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Indentifying Stock Photos and Images
Ron Bridge, of the Association of British Civilian Internees Far East Region, wearing the tag on his lapel he was forced to wear, indentifying him as a British POW, as he protests against the forthcoming visit of Emperor Akihito's to Britain, outside the Japanese Embassy today (Weds). Photo by Ben Curtis. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-ron-bridge-of-the-association-of-british-civilian-internees-far-east-105986543.htmlRMG4C2WK–Ron Bridge, of the Association of British Civilian Internees Far East Region, wearing the tag on his lapel he was forced to wear, indentifying him as a British POW, as he protests against the forthcoming visit of Emperor Akihito's to Britain, outside the Japanese Embassy today (Weds). Photo by Ben Curtis.
A trans person with cat markings holds a trans flag at Transfest 2023 in Jackson Heights, Queens, New York City. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-trans-person-with-cat-markings-holds-a-trans-flag-at-transfest-2023-in-jackson-heights-queens-new-york-city-image560227286.htmlRM2RFCFHA–A trans person with cat markings holds a trans flag at Transfest 2023 in Jackson Heights, Queens, New York City.
'Red Sandals' murder victim. This woman, aged between 25 and 30, believed by Portsmouth police to be Doris Gillander or Gallander, was found yesterday (Saturday) murdered on a bombed site at Little Charlotte Street, Landport, Portsmouth. She was wearing one red sandal and the other was found a few feet away. This photograph was issued by the Portsmouth CID today (Sunday) in an endeavour to establish beyond doubt the identity of the woman. Anyone indentifying her is asked to communicate with the Chief Constable, Porstmouth City Police, Telephone Portsmouth 74611. The dead woman is believed to h Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/red-sandals-murder-victim-this-woman-aged-between-25-and-30-believed-by-portsmouth-police-to-be-doris-gillander-or-gallander-was-found-yesterday-saturday-murdered-on-a-bombed-site-at-little-charlotte-street-landport-portsmouth-she-was-wearing-one-red-sandal-and-the-other-was-found-a-few-feet-away-this-photograph-was-issued-by-the-portsmouth-cid-today-sunday-in-an-endeavour-to-establish-beyond-doubt-the-identity-of-the-woman-anyone-indentifying-her-is-asked-to-communicate-with-the-chief-constable-porstmouth-city-police-telephone-portsmouth-74611-the-dead-woman-is-believed-to-h-image623931406.htmlRM2Y72ETE–'Red Sandals' murder victim. This woman, aged between 25 and 30, believed by Portsmouth police to be Doris Gillander or Gallander, was found yesterday (Saturday) murdered on a bombed site at Little Charlotte Street, Landport, Portsmouth. She was wearing one red sandal and the other was found a few feet away. This photograph was issued by the Portsmouth CID today (Sunday) in an endeavour to establish beyond doubt the identity of the woman. Anyone indentifying her is asked to communicate with the Chief Constable, Porstmouth City Police, Telephone Portsmouth 74611. The dead woman is believed to h
1950s, historical, portrait of an elderly parish vicar, standing outside wearing his clerical collar - or roman collar - and a double-breasted jacket, England, UK. The white clerical collar or dog-collar of a church minister is the sign of that person's holy calling and as religious indentifying badge, is recognised by people of all faiths. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/1950s-historical-portrait-of-an-elderly-parish-vicar-standing-outside-wearing-his-clerical-collar-or-roman-collar-and-a-double-breasted-jacket-england-uk-the-white-clerical-collar-or-dog-collar-of-a-church-minister-is-the-sign-of-that-persons-holy-calling-and-as-religious-indentifying-badge-is-recognised-by-people-of-all-faiths-image334291624.htmlRM2ABT8AG–1950s, historical, portrait of an elderly parish vicar, standing outside wearing his clerical collar - or roman collar - and a double-breasted jacket, England, UK. The white clerical collar or dog-collar of a church minister is the sign of that person's holy calling and as religious indentifying badge, is recognised by people of all faiths.
