where-there-are-sand-dunes-the-rocks-also-have-diverse-compositions-which-produce-different-colors-in-hirise-infrared-red-blue-color-images-this-region-is-ancient-and-has-had-a-complicated-geologic-history-leading-to-interesting-structures-like-layered-bedrock-as-well-as-other-compositions-nas-image258612091.htmlRMW0MPA3–The Nili Fossae region, seen here in this February 5, 2016 image, is located on the northwest rim of the Isidis impact basin, is one of the most colorful regions of Mars. The colors over many regions of Mars are homogenized by the dust and regolith, but here the bedrock is very well exposed, except where there are sand dunes. The rocks also have diverse compositions, which produce different colors in HiRISE infrared-red-blue color images. This region is ancient and has had a complicated geologic history, leading to interesting structures like layered bedrock, as well as other compositions. NAS
Abstract pink and yellow background image with lines and curves Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/abstract-pink-and-yellow-background-image-with-lines-and-curves-image181118201.htmlRMMEJJ35–Abstract pink and yellow background image with lines and curves
India: 'Krishna and the Milkmaids'. Gouache on paper painting from a Ragamala series, c.1730. Ragmala or Ragamala, literally meaning a 'garland of Ragas, or musical melodies', consists of a series of raga musical compositions or modes. This has also given rise to a series of Ragamala paintings. These differ according to the author and the music school they are derived from. Thus there exist a number of such lists in the music text books of India. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/india-krishna-and-the-milkmaids-gouache-on-paper-painting-from-a-ragamala-series-c1730-ragmala-or-ragamala-literally-meaning-a-garland-of-ragas-or-musical-melodies-consists-of-a-series-of-raga-musical-compositions-or-modes-this-has-also-given-rise-to-a-series-of-ragamala-paintings-these-differ-according-to-the-author-and-the-music-school-they-are-derived-from-thus-there-exist-a-number-of-such-lists-in-the-music-text-books-of-india-image344232859.htmlRM2B014EK–India: 'Krishna and the Milkmaids'. Gouache on paper painting from a Ragamala series, c.1730. Ragmala or Ragamala, literally meaning a 'garland of Ragas, or musical melodies', consists of a series of raga musical compositions or modes. This has also given rise to a series of Ragamala paintings. These differ according to the author and the music school they are derived from. Thus there exist a number of such lists in the music text books of India.
Bathers at Asnières by Georges Seurat, oil on canvas, 1884. Asnières is an industrial suburb north-west of Paris on the River Seine. The painting shows a group of young people bathing by the river. This was the first of Seurat's large-scale compositions. It wasn't painted using his pointillist technique, which he developed later. However, he reworked areas of the picture, using dots of contrasting colour, to create a luminous effect. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-bathers-at-asnires-by-georges-seurat-oil-on-canvas-1884-asnires-is-123212838.htmlRMH4CR6E–Bathers at Asnières by Georges Seurat, oil on canvas, 1884. Asnières is an industrial suburb north-west of Paris on the River Seine. The painting shows a group of young people bathing by the river. This was the first of Seurat's large-scale compositions. It wasn't painted using his pointillist technique, which he developed later. However, he reworked areas of the picture, using dots of contrasting colour, to create a luminous effect.
Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happy-womens-day-cartoon-image-doodle-designs-set-colorful-detailed-compositions-with-lot-of-spring-holiday-objects-and-symbols-isolated-on-white-il-image453180578.htmlRF2H984CJ–Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il
isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isolated-iron-suspension-bridge-old-with-misty-mountain-background-at-morning-image-is-taken-at-nongjrong-meghalaya-india-image469172622.htmlRF2J78JD2–isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india.
