Ink paintings Black and White Stock Photos & Images

Abstract black ink paintings isolated on white, set Stock Photo

RF2XD856H–Abstract black ink paintings isolated on white, set

Chief Red Cloud in pen and ink Stock Photo

RF2DB69DX–Chief Red Cloud in pen and ink

Black grunge ink blots splashes set idolated on white background Stock Vector

RFT08HBY–Black grunge ink blots splashes set idolated on white background

Beyer's ink factory in Chemnitz, Saxony, Germany, woodcut, historical engraving, 1882 Stock Photo

RMRCX574–Beyer's ink factory in Chemnitz, Saxony, Germany, woodcut, historical engraving, 1882

Grunge ink blots background Stock Vector

RF2XX2T6D–Grunge ink blots background

Print; etching - St Paul's from the west. Date/Period: 1656. Paintings, Prints and Drawings. Paper; ink. Author: Hollar, Wenceslaus. Stock Photo

RMPNCX83–Print; etching - St Paul's from the west. Date/Period: 1656. Paintings, Prints and Drawings. Paper; ink. Author: Hollar, Wenceslaus.

Black liquid ink splash lines Stock Vector

RF2JCWFGW–Black liquid ink splash lines

Messy black ink grunge stroke with transparent on white Stock Vector

RF2H3N3BF–Messy black ink grunge stroke with transparent on white

Ink blots liquid stains set Stock Vector

RF2WTP12X–Ink blots liquid stains set

Ink and wash paintings of Noro Kaiseki Stock Photo

RMJ8DB20–Ink and wash paintings of Noro Kaiseki

Tiger, Ming dynasty (?) (1368–1644), China, Hanging scroll; ink and color on silk, 60 3/4 x 36 in. (154.3 x 91.4 cm), Paintings Stock Photo

RMKC3RYM–Tiger, Ming dynasty (?) (1368–1644), China, Hanging scroll; ink and color on silk, 60 3/4 x 36 in. (154.3 x 91.4 cm), Paintings

RM2C54K1E–Ink and wash paintings of Noro Kaiseki.

Grapevine, Edo period (1615–1868), Japan, Hanging scroll; ink on silk, 16 1/8 x 10 3/8 in. (41.0 x 26.4 cm), Paintings Stock Photo

RMKC494B–Grapevine, Edo period (1615–1868), Japan, Hanging scroll; ink on silk, 16 1/8 x 10 3/8 in. (41.0 x 26.4 cm), Paintings

297 Ink and wash paintings of Teranishi Ekidou Stock Photo

RMPC04KE–297 Ink and wash paintings of Teranishi Ekidou

RM2BY0C0T–Line and ink splatters

Ink and wash paintings of Teranishi Ekidou Stock Photo

RMHKD3EY–Ink and wash paintings of Teranishi Ekidou

RM2BXYKXA–Lines and Splattered ink

Bamboo trees hand drawn with ink in Japanese painting style sumi-e. Stock Photo

RF2RK3CM1–Bamboo trees hand drawn with ink in Japanese painting style sumi-e.

Poppy flower. Papaver. Stem and leaf. Elements for Anzac day design. Hand drawn vector illustration. Monochrome black and white ink sketch. Line art Stock Vector

RF2N1HCPX–Poppy flower. Papaver. Stem and leaf. Elements for Anzac day design. Hand drawn vector illustration. Monochrome black and white ink sketch. Line art

RF2XD856F–Abstract black ink paintings isolated on white, set

China: Qin Shu Huang/Qin Shi Huangdi (259-210 BCE), First Emperor of a unified China. Ink drawing, c. 18th century. Qin Shi Huang, personal name Ying Zheng, was king of the Chinese State of Qin from 246 to 221 BCE during the Warring States Period. He became the first emperor of a unified China in 221 BCE, and ruled until his death in 210 BC at the age of 49. Styling himself 'First Emperor' after China's unification, Qin Shi Huang is a pivotal figure in Chinese history, ushering in nearly two millennia of imperial rule. Stock Photo