Shaffron (Horse's Head Defense) of Ottheinrich, Count Palatine of the Rhine (1502–1559) dated 1529 German, probably Nuremberg This shaffron is decorated with narrow bands of etched foliate ornament on a blackened, dotted ground in a manner associated with armor from Nuremberg. The decoration includes the date 1529 (in the center of the nose) and a shield emblazoned with the arms of the Palatinate and Bavaria (at the muzzle), indentifying the shaffron as having been made either for Ottheinrich (1502–1559) or for his brother Philipp (1503–1548), the two of whom co-ruled as counts palatine of the Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/shaffron-horses-head-defense-of-ottheinrich-count-palatine-of-the-rhine-15021559-dated-1529-german-probably-nuremberg-this-shaffron-is-decorated-with-narrow-bands-of-etched-foliate-ornament-on-a-blackened-dotted-ground-in-a-manner-associated-with-armor-from-nuremberg-the-decoration-includes-the-date-1529-in-the-center-of-the-nose-and-a-shield-emblazoned-with-the-arms-of-the-palatinate-and-bavaria-at-the-muzzle-indentifying-the-shaffron-as-having-been-made-either-for-ottheinrich-15021559-or-for-his-brother-philipp-15031548-the-two-of-whom-co-ruled-as-counts-palatine-of-the-image458100948.htmlRM2HH88C4–Shaffron (Horse's Head Defense) of Ottheinrich, Count Palatine of the Rhine (1502–1559) dated 1529 German, probably Nuremberg This shaffron is decorated with narrow bands of etched foliate ornament on a blackened, dotted ground in a manner associated with armor from Nuremberg. The decoration includes the date 1529 (in the center of the nose) and a shield emblazoned with the arms of the Palatinate and Bavaria (at the muzzle), indentifying the shaffron as having been made either for Ottheinrich (1502–1559) or for his brother Philipp (1503–1548), the two of whom co-ruled as counts palatine of the
(5/19/2020) Police officers indentifying protesters during the protest against the government's handling of the coronavirus crisis at Porto Lagos street. (Photo by Angel Meca / Pacific Press/Sipa USA) Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/5192020-police-officers-indentifying-protesters-during-the-protest-against-the-governments-handling-of-the-coronavirus-crisis-at-porto-lagos-street-photo-by-angel-meca-pacific-presssipa-usa-image358420106.htmlRM2BR3CE2–(5/19/2020) Police officers indentifying protesters during the protest against the government's handling of the coronavirus crisis at Porto Lagos street. (Photo by Angel Meca / Pacific Press/Sipa USA)
![Battle of Zama. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) [weaver] c. 1550 Tapestry Dimensions: H 11' x W 12'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard; weaver mark on right guard, bottom Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO, SENECTVS, TEMPVS Inscriptions: Inscriptions indentifying lower border figures (L to R): TYRANNI Stock Photo](https://c8.alamy.com/comp/2WTGDXT/battle-of-zama-giulio-romano-italian-149299-1546-designed-after-painter-pannemaker-wilhelm-de-netherlandish-before-1600-flanders-act-1535-1578-workshop-weaver-c-1550-tapestry-dimensions-h-11-x-w-1210-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-inscriptions-city-mark-on-lower-guard-weaver-mark-on-right-guard-bottom-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-senectvs-tempvs-inscriptions-inscriptions-indentifying-lower-border-figures-l-to-r-tyranni-2WTGDXT.jpg "Battle of Zama. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) [weaver] c. 1550 Tapestry Dimensions: H 11' x W 12'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard; weaver mark on right guard, bottom Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO, SENECTVS, TEMPVS Inscriptions: Inscriptions indentifying lower border figures (L to R): TYRANNI Stock Photo")