Electricity isometric infographics with image compositions representing traditional and different schemes for energy production with text vector illus Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/electricity-isometric-infographics-with-image-compositions-representing-traditional-and-different-schemes-for-energy-production-with-text-vector-illus-image468437633.htmlRF2J634YD–Electricity isometric infographics with image compositions representing traditional and different schemes for energy production with text vector illus
Symbolic image, dead end street, cul-de-sac, Rauchen, German for 'smoking' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-symbolic-image-dead-end-street-cul-de-sac-rauchen-german-for-smoking-48624365.htmlRMCR30TD–Symbolic image, dead end street, cul-de-sac, Rauchen, German for 'smoking'
Hawks, late 15th century, 45 1/4 × 21 13/16 in. (114.94 × 55.4 cm) (image)76 × 27 3/16 in. (193.04 × 69.06 cm) (overall, without roller), Ink and light colors on silk, China, 15th century, Chinese eagle and hawk compositions were designed to capture not only the bird’s regal appearance, but also its fierce spirit as a hunting companion or bird of prey. Such temperament is vividly demonstrated in the painting depicting the hawk and a fallen egret: while the hawk is imposing and calm, the egret is panicky and terrified, engaged in a mortal struggle. Paintings of eagles and hawks Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hawks-late-15th-century-45-14-21-1316-in-11494-554-cm-image76-27-316-in-19304-6906-cm-overall-without-roller-ink-and-light-colors-on-silk-china-15th-century-chinese-eagle-and-hawk-compositions-were-designed-to-capture-not-only-the-birds-regal-appearance-but-also-its-fierce-spirit-as-a-hunting-companion-or-bird-of-prey-such-temperament-is-vividly-demonstrated-in-the-painting-depicting-the-hawk-and-a-fallen-egret-while-the-hawk-is-imposing-and-calm-the-egret-is-panicky-and-terrified-engaged-in-a-mortal-struggle-paintings-of-eagles-and-hawks-image573488271.htmlRM2T90J3Y–Hawks, late 15th century, 45 1/4 × 21 13/16 in. (114.94 × 55.4 cm) (image)76 × 27 3/16 in. (193.04 × 69.06 cm) (overall, without roller), Ink and light colors on silk, China, 15th century, Chinese eagle and hawk compositions were designed to capture not only the bird’s regal appearance, but also its fierce spirit as a hunting companion or bird of prey. Such temperament is vividly demonstrated in the painting depicting the hawk and a fallen egret: while the hawk is imposing and calm, the egret is panicky and terrified, engaged in a mortal struggle. Paintings of eagles and hawks
Art inspired by The Circumcision, n.d., Engraving; third state, Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-circumcision-nd-engraving-third-state-image-18-14-x-13-1316-in-464-x-351-cm-prints-hendrick-goltzius-netherlandish-mhlbracht-15581617-haarlem-the-series-to-which-this-engraving-belongs-is-commonly-known-as-goltziuss-meisterstiche-or-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462804954.htmlRF2HTXGCA–Art inspired by The Circumcision, n.d., Engraving; third state, Image: 18 1/4 x 13 13/16 in. (46.4 x 35.1 cm), Prints, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem), The series to which this engraving belongs is commonly known as Goltzius's Meisterstiche, or, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Tsagain Myo: A Roadway. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 24.5 x 34.1 cm (9 5/8 x 13 7/16 in.) Mount: 45.6 x 58.3 cm (17 15/16 x 22 15/16 in.) Mat: 20 × 24 in. (50.8 × 61 cm). Date: August 29-30, 1855. This view of rustic dwellings nestled among towering trees along a dusty road departs from Tripe's more strictly topographical compositions, illustrating his statement, 'The Picturesque may be allowed perhaps, supplementally,' in photographs. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tsagain-myo-a-roadway-artist-linnaeus-tripe-british-devonport-plymouth-dock-1822-1902-devonport-dimensions-image-245-x-341-cm-9-58-x-13-716-in-mount-456-x-583-cm-17-1516-x-22-1516-in-mat-20-24-in-508-61-cm-date-august-29-30-1855-this-view-of-rustic-dwellings-nestled-among-towering-trees-along-a-dusty-road-departs-from-tripes-more-strictly-topographical-compositions-illustrating-his-statement-the-picturesque-may-be-allowed-perhaps-supplementally-in-photographs-museum-metropolitan-museum-of-art-new-york-usa-image213118910.htmlRMPAMB9J–Tsagain Myo: A Roadway. Artist: Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822-1902 Devonport). Dimensions: Image: 24.5 x 34.1 cm (9 5/8 x 13 7/16 in.) Mount: 45.6 x 58.3 cm (17 15/16 x 22 15/16 in.) Mat: 20 × 24 in. (50.8 × 61 cm). Date: August 29-30, 1855. This view of rustic dwellings nestled among towering trees along a dusty road departs from Tripe's more strictly topographical compositions, illustrating his statement, 'The Picturesque may be allowed perhaps, supplementally,' in photographs. Museum: Metropolitan Museum of Art, New York, USA.