RM2B01K87–China: Qin Shu Huang/Qin Shi Huangdi (259-210 BCE), First Emperor of a unified China. Ink drawing, c. 18th century. Qin Shi Huang, personal name Ying Zheng, was king of the Chinese State of Qin from 246 to 221 BCE during the Warring States Period. He became the first emperor of a unified China in 221 BCE, and ruled until his death in 210 BC at the age of 49. Styling himself 'First Emperor' after China's unification, Qin Shi Huang is a pivotal figure in Chinese history, ushering in nearly two millennia of imperial rule.

RF2XE1787–Abstract black ink paintings isolated on white, set

The Story of the Inky Boys from ' The Struwwelpeter painting book ' Pretty Stories and Funny Pictures for Little Children by Heinrich Hoffmann Published in London in 1900 Stock Photo

RF2K3B4FE–The Story of the Inky Boys from ' The Struwwelpeter painting book ' Pretty Stories and Funny Pictures for Little Children by Heinrich Hoffmann Published in London in 1900

RF2XDKK31–Abstract black ink paintings isolated on white, set

Seascape with Rocks (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished com Stock Photo

RMPAX9T3–Seascape with Rocks (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished com

Sheng Mao. Fishing Recluse by an Autumn Grove (秋林漁隱圖). 1368–1644. China. Hanging scroll, ink and color on paper This painting bears a spurious signature of the Yuan dynasty painter Sheng Mou , is likely a 17th-century wholesale recreation of a recorded original of the same title and date done by Sheng Mou for the 14th-century poet Lu Pu. As such, the painting evidences the attention that Sheng Mou’s work attracted in the early 17th century, and references in the spurious inscriptions a network of recorded and transmitted paintings seemingly created in imitation of the same original. While the Stock Photo

RM2AHTXYD–Sheng Mao. Fishing Recluse by an Autumn Grove (秋林漁隱圖). 1368–1644. China. Hanging scroll, ink and color on paper This painting bears a spurious signature of the Yuan dynasty painter Sheng Mou , is likely a 17th-century wholesale recreation of a recorded original of the same title and date done by Sheng Mou for the 14th-century poet Lu Pu. As such, the painting evidences the attention that Sheng Mou’s work attracted in the early 17th century, and references in the spurious inscriptions a network of recorded and transmitted paintings seemingly created in imitation of the same original. While the

grey watercolor blot on white paper background Stock Photo

RFEWPJEM–grey watercolor blot on white paper background

Grunge ink blots tires background Stock Vector

RF2XX2T6K–Grunge ink blots tires background

RMJ3R10H–Ink and wash paintings of Teranishi Ekidou

Seamless abstract background for design Stock Photo

RFEJNPH0–Seamless abstract background for design

RM2C54K0D–Ink and wash paintings of Teranishi Ekidou.

RFD76477–watercolor

. English: Ink and wash paintings of Gochiku Nakamura (1827-1913) 日本語: 中村梧竹(1827-1913)『墨竹　自畫賛』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 437 Nakamura Gochiku Painting Stock Photo

RMMXDYKG–. English: Ink and wash paintings of Gochiku Nakamura (1827-1913) 日本語: 中村梧竹(1827-1913)『墨竹　自畫賛』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 437 Nakamura Gochiku Painting

Biro drawing of 'Tannie Mary' Stock Photo

RF2G4BWP4–Biro drawing of 'Tannie Mary'

RMHX430F–Ink and wash paintings of Teranishi Ekidou

Qi Baishi painting a scroll in his studio in Beijing, in 1957, months before he died. Stock Photo

RMJ3PCG6–Qi Baishi painting a scroll in his studio in Beijing, in 1957, months before he died.