Battle of Zama. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) [weaver] c. 1550 Tapestry Dimensions: H 11' x W 12'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard; weaver mark on right guard, bottom Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO, SENECTVS, TEMPVS Inscriptions: Inscriptions indentifying lower border figures (L to R): TYRANNI Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/battle-of-zama-giulio-romano-italian-149299-1546-designed-after-painter-pannemaker-wilhelm-de-netherlandish-before-1600-flanders-act-1535-1578-workshop-weaver-c-1550-tapestry-dimensions-h-11-x-w-1210-tapestry-materialstechniques-unknown-culture-flemish-weaving-center-brussels-ownership-history-french-co-inscriptions-city-mark-on-lower-guard-weaver-mark-on-right-guard-bottom-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-senectvs-tempvs-inscriptions-inscriptions-indentifying-lower-border-figures-l-to-r-tyranni-image600266432.htmlRM2WTGDXT–Battle of Zama. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Pannemaker, Wilhelm de (Netherlandish (before 1600) - Flanders, act. 1535-1578) (workshop) [weaver] c. 1550 Tapestry Dimensions: H 11' x W 12'10' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. Inscriptions: City mark on lower guard; weaver mark on right guard, bottom Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO, SENECTVS, TEMPVS Inscriptions: Inscriptions indentifying lower border figures (L to R): TYRANNI
Indentifying suppliers concept icon. Local production system idea thin line illustration. Delivery of products. Logistics and distribution. Vector iso Stock Vectorhttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/indentifying-suppliers-concept-icon-local-production-system-idea-thin-line-illustration-delivery-of-products-logistics-and-distribution-vector-iso-image340706371.htmlRF2AP8ECK–Indentifying suppliers concept icon. Local production system idea thin line illustration. Delivery of products. Logistics and distribution. Vector iso
Portrait of cheerful african american warehouse supervisor inputing updated products info online, standing between retail storage venue cabinets indentifying parcels ready for shipping, close up Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/portrait-of-cheerful-african-american-warehouse-supervisor-inputing-updated-products-info-online-standing-between-retail-storage-venue-cabinets-indentifying-parcels-ready-for-shipping-close-up-image606261724.htmlRF2X69H0C–Portrait of cheerful african american warehouse supervisor inputing updated products info online, standing between retail storage venue cabinets indentifying parcels ready for shipping, close up
Alcorcon, Spain. 19th May, 2020. Police officers indentifying protesters during the protest against the government's handling of the coronavirus crisis at Porto Lagos street. (Photo by Angel Meca/Pacific Press) Credit: Pacific Press Agency/Alamy Live News Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/alcorcon-spain-19th-may-2020-police-officers-indentifying-protesters-during-the-protest-against-the-governments-handling-of-the-coronavirus-crisis-at-porto-lagos-street-photo-by-angel-mecapacific-press-credit-pacific-press-agencyalamy-live-news-image358405094.htmlRM2BR2N9X–Alcorcon, Spain. 19th May, 2020. Police officers indentifying protesters during the protest against the government's handling of the coronavirus crisis at Porto Lagos street. (Photo by Angel Meca/Pacific Press) Credit: Pacific Press Agency/Alamy Live News
A woman having her fingerprints taken in New Scotland Yard, London. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/a-woman-having-her-fingerprints-taken-in-new-scotland-yard-london-image485679504.htmlRM2K64H4G–A woman having her fingerprints taken in New Scotland Yard, London.
Image shows a Korean family identifying the bodies of their children. The children were political prisoners, killed by the North Korean army. The prisoners, forced into caves which were sealed off, they died of suffocation. The dates are unknown. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-image-shows-a-korean-family-identifying-the-bodies-of-their-children-76394665.htmlRMEC824W–Image shows a Korean family identifying the bodies of their children. The children were political prisoners, killed by the North Korean army. The prisoners, forced into caves which were sealed off, they died of suffocation. The dates are unknown.
Scientific Data on Transparent Film Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scientific-data-on-transparent-film-25028383.htmlRMBCM3XR–Scientific Data on Transparent Film
hardened steel punches for marking letters into metal objects Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hardened-steel-punches-for-marking-letters-into-metal-objects-image7446944.htmlRMAC3TX1–hardened steel punches for marking letters into metal objects