Lucky situations posters collection of flat image compositions with happy human characters and text vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lucky-situations-posters-collection-of-flat-image-compositions-with-happy-human-characters-and-text-vector-illustration-image405600703.htmlRF2EFTKRB–Lucky situations posters collection of flat image compositions with happy human characters and text vector illustration
August 29, 2019, Chicago, IL, US: On, August 29, 2019, Mike Reed, drummer and curator of the book, ''The City Was Yellow'' a compilation of musical compositions from 1980-2010, performed with seven other musicians in honor of the 50th Year of the Chicago Jazz Institute. (Credit Image: © Karen I. Hirsch/ZUMA Wire) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-29-2019-chicago-il-us-on-august-29-2019-mike-reed-drummer-and-curator-of-the-book-the-city-was-yellow-a-compilation-of-musical-compositions-from-1980-2010-performed-with-seven-other-musicians-in-honor-of-the-50th-year-of-the-chicago-jazz-institute-credit-image-karen-i-hirschzuma-wire-image267371533.htmlRMWEYR39–August 29, 2019, Chicago, IL, US: On, August 29, 2019, Mike Reed, drummer and curator of the book, ''The City Was Yellow'' a compilation of musical compositions from 1980-2010, performed with seven other musicians in honor of the 50th Year of the Chicago Jazz Institute. (Credit Image: © Karen I. Hirsch/ZUMA Wire)
Curitiba, Parana, Brasil. 26th Aug, 2023. (INT) Detonautas' Show At Positivo Theatre in Curitiba. August 25, 2023, Curitiba, Brazil: The Detonautas band, references of the Brazilian national rock of the 2000s, stirred up fans with the hits that marked their trajectories and new compositions, on Friday (25) night at Teatro Positivo in Curitiba.Credit: Edson de Souza/Thenews2 (Foto: Edson De Souza/Thenews2/Zumapress) (Credit Image: © Edson De Souza/TheNEWS2 via ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/curitiba-parana-brasil-26th-aug-2023-int-detonautas-show-at-positivo-theatre-in-curitiba-august-25-2023-curitiba-brazil-the-detonautas-band-references-of-the-brazilian-national-rock-of-the-2000s-stirred-up-fans-with-the-hits-that-marked-their-trajectories-and-new-compositions-on-friday-25-night-at-teatro-positivo-in-curitibacredit-edson-de-souzathenews2-foto-edson-de-souzathenews2zumapress-credit-image-edson-de-souzathenews2-via-zuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image563034107.htmlRM2RM0BMY–Curitiba, Parana, Brasil. 26th Aug, 2023. (INT) Detonautas' Show At Positivo Theatre in Curitiba. August 25, 2023, Curitiba, Brazil: The Detonautas band, references of the Brazilian national rock of the 2000s, stirred up fans with the hits that marked their trajectories and new compositions, on Friday (25) night at Teatro Positivo in Curitiba.Credit: Edson de Souza/Thenews2 (Foto: Edson De Souza/Thenews2/Zumapress) (Credit Image: © Edson De Souza/TheNEWS2 via ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
Pet Tracks Stock Vectors, Clip art and Illustrations Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/pet-tracks-stock-vectors-clip-art-and-illustrations-image610536527.htmlRF2XD89FY–Pet Tracks Stock Vectors, Clip art and Illustrations
Image from page 125 of 'La Seine à travers Paris. Illustrée de dessins et de compositions en couleurs par G. Fraipont' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-125-of-la-seine-a-travers-paris-illustree-de-dessins-et-de-compositions-en-couleurs-par-g-fraipont-image217568335.htmlRMPHY2HK–Image from page 125 of 'La Seine à travers Paris. Illustrée de dessins et de compositions en couleurs par G. Fraipont' .
Image taken from page 188 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-188-of-la-seine-a-travers-paris-illustree-de-140803892.htmlRMJ524PC–Image taken from page 188 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont'
F. Holland Day. Menelek. 1896–1902. United States. Platinum print F. Holland Day played a key role in the international Pictorialist movement that gained strength around 1900. Pictorialists believed that photography could be a vehicle for personal expression. They employed soft focus, borrowed compositions from paintings, and presented their work as fine art—for example, surrounding the image with one or more layers of tinted paper. Day, a flamboyant presence, dressed his frequent model J. Alexandre Skeete in elaborate costumes for a series of photographs evoking imaginary African royalty the Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/f-holland-day-menelek-18961902-united-states-platinum-print-f-holland-day-played-a-key-role-in-the-international-pictorialist-movement-that-gained-strength-around-1900-pictorialists-believed-that-photography-could-be-a-vehicle-for-personal-expression-they-employed-soft-focus-borrowed-compositions-from-paintings-and-presented-their-work-as-fine-artfor-example-surrounding-the-image-with-one-or-more-layers-of-tinted-paper-day-a-flamboyant-presence-dressed-his-frequent-model-j-alexandre-skeete-in-elaborate-costumes-for-a-series-of-photographs-evoking-imaginary-african-royalty-the-image337984298.htmlRM2AHTEBP–F. Holland Day. Menelek. 1896–1902. United States. Platinum print F. Holland Day played a key role in the international Pictorialist movement that gained strength around 1900. Pictorialists believed that photography could be a vehicle for personal expression. They employed soft focus, borrowed compositions from paintings, and presented their work as fine art—for example, surrounding the image with one or more layers of tinted paper. Day, a flamboyant presence, dressed his frequent model J. Alexandre Skeete in elaborate costumes for a series of photographs evoking imaginary African royalty the