Pekingese 19th century Hokusai School. Pekingese. Hokusai School. Japan. 19th century. Unmounted painting; ink and watercolor on paper. Edo period (1615–1868). Paintings Stock Photo

RM2HJ4KE3–Pekingese 19th century Hokusai School. Pekingese. Hokusai School. Japan. 19th century. Unmounted painting; ink and watercolor on paper. Edo period (1615–1868). Paintings

RF2N1HDNC–Poppy flower. Papaver. Stem and leaf. Elements for Anzac day design. Hand drawn vector illustration. Monochrome black and white ink sketch. Line art

Two Cranes 19th century Hokusai School. Two Cranes. Hokusai School. Japan. 19th century. Unmounted painting; ink and watercolor on paper. Edo period (1615–1868). Paintings Stock Photo

RM2HH7HN6–Two Cranes 19th century Hokusai School. Two Cranes. Hokusai School. Japan. 19th century. Unmounted painting; ink and watercolor on paper. Edo period (1615–1868). Paintings

China: Qin Shu Huang/Qin Shi Huangdi (259-210 BCE), First Emperor of a unified China. Ink rubbing from a stone tablet, c. 18th century. Qin Shi Huang, personal name Ying Zheng, was king of the Chinese State of Qin from 246 to 221 BCE during the Warring States Period. He became the first emperor of a unified China in 221 BCE, and ruled until his death in 210 BC at the age of 49. Styling himself 'First Emperor' after China's unification, Qin Shi Huang is a pivotal figure in Chinese history, ushering in nearly two millennia of imperial rule. Stock Photo

RM2B01K89–China: Qin Shu Huang/Qin Shi Huangdi (259-210 BCE), First Emperor of a unified China. Ink rubbing from a stone tablet, c. 18th century. Qin Shi Huang, personal name Ying Zheng, was king of the Chinese State of Qin from 246 to 221 BCE during the Warring States Period. He became the first emperor of a unified China in 221 BCE, and ruled until his death in 210 BC at the age of 49. Styling himself 'First Emperor' after China's unification, Qin Shi Huang is a pivotal figure in Chinese history, ushering in nearly two millennia of imperial rule.

RFM2N358–The ink on the paper

Pastel retro circle isolated on a white background. Black ink splashes in circle. Grunge background shapes. Stock Photo

RF2BJ4RHY–Pastel retro circle isolated on a white background. Black ink splashes in circle. Grunge background shapes.

RF2XDTBX4–Abstract black ink paintings isolated on white, set

Seascape (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions a Stock Photo

RMPAKT2H–Seascape (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions a

Netherlands: 'Council of War Aboard the 'The Seven Provinces', Flagship of Michiel Adriaensz de Ruyter, 10 June 1666, Preceding the Four Days' Battle'. Ink on canvas painting by Willem van de Velde the Elder (c. 1611-1693), late 17th century. The Four Days' Battle (1-4 June 1666), also known as the Four Days' Fight, was a naval battle during the Second Anglo-Dutch War. Fought in the southern North Sea, it began off the Flemish coast before ending near the English coast, one of the longest naval engagements in history. It was a Dutch victory, with grievous damage done to the English fleet. Stock Photo

RM2B00NYY–Netherlands: 'Council of War Aboard the 'The Seven Provinces', Flagship of Michiel Adriaensz de Ruyter, 10 June 1666, Preceding the Four Days' Battle'. Ink on canvas painting by Willem van de Velde the Elder (c. 1611-1693), late 17th century. The Four Days' Battle (1-4 June 1666), also known as the Four Days' Fight, was a naval battle during the Second Anglo-Dutch War. Fought in the southern North Sea, it began off the Flemish coast before ending near the English coast, one of the longest naval engagements in history. It was a Dutch victory, with grievous damage done to the English fleet.