Colour coded halyards on the mast of a large cruising yacht Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-colour-coded-halyards-on-the-mast-of-a-large-cruising-yacht-11776323.htmlRMA7AB7G–Colour coded halyards on the mast of a large cruising yacht
Church review . te enough to enable us to de-termine tin- particular place on theAmerican shore discovered by them.Cone Tning this, T. . tiigginson says,in his 11 istory of tin I United States:Unless authentic Norse remains arei ter unearthed, there is very lit- lel hope of ever indentifying a singlen tin Vikings landed, or asingle inlet ever furrowed by theirBui that these bold rovers, insailing westward, discovered lands be-yond Greenland, is as sure as anythingcan be that rest- on sagas and tradi-tions only as sure, that is, as most roic purpose, and set sail across an un-known sea upon t Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/church-review-te-enough-to-enable-us-to-de-termine-tin-particular-place-on-theamerican-shore-discovered-by-themcone-tning-this-t-tiigginson-saysin-his-11-istory-of-tin-i-united-statesunless-authentic-norse-remains-arei-ter-unearthed-there-is-very-lit-lel-hope-of-ever-indentifying-a-singlen-tin-vikings-landed-or-asingle-inlet-ever-furrowed-by-theirbui-that-these-bold-rovers-insailing-westward-discovered-lands-be-yond-greenland-is-as-sure-as-anythingcan-be-that-rest-on-sagas-and-tradi-tions-only-as-sure-that-is-as-most-roic-purpose-and-set-sail-across-an-un-known-sea-upon-t-image338378468.htmlRM2AJED58–Church review . te enough to enable us to de-termine tin- particular place on theAmerican shore discovered by them.Cone Tning this, T. . tiigginson says,in his 11 istory of tin I United States:Unless authentic Norse remains arei ter unearthed, there is very lit- lel hope of ever indentifying a singlen tin Vikings landed, or asingle inlet ever furrowed by theirBui that these bold rovers, insailing westward, discovered lands be-yond Greenland, is as sure as anythingcan be that rest- on sagas and tradi-tions only as sure, that is, as most roic purpose, and set sail across an un-known sea upon t
Shaffron (Horse's Head Defense) of Ottheinrich, Count Palatine of the Rhine (1502–1559), dated 1529 Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-image-shaffron-horses-head-defense-of-ottheinrich-count-palatine-of-the-162411006.htmlRMKC6CW2–Shaffron (Horse's Head Defense) of Ottheinrich, Count Palatine of the Rhine (1502–1559), dated 1529
Pond Dipping, child identifying pond life in tray ,Wildfowl & Wetlands Trust, Arundel, West Sussex, England, UK Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/pond-dipping-child-identifying-pond-life-in-tray-wildfowl-wetlands-trust-arundel-west-sussex-england-uk-image247336456.htmlRMTAB44T–Pond Dipping, child identifying pond life in tray ,Wildfowl & Wetlands Trust, Arundel, West Sussex, England, UK
Apple ermine (Yponomeuta malinellus). White insect with black spots in the family Yponomeutidae, showing distinctive pattern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apple-ermine-yponomeuta-malinellus-white-insect-with-black-spots-in-102515961.htmlRFFXP049–Apple ermine (Yponomeuta malinellus). White insect with black spots in the family Yponomeutidae, showing distinctive pattern
Magnifying glass locating spyware in computer machine code Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-magnifying-glass-locating-spyware-in-computer-machine-code-27025448.htmlRFBFY36G–Magnifying glass locating spyware in computer machine code
Magnifying glass locating malware i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-magnifying-glass-locating-malware-i-53072833.htmlRFD29JX9–Magnifying glass locating malware i
emotional intelligence leads to success Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/emotional-intelligence-leads-to-success-image68980537.htmlRFE069AH–emotional intelligence leads to success
The Silver Spray of Milford Haven, Aldeburgh, Suffolk, UK. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-the-silver-spray-of-milford-haven-aldeburgh-suffolk-uk-25152753.htmlRMBCWPGH–The Silver Spray of Milford Haven, Aldeburgh, Suffolk, UK.
Forensic DNA results with STR analysis of samples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forensic-dna-results-with-str-analysis-of-samples-37202773.htmlRMC4EMED–Forensic DNA results with STR analysis of samples.