Composition with images, Anonymous, After Jacques Androuet, in or after 1562 print On a pedestal, both left and right are an elevation with an image under a shelter. There are three figures on both sides at the foot of the image. In the middle there is a Herme with a fire bowl on the head under a drapery. Paris paper etching frequently used ornamental compositions. sculpture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/composition-with-images-anonymous-after-jacques-androuet-in-or-after-1562-print-on-a-pedestal-both-left-and-right-are-an-elevation-with-an-image-under-a-shelter-there-are-three-figures-on-both-sides-at-the-foot-of-the-image-in-the-middle-there-is-a-herme-with-a-fire-bowl-on-the-head-under-a-drapery-paris-paper-etching-frequently-used-ornamental-compositions-sculpture-image593794854.htmlRM2WE1KB2–Composition with images, Anonymous, After Jacques Androuet, in or after 1562 print On a pedestal, both left and right are an elevation with an image under a shelter. There are three figures on both sides at the foot of the image. In the middle there is a Herme with a fire bowl on the head under a drapery. Paris paper etching frequently used ornamental compositions. sculpture
Chocolate collage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-chocolate-collage-81135974.htmlRFEM01NA–Chocolate collage
Gorgeous high resolution image featuring a purple oil paint gradient texture, ideal for artistic background compositions Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gorgeous-high-resolution-image-featuring-a-purple-oil-paint-gradient-texture-ideal-for-artistic-background-compositions-image611376753.htmlRF2XEJH81–Gorgeous high resolution image featuring a purple oil paint gradient texture, ideal for artistic background compositions
Asmahan was an Arab Druze singer and actress of Syrian origins who lived in Egypt. Having immigrated to Egypt in childhood, her family knew the composer Dawood Hosni, and she sang the compositions of Mohamed El Qasabgi and Zakariyya Ahmad. She also sang the compositions of Mohammed Abdel Wahab and her brother Farid al-Atrash, a then rising star musician in his own right. Hers was the only female voice in Arab music to pose serious competition to that of Umm Kulthum, who is considered to be one of the Arab world's most distinguished singers of the 20th century. Her mysterious death in an autom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/asmahan-was-an-arab-druze-singer-and-actress-of-syrian-origins-who-lived-in-egypt-having-immigrated-to-egypt-in-childhood-her-family-knew-the-composer-dawood-hosni-and-she-sang-the-compositions-of-mohamed-el-qasabgi-and-zakariyya-ahmad-she-also-sang-the-compositions-of-mohammed-abdel-wahab-and-her-brother-farid-al-atrash-a-then-rising-star-musician-in-his-own-right-hers-was-the-only-female-voice-in-arab-music-to-pose-serious-competition-to-that-of-umm-kulthum-who-is-considered-to-be-one-of-the-arab-worlds-most-distinguished-singers-of-the-20th-century-her-mysterious-death-in-an-autom-image344271489.htmlRM2B02WP9–Asmahan was an Arab Druze singer and actress of Syrian origins who lived in Egypt. Having immigrated to Egypt in childhood, her family knew the composer Dawood Hosni, and she sang the compositions of Mohamed El Qasabgi and Zakariyya Ahmad. She also sang the compositions of Mohammed Abdel Wahab and her brother Farid al-Atrash, a then rising star musician in his own right. Hers was the only female voice in Arab music to pose serious competition to that of Umm Kulthum, who is considered to be one of the Arab world's most distinguished singers of the 20th century. Her mysterious death in an autom
Vector background image in the form of folds or rolls of materials of various compositions: paper, fabric, leather, eco leather, metal. Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vector-background-image-in-the-form-of-folds-or-rolls-of-materials-of-various-compositions-paper-fabric-leather-eco-leather-metal-image438969744.htmlRF2GE4PAT–Vector background image in the form of folds or rolls of materials of various compositions: paper, fabric, leather, eco leather, metal.
Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happy-womens-day-cartoon-image-doodle-designs-set-colorful-detailed-compositions-with-lot-of-spring-holiday-objects-and-symbols-isolated-on-white-il-image453180514.htmlRF2H984AA–Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il
isolated iron suspension bridge old with blue sky background at morning image is taken at nongjrong meghalaya india. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isolated-iron-suspension-bridge-old-with-blue-sky-background-at-morning-image-is-taken-at-nongjrong-meghalaya-india-image469172746.htmlRF2J78JHE–isolated iron suspension bridge old with blue sky background at morning image is taken at nongjrong meghalaya india.