Portrait of Fan Chungyen, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Hanging scroll; ink and color on silk, 26 x 18 Stock Photo

RMKC3MJB–Portrait of Fan Chungyen, Ming (1368–1644) or Qing (1644–1911) dynasty, China, Hanging scroll; ink and color on silk, 26 x 18

Black grunge ink blots stain Stock Vector

RF2XWHAM6–Black grunge ink blots stain

Watching the Phoenix, Ming dynasty (1368–1644) or later, China, Hanging scroll; ink and color on silk, Overall: 19 1/8 x 15 1/4 Stock Photo

RMKC32HD–Watching the Phoenix, Ming dynasty (1368–1644) or later, China, Hanging scroll; ink and color on silk, Overall: 19 1/8 x 15 1/4

RFEJA5FC–Seamless abstract background for design

Landscape with Palace, Qing dynasty (1644–1911), China, Hanging scroll; ink and color on silk, Image: 66 3/4 × 40 7/8 in. (169.5 Stock Photo

RMKC2TXY–Landscape with Palace, Qing dynasty (1644–1911), China, Hanging scroll; ink and color on silk, Image: 66 3/4 × 40 7/8 in. (169.5

Abstract black ink grunge lines seamless pattern Stock Vector

RFF0HGMP–Abstract black ink grunge lines seamless pattern

. English: Ink and wash paintings of Asai Ryutou(1842-1907) 日本語: 浅井柳塘(1842-1907)『水墨　夏景山水』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.33) 463 Painting of Asai Ryutou Stock Photo

RMMTX1G5–. English: Ink and wash paintings of Asai Ryutou(1842-1907) 日本語: 浅井柳塘(1842-1907)『水墨　夏景山水』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.33) 463 Painting of Asai Ryutou

RF2G4BWDR–Full frontal elephant

Tangut Horseman, Ming dynasty (1368–1644) or later, China, Hanging scroll; ink and color on silk, 39 1/2 x 28 1/2 in. (100.3 x 7 Stock Photo

RMKC3RYJ–Tangut Horseman, Ming dynasty (1368–1644) or later, China, Hanging scroll; ink and color on silk, 39 1/2 x 28 1/2 in. (100.3 x 7

Qi Baishi, walking with cane, in Beijing, in 1957, months before he died. Stock Photo

RMJ3PCG2–Qi Baishi, walking with cane, in Beijing, in 1957, months before he died.

Postage Stamp, Postmark, Vector, Symbol, template, Mail, Ink, Textured Effect, Letter, Illustration, Stock Illustration, Royalty Stock Photo

RFEY3RK5–Postage Stamp, Postmark, Vector, Symbol, template, Mail, Ink, Textured Effect, Letter, Illustration, Stock Illustration, Royalty

RF2T7E325–Poppy flower. Papaver. Stem and leaf. Elements for Anzac day design. Hand drawn vector illustration. Monochrome black and white ink sketch. Line art

Toad and Flowers 19th century Hokusai School. Toad and Flowers. Hokusai School. Japan. 19th century. Unmounted painting; ink and color on paper. Edo period (1615–1868). Paintings Stock Photo

RM2HH999W–Toad and Flowers 19th century Hokusai School. Toad and Flowers. Hokusai School. Japan. 19th century. Unmounted painting; ink and color on paper. Edo period (1615–1868). Paintings

RFEY3RK2–Postage Stamp, Postmark, Vector, Symbol, template, Mail, Ink, Textured Effect, Letter, Illustration, Stock Illustration, Royalty

Wild Goose and Reeds Kano Yasunobu Japanese. Wild Goose and Reeds. Kano Yasunobu (Japanese, 1614–1685). Japan. Hanging scroll; ink on silk. Edo period (1615–1868). Paintings Stock Photo

RM2HJ1JJK–Wild Goose and Reeds Kano Yasunobu Japanese. Wild Goose and Reeds. Kano Yasunobu (Japanese, 1614–1685). Japan. Hanging scroll; ink on silk. Edo period (1615–1868). Paintings

RF2BHTJDM–Pastel retro circle isolated on a white background. Black ink splashes in circle. Grunge background shapes.