Selective focus of data analysts identifying problems while working with charts on computer monitors Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/selective-focus-of-data-analysts-identifying-problems-while-working-with-charts-on-computer-monitors-image356624465.htmlRF2BM5J41–Selective focus of data analysts identifying problems while working with charts on computer monitors
![Trial of Christ, repentance and death of Judas. unknown c. 1500-1520 Tapestry Dimensions: H 12' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscriptions in central field, indentifying figures [not legible in photograph] Columns divide scenes; upper center, Christ before Sanhedrin with Caiaphas as high priest; lower center, Judas before Sanhedrin returning pieces of silver (?); 4 unidentified scenes from life of St. Joseph (?) (BRD) twisting vines of foliage & flowers Possibly woven in Bruss Stock Photo](https://c8.alamy.com/comp/2WTG39K/trial-of-christ-repentance-and-death-of-judas-unknown-c-1500-1520-tapestry-dimensions-h-12-x-w-138-tapestry-materialstechniques-unknown-culture-southern-netherlands-weaving-center-unknown-ownership-history-french-co-inscriptions-inscriptions-in-central-field-indentifying-figures-not-legible-in-photograph-columns-divide-scenes-upper-center-christ-before-sanhedrin-with-caiaphas-as-high-priest-lower-center-judas-before-sanhedrin-returning-pieces-of-silver-4-unidentified-scenes-from-life-of-st-joseph-brd-twisting-vines-of-foliage-flowers-possibly-woven-in-bruss-2WTG39K.jpg "Trial of Christ, repentance and death of Judas. unknown c. 1500-1520 Tapestry Dimensions: H 12' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscriptions in central field, indentifying figures [not legible in photograph] Columns divide scenes; upper center, Christ before Sanhedrin with Caiaphas as high priest; lower center, Judas before Sanhedrin returning pieces of silver (?); 4 unidentified scenes from life of St. Joseph (?) (BRD) twisting vines of foliage & flowers Possibly woven in Bruss Stock Photo")
Trial of Christ, repentance and death of Judas. unknown c. 1500-1520 Tapestry Dimensions: H 12' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscriptions in central field, indentifying figures [not legible in photograph] Columns divide scenes; upper center, Christ before Sanhedrin with Caiaphas as high priest; lower center, Judas before Sanhedrin returning pieces of silver (?); 4 unidentified scenes from life of St. Joseph (?) (BRD) twisting vines of foliage & flowers Possibly woven in Bruss Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/trial-of-christ-repentance-and-death-of-judas-unknown-c-1500-1520-tapestry-dimensions-h-12-x-w-138-tapestry-materialstechniques-unknown-culture-southern-netherlands-weaving-center-unknown-ownership-history-french-co-inscriptions-inscriptions-in-central-field-indentifying-figures-not-legible-in-photograph-columns-divide-scenes-upper-center-christ-before-sanhedrin-with-caiaphas-as-high-priest-lower-center-judas-before-sanhedrin-returning-pieces-of-silver-4-unidentified-scenes-from-life-of-st-joseph-brd-twisting-vines-of-foliage-flowers-possibly-woven-in-bruss-image600258111.htmlRM2WTG39K–Trial of Christ, repentance and death of Judas. unknown c. 1500-1520 Tapestry Dimensions: H 12' x W 13'8' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Inscriptions: Inscriptions in central field, indentifying figures [not legible in photograph] Columns divide scenes; upper center, Christ before Sanhedrin with Caiaphas as high priest; lower center, Judas before Sanhedrin returning pieces of silver (?); 4 unidentified scenes from life of St. Joseph (?) (BRD) twisting vines of foliage & flowers Possibly woven in Bruss
identifying a plant with the use of a hand lens. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/identifying-a-plant-with-the-use-of-a-hand-lens-image155082073.htmlRMK08GND–identifying a plant with the use of a hand lens.
RAF Roundel at Imperial War Museum Duxford Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-raf-roundel-at-imperial-war-museum-duxford-56991245.htmlRMD8M4WH–RAF Roundel at Imperial War Museum Duxford
Motivating others business diagram management strategy concept chart illustration Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-motivating-others-business-diagram-management-strategy-concept-chart-36803440.htmlRFC3TF4G–Motivating others business diagram management strategy concept chart illustration
Dwarka Roadtrip. Horizontal portrait of three clerics in formal attire looking and pointing out to the horizon of the Arabian Sea. The location of this conceptual shot was at the beach of Dwarka Bay, Gujarat, India near the Krishna Temple. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-dwarka-roadtrip-horizontal-portrait-of-three-clerics-in-formal-attire-131861159.htmlRFHJEP73–Dwarka Roadtrip. Horizontal portrait of three clerics in formal attire looking and pointing out to the horizon of the Arabian Sea. The location of this conceptual shot was at the beach of Dwarka Bay, Gujarat, India near the Krishna Temple.