Wild west cowboy cards set of six flat image compositions with cartoon style human characters vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/wild-west-cowboy-cards-set-of-six-flat-image-compositions-with-cartoon-style-human-characters-vector-illustration-image471395910.htmlRF2JAWX86–Wild west cowboy cards set of six flat image compositions with cartoon style human characters vector illustration
Symbolic image, dead end street, cul-de-sac, Atomenergie, German for 'atomic energy' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-symbolic-image-dead-end-street-cul-de-sac-atomenergie-german-for-atomic-48624373.htmlRMCR30TN–Symbolic image, dead end street, cul-de-sac, Atomenergie, German for 'atomic energy'
Hawks, late 15th century, 45 3/16 × 21 11/16 in. (114.78 × 55.09 cm) (image)75 13/16 × 27 1/8 in. (192.56 × 68.9 cm) (overall, without roller), Ink and light colors on silk, China, 15th century, Chinese eagle and hawk compositions were designed to capture not only the bird’s regal appearance, but also its fierce spirit as a hunting companion or bird of prey. Such temperament is vividly demonstrated in the painting depicting the hawk and a fallen egret: while the hawk is imposing and calm, the egret is panicky and terrified, engaged in a mortal struggle. Paintings of eagles and hawks Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/hawks-late-15th-century-45-316-21-1116-in-11478-5509-cm-image75-1316-27-18-in-19256-689-cm-overall-without-roller-ink-and-light-colors-on-silk-china-15th-century-chinese-eagle-and-hawk-compositions-were-designed-to-capture-not-only-the-birds-regal-appearance-but-also-its-fierce-spirit-as-a-hunting-companion-or-bird-of-prey-such-temperament-is-vividly-demonstrated-in-the-painting-depicting-the-hawk-and-a-fallen-egret-while-the-hawk-is-imposing-and-calm-the-egret-is-panicky-and-terrified-engaged-in-a-mortal-struggle-paintings-of-eagles-and-hawks-image573488259.htmlRM2T90J3F–Hawks, late 15th century, 45 3/16 × 21 11/16 in. (114.78 × 55.09 cm) (image)75 13/16 × 27 1/8 in. (192.56 × 68.9 cm) (overall, without roller), Ink and light colors on silk, China, 15th century, Chinese eagle and hawk compositions were designed to capture not only the bird’s regal appearance, but also its fierce spirit as a hunting companion or bird of prey. Such temperament is vividly demonstrated in the painting depicting the hawk and a fallen egret: while the hawk is imposing and calm, the egret is panicky and terrified, engaged in a mortal struggle. Paintings of eagles and hawks
Art inspired by Self-Portrait with Christine and Yvonne Lerolle, probably 1895–96, Gelatin silver print, Image: 37.1 x 29.3 cm (14 5/8 x 11 9/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris), While Degas was aware of photography from the beginning of his career, he did, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-self-portrait-with-christine-and-yvonne-lerolle-probably-189596-gelatin-silver-print-image-371-x-293-cm-14-58-x-11-916-in-photographs-edgar-degas-french-paris-18341917-paris-while-degas-was-aware-of-photography-from-the-beginning-of-his-career-he-did-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462938859.htmlRF2HW4K6K–Art inspired by Self-Portrait with Christine and Yvonne Lerolle, probably 1895–96, Gelatin silver print, Image: 37.1 x 29.3 cm (14 5/8 x 11 9/16 in.), Photographs, Edgar Degas (French, Paris 1834–1917 Paris), While Degas was aware of photography from the beginning of his career, he did, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Bird on a Branch. Artist: Unkei Eii (Japanese, active first half of the 16th century); Inscribed by Daiko Shokaku (Japanese, died 1535). Culture: Japan. Dimensions: Image: 9 5/16 × 10 13/16 in. (23.7 × 27.5 cm) Overall with mounting: 45 7/16 × 16 1/8 in. (115.4 × 41 cm) Overall with knobs: 45 7/16 × 17 15/16 in. (115.4 × 45.5 cm). Date: early 16th century. This small painting perfectly encapsulates both the spirit and style of Zen ink compositions of the late medieval period in the style of Sesshu Toyo (1420-1506). Monochrome and effectively utilizing blank space, the work features dry and Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/bird-on-a-branch-artist-unkei-eii-japanese-active-first-half-of-the-16th-century-inscribed-by-daiko-shokaku-japanese-died-1535-culture-japan-dimensions-image-9-516-10-1316-in-237-275-cm-overall-with-mounting-45-716-16-18-in-1154-41-cm-overall-with-knobs-45-716-17-1516-in-1154-455-cm-date-early-16th-century-this-small-painting-perfectly-encapsulates-both-the-spirit-and-style-of-zen-ink-compositions-of-the-late-medieval-period-in-the-style-of-sesshu-toyo-1420-1506-monochrome-and-effectively-utilizing-blank-space-the-work-features-dry-and-image213501390.htmlRMPB9R5J–Bird on a Branch. Artist: Unkei Eii (Japanese, active first half of the 16th century); Inscribed by Daiko Shokaku (Japanese, died 1535). Culture: Japan. Dimensions: Image: 9 5/16 × 10 13/16 in. (23.7 × 27.5 cm) Overall with mounting: 45 7/16 × 16 1/8 in. (115.4 × 41 cm) Overall with knobs: 45 7/16 × 17 15/16 in. (115.4 × 45.5 cm). Date: early 16th century. This small painting perfectly encapsulates both the spirit and style of Zen ink compositions of the late medieval period in the style of Sesshu Toyo (1420-1506). Monochrome and effectively utilizing blank space, the work features dry and
Grooming service vet dogs set of isolated flat image compositions of human characters with pets vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/grooming-service-vet-dogs-set-of-isolated-flat-image-compositions-of-human-characters-with-pets-vector-illustration-image406966962.htmlRF2EJ2XEA–Grooming service vet dogs set of isolated flat image compositions of human characters with pets vector illustration