RF2XDKK29–Abstract black ink paintings isolated on white, set

RMPAAA4E–Seascape (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions a

Miniature Album of Landscape Paintings , 18th century. Ink on paper, 4 x 6 1/2 in. (10.2 x 16.5 cm). Asian Art 18th century Stock Photo

RM2M93XRF–Miniature Album of Landscape Paintings , 18th century. Ink on paper, 4 x 6 1/2 in. (10.2 x 16.5 cm). Asian Art 18th century

RF2BJ4RD9–Pastel retro circle isolated on a white background. Black ink splashes in circle. Grunge background shapes.

Black and white grunge ink blots stain Stock Vector

RF2XX2T7R–Black and white grunge ink blots stain

Spring Landscape 20th century Kawabata Gyokushō Japanese. Spring Landscape. Kawabata Gyokushō (Japanese, 1842–1913). Japan. 20th century. Ink and color on silk. Meiji period (1868–1912). Paintings Stock Photo

RM2HHTC59–Spring Landscape 20th century Kawabata Gyokushō Japanese. Spring Landscape. Kawabata Gyokushō (Japanese, 1842–1913). Japan. 20th century. Ink and color on silk. Meiji period (1868–1912). Paintings

Different grunge black frames isolated on white background Stock Vector

RFW70YDW–Different grunge black frames isolated on white background

Seamless splash abstract background for design Stock Photo

RFEJA4GY–Seamless splash abstract background for design

Abstract black and white watercolor light painted background or texture. CLoseup. Stock Photo

RF2GKM8YT–Abstract black and white watercolor light painted background or texture. CLoseup.

. English: Ink and wash paintings of Yanagawa Kouran (1804-1879) 日本語: 梁川紅蘭(張氏紅蘭、1804-1879)『水墨　雪景山水』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 571 Yanagawa Kouran Painting Stock Photo

RMMY3BMW–. English: Ink and wash paintings of Yanagawa Kouran (1804-1879) 日本語: 梁川紅蘭(張氏紅蘭、1804-1879)『水墨　雪景山水』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 571 Yanagawa Kouran Painting

Various crayon pencil strokes on white background Stock Photo

RF2GKMH1M–Various crayon pencil strokes on white background

Autumn Landscape, Meiji period (1868–1912), 20th century, Japan, Ink and color on silk, 50 7/16 x 19 11/16 in. (128.1 x 50 cm Stock Photo

RMKC49NK–Autumn Landscape, Meiji period (1868–1912), 20th century, Japan, Ink and color on silk, 50 7/16 x 19 11/16 in. (128.1 x 50 cm

Qi Baishi, drinking tea at home in Beijing, in 1957, months before he died. Stock Photo

RMJ3PCG4–Qi Baishi, drinking tea at home in Beijing, in 1957, months before he died.

RF2CTP33Y–Various crayon pencil strokes on white background

RF2N1HERP–Poppy flower. Papaver. Stem and leaf. Elements for Anzac day design. Hand drawn vector illustration. Monochrome black and white ink sketch. Line art

Art and craft spray paint gun . Stock Vector

RF2JHCKAW–Art and craft spray paint gun .

Art ,painting ,drawing,Fine art , running horse, Lucky, Thailand , black and white , monochrome Stock Photo

RF2F3DWBX–Art ,painting ,drawing,Fine art , running horse, Lucky, Thailand , black and white , monochrome

Cartoon Mahatma Gandhi , The British Lion shows his Teeth, Haagesche Post, The Hague, Netherlands, 1930 Stock Photo

RMR70WBD–Cartoon Mahatma Gandhi , The British Lion shows his Teeth, Haagesche Post, The Hague, Netherlands, 1930