Scientific Data on Transparent Film Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-scientific-data-on-transparent-film-25028375.htmlRMBCM3XF–Scientific Data on Transparent Film
hardened steel punches for marking letters into metal objects Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/hardened-steel-punches-for-marking-letters-into-metal-objects-image7446945.htmlRMAC3TX2–hardened steel punches for marking letters into metal objects
Apple ermine (Yponomeuta malinellus). White insect with black spots in the family Yponomeutidae, showing distinctive pattern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-apple-ermine-yponomeuta-malinellus-white-insect-with-black-spots-in-102515964.htmlRFFXP04C–Apple ermine (Yponomeuta malinellus). White insect with black spots in the family Yponomeutidae, showing distinctive pattern
Magnifying glass enlarging malware in computer machine code Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-magnifying-glass-enlarging-malware-in-computer-machine-code-27024432.htmlRFBFY1X8–Magnifying glass enlarging malware in computer machine code
Bird-cherry ermine (Yponomeuta evonymella). White insect with black spots in family Yponomeutidae, showing distinctive pattern Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-bird-cherry-ermine-yponomeuta-evonymella-white-insect-with-black-spots-102555978.htmlRFFXRR5E–Bird-cherry ermine (Yponomeuta evonymella). White insect with black spots in family Yponomeutidae, showing distinctive pattern
Magnifying glass locating spyware i Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-magnifying-glass-locating-spyware-i-53072831.htmlRFD29JX7–Magnifying glass locating spyware i
Forensic DNA results with STR analysis of samples. Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/stock-photo-forensic-dna-results-with-str-analysis-of-samples-37202768.htmlRMC4EME8–Forensic DNA results with STR analysis of samples.
![Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12198. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, T Stock Photo](https://c8.alamy.com/comp/2WTCRJ3/presentation-of-crowns-giulio-romano-italian-149299-1546-designed-after-painter-mattens-hendrick-netherlandish-after-1600-act1629-1670-workshop-weaver-c-1600-tapestry-dimensions-h-315-x-w-340-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-flemish-weaving-center-brussels-ownership-history-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a361-12198-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-n-senectvs-t-2WTCRJ3.jpg "Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12198. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, T Stock Photo")
Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12198. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, T Stock Photohttps://www.alamy.com/image-license-details/?v=1https://www.alamy.com/presentation-of-crowns-giulio-romano-italian-149299-1546-designed-after-painter-mattens-hendrick-netherlandish-after-1600-act1629-1670-workshop-weaver-c-1600-tapestry-dimensions-h-315-x-w-340-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-flemish-weaving-center-brussels-ownership-history-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a361-12198-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-n-senectvs-t-image600186219.htmlRM2WTCRJ3–Presentation of crowns. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12198. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, T
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![Arrival in Africa. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 270 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12200. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, TEMPVS Stock Photo](https://c8.alamy.com/comp/2WT630D/arrival-in-africa-giulio-romano-italian-149299-1546-designed-after-painter-mattens-hendrick-netherlandish-after-1600-act1629-1670-workshop-weaver-c-1600-tapestry-dimensions-h-315-x-w-270-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-flemish-weaving-center-brussels-ownership-history-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a361-12200-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-n-senectvs-tempvs-2WT630D.jpg "Arrival in Africa. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 270 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12200. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, TEMPVS Stock Photo")
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![Continence of Scipio. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12162. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, TEM Stock Photo](https://c8.alamy.com/comp/2WT302E/continence-of-scipio-giulio-romano-italian-149299-1546-designed-after-painter-mattens-hendrick-netherlandish-after-1600-act1629-1670-workshop-weaver-c-1600-tapestry-dimensions-h-315-x-w-340-cm-tapestry-materialstechniques-wool-silk-metallic-thread-gold-metallic-thread-silver-culture-flemish-weaving-center-brussels-ownership-history-inventory-of-carlos-iii-1788-inventory-of-fernando-vii-1834-spain-madrid-palacio-real-de-madrid-accno-a361-12162-inscriptions-inscriptions-indentifying-left-border-figures-top-to-bottom-resvrrectio-n-senectvs-tem-2WT302E.jpg "Continence of Scipio. Giulio Romano (Italian, 1492/99-1546) (designed after) [painter] Mattens, Hendrick (Netherlandish (after 1600), act.1629-1670) (workshop) [weaver] c. 1600 Tapestry Dimensions: H 315 x W 340 cm Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Flemish Weaving Center: Brussels Ownership History: Inventory of Carlos III (1788). Inventory of Fernando VII (1834). Spain, Madrid, Palacio Real de Madrid, accno. A.361-12162. Inscriptions: Inscriptions indentifying left border figures (top to bottom): RESVRRECTIO[N], SENECTVS, TEM Stock Photo")
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