August 29, 2019, Chicago, IL, US: On, August 29, 2019, Mike Reed, drummer and curator of the book, ''The City Was Yellow'' a compilation of musical compositions from 1980-2010, performed with seven other musicians in honor of the 50th Year of the Chicago Jazz Institute. Pictured: Matt Ulery on bass (Credit Image: © Karen I. Hirsch/ZUMA Wire) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/august-29-2019-chicago-il-us-on-august-29-2019-mike-reed-drummer-and-curator-of-the-book-the-city-was-yellow-a-compilation-of-musical-compositions-from-1980-2010-performed-with-seven-other-musicians-in-honor-of-the-50th-year-of-the-chicago-jazz-institute-pictured-matt-ulery-on-bass-credit-image-karen-i-hirschzuma-wire-image267370259.htmlRMWEYNDR–August 29, 2019, Chicago, IL, US: On, August 29, 2019, Mike Reed, drummer and curator of the book, ''The City Was Yellow'' a compilation of musical compositions from 1980-2010, performed with seven other musicians in honor of the 50th Year of the Chicago Jazz Institute. Pictured: Matt Ulery on bass (Credit Image: © Karen I. Hirsch/ZUMA Wire)
Curitiba, Parana, Brasil. 26th Aug, 2023. (INT) Detonautas' Show At Positivo Theatre in Curitiba. August 25, 2023, Curitiba, Brazil: The Detonautas band, references of the Brazilian national rock of the 2000s, stirred up fans with the hits that marked their trajectories and new compositions, on Friday (25) night at Teatro Positivo in Curitiba.Credit: Edson de Souza/Thenews2 (Foto: Edson De Souza/Thenews2/Zumapress) (Credit Image: © Edson De Souza/TheNEWS2 via ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE! Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/curitiba-parana-brasil-26th-aug-2023-int-detonautas-show-at-positivo-theatre-in-curitiba-august-25-2023-curitiba-brazil-the-detonautas-band-references-of-the-brazilian-national-rock-of-the-2000s-stirred-up-fans-with-the-hits-that-marked-their-trajectories-and-new-compositions-on-friday-25-night-at-teatro-positivo-in-curitibacredit-edson-de-souzathenews2-foto-edson-de-souzathenews2zumapress-credit-image-edson-de-souzathenews2-via-zuma-press-wire-editorial-usage-only!-not-for-commercial-usage!-image563034276.htmlRM2RM0BY0–Curitiba, Parana, Brasil. 26th Aug, 2023. (INT) Detonautas' Show At Positivo Theatre in Curitiba. August 25, 2023, Curitiba, Brazil: The Detonautas band, references of the Brazilian national rock of the 2000s, stirred up fans with the hits that marked their trajectories and new compositions, on Friday (25) night at Teatro Positivo in Curitiba.Credit: Edson de Souza/Thenews2 (Foto: Edson De Souza/Thenews2/Zumapress) (Credit Image: © Edson De Souza/TheNEWS2 via ZUMA Press Wire) EDITORIAL USAGE ONLY! Not for Commercial USAGE!
brown earth. Watercolor illustrations of sandy surfaces to create decorative compositions. Set of pieces of earth for design. Image isolated on white Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brown-earth-watercolor-illustrations-of-sandy-surfaces-to-create-decorative-compositions-set-of-pieces-of-earth-for-design-image-isolated-on-white-image553020657.htmlRF2R3M7DN–brown earth. Watercolor illustrations of sandy surfaces to create decorative compositions. Set of pieces of earth for design. Image isolated on white
Image from page 306 of 'La Seine à travers Paris. Illustrée de dessins et de compositions en couleurs par G. Fraipont' . Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/image-from-page-306-of-la-seine-a-travers-paris-illustree-de-dessins-et-de-compositions-en-couleurs-par-g-fraipont-image217588135.htmlRMPHYYTR–Image from page 306 of 'La Seine à travers Paris. Illustrée de dessins et de compositions en couleurs par G. Fraipont' .
Image taken from page 45 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-image-taken-from-page-45-of-la-seine-a-travers-paris-illustree-de-140855107.htmlRMJ54E3F–Image taken from page 45 of 'La Seine à travers Paris. Illustrée de ... dessins ... et de ... compositions en couleurs par G. Fraipont'
Agostino dei Musi. Man Carrying the Base of a Column. 1515–1530. Italy. Engraving in black on ivory laid paper Agostino Veneziano was one of the chief assistants in the workshop of Marcantonio Raimondi, the premier engraver of Raphael’s drawings. Both artists engraved versions of Man Carrying the Base of a Column, which bear striking resemblances to each other; it is unclear which print came first. Raimondi reversed the compositions of his sources, and his rendition of this scene is a mirror image of the present work. Agostino Veneziano’s curious Man under a Laurel Tree (1920.2361) may also re Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/agostino-dei-musi-man-carrying-the-base-of-a-column-15151530-italy-engraving-in-black-on-ivory-laid-paper-agostino-veneziano-was-one-of-the-chief-assistants-in-the-workshop-of-marcantonio-raimondi-the-premier-engraver-of-raphaels-drawings-both-artists-engraved-versions-of-man-carrying-the-base-of-a-column-which-bear-striking-resemblances-to-each-other-it-is-unclear-which-print-came-first-raimondi-reversed-the-compositions-of-his-sources-and-his-rendition-of-this-scene-is-a-mirror-image-of-the-present-work-agostino-venezianos-curious-man-under-a-laurel-tree-19202361-may-also-re-image337922542.htmlRM2AHNKJ6–Agostino dei Musi. Man Carrying the Base of a Column. 1515–1530. Italy. Engraving in black on ivory laid paper Agostino Veneziano was one of the chief assistants in the workshop of Marcantonio Raimondi, the premier engraver of Raphael’s drawings. Both artists engraved versions of Man Carrying the Base of a Column, which bear striking resemblances to each other; it is unclear which print came first. Raimondi reversed the compositions of his sources, and his rendition of this scene is a mirror image of the present work. Agostino Veneziano’s curious Man under a Laurel Tree (1920.2361) may also re