Set of different black grunge brushes isolated on white background Stock Vector

RFW7K6CD–Set of different black grunge brushes isolated on white background

RF2XDTBX7–Abstract black ink paintings isolated on white, set

Seascape and Deluge (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished com Stock Photo

RMPANJ20–Seascape and Deluge (from Sketchbook VII). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1886. This sketchbook contains forty-six drawings in graphite and ink, primarily of New England landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.2) of Pacific Northwest landscape subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished com

Illustration and Painting Paintings Stock Vector

RFHB0EKH–Illustration and Painting Paintings

RF2BHTJDT–Pastel retro circle isolated on a white background. Black ink splashes in circle. Grunge background shapes.

Black hand print isolated on a white background Stock Photo

RFH8E85W–Black hand print isolated on a white background

A Tang Palace Attributed to Qiu Ying Chinese. A Tang Palace. Attributed to Qiu Ying (Chinese, ca. 1495–1552). China. Hanging scroll; ink and color on silk. Ming dynasty (1368–1644). Paintings Stock Photo

RM2HHPB39–A Tang Palace Attributed to Qiu Ying Chinese. A Tang Palace. Attributed to Qiu Ying (Chinese, ca. 1495–1552). China. Hanging scroll; ink and color on silk. Ming dynasty (1368–1644). Paintings

Paintography. Double exposure portrait of a young man and dark paintings accentuating his shadows Stock Photo

RFTX9FKP–Paintography. Double exposure portrait of a young man and dark paintings accentuating his shadows

RFEJA548–Seamless splash abstract background for design

The Dragon In the style of Chen Rong Chinese. The Dragon. In the style of Chen Rong (active 1235–62). China. Hanging scroll, framed; ink on silk. Song (960–1279) or Qing (1644–1911) dynasty (?). Paintings Stock Photo

RM2HH3R84–The Dragon In the style of Chen Rong Chinese. The Dragon. In the style of Chen Rong (active 1235–62). China. Hanging scroll, framed; ink on silk. Song (960–1279) or Qing (1644–1911) dynasty (?). Paintings

. English: Ink and wash paintings of Gochiku Nakamura (1827-1913) 日本語: 中村梧竹(1827-1913)『墨竹　自畫賛』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 436 Nakamura Gochiku Painting Stock Photo

RMMTW2H5–. English: Ink and wash paintings of Gochiku Nakamura (1827-1913) 日本語: 中村梧竹(1827-1913)『墨竹　自畫賛』(『大毎美術』第14巻、第12號、第163號、大毎美術社、図版p.39) 436 Nakamura Gochiku Painting

Turtles 18th–19th century Attributed to Katsushika Hokusai Japanese. Turtles. Attributed to Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)). Japan. 18th–19th century. Ink on paper. Edo period (1615–1868). Paintings Stock Photo

RM2HJ40JG–Turtles 18th–19th century Attributed to Katsushika Hokusai Japanese. Turtles. Attributed to Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo)). Japan. 18th–19th century. Ink on paper. Edo period (1615–1868). Paintings

Mountain Landscape, Muromachi period (1392–1573), Japan, Hanging scroll; ink on paper, 27 1/2 x 12 1/2 in. (69.9 x 31.8 cm Stock Photo

RMKC4943–Mountain Landscape, Muromachi period (1392–1573), Japan, Hanging scroll; ink on paper, 27 1/2 x 12 1/2 in. (69.9 x 31.8 cm

RMGD9H42–Qi Baishi

Album of Genre Paintings Album of Genre Paintings, ca. 1871. Ink and color on paper, Each leaf, approx.: 8 1/8 x 7 7/8 in. (20.6 x 20 cm). Asian Art ca. 1871 Stock Photo

RM2M93E67–Album of Genre Paintings Album of Genre Paintings, ca. 1871. Ink and color on paper, Each leaf, approx.: 8 1/8 x 7 7/8 in. (20.6 x 20 cm). Asian Art ca. 1871