Ex libris Georges Gour. Fert in omnia Rutubam et Tristitiam Terribilis Amor; Kirchner, Raphael (1876-1917); around 1905-1906 (1900-00-00-1910-00-00);Gourges, Georges (1877-1959), Goury, Georges (1877-1959)-exlibris, partage plus, children, girls, pigeons, compositions in the oval, books, modernism (style), ornaments, landscapes, torches, portraits, birds, Image reproductions, heartbreaking heart (iconogr.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ex-libris-georges-gour-fert-in-omnia-rutubam-et-tristitiam-terribilis-amor-kirchner-raphael-1876-1917-around-1905-1906-1900-00-00-1910-00-00gourges-georges-1877-1959-goury-georges-1877-1959-exlibris-partage-plus-children-girls-pigeons-compositions-in-the-oval-books-modernism-style-ornaments-landscapes-torches-portraits-birds-image-reproductions-heartbreaking-heart-iconogr-image598885270.htmlRM2WP9G7J–Ex libris Georges Gour. Fert in omnia Rutubam et Tristitiam Terribilis Amor; Kirchner, Raphael (1876-1917); around 1905-1906 (1900-00-00-1910-00-00);Gourges, Georges (1877-1959), Goury, Georges (1877-1959)-exlibris, partage plus, children, girls, pigeons, compositions in the oval, books, modernism (style), ornaments, landscapes, torches, portraits, birds, Image reproductions, heartbreaking heart (iconogr.)
Pepper collage Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-pepper-collage-81136383.htmlRFEM027Y–Pepper collage
Lone tree in a heavy early morning fog Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/lone-tree-in-a-heavy-early-morning-fog-image547133279.htmlRM2PP4227–Lone tree in a heavy early morning fog
Asmahan was an Arab Druze singer and actress of Syrian origins who lived in Egypt. Having immigrated to Egypt in childhood, her family knew the composer Dawood Hosni, and she sang the compositions of Mohamed El Qasabgi and Zakariyya Ahmad. She also sang the compositions of Mohammed Abdel Wahab and her brother Farid al-Atrash, a then rising star musician in his own right. Hers was the only female voice in Arab music to pose serious competition to that of Umm Kulthum, who is considered to be one of the Arab world's most distinguished singers of the 20th century. Her mysterious death in an autom Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/asmahan-was-an-arab-druze-singer-and-actress-of-syrian-origins-who-lived-in-egypt-having-immigrated-to-egypt-in-childhood-her-family-knew-the-composer-dawood-hosni-and-she-sang-the-compositions-of-mohamed-el-qasabgi-and-zakariyya-ahmad-she-also-sang-the-compositions-of-mohammed-abdel-wahab-and-her-brother-farid-al-atrash-a-then-rising-star-musician-in-his-own-right-hers-was-the-only-female-voice-in-arab-music-to-pose-serious-competition-to-that-of-umm-kulthum-who-is-considered-to-be-one-of-the-arab-worlds-most-distinguished-singers-of-the-20th-century-her-mysterious-death-in-an-autom-image344271491.htmlRM2B02WPB–Asmahan was an Arab Druze singer and actress of Syrian origins who lived in Egypt. Having immigrated to Egypt in childhood, her family knew the composer Dawood Hosni, and she sang the compositions of Mohamed El Qasabgi and Zakariyya Ahmad. She also sang the compositions of Mohammed Abdel Wahab and her brother Farid al-Atrash, a then rising star musician in his own right. Hers was the only female voice in Arab music to pose serious competition to that of Umm Kulthum, who is considered to be one of the Arab world's most distinguished singers of the 20th century. Her mysterious death in an autom
Vector background image in the form of folds or rolls of materials of various compositions: paper, fabric, leather, eco leather, metal. With an intric Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/vector-background-image-in-the-form-of-folds-or-rolls-of-materials-of-various-compositions-paper-fabric-leather-eco-leather-metal-with-an-intric-image438972663.htmlRF2GE4X33–Vector background image in the form of folds or rolls of materials of various compositions: paper, fabric, leather, eco leather, metal. With an intric
Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/happy-womens-day-cartoon-image-doodle-designs-set-colorful-detailed-compositions-with-lot-of-spring-holiday-objects-and-symbols-isolated-on-white-il-image453180533.htmlRF2H984B1–Happy Womens Day cartoon image doodle designs set. Colorful detailed compositions with lot of spring holiday objects and symbols. Isolated on white il
isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/isolated-iron-suspension-bridge-old-with-misty-mountain-background-at-morning-image-is-taken-at-nongjrong-meghalaya-india-image469172604.htmlRF2J78JCC–isolated iron suspension bridge old with misty mountain background at morning image is taken at nongjrong meghalaya india.
Set of two oil industry horizontal banners with flat image compositions text and read more button vector illustration Stock Vectorhttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/set-of-two-oil-industry-horizontal-banners-with-flat-image-compositions-text-and-read-more-button-vector-illustration-image471487506.htmlRF2JB233E–Set of two oil industry horizontal banners with flat image compositions text and read more button vector illustration
Symbolic image, dead end street, cul-de-sac, Kernkraftwerk, German for 'nuclear power plant' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-symbolic-image-dead-end-street-cul-de-sac-kernkraftwerk-german-for-48624368.htmlRMCR30TG–Symbolic image, dead end street, cul-de-sac, Kernkraftwerk, German for 'nuclear power plant'
Roosters and Hens right of a pair, 18th century, Itō Jakuchū, Japanese, 1716 - 1800, 66 × 146 1/2 × 3/4 in. (167.64 × 372.11 × 1.91 cm) (outer frame)50 × 19 1/2 in. (127 × 49.53 cm) (image)50 × 117 in. (127 × 297.18 cm), Ink on paper, Japan, 18th century, This pair of folding screens features twelve individual compositions, each pasted onto its own panel, a format known as an oshiebari screen. Each painting shows either a rooster or a hen (look out for two chicks hidden in one picture). Overlaid brushstrokes in varied ink tones capture the details of feathers and combs. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/roosters-and-hens-right-of-a-pair-18th-century-it-jakuch-japanese-1716-1800-66-146-12-34-in-16764-37211-191-cm-outer-frame50-19-12-in-127-4953-cm-image50-117-in-127-29718-cm-ink-on-paper-japan-18th-century-this-pair-of-folding-screens-features-twelve-individual-compositions-each-pasted-onto-its-own-panel-a-format-known-as-an-oshiebari-screen-each-painting-shows-either-a-rooster-or-a-hen-look-out-for-two-chicks-hidden-in-one-picture-overlaid-brushstrokes-in-varied-ink-tones-capture-the-details-of-feathers-and-combs-image573486297.htmlRM2T90FHD–Roosters and Hens right of a pair, 18th century, Itō Jakuchū, Japanese, 1716 - 1800, 66 × 146 1/2 × 3/4 in. (167.64 × 372.11 × 1.91 cm) (outer frame)50 × 19 1/2 in. (127 × 49.53 cm) (image)50 × 117 in. (127 × 297.18 cm), Ink on paper, Japan, 18th century, This pair of folding screens features twelve individual compositions, each pasted onto its own panel, a format known as an oshiebari screen. Each painting shows either a rooster or a hen (look out for two chicks hidden in one picture). Overlaid brushstrokes in varied ink tones capture the details of feathers and combs.
Art inspired by Tsagain Myo: A Roadway, August 29–30, 1855, Albumen silver print from waxed(?) paper negative, Image: 24.5 x 34.1 cm (9 5/8 x 13 7/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), This view of rustic dwellings nestled among, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-tsagain-myo-a-roadway-august-2930-1855-albumen-silver-print-from-waxed-paper-negative-image-245-x-341-cm-9-58-x-13-716-in-photographs-linnaeus-tripe-british-devonport-plymouth-dock-18221902-devonport-this-view-of-rustic-dwellings-nestled-among-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462942367.htmlRF2HW4RKY–Art inspired by Tsagain Myo: A Roadway, August 29–30, 1855, Albumen silver print from waxed(?) paper negative, Image: 24.5 x 34.1 cm (9 5/8 x 13 7/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), This view of rustic dwellings nestled among, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Temple of Castor and Pollux, Rome. Artist: Joseph-Philibert Girault de Prangey (French, 1804-1892). Dimensions: Image: 9 7/16 × 3 3/4 in. (24 × 9.5 cm). Date: 1842. An artist and historian of Islamic architecture, Girault de Prangey first learned the daguerreotype process in 1841 in his native Langres, France. A year later he embarked on a two-year voyage to study major archaeological sites in the Mediterranean and Near East, producing in the process some of the earliest known photographs of Italy. Working without an established photographic repertoire upon which to base his compositions, his Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/temple-of-castor-and-pollux-rome-artist-joseph-philibert-girault-de-prangey-french-1804-1892-dimensions-image-9-716-3-34-in-24-95-cm-date-1842-an-artist-and-historian-of-islamic-architecture-girault-de-prangey-first-learned-the-daguerreotype-process-in-1841-in-his-native-langres-france-a-year-later-he-embarked-on-a-two-year-voyage-to-study-major-archaeological-sites-in-the-mediterranean-and-near-east-producing-in-the-process-some-of-the-earliest-known-photographs-of-italy-working-without-an-established-photographic-repertoire-upon-which-to-base-his-compositions-his-image213269308.htmlRMPAY750–Temple of Castor and Pollux, Rome. Artist: Joseph-Philibert Girault de Prangey (French, 1804-1892). Dimensions: Image: 9 7/16 × 3 3/4 in. (24 × 9.5 cm). Date: 1842. An artist and historian of Islamic architecture, Girault de Prangey first learned the daguerreotype process in 1841 in his native Langres, France. A year later he embarked on a two-year voyage to study major archaeological sites in the Mediterranean and Near East, producing in the process some of the earliest known photographs of Italy. Working without an established photographic repertoire upon which to base his compositions, his
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